#if not for those then I wouldn't be here

[callsign-songbird]

It's so weird that this December 9th will mark one year of being in the COD fandom... in just one year, my taste in men has done almost a 180, and somehow, I'm happier for it. More self respecting. A lot happened this year, but Task Force-141, Kortak, and the Ghosts have been there for me.

Just wow...

What should I write to celebrate one year of COD? Leave me some ideas in the comments or ask box!

[egophiliac]

Thank you for having bee obsessed with fellow and gidel at some point the art is wonderful the jokes are fun and it fuels my newfound love for the newly turned teacher wannabe and his brother

"at some point" heavens no, these idiots have been living rent-free (they would have it no other way) in my brain all year, and will continue at least until skeleton man shows up to steal christmas our hearts. and probably well past that. 👍 years from now I will continue to wake up to incredibly stupid doodles of them that I have no clear memory of drawing and have to debate whether or not they're fit for other people's consumption.

(also thank you! 🧡💜🧡)

[inkskinned]

the thing is there's like, a point of oversaturation for everything, and it's why so many things get dropped after a few minutes. and we act like millennials or gen z kids "have short attention spans" but... that's not quite it. it's more like - we did like it. you just ruined it.

capitalism sees product A having moderate success, and then everything has to come out with their "own version" of product A (which is often exactly the same). and they dump extreme amounts of money and environmental waste into each horrible simulacrum they trot out each season.

now it's not just tiktokkers making videos; it's that instagram and even fucking tumblr both think you want live feeds and video-first programming. and it helps them, because videos are easier to sneak native ads into. the books coming out all have to have 78 buzzwords in them for SEO, or otherwise they don't get published. they are making a live-action remake of moana. i haven't googled it, but there's probably another marvel or starwars something coming out, no matter when you're reading this post.

and we are like "hi, this clone of project A completely misses the point of the original. it is soulless and colorless and miserable." and the company nods and says "yes totally. here is a different clone, but special." and we look at clone 2 and we say "nope, this one is still flat and bad, y'all" and they're like "no, totally, we hear you," and then they make another clone but this time it's, like, a joyless prequel. and by the time they've successfully rolled out "clone 89", the market is incredibly oversaturated, and the consumer is blamed because the company isn't turning a profit.

and like - take even something digital like the tumblr "live streaming" function i just mentioned. that has to take up server space and some amount of carbon footprint; just so this brokenass blue hellsite can roll out a feature that literally none of its userbase actually wants. the thing that's the kicker here: even something that doesn't have a physical production plant still impacts the environment.

and it all just feels like it's rolling out of control because like, you watch companies pour hundreds of thousands of dollars into a remake of a remake of something nobody wants anymore and you're like, not able to afford eggs anymore. and you tell the company that really what you want is a good story about survival and they say "okay so you mean a YA white protagonist has some kind of 'spicy' love triangle" and you're like - hey man i think you're misunderstanding the point of storytelling but they've already printed 76 versions of "city of blood and magic" and "queen of diamond rule" and spent literally millions of dollars on the movie "Candy Crush Killer: Coming to Eat You".

it's like being stuck in a room with a clown that keeps telling the same joke over and over but it's worse every time. and that would be fine but he keeps fucking charging you 6.99. and you keep being like "no, i know it made me laugh the first time, but that's because it was different and new" and the clown is just aggressively sitting there saying "well! plenty of people like my jokes! the reason you're bored of this is because maybe there's something wrong with you!"

[lucabyte]

Different standards

[gen-toon]

[omaano]

"Congratulations on your new job on Coruscant, Commander"

Fox commission for @whiskygoldwings Thank you so much for letting me run wild with these, I've missed drawing flowers so much! ❤️

Black Dahlia - for betrayal, evil and dishonesty Orange Lilies - for deep hatred, doom, as well as enthusiasm and energy (good as congratulation for a new job or promotion) Poppies - for the dead and Foxgloves - for deceit

[not-kat]

i can't be the only one who still thinks about maximum ride

[bread-wizards]

I actually think Dorian and Orym should fight more.

Remember when their slowly building tension over and entire episode (full of passive aggressive remarks and blame throwing) led to threats? And how after, Orym thanked Dorian for handing over the crown sadly because he knew Dorian would be mad at him? And Dorian couldn't even look at him because he was legitimately hurt, thinking Orym was disappointed in him for doing what he thought was right? That was peak.

The fact they went from that to their current closeness and trust is the best part of their entire dynamic. Their relationship was hard fought and still will be. They will fight for it because they respect and care for one another deeply, and their disagreements don't change that, only improve it.

[tls12lessthan3]

thinking about orvs metatextual engagement with its genre and specifically how that interacts with its women again. kim dokja is a self insert for the reader - what he thinks is largely meant to represent what we think, especially in the beginning before sing shong really fleshes out his character. kim dokja sees the world through tropes, directly acknowledging the genre around him and the cliches we expect e.g. the overpowered mc, the scheming villain, the beautiful heroine.

but a major part of his arc is deconstructing this reductionist view of the world in a way that parallels the author's deconstruction of the genre, and that plays really well with the way orv writes women. yoo sangah is perhaps the best exanple - shes introduced as the heroine, a one-dimensional pretty girl who in any other novel would become kim dokja's love interest. but the authors allow her to be her own character, directly challenging the stereotype of the heroine and calling attention to the genre's typical lack of depth for such a character. i think this undercurrent plays in the background often but really comes to the forefront when yoo sangah reminds kim dokja of her putting pepper in their bosses' coffee, a memory kim dokja had supressed because it didn't fit with the pretty girl persona he made for her.

i interpret that moment as yoo sangah pushing her way out of the mold of heroine often found in these stories, demanding a depth be added to her character, asking kim dokja - and thus the reader - to see her in her entirety, to see the heroine archetype for what she could be. orv is at all times in conversation with its genre, and its simultaneous writing of female characters with agency and depth and acknowledgement of the tropes these women are expected to fulfill is undeniably a part of that. and its a part i enjoy. most of the time.

