#if i knew how to draw backgrounds and fight scenes i would be inspired

[beyond-far-horizons]

The Promise of Shonen...Part 1

the-ancient-dragon-of-the-north I totally get the feeling about feeling disappointed by a Shonen that showed promise. Happened with Naruto, and while I never watched Bleach or Fairy Tale, my friends still talk about how disappointingly they ended. What would you personally like to see in a Shonen and its ending?

This is such a great question so I decided to make a separate post if you don't mind?

What would you personally like to see in a Shonen and its ending?

I wanted to explore this more fully because it might take us to the heart of the problem and also I don't like criticising something without mentioning possible solutions. But please skip to the end to get an actual answer as this good quite longwinded! [Edit: I've had to make this 2 parts because Tumblr doesn't like long posts anymore.]

Background

Anyone who follows this blog knows what a fantasy and sci-fi enthusiast I am. I've loved the fantastical since I heard my first fairytale and Greek myth. I followed that thread to anime via a variety of paths - dubs of animes like Pokemon and Yugioh before I knew what they were as a child and then via Studio Ghibi, but it was really my friend showing me Fruits Basket that got me hooked on anime as a storytelling medium. From there I danced around Shojo and Shonen mainly, always following that thread of the fantastical and mythic. That led me to Naruto almost 15 years ago and that's when I really became aware of Shonen as a genre, its highlights and its less than desirable tropes. I fell in love (and hate) with Naruto and Bleach and later One Piece and at the same time got hooked on Attack on Titan until it hit its Marley reveal whereupon the story lost its edge for me and I eventually dropped it all together. I check in now and then with One Piece and go through revivals of Dragonball Z and Yugioh Duel Monsters which I've always had a soft spot. After Naruto and Bleach ended and the rather unsatisfying conclusion to One Piece's Dressrosa arc I found myself falling out of love with Shonen, until last winter where I caught sight of some AMVs of Jujutsu Kaisen's (JJK) heartbreaking Hidden Inventory arc and against my will found myself investing in it despite everything I'd heard about the harrowing events in the story and the increasingly choppy writing. JJK has just ended in a rather unsatisfactory manner and it's got me reflecting on what keeps drawing me back to the genre and why I keep getting turned off by it.

What I love about Shonen

I think what I specifically love about Shonen is the combat. I love fight scenes and warriors combined with myth, magic and the search for meaning. Shonen, specifically Battle Shonen, really scratches that itch, especially with its East Asian roots it almost always combines martial arts with weaponry and magical combat where as Western media often doesn't do this as well. Plus I love the varied worldbuilding which often takes inspiration from Eastern mythologies and philosophies. Eastern philosophies and religions are a major inspiration to my own spiritual practice, although I also draw on Western traditions as well, however I tend to find Eastern philosophies more advanced so storytelling and life lessons drawn from them can be more profound. There's also an interesting dialogue between Japan and the West which continues to be explored through manga and anime, so witnessing how countries inspire and comment on each other and their art styles is cool.

In terms of art style and visual characterisation, Shonen can have some beautiful to downright outrageous character designs! I have a real weakness for beautifully drawn male characters like the Uchihas from Naruto, Byakuya Kuchiki from Bleach and lately Gojo Satoru and Geto Suguru from JJK, but you also get gorgeous female characters too. One Piece's designs are always varied and interesting, like I couldn't imagine myself falling for a 10 ft tall, sadistic dude dressed like a flamingo, but Doflamingo is so fantastic from his backstory to his voice acting that you just get swept along. I particularly recall Bleach as having some stunning panels too, Tite Kubo really knew how to make a manga look good.

But really it's the visuals combined with the storytelling that draws me to Shonen. It's hard to quantify how much it's inspired me as a writer/creator, but I love how archetypal it is. With its focus on differing ideals, fascinating magic systems and bonds, Shonen often for me physicalises the emotional conflicts of life. I'm particularly drawn to stories that try to tackle the hard questions like Naruto's focus on the cycle of hatred or JJK's reflections on humanity's negative emotions being like cursed spirits. How bonds and rivalries can positively and negatively affect such dynamics and how we as readers and fans can potentially learn from these relationships and their interactions with the world around them. As someone trained in Jungian psychology, the mythological symbolism is often writ big, especially in common tropes like the rival or the villain being the main character's 'shadow' and how coming to terms with them is often about coming to terms with unacknowledged aspects of oneself. Naruto in particular was very good at this - Talk no Jutsu gets a lot of slack, some of which is valid, but I still find Naruto an excellent counter to some toxic tropes that dictate boys and men can't talk through their problems. I liked how Yuji - JJK's MC has a similar sort of empathy.

Continued in Part 2....

[mcrololo]

okay SO!!

first there’s sidney with his dark types. now, my team was very equipped to deal with his, and we were levelled up appropriately. my issue was, he leads with mightyena and it has intimidate. so i didn’t wanna lead with namor bc i was saving him for the hard hitting but frail absol and wanted him healthy. so i was like, should i lead with bruce? there’s no way he’s KOing in one hit, and the mightyena has sand attack and take down so there’s struggling potential and what’s the right choice here hmmm

but bruce was up to the task and the team advocated for him so i was like OKAY MY BOY you go out there and you do your best; we’ll deal with whatever headache that foul creature causes. wanna know what happened next??? BRUCE BRICK BREAK ONE HIT KOS THE MIGHTYENA THROUGH THE INTIMIDATE it was SO EPIC!!! he also took care of the sharpedo no problem, the cacturne fell to hawkeye’s mighty talons, nat lit that shiftry’s butt on fire, and namor earthquake one hit KOed the absol

it was MARVELLOUS

next we came upon phoebe and her ghost types. i was a bit worried bc ALL we had to deal with them was shadow ball on vision and bite on wanda, and i needed wanda to stay alive for the rest of the pokemon aside from the second dusclops bc that thing is so bulky and hits pretty hard and has earthquake. so i led with vision and he showed such great courage before getting the first dusclops in the red and finally falling to its shadow punches. as the fastest, hawkeye finished it, then wanda and nat took care of the bannettes and the sableye, before namor took down the second dusclops in a few fierce hits. team work makes the dream work!!

next there’s glacia and her ice types. now, i wasn’t really concerned for the first four, but the walrein was a different story. that thing is ridiculously defensive and hits hard. thankfully i didn’t have to worry abt sheer cold bc we were higher level, but its blizzards were a threat, especially if hail was set before it came in. it’s why i went and got the sunny day tm and taught it to vision, just in case. i decided to lead with bruce, while keeping nat as a back up for when he fell. and that mad lad comes in and crit one shots the first glalie like it’s NOTHING omg i was so proud and the whole team was cheering!! he takes down the first sealeo too, in one freaking hit, and barely doesn’t do the same with the second one before falling to its blizzard. that sacrifice made glacia waste her full restore tho, and wanda took care of that sealeo, nat quickly disposed of the second glalie, and then it was wanda’s time against the walrein. her thunderbolt got it to red, but its citrus berry got it out of full restore range; such a calculated hit our leader never failed us and she wouldn’t start now. she held on through its blizzard and finished it off with another thunderbolt

three members of the elite four were down and we were heading to drake and his dragon types with only ice beam and rock tomb on namor, and nothing else super effective so. the team and i were all. taking things very seriously.

in order to not make this ask a mile long (and to build up some suspense ofc sdfghj) i’m gonna continue the reiteration on a second one, so stay tuned for more!!

Omg!! Those OHKO's!! It's extra special pre-Kalos because I don't think it was a mechanic that pokemon did it out of love before that?? Bruce went in there like "OK I've been playing nice but playtime is over ❤" love that for him. That all sounds very nerve-wracking though, I love how strategic you are, that's so different from how I play shdjsk can't wait to hear the rest!!!

[serenato2]

Mochizuki-sensei interview July 08

Hi there! It's me again. There is a new interview with Mochizuki Jun about VNC, so I though it would be fun to share some untold background stories.

Mochizuki-sensei says that in the case of PandoraHearts, her fighting scenes were cut off firstly, because there were not so good, so she wanted to include and practice fight scenes in the new series. (Success) She wanted to draw an academy themed manga or a vampire one, when she visited Anime Expo in France and she got inspired. Also, she mentioned that as long as she remembers, 'Interview with the vampire' was the first vampire movie she was inpsired by. At first the concept was: Vanitas = Sherlock (vampire) Noe = Watson (human) But it was not interesting, it was too ordinary, so their position were changed and the concept greatly improved in a second, but that's why Vanitas still has that sharpish high canine tooth. (I don't know how they say in English :D) Also, someone said to her that Vanitas' hair was weird so she cut it to bangs on the sides. Noe was supposed to be wearing glasses and he was the one with common sense.  From Mochizuki-sensei's perspective, Vanitas is someone who hates himself and a deviant contrary person (we already knew that), Noe is an "outside adult, inside little girl" type.

Now there is an interesting part (for fans, it will be heartbreaking): Mochizuki-sensei mentioned that in PandoraHearts everyone who died accomplished a "rewarded death", they got their spotlights and goals were completed, BUT in VNC she would like to draw death without reward or meaningless death as well. There was a question whether she has a plot in her head already, regarding the last scene of the first episode. Yes, where Noe has a monologue that he will kill Vanitas. She said that she has to decide beforehand a plot goal to be able to work on the manga, but it could be an ending or a turning point which the story has to pass by. So yeah, THAT scene can be a middle turning point as well. The interviewer used the last scene as an example BUT she was speaking generally, not specifically about Vanitas’ death. Sorry for confusing everyone.

Last, about the anime, she is looking forward to see the Roland fight scene to be animated. Ah, aaa, I forgot! Thanks to Hanae-san voice, Mochizuki-sensei remembered that Vanitas is only 18 years old. :D Noe became more sincere and more natural airhead thanks to Ishikawa-san's voice.

The full interview is long, so I picked up only the main points. https://ddnavi.com/interview/808972/a/

I'm not used to write in English, so sorry in advance for the grammar mistakes.

[inastateofmind]

one day / rafe cameron

a.n. YAY for my first fic!!! please be nice because i really do not know what i’m doing. hopefully it’s okay though. feedback is greatly appreciated. let me know what yall want to see next or if i’ve left out any warnings or anything like that!

pairing: non canon rafe cameron x fem!reader

summary: y/n tutors sarah and is pining after rafe, little does she know, rafe is pining after her too. song fic inspired by one day by tate mcrae! i do not own any lyrics used. lyrics are italicized.

word count: 2440

warnings: unrequited love induced angst, fluff, mentions of alcohol, mentions of sex if you squint, jealousy, kelce being kelce

“She stares at her ceiling once again with a hundred thoughts,

‘Maybe he knows who I am, probably not.’”

Y/N laid in her room quietly, Olivia Rodrigo’s “enough for you” playing faintly in the background while she stared at the ceiling above her. School had just started two weeks ago and her feelings for Kook King Rafe Cameron had only intensified since then. Working for the school’s student services, she had been assigned to tutor Sarah, which left Y/N seeing Rafe more often than her heart could physically handle. The two of them hadn’t talked much, only sharing a few passing comments to each other while she confided in his home with Sarah. The reality of their relationship was that the older Cameron sibling probably hardly knew her name, however that did not stop her from harboring feelings for him from afar for almost two years.

“She walks down the hall with her head down low, scared to meet his eyes

Even when she hears his voice she's swarmed with butterflies”

The halls of the Kook Academy were crowded with girls in short skirts and crop tops and boys in polos and khakis when the bell rang for lunch. Y/N stopped by her locker to switch out her textbooks for the second half of her day, keeping her head low as she weaved in between the crowd. “Dude, I just don’t get it. I basically used Grammarly for the whole thing and I still got a C?” She could make out Kelce’s voice in all the commotion due to the volume of his outburst. A giggle slipped out of her lips as she slipped past him, knowing the teachers in this school know when the students use programs like Kelce’s to write their papers. “Sorry, Y/L/N, is something funny?” The boy stepped towards her, causing her to finally lift her head and meet the eyes of everyone who was around. Y/N’s eyes were immediately drawn to Rafe’s, and then fallen to the hand that gripped around Kelce’s arm, making him step back from the shy girl in front of him, “Man, leave her alone.” Her eyes met Rafe’s again as he smiled at her, causing butterflies to swarm her insides as she turned and walked away, leaving Rafe victim to Kelce’s teasing of his “crush.”

“It’s impossible to get you off my mind, I think about a hundred thoughts and you are ninety-nine

I’ve understood that you will never be mine, and that’s fine — I’m just breaking inside”

“You look so hot, Y/N,” Sarah complimented, curling the last piece of her own hair while Y/N stared at herself in the mirror. Sarah had insisted she come to the annual bonfire, and in return had offered to help her get ready. “Rafe is going to die when he sees you tonight.” Y/N thought her heart stopped right then and there. She spun around quickly, staring at Sarah. “What?” Sarah laughed, fluffing her hair as she stood up. “Y/N/N, you can’t hide that from me. I figure out everything.” Y/N sighed and made her way towards the door, opening it for Sarah to lead the way. “For what it’s worth, I think he’s got a thing for you too.”

—

The bonfire was not Y/N’s scene, to say the least. By the time her and Sarah arrived, many people were already wasted. The number of people in the small space was enough to send Y/N into fight or flight mode, but Sarah was quick to pull her into the crowd with a drink and start dancing. Several songs passed before Y/N found Rafe, who already had his eyes on her. She blushed, suddenly feeling very self conscious. Was this crop top too cropped? Has she danced too bad it’s been embarrassing? Is it obvious she doesn’t belong here? She must’ve been lost in her thoughts for some time, because next thing she knew, Rafe’s hands were resting on her hips, bringing her back to earth. “Anyone home?” He joked, tapping her hips with his fingers. She laughed lightly, her nerves flowing through her body. Rafe leaned into her ear, his breath warm against her cold skin, “You look really good.” This small compliment mixed with the alcohol coursing through her veins gave her a new found confidence. She smiled, wrapping her arms around his neck, toying with the hair at the nape of his neck. “You don’t look too bad yourself, Cameron.” Y/N swore she saw a faint blush on the notorious bad boy’s cheeks, but she would never be too sure, because as quick as their moment started, it ended. “Rafe! Beer pong let’s go!” Topper yelled from behind Rafe, a crowd cheering at the mention of Rafe’s name. The boy sighed and rolled his eyes. Y/N placed a hand on his chest, “Go,” she smiled, “You can find me later.” Rafe smiled at her before tucking a strand of hair behind her ear. “I’ll be back.” Y/N watched as Rafe ran into the crowd chanting his name, laughing as he turned around and pretended to have Topper “crown” him as the beer pong king before beginning their game.

—

An hour had passed when Y/N had begin to feel tired of chatting up random people from school. She had consumed a few more drinks while waiting for Rafe to come find her, however he never came. She decided to take things into her own hands and find Rafe herself. Standing from the log surrounding the bonfire, she swayed slightly as she walked around the small space searching for Rafe. She didn’t see him anywhere, so she had assumed he had left on his own accord. That is, until she heard whistling from Topper and Kelce. “Okay Rafey boy!” She turned quickly to see Rafe helping a skinny blonde from their calculus class into his car. Suddenly, her shoes were the most interesting thing at the bonfire. Y/N felt stupid for ever thinking Rafe cared or was attracted to her, and she felt even more stupid for thinking he was really going to come find her. “Hey,” she turned to see Sarah smiling at her sadly. “John B’s here to take us home,” Y/N cut her off, tears pooling in her eyes. “I’m going to go back to mine actually.”

“He always walks the crowded halls and is blinded by this light

A girl who keeps her head down low and never shows her eyes”

Rafe spent most of his time at school surrounded by an entourage. However, as of recently, his main focus hasn’t been the popularity or the girls flocking his way, but more so a specific girl: Y/N. He watched her in class while she worked ahead of the teacher, he noticed how she got anxious in the crowded hallways, he loved how she opened up while she hung out with Sarah after school. He had never felt so attached to a girl before, especially one he had hardly talked to. Something about Y/N just kept drawing Rafe in, making him want to be a proper gentleman and get to know her— all the weird little things and the seemingly unimportant things too. 

