#if ive learned anything from writing this fic its that giving your characters secrets to keep is super fun and offers a lot to play with

[bronzefuryfic]

i love writing i love writing i love writing

[arealcrow]

For Adina, lawrie pierce moody, and Leslie!

Background, Secret, and End!

stirring them up in my chili pot where they have been cooking all day. delicious

Background: Does your PC get up to anything that you don't narrate often? Any background habits, activities, plots? Do you share these through other avenues (e.g. a group chat, table cross-talk, posting online)?

adina: he does So much, most of it stays in my head because its very basic stuff like taking care of goldbiter, mending his clothes, training during downtime to keep up his reflexes. also there's some patron stuff that happens behind the scenes, less so now that he put most of his cards on the table last session. ive written about the aftermath of his last soul collection, im sure he'll talk about it/it'll come back to bite him in the ass at some point.

lawrie: similar stuff as adina where i think about his working on his armor and his sword, taking care of pepper. now thats hes spent a decent amount of time in wildspace he has nightmares most nights, and weird dreams on the nights he doesnt. ive been meaning to write smth about it, but ive still only got vague vibes for what's going on with his patron/ancestry so it'll probably be a bit.

leslie: i feel like i tell you . every single important thought i have about leslie atp hmm. i feel like he would press flowers. and translate latin and arabic poetry for fun. also im definitely going to bring it up in game if i can bc i think its fun, but he has a specific love for typewriters

Secret: Is there anything that you know about your character but your character doesn't know? What is it? How did you come up with this secret?

adina: yes <3 i cant share yet, because vee came up with it and gets to drop it in game when they want lol

lawrie: Also yes and Also i cant share yet in case any of my fellow spelljammers look but. i cant send u his lore on discord sometime if u want. secret lore. illegal lore. with secret fics included. i came up with it because i wanted something to foil his dad sid's arc, and i love being tragic, gay, dramatic, etc

leslie: hmmm. he is in so much danger. also the actual ghost of his brother is still haunting him. idr where i got the idea but i give it to you for asking if any of his family was on the titanic, because that def perfected the idea

End: What's the ideal ending for your character's story and the game? Are these the same, or different?

adina: okay. so he wants to save his family from their debt. and be very rich. i want him to detach himself from finding worth in his family's business and needing their approval of him in general, and learn to love himself as a person and not a weapon. also still be very rich tbh. he deserves it. he deserves everything he wants and to never feel bad about it <3 also i think he does want to marry the mlms. he's not ready to admit it mentally yet but I Know

lawrie: save his family!! and his friends!! and also the rest of toril. and also himself and rex. and live happily ever after In Space. mwah.

leslie: not die! get married to basher and run away to live in the countryside with cows, where he writes books about old buildings or ghosts or blood or probably all three <3

[blorbosondeck]

fic rec masterlist

canon divergent/finale fix its

Anamnesis

THIS! FIC! this fic lives in my head rent FREE it is so good and it makes so much sense in the narrative that the shitty finale concocted, as to why they wouldn't mention cas or anyone else and its just. so good and they write chuck in the most villainous way that i love!!!

"Chuck is depowered, Jack is the new god, and the world is free. Dean and Sam get into the Impala and chase down the miles on an endless highway, and their story is finally, finally their own to follow. At least, that's what Dean tells himself. But the diners and motels and painted interstate lines are blurring together and the smallest details keep catching at his brain like tiny fishhooks and he can't quite shake the feeling that not everything is exactly as it should be. Fix-it/alternate series finale. Canon-compliant through the end of 15.19."

Sunset Sound: Stairway to Heaven by @adhdeancas

GOD FUCKING CHRIST this is so good and sweet and im such a sucker for team ups and reunions!!! its 3:30 am rn and i just finished it and i love it SO much it made me laugh a lot and the last few chapters i had the stupidest grin just plastered to my face

The Closer the Star, the Greater the Parallax by @rocksalts​

repressed bastard dean submits to the mortifying ordeal of being known and receives the rewards of being loved but only after some miscommunication i LOVE this i read it last night and it’s a fast favorite. my interests have overlapped and i am INTO it

“When Dean sits down to watch some bullcrap Discovery Channel episode with Cas, he doesn’t expect to actually learn anything. Except, with Cas explaining, he makes an effort to connect the dots.”

Don't We All Deserve To Be Happy?

VERY sweet and a VERY good pick me up. all around feel good fic!!! 

"Post-canon fix-it, divergent from 15x19 where Jack stays and Dean doesn't die and Cas comes back and everyone is happy. Take a shot every time I'm salty about the finale."

Keep Your Love Alive

okay. okay okay okay this may be my favorite finale fix it just because of how well reasoned it is. like this feels what should have happened i love it SO much

"Dean gets to spend eternity sharing beers with Bobby on the Roadhouse porch and riding around in his Baby with Sam. He’s at peace… or he feels like he should be. But a few things nag at him: Where is Cas, and everybody else Dean had been hoping to see in Heaven? Why does he feel like he’s stuck in a loop, reliving the same memories over and over again? And who are the strangers wearing Sam’s and Bobby’s faces?"

The GoldenRod Revisions by @aethylas​

this is one of the most well written things ive ever read. the script format DID make it feel more real and honestly? this is better writing than this show deserves. the finale that could have been ♥️

“A rewrite of Supernatural’s final two episodes, expanded into a five episode arc - in which Chuck needs to be defeated, Castiel deserves to be saved, and the characters in this story get a very different ending.“

Ascend by @wanderingcas​ 

THEE finale fix it fic!!! written by the AMAZINGLY skilled and talented @wanderingcas !!! it’s 50k of angst and hurt/comfort and pure bliss

“Something in the world is wrong.

