siren sweet, swim with me
pairing : nanami kento x reader
fandom : jujutsu kaisen
tags : pop idol reader, cfo nanami, fluff, angst, smut (later on), more tags to be added as the fic progresses
status : ongoing
summary :
after all, computers crash, people die, relationships fall apart. the best we can do is breathe and -
carrie bradshaw did not know what the fuck she was talking about. because when your international sensation girl group STARDUST collapses in on itself, everything you've ever known is hanging on by a thread.
disgruntled and exhausted, nanami kento, cfo, knows everything there is to know about his life. the books, the cash flow- the world he had built for himself made sense. until now. as the irrational nagging sense of uncertainty leads to a random moment of circumstance, the two of your lives are entangled.
ie. it's entirely up to you as to whether you'll shine in the spotlight, or explode and fade into obscurity like a supernova. it's also up to you as to whether you want to fall for the disgustingly handsome office worker.
author's note : first nanami long fic! can you tell i'm scared? anyways, this is an idea i've hadd since summer. summer! i'm glad i've gotten started finally 🥲 this is just the first chapter so it's just the set up. hope you have fun!
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index -
chapter 1 (ao3)
yuki's staring at you in a way that makes you want to reach across the table and swing your fist across her face.
you would've, if yuki wasn't very very important to you, and wasn't still built like a wrestler.
“it's fine,” you mutter. “i'm fine,” you repeat, more clearly this time. your phone buzzes in your bag.
yuki blinks, breaking herself out of her dead stare for a moment. “you're not, but that's fine. no one would be, at the moment, and that's all right!”
pushing her chair back, she gets up and makes her way to you, wrapping an arm around your shoulders. her blonde bangs tickle your face as she leans in closer, and her ginormous tits cover your arm from both sides as if hugging you to comfort you. if your mind wasn't running a million miles an hour and constantly hitting dead ends, you'd probably feel a little more comforted and a little less... crushed.
she waves a hand in front of you, as if gesturing to a marvellous new life. “we just need some time to rebrand you! some new girls, a fresh new concept, dye your hair some color we haven't done before and you're ready to hit the stage again!”
your eyes widen at that. “no.”
yuki straightens. “what do you mean, no?”
“i'm not joining a new group!”
“well you wouldn't be joining a group, you'd be the centre of a new group. the new group would be formed for you!”
“well i don't want that. i wanna be a solo artist now.”
there. you've said it. you've put the dreaded words out there, and now it's real. and judging by the way yuki's face falls, it's a reality that's not gonna come to fruition smoothly.
she straightens, her warmth leaving you. “oh.”
you bite your lip and look into her eyes. “just say it. tell me how terrible of an idea you think it is.”
“it's a terrible idea.”
she can probably see how your face falls, because yuki does something that yuki rarely does. she backtracks.
“or, what about a hiatus? you can go on a vacation! you can make a whole trip out of it, show how travel has healed you, you could even attend a few events with some international artists, and that could bring in a whole new crowd, huh?”
you put your face in your hands and shake your head, as you feel your phone buzzing away in your bag again. “yumi's already done the healing journey thing, and it's actually authentic to her.”
“yumi was never cut out for this life, don't compare yourself to her,” says yuki, her tone sharp. “of course she'd love frolicking in fields,” she grumbles.
you grin, despite her words. “yumi's doing great, by the way.”
“i know,” says yuki, folding her arms, “we've been in touch. you're attending the lauch party aren't you?”
“launch gathering,” you correct. “she's living a simple life now.”
“she can die."
“yuki!” you giggle.
“it's not the fact that she left -you know i'm all about ethical work, it's why i made a whole agency- it's that she did it so suddenly! we had had so many discussions where she swore up and down on her own volition that she'd renew the contract and all it took was a week for her to tear down this... this empire that we've built!”
“she's a simple girl.”
“a real simple person would know that they want a simple life from the beginning. which so called simple person auditions five times and then trains for years and then debuts to become the biggest girl group of the generation? and then just dips?”
“she just needed a taste of the high life to know what she really needed. like buddha.”
“people live and die for this life. people live and die for what she has. had,” she grumbles, “and what about all that talent? is she truly going to be satisfied doing the dishes in her little down to earth cafe?”
“she was more than content doing the dishes back when we were poor. she'll hardly be doing the dishes in her cafe, she's a milliona-”
“a simple millionaire.” you both say at the same time, and then burst into laughter.
“we are getting wildly off topic,” says yuki, after a beat.
you stare at your shoes. “i know.”
“any chance you're gonna wanna take back what you just said?” she asks, looking slightly like she pities you.
“no,” you reply, feeling and looking a lot more pitiful.
she sighs and takes the chair next to you. the two of you are silent for a moment, and that gives you some time to take in her office. when yuki had begun as a manager no one took her seriously. no matter how successful and glamourous her career as a wrestler was, she was still a newbie in the entertainment industry and had neither weight nor connections to her name. she used what little connections she had and started off as an assisstant in one of the entertainment giants and worked her way up to manager. what she lacked in her network, she made up for greatly with her charisma and eagerness to learn about the industry. and then she met you.
her golden duck that lay gold eggs, is what she called you.
you were sure you were just an ugly duckling that blossomed into a swan under her care, but whatever.
she got sick and tired of being controlled by people who barely cared for the craft and cared even lesser about humans they managed, so she broke off from the company to start her own. and through a leap of faith, you followed her.
and the rest is history.
her last championship's belt that sits right above her chair glints at you, pink and white, sparkling away in the sunlight. the office is so yuki. gaudy, but neat and professional. rhinestone embedded decor sits on shelves, reminiscent of the 2000s with the nice fur carpet and the literal disco ball that hangs from the ceiling. framed pictures of all the other groups and artists under Star City Entertainment decorate the walls, but your group is the highlight, with multiple pictures, much bigger than the others.
