#if i can sort out the characters because i think there are a lot of doubles

[felassan]

EuroGamer: 'BioWare knew the deepest secrets of Dragon Age lore 20 years ago, and locked it away in an uber-plot doc'

Original creator David Gaider on how "some of the big mysteries are being solved".

Rest of post under a cut due to length and possible spoilers.

"As I write about the secrets hidden in Dragon Age's mysterious Fade, and as I uncover some of them playing Dragon Age: The Veilguard, one question keeps rising up in my mind. How much did BioWare know about future events when first developing the series more than 20 years ago? That's a long time, and back then BioWare didn't know there would be a second game, which is why Dragon Age: Origins has an elaborate and far-reaching epilogue. Why lay so much lore-track ahead of yourself if you don't think you'll ever get there? But look more closely at Origins and there are big clues suggesting BioWare did know about future Dragon Age events. There are obvious signs in the original game, such as establishing recurring themes like Old Gods and the Blight and Archdemons. But there's also Flemeth, Morrigan's witchy mother, who's intimately linked to events in the series now - more specifically: intimately linked to Solas. Does her existence mean Solas was known about back then too? There's only one person I can think of to answer this and it's David Gaider, the original creator of Dragon Age's world and lore. We've talked before, once in a podcast and once for a piece on the magic of fantasy maps, where we discussed the creation of Dragon Age's world. And much to my surprise, when I ask him what he and the BioWare team knew back then, he says they knew it all. "By the time we released Dragon Age: Origins, we were basically sure that it was one and done, but there was, back when we made the world, an overarching plan," he says. "The way I created the world was to seed plots in various parts of the world that could be part of a game, a single game, and then there was the overall uber-plot, which I didn't know for certain that we would ever get to but I had an understanding of how it all worked together. "A lot of that was in my head until we were starting Inquisition and the writers got a little bit impatient with my memory or lack thereof, so they pinned me down and dragged the uber-plot out of me. I'd talked about it, I'd hinted at it, but never really spelled out how it all connected, so they dragged it out of me, we put it into a master lore doc, the secret lore, which we had to hide from most of the team.""

"This uber-plot document was only viewable on a need-to-know basis, he says, and only around 20 people on the team had access to it - other senior writers mostly. And even though Gaider left the Dragon Age team after Inquisition, and then eight years ago BioWare altogether, meaning he didn't work on The Veilguard at all, he believes - by looking at the events in the new game - his uber-plot lore "has more or less held up". That's impressive. What's even more impressive, or exciting, is that back then he also envisaged a potential end state for the entire Dragon Age series - a point at which it would make no sense for the series to carry on. "I always had this dream of where it would all end, the very last plot," he says, "which I won't say because who knows, we could still end up there. But the idea that this uber-plot was this sort of biggest, finite... That the final thing you could do in this world that would break it was there as a 'maybe we would get to do that one day'... There was just the idea of certain big, world-shaking things that were seeded in that arc, some of which have already come to pass, like the return of Fen'Harel." You've read that correctly: the idea to have Fen'Harel, also known as the Dread Wolf, reappear, was seeded all the way back then, way before Inquisition - the game in which he does actually reappear. But the concept for Solas, as a character who was Fen'Harel in disguise, was a newer idea. "That spawned from a conversation I had with Patrick [Weekes] and a number of other writers," Gaider says, "as an idea of 'what if you had a villain that spent an entire game where he's actually in the party and you get to know him?' Now, the god version and his larger role in the plot, yes that was known, but not that he would be presented as a character named Solas." Fen'Harel being known about means the other elven gods were known about, which means all of that stuff Solas reveals about his godly siblings - that they're not gods at all but evil elven mages he locked away behind the Veil - was known about back then too. "Oh yeah," Gaider says. "Everything that Solas tells you [at the end of Inquisition DLC, Trespasser]: it's all part of that original uber-lore - that was all in our mind." But why have so much lore if you're not certain you'll get to ever realise it? Well, to create a believable illusion. By creating an "excess" of lore, as Gaider describes it, Origins made Thedas feel like an old and believable place. A place with history, rather than a Western set that was all facade and no substance."

"BioWare also did something canny with the lore it did relay then, too: it shared it through the voices of characters living in the world, making it inherently fallible. In doing this, Dragon Age veiled its truths behind biases. The church-like organisation of the Chantry proclaims one truth, while the elves and dwarves proclaim another. Sidenote: you can experience this yourself through different racial origin stories in Dragon Age: Origins. This way, there's no one, objective, irrefutable, truth. "To get the truth, you kind of have to pick between the lines," Gaider says. So even though elven legends are coming true through the existence of Solas and The Veilguard's antagonist gods, it doesn't mean that's the one and only truth. There's truth in what the Chantry teaches and what the dwarves say, he tells me, which ignites my curiosity intensely. BioWare has also been tricksy in how it's rubbed out the lore the further back in time you go. "In general, the further the history goes back, we always would purposefully obfuscate it more and more," Gaider says - "make it more biased and more untrue no matter who was talking, just so that the absolute truth was rarely knowable. I like that idea from a world standpoint, that the player always has to wonder and bring their own beliefs to it." It leads into a founding principle of Dragon Age, which is doubt - because without it, you can't have faith, a particularly important concept in the series. It's where the whole idea of the Chantry's Maker comes from and with it, the legend about the fabled Golden City - now the Black City - at the heart of the Fade. This is the very centre of the lore web, and, I imagine, it's close to the series endpoint Gaider imagined long ago. All secrets end there. Did Gaider know what was in the Black City when he laid down Origins' lore? That's the question - and it startles me how casually he answers this. "Oh, yeah," he says. "What was in the Black City: that's the uber-plot. I knew exactly. "Was it as detailed in the first draft of the world?" he goes on. "No. I had an idea of the early history because that's where I started making the world. So the things that were true early-early: I knew exactly what the Black City was and the idea of what the elves believed, and what humans believed vis-a-vis the Chantry - that was all settled on really early. Then I expanded the world and the uber-plot bubbled out of that.""

"Gaider shows me the original cosmology design document for Dragon Age: Origins as if to prove this - or rather for the game that would become DAO. The world was known as Peldea back then. I can't share this with you because I see it via a shared screen on a video call, and because Gaider doesn't want me to, mostly because the ideas are so old they're almost unrecognisable from what's in the series now. But I can tell you it's a document that's just over a page in length, and that there's a circular diagram at the top showing the world in the middle and the spirit realm ringed around it. And on that document is reference to the Chantry's beliefs about a God located in a citadel that can be found there. Gaider says BioWare knew about Fen'Harel (the Dread Wolf) 20 years ago when it was developing Dragon Age: Origins, and that he'd one day reappear. The Fade wasn't known as the Fade back then, either, but as the Dreaming, because it's the place people go when they dream - an idea that lives on still. And if that sounds familiar to any fans of The Sandman among you, it should. "I'd say The Sandman series was probably fairly prominently in my head," says Gaider. "I liked that amorphous geography that was born from the psyche of collective humanity. I'd say yes, if I was to point at something specifically, that's probably where the very first inspiration of it took root." It's a lot to take in, but it reinforces the admiration I have for Dragon Age. Just as I have when hearing about the creation of my other favourite fantasy worlds, such as A Song of Ice and Fire, I begin to understand the magnitude - and the deliberateness - of the plotting that went on. I wonder if one day the Dragon Age series will end in the way Gaider first imagined, albeit slightly altered by the many other pairs of hands shepherding it along now. What a curious feeling it must be to know, so many years in advance, where things might go. Where that end is, I don't know, but I do know we'll take a significant step towards it in The Veilguard. After all, we're coming into contact with gods who were there at the recorded beginning of it all. "Yeah - we have access to people who can tell us the truth from first-hand experience," Gaider says, "although again, it depends on what the writers did with it. But if they continued the tradition of Dragon Age, you never know for sure if Solas is telling you everything, or what you're learning is the entire truth. "But yes, some of the big mysteries are being solved. I mean, will they one day definitively tell you about the Maker? Will we crack the big mysteries of the world and just make them answered finally? And does that ruin one of the central precepts that Dragon Age is founded upon? Maybe," he says. "Ultimately, that lore, when you make it big and you hint at it and hint at it and hint at it, it becomes a Chekhov's Gun of sorts. Eventually you got to pony up.""

[source]

[sunsmudge-peachmoon]

This particular episode -- it can be a little bit of a sleeper because it's not a big action episode. But there's just a lot of really critical information in there about Rose Quartz and, you know, her fear of herself and who she is becomes a fear of other people not accepting her. But it's really-- she can't accept herself. So the- that way she is with Greg, she's sort of playing this part, trying to be this person that she thinks would be fun for him. And he... wants to know her! And he wants to be with her, and-- I was really writing this story at a time when I was closeted and I was not being honest with a lot of people- I mean, with anyone in my life. But the idea of him really wanting to really know her, to cut through this game, and this character that she's playing and see all these aspects of her that she would otherwise be afraid to share... I mean, that was just a really powerful fantasy for me at the time. That has since become a reality.

But like, that episode and their relationship isn't usually pointed out as one of the pieces of LGBTQIA expression in the show. People usually look at the same sex characters' moments of kissing, you know, the moments of couples. But the relationship between Rose and Greg is a personal expression as a bisexual person in a relationship with a man who for many years I wasn't honest with about that.

[wilcze-kudly]

Something I've always loved about atla is how it handled scars, particularly Zuko's facial scar and Aang's lightning scar.

I've probably spoken before about how, as a burn victim with a ton of skin grafts on my legs, torso and hand, Zuko really was the first character "like me" that I saw on TV. It was, as you can guess, quite a momentous moment for kid me. Which is probably why I'm so disheartened on the live action show shrinking and toning down Zuko's scar significantly.

Too often scars, especially burn scars are seen as gore or body horror and too graphic to be seen on TV that isn't horror or related genres. And often scars, especially facial scars are reserved purely for villains and are used as a signifier for 'evil'. A trope that you'll find is still alive and kicking even today even in big franchises.

And while Zuko does reinforce this trope to some extent, I think it was subverted enough for it to have irs own merit. Atla also steers away from the scars=evil narrative, by having a lot of "good" characters have scars too like Bato and Song. This helps destigmatise scars as a whole, making Zuko's 'scarred villany' seem like a more individual case.

In Atla, scars are more the trademark of victims rather than villains and this rings true for Zuko too.

Zuko is a victim of the Fire Nation in the sense that the Fire Nation's values of war, strength and honour facilitated Ozai's abuse of him, particularly the scarring.

Zuko's scarring does follow a very established trope of a son being scarred by a father, which is surprisingly prevalent, especially with burn victims. Seriously I collect these men like pokemon. This tropiness isn't a bad thing, since I think it leads to us very quickly sympathising with him. I certainly did, since his experience mirrors my own.

The scene of Zuko's scarring is also particularly special, due to it being rather unique, because it isn't quick or an action scene, nor is it shown as an overly gory horror scene, despite it being, well, horrific.

It's... tasteful. Or at least, as tasteful as the scene of a child getting scarred by their father can be, I suppose. It doesn't linger on the violence, but also doesn't sugarcoat it. The scene of Zuko's scarring, and the events leading up to it also give us a good exposition to his better qualities, like his compassion, and a good explanation for why these qualities stay buried.

I can understand why some people in the fandom believe that Zuko's scar symbolises his 'worse side', but I actually believe its the opposite. Very often, when a character has a 'split down the middle' type of scar, their scarred side represents their worse half, like with Two Face from DC.

Because Zuko's scar doesn't symbolise his allegiance to the Fire Nation, it symbolises the fact that he failed to live up to the Fire Nation's standards. It's a physical reminder of the time Zuko actively defied the Fire Nation's standards and mindset.

We get a lot of nods to Zuko's scar aymbolising disgrace and failure to uphold ehat the Fire Nation expected of him. It's literally a physical blemish upon his 'honour'.

This is especially noticeable when Zuko's appearance is contrasted with Ozai, who exists as sort of the human stand in for the Fire Nation's imperialism. For most of the show, we are not shown any of Ozai's features, his face being obscured by shadow or out of frame.