Demon activity is rising where mysterious black substance oozes and unusual ecological events are shaking the world. Dean, grief hanging on his shoulders, restlessly searches for answers that might lead him to the Empty… and to Cas.

But what Chuck wrote can’t be undone. The narrative thread pulls Dean along, forcing him to comply. Because once a story already has an ending, it can’t be rewritten.

Or can it?”

Things Happen (They Do, And They Do, And They Do) by THEE @sobsicles

i KNOW everyone has already recommended this and likely you’ve all already read it. but it has to go here bc REPRESSIOOOOOOOOON i LOVE this so much it is one of the most perfect things i’ve read. are you bisexual? did you have a kind of weird relationship with your best friend and not realize that how you felt about them wasn’t necessarily how other people felt about them and you were maybe a little bit in love with them but were too repressed to realize it? you’ll feel seen. maybe a little too seen

Closer (isn't close enough)

are you a sweet and sappy yet horny bastard? do you like cas exploding light bulbs? you will like this.

“the one where they finally talk about what cas said before the empty took him”

You and Your Husband

it is exTRMELY sweet!!! repression dean strikes again <3

"Five times Dean corrects someone about his relationship with Cas, and one time he realizes he doesn't need to."

Tall Grass

miscommunication and a slowburn! despite being written in 2017 and finished in 2018, it feels like a fix it. ft. plant obsessed cas <3 

Invictus

a LOVELY and short (relatively) finale fix it

“They saved the world. They're free. It's done.

Except it's not, and carrying on is the last thing any of them are thinking about.

They still have someone they need to save.”

Unchained Link

post finale- it’s a great case fic and i am compelled i want more!!!

"It's after the end of things. Life continues on while Dean is "livin it up" in heaven. But it's never that simple, is it? A freak occurrence sends Dean into another time stranded back on Earth. And he thought his hunting days were over. But, no worries. His knight in shining armor comes to the rescue. Hijinks, therefore, ensue."

fun and time unspecified

Ladies and Gentlemen, This is Love Potion No. 5

very funny and sweet! miscommunication at its finest ♥️

"Cas gets drenched with a mystery potion from the ‘love spell’ shelf and... Dean has a sneaking suspicion, angel or no— the spell may have taken effect. And Cas might be in love with Sam."

The Way We Were

Y'all. It is so good its a great mix of funny and serious- extremely fun to see dean as like a base bisexual

"Dean and Castiel pose as a couple to gain access to a gated community known as 'The Glen', a pleasant if secretive location that the boys believe might be linked to several dead bodies showing up over the years bearing signs of ritualistic sacrifice. All seems well until Dean's memory is affected from an incident during a solo exploration, leaving Dean convinced that their cover story is true. Castiel is left trying to resolve their case without taking advantage of an increasingly enthusiastic Dean"

While You Were Sleeping

this is basically just the movie but replacing sandra bullock with cas. this is my comfort movie and imo, one of the most perfect rom coms. the fic isn’t finished but i still have the tab open on my phone and i will straight up go back and re read it when i need a pick me up. 

aus/rewrites

The Harvelle Gospels: Offscript

i know everyone ever ( @jewishcharliebradbury ) has recommended this fic. and for good reason go fucking read it

“The Apocalypse is averted, the angels are in Heaven, and Jo is free from the threat of possession. Somehow it couldn't be farther from a happy ending.“

absolute riots

An Ineffably Profound Bond

i honestly would have put this in the finale fix it section! look. i know. i know you've been burned by crossover fics before. but this is Thee good omens/spn fic you want. its funny as hell and immensely satisfying. im weak for everyone working together tropes and that is this

"After Chuck sets 'The End' in motion, the remaining members of TFW make a miraculous escape. Not willing to waste any time, Castiel comes up with a plan to travel to one of the other worlds to try and get help from the angels there, but after a fight with Dean, it's the hunter who gets sent into an alternate universe,with seemingly no hope of return.

When a mysterious human with a heavenly weapon shows up in Aziraphale's shop, he and Crowley learn that their world is not the only one. Now it is up to them to decide whether or not they want to join forces with the human and help him save his world or simply find a way to send him home."

Somebody Up There Likes Me by @lafilleredige

cas is hit with a spell that turns his vessel into a woman, hijinks and sexuality crises ensue etc etc sam is a supportive and bitchy little brother and its all SO fucking funny and also. horny as hell i love it i love it i LOVE it

“’Dean doesn’t want to talk about your breasts, it’s making him uncomfortable because he hasn’t acknowledged the complex fluidity of human sexuality.’“

Stray Cat Strut

a long crack fic that IS one of the funniest things i’ve ever read and i can’t explain why. it’s so ooc but its so funny that i don’t care. if you need a laugh you gotta read this

"Sam and Cas are immediately in love with the adorable kitty they find outside the bunker door, and occupy their time planning how to convince Dean--who they believe is off sulking after a botched hunt--to let them keep their cat. Along the way, Dean learns to use a litter box and hears some confessions he maybe wasn’t supposed to hear, all while realizing just how much he loves Castiel.