STARDUST, the group that made the company sky rocket.
yuki wheels the chair around to face you.
“why?”
“it just seems... correct.”
she purses her lips together. “i'd rather you not make me say it, but it's my duty as your manager to be frank with you. you don't really have what it takes to be a solo artist.”
“well, we can work on that, there are so many- ”
she holds a hand up. “especially after being a part of such a prominent group for so long. the general public love you but the fans already know that you neither write nor make the music. being involved in the behind the scenes is way more important to fans than before and it defines an artist a lot more these days. it gives them cause and meaning, some attachment to the craft that they're selling themselves with. you had yumi and seika to distract the fans from that before, but now it's just you. how long can you hold on to star power? and how far will that alone take you?”
the best thing about yuki is that she's brutally honest and always looks out for you. the worst thing about yuki is that she's brutally honest and always looks out for you.
it's as if her words have opened a chest of secrets that you had locked and chained deep inside you. your flaws were not flaws when you were in the group. they were just... things that you didn't need to do.
seika was good at producing and song writing, tasks that she was more than happy to have her hand in. yumi was musically talented beyond words. to date there hadn't been an instrument that she didn't excel in, and her voice seemingly knew no bounds, considering she had professional training to be an opera singer before this.
and you did everything else.
main dancer, the looks, the socializing, the personality... the star power, was all yours. if there was one thing that you had, it was what it took to be the it girl of the group, of the generation, and that combination of skills among the three propelled STARDUST and subsequently, Star City Entertainment to massive success that only grew as the years passed.
it was an open secret that this was the division among all of you. but everyone was okay with that. everyone was happy to perform their role, do what they excelled at and what was expected out of them. you all dabbled in each other's work, as you naturally would after these many years together, but the recipe to your success was the three of you, exactly as you were. and now it's just you. without them, there's nothing for you to stand on. there's nothing to add your special touch, your sparkle on to.
anyone could tell that.
the reality of the situation grips you like an ice cold fist and the hollowness that you felt ever since the decision was made public expands like a vast cavern beneath your feet. you are all out of tears, but your face still threatens to scrunch up with dry sobs as your lip wobbles.
“why don't you want to be a part of a group?” asks yuki.
“as if what we had can be replicated,” you mutter. “i really don't have it in me to start afresh with new girls who would definitely be younger than me and definitely have some buried animosity for me right from the beginning. oh, and the people. they already scrutinize us from the ends of our hair to the nails of our toes, i can already hear all the people talking about how i peaked with STARDUST and it's not gonna happen again. and what about GALAXY? they're not gonna take me being in another group lightly! i wouldn't even be ble to call them GALAXY anymore!”
“we don't necessarily have to have a three member group. maybe a five member group this time? that would lessen the direct focus on you and give the four other girls a chance to shine!”
“or it could give four other girls a chance to hate me more for stealing their spotlight if we do well, or for being dead weight if we don't.”
“we could scout some girls from other big groups that just disbanded! that girl from CROWN seems to be popular and jobless at the moment. what about her?”
“i just don't see it! don't you think the public knows that we'd just be trying to recreate STARDUST? also neither yumi nor seika are continuing in a group because both of them know that it was a one time thing. it's the exact same chemistry, or nothing! it'd be such a mess.”
“and even that is a safer option than you as a soloist.”
“wow,” you breathe, laughing, leaning back. “wow.”
“i never mean to hurt you.”
“wouldn't it be so funny if i went home and committed suicide after all this? then we wouldn't have to worry about what i'm gonna do next. my name will be remembered forever, i'm gonna go out with a bang- literally!”
“okay!” says yuki, throwing her hands up. "you're going on a hiatus! go on a vacation! find a new hobby, do whatever you want, i don't care- " she narrows her eyes and points a sharp finger at you, "and no, you cannot commit suicide!"
"geez, can't a girl joke?" you roll your eyes. "and i don't think it'd be wise for me to go on hiatus right now. i'd lose momentum and i'd lose my mind."
"finally, you're saying things that make sense. we haven't yet released any news of this, so you're safe. the public still thinks that STARDUST is on hiatus after the last tour so we have time. GALAXY has, however noticed that there's a lack of posts on seika's twitter and instagram, which we will be dealing with. you and yumi have been posting regularly and innocently enough, which is good. all in all, you'll be fine! the tour was enormous, so it would definitely make sense that you guys are on the dl now doing your own thing..."
she goes on about how doing nothing is okay, and your mind wanders to how it all began.
yumi had been sobbing almost every day ever since the last concert in the last venue. it had all started from there. she couldn't keep up with being an idol, and you couldn't blame her. yumi was never really the type. she was from an upper middle class family, and a musical genius. a sweet girl, who started off with posting covers on youtube and then began to look into joining a group, because she too knew that a group helps make up for what she lacked, which was everything else. and now, richer and more than satisfied with the taste she got of the idol life, she said she'd be happier in the food industry and going back to posting covers as and when she felt like it.
yumi's waning passion had set off seika too, frustratingly enough. seika was the opposite of yumi. she had joined the company as a producing intern which somehow led to her becoming a trainee, and when she always seemed to get the sound and the music for the concepts just right and picked up dance quick enough, there she was. she took it all in stride because everything seemed to work out just well, but even she knew that yumi leaving would finally give her an opportunity to come back to her origins and true passion.
your lip wobbles again, and you tune back to yuki just in time to hear her listing out things that you could do during hiatus.