We finally see Ozai's face, it's when Zuko is seeing hik for the first time in years. And Ozai looks so similar to Zuko. An unblemished, perfect, complete Zuko, so to speak. In Zuko's fever dream, where we see an unscarred Fire Lord version of Zuko, he looks exactly how I imagine a younger Ozai would look. I also love that Zuko's adult design seems to lean into this similarity.

Furthermore, Zuko's scar is used time and time again as a way he connects with victims of the Fire Nation. People who don't know him, like Song and Jet, assume him to be another victim of the Fire Nation, citing his scar as the reason why. Which is half true, Zuko is a victim of the Fire Nation, just not in the way they think.

Jet: I think Lee would make a good Freedom Fighter. He's just trying to find his way in the world, like us. Smellerbee: You don't know anything about him, Jet. Jet: I know he didn't get that scar from a waterbender.

One person who doesn't connect to Zuko over his burn scar is Katara. I love the scene of Katara and Zuko in the crystal catacombs. It's a profound scene and one that always makes me a bit emotional, especially in the wider context of atla, a subject I've touched on in this post.

However, the handling of Zuko's scar in this scene is especially dear to my heart. I strongly remember that, when Katara offered to heal Zuko's scar, I actually got scared and upset. I was terrified of Zuko's scar being erased, of the connection I felt to him snuffed out and one of the best parts of his characterisation being erased.

But that's not what happened, and the scene is amazing on that front and all others.

We learn that Katara asscociates Zuko's face with the Fire Nation, which makes sense, since he's been kinda clingy for the entire 1st season. Katara denies it having to do with anything with Zuko's scar.

Katara: It's just that for so long now, whenever I would imagine the face of the enemy, it was your face. Zuko: My face? I see. [He touches his scar.] Katara: No, no, that's-that's not what I mean.

The Katara lover in me believes her. As a a member of the Sothern Water Tribe, she probably has seen many burn victims. And her pursuing healing would also probably lead her down the route of normalising and understanding burn scars.

However, I would not be surprised or disconcerted if the scar did have something with Katara perceiving him as a villain. After all, to a lot of people, scars and "ugliness" denote moral ugliness. The very obvious fire asscociation probably doesn't help someone traumatised by the Fire Nation too. It is a sad fact of life that even those who know better subconsciously react to people with scars and other "deformities" with disgust and distrust.

We also see Zuko explicitly give us the rundown of his previously unspoken struggle with feeling like his scar is defining him as a person.

Zuko: It's okay. I used to think this scar marked me. The mark of the banished prince, cursed to chase the Avatar forever. But lately, I've realized I'm free to determine my own destiny, even if I'll never be free of my mark.

This is something I can relate to as someone with prominent scarring and I'm sure we all sometimes feel defined by things outside of our control. Sometimes It's hard to seperate your identity from your appearance. And it's even harder to seperate yourself from events that influenced you so harshly.

As I previously highlighted, Zuko's scar relates strongly to his failure to adhere to the Fire Nation's ideals and conventions, his failure to be the perfect prince of the nation. And while to us, that is a good thing, to Zuko, at least at first, that is a very, very bad thing.

To Zuko, the scar is a symbol of his flaws, and a just, if not harsh punishment for his percieved transgression. He sees it as a brand, denoting his mistake and shame. He sees it as the physical manifestation of what his banishment and scorn from Ozai means.

It's only when he begins growing as a person away from the Fire Nation's influnece, that he starts to realise that the scar is just a scar. It holds no power over him. And while he relapses for a moment, "demystifying" his scar allows him to do the same to the event of his scarring. It allows him to look back at that moment and not see righteous discipline, but rather see it for what it was and go "hey wait a minute that was actually fucked up.". Which allows him to look at The Fire Nation's conquest of the world and go "hey this is also fucked up.", when the lessons he's learnt in the Earth kingdom finally click.

I believe this is why we see Zuko almost purely from the side of his scar in the scene where he confronts Ozai, especially when it's contrasted with Ozai's unscarred eyes.

Zuko's scar, like many scars in fiction, symbolises imperfection. But rather than an "objective" imperfection, as most fictional scars do, Zuko's scar symbolises his imperfection through the skewed and biased eyes of the Fire Nation. It's a nice subversion of the trope that usually encourages us to equate beauty with goodness and ugliness with evil.

Side note, I know I've been using the terms "ugly" and "ugliness" to talk about scars. I just wanted to note that I don't think scars automatically mean someone isn't attractive/scarred people are ugly. But in a lot of media, scars are seen as gross and ugly, which is why I've been using these terms.

I like that Zuko defies this trope by being drawn as very attractive with his scar, and even being seen as desireable in canon.

Even though it does loop back to the 'attractive=good' symbolism, I don't think it totally invalidates the story Zuko's scar is telling. Plus it WAS an ego boost to child year old me who thought no one whould ever love me bcs I looked like a burnt chicken nugget. So I'll let it slide.

I love Zuko's scar, and I love how it seamlessly fit into the story, while also subverting tropes and invalidating stigmas towards scarred people. It's probably one of my favourite, if not very personal aspects of the character.

I do however, also want to analyse and go over Aang's scar from Azula's lightning and I plan to go over it at a later date, since this post is getting a bit long and overwhelming.

Toodles!

[jackoshadows]

Brandon Sanderson on why TV adaptations of fantasy works end up being so different to the source material:

I have a fun story here. Early in my career, someone optioned the rights to make one of my stories (the Emperor's Soul) into a film. I was ecstatic, as it's not a story that at the time had gotten a lot of attention from Hollywood. I met with the writer, who had a good pedigree, and who seemed extremely excited about the project; turned out, he'd been the one to persuade the production company to go for the option. All seemed really promising. A year or so later, I read his script and it was one of the most bizarre experiences of my life. The character names were, largely, the same, though nothing that happened to them was remotely similar to the story. Emperor's Soul is a small-scale character drama that takes place largely in one room, with discussions of the nature of art between two characters who approach the idea differently. The screenplay detailed an expansive fantasy epic with a new love interest for the main character (a pirate captain.) They globe-trotted, they fought monsters, they explored a world largely unrelated to mine, save for a few words here and there. It was then that I realized what was going on. Hollywood doesn't buy spec scripts (original ideas) from screenwriters very often, and they NEVER buy spec scripts that are epic fantasy. Those are too big, too expensive, and too daunting: they are the sorts of stories where the producers and executives need the proof of an established book series to justify the production. So this writer never had a chance to tell his own epic fantasy story, though he wanted to. Instead, he found a popularish story that nobody had snatched up, and used it as a means to tell the story he'd always wanted to tell, because he'd never otherwise have a chance of getting it made. I'm convinced this is part of the issue with some of these adaptations; screenwriters and directors are creative, and want to tell their own stories, but it's almost impossible to get those made in things like the fantasy genre unless you're a huge established name like Cameron. I'm not saying they all do this deliberately, as that screenwriter did for my work, but I think it's an unconscious influence. They want to tell their stories, and this is the allowed method, so when given the chance at freedom they go off the rails, and the execs don't know the genre or property well enough to understand why this can lead to disaster. Anyway, sorry for the novel length post in a meme thread. I just find the entire situation to be fascinating.

[bestrongbebrave49]

I think a lot of people don’t seem to realise that every book does teach you something but not necessarily from a moralistic point of view; books with unreliable narrators and shady characters teach you that the world isn’t kind and that perception can be warped. That two truths can co-exist simultaneously and that people either intentionally or unintentionally lie to themselves and/or others as a means of self-preservation, gaining something for themselves, and/or simply because change and self-awareness are difficult when you lack the desire (for whatever reason) to do so.

However, let’s say you love the twisted character and you’re enjoying their deceptive nature, their manipulative engagement with others, and the self-centred actions they take. What does that say about you personally? The answer is way more simple than a lot of people assume; you enjoy learning about the darker aspects of human behaviour in a safe environment where that characters actions can never harm you.

You enjoy the violence because it’s not being directed at a real person. You cheer on the character because through the power of words you’ve found them compelling, exhilarating, relatable, disturbed, fascinating - they are a fictional lens of darker aspects that you can cheer on because they are solely comprised of words, or are portrayed by an actor, or are lines drawn on to a page.

Books can and do teach you empathy, injustice, a difference in perspective. They broaden your mind and give you comfort with the parts you may relate to. They push you out of your comfort zone and wrap you in a thrilling experience whereby you can escape from your troubles whilst seeking enjoyment.

But they are also fictional depictions and if you cheer for the villain that doesn’t mean you have failed morally. It means you found a fictional character compelling. If you enjoy the morally reprehensible events in a book, it means you like the fictional depiction of events - not that you condone those actions in real life.

I love Ramsey Bolton - from the shows granted haven’t yet finished the books - I cried when his character was no longer a central figure. That doesn’t mean I would go up to a real life perpetrator of such violence and congratulate them, cheer them on and demand they suffer zero consequences. Books teach you a lot about what you do and don’t like in fiction; what tropes, characterisations, themes and plots you prefer from ones you don’t. They can teach you right from wrong but that doesn’t mean they necessarily have to or that every book should. Many stories expect you to already understand morals before you crack the spine open.

Every book you read will be a journey of self-discovery, but that’s all every book should teach you really - more about yourself. What aspects intrigued you, excited you, and drew you in? Which repulsed you, and why were you offended, scandalised and uncomfortable during the reading process? Was that the fundamental purpose of the story or was there something in the text that hit a nerve?

I certainly have a purpose for what I personally write, but equally I write things for fun. When I write a morally reprehensible act it’s not because I want the take away to be - go forth and do these things - but simultaneously I want people to enjoy reading the scenes and find enjoyment in them.

I want whoever reads my stories to come away with some sort of understanding of themselves; whether it be a comforting aspect or an unsettling one - an understanding of new knowledge they didn’t have before the reading experience, or merely the cemented fact that they enjoy something they already knew they liked. I want them to learn they like my writing or for my writing to help them understand that something in the text - heck, maybe the whole book - just wasn’t for them.

Every piece of art we interact with will help us uncover something about ourselves however minor or major that discovery may be, and no matter or how brief or long our engagement with said artwork is.

Yes, books are teachable moments where morals are concerned, but if you’re using them purely as a moral testing means then I’m sorry (truly) but you’ve been unintentionally engaging with the art form in a damaging way.

“it sounds like you’re justifying their actions-“ i am. they’re a fictional character. i’m okay with anything they do all the time. hope this helps.

[avelera]

Ok so after writing my super depressing extended version of the Jayce/Viktor breakup scene in 2.02, I'm sort of have a craving to write a Jayvik fic that:

Lets me play around with their voices until I get them "right", because I actually think Jayce and Viktor are quite unusual characters who buck a lot of male stereotypes and that makes them very interesting and challenging to write (as in, I've rarely see it done "correctly")

Something a bit more "slice of life" from the good ol' days of their early partnership, because hooo boy the events of Season 2 are just really really depressing and I miss early days Viktor when he still had a spark of hope in his eyes jfc

... Shameless smut. What can I say, I have a very specific scene in mind for them and I wanna write it.

Fortunately, think I can make all three of these things work in one fic.

Unfortunately for me, but fortunately for others, I'm 3,000 words into it and they just barely made it out of the lab. My plan is to write the whole thing tonight though, just like I did with "Catch the Fire" so... expect another one-shot soon?

[n30n-l1ghts]

Tokyo revengers basic NSFW headcannons pt. 1

characters- Mikey, Draken, Mitsuya, Baji, Kazutora, Chifuyu, Hakkai, Nahoya, Souya, Hanma, Kisaki

Mikey-

Packing a respectable 5.8 inches, with a light pink tip and a couple of small bluish purple vains that aren't really noticeable unless he's painfully hard, he doesn't really curve to one side or the other, but he has a subtle upward curve. He doesn't strike me as the type who tries too hard with grooming, but he at least tries every now and again. But the hairs down there are the same pretty strawberry blonde as his hair, pretty thin and a little wispy with a slight curl towards the end.

