#if i can sort out the characters because i think there are a lot of doubles

[olderthannetfic]

For AO3 readers, MUTING is the solution to a problem they may not have come across yet.

I just thought of an extremely functional solution for a problem with AI fanfiction that a friend of mine shared her worries about. You see, she was particularly worried that her experience as a browser and reader of fanfiction will start to decline as AI fanfiction starts clogging the Sort By Recent filter on AO3.

Ok, so it didn't occur to me right away, and that is why I think it justifies this long anon post, but I just remembered that AO3 already has a tool to help you weed out low effort sludge that I have successfully used even prior to the increase in AI works. It does require people to be logged in though.

The solution is Muting, which has been around since 2023. I've even used it before for specifically this precise problem. There is a particular rare pair I like, but the primary producer of fics for that pair is one very prolific author whose fics are egregiously low quality. Like, the author even admitted that she frequently just find and replaces the names of the characters when she moves on to a new fandom.

After muting her, it about halved the number of fics in that tag, which was great, because it relieved me of an irritation and also allowed me to find other works. Muting folk who post AI generated works will have the same effect.

Why this will work: The main problem with AI fics is not that they are low quality, after all low quality fics have always existed - it's that they are both low quality and trivial to produce. Therefore, even one person who feels entitled to produce ai fanfiction could easily flood any particular tag with their works. But each time you mute an ai producer for one bad fic, you will end up removing all of their fics from your view, in any of your tags and fandoms. With a little weeding and upkeep, you should be able to browse contentedly as you always have.

Problem: Not all AI fics are tagged as such. How do you tell if a fic is AI?

The hallmark of a fanfiction author who generates stories with AI will be that they are prolific producers of low quality works. Why? because generating stories with ai is easy. It is much easier to generate a bad story with AI than it is to write a bad story without it. Therefore a person who uses AI to generate fics will have a lot of works.

The problem of false positives. What if you mute an author who is just bad right now but could improve?

My friend, if a person is already a prolific author of bad quality fiction, and they haven't gotten better yet, they probably will not improve to your standards ever. So you haven't lost anything by muting them. The goal here isn't to name and blame people who use AI - it's to make your own personal browsing experience better.

The problem of false negatives: What if you read a story and didn't realize it was generated using AI because it was good and you enjoyed it? You read something that you enjoyed on AO3 for free. This is not a problem.

You can find the mute button on AO3 by clicking the authors name. It will be in the same line as subscribe and block.

--

[magpiemalarkey]

Yeah, I wanted to do ttrpg adventures in my Red Riders story setting and decided I didn't want to try to make my own damn system or try to find the system out there that best fit my vision and then convince my friends to learn it. So I homebrewed a Red Riders flavored D&D setting instead.

I actually found it kinda, interesting/helpful in some ways because it forced me to ask a lot of questions about my world and think about what information my players would need (and would want) to have in order to come up with characters and enjoy playing with me in my universe. Do I need to use all this info in my stories? Absolutely not! Do I like having settled some concepts and vocabulary sorted out that I can just sprinkle into stories? Yes!

I will acknowledge that this is not like an efficient way to do world-building for a project. It took me several months to get anything to a playable state, and then several more months after a first playtest to get it to place where I was content with it. (It could stand to be improved, but it's fun as is). And then there were a lot of places where I ended up with two answers to some questions. The "real" answer and the "D&D compatible" answer. And it can be a little frustrating having a solid sense of how something should work and not being able to make it work mechanically. (And honestly, there are things that are fun to read about that would not make an interesting play experience for most people! Figuring out what my players wanted to be able to do and what experience I wanted them to be able to have in my world, and how I could try to make that all work within the system i was playing with was also an interesting exercise!)

There were also some places where assumptions about character/story/world built into D&D were so incompatible with the segment of the Red Riders universe I had chosen to play with that I had to rewrite or entirely omit some things. For example: I left out entire character classes. Even the classes I did keep got tweaked, or required new flavor text.

It was a very interesting project, but also one that made it very clear to me that D&D is not a universal system. (duh). I don't think I have it in me to write up my own perfectly tailored ttrpg for Red Riders. (....yet?) but modding an existing system by breaking and rebuilding things until I get something satisfying to play with was actually pretty fun for me, so I am now eyeing other systems that are better suited mechanically to certain aspects of Red Riders As A Game Experience and hoping some day to find the energy to break more things!

So yeah. Making my story's universe fit neatly into D&D framework was impossible. Violence all around!

Writing fantasy and speculative fiction is actual Hell because achieving verisimilitude demands that you, the author, have a clear idea of how the speculative or fantastical elements of your setting work, but the story will almost always be improved by not explaining it to the reader.

[alisha-on-arcane]

It's a cliche 'cos it's true: forgiveness and the cycle of violence in Arcane

I do think a lot of Zaun-aligned Arcane fans find the themes of forgiveness quite hard, particularly forgiveness when great wrong has been done. But.... it's not really forgiveness if no wrong has been done, is it? And by season 2, there's some major forgiveness needed. Piltover's Council has done Zaun wrong, and Zaunites have committed terrorist attacks against Piltover citizens who weren't responsible for the actions of their government. The whole situation there is so messed up that any attempt to allocate justice will most likely create new aggressors out of innocent people on both sides, as Jayce's attack led to Renni's attack, and Renni's (and Jinx's) attacks led to Caitlyn's attacks, and Caitlyn's use of the Gray led to Jinx rerouting it back to Piltover's citizens...

The Jinx - Vi storyline is not really relevant to that. It's nice that the sisters reached first a sort of peace (Jinx watching Vi at the pit fights, betting on her but not coming to talk) and then finally resumed a sort of relationship. But then Jinx just died / left, so all that really happened from the forgiveness was that they both got some closure. That's a great resolution for individual people who can simply get over one another, but it doesn't work for cities that are geographically next to each other. They share a water supply! They could have different governments, but those governments would still have to work together.

The storyline relevant to that is Zaundads. I still think it's weirdly out of character to give Silco (even blissed-out and somewhat inebriated AU Silco) the line "the greatest thing we can do in life is to forgive", but it works thematically. Because what Vander did to Silco was unforgiveable (seriously, rewatch the drowning scene), and no sane person would advise Silco to resume that relationship. But we also know that main timeline Silco was miserably hung up on Vander until his dying day, while AU Silco apparently gets Vander making him cocktails every evening and doing unspeakably pleasant things with him every night. Forgiveness might not be deserved by Vander, but it certainly was the best thing for Silco to do for himself.

... and that's the way with the two populations at war, isn't it? I'm sure the Silco-Vander reconciliation was nowhere near as simple as 'Silco reads the letter, forgives' (for one thing I don't think Silco would have, or should have, simply abandoned his Shimmer plans). And the new combined Piltover-Zaun Council has huge arguments ahead of it, and will probably never reach gazing-into-one-anothers'-eyes-lovingly levels of amity. I bloody well hope their first agenda items are a huge Zaun infrastructure bill, an agreement on more equitable policing, and a joint task force to legalise medical Shimmer. It's unlikely. But I still think that like Silco and Vander, they can build a happier future by working together than apart. They don't really have any good alternatives.

[melded-galaxy]

sonic movie 3 stobotnik thoughts:

Watched the third installment earlier today and have a lot of thoughts

Likes:

Stone being confirmed as the protector in their relationship (His action scene in the chao garden restaurant and his plea 'i'm not there to protect you!') was amazing, you can definitely tell Stone had been traumatized after Robotnik got stranded in the mushroom world and then returned only to nearly fall to his death

'I already lost you once-!' 'Unsubscribed blocked and reported.' 'I can't lose you again...' Stone you deserve the world and so much better than Robotnik i'm sorry your hearts deadset on this dickhead <3

Robotnik's first name Ivo being dropped several times and pronounced eye-vo rather than ee-vo. always preferred the eye-vo pronounciation personally, feel like ee-vo is a bit too on the nose and doesn't sound as good.

Robotnik being open enough around Stone at the very start of the movie that he casually mentions that Stone is the only person he trusts and at the very end after he thought he found loving family only to be rejected and betrayed by Gerald admitting Stone was the only one to ever truly care about him my heart can't

More of the weird kinky BDSM shit my beloved - Eggman's reaction to seeing a shirtless tied up Stone 'Do that in your own time you sicken me' sent me as did the frigging shirt snatch and of course that glorious haircut scene

Stone getting to interact with characters that aren't Eggman. Him calling Tails adorable and that short moment where he hung out with Shadow was nice to see.