Now all Dean has to do is convince Cas and Sam their new pet cat is actually him before they do something crazy--like neuter him!"

canon compliant or slight canon divergence

Give

by @doublestuffedimpala post season 7 episode 7, kind of ambiguous ending but truly a cas is happy to bleed for the winchesters fic

Punch Like Bones 

short, post 5x04 homoerotic moment that i wish we’d gotten

[bookwyrminspiration]

HI YES WHO GAVE YOU THE RIGHT TO LEAVE SUCH A NICE COMMENT??? i may be. becoming a little unhinged bc!!!! and ok so like not many people...actually ever ask about all my ideas so i apologize if i just infodumped a TON completely unprompted bc i just got. very excited. obviously i couldnt recount every event in bronte's life leading up to that point but!!!! i hope my answers are either enough to quench your curiosity or to stoke the fires even more bc i have been thinking about all of these ideas for so long. and OH WOW this ask is getting away from me but thank you and ive replied to your comment and you are amazing and i am so glad to be your friend and ily!!!!!!

- pyro

me! I gave me the right! Also you're fully welcome to become more than a little unhinged. Go wild, if you'd like! I think leaving nice, thought out comments is really fun, especially when I get to engage with the writer and listen to them talk about the thought behind their work. Also I like receiving nice comments, so I try to make time to write out a full comment whenever I do leave one--like when people send me art!!

"not many people...actually ever ask about all my ideas" well, guess what! questions are literally a major aspect of how I communicate! Give me any topic and I will undoubtedly have dozens of questions spiraling off of one another. The number of times people have been stumped with how to interact with me or do an activity with me because I ask so many questions...so many. And even more so when its a topic I'm interested in, like your fic. There's clearly a lot about it going on in your mind that you've channeled into your writing, so I want to know more about it! The motivations, the explanations, what approach you're taking, what key elements of the characters you've decided to focus on, how that leads to later understandings of the characters, everything!

and you have absolutely nothing to apologize for. everyone is welcome to infodump about anything and everything (including topics outside of kotlc) they're interested in whenever they want, regardless of whether or not its prompted! your excitement is infectious! I may not fully understand everything you're saying about the character or why, but I can tell at the very least that it's captivating to you, and that makes me want to learn more--hence the comment and all the questions.

and your answers were wonderful to read through! If I have time later I will go back and respond to that, but I do have a class in a couple hours so please be patient with me! This is the first week in a while where there isn't something extra or really time consuming going on, so I'm trying to get back to my preferred schedule and answer asks more regularly (the past two weeks have been...so busy). Also I thought your comment about me finally learning what its like to not hold all the cards was hilarious. and also entirely fair! you can get back at me all you'd like for the secrets i've kept about the wings au!! (I don't even think you're aware of all the secrets I'm planning rn...)

I am also glad to be your friend!! I wish we were closer together in the world so I could give you a hug. you're amazing as well and I'm very pleased you enjoyed my comment because I loved your fic!! I love you too!!

[peachcitt]

okay, so style reference you say? I'm 👀

YES STYLE REFERENCE I SAY

this is going to be. a very long post i think with probably a lot of tangents and probably with a lot more thorough explanation than you could ever want but. here we go

because all of my theory/explanation posts end up So Long, i like to organize myself by keeping myself to a structure, and i also like to think if i put stuff in sub categories with bolded titles, people reading can skip ahead to the stuff they want if they're low on time or don't feel like slogging through everything. so here's the structure of the official Peach Style Reference Narrative

1. Early Days - how i started writing, my early inspirations, origins

2. Current Days - discussions of current style references plus examples and comparisons, discussions of original content versus fan content

3. Future Days - where i expect my writing to grow, trajectories i want, conclusory thoughts

without further ado, let's get into it!

1. Early Days

like i mentioned on the discord server, ive been writing creatively for. a very long time. i just turned 20 (like. literally today. we love to see it) and that seems very young, but i remember writing creatively when i was maybe six or seven, and before that i played with dolls a lot, which meant every day i was creating little narratives for myself. in addition to this - and this is probably why i started writing so young - i was (and am!) a very avid reader. i was that little jerk in elementary school reading chapter books and going into the older kids' section in the school library because i'd already mentally surpassed the books in the section meant for kids my age. so, basically, ive been writing for maybe 13 or 14 years at the least.

when i was young, my favorite books that i remember trying to copy in my own stories were: the magic treehouse books, harry potter, and percy jackson.

the magic treehouse

i honestly could not tell you which magic treehouse book it was, but i remember reading a specific magic treehouse book where the magic lady that left the treehouse for the kids sends the kids (jack and annie??) a note in distress, and she didn't get to finish signing her name because whoever had gotten her had interrupted her. it had been printed in the book with the ink on her name running.

i could not tell you anything else that happened in that book, but i can tell you that at some point in time soon after i read that book i started writing a story with an interrupted letter just like that. i loved the drama, the mystery of it all. i wanted to do something that was a little scary like that, a little exciting.