Draken-

PUH-LEASE. This boy is fucking HUNG and he knows how to use it too. Curves hard left as well. He doesn't have the most experience as I can't imagine him sleeping around much, but he's heard the girls at the brothel complain enough that he generally knows what to do and what not to do. 7.9 inches holy GAWD. I think he stays pretty on top of grooming, manscapes at least once every other week. Also blonde, but I think he's got more curls than Mikey. Definitely a lot thicker. Also, completely random, but I feel like he'd totally fuck with coconut body wash and shampoo.

Mitsuya-

Another man who's got a rather mid-sized length, I'd say probably like 5.4. The prettiest pinkish lavender tip, and oh my god I mean it when I say this man's cock is beautiful. It deserves to be worshipped. Not all that big, BUT he makes up for it by knowing all the sweet spots. Not to mention he's the KING of foreplay and aftercare. He for sure stays on top of his grooming game, he can't stand feeling like he looks sloppy. He's got a pretty tuft of curly white hair right at the base of his dick, very well maintained and usually actually smells pretty good. Again, this man is on top of his hiegene and he wants all of him to smell good and look good at all times. (Not that he could ever look bad)

Baji-

I'd guess about 6.3 in size for him, and his tip is red and angry like his face (I'm joking. Mostly, but he does get painfully hard very quickly) there's a thick ass pinkish vein that runs from base to tip, and he will full body shiver if you lick the whole thing. I'm sorry, but I cannot for the life of me imagine that this man gives a singular fuck about grooming down under. He might trim a little or shave on occasion, but that's only if it gets annoying. However, his hair is effortlessly shiny and beautiful no matter where it is on his body. I have no idea how he does it. But, if it bugs you, he would (begrudgingly) start manscaping more often.

Kazutora-

LITTLE DICK SUPREMACY

Okay- little known fact, but I kind of have a thing for subby guys with little dicks, that and I want to give some variety so I'm not making them all unrealistically huge. So I'm gonna say this man sits at about 4.2. Not rediculously small, but definitely not big either. But it's okay, because he'd much rather be under you anyways. Slightly unrelated but this boy has trust issues so please be kind to him, hold his hand and tell him how good he's being, he will absolutely start crying. Never really even thought about his hair down there, never paid any mind to it, and probably wouldn't unless you brought it up. But I see him being super understanding and chill with it if you want him to groom more often.

Chifuyu-

Another one on the slightly smaller side, probably only around 4.5 to 4.6 with a sort of muted pink tip. He's actually kind of self conscious about it, so he's a bit sensitive if you make fun of him for it, but he'll fold instantly if you praise him in any way, shape, or form. I feel like he's the type to get all embarrassed and blushy super easily despite trying to play it cool. Would not admit he's a bottom out loud but everyone can pretty much tell anyways. Honestly pretty clean, I feel like pubes might bug him. He might try to keep a small tuft down there just because he feels it's more masculine, but I'd reckon he'd prefer it clean shaven. Less of a hassle and it doesn't get on his nerves that way.

Hakkai-

Oh, this poor sweet boy. So much dick that he has no idea how to use 🥺 I can't imagine him topping for the life of me, so it's almost adorable how his monstrous 8.3 inches just hangs there uselessly hanging as he gets pounded into his next life, squealing like a little bitch, whimpering and whining and pleading and- *AHEM* anyways. I imagine he's pretty alright with grooming, mostly because he super looks up to Mitsuya, who had told him at some point or another that it was important to look clean everywhere. But I don't think he's quite that good at manscaping though to his credit, he does at least try. He's got a decent sized tuft of thick, curly black hair that he trims maybe once a month or so when he remembers. But he'd get better about it in a heartbeat if you asked him to and gave him some basic block of instruction. Smells like vanilla though, so there's that.

Nahoya-

Nahoya's got a relatively solid 6.2, with a slight curve to the left and a pale tip. I feel like he'd probably be more experienced with it than his brother, even though his twin is a little bigger. He just strikes me as much more of the playboy type. (Probably gets hard after a good fight, I don't make the rules) super duper curly hair down there, ginger just like the hair on his head. Probably keeps it moderately well groomed. Enough to be presentable for the ladies (and the lads-)

Souya-

Similar to his brother (no shit they're identical twins) but with slight differences. For starters, he's ever so slightly bigger, measuring up to about 6.6, and he curves pretty hard right instead of slight left. He's not too experienced, but he strikes me as a rather quick learner. He doesn't normally care to groom all that much, but after getting into a relationship, especially if you guys are sexually active, he will actually start to manscape on occasion. Also super duper curly hair, but it's light blue instead of ginger, again matching his hair.

Hanma-

(Definitely gets INSTANTLY rock hard after a good fight, I don't make the rules) 7.9, same as Draken, difference is that Hanma has less girth. A tall, skinny dick for a tall, skinny boy. But he knows how to break you and he will go hard when he's domming. Or alternatively, when he's in the mood to sub, he gets a little bratty (just give his cock a rough squeeze and he'll shut right up) dark brown almost black hair, thick and curly. Contrary to popular belief I feel like he would put at least some effort into grooming, though he does forget sometimes.

Kisaki-

Oh, this boy. Solid middle of the road (just like his height- jk this boy short asf) but I think he'd have maybe around a 5.3 or 5.4 length wise. Pretty average around too, not particularly skinny but not particularly girthy either. Would absolutely fight you for dominance every time, and lose every time. This boy would rather die than ever admit he's a bottom, and he's 100% a brat until you edge him to the point he's sobbing. DEFINITELY clean. Well kept, grooms just about every day to every other day, and I feel like there's a fifty fifty chance he also dyes his pubes blonde. I can see him doing that. But this man hates being dirty at all. And tell me why I feel like his hipster ass smells like pumpkin spice all year round? All in all, a well kept, bratty little bitch.

[wszczebrzyszynie]

i know this has more than a year but i really can't find it in your blog, did you ever talk about the endings in your horror rpg maker hc au?

well i thought i did and then it turns out i didnt? and then it turns out neither me or @makowcy (co creator of all my aus ever) kept any text about it whatsoever because we discussed it all live durning the last days of school which was also a heatwave. and now we dont remember. so here is what we think we meant? at least things we managed to piece together on a 1.5 hour phone call. well have some never released mycelium RPG au art as well somewhere under the cut. first one made by aku. geniuely what made you remember that its been over a year now and there were only two loose idea posts about it. well do whatever you want with this

there were probably 5 endings, each corresponding to one of the characters (except for jimmy who dies early on and is a wake up call of sorts for grian)

pearl ending (bad ending) - pearl kills grian (player character) in the bossfight, wins and destroys the earth in her attempt to eradicate mycelium the martyn ending (neutral ending) - grian beats pearl (doesnt kill her) and becomes the personification of infection/mycelium (he is always the one to deal the final blow, as that is what ascends him to godhood. martyn knows this, hes using him as a sacrificial lamb); he becomes mother spore and gets backstabbed by martyn, who then kills him permamently using the special item we simply called "the weapon", which saves the earth from the mycelium apocalypse

big b ending (attainable through high relationship points with him) - martyn dies (somehow), grian doesnt become mother spore and instead gets mercy killed by him before the infection finishes him off. there is no pearl fight. he sets off to manually purify the earth as that is the power he has as what we called "pearls paladin" for simplicity

mother spore ending (attainable through high relationship points with martyn) - plays off normally, except martyn hesitates before killing grian (now mother spore), ending in his failure and death. mother spore is the last one left and infection thrives

scar ending (attainable through high relationship points with him): well this one is tricky as scar is a 4th wall breaking character. he knows whats going on at all times and that it is a game. to get it you need to get high relationship points with him, but also play the game at least once - otherwise things get awkward as he "doesnt really know you (grian and/or the player)". The choices required to gather the points go against every other character, and the correct answers to his dialogue options would be hidden in the game files somewhere; in general scar would have a "notebook" in the game files talking about different things. his relationship points dont reset with every savefile reset. once all requirements are met he can be invited into the party, but he declines and instead gives grian "the weapon", which he uses to permamently kill pearl, which also ends the world for everyone except grian and scar. i remember that scar considers it the good ending, because it takes a lot of preparation and therefore its an active choice grian/you make to make it happen, so its just... exactly what grian/you wanted

[stupidcanofpeaches]

this is actually making me think so many things about their relationship. like this is probably what it was like in calmer times. jimmy's manipulative and extremely dependent on curly, almost obsessed with him, both hating and idolizing him as this sort of perfect figure, almost christ-like in just how kind and good of a man he is - in jimmy's mind, curly readily offers himself as a villain just so that jimmy can be a hero (also more of a side-comment but i find it really neat how jimmy's perspective poisons all character interpretations - his conflicted yet adoring view of curly is most likely the main reason why some of the fandom also view curly in this sort of white or black morality system, where a lot of people also make him out to be this mister perfect guy who did everything he could and fell victim to jimmy's scheme, when curly is definitely not innocent and played a huge part in what happened on tulpar - they view him as entirely good, just like jimmy, instead of a flawed, average man with his own issues. anyway.)

it's established that they are good friends - best friends, even, going off of curly's behaviour, have been for years. which means that jimmy had years to normalize his behaviour to curly - to foster and nurture this sort of acceptance and depedence. like with many abusive relationships, it probably started small and then just grew over time - and curly's far too kind, far too accepting, and was all too receptive to jimmy's many issues and abrasive nature. so it probably went from those small things that curly felt he owed jimmy for and then escalated until the connection was established and was impossible to sever.

it's a similar sort of dynamic to emotionally slash mentally abusive relationships where the partner suffers but is so used to it it's easier to close their eyes because this is normal - oh he's just tired, he didn't really mean that, he just has some anger issues, it's not that bad. curly is an enabler - that much is true. curly is not a good man. he's not a paragon of virtue. he allowed this to happen. but i would also argue that he became an enabler because jimmy lovingly molded him into one over the years.

i think that at some point it also became a sunk cost fallacy issue - curly genuinely believes in jimmy, that he can help him, that he can fix him, because they've been good friends for so long and curly cannot give up on him after all this time. there were also probably times when jimmy did do something good and nice for him in return - like that thing with the cake that jimmy made for him, along with curly's other friends, so the relationship did not feel as one-sided as it probably was. anyway i think that jimmy is manipulative and abusive to curly as well, just on a scale that was smaller and more constant, persistent, to the point where both of them normalized it with jimmy's nudging into the direction he wanted it to go. their flaws fit together perfectly and it was bad and normal until it was too late.

hell, not to be a jimmy apologist (derogatory), but it's entirely possible that jimmy wasn't even doing that consciously and purposefully - while he is manipulative and self-centered to a horrendous degree, he's also not exactly an impeccable master manipulator or a complete narcissist the way he's sometimes painted as. the only one out of the crew he's really able to fool, besides curly who was exposed to him for years, is daisuke - who's young and naive and of course he trusts the authority figure that's higher in rank when jimmy pushes the right lever. jimmy's pathetic and self-serving and he feels small and curly is just way too nice and is conviniently always right next to him - and seems willing to take whatever jimmy hurls at him, all because they're friends.

additionally, look at how curly basically ignores jimmy's remark about how annoyed it makes him feel when people keep saying how great curly is - makes me think it's far from the first time jimmy made a disparaging comment like that. one could even interpret the way curly bonelessly accepts the things jimmy does, without ever really pushing back hard - only ever attempting to defend himself at the birthday party after jimmy's outburst - as curly being at the very least apprehensive or fearful of what an angry jimmy might do. because curly knows that jimmy is unstable - so maybe him never really doing anything even after learning the magnitude of what happened to anya isn't just him trying to keep up appearances and placing jimmy above anya or protecting jimmy because jimmy is his friend. i think that it's entirely possible that curly's passivity is him attempting to appease jimmy, as is typical for someone on the recieving end of an abusive relationship.

just to reiterate, this does not excuse curly. he's not this great, perfect nice guy or a perfect victim. he did not deserve to suffer the way he did but he is the one who ultimately caused the tragedy by his inaction. he failed anya, most of all, and the rest of the crew miserably. but i do think that an abusive dynamic between him and jimmy would explain a lot about his passivity.