“He tried to talk to her but there’s no easy way

‘Cause every time he raises his voice, she runs away”

“Y/N! Hey, wait up!” Rafe yelled down the hallway, running after the girl as she beelined it to her locker. “Y/N,” She opened her locker, shoving her books into it with a sigh. “What do you want, Rafe?” His eyebrows furrowed at her tone. He didn’t understand. At the bonfire, things had been going so good. Now, he could barely get the girl to glance in his direction. “Why are you avoiding me? I thought at the bonfire…” She cut him off, slamming her locker shut. “Yeah, I thought things at the bonfire were going good too, until you left me there to go off with some girl,” She shrugged, turning and walking away before Rafe could even respond. He ran a hand through his hair out of frustration. The reality of the situation: the girl from the bonfire was truly just a friend who was far too wasted and vulnerable to get home on her own, and Rafe recognized that and offered to take her home. He couldn’t blame Y/N for thinking otherwise though, seeing as he did have quite the reputation. He glanced once more in the direction she walked off into before going to meet the younger Cameron sibling for advice.

“Oh, it’s impossible to get you off my mind

I think about a hundred thoughts and you are ninety-nine.

I’ve understood that you will never be mine and that’s fine,

I’m just breaking inside”

Rafe spent the next few afternoons in the comfort of the country club with Kelce and Topper, avoiding his home at all costs until he was sure Y/N was done tutoring Sarah. He wanted nothing more than to go home and steal the girl from his sister so they could talk things out, but he knew that would ultimately make things worse, so he kept his distance. However, the phrase “distance makes the heart grow fonder” rang true, because Y/N was the only thing on his mind. By Wednesday afternoon, he finally gave in, going straight home from school. Wednesdays for Y/N and Sarah were typically their “relaxation” day before cramming for tests on Thursday, so Rafe expected to walk into the living room to find the two of you curled up on the couch. However, the house was oddly quiet and the driveway empty. He texted Sarah, asking where they were.

“John B’s. Be back by dinner.”

John B’s?

Y/N was at John B’s?

Rafe shook his head, opening Snapchat. He looked at Sarah’s story, a picture of her, Kiara and Y/N on the HMS Pogue. He smiled at how happy she looked. The next picture was one of Sarah in John B’s lap, with Y/N in the background sporting JJ’s hat and seemingly swatting at him while he reached to take it back. Rafe’s heart dropped slightly, staring at this picture a little longer than necessary. Maybe if he would’ve stayed with her at the bonfire, that could’ve been them. Now he had basically walked the girl of his dreams into the arms of JJ Maybank. 

‘Maybe it’s better this way,’ He thought. 

But maybe he didn’t want better.

“One day, maybe she’ll stay and start to head over his way

And one day, she’ll look into his eyes and instead of breaking, she’ll call him ‘Mine’

One day, he’ll grab her by the waist and force them to meet face to face

One day he’ll look into her eyes and say that ‘You’re my only light’”

His phone ringing at 1 in the morning woke Rafe from his sleep, not even bothering to see who was calling before answering. “It better be important if you’re waking me up,” He mumbled, rubbing his eyes. “Rafe, you’re too sweet sometimes, you know?” Rafe rolled his eyes, staring at the clock. “Topper, why did you call me?” His patience was wearing thin, but he knew Topper wouldn’t have called him without reason at this time of night. “I just wanted to tell you I just passed Y/N walking home by herself, I asked if she wanted me to give her a ride and she said no, but she looked pretty shaken up. I’ve still got an eye on her but I thought you might want to come,” Topper didn’t have to finish, the minute the girl’s name had fallen out of his mouth Rafe was throwing on a sweatshirt and slipping into shoes faster than he ever has before. His mind was running a million miles a minute. 

Why was she out this late by herself?

Why didn’t she call someone?

Did something already happen?

Rafe grabbed his keys and sped to Topper’s shared location, slowing down once he saw his jeep ahead of him. “I’ve got her, man. Thanks.” He hung up before pulling his car off onto the side of the road. “Y/N,” Rafe spoke as he got out, loud enough that she could hear it was him and not startle her. She turned quickly, staring at him as he approached her slowly. “I just wanted to go for a walk,” she mumbled, tucking a piece of hair behind her ear. “I didn’t mean to scare anyone.” Rafe nodded. “I’m not mad at you, but it’s late,” he spoke gently. He could see on her face she was upset and he didn’t want to make it worse. Y/N was looking everywhere but at him. She was nervous, embarrassed, everything in between. “Hey,” Rafe whispered, placing his hands on her waist like he did at the bonfire. Her eyes met his and he could read her like an open book. He saw the nerves. He saw the sadness. “Let’s get you home.”

-

The car ride back to the Cameron household was quiet, but not uncomfortable. Rafe kept one hand on the wheel and one locked in Y/N’s, glancing over at her every few minutes to make sure she was doing okay. Back at the house, he provided her clothes to change into while he grabbed some drinks for them. Y/N sat on his bed, preparing herself for what she was about to do. It was the reason for the walk, the reason for the silence in the car. Honestly, this could be an awful time to do it, but there was no turning back now. “Okay, so I’ve got chips, cookies, water, Pepsi, mountain dew,” “Rafe.” Y/N cut him off, staring at him as she sat criss crossed on his bed. He sat everything down and stared at her, encouraging her to continue. “This could be a bad time to tell you, but I like you. I went on that walk because I needed to get you out of my head but then you showed up so clearly it didn’t work and honestly I’ve liked you for a while, and you don’t have to like me back, oh no you’re laughing,” She cut herself off at the sight of Rafe chuckling and moving towards her. “Why are you laughing?” Y/N whispered as he got close enough that he could feel his breath on her skin. “Because,” Rafe smiled, “I like you too.”

[starbornvalkyrie]

ACOSF USA BOOK TOUR NOTES

Hey y’all! I just attended the LiveTalks Los Angeles event with Sarah J Maas and Eva Chen!! I took lots of notes so I wanted to share them with you all! They’re a little incoherent on the page, so it might seem a crazy, they jumped topics a lot. Feel free to chat with me about what she talked about! But first.

MY RULES:

NO SHIP OR CHARACTER SLANDERING. I know that we all may have different opinions. I will not offer my opinions here, this is purely informational for those of you who did not have the opportunity to attend this event.

PLEASE NO ARGUING IN MY COMMENTS OR ASK BOX WITH ME OR ANYONE ELSE WHO COMMENTS

Acknowledge that I am not perfect and may not have written down everything perfectly. I did my best while still trying to enjoy the event.

I AM NOT SARAH J MAAS AND CANNOT INTERPRET WHAT SHE MEANS

I’m tagging this with #acosf spoilers and #acosfspoilers just in case.

If you understand and can abide by these rules, keep reading below the cut, and enjoy!

SJM said it was weird doing this event from her living room where you might be able to hear her dog in the background or her son trying to get into the room.

ACOSF started as a passion project while she was writing ACOWAR! It was never anything she thought she was going to publish. (more on this later)

About reading and writing growing up

in middle school, she read a lot of fantasy

in high school, she didn’t read as much, but wrote A LOT. it became her fixation, almost an obsession.

in college, she only really wrote on vacations (she had a very healthy social life hehehe) but her junior year is when she found her balance between schoolwork, writing, and socializing.

there was no plan B for her!! it was always to be an author. if it didn’t happen right away, she was going to find a job that would get her by until plan A could come to be.

her favorite author growing up was Garth Nix. She longed for books about badass women. She got to meet him and write a blurb to be on one of his books! She cries when she meets her favorite authors.

Talk about character names!

her character names come from everywhere and nowhere

sometimes she’ll just hear a name in her head and think “that’s it!” (Rhys, for example)

she needs to know the name to write the character

if the name doesn’t immediately come to her, she spends a lot of her time on baby name websites and makes lists until it clicks

sometimes the names just... connect. sometimes she doesn’t mean for them to.

it will always be uncommon. never “Frank” lol

Writing about Nesta!

on a “surface level” she loves writing when Nesta comes out to fight. for example, her favorite scene in this aspect to write was the bog scene. As soon as she got to it, it flowed out of her. The final product was almost identical to the first draft. She wrote it in one session, from the terror & tread to the “who am i?” to when she emerged--she went YES. MAJOR Mic Drop moment for her.

going deeper: definitely her overall journey was one of the favorites she’s ever written. From the dark place she’s in at the beginning to the very end. 

Writing about Nesta meant so much to her because of her own mental health. She channeled a lot of her own feelings and went on the journey with Nesta.

it was a lot of “how do you face mental health in a fantasy world without therapy and medication”

it was easy to get into Nesta’s mind but emotionally intense.

ACOSF’S BIG MESSAGE: LEARNING TO LOVE YOURSELF AND OTHERS. YOU ARE WORTH OF LOVE.

YES there is a book planned for Elain!

As soon as Nesta and Elain came onto the page again in ACOMAF, she knew they’d get their own journey.

Nesta grabbed her by the throat in book 1

She was originally contracted for only the first three books but realized there was more she wanted to explore. Essentially the “what comes next” after ACOWAR in this new world with out the wall.

FUN FACT: while editing ACOMAF/writing ACOWAR, she drunkenly told her editor at the time, “hey guess what happens next?”, and it turned into a two hour conversation about everything she wants to happen for Nesta, Elain, Mor, Azriel, etc. TWO WEEKS LATER, she gets a call saying they want to buy the stories!! Obviously, she said yes.

This allowed her to start planting the Easter eggs for these stories in ACOWAR. She knew she did not want Nesta to be sympathetic at the beginning of the book! But she did not want people to hate her.

She always has one eye on the horizon for future books.

If she could visit one court for a day, which and why?

She LOVES the season Autumn, it’s her favorite. “BUT EVERYONE IN THE AUTUMN COURT IS AN ASSHOLE”. She would want to visit the Autumn Court when no one is there so she can enjoy the beauty of Autumn.

But also she would want to go to the Summer Court because she has a thing for Tarquin but only if it’s not gross and humid.

She would ALSO want to go to the Day Court for Helion and all his libraries.

ESSENTIALLY she would want to go everywhere but Spring because Tamlin sucks and is an asshole lmao.

BEAST FORMS

SJM’s beast form would be something totally not cool or majestic like a sea otter.

Nesta’s beast form would be something terrifying and beautiful like a snow leopard/dragon hybrid, a griffin, or a sphinx. **WANTS SOMEONE TO DRAW THIS**

FUN QUESTIONS

Nesta’s favorite smutty book would be JR Ward’s Black Dagger Brotherhood series. She reads these books for the distraction, of course, but also for the comfort they gave her that everything turns out okay for the characters.

Nesta’s Starbucks order: cappuccino- something simple, nothing with too much sugar or whipped cream. Elain’s would be a Frappe- something delicious and sweet. SJM’s is a flat white, iced or not, but never after 2PM.

SJM usually listens to classical music and movie scores while she writes, but she’s gotten used to write in silence so that she can listen for her son’s shenanigans with Josh.

“Stay Together for the Kids” by Blink 182 semi-inspired the scene when Nesta and Cassian go back to her family’s cottage. She can hardly explain why.

WRITING ADVICE

Write what you love, not what you think you should be writing.

Give yourself permission to suck. Her first drafts are shit and are usually accompanied with an email that says “I know I need to fix this, this and that” lol.

WRITE THE DAMN THING. Vomit on the page!

YOU CAN’T FIX A BLANK PAGE.

Her least favorite part about the publishing process is the first pass of copy edits, those last minute checks and balances. But once it’s off to the printer, it’s not her problem anymore.

She’s every publisher’s worst nightmare because she sends it off to the printer at the LAST possible minute.

For reference: Throne of Glass was finished almost... a year and a half? ...before it hit shelves, but ACOSF was finished this past fall.

MAIN CHARACTER TALK

All of her heroines have a piece of her.

SJM’s personality is a hybrid of Bryce and Nesta.

Feyre and Nesta got most of her in terms of learning to be empowered.

She has to have a connection to them in order to write them. It’s an out of body, method acting experience.

MISCELLANEOUS

She said “CC2 is a year from now.”

She started writing ACOTAR in 2008 before she published TOG.

She loves the story and dynamic of Elizabeth and Darcy from Pride and Prejudice. Cassian is Elizabeth. Nesta is Darcy.

And that’s all I have, folks! Thank you for reading, I hope you got something out of this!

[amaranthinedream]

Does anyone wanna hear the wildest theory I’ve got for bnha?

this post is purely my own opinion, so keep that in mind. but something that I headcanon about how Horikoshi wrote Katsuki, is that I fully believe that Katsuki’s character in the original was just meant to be the Rival, not the Friend too.

In Horikoshi’s own words, he was ‘detestable’ and just a horrid person right? someone who maliciously hurt our main character and embodied the rough background that the m/c had to symbolically get over by beating him in a fight or whatever. someone who would have maybe some sort of redemption arc, but wouldn’t be one where he ended up so close and supporting the m/c, instead being someone to  drive the m/c forward - a rival.

But the thing is, our main character is Izuku. and I can just imagine horikoshi’s own plans going completely off book because of that.

by that, I really do mean that when you’re writing, and you actually get to a scene you’ve plotted out before in your head, sometimes your characters just... do something different. form relationships you’re not expecting them to, or to a degree of depth that you don’t expect.

Horikoshi had Izuku, who idolised Katsuki so much, who wanted to win against him, who had him as an inspiration as a hero - one much closer to him than all might during his childhood.

but those are things we - and maybe Horikoshi too - realise After.

I’ve heard that Horikoshi has bnha already written out, he’s knows what’s going to happen. which means that he’s probably had multiple drafts of the story and he’s decided on one finished version. we’ve seen the original characters and how different they are now from what they were. Katsuki in particular was much less... Katsuki-ish than he was before. he was the type to hurt people without realising - but Horikoshi changed that to him full on doing it on purpose. 

but one thing didn’t change, Horikoshi wrote Katsuki egotistical and full of himself. he can’t handle not being the strongest. he’s selfish.

he is the immediate antithesis to Izuku. kind, compassionate, thinks only of others, weak. but completely heroic and brave.

‘lol’ thought horikoshi -the absolute madman of a genius he is, ‘wouldn’t it be great if he was saved by Izuku. if Izuku’s bully was the the reason he got a quirk to become a hero’. the poetic irony of it is appealing narratively.

but how to realistically explain to this childhood friend turned bully how the hell Izuku got a quirk when Katsuki knew damn well he didn’t originally have one?

in this, my theory is that originally Horikoshi meant to keep Katsuki thinking that Izuku hid it from him. he was never going to find out the truth in the first draft of the story. but Katsuki being who he is, he cannot rationalise this any other way than Izuku looking down on him since they were kids.

but Izuku isn’t the sort of character who would be able to stand that, is he?

he’s there after the first team battles, making new friends with his class, and he can’t handle Katsuki thinking he was looking down on him. so he runs after him and ends up telling him that his quirk is something he got from someone else. and he’s shown after he says that, shocked and thinking ‘i was only going to tell him i hadn’t been tricking him but..’

and this is pure conjecture, but i fully believe this is a scene that Horikoshi left in as a nod to his own changing plot. i think he probably didn’t think too much about Izuku explaining how he got a quirk to Katsuki when he first thought of the story, but when he actually sat down to draw/write it, Izuku himself went off script and revealed the Secret to who was only meant to be the Rival. someone who was probably meant to only be the initial source of conflict of the story before we got to the real plot. and Izuku told him something he didn’t even tell his mother, because how else does he explain getting a quirk?

and i think that by doing that, it changed every single one of their encounters from that point on in Horikoshi’s eyes. because now they’re co-conspirators on the main secret of the series, because there’s no way Katsuki could not not figure out who Izuku got his quirk from after that.

Katsuki couldn’t just be the reformed bully, he had to be closer.

almost everything about Katsuki and his growth is wrapped up in Izuku, there is nearly no outside influence, unlike - say, Todoroki, who has his family.

and i think thats why so much of the story revolves around, not only Izuku, but Katsuki too. despite bnha being ‘about how I [Izuku] became the number one hero’, it now follows Izuku’s development, and Katsuki’s reaction to that development.

i think this is why Katsuki gets so much screentime and character development, because Hori didn’t originally plan to have him be so central, and only realised that by having Izuku admire Katsuki so much, and Katsuki’s own complicated feelings for Izuku, how much that changes things for him and the story of bnha.

obviously, he’s fleshed it all out for them now, but i truly theorise that in the first few drafts of the story, Katsuki wasn’t meant to be such a main character to the plotline, and it was only after Hori wrote out that one reveal scene that he came to be the other side of Izuku’s coin, so to say.

tl;dr, basically, i think that Izuku was the one who decisions chose what fate Katsuki as a character was going to have, and that fate was one far different from the one that the author originally had planned for the explodo-boy, and i think that is part of what makes their dynamic so interesting.