" -of them are so fucking stupid, but i'm sure we can find someone sexy. a fun fling with an actor, how 'bout that? when was the last time you had a cute little scandal, huh? or you could study something, oh! you could do some volunteer work with animals, you used to be a horse girl, right? i think we could really- “
the door slams open, and the two of you jump at the sound. utahime iori stands at the doorway, mouth screwed up.
“are you incapable of picking up your phone?”
“hime!” you say, surprised.
“and what are you doing here?” asks yuki.
utahime ignores her. instead she makes her way to you, throwing her arms around you in a hug. she pulls back and looks into your eyes. “you're gonna be okay. so what if STARDUST disbands? you'll be the main girl of a new group!”
“see, even she thinks it'll be a great idea to be in a new group.”
“i wanna be a soloist,” you say dully staring at utahime's chest which is in eye level.
“exactly, and you're gonna be the greatest soloist ever!”
“oh please, not this again, i just talked her out of it!” yuki groans. “and how did you know about this? did you tell her?”
“no she didn't, have some faith in her. i put two and two together. seika's been more or less sleeping over in the studio with all the free time, yumi's gallivanting around the world, happier than ever and this one's been completely MIA other than the mandatory appearances at events. if they were gearing up for another comeback they would've been discussing concepts by now. also, i find it really insulting that you didn't tell me, ya know?” she concludes, looking down to you.
utahime iori, former trainee, part time choreographer/back up dancer but full time makeup artist to STARDUST. also, your closest friend. it's kinda sad that all your friends are more or less your co workers. yumi and seika, yuki and hime. now everyone's camaraderie is to test considering you're not really working together anymore. suddenly you realize that you don't even have a job anymore.
“she's doing her job. i'm doing my job. and what exactly are you doing?” asks yuki, now standing up.
“i'm doing my job!” says utahime.
yuki cocks her eyebrow.
“my jooob,” she falters, looking away for a second, “of being her best friend. yeah. someone needs to look out for her and care for her, as a person- ”
“and that's what you do, looking out for and taking care of people, huh?”
oh for fuck's sake. you're sitting between the two women who are standing over you, and in any other moment, you would've enjoyed being seated between two gorgeous arguing women, who most definitely need to fuck each other instead. you and utahime had been friends ever since she was a trainee in Star City, but yuki and utahime only really met when she was assigned as one of the official makeup artists for the group. nearly everyone had been victim of their terrible... flirtationship, as seika called it.
these fools are not flirting. not on purpose at least. they've been so enamoured and amazed by each other's existence that they just have to do something about it but that sinething never meant dating or kissing or fucking, it meant quarreling and irritating everyone till the end of time. they can't seem to fathom the idea of dating each other, or at least utahime can't. you do believe that yuki is warming up to the idea of it considering there's been less push from her side and more of her allowing utahime to speak over her. as much as one can speak over yuki that is.
“are you guys done flirting,” you say flatly, eyes closed.
“we're not flirting!” they both declare.
“good, because i wanna leave.”
“oh?” says utahime. you open your eyes and you see her glance towards yuki for half a second before determinedly looking back at you and nodding. “yes! let's go! we're leaving!”
it's sweet that she stands by you although she would definitely like to f̶l̶i̶r̶t̶ argue with yuki more.
“let's go!” she loops her arm around yours and pulls you up. you turn around to look at a slightly disappointed yuki.
“bye yu,” you mutter, giving her a half hearted hug.
she in turn wraps her arms around you and squeezes tight, almost lifting you off of the ground. “don't worry kiddo! it'll all work out. just... hang in there, okay? think about what i said!" she finishes, looking kind of awkward.
kiddo. she's really feeling terrible.
you feel bad, but not really. you're glad you managed to upset her this much, considering how she and well, everyone, had no qualms in upsetting you.
except utahime, that is.
you nod and give in to utahime's tugging and follow her.
"do you want me to stick my tongue out at her? or pull a face? i can pull really ugly faces, you know, right?" she whispers to you.
"have at it!" you snort, exiting the room as you watch utahime turn and pull a face at yuki which is quite the feat, considering how pretty she is.
the door shuts behind you and you make your way out the building with her, arm in arm in silence. utahime hums as the two of you go to the parking lot and get into one of the company cars, with a driver waiting for you.
the moment you shut the door and the car is moving out the building from one of the back exits, you thank god for tinted windows as you immediately lay down, your head in utahime's lap, sniffling.
“oh!” she gasps.
watanabe is nice enough to have raised the partition the moment he started the car. you stare blearily out the window as you pass buildings as utahime gently strokes and twiddles with your hair.
“i'm sorry,” she says softly. “i really am.”
“i'm sorry. you don't have a job anymore.”
“mm, makeup artists always have a job. i just need to talk to some people and get the ball rolling. i'm always down for collabs and teaching classes. i'll be fine. although i've heard that the NDA Star City is sending around would require for us to be quiet about our unemployment till you release an official statement.”
you nod, wondering about the near hundred people employed both directly and indirectly due STARDUST, and whether they have it all sorted, or if they're scrambling. like you.
you pull up the group chat and send a quick text telling the girls that you'd like to send a confidential broadcast to everyone that they could reach out if they had issues finding a job. neither of them have even received the message. obviously. you toss the phone back into your bag and curl into utahime's stomach.
“what am i gonna dooo?” you groan, inhaling her sweet perfume.
“have you considered going home? spending some time with your family?"
"that's just escapism." your parents are worlds apart from yours. two middle middle class engineers, and no siblings. they're very important to you, but unless they give you a solution to this... this mess, you don't want to go to one of your few safe spaces and ruin it with your hopelessness. you need something concrete. something real.