Again the haircut scene. Stone had zero excuses for straddling his bosses lap and nearly strangling him in a chokehold. Firestarter by Prodigy playing was just the cherry on top.

Stone getting cucked again by Robotnik's own grandpapa. First knuckles now sour gramps smh there's always a damn third wheel

Robotnik finally finding family and just CLINGING to them (quite literally the boot kissing scene was... something.) Ivo was so desperate for Gerald's love and approval, its such a great parallel to Stone's admiration for Robotnik. Honestly it makes sense that Robotnik immediately reacted so defensively when Stone warned him of Gerald and Shadows hidden plan, like Robotnik immediately reacted by attacking Stone back by accusing him of just being jealous because he felt his bond with gerald was being threatened. Robotnik even looked over at Gerald several times while he was chewing Stone out, clearly seeking his approval.

Eggman's announcement dedicated fully to Stone after three whole movies of Robotnik taking Stone for granted and Stone being ditched berated and sidelined. Finally after feeling the pain of Gerald's rejection (that 'You're no Maria' was ice cold) Ivo in his last moments alive makes sure Stone knows he reciprocates and pays tribute to Stone's love and loyalty to him, admitting that Stone was more than just a sycophant, a tool to be used and discarded, Stone was a 'syco-friend'. my HEART

That final 'I love the way you make 'em' the delivery was so heartfelt

Stone's tearful smile after saying goodbye to Robotnik. There's a sort of sad acceptance to it like finally hearing Robotnik admit that he does care about him too softens the blow of losing him and will help Stone to move on post movie. Maybe Stone after Robotnik's death with find someone that truly treats him right. A lot of people speculate that Stone will be the big bad of the next film but I don't know, I think in an interview by Lee he said that Stone just wanted to feel acknowledged by Robotnik and in the end Stone finally got that. I feel like its a good bookend for both Robotnik and Stone's characters arcs and i'd have mixed feelings if they were confirmed to appear in the next movie; while i'd love to see more of Robotnik and Stone's twisted dynamic in the next movie, I feel like it'd sort of undermine Robotnik's final moment of humanity at the end of movie 3. Then again someone has to have made and been controlling the metal sonics we saw in the post credit scene so who knows what the next movie will bring.

Dislikes:

Stone only getting like 6-7 minutes of screen time, I would have like a few more scenes with him interacting with Robotnik Gerald and other characters to flesh him out a bit more, maybe even learn more of his backstory. I felt like this was also a problem with Maria and Gerald; both needed a bit more time to flesh out their characters. It would have been cool to see more of Gerald and Maria before Maria's death for instance.

The movie steering away from the romantic subtext that was present in the second movie (the lattes with hearts, the romantic music playing in Stone's cafe and Stone photoshopping his boss into a maid outfit) in favour of a more platonic or atleast debatable dynamic between them - Stone being sad about not being Robotnik's 'best friend', Robotnik calling Stone his syco-friend and no outright explicit confirmation from either of them was kind of sad to see. Felt like there was potential to openly confirm stobotnik in a romantic if twisted relationship, especially given the two lived together for over a year in their crab mech and were clearly comfortable around eachother, but I guess maybe the producers were too nervous of backlash to do so so they went with a more dubious/platonic angle.

Robotnik immediately treating Stone worse once he connects with Gerald :( I suppose it makes sense; Ivo now has this shiny new family connection,from his selfish perspective why would he need boring old but reliable Stone but it still was sad to see Robotnik completely disregard everything Stone had done for him - staying by his side after leaving the government, doting on him and rescuing/caring for Robotnik after the latter fell from the giant mech in the second movie (not shown in the movie only storyboards but still presumably Stone was the one to rescue Robotnik). Personally i'd have preferred it if there was a bit more conflict from Robotnik's side, maybe have Gerald manipulate him into steadily distructing Stone more and more as the movie went on.

Stone not getting a scene where he snaps at Robotnik/shows a backbone. Yes he tried to to warn Robotnik of Gerald and Shadow's real plans for the world but again that was mostly for Robotnik's own wellbeing. Stone was terrified of losing him. It would have been nice to see after 3 movies of Stone being a doormat for Robotnik Stone finally erupt and stand up to Ivo.

Stone disappearing from the plot at the climax of the film AGAIN, a reoccuring theme in the trilogy lol, Stone disappears from the plot after Robotnik tells him to ready the prototype in the first movie and again in the second, though to a lesser extent, after he was knocked out in the mech. It would have been cool to see him do a little more, maybe aid Robotnik Tails and Knuckles in stopping Gerald in some way instead of merely being a bystander.

Similarly to the second movie I feel like Jimbotnik and now Gerald were a bit TOO zany at times. Like the scene at their first meeting when they both looked at the camera and broke the fourth wall made me groan and god... the Ivo vs Gerald fight was... bad and not even in a so bad its good way way more a killing the pacing and tension way. Like why why put the jim carrey selfspank scene right after Sonic and Shadow had a heart to heart on the moon. Why.

Robotnik's overuse of modern slang also made me wince a bit... didn't like it in the second movie don't like it anymore in the third. I found some of the quips funny like the trauma dumping line but most of the times I felt the jokes were pandering too much to kids and would age badly.

No scene where Wade once again awkwardly third wheels while Robotnik and Stone be weird together again :(

THE FLASHBACK SCENE BEING CUT :'( In the leaked storyboards Robotnik was going to a have a sort of 'feelings realization' moment where he presumably contemplates why he's bothering to save the Earth. A flashback was going to appear showing the scene where Stone gives Robotnik his latte after the latter returned in movie 2, Stone in his GUN disguise rescuing Robotnik after the latter was trapped under the rubble of his mech post movie 2 and a scene where a concerned looking Stone is handfeeding Robotnik soup complete with Robotnik looking depressed in a full body cast. The final storyboard picture showed a wide eyed and concerned Robotnik clearly realizing that Earth being destroyed would mean Stone was going to die as well. The flashback and Stone's life being on the line was what would have prompted Robotnik to try to save the planet. The flashback and feelings realization scene was cut for some reason from the final film :( Think I still have the leaked storyboard images somewhere on my blog but we were robbed.

Well this got longer than expected haha, hope its somewhat coherent.

[marsmaximoff]

🏛️ emperor caracalla ; headcanons ⋆₊𐕣˚𖤐 ݁｡☽

content warning: fem!reader. mentions of blood, killing and sickness, cheating, possessiveness, toxicity. idk if there’s anything else.

word count: 0.7k

author’s note: first time writing headcanons, so constructive criticism is welcomed. and english is my third language so please bear with me. i apologize for any mistake 🙏🏻 also, i’m unlocking a new obsession, so i needed to write for caracalla asap. i’m gonna write for other fred characters too because that man has me down bad. that’s it! enjoyyy! <3

emperor caracalla is a menace with an insane duality and you know that better than anyone

we have 1) mad ruler with an insatiable thirst for blood

you ALWAYS go to the games

he demands wants you there with him

(not like you have much choice being married to him)

but still, he loves to know you’re there. mostly because he actually enjoys sharing his passion and spending time with you. buuut, also because he REALLY likes to show you off. (you love seeing him all giggly clapping and yelling tho)

and let me tell you, he takes every opportunity to do so. to remind everyone that you’re his. and to brag in front of his pretty much unmarried brother.

i’m talking hand rubbing your thigh when sitting by his side (he does it absentmindedly, it’s genuinely cute), arm around your waist during feasts, sitting on his lap when watching combats, theatre or any sort of entertainment and a ton of PDA.

both of them are possessive, but he is more subtle, not as straightforward

regarding Geta, you two have an… odd relationship. he’s thankful there’s someone else to deal with his brother’s madness. but he’s suspicious of your intentions. tho jealous.

some would even say not only of the marriage itself…

caracalla knows, and absolutely feeds on it. he finally has something that belongs to him and only him

god forbid someone doesn’t get it

Dondus has grown to adore you. you’re like his other parent -he’s adopted you as such.