harry potter

harry potter isn't much of a style reference, but it was a huge impact of my childhood. truth be told i kind of hated the books when i was really young because i grew up watching the movies, and when i tried to read the books when i was in elementary school, the teenage angst that hits about book 5 simply Did Not make sense to me. i also find the language of harry potter to be super cumbersome, and sometimes it feels to me like the books are long just for the sake of being long. they have a huge cultural impact, but i feel the same way about harry potter's style as i do about dickens. cool and interesting, but, like, could you get to the point already? (and also my opinion of j.k. rowling has steadily been growing worse and worse over the years, for obvious reasons. harry potter is nostalgic for me, but i can't look at it now without thinking about it critically, which really lowers my opinion of it)

however, you could probably call my first fanfiction a harry potter fanfiction. i started it when i was maybe six or seven, and it was a rewrite of the chamber of secrets with my childhood best friend as the main character (she didn't know about it, i just had her as the main character because i thought she was cool). i of course never finished it, but harry potter probably did a huge part of planting that seed of magic in me. everything i want to write included some form of magic - although my perspective on what can be considered magic has steadily expanded over the years.

percy jackson

of all my childhood "style references" that still influence me to this day, percy jackson has got to be the biggest. for starters, it's magic. second, it's main themes are about friendship and family - things that i like all my stories now to always include. third - and most important - is the narrative voice.

in terms of narrative voice, percy has a huge personality. he's witty and snarky, but also very thoughtful and poignant. a lot of my early writing was in first person, and it's probably because of percy. also, percy jackson was the first fandom i really got into, and it was the first media that i started officially writing and posting fanfiction for. percy's voice is so clear and hooking, and i wanted to be able to write something funny and real like that.

also - chapter titles. the original pjo series is famous for its weird and hilarious chapter titles, and even though i didn't really start writing fics or stories that were long enough to need chapter titles until a while later, i loved the idea of putting in a chapter title that would make a reader laugh, or maybe even make a reader feel a little apprehensive about the events to come.

but back to percy's narrative voice. i loved that style, almost conversational, so much that i started thinking like it. when i wasn't doing anything, like walking home in middle school, i often found myself narrating my life in my head like percy would, trying to find that humor and spark in my every day surroundings. i still find myself doing that very often, but not necessarily in the classic pjo style. now i narrate everything in my head a little differently, but that practice narration in my early days really helped my shape my voice, i think.

other series i read when i was younger include: a a series of unfortunate events and the name of this book is secret. i don't remember seeing a lot of influence in my early writing from those books, but i definitely think the styles of those books hit me a little later, which i will talk about in the next section.

but, yeah. these were the big three of my childhood. i also read a lot of ya romance, children's mystery books, princess stories, and various types of fantasy, which i think you could probably tell from the genres i like to stick to now. except i don't write a ton of mystery because, as much as i admire the complicated plots, im not sure if i'd have the patience to plan all that out.

in terms of the rest of the genres, a ton of my earlier writing included classic ya romance and fantasy tropes - chosen girl, love triangles, angsty overpowered teens, etc etc. even though those kinds of stories are not necessarily the kinds of stories i want to write or read now, i think my early writing of those kinds of things was really valuable. it's kind of a dirty secret with finished or unfinished works generally considered 'cringe' - often that writer is a new writer, or they're trying something new, or they just haven't found their voice yet. all of those things are perfectly okay and normal, and a lot of people in the writing community preach that kind of thing, but i don't necessarily see people cutting new writers slack in actual practice. writing "overrused" tropes isn't cringe, it's normal, and, besides, what trope isn't overrused? people have been writing and telling stories for thousands of years - nothing is really new. what matter is that someone new is telling the story, and that's what makes it valuable.

so, yeah, a lot of my childhood writing is cringe to me now, but i wouldn't be where i am without it.

with that being said, let's actually look at where i am now

2. Current Days

im going to break this section down into two parts, sort of: original fiction and fanfiction. because i think both of these things have become really important to me, and i don't believe i personally could exist as a writer without one or the other. it's a symbiotic relationship.

we'll start with fanfiction.

my relationship with fanfiction is relatively positive in online spaces: i write what i want to see from media that i like, and i have fun doing it. i also get some comments on my fics by lovely people that detail exactly what they like - some even go so far to talk about narrative style, voice, or tone - and that's really helpful. generally, i see fanfiction not only as a fun hobby and vent space for my strong positive feelings about certain media, but also as a place for me to try new things, experiment, and earn positive feedback.

i don't often share my original fiction online (and if i do, never at the same scope as my fanfiction), so i don't get that same opportunity to see what "works" with readers. fanfiction gives me the space to see that, and i apply new knowledge ive learned to my original fiction. that's what i mean by a symbiotic relationship.

in terms of specific style references for specific fics (which is what i know you probably most want to see), i'll try my best to pick them all out and give specific examples.

those benevolent stars and i am the messenger by markus zusak

in my favorite book list, i saw you mention tbs, so i'll start there. to be honest, i had no idea what my style reference for tbs was when i first saw your tags, and i almost didn't think there was anything specific. style references are a bit sneaky like that - if you've been referencing for someone for a long time, it becomes less of an intentional reference and more of just a you think, so it gets harder to tell.

lucky for this post, i just finished doing my yearly reread of zusak's i am the messenger, and as i was reading, i noticed a few spots where i was like wait hey i remember doing that.

for starters, iatm has been my favorite book for about six or seven years now, so i would say that some aspects of my style certainly comes from zusak because of how much i love iatm but also his other books. zusak has this huge talent for writing short, punchy sentences that convey so much in just a few words, and i think i've ended up trying to do that in my own writing. often, in my writing you'll see fragmentary sentences such as "He stopped. Blinked. Looked at her." that's not from anything specific, but i know ive written something like that maybe a million times over. zusak doesn't do the same thing - often his fragments are jam-packed with imagery in a way that mine aren't - but there's a thoughtfulness in his fragments that are in mine, too. a sort of pause. a hint that there's thinking happening in the narrator or a certain character. for example, i did a quick flip through of my copy and we have:

"We stare across the table.