[imthepunchlord]

What would change if Marinette was transfer student, while Alya was "native" student and Chloe's rival in "Origins"

So more along the lines of canon? I'm going to roll with that assumption.

Well, there's a lot of possibilities and what I roll out isn't so certain. Everything below is just a rolled out debatable possibility. But what's for certain: classmate dynamic wouldn't be as it is in Origins. Not to say it'd be a drastic change, but it still has changes.

- Chloe I still see being a bully, but she doesn't have a favorite target.

- Alya wouldn't have that low self esteem that Marinette had in Origins as I don't see her reaching that point that Chloe was able to get Marinette to, Nora at least is there to be very aware of her little sister and have her back. And Alya is more "fight back!" if she's wronged than Marinette. Chloe doesn't like picking fights with those who are going to fight back, hence her not going after Nino, Alya, Ivan, ect. Marinette does fight back now, but with her pursuing Adrien romantically, that fuels Chloe's continued fire to fight back against Marinette. And spite. As Alya largely doesn't really go against Chloe all that much and they just ignore each other, things may not be so tense between them. Especially since Alya just isn't interested in Adrien. No threat for Chloe.

- Alya will have an already established best friend by the time Marinette comes in. Playing off Origins where she sits in the front initially, I'm going to roll with that being her seat. Best friend wise, that could have Mylene or Alix (as they initially sit behind her) or that could be Nino who doesn't want to sit around Chloe. He may just sit by Alya in general and he, Alya, Alix, and Mylene are all kinda a group already.

Now, what changes, that's really up in the air.

Marinette may or may not have low self esteem, it depends on where she was originally and what her experience was. And there are some options:

She could've been living/traveling with Gina and they decided it was time for her to settle and go to an actual school. This has her very traveled, know bits of languages here and there, got to see a wide variety of cultures, and may or may not know some characters that don't naturally live in France.

She could come from Italy and potentially knows Lila.

She could come from London and potentially knows Felix.

She could come from New York, potentially knew Zoe and Audrey played a role in inspiring Marinette into getting into fashion.

She could have lived in Shanghai or Wenzhou and Tom wanted her to connect with her western roots or (this applies to most above) he's concerned about his dad getting old and wants to be close by just in case despite their grievances.

Or she can come from a new place that's not mentioned yet in show.

She could also potentially have been friends with the Quantic Kids, Felix may or may not be included.

There's a lot of possibilities for Marinette. And depending on background will depend on how she is. I think for sure she'd be nervous, but I want to say that chances are good that she won't have low self esteem.

Miraculous wise, it technically can go either way if its Alya or Marinette who does Fu's test. It depends if this arrival swap changes up where Fu does the test or not. If not, Marinette will still pass it and just be like, wtf, I just got here why do I have this? Because probability that she doesn't have low self esteem, things may go better on that first run.

This will also decide if anyone knows a hero's identity at the start; Alya will tell her best friend when she gets it, Marinette wouldn't.

And depending on Nino will depend on where Marinette and Adrien sit, and their relationship if they have one. If Alya and Nino are buddies, that leaves the seat in front of Chloe open and Marinette will sit there with Adrien and they wind up best friends though not so pleasant as Chloe is right behind them but that could push Adrien to address as Chloe's picking on his new friend who's also new.

But if Nino isn't a best friend to Alya and he and Adrien still connect, a seat is open beside Alix/Mylene in the 2nd row, Marinette could sit by Ivan, or sit by Nathaniel and she could end up best friends with any of them. Depending on who, this can lead to Marinette not interacting with Alya or Adrien at all.

...And I will add in, that, potentially, Adrien may even opt to sit away from Chloe, picking up or straight up told by Alya that Chloe isn't well liked and is mean and he'd rather sit away from her. So he could sit beside Alix/Mylene, Ivan, or Nathaniel.

Crush wise, that's also up in the air and depends on a lot.

Adrien's crush, we'll keep it simple and say that he crushes on whoever his partner is. Marinette or Alya, they're going to come out spirited and confident in the end which wins him over. That's what seems to draw him, confident girls that are able to kick ass.

With Alya, I'll say that she doesn't crush on anyone until s2, as I don't see her interested in romance s1 wise with the new hero business in Paris. That's more exciting to her than romance. I'm also more inclined for Alya liking girls so I'd say she'd crush on Kagami when she comes in, or winds up liking Alix but it takes a while for that friendship to become more. For those who do like DJWifi, I'd say it would be similar to Alix's set up, best friends or just good friends, it takes a while for that relationship to get going. Adrien and Alya I just don't see it as, canon wise, they barely interact at all. Most you'll get is Adrien potentially crushing on hero Alya but I don't see her interested in dating her sidekick.

On Marinette, that will depend and vary as well. Initially, I want to say that she's not really going to crush on anyone. Best friend wise, based on what's seen, she typically regards platonically. Not to say that she couldn't regard her best friend as a romantic possible partner, but just working off her canon interactions. And because she just arrived, and Chloe wasn't so inclined to pick on Alya, there is a chance that Chloe may be interested on picking on Marinette when she comes. This leads to no gum incident, and no umbrella scene. So there's no set up point in Origins for Marinette to crush on anyone. So for now, just inclined to say that Marinette's not going to crush on anyone.

And well... I think that'd be it. How else the show goes will depend on who has the earrings, Alya or Marinette. If the latter, it largely goes the same as canon, minus Marinette crushing on Adrien and her having a different best friend. With Alya, well, that changes things up more, and saving Paris doesn't go as smoothly as you have an Alya-Adrien partnership, both very reactive characters that are quick to go with the first idea that comes to them and don't factor in consequences very well. Fu might be prompted to let loose a miraculous or two.

[ordinaryschmuck]

Why I (Want to) Love Tangled: The Series/Rapunzel's Tangled Adventure

Salutations random people on the internet who most likely won’t read this. I am an Ordinary Schmuck. I write stories and reviews and draw comics and cartoons.

When I heard Disney was making an animated series based on Tangled, acting as a continuation from the original movie, my initial thought was, "Why?"

Sure, Disney is infamous for its unnecessary sequels of the story after happily ever after, with the many, many, many failures that follow suit. Even then, though, most of these continuations were movies that kind of have the potential to tell more of a story. But what more could be said about Tangled? Sorry to spoil a movie that's over ten years old at this point, but by the end of it: Rapunzel lost her golden hair, was reunited with her parents, fell in love, and lived happily ever after. Her losing the golden hair is the most essential part of that list because how can you do a series based on a Disney princess when her most iconic feature is gone? Then I found out that the series forced a way for her hair to come back, and my new initial thought became, "Oh man. This is gonna suck, isn't it?"

Despite the hesitation, I decided to give it a chance anyway. After all, I've been pleasantly surprised before. Things like My Little Pony: Friendship is Magic, The Mitchells vs. the Machines, and even The Owl House (yes, really), were shows (and a movie) that I didn't think would be that special. Only to find myself enjoying nearly every minute. So after watching Tangled: The Series/Rapunzel's Tangled Adventure, I can certainly say I was surprised...but it was entirely for the wrong reasons.

And to explain how requires spoilers. So if you haven't checked the series out yet, I highly suggest you do it to form your own opinion. Just keep in mind that it's a bit of a mess, but it can be an enjoyable mess...sometimes...let me explain.

WHAT I LIKED

The Animation/Art Style: The series swapping from 3D to 2D might have been the most brilliant decision anyone could have ever made with this series. Usually, when an animated movie gets turned into a show, the most noticeable downgrade is always the animation. Whether it’s not as detailed or not as fluid, it's always subjective that the movie is better animated than the series. But by switching up the styles, the contrast becomes objective instead. 2D and 3D animation each have their pros and cons, so deciding which one is better is nothing more than a matter of opinion. So by changing the style, Tangled: The Series/Rapunzel's Tangled Adventure avoids getting complaints of being a downgrade from the original movie. It also helps that the art style of the series is really unique.

The best way to describe how the show looks is that it's like a coloring book brought to life. At times, everything looks like it was drawn and colored in with crayons, which sounds like an insult, but in actuality, it's one of the best features of the series. As much as I love most animated shows nowadays, I will admit, they all look a little too similar at times. Then here comes Tangled: The Series/Rapunzel's Tangled Adventure, which tries to incorporate a whole new style that successfully sets it apart from most shows.

As for the animation itself, it's really well-made! It's remarkably expressive when required, while the movements are really fluid during the correct scenes. Sure the fighting can be a little floaty during some action set pieces (yes, those exist here), but the dialogue and comedic moments are really where the series shines with its animation. I may have problems with the series as a whole, but I give credit where credit is due for the perfectly executed effort that I see in every episode in terms of animation.

Rapunzel and Eugene’s relationship: This was not something I was expecting to enjoy from the series. In the movie, Rapunzel and Eugene were fine. They were the typical Disney couple that worked off of each other enough that it was always entertaining, even if it was unbelievable that they fell deeply in love with each other after, like, two days. They weren't bad, but they weren't anything to go crazy over.

But the writers for the series said, "You know what, let's make these two adorable in nearly every scene they're in." And they are!

Even though I don't believe in their relationship in the movie, I fully believe it here. Both characters have a large amount of faith in one another on top of having endless love for their partner. Like how Eugene knew Rapunzel would be fine when taking out an airship or how Rapunzel couldn't bring herself to say a bad thing about Eugene when making Cassandra a sparring dummy of him. It's legitimately pleasant to watch, to the point where I put Rapunzel and Eugene in my top ten list of favorite fictional couples. They're that good to me, and it's one of the reasons why I don't jump on the bandwagon of shipping the two main female characters together. I'm all for LGBTQA+ representation, but give Cassandra her own girlfriend. Rapunzel's taken, and most of my enjoyment of this show comes from her and her man. So, you know, keep things as they are.

Cassandra (Seasons One and Two): Seeing how I've already mentioned her, let's talk about Cassandra, shall we? Because when making a series based on a movie that had only four prominent characters, with two of them being comedic animal sidekicks, you're going to need to introduce more members to the main cast to write more potential stories. And Cassandra, in Seasons One and Two (I'll get to Season Three), is a worthy addition. She acts as a strict straight man (I know the irony) who interacts well with Rapunzel and clashes perfectly with Eugene on occasion. She was passably entertaining in Season One and developed amazingly in Season Two. Her growing frustrations with Rapunzel's actions lead to a slow build-up that made her betrayal heartbreaking but somewhat understandable. And as for the results in that betrayal...yeah, I'll get into that later. For now, I'll just say that Cassandra was a pleasant addition to the main cast, especially when she was a part of the main trio, and she's yet another good surprise that the writers supplied for the series.

The Songs: The songs are...not going to be for everyone. Most of them are passable yet kind of generic, while others sound like they belong on Disney Junior (Looking at you, "Bigger Than That"). But when Tangled: The Series/Rapunzel's Tangled Adventure makes a hit, MAN, it is a home run. Numbers like "Ready As I'll Ever Be" and "Nothing Left to Lose" are sung phenomenally, orchestrated well, and are songs I can listen to on repeat multiple times. And "Waiting in the Wings" is not only something I consider to be the best song in the series, but it's also something I'd place as high up on Disney's best due to how f**king incredible it is. "Waiting in the Wings" is a powerful ballad that manages to be both tragic yet inspiring on top of how well it sums up Cassandra as a character. The writers may not always be on top of their game when it comes to music, but songs like these prove that they know how to earn that Disney name.

And that’s all I have for the likes...Oh boy. That’s not a good thing is it?

WHAT I DISLIKED

It Peaked at Season One: It did. It really did.

Season One felt like the writers had a grip on what type of show they wanted: A slice-of-life series with Rapunzel dealing with the issues of her kingdom with a meager threat of these black rocks growing in the background. It was all cute and well-balanced for the most part, but that all disappears in Season Two. Because now it's sort of about this adventure, but because Tangled: The Series/Rapunzel's Tangled Adventure set itself as a slice-of-life series, there need to be these small-scale stories that intertwine the grand narrative being told. The issue is that the story comes to a grinding halt one too many times as fans are forced to sit through these filler episodes that, while not all of them are bad, still feel like a distraction. And by Season Three, the series does feel more focused while having some slice-of-life episodes added to the ongoing story instead of distracting us from it. But the writing isn't as strong, there are several plot holes in the narrative (how did Rapunzel's sunstone get into her dress?), and there is way too much time going back and forth on Cassandra's morality. They claim that she's a villain while arguing that there might still be some good in her, and they continue this train of thought for nine episodes when it really could have been settled in two. For me, it's a bad sign for a series when the first season is the best one. Because if it's all downhill from there, what's the point of even watching?

It Tries to be Epic: This might have been the worst decision the writers could have made.

Now, here's the thing: I don't mind grand epic tales of adventure and battles against demons. If anything, I'm all for them...when it's appropriate and fits with the tone of the series.

Tangled: The Series/Rapunzel's Tangled Adventure suffers a similar problem Frozen II has, in which the writers felt like a big, life-threatening adventure was the perfect continuation of a meager, personal story about the relationships of characters. It isn't. If anything, it's completely missing the mark about what the original story was about. And sure, sometimes writers can succeed in telling personal stories through grand adventures. Just look at The Owl House and parts of Amphibia. But with those shows, it's established within the first few episodes that action and peril will be a series staple. With Tangled, while there was some action and peril, it's all very subdued compared to how high the stakes got raised in later episodes in the show. Especially in the series finale.

And, I mean, c'mon. You're making Rapunzel an action hero?

Judy Hopps? Yes.

Moana? Maybe.

Raya? Most definitely.

But Rapunzel? The character who’s all about optimism and seeing the best of others. That's the character you're going to morph into a hero that fights against an evil demon laid dormant for years? Did you even watch the original movie? Yeah, sorry, but I just don't buy it.

If you want to tell an epic story that gets the blood pumping for fans addicted to adventure, go for it! See where the wind takes you. But make sure to set that tone as early as possible while also making sure that it fits with the characters. If not, the end result is a series that feels like it's trying to be something it’s not.

Eugene is Kind of an Idiot at Times: It should be noted that Movie-Eugene and Series-Eugene are practically two different characters. In the film, Eugene was more or less the straight man, as he often questions the wackiness in the world around him and keeping Rapunzel grounded in reality. For the series, most of that personality got transferred to Cassandra. Thus making Eugene's new role in the series act as the egotistical imbecile. Sure, he had those moments in the film, but not as frequently, and it really pains me when the writers really lean hard into a minor aspect of his personality. Sometimes there are moments when Eugene acts like his original self. But it's all small scenes that are spread apart with entire episodes where he has half a brain cell. I'm sure some people didn't mind this change to the character, but as someone who adores the movie version of Eugene, I can't help but feel disappointed.

The Villains are the Worst: Now, I don't mean the one-off villains that show up, cause some chaos for a bit, and disappear at the end of the episode. Those are characters with fun personalities, occasionally cool designs, and do their job as villains of the week. It doesn't matter if their motivations are laughably simple, as their purpose is to be enjoyable characters above anything else. So I actually enjoy those villains...it's the ones that act as season-long antagonists that really grind my gears.

The purpose behind these types of foes is to build up how evil they are throughout the season. The issue is that the writers try to give these characters, or at least two of them, a point. To be fair, this can work. Just look at Killmonger from Black Panther and sometimes Karli Morgenthau from The Falcon and the Winter Soldier. You understand and probably even sympathize with the logic and reasoning these characters have. It's just that their actions couldn't be farther from what you would do. The problem with Varian and Cassandra is that they have the motivation, but it's not written suitably for the story.

Cassandra is a whole can of worms I'll get to in a minute, but Varian is someone I can easily discuss for a brief time. Because while I can comprehend his pain for having his father frozen in yellow rock, I don't think turning evil is the best decision to go with that character. Because A. Everything is his fault. He blames Rapunzel for not helping him, but even if she didn't have a crisis to deal with, there was nothing she could have done to stop it. His frustrations are not only unjustified, but given the fact that this wouldn't have happened if he listened to his father in the first place, it feels like him becoming evil is too drastic of a turn. And B. Varian worked much better as a supporting character rather than a primary antagonist. He was just this hopeful, if not a clumsy scientist who wanted to prove himself, who causes minor catastrophes due to not thinking ahead. Turning a character like Varian into a villain is a bit of a misstep because if the guy acts hilariously incompetent as a good guy, it makes little sense to have him be intelligent and ten steps ahead of Rapunzel when being evil. If he were to become more serious and careful when helping the rest of the main cast, I'd consider that character progression done properly. But becoming a villain is just an overreaction.