"you could also..." you look up to see hime's face scrunched up the way it usually does when she's gonna say something so fuck ass. "you know your unemployment is not the same as anyone else's unemployment, right? you're a millionaire! you coud drop off the face of the earth and live off of royalty and stocks alone. and then when you're bored you could start an exclusive luxury clothing line and enter the industry again! loads of people have done it!"
you stare at her.
"i'm sorry."
"you should be."
"do you want some ice cream?"
"yes. get some for watanabe san too. you're buying though, i'm unemployed now."
she flicks your nose before she asks watanabe to stop the car near an ice cream truck. utahime's popular, but only in the industry. regardless, she snaps on a face mask and heads out to the truck.
what if you became a host. like for a show like too hot to handle or single's inferno. what if you joined a show. you could enter like a special contestant in the middle and topple the social heirarchy that was established there. the analysis videos would be come aplenty with that one, oh and so would the downfall of the generation's it girl video essays. you don't watch or consume news/media about yourself but you do watch a lot of video essays so what would you do if one of your favourite youtubers made one about you? you could hang yourself and give them more to talk about. no, that's way too serious, even for you. what if you got a regular--
"-- and here we have roasted almond for my baby! and plain ol' vanilla for watanabe san, no, put your wallet down! we insist!"
you bristle, getting up from still being curled up on the backseat. leaning back, you lick the side of the cone that has ice cream threatening to dribble down your hand and wonder if this really is the end of it all.
"it is."
“um, should i perhaps inform gojo san of the time? i don't think it's healthy to-- "
"ijichi."
"i'm sorry! just give me five minutes, i will be back!"
kento watches as ijichi scurries away round the corner. he sighs. he never means to be short with ijichi but anything that doesn't directly contribute to solving an issue at hand doesn't require more than a simple conversation, let alone an entire back and forth.
it's even more insulting that ijichi thinks that satoru has any say over how long he's working. satoru wouldn't care less if he worked from his office or if he worked from a rager in aruba. he thinks he'd even prefer it.
speaking of satoru, he hasn't seen him the entire day. they hadn't had any meetings that required more than a phone call and one he had meeting with suguru, but suguru had been happy to come over to his office to talk. just the thought of the two of them makes his eyes immediately unwillingly flit over to the other side of the floor. to the wide office far opposite to him, past the darkness of the empty cublicle space, he can see the yellow light from one of satoru's newer lamps on and the blinds shut. a wave of irritation passes through him before he forcibly dismisses the thought, aching for the bitter taste of the coffee he's awaiting.
he has work to do.
he slides his spectacles back down to his nose bridge from where they were perched on his forehead and cringes with the initial burn from staring at the screen. has his power increased? he should get it checked and changed, he notes down mentally.
“nanamin!”
oh he is going to gut ijichi alive.
he looks up and it seems that ijichi seems to value his life because he's made himself scarce. instead at his office door, bouncing from one foot to the other, swaying from side to side, clearly not caring for the well being of the coffee in his hand is gojo satoru.
“and where is ijichi?” asks kento, motioning for his coffee.
satoru takes that as an invitation to enter and sprawl his upper half over kento's desk, smiling face staring down at him, coffee still in his hand. kento snatches it back carefully. clearly he's going to need it now more than ever.
“ijichi came cowering to my office saying that my cute kouhai's on his eighth coffee of the day! made it seem like i'm some terrorizing dictator making his precious nanami san work overtime. that's hardly the truth now, is it?” he says, pulling a sad face, expectantly looking at kento.
kento sips his coffee. “ijichi did not make this.”
“and he never could! i sent him home. i made the coffee myself, you're welcome. one could call me a humble man.”
kento grunts. one never would. however both of them knew that while ijichi's coffee is what he expected, satoru made his taste... unfortunately nice.
“i'm nearly done. i'll just finish looking over this bit and then i'm packing. you can go back to your office.” he waves to satoru, eyes back on the screen. placebo effect or not, the caffeine makes sifting through all the numbers a little less of a task this time.
there's silence as kento makes his way down the document, making sure that it was up to expectations, the only sound being the squeak of his chair as he leans forward at times to see something more clearly.
“are you done yet? because i finished reading that almost a minute ago and it's all good.”
satoru's made his way to behind kento and is leaning over his shoulder, speaking directly into his ear.
kento exits out of the document with a smash of keys. “what do you want?” he bellows.
satoru reaches out to his computer, shutting it down over kento's head, literally, and then spins kento to face him. if kento ground his teeth anymore, he'd have a mouth full of powder.
“i need you.”
“you have three seconds, maximum.”
“okey dokey. i'm inviting superstar it girl of our generation, the only icon more iconic than me, celestial beauty siren to the party.”
kento nods, getting up to leave. “amazing. i'll try to contain my excitement."
“it will not be easy,” says satoru, pushing kento down. he scoots his ass onto his table, chin in hand. “it won't be easy at all.”
kento rolls his eyes. “and why is that,” he says, flatly.
that actually makes satoru fully direct his attention to him, a grin spreading across his face. “boy, do i have some gossip for you!” he cackles. “but you need cross your heart and hope to die pwomise not to tell anyone what i'm just about to tell you!”
kento crosses his heart with one finger, head in hand.
“okay so initially i wanted to invite the whole damn group because duh, that's how the magic happens, but imagine the resistance i got from the company like damn not a single bitch in that building is available to speak to? i almost pulled a do you know who you're talking to? so i dug deep. or rather i bullied megumi to dig deep until i had to enter the field and take matters into my own hands. pull up a few contacts, ask a few favors- ”
“why is this one band so important to you?”