Just briefly.

At each other." (I am the Messenger, p.144)

so you see how my common sentence fragment of "he stopped / blinked / looked at her" tracks with a fragment like this? i like the way zusak broke up sentences to make you dwell on them a little longer, consider the importance of each section, so i started doing that wayy before i wrote tbs i think.

also, at the time i wrote tbs, i think i was in the process of, or had just finished doing my reread of iatm, and, like i said, zusak loves imagery. tbs is a very imagery-heavy fic. tbs was influenced by a lot of music - a lot of the scenes have very specific pieces of music that i wrote imagining the tone and vibe of. iatm also references a lot of outside media sources, mostly music and films.

there are a couple of scenes in tbs that i think i wrote specifically mimicking or accidentally referencing from iatm. for example, we have this scene in tbs:

"It was almost like he could feel Marinette’s eyes on his back, steady and gentle. 'But you still love her.”

'Yeah,' Adrien said quietly, 'I still love her.' His eyes moved along a streak of purple that bled into a dark blue. 'I hate her a little bit, too.'

Marinette was silent.

He turned around, giving her a smile." (Those Benevolent Stars, chapter 3)

and this scene from iatm:

"'Do you hate me, Ed?'

Still stupid with bubbles and vodka in my stomach, I answer. Very seriously.

'Yes,' I whisper. 'I do.'

We both smack the sudden silence with laughter." (I am the Messenger, p. 233)

obviously there are differences, and i don't think i did it on purpose, but the interaction is very similar. i love the gentle intimacy of that scene in iatm, that weird complication relationship between the main character and the person he loves, the hurt, the brushing it off with laughter. so i wrote a scene that incorporated those things

zusak is also really good at writing moments of quiet into his books that aren't necessarily important to the plot, but are still important. if you've ever read that ghibli meta post talking about the 'quiet' between scenes in studio ghibli scenes, meant to give both the audience and the characters space to breath, it's like that. nothing in iatm is not imporant - it all serves a purpose, even the quiet moments, and i try to do the same thing. there's moments like that in tbs i think, like:

"Marinette gave him a small smile before turning back to her ice cream. Adrien tried to eat his ice cream a little faster, licking up where it had dripped onto his hand.

They were quiet for a while longer, and Marinette finished her ice cream. She leaned back on her hands and looked up at the dark sky, littered with stars.

He could see them all in her eyes, too." (Those Benevolent Stars, chapter 3)

and in iatm, you get scenes like:

"Our feet dangle.

I watch them, and I watch the jeans on Audrey's legs.

We only sit there now.

Audrey and me." (I am the Messenger, p.120)

so i definitely think tbs is a very i-am-the-messenger/markuz zusak-inspired fic. there's a lot of zusak's quiet, and there's the pieces of zusak's style that i've picked up along the way that really shine in tbs

tomorrow and this body's not big enough for the both of us by edgar cantero

ive talked about cantero a few times recently, but, as you've probably noticed, in relation to my fic called 'tomorrow.' i wrote tomorrow pretty soon after reading this body's not big enough for the both of us, and i used tomorrow specifically to experiment with cantero's visual writing style. in all the books by cantero ive read, there's this kind of hyper-awareness of a film gaze - how a certain scene would be shot on a camera, dialogue as script writing, and other things like that mixed with prose. i thought it was fascinating, and after finishing this body, i really wanted to play around with that idea. so i wrote tomorrow keeping in mind a "film gaze." for example:

"Two figures sitting on a rooftop, silhouettes. The moon hovers over them carefully, a crescent afraid to break the silence. One of the figures takes a breath, looks up into the sky at the hesitant moon, and he sighs. He closes his mouth again." (tomorrow)

versus in cantero's work, where we get descriptions like:

"And then, like a high-heeled coup de grace, she arrived.

She paused briefly outside the door, her hourglass silhouette cast upon the glass panel with the fresh shiny vinyl letters" (This Body's Not Big Enough for the Both of Us, prologue)

the tone of the two excerpts are very different, but there's a very visual sense to both of them, like they are being described from a shot in a movie rather than a regular work in prose. in tomorrow i also work a lot with specific camera imagery - saying where the camera goes in the scene, what it focuses on - and this body doesn't do this too much, but cantero's meddling kids does at least once that i remember.

regardless, after finishing this body, i wanted to try my hand at the visual structure that cantero uses in his works, so i really leaned in to the idea.

chat noir's white french man hit list for feminist purposes and grasshopper jungle by andrew smith

this is, as of right now, the most recent fic on my ao3, and i started it the literal day i finished grasshopper jungle. i think you might be getting a theme here - i read a really good book, and then immediately after i start writing something. the easiest way to get inspired as a writer is to read.

chat noir's hit list is a fic that is very much aware of the fact that it is a story being told - you don't know by who or for what real reason until the end, but it's a self aware sort of story. it's also very snarky and sarcastic, and it expands past just the confines of its own story; it's about chat noir and his hit list, but it also talks in depth about emilie agreste, chat noir's relationship with ladybug, and his relationship with himself. this is very much the kind of thing that you would find in an andrew smith book - grasshopper jungle is a story being told to you, and it's also about more than just the original pieces of the plot. the narrator tells the story that expands past regular confines of the story he means to tell - he's telling the 'history' of his life and his town, but he also talks about his great-great grandfather, the origins of the ketchup his girlfriend's dad eats, and what's happening in other parts of the country as he and his best friend are hanging out. the line in chat's hit list of "stars exploded, the sun did not, life continued on" was very much a grasshopper jungle and andrew smith-inspired line.

at the end of adrien's narration in chat's hit list, he says:

"It should be mentioned at this point in time that this story is not over, although I’ll stop telling it here.