Uhh what funny do I write here like haha

[wangxianficfinder]

Fic Finder

Nov 14th

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1. Hello, I am looking for a fic that I think is wangxian. It was based on the ballad The Highwayman, and it ends tragically. It should be a complete work. Thank you!

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2. I hope you can help me find this one. It was a Twitter threadfic. In that LWJ proposed to WWX but WWX said no because he didn’t believe in marriage. They go to a wedding and the groom gets cold feet but LWJ helps him. Seeing that made WWX want to marry him but by then it was LWJ who changed his mind and WWX was heartbroken .

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3. There was this fix where wwx was a funeral arranger? Or something like that and lwj and wwx established relationship but then madame yu and her husband died and it focused on like grieving and stuff, there was also yanli and jiang Cheng and showed like the sibling bond I can’t find it I been trying for ages now

FOUND? grave goods by luckymarrow (E, 28k, WangXian, Grief/Mourning, Minor Character Death, Modern AU, mortician!wwx, Angst with a Happy Ending, Established Relationship, Accidental Baby Acquisition, Marriage Proposal, abrupt tonal shifts, Tragicomedy, Comedy, Romance, Angst and Fluff and Smut, Adoption, Implied/Referenced Abuse, for lan parents, it’s not described and is all backstory, Family Bonding, Family Dynamics, Married WangXian, brief daddy kink, the barest hint of consensual non-consent, Anal Sex, Oral Sex, BDSM)

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4. Hello! I'm looking for a couple of fics I lost sight of a long while ago!

A) The first one took place during the Cloud Recesses Arc: all the swords are stolen at night by 'Wei Wuxian' who is later found badly injured in the forest. He had been attacked by the future Wei Wuxian/ Yiling Laozu.

B) The Second One took place after the Siege, and I'm pretty sure the spirits of the Wen Remnants attacked others? I don't remember much about it, I'm sorry.

Thank you in advance and I appreciate your service a lot

4A)

FOUND? For the Dust and the Dirt by Nyxelestia (M, 63k, WIP, WangXian, Canon Divergence, Time travel Fix-It, Cloud recesses study Arc, It gets worse before it gets better, WWX Whump, Hurt/comfort, Angst, Eventual Happy Ending)

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5. Ok hi sorry can’t remember much but school in tilling WWX is teacher there LWY moves there to teach also become friends a misunderstanding make WWX not speaking to LWY after LWY follows a Yao and finds WWX fighting it on a rooftop they defeated the Yao and LWY asks WWX “you’re wearing crocks?” WWX is that what you are going with …, or something like that

As always THANK YOU for all that you do for us 😁 @bkpmystinen

FOUND? An Unscheduled Stream by trippednfell (M, 68k, WIP, WangXian, Modern AU, Modern Cultivation, Misunderstandings, BAMF WWX, BAMF Wen Popo, WWX cultivates resentful energy but keeps his golden core, WangXian Get a Happy Ending, Presumed Enemies to Lovers, Not Yunmeng Jiang friendly, Time Skips, Dual Cultivation - Not the Sexy Kind but ALSO the sexy kind, POV Multiple, Hurt/Comfort, Horny wound tending) I'm not sure about the crocs bit, but WWX and LWJ definitely end up fighting yao on the roof of the school.

FOUND? Roadside Attractions by Bodldops (T, 10k, WangXian, Teacher WWX, Teacher LWJ, The power of organized aunties)

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6. Heyy! I'm looking for two fics:

A) Omegaverse, modern au, wei ying is an omega and jc is an alpha and wy lives w the jiangs and i think there's this sort of expectation that he's gonna marry jc or atleast that's what jc wants, but wy gets pregnant by lwj and moves out after a fight then yeras later lsz and jl go on a date and that's how wy and jc meet again, cos jc's there when wy goes to dinner to meet jl's parents and uncle and turns out its the jiangs obviously, and basically jc's really stalkery and jealous after that but lz protects him.

B) modern au, omegaverse, lxc goes to pick up lwj from school and finds out a kid jc is his mate. he's disgusted and goes away for a while. when he comes back jc is older now. i don't remeber much but wy and lz are the side couple and wy is a beta as far as i can remeber, and there's a scene where jc wakes up in the hospital and wy and lz are kisisng and jc's kinds like fucking finally yk but yea!

Thank you! Love you guys!!

@body-inabyss-heart-inparadise

6A)

I recognise the fic though I can't remember the name. The author deleted all their works from AO3 a few months ago, if I recall correctly. I know it's also been on other fic finders.

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7. Hello,

Ficfinder request.

Modern but with magic or cultivation. LWJ is a magical creature(?) hunter working for some kind of agency to protect humans.

The rest of the sects(from my memory) are families of magic creatures(?) but WWX has some kind of ‘half-breed’ status so when he goes through the magic/darkness detectors at LWJs work he doesn’t set them off.

Much of the fic is from LWJs pov but there is a great chapter from WWXs pov when he fully lets his powers out and we get badass WWX.

I feel like it was mdzs+ some anime but i don’t know which anime. 🥺 @empiresprince

FOUND? our reflections as seen (when the water stills) by chatonnerie (E, 121k, WangXian, XuanLi, Modern, Tokyo Ghoul Fusion, Blood, Canon-Typical Violence, This is a ghoul au, but everyone is also in university, so dumb energy is peak, Gore, Body Horror, Anal Sex, Anal Fingering, Biting, our reflections as seen (when the water stills) [PODFIC] by Opalsong) OHHH 7 IS THE TOKYO GHOUL AU IT’S SO GREAT AND ALSO THERE’S A PODFIC WHICH IS ALSO ABSOLUTELY AMAZING (I was too excited sorry for a million replies, but) It’s so good that there’s absolutely no tokyo ghoul knowledge needed, reads like a fun creature!modern!au kinda this way, has been one of my comfort listens for several years now

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8. Hello, I am looking for a fic, where Wei Wuxian runs away from Lotus Pier, right after he was brought there and Jiang Cheng kicked him out and threatened with dogs (when they were children). I think that Wei found his father? Not sure, but I have a feeling that this fic was found here and I forgot to save it. Thank you in advance.

FOUND? 🔒 the world wags on by justdoityoufucker (T, 5k, WCZ & WWX, WCZ & LQR, WCZ/LQR, canon divergence, pre-canon, not everyone dies au, not Jiang friendly, past child abuse, canon Jiang family relationships, parent-child relationship, not YZY friendly, pre-relationship) has elements of the world wags on but it isn't a perfect fit.

FOUND? In Another Life by SingingInTheRaiin (M, 21k, wangxian, time travel)

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9. Hi, I’m looking for a fic where after wwx is found during the sunshot campaign Jiang Cheng pretends his demonic cultivation is just the Jiang clan’s secret technique and uses that to keep the other sects off their back. I’m pretty sure it was from jc’s pov, and compared wwx, jc, and jyl to different bodies of water at the start of it (though I could be wrong about that part)? Thank you for the help

FOUND? Three kinds by apathyinreverie (T, 7k, wangxian, JC & WWX, canon divergence, protective JC, twin prides of yunmeng dynamics, soft WWX, smitten LWJ, worldbuilding, fix-it, golden core reveal, fluff, siblings) 

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10. Hello! I'm looking for a wangxian reality TV fic. It's a dating show and lwj is a participant while wwx is his camera man. They try to keep their relationship a secret but by the end the crew discovers them and has wwx brought in as lwjs partner. I think lwj proposes to wwx at the end and that Mo xuanyu was involved as the participant who stayed the longest

FOUND? After the Final Rose by azurewaxwing (E, 55k, wangxian, modern, reality show au, secret relationship, fluff & angst, happy ending, bachelor LWJ, cameraman WWX, smut)

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11. Hello! I'm so sorry to bother you but I've tried doing all my own searches and just can't find it. There's a fic series where Madame Yu cut off Wei Wuxian's hand before the fall of lotus pier and the Wen siblings took him in to help him recover. He ended up leaving the Jiang sect and starting his own and he and Wen Qing became amazing at making spiritual prosthetics. I know it's a series and I know I loved it but I can't find it anywhere! Thank you for your help! @queerlyloud

FOUND? 🔒 a star called sun by thelastdboy (E, 120k, wangxian, SL/XXC, JC & JYL & WWX, JYL & LWJ, WWX & WN & WQ, JYL/JZX, Canon Divergence after Xuanwu Cave, Fall of Lotus Pier, But worse!, Power Imbalance, It Gets Worse Before It Gets Better, Not Everyone Dies AU, Implied/Referenced Child Abuse, Canon-Typical Violence, Sunshot Campaign, Miscommunication, Heavy Angst with a Happy Ending, Slow Burn, Major Character Injury, Loss of Limbs, Chronic Illness, Seizures, WWX’s Three Months in the Burial Mounds, Wēn Remnants Live, Wēn Remnants Deserve Better, WWX Creates a Sect | Yílíng W��i Sect, Additional Warnings In Author’s Note, Hurt/Comfort, Selectively Mute LWJ, Service Animals, Crows)

FOUND? 💖 from the other side of sorrow by Sour_Idealist (E, 127k, JC & WWX, JC/WQ, JC & WWX & JYL, JYL & WQ, WangXian, WWX & JYL, JYL/NHS, LXC/JGY, JGY & NMJ, JGY & WQ, Canon Divergence, Golden Core Fix-It, Golden Core Transfer, canon-typical family dysfunction, Torture, secondary character death, Canonical Character Death, Comfort Sex, Femdom, Choking, Cock Slapping, Cunnilingus, Series Context Provided, Under-negotiated Kink, Mentions of canon-typical violence, Clan Leader JYL, Sunshot Campaign, JYL POV, spiritual weapons, Sect Leader WQ, Biased Narrator, Slow Burn, sect politics, Trauma, D/s elements, Reconciliation Sex, Reconciliation)

FOUND? 🔒💖  in payment, a hand series by justdoityoufucker (M, 10k, wangxian, not jiang friendly, amputation, injury recovery, self reflection, abusive YZY, families of choice)

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12. Hello! I started reading a Tangled x MDZS fic which I remember being pretty long. It was with lwj as Rapunzel and wwx as Flynn Rider. I started reading it but then decided I don't want to and now I regret it 😭. The part that I read was exactly like the start of the movie, with wwx complaining about how his wanted poster looked and all that jazz.

FOUND? we sit in the sunset glow by moonsteps (T, 36k, WangXian, Tangled AU, Fairy Tale Elements, Strangers to Lovers, Slow Burn, Curses, Sharing a Bed, Minor Violence, Traveling, Falling In Love) for the tangled AU, it sounds like it could be it starts just like the movie with Wei ying complaining to lil apple abt how he looks in his wanted poster😂

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13. Hey buddy, Hope you are doing well!

I'm searching for a fic. The only thing I remember is just a scene. The cloud recesses is hosting lectures and and guest disciples from all sects are visiting. I think it is after the war with the wens. It's a cannon divergence I think. The scene I'm referring to is, two of the disciples are from Su She's (Su Minshan, I think the full name is) and the sect heir is just a kid below 10. At some point others makes fun of him and his sister when they present gifts at the beginning of the lectures and LWJ kinda defends them, I think....

That's all I remember. Thanks in advance! @grrumpywoof

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14. Hello , I am looking for a fic where Jang Cheng dies instead of Jang Yanli at nightless city. Then she moves back to Lotus Pier and becomes sect leader, and lan wangji ends up living there too. Also, wei wuxian is brought back to life earlier, and by xue yang. lan wangjis back takes longer to heal.

Thank you!

FOUND? picking up the pieces by KouriArashi (M, 111k, JYL & LWJ, WangXian, Canon Divergence, Alternate Canon, Grief/Mourning, Angst, Regret, Family, Kid Fic, Families of Choice, Emotional Hurt/Comfort, Politics, Emotional/Psychological Abuse, Canon-Typical Violence, canon typical political bullshit, Eventual Happy Ending)

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15. I'm in search of two time travel fics: A) WWX has traveled back to CR. LXC hears him playing dizi (wangxian among others) and recognizes it as something LWJ composed (possibly same fic, though I may be conflating details, he realizes in lessons WWX is pretending to be less skilled at the dizi than he actually is). B) LWJ travels back in time from right after the 30 lashes and ends up in the burial mounds early w/the wens, still seriously injured and bleeding through his robes. Thank you guys! @moku-youbi

15B)

FOUND? The Cottage Amongst the Gentians by Enigmatree (T, 5k, WangXian, LXC & LWJ, Time Travel, LWJ and WWX time travel from post nightless city to before jin ling's celebration, or, I give WWX back to 13-years-grief LWJ like he deserves, Hurt/Comfort, Feat. LXC being a good brother who'd love to know what the fuck is happening, WWX goes to Gusu with LWJ after time travel; the fic, Domesticity) maybe?