squeaks at you and happily climbs your arm to rest on your shoulder

loves using your braids as little ladders

and snuggling against your neck too

he’s just so cute can u tell i love him :3

anyways

and 2) sappy child

he follows you around like a puppy

you hate it when he gets overwhelmed, he tends to hide and isolate himself

you end up acting like his mother

gets insecure of his real face and keeps it from you

needs a lot of reassurance

the guards always look for you when he has an outburst

your touch and presence are the only things that ground him

LOVES LOVES LOVES cuddling

clings to you like he needs you to breathe

good luck waking up in the middle of the night to go to the bathroom 💀

play with his hair and he’s GONE

big on pet names

to you is always “my love” “my dear” “my darling” “my wife” “my empress”

emphasis on the “my”

everything’s fine with him but “sweet boy” makes him melt

and obviously “my emperor” cause it makes him feel powerful

and compliments too

spoils and pampers the shit out of you

jewels, clothes, animals, entertainers, you name it

absolutely whipped

loves kissing

now, it can’t all be a fairytale 😞

sometimes you feel like he loves Dondus more than you

and it seems that some men being forced to kill each other brings him more happiness than you ever could

he can switch from sad to angry in a matter of seconds and sometimes his sudden change of tone and expressions startles you

🚩 🚩🚩

being married to a sick man is hard

many palace servants and guards feel bad for you

paranoid

thinks you don’t love him anymore and are going to leave him quite often

obsessive

if you say something that feels ‘off’ to him get ready for an intense interrogation

possessive and extremely jealous

cause why the fuck where you laughing with some random man?

he’d threaten to kill him and would probably get rough with you

hates other people touching you

gets violent

has hurt you before during one of his fits

regrets it afterwards but has a hard time apologizing

would probably be unfaithful. i know, i hate it too 🥲

over all i think he wouldn’t be that bad of a husband, like it could be way worse

and i say he could genuinely love you, it just wouldn’t be the healthiest of loves

but you can try to fix him girl ✨✨

[neverending-shenanigans]

Look, I don't disagree with you, per se, but here's the thing: this is all just in theory. The game fails to show this in a meaningful way or in a way that is satisfying from an RPG point of view.

Everybody matters for the success? Cool. How so? If I literally leave them behind in the lighthouse for the rest of the game, it makes no difference.

I love Emmerich, dearly, but what exactly does he do in the Veilguard? Is the game saying the few time he talks to corpses are so vital to our success that the world is doomed without him?

None of the former games (to my knowledge) implied that not recruiting someone screwed everything over completely.

And if the game wants me to see that this is different, because the stakes are higher? Well, game, show me directly what happens if I don't recruit people, make them as vital as you claim they are. And have a number of quests where I can feel their absence if i don't have them around as the experts for necessary tasks (and I mean more than these funky little dagger mechanics or that one final battle, alright). Let me experience how much worse off everyone is if I don't help them. Or if I give them bad advice, if I make them objectively into worse people.

Tie their personal narrative more strongly to the main issue. Balance them out a little. Have Zara's blood magic be a vital part of the ritual Elgar'nan is preparing. Have Isseya actually blight a griffon or two for Ghilly and let them do some hefty damage to the Anderfels or elsewhere. Let Rivain be under siege by the Dragon King and his mind-controlled beasts. Make everyone's issues matter equally with options for real Bad Outcomes.

RPGs used to be about the consequences of my actions, about having choices with actual impact within the game narrative itself, and those were more than just one bad ending option.

This would also be a way to make sure that "these are professionals" can come across. By showing me what happens if they aren't. If we aren't - if Rook isn't.

Don't just have the narrative put up a red tape that says "you cant, because you shouldnt".

Not to mention that I frankly think it does the characters a disservice by saying that "they are professionals" somehow means that they dont have issues, they have to like you, they have to grow as people.

Bioware had a fantastic system in DA2 in the rivalry system which allowed for much more interpersonal nuances. This would have solved a lot of issues here, even if we are in a set-up in which characters will stay with you no matter what. They stay with you for the cause, but they hate you personally. How many professionals feel like that about their Boss and co-workers?How many professionals are great at exactly one thing but still assholes anyway?

And I have seen it be thrown around that "Rook cannot be an asshole because Varric wouldn't have picked them". That feels like cop-out to me. And does not make sense for narrative consistency. He is not some sort of infallible Thedas Jesus. There is precedent for him being wrong about people.

Varric recruited Hawke for his brother's expedition and Hawke had much more potential/freedom to be an ass (to the point in which Varric might end up as a drunkard for it, because Bioware used to include consequences). Varric was as much part of the disaster/tragedy/failure of Kirkwall as the rest of that crew. Varric didn't see Anders' plan coming, either. He also did not spot Solas' plan from miles away.

Varric might have picked Rook up for their moment of bravado that the game always provides, because he was running our of time to stop Solas. Nowhere does it say he might not have ended up regretting that choice a little if you turn out to be a competent ass. Wouldn't that have been a neat thing?

If we and the characters got to experience... regret?

"I wish you could be mean to the companions" it's a story about professionals

"I wish you could have a choice to not recruit companions" it's a story about every single person being vital to success

"the companions are too nice to eachother" it's a story about professionals

"rook puts out people's squabbles too easy" it's a story about a boss who actually cares and doesn't buy pizza to get people to work unpaid overtime

"I wish you could recruit a therapist for the team" based and valid

[raven-at-the-writing-desk]

im so excited for the new yuu... waiting for them to join the manga yuu family...... is there any traits you'd like them to have? maybe to parallel or completely contrast jamil, since he's the OB boy this time around?

tbh I hope they keep it up w the different body types rep 🙂‍↕️🙂‍↕️ it's nice to see that even if they keep the "pretty average boy/girl" motif (?), they are trying different stuff w them. I hope we have more varied yuus in the future (goes for the anime too !!! I'm curious to see what that yuu is going to be like as well- or if they're just gonna adapt the manga and nor change the yuus, I wouldn't mind that either tbh)

[Referencing this news! More about the mangaka here.]

I don't really have a preference for what traits the new Yuu for the Episode of Scarabia has. I can't really find myself getting invested in the manga Yuus because I know that they won't stick around for very long (and definitely not long enough to have any sort of meaningful character arc). I also think it's disappointing that we get these characters that seem to be intentionally designed to be foils to the OB boys, but we never really get additional interactions between the Yuu and the OB boy that would add more meaning to their relationship or flesh out how that Yuu helps the OB boy change over time. Real missed opportunity there.

Some common ideas I've seen floating around for the Scarabia arc Yuu are:

Princess Jasmine coded (and/or at least femme) Yuu

someone in a servant position but, unlike Jamil, they are not resentful of their role and instead is optimistic about the future

"rags to riches" Yuu

I also know that some people are hoping for a dark-skinned or a Middle Eastern Yuu, but this in of itself is not a character trait so I'm not counting this in the list. Ideally I would like more variety in our Yuus (not just in race or gender, but in other factors like age or occupation) but I don't know how likely it will be that Twst actually commits to it (especially since the latter may change the interactions by a lot). I'm not even sure if they'd step outside of the box for designs/backstories if it doesn't contribute anything to the narrative foils they're trying to set up. Like, I'm pretty sure the manga team didn't decide to make Yuuta (the Yuu for Octavinelle) a large boy for the sake of diversity but rather to show Azul you can still love yourself and be content even if your body is a certain way. (I discuss the manga Yuus and how they contrast with their respective OB boys more here!) I don't see what making the Scarabia Yuu dark-skinned, Middle Eastern, or a different body type does to add to or enhance Jamil's character. It's not like Yuuka (for Savanaclaw) had to be dark-skinned or African to be Leona's foil, or Yuuken (for Heartslabyul) had to be small and British to be Riddle's foil, right? But both Yuuka and Yuuken were physically fit; we had a strong woman (with a scar in her design to match Leona) that played righteously to contrast Leona's underhandedness and a disciplined but kind man to show Riddle you can maintain a level of sternness without being overbearing on your peers. They were given character traits, rather than solely physical traits, which reflect their OB boy. It would be great to have the diversity, yes! Again though, I don't think the mangaka are designing Yuus with diversity in mind, but rather what the design does for the characters of the OB boys.