So that’s the story of Chat Noir, who is also Adrien Agreste, who was very much a normal boy, except for the fact that he wasn’t. It’s a sad story, but it is also a happy story, and it is highly confidential. I’m sure you understand." (Chat Noir's White French Man Hit List for Feminist Purposes)

and at the end of grasshopper jungle, as the main character is closing out his narration, we get:

What I have written here is not the history of Eden. It is the history of the end of the world. All real histories will be about everything, and they will stretch to the end of the world.

The end of the world started when Andrej Szczerba slid into the cold sea as his boy, Krys, watched and wept and drifted closer and closer to the United States of America.

Nobody knew anything about it." (Grasshopper Jungle, p.382-3)

It's not overtly similar, but the structure is the same: recognition of the end, short summary of where we started and left the story, tag phrase that was used prior in the work. when i was writing the end of adrien's narration, i didn't mean to mirror grasshopper jungle so closely, but sometimes things just happen that way - honestly, so many of the things i do in my writing aren't intentional, they're subconscious. when i make a conscious choice, it's related to plot or to a new strategy im applying to style or voice that i'm not used to, but a lot of the things i do fly under the radar in my brain unless im purposefully trying to piece them apart like i am here.

i will say the meta-story of chat's hit list was pretty directly inspired by grasshopper jungle because i love meta stories, and i like using opportunities to put them in. i just love the idea of reading a story of someone telling someone else a story, which is what the two books by andrew smith i've read have been, and i think that's just fascinating, which is why i used it here.

ive gotten a couple of comments on chat's hit list that liken the narrative style to pseudonymous bosch's the name of this book is secret and lemony snicket's a series of unfortunate events, which i thought was really interesting, because i was purposefully trying to make the voice an impression of andrew smith's voice adapted to the tone of ml, but i could definitely see their reasoning.

andrew smith, like i mentioned before, likes specifics - what exactly people were doing at certain times, where a specific bottle of ketchup came from, etc. from what i remember of the name of this book is secret and a series of unfortunate events, i remember the descriptions included in those books chock full of highly specific, snarky details that aren't truly necessary, but do a whole lot in terms of adding a certain flavor to the narration. i won't try and look up examples from unfortunate events and the name of this book, but here are a couple examples:

"See, the thing about Emilie Agreste, formerly Emilie Graham De Vanily, is that she was what could be generously called a ‘radical.’ Born in 1969, like most amazing and world-altering things, Emilie Graham De Vanily grew up in London alongside her twin sister, who is a nice enough woman and who is not really that important to this story, and she was raised with the firm and gentle hands of people who had witnessed war and cruelty and had found that they did not like at all. Emilie Graham De Vanily grew up learning about the true history of England, which is not a very nice history, truly, and she grew up knowing that people with white skin like her were historically not all that great. That, historically, was a very radical thought." (Chat Noir's White French Man Hit List for Feminist Purposes)

from chat's hit list, and this:

"In 1905, being seventeen years old made you a man. In 1969 when hungry Jack fought in Vietnam, seventeen years old was a man. My brother, Eric, who was somewhere in Afghanistan, was twenty-two.

Krzys Szczerba came across the Atlantic with his father. They planned on working and earning enough money so Krzys's mother, brother, and two sisters could come to the United States, too. People who did that were called Bread Polacks. They came here to make money." (Grasshopper Jungle, p. 68)

from grasshopper jungle. once again, obviously very different, but you can tell im playing around with that same feeling of giving a surplus of facts in my narration in the same way that andrew smith does. you can't really tell in the grasshopper jungle excerpt, but oftentimes the surplus of 'facts' serves almost a comedic effect, which is definitely something that you can feel in chat noir's hit list.

[REDACTED] and six of crows by leigh bardugo

as a reward for sticking around through this, i'll give out something fun here. the current long fic that ive been working on recently has proved to be very bardugo-inspired, particularly six of crows-inspired.

in six of crows, bardugo gives us action right off the bat and then integrates flashbacks into lulls of action so that there's never truly a dull moment. i found [REDACTED] to be a fic where i wanted to use flashbacks in a similar way, so that i would get something like:

"She doesn’t stay for the whole parade, but she stays for enough of it. Nothing unusual happens, just like always, but she still makes cursory patrols around the city, ending up at the Eiffel Tower, just like always. She sits on the railing way up at the top, and she crosses her ankles, swinging her legs back and forth and humming softly to herself as she watches the sun set.

'Little kitty on the roof, all alone without his lady,' he used to sing when he’d gotten back to their meeting point from patrolling his half of the city before her. It was just a silly little song, one that he’d clearly made up for himself."

It didn’t hurt until he’d been akumatized, and she’d seen that one version of the future - the one where he’d destroyed the whole world because of Gabriel Agreste. She’d seen him then, a lonely figure in white, humming his little song to himself. Who knows how long he’d been like that before she’d been transported to him, how long he’d been really and truly alone. (REDACTED, chapter 1)

and in comparison, we get a lot of scenes in six of crows like:

"Kaz leaned against the ship's railing. He wished he hadn't said anything about his brother. Even those few words raised the memories, clamoring for attention. What had he said to Geels at the Exchange? I'm the kind of bastard they only manufacture in the Barrel. One more lie, one more piece of the myth he'd built for himself.