However, none of that compares with my issues with the main antagonist of the series: Zhan Tiri. This goes back to my problems with the series making itself too epic. Because if Zhan Tiri existed in any other show, I probably wouldn't have any problem with her. She's built up well throughout all three seasons and is kind of threatening at times. But she doesn't belong in a series based on a movie that dealt with a small, personal issue where it wasn't even the character who killed the villain in the end. It was her love interest and animal sidekick. Even if Zhan Tiri works well as a character, the fact that it doesn't feel like she belongs in the show makes her too distracting to enjoy. And that's why these villains suck. If not poorly written, they don't belong in a series that should focus on small-scale issues. And if you can functionally write an antagonist that appears for only one episode but flounder with ones that show up in several, well, that's just embarrassing.

Cassandra (Season 3): OOOOOOOOOOOOOOOOOH BOY, do I have some words to express with this character. Like with Movie-Eugene and Series-Eugene, Cassandra from Seasons One and Two is frustratingly different from the psychotic IDIOT from Season Three. Basically, just take the issues I have with Varian, multiply them by ten, add them with some bafflingly stupid decisions, and you still wouldn't get how much Season Three-Cassandra frustrates me!

First off, her motivation...what the f**k were the writers thinking? The big reason why Cassandra betrays Rapunzel and motivates all of her misdeeds was that Cassandra's mother was Mother Gothal...EXPLAIN THAT LOGIC TO ME?! Because Cassandra should know what type of woman Mother Gothal was. She should know what Mother Gothal did to Rapunzel in the first eighteen years of her life. So how is Cassandra being abandoned by Gothal the central motivator to cut ties with Rapunzel, who is probably an even bigger victim in this scenario!? Seriously, Rapunzel was cut off from the rest of the world and treated as an unknowing prisoner because she was beneficial to Gothal. Cassandra was adopted into a household with mutual love and got to actually live her life. In no way does it make sense for her to be angry at Rapunzel.

Nor does it make sense that the writers try to play it off as a good thing in the song "Crossing the Line!" Sure, it sounds nice, but thematically, it gives across the opposite feelings that the audience should have. Because if Cassandra cutting ties with Rapunzel is meant to be tragic and awful, why is the music suggesting it's the best possible thing that's ever happened for the character? If you like the song, fine, but even you have to admit that it's thematic nonsense.

But, sure. Cassandra's evil now, and she considers it a good thing. Whatever. I'll take it as long as it leads to good stories...but here's the thing: In the penultimate episode before the three-part series finale, Cassandra asks a question. A question I would have never expected her to ask, despite everything that has happened in the last season. A question that was so baffling, I had to legitimately pause the episode to process the fact that she asked something so stupid. Because Cassandra, the character who is intelligent and grounded in reality, asked, "Am I the bad guy?"

I was honestly shocked to find out she was shocked! How, in the flying, everlasting, cock-a-doodle-doodling F**K does a person like her not pick up that maybe, just maybe, she isn't the hero in this story!? Call me crazy, but endangering the lives of people you once called friends and family, dressing in black, AND HAVING A GIANT EVIL-LOOKING TOWER MADE OUT OF F**KING SPIKES aren't qualities I would give to a hero!

If Cassandra was like Thanos, a character so wrapped up in his ego that he can't even notice how evil he is, I would understand. But she doesn't have an ego. Anger, yes. But for the most part, her personality is based on having logic and reasoning. So turning her into a villain and having her unaware that she's a villain is an act of lunacy that I am incapable of understanding. I don't know who's idea this was, but whoever is to blame...you've got issues.

>Sighs<...This series isn't good, is it?

IN CONCLUSION

I like the animation and some of the characters...but that's not enough. Tangled: The Series/Rapunzel's Tangled Adventure is a mess of a show that tries to do too much for a story that should have so little. Meaning that it's a D+ for me. I want to enjoy it and give it a higher grade, especially with how much I hear people praise this series. And if you do enjoy it, all the power to you. Your opinions are valid, even if I highly disagree with them. Because for me, this is a show that I won't get myself tangled up in again in the future.

[sadviper]

Hi, a question about your beautiful fic writing 💕(hope you dont mind!) Do you tend to put in a lot of research while writing fics? 😄

Thank you so much!!!! Of course I don't mind the ask! :3 It would help to know which fandom you are referring to, because the research requirements are different for historical vs. modern-day, but in general there are two answers:

1) The Short Answer: IT'S ALL LIES!!!!! ;;;___;;; like that disclaimer in front of every kdrama, any resemblance to reality is purely coincidence!

2) The Long Answer: It depends! In some ways, research for modern-day is easier, because I'm living it and information is usually readily available. But it's also harder as a result, because there's SO MUCH out there, and I sometimes go down long winding rabbit holes to get background information that only ends up appearing in 1 sentence if at all. For my TKEM fics, I first started carefully rewatching the show, taking notes on all the sets and references made in the dialogue, until I realized that I wasn't getting much return on my investment--the canon was handwaving the worldbuilding quite liberally, and leaving most unsaid or up to interpretation.

For "Before There was Zero", I saved a lot of effort by pulling the little details from what I already knew--the ins and outs of office life and bureaucratic processes. Most of my research time therefore was sunk into figuring out stuff like: how many years it would logically take to reach the rank of captain by age 29 (surprise, you can't, at least not in the US); what can be done to MAKE IT WORK; military merit awards in ancient Korea; wrestling fight moves; districts in Busan w/ great nightlife, etc. Some of these details are major lynchpins to the plot, others are minor details that I probably could've made up, but sometimes it is easier on the brain to use something that exists than to have to create EVERYTHING from scratch.

Research is a great way to give me a premise, especially for specific events or case fic. In "Nil Desperandum", Sung-rok's meet-cute flashback with Yeong-il in Cambodia was me scouring wikipedia about the Khmer Rouge and various events occurring between Cambodia and Vietnam, and then stealing the broad details and shuffling it forward by a couple decades. And each of "The Veritable Records" entries were inspired by things that I read in King Se-jong's Sillok.

Old day research, however, is a whole different beast! To tell you the truth, I dislike reading non-fiction and it's only my perfectionism that made me do as much research as I did. Now add the extra layer of difficulty when libraries are off-limits because of COVID and there is a complete dearth of English-language materials about the lives of Jurchens or daily ancient Korean life online. Research absolutely helps to ground the details of the world, but even that can be trickery. For example, I had no idea what Joseon era Pyongnam harbor looked like nor how to find out, so to write the harbor scene in CH3 of "The Veritable Records: Commitment", I studied a description in a gothic novel called "The Italian" by Ann Radcliffe where she beautifully described an Italian harbor! If I couldn't find relevant information on Korea or Jurchens, I tried to find parallels with Ming Dynasty, Mongolians, or Manchurians, but if it took longer than a 15 minute Google search, then I just Made Sh*t Up, drawing heavily on visuals that I could remember from different cdramas and kdramas that I'd watched over the years. Subject matter experts will see through me, but...if I want to post online, that's the risk I have to take. -_-;;

I had to balance between getting Things Right and not slowing my writing progress down so much that I would lose my motivation to write. Now I completely understand why published authors can spend multiple years on one book, reading tons of books on the topic, traveling and taking photos, etc.

For me, since this is just a hobby, I realized that a story doesn't need all the facts straight in order to be exciting, or emotional, or reach readers in some way. A lot of media we enjoy eschews reality because we're just in it to watch the characters interact and grow together. Not saying my stories will ever stretch disbelief too thin; logic is my life! But it's a way to reason with myself when I inevitably have to make tradeoffs between productivity, quality, and other competing commitments.

I hope this answers your question, and thank you so much for thinking my writing is beautiful! ;;;___;;; <3 <3 <3

[valaks]

Hey Valaks! I love your blog and your writing!

Please could you do 1, 10 and 18 for the writing asks?? 🌺

Thank you for the ask! I have added a cut to hopefully not be that person clogging up the feed XD

1. Tell us about your current project(s) – what’s it about, how’s progress, what do you love most about it?

I have a few collabs outstanding like Gemini and a Kabir/Alex sequel to Reunion (It’s rated T at the most so still kid friendly) with Lupin and Devil Went Down to Georgia with Galimau. My utter love for both of my collab partners for pulling me through at a time when I’ve been really struggling. I have a WIPs List but I’ll confess to not having touched most of them in quite sometime (partly from life, partly because I’m not sure how interesting they’d be to anyone else other than me which influences my writing more than I would like to admit):

Good Intentions: Smithers never thought he’d be anyone’s moral compass, he was no angel to sit in anyone’s shoulder but trying to keep Alex Rider from following in the ruthless footsteps of his father or worse his former handler, Alan Blunt is as close to hell as he can imagine. (Wherein Alex becomes head of MI6 we watch his morality slip away form the eyes of an increasingly frustrated and heartbroken Smithers - it all culminates when Alex uses a child “just as an informant, simple information gathering” but hidden behind the charming smile of John Rider and the brutal coldness of Alan Blunt’s words is Alex Rider dying as he says them (Smithers just hopes there’s still a part of the boy he once knew in there to mourn)

Walk the Line: Alex thought he was done with SCORPIA. But they kept creeping back into his life in the most unexpected of ways. He thought he could at least count on it being on the other side until he gets teamed up with Walker, his former classmate and current CIA spy. Unfortunately he still hasn’t been able to figure out whose side Walker is really on - attempted deep cover op like his dad, repatriated rogue spy back on the “good” side, or SCORPIA double agent? He doesn’t know but at least he’s nice....in that obnoxious American way.

Temperamental: (Sequel to Sentimental which isn’t all that popular and you would need to read it for the sequel but basically amnesiac Yassen whose memories stop pre John’s betrayal set during the Stormbreaker mission and features him trying to come to grips with the use of chemical weapons against children and how to handle Alex once he snaps back to reality which is where this starts) Yassen had promised Alex Rider that he would be safe from the world of spying but fate had other ideas. In the days after Sarov’s failed plan, Yassen scrambles to find where MI6 have hidden his wayward charge without drawing Rothman’s attention. A request from one of their existing clients to look into suspicious activity at his son’s former school prompts Yassen to investigate under the guise of offering security. He should have known where there was trouble there would be Alex.

10. How would you describe your writing process?

Lordy do I ever not have a good answer for this. Typically it involves an idea hitting me and then the determination: would this idea work better as a short to post on tumblr (because the set up would take away the tension or would require a multi chapter which is not really my strength), as a prompt to lob out into the ether for someone better and brighter to touch on, or a fic. Once fic is decided I determine whose perspective the fic would be the most interesting from either because it would create the most tension or their internal monologue/background knowledge would add the most to it. Then the summary is written and a title is chosen. If it’s something I’m really passionate about and I already have it in my head I tend to write it all in one go, if there’s more I need to chew on then it’s a series of dates with the Evil Writing App. The final determination is whether it’s good enough for Valaks or if it gets sent to an alt account.

18. Do any of your stories have alternative versions? (plotlines that you abandoned, AUs of your own work, different characterisations?) Tell us about them.

Allegedly. I’ll try to go in order of posting -

Ruthless has a sequel where Alex just goes *quiet* once the initial dust as settled it’s unnerving to everyone because they’re not used to having to wonder just what Alex is thinking, at least not behind closed doors but what happened isn’t exactly something that can be recovered from easily, not when Alex isn’t sure who all’s in on it no matter what they’ve told him. Failure is the AU where I considered what would happen to Alex to make him want to torture.

Alibi was originally going to have Yassen show up in the end but I found it far more fascinating if MI6 was just testing Alex so out went Yassen and in went Ben. The sequel to it was torn apart and turned into Warm Reception because I wanted to trope flip SCORPIA comes to Brooklands and decided that it was more logical to have a small fight in Mrs. Bedfordshire’s lobby than anywhere else and I wanted to explore some side characters instead of Ben.

Providence’s sequel thoughts ended up inspiring Gentleman’s Agreement but I did write a small short for it “Yassen and Alex encounter each other on mission. Surprisingly they are working to mostly the same goal - Yassen needs to kill the millionaire who Alex needs to get information from. “I suppose I could answer some questions for you, Sasha. /In Russian/“ “Is now really the time for a language lesson?” he ground out in frustration but the man pointedly ignored him “/Fine but I don’t know some of the words/“ “/Then there is no better way to learn/“

I mentioned the Sentimental sequel but changing Sarov to come first and probable for almost a month before Yassen figures out he’s missing made the most sense. It was also a bit of fun at the Yassen would absolutely take Alex away from MI6....just to throw him in a school and throw away the key. Almost had him send him to Point Blanc but decided that wouldn’t quite fit all that well and wouldn’t be as interesting as if Alex had already gotten his feet back under him with MI6 and now sees that Yassen was right that MI6 would just use him until he’s dead but that doesn’t mean Alex wants to be anywhere near Yassen. Julia Rothman might have other ideas when she finds out what her newest second in command is hiding.

Gentleman’s Agreement.....there’s a lot of thoughts on Sequels and AUs, a lot of them have been written by better people, but that fic was written in 45 minutes so there wasn’t much time to recharacterize or change scenes. It did get Turncoat aka the Alex saves Yassen fic I wanted so badly.

Blood Brothers is a fic I really worked hard on considering how John would feel about his son being thrown into SCORPIA assuming Alex was of age. A rocky marriage was characterization that didn’t quite fit what I imagined would have happened but did fit the story so it stayed in. It was a fic that was supposed to get expanded on - the competition between Hunter and Yassen and Nile and Alex who is desperate to beat his Dad and his “apprentice”. I think two teenagers thrown against each other with a bit of a bone to pick, especially Yassen and Alex who can both hold a grudge even if one runs hot and the other runs cold, would have been compelling and a little fun but the premise and specifically John’s characterization doesn’t quite work out to me.

Found and Legends both have their plotting done but it’ll never see the light of day

Little Moments and Sweetest Thing were my guilty pleasure writing pieces for a while and I have about 1000 DMs of scenes for both of them that are lost to the sands of time and an embarrassing amount of self indulgence

Mates has a follow up ending for those who needed resolution in the comments of it. I’m not sure I did a good job of showing that Tom was in a semi abusive relationship since a lot of people seemed to blame him for him and Alex’s breakup. Most of my headcanons for how their relationship goes have them splitting much sooner just because of Tom’s own home life and either being unable to relate/talk to Alex and drifting away because his Mom throwing a plate at his head isn’t being hung over crocodiles but that doesn’t mean it didn’t hurt or because Alex is just too dangerous/jumpy to be thrown back into a school environment and lashes out even unintentionally especially not under the pressure of being seen as a failure. School is also a barometer of just how much he’s lost of himself and his childhood, bonus points for Alex being completely upfront with Tom about everything he’s done

In My Sights has an AU where this is all post Christmas at Gunpoint and Yassen is there because he knows Ian is already at Sayle’s factory and will have to be...handled. So two weeks of just getting Alex trained for the protection he might need, connecting him to resources, etc. Ian finding out that Yassen had been there was part of a draft at one point which was included Alex wondering about an all too sincere goodbye from Ian “who never hugged him” but I can’t find the snippet anymore ;__;

A Warm Reception was an alternate version. Originally I wanted it to be Alex watching his last chance at normality slip from his fingers and then the crushing realization that it was something that was his own doing, not even MI6 but Skoda who he had picked a fight with and the accompanying breakdown but then decided that Mrs. Bedfordshire was the right way to go upon writing the summary. Because everyone loves some Outsider POV

Adopted was supposed to be a one chapter throw away trope flip of K Unit adopts Alex. I kept it pretty consistent with Amitai and Lil Lupin’s K Units, tried to add in some more characterization just in how they treated some of the details. It has an alt ending/chapter where they find out Alex is Cub when they pull him from Three’s tender mercies almost by accident. I was persuaded into light humored fluff via guilt trip.