Finally, in regards to the anime, it has been announced to be an adaptation of the manga. That, presumably, means we will see the manga Yuus of each book's arc animated. Until we get news that states otherwise, I'm assuming this to be the case.

[imadhatt3r]

There's a sort of small personal story arc happening in Koujaku's route that I haven't seen talked about much, and it is one relating to Aoba's struggles with his masculinity and his perception as a man by others.

This story arc heavily deals with cultural gender norms and expectations, and so I will be working with them; This doesn't reflect my personal view on gender roles and expectations in real life. This is also not for or against any headcanons regarding any character's gender- I have no opinions on them or problems with people seeing any character as trans.

Okay, without further ado:

The moment where Koujaku and Aoba canonically meet for the first time happens during their childhood. Aoba was bullied by other children for his long hair and for "looking like a girl". Koujaku stepped in to protect him, thinking that Aoba's a girl, and was allegedly suprised when Aoba turned out to be a boy, but his attitude towards Aoba never changed.

This event clearly had a big influence on Aoba, on how he views himself, Koujaku, and how he thinks Koujaku views him. When we first meet Koujaku in-game, he is seen defending himself from a woman's overly protective boyfriend and being a charmer to her in turn when she apologizes for his behavior. It's established that Koujaku has a lot of female admirers, and a bit later it's revealed that he attracts a lot of men too, but moreso as a kind of role model/aspirational figure- that's why benishigure exists in the first place.

Aoba is shown to be annoyed or downright kinda scared of Koujaku's fans; Of course, it makes sense- Aoba is shown to be a private person that dislikes attention, but I believe that there is a second layer to all that- jealousy.

Aoba identifies as a man in-game and asserts it multiple times. He is aware of his gender. Koujaku is shown to be both flirty and chivalrous towards women around him- he spends time with them, initiates physical contact, compliments them etc. Aoba is always annoyed whenever he sees Koujaku doing that, but his reasons aren't fully clear- it seems like he feels like Koujaku's behavior is, in some way, fake, or that he just dislikes PDA in general. Aoba isn't jealous of the female attention Koujaku gets- he doesn't want to be in his place, because, as we established, he doesn't like being the center of attention. This isn't a dick measuring contest with Aoba being salty that he's coming up short.

Aoba is jealous of the women. He's the one who wants Koujaku to flirt with him, touch him, be chivalrous to him, protect him, but he believes that it will never happen, because Koujaku only acts this way towards women. Men want to be him, women want to be with him, but Aoba is neither; He's not a man who wants to be him, nor is he a woman who wants to be with him- there's not a place he can comfortably occupy, in his mind.

Mind you, I don't believe that he is aware of his feelings- hence his clusterfuck of an attempt to make Koujaku's flirting with women a bad thing. It's not coherent, it doesn't really make any internal sense, because Aoba has no idea he's even trying to lead himself away from something.

In the good ending, Koujaku briefly mentions that he thinks Aoba sleeps in so much because he wants to get his attention, and I can 100% see it as being true- Aoba doesn't know how to get Koujaku to treat him like he does women around him, so he chooses more covert ways to get that desired attention and care.

I also see Aoba's haircut to be symbolic/meaningful of his relation to his masculinity being percieved by others. Aoba's hair was the reason why he and Koujaku met as kids and established their friendship and later relationship. When they were cut, Aoba started to look more conventionally "masculine", and yet the haircut is also, in a way, representative of the beginning of his and Koujaku's relationship. It's because Koujaku doesn't care that Aoba is a man- hell, in the CD drama, he even admits that he's straight up attracted to Aoba's masculinity. If Koujaku liked Aoba BECAUSE he saw him as female-like, wouldn't he want to keep his hair long/feminine?

This is kinda explored in various extra material like the summer side story and valentine's day story- Aoba seems to believe that while Koujaku is with him out of love/attraction, he's being treated more as a novelty, a "girl-boy" that's going to be replaced by an "actual woman" one day. He's afraid that the chocolates he made for Koujaku for valentine's day will be seen as "gross", and he expects to see a mountain of chocolate given to Koujaku by women when he comes to his apartment. In the summer story, he expects Koujaku to deny their relationship when they're being harassed by drunk benishigure, and that he will be left behind when Koujaku is approached by female admirers. This never happens- Koujaku actually reassures Aoba that he's never going anywhere, and that Aoba has nothing to worry about. This is framed as Aoba being simply jealous, but I think that there is enough evidence to imply that his gender has a lot to do with it. We don’t know how would he react if Koujaku was approached by a man, but it's mentioned multiple times that it's seeing and thinking of Koujaku being surrounded by women gets Aoba down especially hard.

I feel like it's also important to look into the bad ending for Koujaku's route too, because if you look at it through that lense, you can see some interesting stuff. First and foremost, Shiroba is dressed in a sexualized version of the miko garb (miko are shinto shrine maidens, and they are exclusively women) that includes stockings, and his hair is just as long, if not longer, than Aoba's. He also has red tassels in his hair, right behind his ears, which sort of look like earrings. In short, it would almost appear like Shiroba is trying to look more "feminine" in order to appeal more to the way he percieved Koujaku's tastes- after all, Shiroba/Desire is all of Aoba's impulses, thoughts, and desires taken to the extreme. Aoba thought that Koujaku likes women and femininity, so Shiroba WILL make himself look as feminine as he can to make Koujaku like him more.

There's also the fact that, compared to their good end sex scene, Shiroba is much more... Placid. In the good end, Aoba speaks, he laughs, he laughs AT Koujaku, he tries to turn his head away but agrees to look at Koujaku in the end; He is an active participant who is willing to laugh at his partner (in a way) and make demands. In contrast, Shiroba mostly goes with what Koujaku wants to do; He participates to a degree, sure, but he allows Koujaku to bite him, lick his blood, and fuck him pretty violently without any sort of resistance. This might be a stretch, but it can be seen as Shiroba trying to play a more "feminine" role- which means being passive, allowing your (male) partner to do whatever he wants to do with you (even when it's painful or uncomfortable), and let him essentially use you as a receptacle of his emotions and bodily fluids.

This is a very narrow understand of conventional gender roles, but given that Shiroba is a being of extremes, it makes sense for him to see his own gender and dynamic with Koujaku as that simple and two-dimensional. This whole ending is all about misunderstood intentions/desires, so Shiroba is doing all he can to embody the most extreme conventional femininity in an attempt to appeal to Koujaku, while not having a clue that Koujaku was actually attracted to Aoba's masculinity.

The funniest part of it all is that Koujaku is actually a pretty feminine man himself; His very design blends masculine and feminine elements, which @asarigg points it out in her excellent essay on Koujaku, (among plenty other things), and the way he acts mixes masculinity and femininity too. However, Aoba either doesn't see it, or he treats Koujaku as a "special case"; It's probably the most clear in the scene in the CD drama where Aoba says that hairpins "usually" look bad on men (after Koujaku asked him if he'd like to wear one), but that Koujaku makes it work. The whole plotline/emotional core of this route centers on Aoba relying on his simplified image of Koujaku when it comes to how he thinks about him, only to be proven dead wrong and forced to confront how multi-layered of a person Koujaku is- to reject the image he made of him in his head as a child and make a new, more nuanced one as an adult.

When Aoba was a kid, he saw Koujaku as his hero, someone who protected him, watched over him; He was kind of his masculine ideal, someone he wanted to be when he'll be older. Now that they're adults, Aoba still sees Koujaku as someone hyper-masculine, whose feminine traits and behaviors are glossed over because Koujaku is "allowed to" be feminine a bit. The sad thing is that a lot of Koujaku's masculinity is kind of a ruse that was taken on as a defense mechanic, learned back when Koujaku was living in an abusive household, when he was a victim of abuse, saw abuse inflicted onto his mother, and was possibly forced to perform violence to some degree as means of "education" (things like learning to fight hand-to-hand or swordfighting).