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16. Hi I'm looking for a arranged marriage fic where lwj and wwx both are in love with each other but the marriage is arranged by their families. On the wedding day wwx overheard a conversation between lwj and his best friend who also have initials of ww the best friend had found a letter addressed to ww written by lwj confessing his love and think lwj is in love with him and he is trying to convince lwj to not marry and give him a chance. Their married life is full of misunderstanding.

FOUND? A Marriage Story by DeviyudeThoolika (E, 38k, wangxian, NMJ/LXC, married wangxian, but there are some complications, because it’s marriage, Sex is complicated, Angst and Pining, Pining while fucking, Mature elements, Mutual Pining, HEA, Arranged Marriage, Sort Of, Misunderstandings, of epic proportions, One True Pairing, Good Sibling JC, Good Parent YZY, Fluff and Angst, in that order, Slow Burn, Angst with a Happy Ending, Everyone Loves WWX, Angst and Hurt/Comfort)

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17. Hello! I would like to ask for help in finding a wangxian fic:

Modern with magic

I remember that Wei Ying got injured in Xuanwu cave together with Lan Zhan. In the Lan hospital he was denied help because he was fired (?) from the Lan org and later received a bill to pay for expenses.

He is saved by Wens.

Few years later Lan Zhan and Lan Xichen seek his help in some kind of case. Wei Ying says something along the lines of "I don't work with Lans".

Later Lan bros find out it was Su She's fault in how WY was treated.

I would really appreciate your help in finding it! ❤️‍🩹 @popugaj-ara

FOUND? 🔒 Wish I could forget the taste of your skin and the feel of your hands pinning me down by KizuKatana (E, 63k, wangxian, WQ & WWX & WN, Modern Cultivation, weapons-grade thirst, Getting Back Together, Trying REALLY hard to not still like your Ex, but failing, BAMF WWX, BAMF LWJ, Canon Divergence, Case Fic, LWJ’s canonically big dick, sort of a ‘thirsting for your co-worker ex’ vibe, it eventually gets worked out, Mutual Pining, Guest-starring LWJ’s canonically poor communication choices after romantic cave encounters, novel canon relationship dynamics, basically this fic is about escalating sexual tension)

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18. hi there thank you for finding fics for us

there is a fic where WWX is a teacher in Yilling and LWJ accepts a teaching job at the same school, they become friends and then a misunderstanding (not uncommon btwn them) WWX ignores LWJ LWJ follows a trail of a yao sees WWX fighting it on top of the school roof when landing he sees is WWX and then asks "Are you wearing crocs?" I think WWX tells him is a comfortable wear

please/thank you @mysticalyunique

FOUND? An Unscheduled Stream by trippednfell (M, 68k, WIP, WangXian, Modern AU, Modern Cultivation, Misunderstandings, BAMF WWX, BAMF Wen Popo, WWX cultivates resentful energy but keeps his golden core, WangXian Get a Happy Ending, Presumed Enemies to Lovers, Not Yunmeng Jiang friendly, Time Skips, Dual Cultivation - Not the Sexy Kind but ALSO the sexy kind, POV Multiple, Hurt/Comfort, Horny wound tending) I'm not sure about the crocs bit, but WWX and LWJ definitely end up fighting yao on the roof of the school.

FOUND? Roadside Attractions by Bodldops (T, 10k, WangXian, Teacher WWX, Teacher LWJ, The power of organized aunties)

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19. hi this is for the fic finder! i remember the fic so well but i fear it may be deleted bc i just can’t find it in my bookmarks? so wwx after dropping off the face of the earth due to Wen Drama is a folk punk (?) musician along with wen ning and they live in a van, and jingyi is a huge fan, he drags sizhui to a show where they realize this guy might be lwj’s long lost best friend <3 call lwj over and they reunite, lsz is actually wwx’a bio child whom lwj adopted, they get to know each other etc

FOUND? your heart is a muscle by howodd5ever (E, 47k, WangXian, Modern AU, Pacific Northwest, folk punk, Adoption, WWX is LSZ's Parent, as in bio parent, WQ is LSZ's bio mom, brief mention of past wwx/wq hook up, chosen family, ljy and lsz are best friends, wwx is a folk punk singer, wn is a folk punk singer, Getting Together, Eventual Smut, fan boy ljy, protective big brother lxc, Happy Ending, I promise)

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20. Hi! This is fic finder. A ghost WWX after the first burial moubd sige. His ghost is in YMJ. JWY makes WWX to teach. WWX trains JL. And then there are a conference in lanling where WWX goes too. Thats all i can remember. Thanks! @idontknowwhattowriteforusername

FOUND! Death of a Ghost by Gotcocomilk (E, 107k, Family Bonding, Fluff and Angst, Eventual Happy Ending, Canon-Typical Violence, Canonical Character Death, Mutual Pining, Parental WWX, BAMF WWX, he is a beast and I love him so much, Hurt/Comfort, Emotional Hurt/Comfort, Canon Divergence, Ghost Sex)

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[felassan]

WBUR article: ''Dragon Age: The Veilguard' creators on their new vision for the fantasy series'

Rest of post under cut due to length and possible spoilers.

“Expectations are so high — whether from the fans of the franchise or the perspective of the company — there’s tremendous pressure.” says game director Corinne Busche. “One thing I’ll say about this team: They really rise to the occasion.” [...] “We sort of lost our way in a couple of previous titles, moving away from that character-focused storytelling that made ‘Mass Effect’ and ‘Dragon Age’ a success,” says John Epler, “Dragon Age” series creative director. “This project really coalesced when we consciously identified that central aspect of the experience: the characters.” “Veilguard” puts players in the shoes of an unlikely leader to a small band of rebels — think “Oceans 11” meets “The Fellowship of the Ring.” “It’s a deeply personal experience,” says Busche. “You’re creating your own character and that might be a representation of you, that might be reflective of the kinds of choices you'd like to make.” For the first time in BioWare history, that customizability allows player avatars to be transgender and access unique dialogue options around that identity. There’s also a prominent storyline about a party member coming out as nonbinary. “I'm an openly queer trans woman — I really believe that representation matters,” says Busche. “Everyone is welcome in ‘Dragon Age,’ and we want people to see themselves and feel like they can have a heroic place here.” [...]"

"4 questions for Corinne Busche and John Epler What makes “Dragon Age” stand apart from other fantasy games? Corinne Busche: “‘Dragon Age’ is a franchise that’s fundamentally always been about this really authentic team of companions that come together to take on insurmountable challenges. It's about people. It touches on some pretty deep themes as well. Injustices. The burdens of leadership. It really is about establishing this sense of found family to take on these challenges that lay ahead.” What feels different from previous iterations? John Epler: “I'd say this version of the game is much bigger in its storytelling, in its scope. We really wanted to put you in every one of the big story moments. So as an example, it's the difference between watching the Battle of Minis Tirith versus being someone who's fighting in the middle of it. You're much more participatory in it. We wanted you to feel like you were part of these big world-changing events. You were right in the thick of it and really focusing on making the story that is so big and epic feel personal just by how you interact with it.” What sort of hero is the player character, Rook?  Epler: “One thing we wanted to steer away from very consciously was the sense of them being a chosen one because that's something we've done previously. They are the right person in the right place at the right time. But there is always a core personality to them. They are always going to be someone who needs to pull together this small but somewhat dysfunctional group and really lead them in a way that makes sense for that team.” Busche: “And it's one of the interesting aspects of each new game having a different protagonist. We do have a true blank slate, some say in ‘Dragon Age: Origins.’ I would put the Inquisitor in that category. Whereas Hawke in ‘Dragon Age 2’ has a very bespoke identity. So we kind of strike a balance between that. One of the defining properties of Rook, who they are as a character, is this idea of someone who's very competent, but as a leader, they're learning how to shoulder this responsibility.” You’ve put a lot of blood and sweat into this game. It’s nearly out. Have people already been telling you stories about how they connect with it? Busche: “Absolutely. One of the reasons that I felt so honored, so privileged to be able to join this team and work on this franchise is so rarely have I seen a game or a piece of media, for that matter, that connects with people so deeply. There's a real sense of ownership and an affinity for the franchise. It's a rare thing.” Epler: “I'll share a very personal anecdote about this game and people connecting. So I wrote the follower Bellara. Early on while we were making this game, I got a diagnosis of ADHD. So I'm writing this character who has a lot of the same mannerisms, a lot of the same views of the world, in a very specific way. And hearing people online, connecting to this character in the way she speaks and the way she interacts, they were able to point to and say, ‘That's me, that's how I deal with the world.’ And it's just such a cool feeling to have someone connect with a character you create and be able to say, ‘I felt seen in a way that I've never felt seen in a game before.’”"

[source]

[meo-eiru]

MERU😭😭😭 i finally had a free moment to relax and the first thing i wanted to do was play hold your tongues and i've spent the last few hours pouring over how absolutely beautiful of a piece it is in storytelling and visuals. i genuinely have so much to gush over and idk where i should be doing it so into your inbox it goes. i apologise in advance, you also don't have to respond to this bc 1) i am aware it's gonna get vv long and 2) spoilers will definitely be mentioned

i hope sel knows what an absolute gem of a writer she is for executing all of this bc i am fucking gobsmacked by how well certain ideas and concepts were interwoven throughout the entire piece. maybe a lot of the things following are just my interpretations, but that's another thing i really really love — there's enough ambiguity in the prose to be able to infer it in so many different ways

first to the namesake of the game, ‘hold your tongues’ and the many connotations of tongues that are explored throughout; as symbols of liberation and entrapment that intermingle so so well. i feel like the game really delves into the struggles that women face in society, in relationships, just in general and i like how since it's done so through maelyn's own perspective, we're privy to a more complex and raw display of how deeply emotionally scarring it can be.

eric is a little bitch imo (i won't retract that statement ever) but the ever judgmental, taunting and superior tone he has as the ‘voice’ in maelyn's head speaks volumes of the character he possessed and the lasting impact it had on her. giving her dress to another man makes her ‘unfaithful’, the fact that it's emphasised that these are only ‘remains’ of a dress too — bc eric left her with shreds, physically, mentally. 

if we take the dress to act as a metaphor for maelyn herself, he left her in shreds.

in response to this, maelyn bites her tongue, so hard that it bleeds. it's restraint, quite literally biting back your anger and the feeling of being wronged. grounding yourself again to the harsh reality of it all, and it brings her back to the present moment when starling points it out.

we see a similar occurrence later on when maelyn relays her tongue ‘longing for a taste, was to be kept down.' so again, she stops herself (and i think the wording here is particularly interesting, that it was to be kept, so intrinsically this too may also link to how women are commonly taught to be submissive and forced to fit to certain standards). 

in both contexts, the act of biting the tongue can be taken as a suppression of some sort of desire — the first is the desire to be mad, and the second is the desire of lust. both which women have been criticised for through the ages.

i also like to think that the tongue is a representation of freedom. starling is very much making wings to fly out of them, and taking them away from ppl has ‘forever deprived of their ability to lie’ (in which case lying = freedom, i won't expand on this too much bc it'll be another whole essay😭) so going back to maelyn, her biting hers can also be seen as her freedom being hurt, prevented.

another thing is, the line just before ‘he never ran out of tongues’, we can take this as starling never having his freedom threatened. and it poses further questions. is this because of his strength? is it because he has the ocean ‘wholly’? is it because he's a ‘man’?