After their father died, crushed beneath a plow with his insides strewn across a field like a trail of damp red blossoms, Jordie had sold the farm. Not for much." (Six of Crows, p.205-6)

bardugo uses most of the flashbacks during a time in which the main characters are on a long sea voyage, which means they have a lot of time to reflect on their pasts and what brought them to these situations - it's a smart way to fill the empty space of the sea voyage and to really dwell on how important the voyage is. in a similar way, i chose to use the flashbacks in dull or lulling moments in the events of the story, ones in which marinette lets her mind wander or sees something that makes her remember something specific.

however, here's a situation where you can see me adapt the style into something that makes more sense for me, personally: in my excerpt, the tense changes between the current events and the flashback events, while in bardugo's excerpt, the tense stays the same at a comfortable past tense. when i was writing my fic with the flashbacks, i thought the constant, sometimes abrupt, switching would get confusing, so i made sure to always have a clear line using the past and present tense that readers could consciously or unconsciously take notice of.

so there are a couple of instances within some fairly recent fics i have that have specific callbacks to specific books. there are a whole bunch more, i think, but these are the ones that ive played around with intentionally the most recently or the most often.

3. Future Days

based on my recent rapid experimentation in fics (the most recent four fics on my ao3 have been very experimental in comparison to most of my works), i really anticipate a lot of growth in my overall style. ive been having a lot of fun experimenting and throwing in things that a few years ago i would've never even thought of, so im really excited to see where that might lead me, style wise.

i think as a writer there's always room for growth and learning, and that kind of growth and learning comes from not only practicing writing, but also reading. i cannot stress enough how valuable and impactful reading is on writing. considering ive been trying to read a lot more than i have been in recent years, it makes a lot of sense that ive been making a lot of weird decisions and learning more about what i want to see in my own writing.

honestly, if you ever want to know about any of my other fics, or you want to see how this kind of thing translates to my original works, just shoot me an ask! this post is already long enough, so i think i'll go ahead and end it here, but just know you can always ask questions<3

thank you so much for asking me this question and letting me indulge, and thank you for reading!!!<3<3<3<3

[neo-shitty]

toffee!

ah yeah i suppose ur right. yeah i think quarentine has had that sort of effect on a lot of people :( sorry to hear abt ur strict parents, hopefully ur friend will be able to come back soon. small outings (even with family) are still good tho, make sure ur taking care of urself toff.

youre totally right! ah yes thats good advice (/gen) ill try and use that when im in a slump ty. any music suggestions?

lol sames. even some of the stuff abt seungmin, innie etc is a little uncomfortable, like theyre grown ass men for sure, but at the same time, theyre still young, still just over being a teenager in the grand scheme of things. (on that note, i do struggle with worrying that im infantalising them, obviously theyre adults but at the same time, theyre still young. i do treat all fictional characters as my children, but i guess its different when its real people. idk. what do you think?) yeah some stans rlly need to take a chill pill, some are rlly walking the wire between 'ah theyre attractive/that look rlly suits them' and making fucking smut fics abt minors, like... they do not see a problem with that?? yeah tbh i feel like unless theyre 18 they shouldnt be put into the spotlight, weve seen what it does to peoples mental health, but modern day kpop industry is a lot like old hollywood with a lot of popular child actors -_- hopefully the big companies will learn but i agree, its unlikely

suuuuure toff haha. ill go searching for them, but idk if ill be able to find the fluff needle in the angst haystack (jkjk) yeah, fair i groan and complain but you do write angst etc rlly well, so if its what ur comfortable with, then pls continue, it is one of your strong suits, well as you write fluff aside

ah okay good! ill continue to send you essays then

THE ALBUM YES. so ive been looking forward to it for literally months, this is actually my first skz album release as a stay (since the last on was 9 months ago) i was sitting there hitting refresh on my spotify the second 6pm kst came around. (speaking of which, how did you do the release? i couldnt decide whether to watch or listen first but i ended up on listening cos there would be more material) okay: so cheese was super cool, very skz ya know? tho i almost wish theyd made domino the title track, tho obv it was a more experimental track and would have been a bit controversial (much like whistle for bp) i looooved domino and thunderous was absolutely impeccable. all the songs were amazing but standouts were- secrets, secrets which lowkey made me tear up idk why, red lights which almost killed me (it did not have to go that hard, but it did) and OT8 WOLFGANG omgggg i wasnt sure if hyunjin was going to be included in it but i was hoping and, ya know people had said hed be in there, but the further i got in, the less i was sure and then BAM hyunjin started what had been jisung's part and i just sat there grinning for about 5 minutes. surfin was absolutely adorable and gone away almost made me cry AGAIN. star lost was so touching, almost a nod to hyunjins little star? silent cry was relatable beyond anything. SSICK was funny? for some reason I was laughing while it was playing, idk the combination of added cheering and minhos aggressiveness and the totall seriousness they sung it. but i rlly enjoyed it. sorry i love you showcased their vocals like nothing else. the view is THE BOP of 2021, absolutely going to be stuck in my head for the next decade, that hook is genius. what did you think?