Koujaku can fight because he tried to fight his abusive father and was trained to kill in the future, once he takes over the criminal empire. He flirts with women to fill the void he feels due to his rock bottom self-esteem and because he doesn't want to see women sad or mistreated after what he saw his mother go through. Koujaku's persona is carefully build and maintained, because all masculinity (or gender in general) is performed- this is what people around him expected him to be, that's what he was taught to be, and so he performs, even if it twists him up inside (we know he bottles up any negative emotions and doesn't share his struggles and trauma with anyone, which is also a part of toxic masculinity). It also seems like he's often out drinking with someone and he's a smoker- that's more of a theory, but people often find brief respite from their stress/unadressed emotions in substances, and while people of all genders do it, there seems to be a bigger social acceptance for men to indulge in order to "deal" with their problems and avoid showing "weakness" for just a bit longer.

The good thing is that Koujaku seems quite comfortable in his femininity. He loves his (stereotypically feminine) job, he remains kind and gentle to those who need it, he respects women around him and treats them well (even if that relationship is far from ideal of course), he's always considerate and caring towards Aoba, etc. It's interesting that despite liking and being attracted to Aoba's masculinity, he encourages him to branch out and seemingly embrace his own femininity more (he tells him he'd look nice in a hairpin, or that he'd love him no matter how he'd look like). I wonder if Koujaku found some kind of respite in his femininity back when he lived in his father's house and was potentially held to strict masculine gender roles enforced through violence.

It feels like one of these things that Aoba needs time to process and accept; In a couple years, he'll be doing deliveries with the most complex braid with flamboyant decorations and the most bitching eyeliner ever performed on Japanese soil.

[tonguetiedraven]

Yukio is a Pragmatic Babysitter and Rin is a Chaos Gremlin

Part two of my Critically Reading about Yukio. Part one is here.

We're going to look over a couple of chapter in this analysis with a focus specifically on Yukio's job and role as Rin's guardian and secret keeper, because god love him, Rin is not a secret keeper.

Have you ever tried to babysit a hyper toddler who doesn't listen to you? Yukio has. It's become Yukio's job at this point.

I also feel I should state that I am writing this as a middle sibling. I have both older and younger siblings and have, like most older siblings, been responsible for my younger siblings more than once. I have also been responsible for my older ones on more than one occasion, often to the point that I feel my own life on hold. But I am now an adult unlike these characters and have proper independence.

( ദ്ദി ˙ᗜ˙ )

When last we left our two leading characters, Rin had discovered he was sharing a dorm room with his twin and that Yukio had basically been set at his babysitter. Yukio had agreed to watch and protect Rin and knows he is his brother's babysitter.

Rin cannot let anyone know he is the son of Satan. If he does, Mephisto makes it seem very much like there will be an execution. These are the stakes they're playing with. The flames cannot be spotted and Yukio is responsible for guarding his brother and keeping those flames hidden. Rin is not to step out of line and ignite.

Should be fairly simple. Just go to school, go to cram school, get your meisters (once Rin learns what those are) pass the exam and certification, and hey-ho, we have exorcist Rin. Do not ignite and don't stand out. That's the end of chapter 2.

Both twins receive these instructions. Both twins do not follow these instructions. One twin follows it to the letter, one twin half asses it.

It is important to understand that about Rin. He doesn't typically go with things he disagrees with, and he is lazy. He doesn't understand anything about the world he's found himself in and thinks the rules and regulations in it are stupid. He is late for classes, sleeps through them when he can, and fails a lot of tests, possibly from lack of studying, though we don't really see a lot of his study habits. What we do see points to him not doing much of any of it until later on in the series when he starts to study more with his friends. (Namely Konekomaru, Shima, and Ryuuji.)

From the get go we know Yukio is smart. He is the sort of straight A honor student that drives siblings nuts for over achieving. When we find out he's had a job and been training since he was seven, it just pushes the stark difference between these two.

Rin: Lost a job in the first chapter of the manga on his first day.

Yukio: Has had a super secret job for two years while maintaining stellar grades. He also doubled up on that job. (Doctor and Dragoon meister.)

Rin: Somehow miraculously passed middle school despite fighting and not attending. Presumably Shirou begged a lot and went to a lot of parent teacher confrences.

Yukio: Graduated with honors and got the position of top student in the new class. A scholarship too.

Rin: Unpopular and prone to fights. People seem to typically dislike him at the first interactions. In a word? Rude.

Yukio: No one is better at being polite and managing that customer service smile at all times. Even Mephisto cracks that façade quicker than Yukio. Very popular with his classmates and praised by his fellow exorcists.

Rin: Won't follow through on tasks he deems dull or unimportant. (Candles are a great example.)

Yukio: Will do the mindless task even if he doesn't want to and will follow orders. (Until much later when he very dramatically won't.)

Rin: Knows nothing about the world of exorcists, Assiah, or Gehenna.

Yukio: Immensely well versed in it.

There are a lot more I could do, but this gives you the idea. These two brothers are immensely different with Yukio being the smarter and better equipped for their new circumstances in most every way.

Chapter 3 opens with Rin reading one of Yukio's mangas and not studying. Yukio takes it back and gives him a book to study.

First, Rin might have the fire powers but Yukio is the one doing the burns here. Bible for kids xD so rude and pointed. Each of the titles and font choices and illustrations are so good.

Two, the shot of Yukio's exorcist coat and Rin's school uniform is brilliant. The levels of skill and knowledge are right there, beautifully subtle. As is how put together Yukio looks and how sloppy Rin is. Kato does a lot of story telling like this. Details in the design and backgrounds that tell a lot.

Yukio tells Rin to study and is going on a mission. Rin does not want to study and wants to go on the cool mission he is not qualified for. He has no training at all and couldn't sit through a single class without making a scene. All of his demon fights and interactions so far have ended with flames.

Yukio points this out nicer than I would have.

Rin doesn't listen to the no and will honestly never listen to Yukio's no. At any point. The early chapters set this up very clearly. Yukio, who was given the assignment to guard and lead Rin cannot get his brother to listen to any of his orders.

They go to the Moriyamas' supply shop, and I plan on doing a separate post dedicated to Shiemi and Yukio's relationship later, so we're going to glance over this chapter and summarize it.

Rin is told to stay because there's a lot going on in this shop and you have to be a certain rank to even get inside it. He is told very specifically not to wander around and touch anything, and in typical Rin protocol, he's wandering around by the next page.

This is mostly because he's annoyed and frustrated at Yukio bossing him around. At this point I want to remind everyone that MEPHISTO PLANNED ON THIS. Mephisto the Manipulative King of Time and Space has played this rodeo before and is actively pushing and prodding at his pieces (he has referred to all the characters in the story as pieces on his chessboard) to get them to act certain ways. He wants this tension there. These boys are unknowing pawns in his hand.

Or Rin is at least. I rather believe Yukio is a knowing pawn.

Rin wanders off, breaks a demon warding gate, and gets called a demon by Shiemi.

Rin is indignant about this (his exact words are: "I...I'm not a demon! I'm not exactly human either, but... Don't judge me!!" I can only hope part of that was under his breath, lol.)

Things escalate here and it ends with Yukio manipulating Rin into being a distraction for the demon and exorcising it while Rin flames up and unsheathes his sword.

(I do wonder where the hell Miss Moriyama was to not see this. With her connections she'd definitely tell people about a blue flame boy causing chaos in the garden.)

Importantly three things happen here.

One: another tension between the twins is created. Shiemi. This will be in a separate post but I'm just acknowledging it here.

Two: Yukio shoots someone for the first time and we learn about nutrient bullets. They are magic type bullets that look real and apparently do no real damage. Yukio uses these all the time. Usually against Rin, but that'll be later.

Amazingly, I hear a lot about him shooting Rin and have never heard anything about shooting Shiemi, but then almost no one ever talks about when Shiemi is abused so guess you gotta be someone else for it to matter ¯\_(ツ)_/¯

(I am opinionated on the way fandom treats Shiemi and the abuse, verbal, mental, emotional, and physical that she receives.)

Three: Shiemi joins cram school.

It has been one day of them working together and Rin has already not followed orders and Yukio had to rework his plan to anticipate that and did.

Chapter 4 is all about Ryuuji (my favorite character) and has no real Rin&Yukio advancement outside of Yukio telling Rin he should study like Ryuuji does, but does have an immensely important scene for Yukio at the end.

Yukio is standing by watching the drama of the reapers and Rin and Ryuuji fighting, and he is very clearly armed. Was he to shoot the reaper or Rin? Place your bets. Bearing in mind he has already failed to shoot Rin once when he did not have nutrient bullets.