The Truth and Other Deadly Weapons has Ben acting exactly like he think he would in front of everyone but my AU was that this interaction happened in the field and absolutely shattered Ben’s trust in him partly because he had worked for the other side and partly because even if it ‘wasn’t as bad as it looks’ it showed a severe lack of judgment. It also featured several chapters of Alex running into the glass ceiling that is having “Member Malogosto Class of 2004” on your resume. Was going to feature Alex running into Walker as well and into problems within MI6 and the CIA but that was eventually cut and it was kept to one chapter.

Guardian....Guardian holds a very special place in my heart. I was given the prompt of a Monster Fic and I wrote what I knew but the interesting parts were all the ones that come after the story but might come across to a general audience as Hogwarts School of Prayers and Miracles. The plotting done post this was going to feature baby Angel Alex reuniting with his parents but...they were strangers to him and so he stayed with Yassen more and more, followed him, learned from him....it encompassed everything from the dynamics of broken families to reflections on theology and references from the Good Book....which is why it’ll never see the fandom but has a very special place in my heart.

In another, more perfect world Glocking Around the Christmas Tree is the Die hard fic this fandom deserves but as Lupin and I untangled the plot of the movie more and more we just couldn’t make it into anything that would be coherent on paper so it was changed and changed and is now a half finished sad abomination that sits on my works list only because Lupin would kill me if I took it down.

Hot Shot was supposed to feature my current favorite character that is not Nile Abara, John Crawley but I wimped out and changed it at the end because I swore I would write the Crawley fic that we all need. Hear me out: John Crawley knew and worked with John and Ian Rider, was respected by both of them, was recruited by SCORPIA within one year in the field, is the Chief of Staff of MI6, the man who “no one gets a knife in the back without him signing off” and is also the man who walks his dog to check on Alex. There’s a mentorship waiting to happen there, preferably in a nice work study program during college where Alex finally gets to see the repercussions of his missions and Crawley helps try and pull him back from the black mark that SCORPIA would have put on him.

My personal fluffy favorite is the spinoff of Devil Went Down to Georgia where Joe Byrne did pull Alex out post Skeleton Key and brought him home. There’s a pretty extended one about where Tom ends up after Mates. There’s also an actual sequel but ask me no questions and all.

Skipping a few collabs and Febuwhump fics but Burning Questions was just supposed to be Branded - a fic where upon being captured by Razim he is brought in and forcibly branded to differentiate the appearances of Alex and Julius (since Razim has decided to have him killed after shooting the Secretary of State). As a result of the pain levels spiking when Alex actually sees that the SCORPIA logo is branded onto his cheek Razim considers that emotional pain might be something to investigate. There’s a couple thousand words on it, one day I might polish it up.

First Impressions is supposed to be a mirror verse of Alex working for MI6 which includes Three as Blunt, Rothman as Jones and of course Sagitta as K Unit while he’s up against his father as Yassen and Yassen as Crawley. But it was cut down significantly even if the ideas are pretty fun to consider.

Sorry this was probably more than you bargained for but it was fun to get everything out there so thank you for asking

[painfulbass]

☾ ˚⊹  ❛❛  GENERAL QUICK CROSSOVER GUIDE

So crossovers are usually difficult for a lot of people. So, because I tend to think about these things, I thought I would make this comprehensive list/guide to writing crossovers with me. This isn’t anything in concrete, but to get the ball rolling or to help make it easier for both sides to contribute to plotting. It can be hard when you don’t know the fandom.

FNF, or Friday Night Funkin’ is a rhythm based game around rap battles. The Protagonist (known as BF) is trying to prove himself and win over his Girlfriend’s (GF) Dad, and it spirals from there. Gameplay style, it is very similar to Dance Dance Revolution, and the music is a fast pasted dubstyle/chiptune soundtrack.

What a lot of people know FNF for, however is the Mods. Due to it being on Newgrounds, and the creators having it be open asset, many creators are able to make their own “weeks” for players to challenge their skills in. Ruv, and those within Mid Fight Masses, are one of those mods. You can find most of their lore scattered in the scenes of their week, or by going on their official FNF Wiki.

Now, what does this mean for crossovers? I put it under a read more, simply because this is going to be a lot. I’m going to explain crossover verses I have. How I make them, and how YOU could have your character be in the FNF verse quite easily. So go under the read more to continue reading.

☾ ˚⊹  ❛❛  RUV IN OTHER UNIVERSES

Here are some just ideas that I came up with. While not EVERY interaction will work with these, they are ideas. They’re meant to kick start ideas and inspirations. I do not consider these full verses until I’ve talked with the other mun to make sure that they are okay with it. These can easily be changed, and swapped out for different things. My main goal here is to try and keep Ruv down to his core elements while fitting into a new setting.

POKEMON- Ruv, along with Sarv run the church- which she has turned into a sanctuary and a Nursery. Much like in Canon, Sarv is supernatural, and Ruv as a run away criminal vowed his life for all eternity to protect her. With church’s going out however, the next next step would be a PokeNursery.           Ruv acts as protector of the Nursery from trainers and groups alike. He usually is seen sitting on the roof, throwing pebbles at kids or passerby’s who irk him in some way. You can always find his Onix, his Low-Key Toxtricity, and his Absol around him or the nursery at all times. He does still have his strength, speed, and other abilities. The “face” he has is also a mask- an attempt to hide his identity as the wanted criminal.

OWL HOUSE- Ruv was a wanted criminal for the longest time. His magic, due to where he was born was a lot less like those around him. He could fit into the covens, but anything he did reflected back on him. Living alone, and learning to just modify himself he became a wanted criminal with a bone breaking shout.            However all of those times soon came to a stop as he met the winged mistress he stays with now. Protecting her (though she is much more than capable of protecting himself) she runs one of the many sects in the area. It isn’t the best building, but it’s out of the way and he usually isn’t spotted. However, unfortunately his past comes back to haunt him. He has no choice, and begrudgingly assists the Guards to repay for his crimes.           Tied to Sarv through magical bonds, he has made it clear to those in charge and to her- should something come between his duty as a guard or her, he would chose her a million times over.

DUCKTALES- Ruv is the petrified remains of the guardian of St. Sarvente. Awoken as the earth was shifted off of it’s orbit and forced into something it’s not, the callous guard is in search of the one he calls Sarvente, whom he claims is the Ruler of Souls and the one he Vowed to Protect. He is, 100% made of stone.

TOONTOWN- Stickfigures aren’t uncommon drawings. One’s as complicated as he and Sarv though usually get a few eyes. Not only that, but video game characters are always treated differently in Toontown. Maybe it’s because of a developers history, or lack there of. The story of Ruvyzvat being a heartless killer however spreads like wild flower, and while he and Sarv will primarily stay at the church... sometimes curiosity becomes too much.

KINGDOM HEARTS- FNF is it’s own world. Keyblade turned into a microphone, Ruv & Sarv are some of the first that would be met. Despite their challenge, they are rather distanced from the troubles of the Darkness and Light and would be semi-good companions. 

THE BLACKOUT CLUB- Ruv is a 16. Any day will be the day that a voice will end up taking over, merging with his mind. That’s fine. Much like how Seed-The-Grudge would want, he’ll just get revenge.

HAZBIN HOTEL / HELLUVA BOSS- Ruv ironically enough is one of the few in Hell who does not make him dead. In fact, in some cases that can make him extremely rare. This crossover he IS able to accompany Sarvente into the Underworld, and follow her on her treks through it. While most assume he is a dead sinner, he usually just doesn’t answer. However something about being here and meeting those who reside within the land sets him off. He’s a tad more feral, and a tad more willing to go to the violent answer.

PORTAL- Violence core. What else is there to say? Alternatively, him being a test subject would be fascinating, especially if he was grabbed post-vow. The man is immortal, and therefore would have messed with the tests just by the fact that there is only way for him to die. Death isn’t the worst thing to happen to a man however, and he does still feel pain.

RWBY- Ruv has the ability to manipulate sound waves, specifically his own). Trained with great strength and and even greater speed, his form of combat is continuously dodging as he looks for a weak spot. Weapons of choice are shot gun snow boots, and his sickle that doubles as a short sword.

DOCTOR WHO- Sarv has the ability to create portals. While they are MEANT to be used to intergalactive travel, but instead parallel world travel that in of itself is monumental for a lot of DW plots. Ruv and Sarv can easily go from one universe to the next, however chose to stay in the church. Not to mention Ruv’s skills in target elimination and his abilities would make for some individuals to repurpose him into a weapon. While they have been approached by UNIT on several occasions, they always refuse. However, enough time has passed that they’re starting to notice that the couple in the church aren’t aging...

FNAF- RUVYZVAT and SARVENTE were creations of Fazbear Entertainments as karaoke machines... if we want to go the robot route. If we want to go the normal person route, Ruv was hired by Fazbear’s because it’s one of the few places that doesn’t do a background check, and when he said he wanted to wear a mask as part of the work outfit they were all for it. He runs the karaoke machine though. Stays away from quite literally everyone. While he isn’t the infamous killer of children here, he does have a reputation of his own that he is running from, and that does tend to make him silent.

BATIM- Criminal on the run stumbles into the wastelands formerly known as Bendy’s. Actually enjoys it at first because the cartoon was popular when he was a child. ALT. Stickman drawing of one of the artists come to life. Usually pretends to be Lost One, but when he’s alone with another (Sarvente) they turn into their stickman version selves. Has the ability to jump between 2 and 3 dimensions, but none of the strength or voice.

PSYCHONAUTS- Agent Ruvyzvat, Russian sector. Ruv is working for the Psychonauts in some weird, turning event. Mainly because the sole woman that he trusts and saved his life, Agent Sarvente brought him in. The two are inseparable, and despite Sasha and Nein being infamous for their clinginess, these two take it to a whole knew level. Ruve’s “loud voice” is actually a psychic ability he can use outside of the mind to jumble and confuse thoughts and has no damage on anything physically in the present.

GRAVITY FALLS- Sarvente is a Demon, much like Bill. Where sa Bill desires nothing but chaos and madness, Sarvente is trying her best to keep the world like it is and preserve it’s beauty. Seeing such beauty in a runaway criminal, she and he run to the forests of Oregon. Throughout Weirdmageddon, neither managed to be captured or turned to stone, however Ruv seemingly gained his incredible voice abilities. Now, they live in a semi-collapsed church out in the forest. Sarvente always asking those who come her way to join their church, Ruv is suspicious why such events would happen in such a small town, and is distrusting of most everyone he sees.

DETECTIVE CONAN / KAITOU KID / ANY ANIME OR SERIES LIKE THAT- VERY infamous criminal. Take his “Wanted Dead or Alive” that exists in all other verses, and ramp that up quite a bit. Usually wears a mask whenever he is committing a crime. He does seem to be in it for the fun, though it’s hard to tell with the stoic and expressionless looks. That being said, he does seem to have a very clear goal of what he wants. There are no patterns to where he hits, or what he takes. From wallets of people off the streets, to priceless artifacts. He’ll find where Sarvente went, and how they were able to change her mind in such a way.... how they could corrupt her.

MODERN / NON-EXTREMELY FANTASTICAL- Ruv is honestly a rather down to Earth individual, in some terms. He is untrusting of EVERYTHING, but also due to his own strengths finds little that fear or challenges him. Keep him mind he did make a deal with Lucifer (or his Lucifer) for Immortality for protecting her. While he will always be doing things on his own, a lot of his end goals and motives will come back to her. Without her involvement, he is a walking, talking, machine of destruction with no sway on which side he decides to tear apart.

☾ ˚⊹  ❛❛  GENERAL STOPPING POINTS FOR WANTING TO PLOT

DON’T KNOW THE WORLD YOU’RE FROM / YOU DON’T KNOW MY LORE. - That’s fine. I can get my hands dirty. I can research. In fact I usually would love nothing more to. I love learning about new fandoms, or new media to get into. You shouldn’t be afraid of that. As for mine- It should take someone less than an hour to get through all of the links I have posted in the RESOURCES tab in my bio. I’ve timed it. So if you have an hour to spare, or 15, or just enough time to read his wiki that’s fine. He’s not from a long running show, or anything like that. You can catch up extremely quick.

WELL WHAT ABOUT A BOOK/COMIC? HOW WOULD HE FIT IN?- If we are talking about Super Hero comics, then it depends. 90% of the time I will just play up his wanted status a lot more, and make it more of a reason for an interaction. You just ran into a man who has killed hundreds. If your muse is a super hero, or a vigilante? Would you let him go? What a villain? That might make a good partner.

TV SHOW? LIVE ACTION?- Again, it depends on the type of show. Superhero follows the same above. If it’s investigative, have him be a witness. Or a falsely accused man who can prove he isn’t the guilty party. Is it more supernatural- well he did make a deal with Lucifer and is an immortal now from it. There are a million ways to spin it. Don’t look at making him a big character. Quite honestly, side characters that you pass in the street have just as much backstory, and as long as there is a plausible chance of interactions then we can work it out from there.

☾ ˚⊹  ❛❛  GENERAL IDEAS TO BE AWARE OF THAT MIGHT HELP

HE IS A WANTED CRIMINAL.- Meaning his name Ruvyzvat is known. Despite his crimes going on for decades, he is on the run and never stopped. Several city, state, countries, and possibly nations are looking for him, and looking to take him in.

HE IS ALSO AN IMMORTAL.- While he hasn’t been around forever, and nearly not as long as Sarvente has been, he HAS been around for at least 100 years, give or take some. He can be injured, but even fatal injuries heal in an almost Deadpool like way.

HE ALSO HAS SUPERNATURAL POWERS.- His speed and reflexes alone is not something to be taken lightly. He does train and fight with Lucifer on what used to be a semi-regular basis. He has moved and adapted to be able to make sure no one but the singular person he trusts is able to lay a hand on him. That isn’t to say you can’t catch him off guard. You also have his inhuman strength to worry about, but most of all his voice. His voice which could completely demolish a building, and that isn’t the full strength. He has an amazing control over it, but that certainly isn’t a trait of his to ignore.

HE IS NOT ALWAYS IN THE CHURCH. I MADE SURE OF THAT WHEN I MADE MY BLOG.- He goes on walks, and he goes on errands. He also goes to the Gym on occasion, though not as often. He enjoys walks on the beach far earlier than anyone should be awake at. What I’m saying is running into him OUTSIDE of the church is possible. That being said, meeting him IN the church is your best bet for him warming up quicker. He feels safer in the church, and therefore usually wishes to stay there.

DOESN’T FIT THE STYLE OF CHARACTERS/WORLD? - If he doesn’t fit, then I can work to adapt him into something that WOULD fit. What characteristics about him doesn’t work. This is when I would need plotting help. If, lets say it was an all animal world, we can talk about what he is, his traits, and other such things. I am always happy to not use my icons- I just like to because I think they’re neat and I worked hard on them.

WHAT WOULD HE BE DOING?- Any number of things. He likes throwing pebbles at people. He mainly guards and protects Sarvente and her things, but I know we’re talking besides this. He cannot cook, but he does actually sew, and he does read quite a bit. Working on his fist to fist fighting would be a big one. He likes secluded areas, which especially work for explorer’s and people who walk off the beaten path.

IS THERE ANYWHERE HE COULDN’T BE?- He wouldn’t be at a bar. Ruv doesn’t drink, at all. I also don’t see him at any parties unless Sarv dragged him to them. Writing starters or plotting around those are perfectly fine, but do not expect his muse to be comfortable while he’s there.

HE SEEMS OVERPOWERED.- At times, he certainly can be, but only when he feels it’s necessary. He doesn’t flaunt his abilities, and most he has are out of self preservation. If you as a mun are worried about him and what he can do, the best thing you can do is read my information, look into his wiki, and then come and talk to me. Ruv isn’t someone who will 100% abuse what abilities he has, especially since now he is trying his best to be better for her since it makes her happy.

☾ ˚⊹  ❛❛  GENERAL IDEAS TO HAVE YOUR CHARACTERS IN HIS UNIVERSE

LOCATIONS?- The Church, the back alleys, the karaoke bar (that primarily does rap battles), the Alternate dimension that Sarv made so that he can be loud and not retrain his voice.

MOTIVATIONS?- If your muse is in the FNF world, then be ready for some sick beats to be dropped. Your muse could be rescuing someone from the BBEG and going through the slew of minions to sing against. There’s always the alternative side of this of “what the hell is going on?”