[p4nishers]

there's something i need to say and yall can boo me for it but deep in my heart i'll always know i'm correct: crowley already forgave aziraphale. like already would take him back at one flutter of his eyelashes. that's all.

[front-facing-pokemon]

greetings, everygamer! it’s not often you see a text post from me with no asks attached to it, so what gives?

@front-facing-pokemon (this blog) is rapidly approaching its end! you may have noticed if you’re paying attention to the remaining pokémon in the pokédex, but we’ve only got like TEN DAYS before we reach the END of the pokédex and i have nothing left to post on this blog. yesterday, i queued up the FINAL pokémon in the national pokédex, and have thus RUN OUT of pokémon to queue up!

so what happens now? well, that’s up for you to decide! this is That One Post where you can drop all your suggestions as to what should happen to this blog once we reach the end of the national pokédex! i’ve already heard things such as redoing the whole pokédex but this time it’s shiny (top contender right now!), back-facing pokémon, and turning this into a poll blog, so those are already in the running! if you have any other ideas (that are pokémon-related, please—and if they stick to the theme of the blog [like shinydex], that’s even better)

once i get enough suggestions and filter through for the ones that i like or that are viable, i’ll make one final poll that will decide the fate of this blog. (personally, i think the shinydex is in the lead for me) until then, enjoy the remaining posts, and thanks for stickin' around for this bumpy ride!

and finally, because plenty of folks have asked, and i’ve kept it a secret for this long, i feel you all deserve to know!:

my main blog is @kinogassa. that’s breloom’s japanese name! subject to change, and i rarely use that blog to be QUITE honest with you. buuut, if enough of you still care, then maybe i will!

a lot of you who cared already managed to sniff it out back before i could comment on posts from sideblogs, so shoutouts to you guys! for everyone else, i hope it was worth the wait(?)

i think i’ve also gotten a few other suggestions like taking requests on specific angles or whatever but that changes the flow of the blog to being request-based as opposed to queue-based ’n i dunno how i feel about that

by the way, massive shoutouts to the pokémon models ripping project, without which this entire blog would not have been possible!

i can't think of anything else to say (for now), but i'll be more active and responsive in the coming days as we try to figure out where all of this is going. see you tomorrow for whatever comes next!

[autisticandroids]

FAMINE: That's one deep, dark nothing you've got there, Dean.

[youtube with closed captions]

dean and his father. dean and his family. dean and how bad it is.

(via @closetoyou1970)

[kurozu501]

do you ever just remember how one of the most effective things parvis said to get silence to lose faith in saria was essentially "do you really think she would ever choose YOU over everything?" and silence with her low self esteem really didn't believe saria would.

Then in the end saria really did choose them over everything, left her defense director job and her whole life up to that point behind for the sake of silence and ifrit. and silence still doesnt even know. do you ever think about that and lose your mind a little bit.

[skippingthroughfields]

one thing that's missing from these convos about amc not submitting assad zaman for a golden globes nom that makes it 10x more malicious on amc's part is that a nomination isn't just like oh... ~simple appreciation for an actor's performance. even if there's no win, it results in a profile boost for these actors & them being able to command a higher salary when it comes to future projects. it's something that gets notice on their CV. these studios and networks love being able to market their shit with things like "starring golden globe nominee john doe" or "emmy winner jane doe." the emmys are more prestigious than the golden globes which are more prestigious than the critics choice awards (the one they submitted him for with two other actors lol). actors get nominated and have the opportunity to get attention from social media posts, article mentions, attending the red carpet, having their name announced and a little clip of their acting shown. that's not nothing! attention from possible new fans, publications, execs, peers, producers, directors, fashion houses & other industries which could lead to $$$ and sponsorships. I won't make any presumptions about the cast's finances but I do know amc is probably not paying them their worth, least of all the bangladeshi muslim who barely had any major roles in tv/film prior to the show.

there are fees and costs associated with submitting for awards consideration and FYC ads. the network basically took a look at assad's brown skin and name and said they don't think he's worth the money over the white actor who had less screentime and narrative importance (to the season ig) which is absolutely crazy lmao. it shouldn't be controversial to say that and you can't not discuss this without bringing up sam's name. this has nothing to do with whether he "deserved" to be submitted (and even if I said he doesn't deserve it over assad who's gonna beat my ass?). this white man isn't being persecuted by conversations about blatant racism. but I'd expect nothing less from this fanbase x.

[chirpsythismorning]

I’m sorry but nothing will ever beat Finn’s drive playlist that he made during s3 filming, with songs like Me and Michael, The Basement, Gay Thoughts and No Woman lmaoooo

[repmet]

@rwrbmovie & @rwrbsource’s rwrbweek: Day 4 | Little Detail