Chapter 5 is an Izumo and Shiemi focused chapter and really only shows Rin actually sending for Yukio for back up and Yukio sweeping in to save the day.

Also it's important to note that we are five chapters into this story and Rin has flamed up in every single one of them, a little or a lot, and this one he very nearly did because he was trying to draw the sword in full view of Izumo and Shiemi. Rin also loses his shirt and the manga makes a gag about him trying to hide his tail, but don't forget that he has been ordered to hide who he is. Five chapters in and four of them have had that stipulation and Rin seems to be doing very little to really hide himself.

We the readers see all this through his point of view and symphathize with his choices. He has no training and doesn't know how else to fight anything, and he doesn't know a lot about the world to know what is and isn't dangerous. Each situation feels dangerous and like he has to flame up.

But he also won't study and learn other methods. Three of his classmates in the next chapter will show that they know how to fight a demon like this. All of them are in the same classes and have access to the same materials.

One of them will even step up and fight and be hiding a big secret themselves. Technically four of the classmates are hiding secrets at this point, but Shima is the one that can summon a god with his khakkara and just uses it like a bat instead. So it is possible to not reveal ones self and fight.

Rin had other ways, but as Yukio pointed out, he is a bit stupid and doesn't think things through.

Anyway, chapter six happens and the students are brought to the creepy dorm the twins live in for their 'practice' exams. A fight breaks out because Izumo is a bully and it escalates.

I also have to point out that the fight starts while Miss Angeline the aria teacher is in charge. She walks out of the room and leaves Yukio to deal with it. His coworkers are lazy and not a lot of help. Tsubaki has left a class to fend for itself so he could attend a booty call, and what we see of the others in Kyoto show that there is a serious lack of dependable teachers in True Cross. This directly puts more on Yukio's shoulders. He gets responsibilities from everyone.

The test happens and Rin runs off to try and pull the naberius away form the other students. This was a terrible idea especially when Yukio had just finished lecturing about exorcists not fighting alone. He left the other students to fight the remaining naberius alone and weakened the team. It also heightened suspicion around him when he defeated that demon alone. He didn't know there was a second, but he didn't do anything to check or make sure they were safe.

He reveals himself to Igor Neuhaus, the magic circles and summoning teacher, and that is the important beat for this chapter as far as the twins go.

Chapter seven is one I want to slow down and focus on because it has a lot of twin development and Yukio development. He's been more in the background for the last few chapters, and he shines in this one.

Post certification exam, Yukio catches Igor Neuhaus in the office and calls out to him.

We learn a few interesting things here. One, Yukio is a king at pointed business talk. All stern politeness here.

Two: Neuhaus knows who Rin is, Yukio knows he knows who Rin is, and they both know he swore to keep the secret. Rin knows none of this, of course.

Neuhaus gives Yukio some awful news. Mephisto Pheles told him to do it. To push Rin specifically and to try and make him feel in mortal danger push him to use his powers.

Yukio has been told to stop his brother and now he finds that the Demon King who ordered him to do that also told someone else to do the opposite, and Neuhaus knows Yukio is supposed to be the breaks but Yukio did not know Neuhaus was meant to be the gas, meaning that Pheles did not share equal information.

If he didn't tell Yukio that, it is like he has kept a lot else secret.

Yukio goes entirely into serious mode and lies.

Yukio very rarely believes anyone, and he doesn't believe Neuhaus.

Rin has, at this point, not shown himself in control of his emotions and only sort of shown himself in any kind of control of his powers. Yukio knows this first hand and has had to do most of the dealing with Rin's inability to do either of those things. He is the one cleaning up each of the messes and distracting everywhere he can so Rin isn't revealed.

Yukio will unhesitatingly lie to protect Rin and to misdirect when needed. We learn this early and cannot forget it. Rin is not always a dependable person to lean on for pov with his quick and often inaccurate assumptions, and Yukio is not always telling us the truth. These characters require us to pay attention.

More Yukio and Shiemi stuff happens, and we'll cover it later. It's enough to say he's trying to get Shiemi to decide if she wants to be an exorcist or not.

In the middle of their tea this happens.

Yukio has killer instincts. He is always thinking and analyzing something even if he looks to just be enjoying tea and smiling like all is well. Keep that in mind when you're reading. It holds true even when we're not viewing a scene from his pov.

It seems to hold fairly true for this scene as we see the next several panels showing Neuhaus seeming to stab a sleeping Rin, but psych! Yukio had already moved Rin and Neuhaus stabbed a pillow. Yukio is standing there behind him with his gun cocked and Neuhaus has walked into his trap.

Neuhaus summons a lot of hands and runs off and Yukio gives chase. They get to the roof and Rin wakes up, gets an explanation from Shiemi, and runs after both of them.

On the roof Yukio is trying to demand answers and not getting them. It is chapter seven and this will be an immense drive for Yukio. He will keep asking questions and keep not getting answers.

This too I think is a manipulation of Mephisto, and why Mephisto wanted Yukio to know that he gave Neuhaus the orders to be Rin's gas.

Anyway, Yukio seems to be losing (he isn't) and Rin arrives on the roof to take on the summoned monstrosity that Neuhaus created, and Neuhaus, and Yukio is left to his own devices. Rin is getting hammered and looks to be losing, and when things get terrible--

Yukio does what he was clearly planning to do the entire time and just breaks the chalk circle with his foot. Neuhaus himself told the entire class to do that if a summon gets out of control, and Rin even tells Izumo to do this.

This is probably the most useful thing we have learned in class and almost everyone makes this mistake at least once in the manga. Everyone but Yukio.

Neuhaus keeps trying to kill Rin and Yukio pleads with him to stop because Neuhaus is now at the dangerous point of blood loss and will probably kill himself in this endeavor. Neuhaus doesn't stop and stabs Rin through the gut with a summoned arm.

Rin diffuses the situation by telling Neuhaus he can take it and to keep dishing it out if that'll make him feel better, and Neuhaus walks off not to be seen again for quite a while.

Yukio hurries forward to do what he always does when he's frustrated. Lecture because Rin didn't listen to him and put himself in danger.

There are two thins I want to discuss here.

One, Rin sees no problem with just being torn the hell apart in a fight if it saves someone else from being injured, regardless of whether it is the best method forward. He sees himself as being able to take it so why bother thinking things through further than that? He can take the hit so he will take the hit and someone else can figure the rest of the plan out.

Two, Yukio will continue to grow more and more frustrated with this part of Rin and with any situation where Rin refers to himself as demonic or seems okay with the 'monstrous' parts of himself.

He does not want Rin to be a demon. He cannot accept the blue flames and what they mean for both of them. He doesn't want to see this part of Rin. He is obviously grateful Rin is healing, but it means Rin is more and more demon.

Shiemi comes up and berates Rin for bleeding all over the place and fighting her on patching him up. That leads to this:

This is about more than Shiemi picking the meister and choosing to be an exorcist. As an exercise on critical analysis, and a nod to teacher Yukio, I'd like to ask what you think it means for him as a character. What all is he referring to? What has Rin done that he can't? How does this further what Kato has already shown us about how these brothers see each other? Do you think Yukio's assessment is accurate? A bit rosy? A bit harsh?

The students all get told their exwires now and Mephisto pays for the cheapest kind of dinner as a reward. We know this is cheap because the poor students will continue to eat here because they be broke.

The chapter ends with this scene between Mephisto and Yukio.

Now I skipped over it, but in chapter 4 Mephisto called Amaimon the Demon King of Earth over specifically to continue testing Rin. He'll show up in a few chapters to beat the hell out of Rin.

Mephisto is openly lying here. He knows it and Yukio suspects it, and the way he is staring at Mephisto makes it obvious they both know Mephisto is full of shit.

Yukio is, as ever, polite. Polite and the slightest bit threatening, and thus the pawn pieces are moved and this pawn piece is showing that he is aware of the manipulation and not promising to be a compliant piece.

These handful of chapters set up a reoccurring cycle for the twins that is vital to understanding Yukio. Rin is impulsive and reckless and always putting himself and his secret at risk. He is wildly careless about his secret and it will result in his sword getting stolen, his flames being forced out, Shiemi nearly being crushed by a lot of rubble, and a large group of exorcists seeing him walk off a hard headbutt from a cat the size of an eighteen wheeler. And that's just a flyby of two chapters.