on my first run through, one of the most prominent questions i came away w/ was what was it that attracted maelyn to starling? to the concept of these monsters of the sea that had surpassed human constraints that had her waiting out all those hours to catch a glimpse of one to begin with. what was it that kept her coming back? time and time again, day after day when she could've not gone back to that shore after leaving.

the text narrates a couple of things that i think contributed, there's a sense of warring humanity and animosity in the repetitive motifs of dirt and uncleanliness, in her noting that starling looked ‘half a man’ and that one half could've ‘consumed’ the other. maelyn has an envy that's touched upon frequently. does maelyn want to be closer to a monster so that no one can hurt her? or does she feel like a monster is all she can be now?

then there's a dynamic with power that was honestly done so well. again, my praise to sel for how well thought out it all was. that part where she put her hand into his guts and he made sounds he was ‘unable to control’, another when she tells him ‘cut’ and he does so without question — she recognises she holds the reins in that moment, acknowledges, ‘in control, I breathed.’ 

starling listens to her for the most part, it's a reoccuring theme. even when making his wings, he's following her instructions although it's made clear that he learns quick and is capable. perhaps this gives her comfortability.

but we see this turn on its head when things start to go left, starling begins to do as he pleases and maelyn is taken back into her trauma, back to feeling ‘disgusting’ and ‘unclean’, she even apologises and promises to do better.

leashes are mentioned a few times, maelyn first describes them as a sort of ‘necklace’ — perhaps this is tribute to the way a woman's submission is often beautified and normalised. the ‘leash’ starling puts on her in one of the ends is made of pearls, he keeps it in his mouth before this. could this be a reference to eric's sweet words that bound maelyn before he revealed himself? starling ties it somewhat loosely ‘so she could breathe’ yet that doesn't take away the fact that it's still there. it has a sort of your cage is not small, but that doesn't mean you're not locked in it kinda feel.

there's so much more i could say but i think ive alr said too much😭 i didnt even get to touch on the cuddle ending which was my favourite, or the symbolism of losing fingers, the significance of the numbers two, three and four to the story. I DIDN'T EVEN TALK MUCH ABT THE ART😭😭 MERU SORRY I GOT DISTRACTED BUT THE ART WAS PHENOMENAL❗️❗️❗️❗️

maelyn is super pretty and i love how her and starling contrast each other in design so nicely. starling's expressions were stellar ++ the bgs and cgs were beautiful (you're right, if you didn't clarify it i would think you were behind the chest one haha). also the body horror aspect was really brought to life with the visuals and ik it definitely mustn't have been easy drawing all those organs, thank you for your service meruuuu

i'll shut up here before i write another 3k, but both you and sel did such a great job w/ this. the two of you deserve a nice break to rest so pls make sure to take things easy and take care of yourselves!! drink water and sleep when you can, and know that you've made a masterpiece♥️

OH MY GOD THIS ASK IS MAKING ME GO FERAL

It's so well written??? You did such a good job picking up the details hidden behind their lines??? I fish you continued writing because I for sure did not want to finish it and please do send the other thoughts you had if you can, I love this so much

I'm sure @celerifleuri will too so I'll tag her

You already mentioned the spoilers at the start but I'll also note it down here for people who haven't played the game yet. I'm sure sel will do a much better job answering your story analyses but I'll also say you're completely right with most things you've said.

The story takes place in 1800s with dated gender roles we unfortunately can still relate to. Maelyn is a curious woman who wants to study and experiment, but is being held back by society and even people who she thought she could trust, but again Sel will do a better job explaining those.

I'll talk about the art a bit. One thing I really enjoyed that was kinda unintentional on my part was the use of night and day.

The story starts at night time, the first ever cg we get of Maelyn is her jumping down the cliff, with the moon's reflection on her left and the waves giving an illusion of wings as she looks up, in that very moment she is free.

On the other hand the first ever cg of Starling is day time. The sun is shining brightly from his left, almost blindingly, as he looks down. His hair covering the screen like spider webs.

To contrast these, it's night time in the wood ending. Just like the first cg of Maelyn, we can see the soft moonight shining upon them but not quite reaching Starling's face. Maelyn is alive.

Meanwhile in the bone ending, even though they are underwater we can tell it's day time, just like the first Starling cg. We get to see a glimpse of them through the seaweeds covering our view, the sunlight showering them gently. Starling is alive.

For the character designs too, a bit of a reverse but I'd say Maelyn resembles the sun, meanwhile Starling is like the moon.

They both share green eyes, although quite different shades. Maelyn has bright red hair that contrasts Starling's red tongue tail.

I also like that Maelyn's hair, albeit a bit loosely, is braided and kept tidy. Meanwhile Starling's hair is usually all over the place and quite messy.

[phoenixcatch7]

DO NOT REWRITE A FIC.

In the same impulse as 'I wanna text my ex', rewriting a fic is retreading ground you've already been over and gotten sick of. It will NOT keep your motivation and attention the way you want it to. Rewrites are prime territory for burnout.

I've been in fandom - fanfic specifically - for very nearly a decade now. I have seen DOZENS of rewrites of all sorts of fics, across all sorts of platforms of all different lengths and quality. I can think of maybe two that made it past the point of the original fic. I can't think of any that made it to completion.

I've done the exact same thing. I put a lot of love and energy into both the original and the rewrite. I ran out of motivation fast, because it just didn't feel like I was making progress, despite the huge changes.

It might feel extremely tempting, especially if your skill has improved drastically since the start of the fic, but writing is so much about making something special, something new and interesting, and a rewrite will not scratch that itch. Everyone has had that impulse. The longer or older the fic the more tempting it will be. Trust that it got you to where you are now and keep writing.

HOWEVER.

There are two methods to dealing with it, depending on how many changes you want to make.

Overwrite, not rewrite. If it's just a matter of quality, edit the fic directly. Make a separate copy of the original, but you are now the beta reader of your own fic and you have full reign. Put the new ideas that will occur in a separate doc for method 2. Edit heavily, edit freely. The goal will feel much more manageable because the bits you can't be bothered to do again are already there. Add scenes, delete scenes, patch plot holes. Go paragraph by paragraph - delete each one as you go if you're desperate, but it is sooooo much better than redeveloping a blank document from scratch. It lets you bounce around the fic as well!

AU TIME. Are these two fics you're writing incredibly similar? Sure! That's because your fic now comes with AUs! Change the characters, change the plot, change the very premise! All is fair in aus and war. Diverge that fic canon! It's time for splitting the timeline! It'll make it feel fresh again, and even encourage you to engage with the original in a positive way, rather than nitpicking every issue it has and making you feel like the new version has to be perfect, be the one in your mind. It'll never be that. Every artist, professional or otherwise, agrees. The lure and stress of perfectionism is how a rewrite exhausts you. So just... Don't consider it one! Call it an au, and the world is your oyster once more. Let the new fic take on a life of its own.

And if you've posted it, don't take it down? People LOVE having two cakes, and you can never predict what parts people liked about the first. Go into any comment section under a deletion notice for rewrite purposes and you'll find people asking the author to let the fic stay up. You don't have to so much as look at it again! But there are people who read it who will remember it fondly, no matter how bad quality you think it is XD. I've binged authors who happily write a dozen aus of their own fics. It might feel weird at first but trust me it's great.

Do not text your ex! And do not rewrite a fic! It can work, but don't act surprised when nothing is new. A new haircut will not fix the underlying issue.

[boytearscore]

his obsession, her control. — matthew sturniolo.

summary: because ever since he met his brothers' best friend, he hated her to the core by the way she dressed, talked and presented herself. he thought she was just an attention seeker while claiming to be the only immune guy to her dirty games. that is until the morning chris and nick decided to go out and get groceries by themselves, since matt himself refused to drive them to target, he was left all alone with her, unfortunately for the blue eyed boy, his strong belief of being an exception when it comes to fall for her dangerous charm was completely erroneous.

warnings: swearing, teasing/arguing (matt being a jerk mostly), enemies to lovers but sort of he hates her while she finds his tantrums amusing, smut, bratty!matt, blowjob, facefucking, foreplay, agressiveness and a lot of dirtytalk.

author’s note: before y’all start to hate me, i came home from work yesterday and had NO wifi nor data to post the chapter. still, i apologize for the delay. also, comment and tell me what you think about this new plot, the main character is gonna teach you that just because a girl is dominating, doesn’t mean she can’t play the submissive role to get her ways faster. ;)

chapter one.

the girl sighs slowly spreading her legs over the couch, it’s been only ten minutes since chris and nick left and she already felt like melting with boredom, not finding anything or anyone interesting to see or text on her phone.

her eyes shift slowly around the house, stopping right at the door slightly open of matthew’s room, her best friends’ annoying brother. it’s been years and she still didn’t believe they were triplets, how can matt be so awfully different from them? usually she doesn’t interact much with him except when he gives her disappointing and judging glares while they’re both in the same room. instead of angering her, she always finds it amusing and always provoke him until he’s red with anger.

that’s when the brilliant idea pops up in her pretty little head, what if she breaks into matt’s room to make him absolutely lose his shit? that’s enough to entertain her while her best friends are out for a couple hours, right?

while tiptoeing and holding a mischievous laugh, she peeks through the gap to study her target. matt is resting, laying on his bed with hair falling over his eyes and still wearing his pyjamas even though it was afternoon, his arm behind his neck making his muscles visibly flexed by the position, at the same time the other one is placed over his stomach, scrolling on his phone peacefully. 

she stares at his tattoos and the veins of his arm, it wasn’t a secret matt was attractive, in fact, she didn’t feel the need to say otherwise because one; hating him wasn’t a possibility, she couldn’t care less about his childish behavior, it was actually pretty funny and that gave her lots of opportunities to tease him. and two: nothing was more satisfying than seeing his jaw clenched and his bratty attitude rising when she provoked him.

“get out.” he says without looking at the door, being able to feel her presence due to her sweet and addicting scent.

she chuckles, entering and closing the door behind her calmly. “you know… i wasn’t gonna stay but now that you told me to get out...” her exposed legs by the black miniskirt make its way to his bed, sitting on the edge, her smooth skin complimenting the white sheets while her skirt molded perfectly her thighs.

matt rolls his eyes again “i don't care what you do, just don't bother me while i’m trying to relax.” he continues on his phone, not even glancing at the girl’s relaxed figure. “what do you want, anyway? nick and chris had enough of you and now you came here to annoy me? you’re really good at that, you know.“ he smirks sarcastically.

“oh, i’m very aware.” she crawls to the other edge of the bed close to the wall, leaning against it, her legs brushing against his feet slightly without her noticing.

matt, however, did notice it. in fact, his whole shivered body noticed it.

“and don’t pretend like you hate it when i’m here.”

the blue eyed boy scoffs and moves his feet away from her. “oh, i don’t have to pretend, i can barely stand being in the same room as you most of the time.” he sets his phone down and finally looks at her, giving her the a once-over with his typical critical eye, he stares at her tank top and then at her uncovered stomach and thighs. “what’s with the short skirt, huh? trying to impress someone? it’s not like anyone here would be interested in a girl like you, anyway.” matt smirks arrogantly. “especially not me. so you can stop trying so hard, it’s pathetic.”

“it’s fucking 95° degrees.” she replied with her usual nonchalant tone while grabbing her phone to check her lip gloss. “and i wouldn’t be so sure about that, your friends are more than interested. everytime they come here to hangout with you, they spend more time thirsting over me than talking to your boring ass.” she added, drawing her lips with a finger and laughing a little at her own comment at the same time. matt finds himself glazing at her lips, the way she draws her reddish glossy flesh with her finger without a worry, like her moves were calculated. to him, it seemed like she doesn’t feel anything, no matter what he says.

he snaps from the trance, shaking his head and frowning at her words.

his friends indeed spend more time eating her alive with their eyes than paying attention to him when she is around with nick and chris, which made matt crazy with rage. all of the groans and death glares he gives her every single time just proving her point without needing to add much.

matt finally narrows his eyes, anger building inside him little by little. “don’t even fucking start with them. they’re too good for your stupid annoying personality.” he leans back against his headboard, crossing his arms over his chest as he stares at the girl pointedly. “it doesnt matter, you’re just asking for attention dressed like that, regardless. typical slutty behavior from a girl like you.” the boy sneers derisively. “probably hoping one of us will bend you over and teach you a lesson, huh? too bad. i have standards, unlike my idiotic friends, apparently... they’ll fuck anything that moves. not me though. i need a real woman, not some immature whore.” he smirks cruelly. “unluckily for you, i’m not interested in sloppy seconds. or thirds.”

oh, the good and old fragile masculinity. the girl smirks, her eyes shifting to dark manner.