MY CHARACTER ISN’T FROM THERE, SO THEY WOULDN’T FIT IN.- Well I do have a “main” verse which replaces raps with fists. Looking for someone important to them, in the search of a deep and hidden artifact within the search, the rumors of a man born 100 years ago- theres a lot to be found in the library if you looked.

WHAT DOES THE FNF WORLD CONSIST OF?- It consists of Demon Daddies, Singing Skeletons and Pumpkins, Tankmen, a Demonic Lemon Demon, Sentient Video Game Characters, and if you take the mods in you also have Demon, Angels, Ghosts, Deadly Ex’s, Bomb Headed Men-- I promise your character will fit in at the end of the day.

ISN’T HE EXTREMELY AGGRESSIVE AND HARD TO TALK TO?- He can be. He talks in very short sentences, however I do my best to give my reply enough that you can reply to. Actions, and I chose to be very descriptive with his expressions in this case. Ruv spend many years alone, and sometimes with him, actions speak louder than words. When you or your muse figure that out is up to you.

WELL WE CAN’T DO AN ENTIRE THREAD IN A CHURCH.- I never said we had to. He is more than happy to leave the church should he want, and should there be a reason. Usually, (despite what it seems) he does like helping people, so you can lure him out that way ;)

[9worldstales]

INTERESTING POINTS TO PONDER FROM INTERVIEWS 1

Interviews might not remain forever available or not be easy to find so I’ve decided to link them and transcribe the points I find of some interest so as to preserve them should the interview had to end up removed.

It’s not complete transcriptions, just the bits I think can be relevant but I wholeheartedly recommend reading the whole thing.

And of course I also comment all this because God forbid I’ll keep silent... :P

Title: Tom Hiddleston On Set Interview THOR; Talks About Playing Loki, How He Got Cast, and a Lot More

Author: Steve Weintraub

Published: Dec 10, 2010

BEST BITS FROM THE INTERVIEW

ON LOKI

So could you talk about in the film how it’s being played?

Hiddleston: Yeah. Well we’re starting at the beginning; I think it’s safe to say. I start in the film as Thor’s younger brother and I think in the manner of all younger brothers I have a greater sense of freedom. I’m not the oldest therefore the parental expectations aren’t as heavy, so it’s like a lot of younger children in sibling groups; I think Loki has a bit more freedom. He’s not going to be King. He knows that. And so he’s freer to…he has less responsibility on his shoulders so he’s freer to have a bit more fun. And I think like everybody at Marvel has been very clear and brilliant about coming into this that Loki just has…they’re both enormously gifted. Thor and Loki are a 2-man team and they’re both going to run Asgard when Oden steps down, and Thor has an ability and a physicality and a presence—a physical presence that is…he’s the type of man you follow. You just do. In the same way they used to talk about all the leaders and the captains and the generals that came out of both World Wars that those captains and generals weren’t necessarily elected just in battles. There were certain men who were followed. You know, leaders were born and Thor is that guy. And Loki’s gifts are different in that he is sharper, he’s cleverer, he’s more interested in tactics and strategy. He’s capable of thinking ahead and he enjoys chaos. So he enjoys reacting to chaos and that affects how given that he’s the God of mischief. Mischief is essentially chaos. He likes stoking the fire of chaos and seeing what happens as a result. And so I think that’s where we start in that he’s just physically not as strong, but he has…he’s quicker and sharper and I guess that’s fair to say…

PUBLICIST I’m listening, don’t worry.

Hiddleston: Yeah, quicker, sharper, more playful and then I think over the course of the story and I can’t say the full story, but there is a kind of….a couple of major shocks about Loki and his history and who he is and why he is come to him. He’s made aware of for the very first time in the films. There are certain things that fans of the comics will already know, but hopefully you see Loki learn certain things about himself for the first time. So it’s a journey of self-awareness. He doesn’t, at the beginning of the film, know his own power and I think through the course of the film he comes to learn his true nature and the extent of his power. But with a propensity for mischief I think as soon as he knows how powerful it is that’s when it becomes dangerous.

We got to play with some of those fantastic weapons, how have you learned to wield them?

Hiddleston: It’s been fascinating actually. And one of the first things I did when I came on board was that we started with stunt training.  And we thought like what is…it’ll be boring if Thor was a tank. It’d be boring if Loki was another tank and they were just running into each other. So we thought if Thor is thunder and power and muscle and brawn and he’s got his hammer, Loki should be like…he should be so quick he’s like the wind. So if Thor is heavy, Loki is light. We thought what would be the weapon that Loki would be fighting with? So we thought throwing knives….because I think Loki doesn’t like to get his hands dirty in a fight. He likes to be quick, efficient and lethal. It’s like one blow—slam. So we thought it would be throwing knives. And I thought if there was a way…if Loki could fight in a way that was as impressive as Thor’s, but was completely different so in a way Loki is too quick and Thor can’t catch him, you know? I kind of conceived of Loki as a kind martial artist with these throwing knives. Someone who’s like a dancer. He dances his way out of combat and these knives are his way of keeping his foes at arm's length but it’s lethal. When you get one of those knives in, you’re gone. I had a great time actually, we were shooting on another set shooting a bit battle sequence. And the set was made of this stuff. It looked hard but it was soft. It was foam. And my stunt knives were rubber so they didn’t like take out the grip or the camera operator. But we found like…I’d always throw them and Russell Bobbit, the props master, would always go and retrieve them for me for the next take. And he couldn’t find one of the daggers and we were like looking all over the set for this dagger. And I’m like where the hell did it go? And like about half an hour later we’d thought we lost it somewhere in the green screen. And he said, Tom, and he pointed up and this rubber knife was stuck clean into the set, so I knew I was throwing them with some kind of velocity.

Does it affect your thoughts at all that maybe you could do this performance a 2nd, 3rd, 4th time? Did you bring any bread crumbs or anything like that?

Hiddleston: Yeah, I feel that way certainly. I haven’t started…I can tell you this for free. I don’t start the film with him like immediately gone to the dark side. I think it’s good to see that Loki is genuinely Thor’s brother and there is a complicated relationship there. So that it isn’t just like…he isn’t just an out and out villain. He isn’t all black. He isn’t someone who the audience can immediately say “he’s the bad guy” because I think it’s more interesting if… because no character in real life or in comic books or any play or film or anything, nobody thinks they’re a villain.  You always think there’s a complete logic to what you’re doing and you know what’s best and you know what’s right. And I think it’s really interesting to see Loki’s actions from his perspective and he’s just someone who becomes more and more damaged by, I think, a sense of isolation from his family and a sense of…it’s kind of a deep loneliness. I think when the world makes you feel rejected, you bite back. And I think over the course of the film that’s what you see in Loki. He feels continually cast out by different sets of people and his brother particularly and at a certain point he’s pushed too far and he comes back with a vengeance.

A lot of the actors have been talking about working with Ken, Shakespeare is definitely a touch stone, is that something that’s come up working with Ken? Of any characters you’re sort of…

Hiddleston: I’ve talked to him very much about subtlety because I don’t want to do any eyebrow twitching or moustache twiddling. I don’t want to do sort of like a caricatured villain. I’ve tried very much to make Loki psychologically plausible. Someone who’s damaged and very, very intelligent and is able to sow the seeds of deceit. Like he’s the Oscar winning liar, you know? He’d stand up there and you buy it. You’d buy anything from him. He’s the perfect salesman. Because my background is Shakespeare as well, I’ve done a lot of Shakespeare in London and Iago is kind of a touch stone for me. Edmund in King Lear, if you know that story. But I draw my inspiration from all over the place. I’ve been listening to lots of the Prodigy. Like there was an album they released in the ‘90’s called Music for the Jilted Generation, which has a real rage in it. It has a real kind of like don’t piss me off because I’ll bark at you. And I find myself listening to that sometimes. And there are some great performances. Ken talked a lot about some of Peter O’Toole’s greatest performances and how in “Lawrence of Arabia” or “The Lion in Winter” he is on the edge of darkness. He’s on the edge of sanity. You can see it in his eyes that he’s been pushed to the brink and you’re not sure if you can trust him because there’s a madness in there, you know? A greatness, too and a charisma and a power that you want to get close to and you want to see inside, but it’s a little bit dangerous. And so I’ve been trying to kind of… I drive to work every morning and I try and light some kind of bonfire under myself which is adrenalized and hot and alone. It’s a strange feeling when you’re playing a character that feels so alone.

Are there certain like iconic gestures or poses from the comic book that you’re trying to use, because when I think of Loki I always think of him kind of slouched in the throne and kind of brooding.

Hiddleston: Yeah, that’s definitely like…I recall that Ken talks about the racing mind. He said I want to see…he said every time I put the camera on your face, I want to see your brain going at the speed of light. But I don’t want anyone else in the scene to see it. So this is a very private thing of like someone who’s just thinking 10 steps ahead of the game every time, but not making it so obvious that it’d be like guys, somebody look at Loki because he’s cooking up something. Bad ass, you know? But I do feel like he’s a sort of person who never sleeps. His brain never stops working. And he’s always cooking up something. You’re never quite sure if you can trust him and….what was the question again?

Well, like were there certain…

Hiddleston: Yeah, facial expressions. Certainly there’s this fantastic shot of me on the throne where it’s like straight out of that sort of iconic image where he’s got the staff and he’s slouching in it. He’s like, got a problem with that? You know? But yeah, I guess as an actor I start from the inside out. Like the costume is enormously helpful but I always think like what makes him tick? What is human about this character? I don’t want to play a cipher. I look at someone who is damaged, broken, alone, isolated from his family, doesn’t feel like he belongs, someone who’s been lost, abandoned. And there are physiological tropes for those things, you know? And you see the lost and damaged and abandoned children of our world. It’s no accident that they grow up to be… to fill our prisons, you know? And that’s kind of who Loki is. He’s just really clever, you know? So he’s good at hiding his own intents I think. So I think the process of living through those emotions or feeling so angry with people because they don’t trust him. And feeling angry with Thor because he gets everything. He’s the favourite son. I think just the process of living inside that anger, that rage, that hurt every day creates an intensity on my face which I’m not aware of. So it’s not like I’m creating expressions but absolutely there’s a kind of a raw intensity that Ken said from the word go he said I want to see you every day with a layer of skin peeled away. I want to see that ticker tape machine inside your head like working at 1,000 miles per minute. Yeah, it’s great man!

MY TWO CENTS

I love to read Tom Hiddleston’s interviews because they’re always filled with extra information, which are often based on bits that didn’t make into the final cut but are still part of the canon or give an insight on the characters’ minds.

Like how he says ‘Thor and Loki are a 2-man team and they’re both going to run Asgard when Odin steps down’ because in the old script it was implied that, although Thor would be king, Loki would be his right hand man, giving him consueling.

On the differences between Thor and Loki’s fighting styles and how Loki is still dangerous. People might not get it from the movie, assuming Thor is the one with the fighting ability but here it turns out Loki too has his strenght, although it lays in different things, like speed.

Or how he remarks about Loki’s loneliness and sense of isolation, who feels rejected and that’s why he bites back, someone who’s really smart.

It’s all things that I love to hear about a character and that show a good care in creating him.

Of course through the interview he also say things that are more technical, related to how he got hired or how he found difficult to wear Loki's horns and so on and this too is very intriguing but what always win me are informations about the characters, their mind, their world. And he always share some of them in all his interviews.

[ghoste-catte]

multiples of 3 ✌🏼-sgmdrcklee

@sagemoderocklee you’re really trying to kill me lol

This got long as heck so I’m throwing it behind a cut. Read on for answers and fic recs! (Mostly the fic recs)

3. favorite line/scene you wrote this year

This is a tough one to answer for me generally because I tend to spit words onto the page and once I have written them I no longer remember writing them. And 2020 has stretched on so long that as I’m looking at some of the stuff I wrote in the beginning of this year, I hardly remember what’s even in it. I think at one point someone (@goblin-draws maybe?) mentioned a line in Sleeptalk with Me where the innkeeper calls Kankuro “chubby boy”, and I was like “Oh ... did I write that? Yeah, sounds like something I’d have someone say to Kankuro ...” 

It might be easier to talk about this in other terms. One of the scenes I worked the hardest on this year was the fight scene in Chapter 3 of Skeleton Key. The original draft of the scene was a lot shorter, and a lot of the backstory for Misaki’s revenge quest was elided. The scene as originally written was clunky, confusing, and as my lovely wife/beta put it sounded “like a Naruto villain” was doing the dialogue, when previously she’d found Misaki sinister and intriguing. Which wasn’t what I wanted. I basically entirely overhauled the scene and re-wrote it several times. I wouldn’t call it a ‘favorite’ scene (I hate writing fight scenes generally; having chosen to immerse myself in a fandom about ninja where much of the drama comes from battle is my eternal regret), but it is a scene that I put a lot of effort into, and I’m moderately satisfied with the improved product that resulted.  

6. least popular fic this year

By far my least popular fic by kudos ever is Pitch Perfect. Which makes complete sense to me. It’s a fic where I’ve written 2 characters who are men in canon as cis women, which pushes a lot of uncomfortable buttons for a lot of people. It contains F/F smut, which is something that a lot of people who choose to read GaaLee probably aren’t out there looking for. And people comment and kudos less on smutfics, I assume because they don’t want their username attached to porn or because they’re embarrassed (which I totally get, no shame there). It’s a modern AU with a sports twist, and AUs are often less popular than canonverse in my experience. I will say though that it has a surprisingly high number of private bookmarks compared to other fics with comparable hit and kudos counts. So I assume people are just a bit more shy because the premise is so ‘out there’. I will say as far as my fics go, it’s one of my personal favorites and probably one of the most intimate and true-to-life things I’ve written? So it actually is a little comforting to know that something so vulnerable has relatively little attention. 

9. longest wip of the year

If we’re going based on stuff that’s partially published but not complete, my Gaara-adopts-Shinki fic On My Way Home is my longest in-progress fic at just over 20k words, although technically I started it in 2019. It will probably end up being right around 40-50k when it’s complete, which might end up situating it as my longest fic ever? 

12. favorite character to write about this year

Okay, this is an easy one. I love writing Kankuro. I think he is hilarious. He is the devil on my shoulder and a creature of pure id, and every time I write a line of dialogue for him it’s the summation of my rudest thoughts about a situation put in the crudest possible terms. If there were a megaphone directly from my unfiltered brain giving running commentary, that would be Kankuro.

15. something you learned this year

I have learned SO much this year! This is only my 2nd year properly ‘focusing’ on writing fic and investing any substantial time into it. I think the biggest thing I have learned, though, is how to overcome a lot of my self-consciousness about writing stories with NSFW elements in them. Starting out, I was so extremely shy and mortified about writing fic at all, much less things like hugging or (god forbid!) kissing. So taking on the smut prompts I took this year and really buckling down on learning to write the mechanics and emotions of sex has been a massive learning experience. (And sorry, by the way, if I haven’t gotten to a prompt you sent me in January yet. I do intend to write all of them eventually!) 

18. current number of WIPs

Ah. The call-out question. My general fic process is idea -> outline -> wip -> edit -> ready to post (where the final draft sits in my docs until I gin up the courage to actually post it). So skipping fics that are just “ideas” on the big mega-list, I have 3 fics in the “outline” stage, 13 fics in the partially written “wip” stage, 1 fic in the “editing” stage, and 2 that are complete but yet-to-be-posted. So, like, 19 total in the offing. (The “ideas” list is even worse lol.)

21. most memorable comment/review

This is such a difficult question because every single comment I get makes me do a little dance for joy. That’s not an exaggeration btw I really sit there and like bounce around in my seat for a moment before I open the Ao3 email. I am not an especially emotive person irl, but there have been times I’ve been brought near tears by comments. I’ll also occasionally show them to my wife like !! look at this nice thing this person said !! and she’s indulgent enough to actually read them. There have been a couple comments that have really stuck with me, that I starred in my inbox and return to frequently, but I don’t want to bring attention to someone else without their permission. I will say there was one person recently who mentioned (not in the comments on one of my fics) that they had found someone who does physical binding of fanfiction and they were about to ask my permission to do that, but then the person who does the binding only does certain ships that she likes ... so that, just, absolutely floored me. The idea that someone might actual want a physical copy of my stupid little ninja fanfictions is, like, so truly immense and completely overwhelming?