Over and over and over again Rin disobeys his directions and does what he thinks is best and it is usually on others stepping in to get him out of the situations. He has the power to probably handle things himself, but he is not to show that without forfeiting his life.

And likely Yukio's, thought Rin doesn't ever seem to think about that and might have changed his ways if he did.

Yukio is shown having to always stay on his toes and constantly be on guard against outside threats trying to manipulate Rin and Rin's own naivety or stupidity almost revealing him. Each chapter is pushing more and more responsibility on Yukio while Rin thinks of himself as getting more and more capable, though he has yet to show he is trustworthy.

He is loyal and willing to take any hit and won't stand by to watch violence, but that doesn't mean one can trust him. Yukio can't depend on him to follow any direction given and it is causing the weight of their shared secret -- that they're the sons of Satan and Rin has Satan's flames -- to fall unevenly on Yukio's shoulders. He is the one having to cover the tracks and manipulate the narrative and throw distractions to keep this secret.

It is important to bear this in mind when looking at Yukio as a whole. They are both the same age and both students at this school, but never once is Yukio treated as being the same age or treated as another student. He is always looked at to be the adult and responsible one. The one that should have let Rin know something or should have stopped something from happening. Always held as the responsible party for when things go wrong. Always the one looking a little deeper and not taking things at face value.

And this is just chapter seven.

I'll try and get us through to the forest training camp in the next installment, but we'll see how that goes because Shura is about to show up and make all of this deliciously more complicated.

[grumpchump]

Adding the full yap because a few people asked for it !

(no fast pass spoilers, I'm not caught up yet anyway!)

I feel like this theme applies to almost every character in the main cast.

First of all, we all know that one of Chase's biggest aspirations is to be a famous singer, even though nobody in his life really thinks he can do it. He seems perfectly aware of this. He knows that everyone thinks his dream is impossible, and maybe part of him thinks the same thing, but he just doesn't care. He's still extremely determined to realize his goals despite what everyone thinks of him.

Buddy especially doesn't think very highly of him (at first!)- throughout a good portion of the season, he constantly assumes Chase is going to give up the stories as soon as they get hard. But as Chase says in Sick Day, it's not his style to give up. He is so much more than what a lot of people expect him to turn out to be and he's so cool and I love him so bad

This applies to Buddy pretty obviously too. He's meant to be a cold and ruthless villain, and he certainly does try to be that. He's tough and more than a little mean at times, but we can see pretty consistently that he isn't as heartless as he might want people (Chase) to think. Even from the beginning when he's determined to antagonize Chase and get his key, he drops hints and helps him to finish the stories.

I always thought the scene in the Cinderfella arc where he tells Chase that he can eat the storybook food was really interesting. Like, he has no incentive to do that. He has no reason not to sit by and watch Chase suffer wanting to eat the desserts. But instead he does this small act that is, whether intentionally or not, actually kinda nice of him. It's just another small moment that shows that the villain persona people expect of him isn't really all that he is.

(This is a smaller thing, but I think with his exterior and how he acts in the books, we kind of expect him to be cunning and hard-working. I believe Punko said in a Q&A that in his free time he's actually an extremely lazy person, contrary to how we usually see him. I'm just mentioning that because I think it's funny and I love him a lot.)

Deacon is an extremely complex character with so many layers that I honestly am still grappling with, this guy's really cool.

A lot of his struggles are with the expectations placed on him. We know his whole life and career have been planned out for him by his parents. There's constantly a lot of pressure on him to work hard at this path that has been chosen for him, but in reality, he doesn't want any of it. My man just wants to read his shitty fantasy novels and chill with horses, give him a break !!

He's also constantly trying to defy his role as the helper key (specifically in Sick Day and The Book of Deacon). I think it's really interesting how he struggles to accept his role. Chase and Buddy don't actively try not to be the hero and the villain, they just naturally are more morally grey with it. Deacon, on the other hand, is almost a little desperate to go beyond being a helper and fall into another alignment, acting carelessly and causing trouble because of it. And the thing is, it makes perfect sense why he'd do it.

Books are very much a source of escapism for him. Actually getting to LIVE OUT the books is extremely exciting. Inside the books, he has a chance to escape his parents' expectations- being the helper, though, he just feels like he has a new set of expectations placed on him. Once he actually gets to be the hero in The Book of Deacon, he learns that this role is just as tough- again, he's trading one set of expectations for another. There's really no winning for this man lol. but im getting a little off topic here.

What Deacon needs is to reject the expectations his parents have placed on him and do what will make him truly happy. We can see how Buddy and Chase sort of naturally deviate from their expectations just through being themselves, but Deacon is still struggling in this process. Deacon is struggling to be himself in the way Buddy and Chase do.

There is still that level of acceptance he needs to have for his current situation though, specially in his helper role. He's still struggling to grasp all that being a helper means and how it's still just as important a role to take on as the hero or villain. He needs to find a way to balance his responsibilities and his happiness.

In Prunella's case, it's a bit harder to say- as of Friends and Family, we haven't gotten to spend as much time with her as the boys, so we're still learning more about her. I think the irony of this little girl getting to play the role of the big strong hero is sort of a subversion of expectations in itself lol.

We've also seen her upbringing. We've seen her mom. We've seen her house. It's a big awesome fairytale mess, and she doesn't really fit into it at all- being more into wilderness survival, she's not really what most people would assume her to be when they see her home life. Nothing wrong with that of course, just worth mentioning. We also learn in Friends and Family that she's very advanced for her age- she's extremely smart and probably a lot more understanding and level-headed about all the key business than I think a lot of other kids would be. I'd say she deviates from what a lot of people would expect of a child her age.

I'd love to hear if anyone has any other thoughts about her character !! I like her a lot and I'm excited to get to know more of her in the story :)

I wanna touch on the Keys last, specifically Silver. This part will be more speculation, so take it with a grain of salt.

In line with the theory about Silver possibly betraying Chase, this theme would apply perfectly. The way we've gotten to know Silver, she's extremely sweet and caring. She acts very selflessly for her family and friends and is eager to lend Chase a helping hand in saving his mom.

What we need to remember is that her first priority is to take care of her family. Helping Chase with his thing is definitely a means to reunite everyone (since he'll need all 12 keys to make his wish anyway), but it may not feel like she's doing enough. Helping her family and taking care of the Keys is her ultimate goal. If she's the heroine of her story, it makes perfect sense that she would take whatever actions necessary to do this.

The problem is, Cinderella Boy follows CHASE as the protagonist. We're rooting for Chase to evade Ex Libris, collect the keys, and save his mom. From this perspective, Silver betraying Chase, going behind his back, etc. would technically be an antagonistic action.

Am I saying that makes her a villainess? No, I really don't think so. But we've come to know Silver as a kind, supporting force for Chase. All I'm saying is, if she really were going behind Chase's back in some way (referring specifically to the letter she writes to Violet at the end of Friends and Family), it would absolutely subvert ours and Chase's expectations of her. It would line up with the theme of defying these expectations.

This theme is another of the many reasons why the Beach Boys arc is so important.

Circling back to Chase and Buddy, the core relationship at the center of the story- up until this point, Chase and Buddy have not cooperated with each other. Just a few episodes ago was the Toffee Break arc, where Buddy was an absolute menace and Chase straight got him thrown off a boat, lol.

But then Chase sees Buddy struggling to light a fire, and he does something unexpected. Even though he and Buddy have spent pretty much every moment together as rivals, he offers Buddy a tip on how to start the fire. He completely subverts what we've come to expect of their relationship. And then Buddy does something even more unexpected by returning the gesture and sharing his fish.

They're meant to be the hero and the villain- complete antagonists to one another. But in this moment they both choose to defy their expected roles and share a small, nice moment.

Later, Chase offers to help Buddy get out of the dangerous situation he's living in, and Buddy assumes he's lying. He doesn't expect Chase to be genuine about it. But like he says in Beach Boys (VI), Chase gets mad at him for doing the same thing, and he realizes he's been wrong about Chase maybe the whole time. Chase is not at all like Buddy expected him to be.