“group. girl group. anyways guess what i found!” satoru doesn't leave kento any time to answer, not that he had any answers. he leans forward conspiringly, his eyes a mix of mischief and malice. “STARDUST... is no more.”
“they died?” kento starts, taken aback. satoru's gossip was neither worth sharing nor listening, but for once he had delivered some quality news. a girl group that big? japan would be in shambles. nobara would be in shamles, he realizes.
“this is worse. they broke up!”
“and how is that worse?” he stands up, tired of this conversation. he straightens himself and begins to pack for home, putting things in place in record speed. there's yesterday's leftovers waiting for him, along with a new bottle of wine he would definitely need after the day that he had had. satoru follows him, and before kento can react he snatches his briefcase away from him, holding it hostage.
“it's terrible! i cannot fathom a reason why! what they have is... is once in a lifetime stuff, and they're throwing that away for what? the industry loves them, and GALAXY...” he sniffles, “and the girls...” he mumbles, looking at his feet, head downcast, pouting.
“i'm sure you'll be fine. within days there will be a new group of 20 somethings singing and dancing and -”
“don't you see how much pressure there is on me now?” exclaims satoru, now hugging the briefcase, his lips twisted into a frown. “i promised the girls that they're gonna get a surprise! i can't just turn up with only one 'em!”
“who?”
“nanako and mimiko!" he whispers. "don't tell suguru!"
oh. oh god. the gloom that's been in him grows and kento almost loosens his tie to breathe.
kento purses his lips, moving to snatch his briefcase and satoru dodges out the way. "give it to me!" he hisses, "unlike you, i don't have time to waste over silly whims of children."
satoru scoffs. "you would move heaven and earth for yuuji, even nobara! silly whims of children, my ass! you spoil them rotten!"
"i spoil them a reasonable amount, none of which is your business. invite them all, invite none, i don't care. just today i went through mountains of reports. i've been buried in these numbers all day, trying to forecast next quarter's revenue and-"
"kento please." satoru's looking at him with a wrinkle between his brows, and he can't help but take in how ridiculous he looks. hair mussed from running his fingers through them and his glasses are nowhere to be seen. he's blinking more than usual because of it too. the ceo of the infinity hotels, gojo satoru hassled over the breakup of a girl group seems laughable, but kento begrudgingly suspects what this means for him. the ticket to the nice big happy-
“you've never cared for those girls before. what changed now?”
“i've cared for those girls!” he squaks. “i care about all children.”
kento just looks at him.
satoru doubles down. “i care about megumi, and yuuji and even young kugisaki, even though she barely acknowledges my presence. i care about your kids, so,” he shrugs. “it's only natural that i care about my partner's kids! all my partner's kids,” he adds.
satoru is an amazing liar. kento knows what satoru looks like when he lies well. and kento knows that satoru's lying right now, and he's so lov- lost that he doesn't even realize how badly he's lying. he almost gags.
"i'm asking you this as a friend," continues satoru. "i know..." he looks away, his eyes bouncing about the room. "i know things have been... rocky recently, i've been too busy with work, and patching things up with suguru, and the girls because i think" his voice softens, “i think it'll work out this time. infinity's been doing great, all the time and money's finally paid off, suguru's parents have finally- it's nearly been a fucking decade- come around and let me off the handle for making... um, influencing suguru to drop out, and the girls are old enough to let suguru at least entertain the thought of dating. i just... need to win them over a little!”
the question hangs in the air between them, and kento knows that satoru wishes he won't reach out and address. regarding any otehr issue relation to satoru, kento gladly wouldn't. however-
“but why?”
“it's... it's suguru!” is all satoru says, faltering. “he's my best friend, and he's your friend too. i want to do something nice for him, and you know he loves his daughters!” satoru pumps his arm with a guffaw that sounds all too full of fake enthusiam. or rather real enthusiasm, but something else.
the weary look on satoru's face turns something in kento. he has almost never in the last thirteen years of knowing satoru ever seen him so... genuinely concerned for anything. not when they made this company, not when their first hotel launched, hell not even when his parents nearly cut him off for all the risks. only one man made him quiver so, and he'd do anything for him. the rest of the men and materials around him were just collateral damage.
he swallows. fixes his tie and looks away. “what do you want from me?” he grits out.
satoru lights up like a christmas tree. he pulls out his phone and wow- there's an entire spreadsheet's worth of information he has compiled.
“okay, so from what i've gathered, mirage is on a complete hiatus from everything and melody is either out of the country or has left the industry entirely... or both. i'd still like you too check- ” he glances up at kento and takes in his lost look. he rolls his eyes.
“okay grandpa. mirage,” he says slowly, “is the stage name of seika. this one,” he points at a girl with a halo of curls and loads of freckles. “and melody is the stage name of yumi, who is this.” he is now looking at a rather plain but sweet looking girl.
he pulls his glasses on and looks closer. “i think i've seen them before.”
“yeah no shit you've seen them before, they're literally japan's pride,” mutters satoru. “anyways. this, is siren. also known as the celestial beauty siren, her actual...” he goes on, his eyes lighting up as he talks about this siren.
kento looks at the picture. and well. he knew next to nothing about your singing capabilities but looks wise, they weren't joking around when they named you siren. and to make it even more accurate the public called you celestial beauty siren. the picture is of you smiling up at him, like you knew exactly what you were.
“so what exactly do you want me to do?” he asks, giving the phone back.
“i need all of them here, so you'll have to make some phone calls. at the moment, melody and mirage are allegedly MIA but i need you to be a hundred percent sure first. best case scenario we're getting all three. worst case scenario we're getting just one and in this case it's siren. we- ”
“wouldn't the worst case scenario be that we're getting none? and if they're broken up i doubt some company's launch party will be on their list of things to care about.”