also did you watch their grow up performance? with all the stays and ALL THE TEARS? ;n; i feel like this is the end of an era of skz and tbh im kinda happy but also sad. super excited for their promotions but super bummed they wont get to tour. ah well

<3 w.a. 🐺

answer under the cut bc i gave an equally long answer to this already long ask HAJSH

oh yeah, abt quarantine having an effect. my friend and i talked about this earlier actually. i didn't realize the world was moving so fast until the pandemic happened. being in quarantine gave me time to think and i got to know myself more. it's just the sole good thing i got out of the isolation lmao. and abt my strict parents, ironically i got to go out today so i got to hang out with a few of my bestfriends. i had fun but my legs are a bit sore from walking. but they're a different set of friends. i'll get to hang out with the others when my getaway driver comes home in december.

hmm music recommendations for writing? depends on the plot you're writing. care to share what story you're working on and i'll try to rake my brain for a song that might match the vibe. i listen to classical / lo-fi if i don't have song inspo for a fic because lyrics sometimes distract me.

i don't think that's infantilizing tho. for me, it has something to do with my environment and the way i was raised. maybe it's the same the other way around? like this certain age (for the ones above 18 but below 20) is thirst-able for them. idk really. it's just not for me ?n? what i do NOT condone is writing smut for minors??? like get checked : D // i agree with everything with the idols being 18+ before they debut simply because it's for the best for their well-being like. how can young idols decide that this shit is the thing they want to do for life? or at least until their contracts last. idk :// it's unfortunate that it's unlikely to happen.

WELL. i have a list so you won't have to go search for them! in class (minho), in the rain (seungmin), gladius maximus (chan) and you've read five star already. and i just realized that most, if not all, of my upcoming fics are fluffs and i'm fond of all of them :D i used to focus a lot on angst because fluff disgusted the living shit out of me. i think things changed when i wrote champagne problems and hurt myself so bad i wanted to drop angst entirely. i didn't, of course, but i allowed myself to be self-indulgent now.

for the release of the album, i was on twt and watched the vid at 12 views (if i remember correctly, i watched back door at 14 so HASJH) i’m gonna talk by track so it wont be too confusing? bc i wrote this in paragraph format and it just ???? beware im very picky with tracks even if they’re my ults. so no offense if we have opposing opinions and i’m not fond of reading lyrics so these are all music wise.

cheese - oh god i hated cheese at first listen but it grew on me easily. i was singing the yeahyeahyeahyeah bit all day today :D

thunderous - i cant say that it’s my favorite title track. it felt really dry sometimes, both mv and music wise. but at the same time, it’s not that bad. the choreography carried the song tho o.O it’s so fucking cool. but like go live, another track has my heart and it’s

domino - AND YES I AGREE THAT THEY SHOULDVE MADE DOMINO TITLE TRACK UGHHHHH WHAT A WASTED FUCKING OPPORTUNITY. WORDS CANNOT EXPRESS HOW FOND I AM OF THIS SONG. it stands close to the level i love easy.

ssick - was a skip on first listen too because i found the chorus underwhelming but it grew on me? not that much but i can bear listening to it.

the view - it’s something the gen public like, hence its something i dislike. im not fond of songs that are structured like this? it’s not a bad song, just not the type of song i like. but i agree that the hook is very not catchy but it would get stuck in ur head.

sorry, i love you - it’s not as sad as i expected but i actually like it??? i can’t wait to write a fic out of it (1) HAJSHAJ it’s like a 3/5 for me. it’s angsty but chill?

silent cry - i’m pissed at this song bc it hits but sometimes it doesn’t?@?#!? but it’s starting to grow on me but definitely not my fave track.

secret secret - glad i found a secret secret enthusiast because my irls thought it was a skip?$?#@$? it gives me ikon vibes and i’m a huge fan of ikon’s discog so this was a win for me T_T +

STAR LOST - gives me bigbang song vibes and now im very sad :(( in case u didnt know, i’m a hUGE yg fan and 2ne1/bigbang introduced me to kpop so when i heard this track that gave me yg feels i just <3___<3 and it’s one of my favorite tracks anw moving on,

red lights - I WANT TO SKIP THE FIRST TEN SECONDS OF RED LIGHTS EVERY TIME IT PLAYS LIKE IT MAKES ME FEEL AWKWARD KDSJFSK but fine. i’m adding this to props and mayhem’s playlist LMAO it’s more aggressive than sexc tho. more enemies to lovers o. O

surfin’ - this coming right after red lights just wasn’t the best decision arrangement wise because how did we go from ooh sexc to aigh pARTAY. felix saying sheesh T___T it’s such a fun song i want to go to the beach ;n; do you like beaches?

gone away - i have yet to read the lyrics because i’m using this as inspo for a jeongin fic jskjash it’s not the type of ballad i like but it’s so fucking sad to listen to :’ ) the pitch change caught me off guard? still does. it’ll grow on me prolly.

wolfgang - I YELLED WHEN I HEARD HYUNJIN IN WOLFGANG. i didn’t like this song until recently. it gives me the confidence boost i need to pick myself off self-esteem crashes.

and no i haven't watched that performance and i prolly wont because i’ll cry. i’m excited for the promotions too. do you think they’ll still have a repackage?? i cant fucking believe that i just finished waiting for 12am kst for skz teasers and now i have to look forward to 12am for nct 127??@?#? NOT A SINGLE DAY OF REST FOR THIS STAYZEN