“is that so?” she leans over his legs, placing both hands on his tights covered by his grey sweatpants, her long black nails digging slightly into his skin while her penetrating gaze stares at his soul, the boy’s body tensed up and she scoffs. “what’s wrong? are you too insecure to handle a confident woman?” matt freezes for a second almost vocally responding to the sensation of her nails digging into his flesh, he swallows avoiding her eyes with a mix of rage and anticipation.

the girl studies his expression, feeling his tights tensing up more and more underneath her fingers. she bends back to her previous spot laughing quietly, her unbothered expression and nonchalant tone still not changing. “if you think that a piece of fabric defines a woman’s worth then you’re nothing but a virgin little boy who probably gets hard watching cartoons.” she gets up, walking towards the door, turning her head to face him before leaving. “you know… there’s a big difference between being an asshole and just a straight up sexist. i was wrong about you and sadly not in a good way.” she opens the door and closes it behind her, calmly walking to the living room and sitting on the huge white couch once again. the girl unlocks her phone, scrolling without paying attention to the screen. mentally, she was counting the seconds to see matthew’s figure bursting out of his room and scream at the top of his lungs. the corner of her mouth quirked up with excitement.

meanwhile, matthew stares blankly at her ghost in front of him, processing her words. he grits his teeth, face turning red with anger. 

the tall boy jumps up from the bed and storms out of the room after her, heading straight to the living room, her calm and collected mannerism making his neck vein pop up with annoyance. “fuck you! you don't know shit about me!” matt stands in front of the girl, hands on his hips as he glares down at where she sits on the couch. “i’m not insecure nor a virgin, you stupid cunt! and i’m not a little boy either! i’m a grown-ass man who knows what he wants! unlike you, who clearly has no self-respect dressing like a fucking hooker.” his voice is rising with each word, his temper flaring out of control. he takes a step closer, looming over her menacingly. 

she laughs amusedly, getting up from the couch without a hush, her eyes not backing down from his one second.

their faces are inches apart, his nostrils flare as she invades his personal space, his breath hitching slightly at how close she is. he can smell her scent again with the mix of her mint warm breath hitting his face and watch the flecks of pure darkness in her eyes. it makes him even angrier that she affects him this way.

“then why are you yelling and being so defensive?” she tilts her head, pursing her lips to mock him. “did i hit a nerve, little boy?”

matt laughs sarcastically, rubbing his face in frustration.

“i’m not defensive, you fucking psycho! i’m pissed off because you're a delusional bitch who thinks she can talk to people however she wants without consequences!” his voice drops to a low growl as he stares intensely into her eyes, his own blazing with fury and something else he refuses to acknowledge. “think you're so sly, so above everyone else, huh? sorry to break your little ‘i don’t care’ attitude but you're nothing special. just another dumb slut looking for a man to put you in your place.” matt reaches out and grips her chin roughly, forcing her to maintain eye contact with him. she gasps with his aggressiveness while smirking, still not being affected by his words. 

“oh, i don’t think i’m above anyone else.” she leads her hand to his chest, creeping up to the neck and he tightens the grip on her chin, his pulse racing beneath her fingers. “i just think i’m better than guys who judges people based on clothes. you know? the ones who probrably will stay alone and horny forever?” her challenge only fuels his anger further and he leans in even closer until their noses are nearly touching, making her smirk wider. ”guys like… you.” he groans, sliding his other hand up to wrap around her throat loosely, applying just enough pressure in an attempt to make her submit once and for all, but it was too late. she was getting inside his head without even trying too much and he had no idea. “see, you’re calling me a slut for the way i dress but i bet you can’t name one guy i’ve dated.’’

“you’re right, i don't know who you've fucked. but i know your type, always throwing yourself at guys, desperate for validation. you probably spread your legs for the first dick that shows interest, don't you?” he replies right away, his words heavy with irritation. “face it, sweetheart - you're a pathetic little tease who gets off on driving guys crazy. well, congratulations, mission accomplished. you’re driving ME crazy alright... but not in the way you wanted.”

the girl lets out a small giggle, ignoring all the offensive comments, her mind floating with the thought of all the words she’s gonna make him swallow later. this by itself was awfully turning her on, but she manages to hide it well by her unconcerned expression.

“it’s so funny the way you’re affected by my words while trying so hard not to show it.” the girl takes her hand away from his neck, crossing her arms. “and i didn’t even try anything. i just replied to your brainless incel comments and you got mad because you have nothing else to say besides calling me an attention seeker.” she shrugs, her gaze still on him while she feels his fingers flexing around her slender throat.

matt snorts derisively at her words, her neck veins pulsing underneath his digits. he knows she's affected by him too, no matter how much she tries to hide it.

‘’oh please, spare me the bullshit. you live for this kind of thing… pissing people off, pushing buttons until they snap. well, i’m not falling for your sick games.’’ he releases her abruptly and steps back, running a hand through his hair in frustration. his heart pounds wildly in his chest but he refuses to let it show on his face.“get the hell out of my sight before i do something we both regret. trust me, you don't want to test me right now. i’m not one of your little boy toys to play with whenever you feel bored.’’

the corner of her lips went up with a smirk, she quietly sneaks behind matt who is currently facing his door, trying to control the anger and arouse inside him.

the girl lifts her feet up a little to reach his ear. “and what exactly are we going to regret, matt?” she whispers, brushing her lips against his lobe.

matt freezes as he feels her warm breath ghosting over his ear, her lips barely grazing his skin. every muscle in his body tenses, his fists clenching at his sides as he fights the urge to grab her and throw her onto the nearest surface.

‘’fuck you, get off me!’’ he snaps, shrugging her off roughly and spinning around to face her. his eyes blaze with barely contained lust and fury as he backs her up against the wall, caging her in with his arms. ‘’fine. let's play this fucking game, but don’t fool yourself. this is MY game, not yours. see if you can handle the consequences.’’ matt leans in, capturing her mouth in a brutal kiss before biting at her bottom lip hard enough to draw blood, she moans with the mixture of pain and pleasure, the taste of blood only making her more aroused by second. 

her arms wrap around his neck, one hand reaches his hair, grabbing and pulling back in a sharp grip to make him face her. “is that all you can do?” she asks, gasping with her mouth slightly open, a little blood stain painting her swallowed lips red. “guess i was right about you just being a virgin little boy.” the girl smirks, tightening the grip on his hair more aggressively, a low growl rumbles in matt's chest, the sharp sting only serving to inflame his desire further. 

he presses himself fully on her, grinding his already hard cock against her hip as he grabs both wrists and pins them above her head roughly. ‘’you fucking tease, you have no idea what i’m capable of.’’ he rasps, trailing biting kisses along her jawline and down her neck, sucking hard enough to leave marks. “i could ruin you in ways you never imagined. make you beg while screaming my name to the whole fucking neighborhood to listen.’’ matt nips sharply at her collarbone before soothing the sting with his tongue, laving the abused flesh with long strokes. his free hand slides down to grope her breast roughly through the thin fabric of her top, tweaking her nipple between his fingers.

she gasps, lifting her leg up between his legs, her hands still pinned above her head. “you’re just talk.” she scoffs, brushing her knee against his hard cock and he tilts his head back, lips parted with a whimper before he turns back to her, closing the gap between their bodies even more while sliding up the grip on her wrists, making her moan with the pain of her muscles being stretched aggressively. “i dare you to destroy me, matthew. even though i know you won’t get even close.” she looks up at him with a burning gaze, a unreadable expression in her face.

his eyes darken with sadistic glee at her challenge, a wicked smirk twisting his lips. matt releases her wrists abruptly and grips the hem of her black tight top, tearing it open with one swift motion to expose her bra-clad breasts, she moans and whimpers against his mouth, finally feeling her arms free. the flimsy lace provides little barrier as he palms the soft mounds roughly, rolling her sensitive nipples between his fingers. ‘’want to be destroyed, you fucking slut? i’ll give you what you asking for.’’ he captures her mouth again in a searing kiss, all teeth and tongue as he plunders her depths ruthlessly. the blue eyed boy hands roam her body greedily, squeezing and caressing every curve as he grinds his aching erection against her hip bone.

she breaks the kiss with heavy breathing, her lips still brushing against his. “yet you seem more affected than me.” she leads a hand to his hard cock, caressing it, matt immediately lets out a strangled groan as she gropes his straining dick through the cotton fabric of the sweatpants, his hips jerking involuntarily into her touch. “so hard…” her hand squeezes the covered length ruthlessly, leaning to his neck and sucking his pale skin, she smiles noticing the instant harsh red hickeys. “it seems like you’re the slut.” she brings a hand to his face, slapping it slightly before grabbing his face and pulling closer to hers. “and you didn’t even need to dress like me to be one, did you?” she giggles, sucking his bottom lips before biting it without mercy to bruise him just like he did to her.

“shut your fucking mouth.” her teasing words send a fresh wave of fury crashing through him and he grabs a fistful of her hair, yanking her head back roughly to bare the column of her throat to his hungry mouth. “you have no idea what you're talking about.” he snarls against her skin before sinking his teeth into the tender flesh, marking her with his hatred and desire. the other hand slides under her skirt to cup her ass possessively, kneading the firm globe. “i’m gonna fuck that smart mouth of yours until you choke on my cock. show you what a real man can do.“

she chuckles, her eyes glaring at him with challenge. “a real man, huh?” she slowly drop to her knees, calmly tracing her fingers over his sweatpants and pulling down just enough, his hard cock jumps over her face and matt breath catches in his throat watching the scene before his eyes, her hot mouth hovering mere inches from his very erected member. “no underwear at home? how slutty of you.” she chuckles, leaning against his pink tip covered with precum and licking it while her lustful eyes gazed at his face. “let’s see if you’re just all talk or not.”

his lips turns from a gasp to a smirk with her words, he tangles his fingers in her hair, gripping tightly as he guides her face closer to his straining erection. “open wide, you whore. show me how good you can suck dick.” he demands gruffly, rubbing the leaking tip across her full lips. “if you do a decent job, maybe i’ll consider letting you ride my cock later. would you like that, princess? to have me splitting your cunt open with my cock?”

matt pushes past her lips without waiting for a response, sliding deep into the welcoming heat of her mouth with a guttural moan.

she begins to take him all inside her mouth, reaching the throat right away while sucking vigorously, her tongue twisting around his tip when reaching the top before sliding back down deep in her cavity. her eyes already flooding with tears thanks to the aggressive contact of his large dick hitting the back of her throat multiple times, she’s looking at him with siren eyes while her nails were scratching and digging on his thighs.

matt throws his head back with a loud groan as the girl takes him with all effort, her throat constricting deliciously around his sensitive cock. the tears finally stream down her flushed cheeks as she struggles to accommodate his size, but she doesn't pull away, instead doubling her efforts to please him. “just like that. take it all, you filthy little cockslut.” he praises roughly, holding her head steady as he begins to thrust shallowly into her mouth, fucking her face with increasing intensity. “your mouth was made for sucking my dick, wasn't it? bet you love having your throat used like this, being choked on my thick cock.”

he picks up speed, slamming into her mouth brutally as he chases his release.

meanwhile she sucks him more, putting more pressure and taking him even deeper, her tears continuously falling down her pink cheeks and her makeup all smudge over under eyes still glued to his.

that sight of her was way too much for him, matt smirks to himself. feeling proud of dominating the girl who never backs down to anyone. her tear-streaked face, the makeup running down her cheeks as she takes his cock like a submissive whore sends matt hurtling towards the edge. with a roar, he buries himself balls-deep in her throat and holds her there as he erupts, flooding her mouth with spurt after spurt of hot cum.