“well!” satoru claps, “good thing we're not just some company! we're infinity hotels! we're limitless, and if you work hard enough- ”
“we work hard enough”
“you work hard enough, there isn't a chance that we're getting none of 'em! come on kento, you can do it!”
“why is this suddenly no longer a group project?”
“oh it is a group project, yes yes,” satoru nods sagely. “between you and megumi that is.”
kento tsks and steps back, looking up and down at satoru and his audacity that seems to have grown ten feet taller than him. at least he has the decency to look embarassed.
“i am the cfo of this company. so why, pray tell, would i be tasked to snoop around the well concealed affairs of some pop girl group with your assistant who's barely out of university?”
satoru wrings his hands. “i'm too busy, and there's no way to do all this without them finding out! it's not the same as inviting any regular celebrity especially considering all the strings i pulled to get confidential information! if it's not a meeting with ten boring senior citizens that fret over the same bullshit, it's date nights with- date nights, or my family being on my ass about something or the other, or trying and failing to bond with the girls- ”
“you just had to open your stupid mouth and ask if they could be returned to the kennel the moment you met them, didn't you?”
“how the fuck could i have known that they were forced to live in a literal cage?”
“oh imagine that. how bizarre it is that every child on this planet wasn't born with a silver spoon in their mouth and five maid servants to run around after them.”
“exactly, and now they're getting to wear miu miu and party with the closest things we have to magical girls in real life. they'll think i'm amazing, we all win.”
kento rubs his temple, feeling the beginning of a dull headache.
“fine. which ones are their favourite,” he sighs, hoping to reach the end of this conversation. he's going to be having the leftovers and ordering in tonight, he assures himself .
“i got nothing,” shrugs satoru.
“they're just three girls, which one do they talk about the least?”
“ehhh,” he says, tilting his head to the side, pulling a face. “they kinda stop talking whenever i'm around and just glare at me till i leave.”
“okay, then ask megumi to ask them.”
“he's blocked on every platform.”
“then ask suguru!”
“and how would that come up naturally in a conversation? and i don't want him to have the slightest clue about all this, i can't just ask suguru!”
“ask me what?”
the two men whip their heads to the sound of the deep yet silky voice coming from the doorway. geto suguru stands, leaning against the frame. his eyes move from satoru to kento to satoru again. he's in the usual work attire, except his hair is down, and the necklaces he usually keeps tucked into his shirt hangs out in front. he purses his lips and folds his arms. he clears his throat. “ask me what?” he repeats, sounding less... breathy this time.
“nothing,” chokes out satoru.
it's amazing how much he's effected. even the greatest liars seem to fall short at their game.
suguru turns to kento instead. “kento?”
“if you were willing to review some of the reports with me. the workload's been piling up recently, and i thought it would be more effecient if we had an extra pair of eyes to clarify some things.”
suguru's eyes widen. “of course! just send them over tomorrow morning. and satoruuu...” he drags out his name, eyes sliding to the other man, who's been standing in silence. “why couldn't you ask me, huh?”
satoru straightens immediately, pulling an easy grin. “wouldn't wanna bother you, late night and all. that would be unprofessional.”
“it's hardly unprofessional to come ask me for help. especially when kento here is burning the midnight oil too, isn't he? come talk to me next time, yeah? both of you,” he adds at the end, to kento too.
kento would rather they beat him to death with a bat than drag him into whatever perverse flirtation this is.
“all right then. i'll send over the reports tomorrow morning. now if that's all, i'm going to head out.” satoru's hands still clutching kento's briefcase are limp enough for him to snatch it away from him. he gives satoru a sharp nod.
“good night kento!" wishes suguru warmly as he passes him at the doorway.
a “good night” sits at the tip of his tongue. he turns to face suguru and pulls on a smile. "you've put on satoru's blazer instead, by the way. good night."
the quick blink of suguru's otherwise relaxed purple eyes is a small win. he leaves before he hears whatever suguru has to say.
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Kudo is actually such a kind, soft-hearted guy that had to toughen up because he cared too much
He looked at AFO's rule, and even though he was weak, he had that glint in his eye that has been referred to as the "will of a hero" to oppose him. A hopeful glint shared with Midoriya, Bakugo, and Hawks
He even parallels Hawks when they talk about that particular look in their eye
From a glimmer in the eye, to which eye is shown, how much of the face, a similar angle of the face, and placement of text questioning the existence of that light,
He stormed to kill Yoichi with Bruce, but couldn't, once he saw the state Yoichi was in. Even knowing he was the enemy, he still reached out his hand and never let go, even when they were running
When Yoichi died, even though they'd only been together for two months, Kudo still cried and froze up.
This is a reaction from a man who repeatedly used lives as a stepping stone for his own goal.
Kudo said himself, that victory was life, and defeat was death. He had killed and seen his friends killed over and over, but still cries when it happens again. And to someone he only knew for two months, at that.
Kudo gathered allies under his cause, and they were loyal enough to die for him. Bruce cries (still smiling tho) facing AFO, tried protecting Kudo when he froze up at Yoichi's death, and we see all Kudo's comrades dead in the end. Maybe Bruce was suicidal when he went to face AFO, knowing he'd die, but most of his comrades (and Kudo) were already gone. Their cause was snuffed out, but the will persisted.
Kudo is a bit like Aizawa.
A bit crass and blunt, doesn't like beating around the bush, but he can clearly see what kind of person you are. He's not openly kind, but you know he cares so much, but has also lost too much once. He's seen his friend(s) die, and shouldn't it have been him in that spot? Shouldn't he have died instead, but was forced to continue living for that dead person's sake?