24. favorite fic you read this year

You can’t make me pick just one!! (For reference, I have bookmarked right around 180 fics in the past year, and that’s not including fics that I just read, really enjoyed, but didn’t think I could ‘handle’ a second time around.) So, skipping over the ones that AREN’T Naruto ... here is a brief sampling of some faves:

Silica by deepestbluest (rated E, GaaLee, ShikaTema, and Kankiba) - An absolute emotional powerhouse of a fic that manages to skillfully interweave three complex relationship dynamics, satisfactorily resolve them, and give you ALL the sandsibs feels in just over 10k words. 

Childhood Not-Friends (series) by MegaWallflower (rated G, KakaGai) - @megawallflower is a KakaGai god for good reason. Absolutely adorable relationship development fics (five of them!) with the premise that Kakashi thinks he and Gai have been dating since they were kids ... Gai just hasn’t been clued into it yet. These stories will give you heart-eyes.

The Bright Side by gidget_goes (rated T, GaaLee) - This is the Buffy AU I never knew I needed, because I’ve never seen Buffy the Vampire Slayer. But truly you don’t need any Buffy knowledge to enjoy this fic. @gidget-goes command of imagery is masterful, and the way they manage to snap from snark to tugging at your heartstrings is awe-inspiring. Gaara breaks my heart in this. And did I mention Kankuro wears a 10-gallon hat? Because Kankuro wears a 10-gallon hat. 

Nature vs. Nurture by Bidiza (rated T, GaaLee) - So introspective and so poetic. This looks like a WIP but it’s actually multiple oneshots, although by the end of the second one you’ll be dying for the rest of the promised series. 

I’m a Fool to Want You by BeelieveRosemarie (rated M, GaaLee) - Turns out @tuttiefruttiegaalee isn’t just an amazing artist, they’re a writer, too! Slow-dancing that will break your heart. Listen to the Frank Sinatra song while you read this for extra tear-jerking effect.

Let Love be Known (series) by TenTomatoes (rated G, GaaLee) - This is the twist on the arranged marriage trope and Beauty and the Beast that I didn’t realize this fandom was missing. I’m absolutely obsessed with their concept of Gaara as the Beast

I Could Be by LilacNoctua (rated T, GaaLee) - I know I big up @lilac-writes Worthwhile series a lot (deservedly so, because it’s so good it makes you look at the series and go “Why the fuck didn’t Kishimoto make this canon exactly like this?”), but this story made me absolutely die between the butterflies in my stomach and how hard I was laughing. There’s one line--you’ll know it when you read it--that absolutely bowls me over every time I re-read this. 

And Then Continue by EgregiousDerp (rated E, GaaLee) - Obviously I’m biased because this was a gift, but @egregiousderp writes some of the the best characterized porn I’ve ever read. You will read this and go “Wow! This is exactly how it would happen!” It’s such a tender, beautiful exploration of Gaara’s insecurities and a very real feeling first time, for all its soft edges. 

Cake by citronelle (rated E, KanKiba) - I don’t even know what to say about this one other than ... phew, this is extremely well written, extremely hot, and extremely in character. Just read it. I promise it’s worth it. 

Saudade by YumKiwiDelicious (rated M, GaaLee) - I’ve run around reccing this to just about every person on the face of the earth at this point. If you’re in the GaaLee Discord you probably saw everyone salivating over every new update of this fic and with good reason. The twists and turns of this fic will have you on the edge of your seat, second guessing every single moment. And it will break your heart in the meantime. What more could you want?

the love potion commotion by floating_cats (rated T, NejiSasu with background GaaLee) - One of those fics where you wish the author’s sense of humor was your own. So many hilarious moments in this story, and it brought me a new appreciation for a ship I never would have even considered. 

Finger Lickin’ Good by whazzername (rated E, GaaLee) - Whazz is another one of those authors where I literally want to rec every single thing she’s ever written, she’s just that good. (Speaking of which, if you haven’t read Fools Rush In and its sequel Degrees of Separation, you’re missing out on the best possible Metal origin story of all time. Don’t deprive yourself of this.) But this story is just ... so incredibly in character for a situation that reads like crack. It’s handled with the utmost straight-facedness and it’s so. freakin’. good. 

heart lines by winterberry_holly (rated M, NejiTen and GaaLee) - I don’t even have the words to describe how perfect this fic is. It’s a truly beautiful exploration of Tenten’s relationship with her palmistry hobby and with the people in her life. My heart ached with every single line. 

Standing on Ceremony by kuroashi (rated E, GaaLee) - This is just ... such a beautiful wedding story. So lovely, like getting the best possible warm hug from someone you love. If that love one was slightly strange and socially inept, because, well. It’s still Gaara doing Gaara-things. @baphometsss is another one of those authors whose handling of smut scenes is so stupendous it makes me wildly jealous. 

Thrall by RokiRiot (rated T, GaaLee) - Idiots-to-lovers with a magic AU twist! This is such a wonderful story, and Gaara’s internal monologue is absolutely amazing. And Lee is Deaf in this fic, which I never ever get to see and which absolutely made my entire day/week/month/life. 

Make-Out Consequences by LuxaLucifer (rated M, KakaGai with background canon Boruto ships) - I laughed so hard reading this that I had to take a breather to stop crying. That’s not an exaggeration. The characterization in this fic is impeccable and the humor is to die for. Naruto’s buffoonery truly shines here, and the author’s wit is just beyond anything I could even properly summarize. Hysterical. A++. 

Thirteen Strokes by Luna_Lee (rated T, GaaLee) - Again, like, if you aren’t reading literally everything @sagemoderocklee writes, are you even really a GaaLee fan? But this fic is beyond even for one of Eeri’s incredibly excellent writings. The worldbuilding in this, the cultural notes, the imagery ... it’s all so lush and so fulfilling and so beautiful. It’s a story about love and it’s a story that you can tell has love poured into every single line. I can’t recommend it enough. 

Checkmate by shadowstrangle (rated G, GaaLee) - The pettiness vibes ... this is so funny. Such a cute story and I love Gaara’s sense of humor here. Not a lot of writers give him a sense of humor, but I love how @shadowstrangle gives him a slightly odd, slightly left-of-center take on humor that still manages to be so funny. 

To Court a Village by FanFictionEngineer (rated G, GaaLee) - Another one where my bias is perhaps slightly obvious, but the premise of this fic is amazing. I love cultural misunderstandings, and the idea of Lee trying his hardest to court Gaara ineptly is just so perfect. 

affliction of feeling by theformerone (rated E, SakuHina) - One of those ships that it would never have occurred to me to seek out but that absolutely works with how the author’s set it up. The dynamics here are delicious. It’s so rare to find good F/F porn but this is one of them for sure. 

Tried and Tested by twentysomething (Rated M, KakaIru with background canon Boruto ships and GaaLee) - Iruka’s narration in this story is just incredible. I haven’t laughed this hard reading a fic in ages. And the concept alone (that Naruto can’t be promoted to Hokage until he passes his chuunin exams ... as an adult ... and Sasuke gets dragged along for the ride) is just brilliant. Amazing concept, amazingly executed. 

a fireside waltz by winterberry_holly (rated M, GaaLee) - I really tried not to rec a single author more than once here but for this one I had to. I got about halfway through this fic and immediately started running around ringing the town crier bell like READ THIS FIC! READ THIS FIC! An absolutely smoldering Regency AU with such beautiful, intimate dance scenes. My heart was racing every single time their fingers brushed. If you don’t read anything else on this list, at the very least read this. 

27. favorite fanfic author of the year

I really can’t pick just one. I am lucky enough that @egregiousderp passes me her drafts under the table before (or without) publishing, and getting to read those is a private treat of unparalleled proportions. Some of my favorite things I’ve read this year I can’t even rec because they’re her unpublished stuff. 

30. favorite fandom to read fic from this year

This is gonna come off strange because I just wrote such a long Naruto reclist, but I recently watched What We Do in the Shadows, and found an incredibly talented group of authors in that fandom with really amazingly good dialogue and narrative voice. I also read a lot of fic for the new It movies (even though I couldn’t watch the 2nd one for ~reasons~), and damn if there isn’t a talented crop of authors in that fandom, too. And finally with ATLA making its way onto Netflix, I had the chance to start watching that for the first time and found a ton of really good fic there as well! 

fanfic end of the year asks!

[empty-dream]

So I read 86 LN vol 1

S1 anime covers the entire Vol 1 except for the latter's epilogue, so full anime spoiler here.

And as of this writing, I'm still on Vol 2 so the things I mention here are solely those that happen in Vol 1. Idk if a thing happens in the latter volume, gotta dodge spoiler so I don't browse about it.

There was an interview with a person inside the anime industry that basically said "The point of an anime adaptation is not to be an exact replica of the original material, but to shine as its own medium for a story." I forgot who it was and I can't find the interview anywhere for the life of me, but that statement opened my eyes. I agree with it, that's why I can appreciate the differences between LN/manga and anime, especially if they turn out good and/or interesting.

And that's exactly what happens in 86. I'll start with this: I watched the anime first, and after I read the Vol1 novel, I actually like the anime more. Because there are a lot of meaningful original scenes in it

And because the Vol1 novel turns out exactly what I fear when I first watched the anime: that I won't care much about the squadron aside from the main 5. (Look, the anime promotional materials mostly only have Lena and those 5 only. As shocked as I was in the anime, I did have an idea where the story would go from those alone). The rest are barely mentioned. Not even the girls are named in the novel, even though they do talk and Lecca is even prominent in anime.

For example, the second half of the first episode, the one that shows Spearhead squadron's daily life right before Lena contacts them, is anime original scenes. Kujo already dies the moment the novel starts focusing on the squadron. Simply put, a lot of the squadron members that aren't the main 5 or Kaie get a *lot* more focus in the anime, like Daiya, Haruto (For characters who appear on the introduction page, their novel screen time is less than I'd expect), Kujo and Lecca. While the other members often appear in the background and actually behave like equal members instead of glue-them-on figurines.

(Idk if those other members are named and/or designed in the light novel before the anime is a thing or when the anime becomes a thing.)

The anime also adds relevant information in the Raiden's talk with Lena in EP7, like Kaie receiving racial abuse from 86 (in fact in both versions, she is the first one to get highlighted about this) and Haruto also having prominent Giadian Empire blood like Anju and Shin. These weren't in the novel.

I might be just nitpicking here because I love Kaie and Haruto, but see, this scene is amazing on its own. This is where Raiden and the squad reveal the weight of their motivation all along, that they *each* have different backgrounds and different kinds of sufferings, yet they are all sentenced to die, and they all choose to fight because they know no side is saintly but some things are still worth fighting for.

The prominent characters' deaths (besides Kaie's) are often mentioned with only one or two dry lines. I expected at least Daiya's to be detailed more, but it's just that so matter-of-fact-ly. Well I came from the anime, so I guess it's normal if I expected something as heartbreaking.

I broke down HARD at the last half of EP10 and that is nowhere in the Vol 1 novel. (Having Hands Up to the Sky playing in the background is also an advantage for being an anime. Fuck that song, I now play it 24/7 in despair)

Having a lot of original anime scenes really complement the story's nature. That there are two different sides of life here, it's not just Lena's or 86's only. And those couldn't have intertwined if not for their willingness to listen and communicate.

I know I mentioned this some days ago but really, I can't get over how many of the merch are Lena (and Annette) being cute doing cute stuff while the story itself is actually depressing. Merch staffs know the market lol.

- Novel side -

That said, the novel does have an advantage that the anime/visual media doesn't: Internal explorations and explanations.

It's obvious from the get-go, but Asato confirms that the inspiration of Republic of San Magnolia and its racial discrimination and genocide is taken from Nazi Germany in WW2. The Republic who favors the white/silver haired-eyed Alba drives Colorata out of the 85 sectors, overtakes their properties, and forcibly sends the now-called-86 to either fight their war and die, or work on the wall and die.

The life inside the Republic is also elaborated on. Class always exists, even inside one race only. The center of the republic is for the elites, Lena and Annette's families included. The farther a sector is from the center, the lower the education and economy there is. Most of the military come from these areas, which explains why Lena herself is in difficult situation. Since no one in the military is either capable or willing to bring change.

It's *insane* how easily the Republic could create such vile lies, and how easily the majority of the citizens go along with it.

Gotta admit, Asato does a good job at foreshadowing the fate of the 86, the truth that we can only see after Ep7 of anime. It is mentioned that supposedly, 86 soldiers will be welcomed back once their 5-years term is up. Lena once wonders about it, but ultimately she buys it thinking that surely they must have come back to another sector. She only realizes it's utter bullshit after Annette points out how, 9 years later, they have never seen even one Colorata inside the Republic when they should have seen at least some. This also shows that Lena has never ventured to the other sectors to find out more, probably due to work or maybe she's still a sheltered noblewoman in the end.

And the mentality of the majority of Alba is shown differently. Whereas the anime uses the academy classroom to show how deeply rooted the racism against 86 is, the novel uses Lena's mother who a) more or less does the same as the classroom, and b) presses Lena to get married and preserve their pure noble bloodline. This, when the nobility doesn't actually mean anything anymore. This version shows not only Alba's racism but also Lena's strained family life.

There is a scene of an Alba high school valedictorian who, during his graduating speech, says “My friends died fighting the Legion.” I’m not sure this will make it to the anime, and it’s just a minor scene in the novel, but the weight of that scene is heavy.

The science of Para-Raid is explained, which has something to do with tapping the collective consciousness of humanity and connecting it to one another. A bit far-etched but I guess that works, science fiction and all. But I like the part where despite (or maybe because?) of connecting via hearing only, the other senses are faintly receptive as well. For example, one can sense that the other side is biting their lips in frustration, something like that. Of course, actual real life things like sensing the hidden bitterness or elation in a talking partner's words are present, this being a story where listening matters.

The novel elaborates on Raiden's stay with the Alba old woman. He calls her Old Hag, but it's clear he greatly respects her. The part where she screams and curses in the middle of the road at the Republic soldiers who take Raiden and the other children away stays in Raiden's mind forever, and so it does to me. Ngl it is quite a chilling scene.

Same with the story of the previous Laughing Fox, Theo's Alba commander. It turns out, the entirety of Theo's first squadron didn't like him at all and bet on how fast he'd tuck tail and run back to the Republic. When he faced his death the way Theo explained, he sent a message to Theo revealing he knew about it and knew his place to not ask for acknowledgment or forgiveness. This made Theo regret why he didn't try to talk more with his commander and he keeps thinking about it forever. Now it makes even more sense why Theo, blunt as he is, is willing to listen to Lena and when he snaps, he wonders if his late commander would do the same.

What actually happens in Kurena's backstory is also touched upon. While in the anime some viewers could think "Man, I get where you're coming from but chill out." The novel graphically shows her parents being toyed on by the Alba soldiers while her sister protected her, the two could only watch, and then the same sister got sent to the battlefield to die. Now at that, anyone would think "Man, no wonder she can't chill out. Not with all that trauma."

I also like the addition that Lena can sense Kurena is the one who dislikes her the most.

The novel describes greatly that it isn't just Alba and Non-Alba. Essentially speaking, Non-Alba is called Colorata, and they consist of different race groups as well. Just as Alba is associated with the color silver/white, the other race have their associated colors as well. Asato assigns races to the named members in Vol1 and what their distinguished color features are. This also explains why Anju is exiled despite looking like an Alba.

It's a question that I pondered on when I first saw Shin's armor plates, and that I pondered harder on when Chise died: What happens if there is no armor plate to carve its processor's name's on? So it turns out Shin would substitute it with anything; piece of wood or some random piece of metal. For Chise's case, Raiden, Chise's leader, suggested using the wing of Chise's in-progress airplane model. Which did my heart so bad because I'm strangely fond of Chise and finding out that in his spare time in his limited lifespan, he was working on an airplane model made me sob.

I'm not particularly into mecha, and could care less about how it moves. But Asato did a good job describing the fight between a glorified suicide car and a line of brand-new solid A-grade tanks. Special mention to I-IV because wow the concept arts for all the mechas are so cool, even though I don't really understand. (Asato even said to I-IV "Go draw a tank so horrible it's stupid for the Juggernaut" and I-IV came up with the current Juggernaut)

You know how the Republic greeting is "Glory to San Magnolia and the five-colored flag"? I won't disclose who says this in what situation, but there is someone of Colorata saying "If you hate colors so much, you should have just colored your flag white" AND OOOH THE BURN SO HOT HOT HOT

Tl;dr: Bottom line is, I personally enjoy Vol 1 because I already watched the anime and got attached to it. If I were to read the vol 1 first, most likely I wouldn't fall this hard for the series. Hell, maybe I wouldn't even pick it up in the first place because I knew it'd be depressing. But this is not to say that the LN is bad. It’s very good, it just does not really touch the lives of other soldiers whereas that’s the very thing that I love from the anime.