“swallow it all, don't you dare spill a single drop.” he growls, keeping her trapped on his twitching shaft as he rides out the waves of his intense orgasm. “fuck, such a good cumdump. you’ve earned yourself a reward. now get up and bend over the kitchen counter. it’s time for me to fuck your little wet pussy.”

the girl swallows everything slowly holding back a smirk while savoring the taste of winning against a fucking asshole, she already won and her game didn’t even start yet.

slowly, she gets up in front of him, wipping the saliva off her chin and the melted makeup under her eyes. her hair beautifully messy and her shining eyes by the tears giving matthew the brief satisfaction, but quickly he shifts his mocking smile to a frown when she smirks and get closer to him.

“you’re not gonna fuck me, matt.” she announces, placing a finger on his chin. “because all i needed to do was pretend to be submissive for a split second for you to think that i was playing your little game, but in reality, you were playing mine this whole time.” she chuckles, releasing his chin with a harsh push with her finger, his head turn to the side while his jaw clenched. “you said you’re not like the other guys but you fell for my tricks just like they do.” she fixes her clothes, walking to the couch and sitting there with her legs crossed, the wetness of her pussy making her a little uncomfortable, but she brushes it off continuing her line of thoughts. “i wouldn’t be mad though, i just gave you the best orgasm of your life, didn’t i?” she asks, tilting her head while smiling.

he stares at her with his mouth open as she saunters away, ignoring his demand to present herself for him to ravage. she was right, no girl ever made him feel that amount of pleasure in his life but of course he was not gonna tell her that.

matt sighs, anger and arousal war within him as he watches her swinging her feet on the couch as if nothing happened.

“the fuck do you think you're doing? come here and bend over your fucking ass so i can destroy your soaking wet cunt.” he warns darkly, stalking towards her with murderous intent in his eyes. “you don't get to tease me like that and then just walk away. this is not how this works, i will have you begging for my cock before we're done today, mark my words.“

reaching the couch, matt grabs the girl roughly by the arm and hauls her to her feet.

“you’re the one begging to fuck me, matt.” she says smirking, his tight grip on her arm making her feel the need to provoke him more. “i mean, if you’re right about me opening my legs to every guy, i guess you’re the only one not getting it. and yet you’re here, wanting so bad to feel my pussy around your dick.” she places a hand over his cheek, caressing it with a fake sense of care. “you’re pathetic…” her thumb slowly slides to his lips, drawing it slightly while the boy shivered, not knowing which emotion to focus, horniness or ego bruised. “but that’s okay, i love pathetic men, they stand exactly where i want.” she slowly inserts a finger inside his mouth and matt opens it without even noticing. “that’s it…” she whispers, pressing his tongue with enough pressure to make him groan.

he is paralyzed again, all this new sensations eating his masculinity and dominance alive, her mocking words stoking the flames of his fury higher but at the same time he wants to give him to the pleasure but quickly recovering to protect his pride.

he grabs her wrist in an iron grip, still feeling the taste of her thumb in his mouth while the other hand acts quickly, seizing her waist against his torso, trapping her between the hard surface nearest wall and his muscular body.

“listen here, you little brat.” he slides his hand under her skirt, using his finger to pull her panties to the side. matt grins, feeling her soaking wet pussy. “look at you, you’re dripping.” he chuckles sarcastically. “i’m going to fuck you and you’re gonna take my cock as the good slut you are. the only question is whether you're going to be able to sit comfortably tomorrow or not.” he threatens menacingly, grinding his already hardening cock against her lower stomach. “i suggest you start begging nicely for it like a good little bitch. maybe if you ask really sweetly, i’ll go easy on you... for the first round, anyway.”

suddenly the voices of chris and nick echoed through the front door. seems like they were back with the groceries. she smirks at matt. 

“nope, i’d rather leave you hard and dry in front of your brothers.” she winks at him smirking, taking his surprise as an advantage to break free from his body, heading to the the her previous spot calmly.

matt curses under his breath as he hears chris and nick approaching the stairs with loud laughter and chatting, knowing he won't have time to properly punish that menace for her insolence. not yet anyway. he shoots her a look filled with dark promise before quickly tucking himself back into his pants and adjusting his shirt.

“this isn't over.” he whispers harshly, jabbing a finger at her as he steps back and she smiles at him amused by his anger. with that ominous vow ringing in the air, matt turns to greet his brothers with a forced smile, praying they don't notice the prominent bulge tenting his sweatpants or the glazed look of frustrated lust in his eyes.

[ramblinscramblin]

Hi! I loved how you wrote Sniper in the dating headcanons post. Your characterization of him is on point!

Could I please request how Sniper would act in the first instances of dating the reader? Thank you so much, have a good day!

→Honeymoon phase with Sniper!

Genre: slice of life, fluff, the slightest of angst

Characters: Sniper ofc

Eek!! Thank you so much, it’s so very obvious how much I favor him, haha! Let’s get this show on the road!

Sniper

Gets most his cues from you, he’s not so used to being in long committed relationships like the two of you have agreed on, so he’s mostly following your lead.

He can seem pretty apathetic in relationships at first, you have to really understand him as a person to know his true feelings and idiosyncrasies.

Early into relationships he almost pretends that he isn’t dating you, doesn’t make many alterations to your relationship besides occasionally holding your hand and kissing you.

He’s absurdly awkward, but he hides it by being quiet, can’t say the wrong thing if you don’t say anything at all amirite.

“Hey Snipes do you want to go out for dinner tonight?”

He looked at you for a moment before answering “yup.”

You’re gonna have to be okay with planning all the dates and carrying all the conversations for a little while.

Incredibly insecure during intimate moments, not just during sex, but like just private moments between the two of you.

Always afraid of saying or doing the wrong thing, this manifests mostly as inaction, but may make some jokes at his expense about it too. Mostly under his breath comments, things said in a laugh, he would die before he was honest about how he felt.

You may allow him to make the jokes as a sort of way to alleviate his stress, or alternatively you could express that you don’t like hearing him say that kind of stuff about himself, in which case he will stop immediately.

He would do whatever you told him to do, even if he protests against that idea to the moon and back.

Whenever you initiate physical contact with him he freezes, like full on holding his breath. He’s afraid that if he moves you’ll stop.

One night he was sat at the edge of the bed, just sort of staring zoning out as he is one to do.

You came over hands on your hips before gently racking a hand through his hair, bonus points if you call him handsome or something of the like.

Will totally blue screen, face bright red and just stopped his tracks. Whatever thought he was having vanishing into thin air. Secretly praying you don’t notice because if you do you’re going to think he’s weird and stop.

“Relax a little Snipes, this is supposed to be the fun bit,” you say gently.

“I-I’m relaxed, mate. All too relaxed.”

“Right, right.”

He’s pretty shit at communication as I’m sure you’ve gathered, will bottle things up until it all boils over, I could see it causing some problems later into the relationship.

Just be patient, it’s worth it.

He’s pretty clingy right off the bat, again hides this in his own way but it’s glaringly obvious. You’re the only person he’s been able to tolerate this long he’s pretty eager to keep you around.

You stood up on the couch, patting your thighs as you did so.

He flicked his head towards you in an instant “where are you going?”

“Oh,” you turned towards him, surprised as his silent strike has suddenly come to an end “just to the kitchen.” You pointed over you shoulder with your thumb.

He stood up and walked over to the kitchen, waiting for you against one of the counters, staring at the floor. You just kind of blink at him confused for a second. This is his van. The kitchen is quite literally a foot away from the couch and he still managed to follow you. He’s so sick.

Still calls you mate even well into the relationship, only starts calling you “darl’” and “love” about a year into your relationship. Even then he still probably calls you mate a lot.

He’s just really smitten with you and is absolutely trying his best.

Omg THANK YOU SO MUCH FOR THIS REQUEST THIS WAS A DELIGHT TO WRITE. I love this FUCKING dumbass so much. (≧∀≦)

[pjsk-hot-takes]

To add onto Anons before me I’ve noticed that whenever misogyny is brought up in the PJSK fandom the people talking about it always specifically refer to L/N, MMJ and even N25. Which.

Actually I think we should talk about Emu Nene An and Kohane more. They face SO much misogyny. Constantly. And nobody even mentions them in discussions about misogyny BECAUSE of said misogyny. Literally every single time an Emunene or Anhane song comes out people call it bad or say it should’ve gone to someone else. Every time. Without fail. It gets ignored at best outright hated at worst.

Ok so thought experiment time. Name a popular Emunene or Anhane song that’s as beloved or gets as much attention as Aun no Beats and Fixer.

If you couldn’t name one - that isn’t even because they don’t have bangers people just don’t like women unless they’re standing right next to men. Anhane alone has Imperial Girl and Odo and Pheles and Love is War and the Night Sky Patrol of Tomorrow and Butterfly on your Right Shoulder archives and you’re telling me that none of those are “good enough”????? Idk I think that’s just bias. Ruikasa and Akitoya songs have gotten popular with worse. Anhane and Emunene could drop the most jaw dropping gorgeous songs ever and not a single person would care and I firmly believe and will stand by that statement.

This isn’t even getting into how they’re treated in group covers!!!!!! Everybody ignores or hates on them!!!! If people feel like they got even slightly more lines than Ruikasa or Akitoya, even in their *own focus songs* (cough forward cough) they get so upset. And yet when Anhane and Emunene get the EXACT same treatment in Ruikasa or Akitoya songs nobody says a single thing!!!

And that’s not just speculation I KNOW that’s the case I can literally prove it. An has three total solo lines in the entirety of blender. That’s the exact same amount of solo lines as Toya gets in Ready Steady. They pretty much have the exact same amount of duet lines as well. In both songs. But Ready Steady is infamous and hated for it whereas blender nobody has even pointed this out and it’s universally beloved. It’s not even just a “blender is a focus song” thing because this happened with Forward too. It’s just misogyny.

I’ve seen people complain about Daybreak Frontline. Because and I quote “I hate it when the girls get most of the lines”. I can’t even go into any of the Nene or Emu tags without filtering every single Tsukasa and Rui tag first and even then finding any sort of content is almost impossible I think that’s a problem.

People will call Kohane “just a girl” despite the fact that she has a solid character arc and a personality and development. You can think she’s boring or not for you but????????? Don’t call her “just a girl”????? Esp not when she has social difficulties that are intentionally supposed to be relatable to the audience. A lot of people might actually relate to her character and journey even if they don’t necessarily like her. Idk leaves a bad taste in my mouth.

An has it only SLIGHTLY better because there’s a niche little fanbase for her and she’s somewhat popular (in the western fanbase. I think Kohane is more popular in Japan iirc.) but she still gets treated as an accessory to Akito and Toya just like Kohane. Also people keep trying to be weird and frame her as abusive or toxic which. Considering that possibility isn’t like a bad thing but people are just straight up reaching to try to prove stuff that either isn’t implied at any point or is outright refuted in the text just to villainize her??? Which is weird??? Especially because these people will turn around and defend Rui and Akito. Like. What did she ever do to you….. you’re willing to defend Rui who has canonically put people in mortal danger because teehee autism (I am autistic FYI I still think that’s a really stupid thing to use as justification especially if he’s aware it’s dangerous????) but An. Just existing with her fear of abandonment was too much??????

I could go ON and on and on there are so many examples….. help me……… help me anons…..

It’s not even that liking Akito and Toya or Rui and Tsukasa is inherently bad!!!!! But the favoritism as a whole is…….. something. Especially when it turns into hating the fem characters.

Also Mizuki suffers this too with Rui as another anon mentioned and it’s like. Really guys. Like first off it’s not about him it’s about Mizuki and if you’re gonna involve anyone else it should be the Nightcord girlies. Second off It’s a double whammy because people will bring up Rui but make no mention of An despite the fact that An is the one who’s canonically defended Mizuki from transphobes. Like. Why only Rui.

(I tried to word this as neutrally as possible I hope it didn’t come off as too aggressive ausuxuvhxhgxhgshg…. Anyways….. introspection and growth is good and cool actually…. Also I’m using Anhane and Emunene and Akitoya and Ruikasa for ease of use not as like a ship thing just to clarify it’s just tiring typing out each name individually)

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