His speech about why we call Abilities "Quirks", recognizing people's intent over raw power is the real power. (Ch 369)
He's blunt and goes straight to the results rather than beat around the bush, but it doesn't mean his heart is frozen and he doesn't care about you. (Ch 408)
He cares so much, and that's why he has to do so much. (His whole Resistance thing, figuring out how Yoichi's Factor works to make sure Yoichi and his will can live on in some way)
He recognizes that Midoriya isn't driven by duty, but that he genuinely adores Quirks too much. (Ch 414) He could look at Midoriya, read that immediately, and even though he looked through his memories, Midoriya's character was his takeaway. Not that Midoriya is an idiot for letting himself be stepped on, or that this kid was bullied, but that Midoriya could see the goodness in others.
Like how Aizawa saw that Midoriya was relying on the reason [It can't be helped] whenever OFA broke his bones and told him he can't always break himself just because he could be fixed (Midoriya's recklessness that showed itself on the first day of school). He called out something that was an underlying, innate belief to Midoriya, that was so normal to the teen, and no one else had brought up as wrong to him.
The first thing they perceive is a person's character.
When Aizawa tied up Midoriya on the first day of school, he wasn't telling him off over his Quirk destroying him being a PR thing or too gruesome for the public. It was out of the fact that his Quirk shouldn't destroy him, because it's dangerous for Midoriya.
Aizawa came off antagonistic, but he was looking out for Midoriya. He didn't want him to keep breaking his whole arm, he didn't want him to get stuck in the mindset that he had to get hurt to use his Quirk, he was looking out for his wellbeing from the start. A kid he didn't know personally until that day.
Kudo did a similar thing. He turned his back, and refused to help, because they were putting their hopes in a delusional boy who would go too far. When the vestiges realized their gathered Abilities and Quirks were letting Midoriya have the freedom to do as he wished, Kudo already knew, only saying "His path is the right one". He could relate to having to run full-sprint to see your goal realized, even if everything opposed him, but didn't want Midoriya to go through that same path alone.
If he were alone, he'd be like Nagant. He had to have comrades to be like Kudo, able to continue and stand for their beliefs, but having comrades to fall back on, or pull him back when it's too much. That's why he follows up in that moment with, "But, if there's something Midoriya does need..."
Kudo and Aizawa could see themselves or their comrades in others, and knew how to approach those character flaws that were normalized to others and said person.
Kudo could see others for who they were, and I think it's this, and his caring nature, that he gathered so many allies with him. He knew when to be blunt, when to show kindness, that the truth hurts but needs to be seen, was actually very logical and witty, and when to step aside and let people do their thing, even if it wasn't the best move (like saving All Might). Because that was what was best for that person.
It's not like people would join someone so wholeheartedly without conviction and being left unseen by that person. So many people were willing to die with and for Kudo, and Bruce believes in him so much.
When All Might's vestige was fading and becoming more solid, Kudo had to look away. They knew it meant All Might was dying in the real world.
Kudo was telling Midoriya not to intervene with Gearshift there. But once he saw All Might genuinely dying out, he couldn't look at him, and kept quiet. He stopped hanging onto battlefield logic of necessity, shut up, let Midoriya do his thing, and it saved All Might. It saved Midoriya from seeing his idol die in front of him, and Kudo didn't have to see another ally die beside him.
The chapter is literally called [We Love You All Might!!]. Even if it's just meant to focus in Bakugo and Midoriya, and only has 2 exclamation marks, it can't discount the world is watching. The vestiges care about All Might too.
When the vestiges come up with the plan to forcibly transfer themselves to deal damage, Kudo volunteers himself as the test dummy. Sure, he backs it with a lot of reason too, but he didn't want anyone else to go first as a test drive
He, with a Gearshift Ability that resembled a manual car, was the test drive. Ha ha pun- *gets shot*
En tried going first. Kudo rejected him, saying he would go first.
"Part ways with Gearshift [me], and you'll be free of the crippling recoil too."
Too. TOO.
KUDO JUST WANTED TO GO AND BE DESTROYED FIRST. HE PUT THE FREEDOM OF RECOIL DOWN AS AN EXTRA BONUS SO THEY'D AGREE WITH HIS CHOICE.
I'd cut the image so it looks better, and I can use Bruce's words elsewhere, but this is an image limit, so,
- Kudo refused to let anyone else go first. This was before giving reasons to convince them he should leave first
- En gives reason to why it can't be Kudo. Kudo just says, "Listen." and reminds them of now.
- Look at Kudo's face when he says that. The guy knows what he's doing when he cuts off En, and would probably be a horrible liar. He might as well be pulling this out of his ass.
He's said "The world will end" "You have to or else" "Five minutes" "You're going to die" a few times in this fight already. DUDE STOPPP
(Terrible liar and a guy who purposely eggs you to torment? What a great friend he would be [yknow, when u make ur friends freak out by being ominous or reminding them of stuff. Like Toast to Lilypichu in a game of Observation Duty])
- "Too."
- Bruce's trust in him, but knowing when to pull Kudo back from going too far
Also, when he's transferred, he smiles to Midoriya. He knows he's about to die again, but the last thing he does for Midoriya is
1) Take away the recoil of his existence as a Factor on the boy
2) Reassure him that it's okay, so it doesn't weigh on his conscience
Even if only in thought, STILL!
KUDO LOOKED SO PROUD OF MIDORIYA!