[a-froger-epic]

NASTALLY'S ❇️Q U E E N❇️ FIC

📝 = (semi-)regular updates

❓= will update eventually

🧊 = on ice

✅ = complete

Freddie Mercury/Roger Taylor

Froger - Love & Sex (18+):

Dawn of Aquarius [the epic] ✅ - Roger and Freddie meet in 1969 and change each other's lives. (romance, sexual awakening, coming of age, YA drama, period-typical homophobia, family drama, realism)

Good Company ✅ - collab with @quirkysubject The Queen boys accidentally on purpose watch porn together. (friends to... still friends but with interesting wanking habits, internalised homophobia, pining, humour)

Dreams of Tomorrow 📝- collab with @tikiniki A mad, medieval fantasy adventure with the Queen boys. (troubadour AU, adventure, fantasy, friendship, magic, origin stories, vikings, battles, a donkey called Tootsie)

Dawn of the Living Dead ❓ - It's the zombie apocalypse in 1971. (horror, dark comedy, blood & gore, insanity, friendship)

The Miracle ❓ - A slightly different take on the A/B/O trope. (mpreg, friends to lovers, kid!fic, parenthood, emotional realism, discrimination)

the eye of the beholder ✅ - Roger buys a video camera. (established relationship, script format, humour, light-hearted)

Time Waits for No One ✅ - collab with @bisexualroger Freddie and Roger's relationship through the years. (Christmas themed, sad, life has no happy endings, grief, acceptance, breakup, lovers to friends, death)

Sehnsucht 🧊 - Roger visits Freddie in Munich. They have a past. (Inspired by Dawn of Aquarius, pining, friendship, life has no happy endings, hurt/comfort, but mostly hurt)

Froger - Love:

A Kind of Magical Adventure (and the Spider from Mars) ❓ - collab with @plainxte​ The Doctor Who/Queen crossover nobody asked for! (friends to lovers, there was only one bed, fluffy Christmas space adventure)

The Only Exception ✅ - On a night out, something is rekindled between Roger and Freddie. (drug use, pining, past relationship, the one that got away, some humour)

Foxey ✅ - Freddie gives Roger an impromptu lapdance. (Dawn of Aquarius missing scene, fluff, humour, established relationship)

Secret ✅ - Brian is a good secret keeper. (Inspired by Dawn of Aquarius, handholding, angst and fluff, mostly fluff)

I put a spell on you (because you’re mine) ✅ - A Halloween special. (Dawn of Aquarius missing scene, breakup, angst, humour)

Incidentally Homosexual  ✅ - Roger wants to talk to Freddie about the Kinsey scale and sexuality.  (Dawn of Aquarius missing scene, internalised homophobia, pure fluff, soft boyfriends)

It’s Grim Up North (But There’s Light Up Ahead) ✅ - collab with @pumpkinlilyao3​ One time Roger saves Freddie, and one time Freddie saves Roger. (Friends to lovers, violence, slurs, angst, happy ending)

Promise ✅ - Roger and Freddie prepare for a special event in 2015. (Inspired by Dawn of Aquarius, Freddie lives, growing old together, pure fluff)

Tootsie’s Story ✅ - How Roger rescued a donkey. (Dreams of Tomorrow prequel, fantasy, adventure, troubadour AU, established relationship)

Ooh Love, ooh Loverboy… ✅ - Freddie through Roger's eyes. (established relationship, internal monologue, tooth-rotting fluff)

Romantic Drabbles ❓ - A mixed bag of Froger romance.

Froger - Porn Without Plot (18+):

A is for Amsterdam ✅ - Roger and Freddie walk into a sex shop. (Established relationship, bdsm, sex toys, dom!Roger, sub! Freddie, a bit of fluff and humour too)

B is for Bound ✅ - There's something Freddie would like to do. (Established relationship, bdsm, non-con play, dom!Roger, sub!Freddie)

C is for Control ✅ - There's something Roger would like to do. (Established relationship, mild bdsm dynamics, switching, top!Freddie, fluff)

D is for Discipline ✅ - Freddie turns a game into something a little more serious. (Spanking, bdsm, power dynamics, subspace, referenced cheating, guilt, dom drop)

Right until the ends of the Earth ✅ - Romantic piano sex. (Inspired by Dawn of Aquarius, mild bdsm dynamics, romance)

Tight Squeeze  ✅ - collab with @bambirexwrites fem!Queen; Regina and Freddie go shopping for shorts. Regina has some trouble fitting into them. Freddie helps her feel better. (Established relationship, body worship, semi-public sex)

One Fine Morning  ✅ - Freddie is trapped between two primal urges. (Established relationship, mild omorashi, morning sex)

Smutty Drabbles ❓- A mixed bag of Froger sexytimes.

Froger - Gen/shippy Gen:

Good Times (Better Times) ✅ - How Freddie met Roger, a Dawn of Aquarius prequel. (internal monologue, the Kensington pub, art student Freddie)

that special brew ✅ - That time Freddie accidentally drank marrijuana tea. (humour, Roger being a very sweet friend, light-hearted)

a joke nobody tells ✅ - Newly formed Queen dynamics or: not even Roger knows what is going on in Freddie's head. (group dynamics, insecurities, fear of failure, hurt/comfort)

Ghosts ✅ - Freddie’s arrival in Australia awakens some memories he would rather forget. (angst, referenced past sexual assault, friendship, hurt/comfort)

Including Love ✅ - Freddie and Roger love each other. But perhaps, not in that way. Or do they? (Roger-centric, character study, period-typical attitudes, male friendship, bromance)

Freddie Mercury

that which is good ❓ - Freddie meets Kenny. Two gay men struggling to find themselves, find comfort in each other’s friendship. (Angst, internalised homophobia, male friendship, hurt/comfort) 

Moments ❓ - A collection of moments in Freddie’s life. (Vignettes, angst, fluff, death, life, everything)

with my trust like a child ❓ - collab with @aboutnothingness A look at several of Freddie’s birthdays throughout his life (Hurt/no comfort, hurt/comfort, internal monologue, implied underage, heavy angst)

The God Abandons Antony [Freddie Mercury/Joe Fanelli] 🧊 - collab with @freddieofhearts​ On tour in the US, Freddie meets somebody new. (Internal monologue, angst, euphoria, new love, romance, cheating)

Rapture and Solace ✅ - 1991. (Internal monologue, fear of death, terminal illness, acceptance, background Jimercury)

to the bone (18+) ✅ - A police officer lets Freddie off the hook, in exchange for a favour. (Period-typical homophobia, abuse of power, sexual assault, hurt/no comfort)

Ménage à Deux  ✅ - An exploration of Freddie’s friendship with Barbara Valentin. (Dubcon, recreational drug use)

Naughty ✅ - Freddie's mind wanders while he poses nude for a life drawing class. (Internal monologue, some humour, internalised homophobia)

Don’t You (Walk Away) [Freddie Mercury/Winnie Kirchberger] ✅ - After a fight with Winnie, Freddie contemplates his life in Munich. (Hurt/No Comfort, toxic relationships, angst)

Freddie Love ❓ - Freddie-centric drabble collection.

Freddie Mercury/Brian May

As it Began ✅ - Freddie goes to write his dissertation at Brian's house. (Smile Era, boys with a crush, friendship, first kiss, angst, hurt/comfort)

Blacklight in Zero Gravity (18+)  ❓ - It's 2029, Freddie Mercury is working as a stripper and one night, the mysterious Brian May walks into his life. (Modern AU, sex & drugs, pining, humour, angst, fluff, romance, morally grey characters, smut)

Click! ✅ - Freddie meets a guy he just can’t get off his mind at work. (Modern AU, photographer!Freddie, model!Brian, social media, humour, meet cute)

the sun and moon and stars are you ✅ - Freddie and Brian are expecting, and getting ready for a Halloween party. (trans!Freddie AU, pregnancy, humour, fluff)

The Sound of Your Fear ✅ - Brian and Freddie stay in a very creepy hotel. (Ghost story, terror, haunted house, platonic/pre-slash Maycury)

Dreams of Tomorrow (18+) [Maycury, Froger, Joger] 📝 - collab with @tikiniki​ A mad, medieval fantasy adventure with the Queen boys. (troubadour AU, adventure, fantasy, friendship, magic, origin stories, vikings, battles, a donkey called Tootsie)

Freddie Mercury/Jim Hutton

Maybe I’m Amazed ✅ - Freddie is upset about an argument with Jim, who surprises him. (Angst, hurt/comfort, romance and fluff)

Interlude ✅ - Freddie has a great time at his 39th birthday party - for the most part. (Angst, non-consentual drug use, hopeful ending)

Sticks and Stones ✅ - Freddie reads a headline she wishes she hadn’t seen. (Fem!Jimercury, body image, fluff, happy ending)

Other Ships

Dawn of the Living Dead (18+) [Poly!Queen & Froger] ❓ - It's the zombie apocalypse in 1971. (horror, dark comedy, blood & gore, insanity, friendship, smut)

Kneel Down by Your Side and Pray [Maylor & Johnica] 🧊 - collab with @quirkysubject @tikiniki and @plainxte In a dystopian world where slavery is the norm, four young men struggle with their circumstances. (Dystopian AU, violence, blood & gore, sexual abuse, angst, friendship, hurt/no comfort, pining)

Sacrifice (18+) [Maylor] ✅ - Roger is being sacrificed to the God of Fertility. (Fantasy AU, humour, Monty Python-esque, technically non-con but not angsty, satire)

Colour Me Surprised [Joger] ✅ - Roger helps John with his make-up. (Yearning, gay panic)

a bona cackle [OMC/OMC, background Froger] ✅ - Dawn of Aquarius spin-off ficlet. A phone conversation in Polari. (Period-typical attitudes, queer history)

Gen

and the rest is history ✅ - The day John Deacon auditioned for Queen. 

lazing on a sunny afternoon  ✅ - A short, sweet fem!Queen ficlet.

The Sound and the Fury ✅ - collab with @quirkysubject​ Roger is struggling when the past catches up with him. Brian is a good friend. (hurt/comfort, friendship, angst)

Not Like Other Groups ✅ - Queen escape from an angry gang of skinheads by means of a car chase. (humour, friendship, action)

Maple Leaves ✅ - John struggles with Freddie’s illness. (heavy angst, death, grief)

Non-Fiction

Interview With A Queen “Groupie” - I interviewed a lady who knew the Queen boys back when she was at Ealing Art School. Yes, really.

[haysianrose]

Kelly Marie Tran, Don Hall, Carlos López Estrada, Qui Nguyen, Adele Lim and Osnat Shurer speak to Mashable Southeast Asia’s Danial Martinus on Raya and the Last Dragon.

Danial: I think one of the biggest questions on everyone’s mind is, how does it feel to be Disney’s first-ever badass Southeast Asian warrior princess?

Kelly: Oh my gosh, thank you for putting it that way. Yeah, she is badass! [laughs] It feels incredible. I do not take it lightly that we are making a movie that’s sort of breaking barriers. And I hope that when people see this movie, they’re able to see themselves reflected in a way that they may not have been able to see before. It means the world to me and I am so grateful to be part of this magical, miraculous experience.

Danial: Even though the film is set in Kumandra, which as we all know is a fictional Southeast Asian land, I can’t help but feel a sense of familiarity with it. Why look to Southeast Asia in the first place, and why now?

Don: So the decision to really look into the varied cultures of Southeast Asia as inspiration for our film happened, you know, about five or six years ago, well before we came in on the film. I think a lot of it was about, you know, in terms of just cinema, it’s a very underrepresented place of the world. And not only that, but there were, you know, trips taken by some of the filmmakers and filmmaking teams early on and just fell in love with the region.

Qui: It’s also just a great area in the world, you know. Not just the architecture, and the foods and things. Like when you’re doing a big action adventure movie, one of the most fun things to highlight is obviously the martial arts from the region. You know, a Disney movie that has a, you know, warrior princess as its lead doing pencak silat and muay thai and arnis and traditional Vietnamese wrestling, that’s a very special thing that you just don’t see every day. And that was something that was very exciting to put on screen.

Carlos: Even though the story went through a lot of transformations, from the very beginning, at its core, it was about people from different backgrounds coming together and learning how to trust one another, learning how to work with each other. So we knew that Kumandra needed to show great diversity, great richness and an indifference in all these cultures within the world. Because even though there is very distinct sort of like personalities and flavors and essences to each of these countries, they sort of like exist in this little microcosm. For all of these reasons, it was really sort of like the very, very perfect place to draw these inspirations from.

Danial: I heard that everyone traveled through Southeast Asia to do some research and garner inspiration. What was that like? Which countries did you travel to and which one was your favorite? Like, which one did you enjoy the most?

Adele and Osnat: [laughs]

Adele: Osnat, the correct answer is Malaysia!

Osnat: Malaysia! I know, I know. We learned so much in each place, it was different. The beauty was everywhere. The gorgeous food was everywhere. It was just a question of connecting with people.

Danial: What influenced the idea to make trust a key element or a kind of backbone to the story?

Osnat: These movies are incredibly personal. So we spent a lot of time really thinking about what it is we wanted to say and we knew that what we were all drawn to talking about is how in a divided world, in a divisive world, we all need to come together for the greater good. But it wasn’t till later that we found the focus point of what that is. When Don and Qui and Carlos joined us, we honed in on trust. We realized that for us, the more we thought about it, the key to being willing to work together, despite our differences or even because of our differences, is trust.

Danial: Which scene was your favorite to write?

Adele: Oh my gosh. Like, it’s so funny. I feel like we’ve written this movie about eight times over because that’s how many times you put it up. But I do think my favorite scenes are with young Raya and her father. For a lot of us, you know, the dreams of our parents become our dreams when we are young, and then as we grow up, especially when we’re in an imperfect world, a world that’s broken, we can get disillusioned, we can get very bitter. And we, you know, hopefully get back to the point where we can rediscover those dreams and feel like this is something worth fighting for. And you’re sort of carrying on that, you know, that tradition, that heritage that we have. So that was very special for me.

Danial: Being of Southeast Asian descent yourself, how important would you say this project was for you? Both in a professional and personal capacity?

Qui: Well, on a professional capacity, obviously it’s huge. Like, there’s nothing bigger than making a Disney movie, right? You know, when you make a Disney film, you know it’s going to impact, you know, pop culture globally. But then, personally, like, my kids don’t often get to see themselves on screen ever. They never get to be the hero. They’ll always have Raya as a hero that they can look towards and go, “Hey, she had agency to be the lead character.” And that is something that, I think, you know, as a person who grew up in America, I didn’t get to see a lot of that.  And to be able to know that my kids will now never have to feel that, that is a very major thing for me, to know that they now have this forever is a real, real dream come true.

Danial: In a sense, it’s kind of historical, because people further down the line that watch the film, they’ll associate your name with the first ever Southeast Asian princess, right?

Kelly: [laughs]

Danial: So with that in mind, like, what of pressure did you feel when you were cast?

Kelly: I felt responsibility, obviously. Because anytime you’re doing something that feels like it’s never happened before, you feel that sense of both honor and responsibility. That being said, I hope that this is the first of many times that we will see stories about this part of the world.

Danial: If you could only pick one, what important takeaway do you want people to learn from Raya and the Last Dragon?

Osnat: Our chance to make this world a better place than we found it, when we came in to it, is to come together with our differences, embracing our differences and actually trust each other. And it’s not easy. And it happens. You have to try again and again and again. And take steps that are very scary and make you feel vulnerable, but it’s worth it because when we come together, we can work magic.

Danial: And which would you say is the most important scene in the film?

Kelly: I think the most important scene is the scene where Raya takes the first step. I think that it’s so important to see characters who in the beginning of the movie don’t trust each other and are from different parts of this land, and to see them at the end not only trust each other, but to be able to put away any sort of instincts about self-preservation in order to work towards the idea of a world that’s better than the one they’re living in. I think that is a message that I hope people take away with them and the message that I want to take away from this experience.