I bet Kudo is suuuch a sentimental fool
> [Be me and watch your new friend die]
> [I have Yoichi's Factor]
> [It's like I carry his will now]
> [Have a glint of opposition in my eye that drives the Demon Lord and my comrades (Bruce) crazy]
> [Hey Bruce, let's figure out how it transfers]
> [Bruce's common sense VS my rabid ideas]
> [I win]
> [Bruce was unwilling the whole time and still ends up with the Factor]
> [The Factor is named One For All, after something in Yoichi's favorite comic book series]
> [We pass it on to the future to carry forward]
> [Even as everyone else and me dies, I make sure Yoichi and his will are safe from his Demon Lord brother that locked him up]
> [Decades later, my sweet vaulted friend reminds me of when we met]
> [I turn around and give my whole-hearted support to believe in some 15-year old boy because Yoichi believes in him too]
SEN - TIM - ENT - AL!
When Shinomori was stolen by AFO, Shinomori pushed everyone away before they could really notice the invader. Kudo called out for him.
Everyone is in shock, but I don't think it's a mistake that the text bubble calling out for Shinomori is pointing from Kudo.
All For One made it through and is ready to steal them, but the first thing Kudo did was call out for the one at the very front.
[On the post I made that mentions Shinomori pushing everyone away] What if Kudo wasn't pushed away? What if this was him at the front, realizing the danger and turning around, but being unable to do anything for Shinomori when he saw?
Like Bruce, Kudo communicates. He doesn't expect you to just follow or understand him. He actually lays it out and makes sure you keep up.
He explains
- the transfer of vestiges, and why he should go first
- his Quirk
- why Quirks are Quirks
- reports to Midoriya what's happening and what's next
- to Yoichi why they couldn't trust in a delusional boy. In a way that wasn't Bruce's roundabout "we lived in a terrible era and a leader gathered us"
When En panics, he barks at En to keep up. By barking at him, rather than any other way he could've used his tone, it shuts up En in his frantic babbling. Kudo also lets Vestige Might put in his thoughts to understand better, and uses it.
Eye reflection. Kudo can really see people for who they are, and understands others, and himself.
I can't repeat the pics cuz image limit, but look at previous panels here. For example, Kudo saying Yoichi's will lives in him, and when AFO reflected in his eyes
It's something I learned from Re:Zero. When a person in reflected in one's eye, something something that person can see the true core of you, of what you really are underneath everything. The eyes are the window and mirror [glass] of the soul. I finally see the true you.
AFO never reflected anyone.
But Kudo reflected AFO when the man accidentally killed Yoichi. He saw that AFO wasn't seeing anything, so later, Kudo smiled and mocked AFO at his own death.
"Yoichi?"
"He's gone."
"You killed him, Demon Lord."
And AFO hated that reminder.
Kudo was reminding him of what the truth was. Kudo saw it himself, and AFO blocked it out from the get-go. Kudo already knew what AFO was, what he was seeing, what he was doing to himself by blaming Kudo instead of himself.
And then, Kudo's eyes reflected his own hand when he realized Yoichi's Factor was in him.
Kudo clearly saw himself, and in himself, Yoichi. Nothing distorted it. It really was a clear mirror.
He really perceived Yoichi's will was living on, and was right. Otherwise, his eyes wouldn't have shown it.
Kudo was right about AFO. It's even implied back when he and Bruce had their backs turned; Kudo knew what AFO's real goal was. That was back when AFO preached unity and division under him.
Kudo could always see right through AFO. He really understood people from the start. And he never tried making up truths to justify what he was seeing, facing it head-on.
Kudo's lying about the world being black and white.
Kudo and Bruce saw the world as black and white. This was mentioned in the void.
Kudo also says, "Victory meant life. Defeat meant death."
But it's the Resistance. It's when Japan and the world was at their lowest. The world wasn't black and white; there's lots of gray.
Kudo and Bruce would've seen this. Kudo even admits that there's gray, just not directly.
Kudo says Yoichi knows, how he killed and trampled so many lives, to get back at AFO. He knows it wasn't right, or an amazing choice. Later, he says that when your back is against the wall, you have to make callous judgements. These hint at gray moments.
Kudo and Bruce have faced and been in the gray. But it's too hard to make the right choices, and there are times there is no right answer.
Historically, soldiers would convince themselves the enemy were monsters. They wouldn't be able to fight and kill them otherwise. They wouldn't be able to live with themselves without believing in this so badly.
Kudo and Bruce had to have been the same way. They were Meta Humans [Monsters] in a time they were viewed as diseased humans. The monsters were real. And they had a Demon Lord. Kudo and Bruce literally dressed up as soldiers.
Even if they were monsters to society, being Meta, Kudo and Bruce were still human. They knew this. The ones who tried believing in only black and white were inhabitants of the gray itself.
But they have to protect themselves. Kudo is so adamant that the world is only black and white, because he can't stand the gray. What it makes him do, what it means, that he's too weak to do anything.
Yoichi is an example of that gray area. The mortal enemy's younger brother, was actually locked up and sickly. He's just a comic book nerd. And it humanized the other side Kudo opposed so vehemently.
Kudo says victory is life and defeat is death. And Yoichi asked why he reached out to him then. He reminded Kudo of that gray area, and Kudo opened up.
Kudo might avoid the gray area because it's a matter of the heart and a moral dilemma, but it's what makes him human. When there's no right answer in the battlefield, he decides on his feelings instead.
He wishes the world was black and white, because it'd be so easy. But it's not.
Yoichi reminded him of how entering that gray area led to OFA ("when you reached out your hand to me"), and it had been the best choice in the end. The gray area is real, and Kudo's left a bare man with only his emotions when he's there.
Kudo is actually really kind and understanding. He's too soft for his own good. Thanks if you made it this far, I hope it makes sense (tag and image limit)
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