I think the point Chase makes in this episode about their roles as the hero and the villain is extremely important to the story as a whole. Buddy is meant to be the villain, so he's supposed to be a horrible person. Chase is meant to be the hero, so he's supposed to be patient and forgiving. But Chase says it himself- he doesn't care about that. He isn't the perfect protagonist we might expect him to be. He's an extremely kind and good person, yes, but he also has no trouble standing his ground and acting the way HE wants to, despite what everyone thinks of him. And Buddy, while harsh and standoffish, has plenty of moments that showcase how he's actually quite a caring person when he starts to let down his guard around someone.

Hell, even the entire concept of Cinderella Boy as a whole is kind of a subversion of expectations in itself!!!! A boy finds a magical artifact that lets him enter and play out any story he uses it on, but, ironically, he always has to be the princess?? it's amazing i love it

Cinderella Boy shows us consistently that nobody is stuck playing the role everyone expects them to. Nobody is bound to the perceptions that other people have of them, and everyone is free to defy these expectations and be the person they want to be. Chase says it best in Beach Boys (IV): "Nobody should have to accept being the villain if they're trying their best not to be."

To rap up my yap session, Cinderella Boy is a narrative about defying expectations and other people's perceptions of you and being a person of your choosing and everyone should go reread it one billion more times !!!!!!

shout-out to Cinderella Boy and its ongoing theme of defying the expectations everyone has for you and being more than your roots and upbringing, gotta be one of my favorite genders fr

[mymoshangthoughts]

the amount i wanna explore the immortal alliance is just So Much

okay there are LAYERS to how i feel about these events

because look guys, so far as we understand, airplane is a pretty normal dude. a bit of an internet troll (ok a lot of an internet troll), a horny writer, and an immature punkass who's completely shameless, but like... he's not a mass murderer ya'll.

it KILLS ME that we never got an airplane extra about the immortal alliance because dude HOW HE FELT ABOUT THAT IS A LOT

yeah, he's grown up in this world and yeah he might have had no choice either via the system or via mobei jun or a mix of both, but its absolutely bonkers to be able to just walk off "yeah, a bunch of CHILDREN died in really brutal ways directly because of my influence". like shen yuan was wracked with guilt for years and he only 'killed' one kid and he knew that kid would walk it off.

and i dont buy the explanation that airplane wasn't treating pidw like a real world because frankly... i just dont think that makes any fucking sense if he was born there. yeah, it's gotta feel a bit wonky and unreal with the system in his head, but dude he was BORN here. suspension of disbelief that this world wasn't 'real' wouldnt last a few years, much less several decades. the sheer number of people he would have met, interacted with, and knew were REAL wouldnt make it possible. i do think that he made a huge effort not to get attached to anyone, knowing that bing-ge was gonna kill the fuck out of basically all of them, but theres a big difference between "ahh yeah that guy is gonna die so imma try not to get attached" and "lol ive lived in this world for thirty years but i dont actually think any of this is real"

so look, theres two possibilities for airplane's reaction:

he really does have a seriously fucked up side of him thats 100% okay with murdering children

he was VERY not okay with what happened but he had no choice and he's just Coping the best he can

there's also some answers in-between, but fuck i need to know this answer so badly because knowing the answer to how airplane reacted to the immortal alliance is SO character defining and it drives me insane. characterizing a person who can justify children dying because "not my problem, idc" versus someone who's horrified and traumatized over the part they played in child murder IS KINDA A BIG DIFFERENCE

personally, im coming to a headcanon somewhere in the middle. because tbh none of the airplane extras really spend any time addressing him feeling any sort of guilt over the situation. which does make it seem that he really does have a seriously dark side to him. and he did walk off his fellow disciples getting murdered by mobei jun very easily. but also, i headcanon that he is just the Master of compartmentalizing shit that fucks with him. cant deal with the events of the immortal alliance? thats fine, imma just put those feelings in a box and Never Think About Them.

i actually like to think that airplane's issue with the immortal alliance is the exact reason that mobei jun showed up in person. airplane is doing the immortal alliance thing because the system isnt giving him a choice and he's trying Very Hard not to think about "oh wow, theres gonna be a lot of junior disciples dead by the end of this haha, wow, they look so young ahhahaha, did teenagers always look like toddlers??? bc this is fucking me up REALLY FUCKING BAD" and mobei jun notices that something is Really Wrong with airplane and he cant decide if he's worried or suspicious of airplane's behavior

so he decides to show up in person, just to make sure shang qinghua isnt gonna pull anything but also that the idiot doesnt die while he's acting So Weird

but i think that airplane is like hyper pragmatic

so he's horrified in the planning stages and maybe even in the execution stages, but once it's over he's very much "they're already dead, theres no changing that, theres no point agonizing over it" and its not that he's OKAY with what happened but he literally cannot justify tearing himself apart over people who are dead because that isnt going to help anything. they're not alive to see him upset over it and even if their ghosts could see him, they're not gonna really feel better over dying bc "the guy who killed me feels really bad about it"

i also think that the years airplane spent growing up as shang qinghua play into it A LOT. he's had decades to come to terms with the immortal alliance happening. he knows its a major plot point, it's basically one of two major plot points that shang qinghua has a part in, and the system is unlikely to let him get out of it. so he's spent a longgg time numbing himself to the reality of "im going to murder dozens of children"

this is all my speculations tho and i just wanna rip my hair out that we dont have an immortal alliance extra!!!!!! i just want to KNOW instead of guessing where his head is at. literally, if he doesnt feel any guilt over murdering children, that's kinda a Big Deal characterization-wise. and if he does feel guilt but he doesnt express it thats ALSO a Big Deal characterization-wise!!!

I JUST WANNA BE ABLE TO ACCURATELY PORTRAY HIS PERSONALITY FFFFUUUCCCKKKK I HATE THIS

anyway, im obsessed with the idea that mobei jun is the one who notices when airplane is Not Okay even when he's compartmentalizing like crazy. like airplane is so far down his hole of "its nbd and idc" that he actually believes it. he has to believe it to be able to live with himself. but the way he's fucked up shows up in other ways, maybe he's more forgetful than normal or scattered or clumsier or some mixture and mobei jun just Knows something is wrong, even when he doesnt know exactly what that wrong thing is

and like it becomes this thing where sometimes mobei jun knows airplane better than the little shit knows himself. airplane is so busy lying to himself to cope with his new reality and mobei jun sees through the lies that airplane believes.

but heres where mobei jun hits a problem lol. like, he knows theres something wrong, he knows how to read shang qinghua suupperr well, but does he know what to DO about any of that? absolutely not lmfao

"hm. qinghua is not okay. i should beat him four times today" LIKE THIS MAN DOES NOT KNOW HOW TO HELP EVEN WHEN HE UNDERSTANDS THE PROBLEM AND THAT'S HILARIOUS TO ME

like mobei jun shows up to the immortal alliance like "qinghua has been in pain over this. i'll show up unplanned and beat the shit out of him in front of everyone. that'll help."

i just think these two are an absolute disaster area and i love it

btw i am desperate for mobei jun's pov during the immortal alliance okay because LOOK

I'VE BEEN THINKING ABOUT IT ALOT

AND IM CONVINCED THAT MOBEI JUN /DID/ HAVE FEELINGS FOR AIRPLANE DURING THAT INCIDENT

BUT ALSO

ITS COMPLICATED

like i dont think mobei jun is simping like binghe, i think he's got some weird mixture of denial and affection and frustration and pining and hatred and suspicion thats all mixed up in all the best ways that during that time he is super in love with airplane but he's also got a lot of other Complicated feelings toward him AND I JUST WANNA SEE HIS POV TO PROVE MY HYPOTHESIS SO FUCKING BADLY WHY THE FUCK DO WE NEVER GET HIS POV IMMA SCREAM

mobei jun's fb status "its complicated"

airplane's fb status "single"

mobei jun: ...........im going to murder him. im going to murder him in his sleep. omfg i hate him so fucking much. WTF DO YOU MEAN SINGLE, YOU ASSHOLE

[nothing-leave-me-alone]

Cog in the machine au

Character hc

Orion

Didn't have many friend among the miners as he kept getting into trouble and demoted or moved to toegr departments.

Isn't the best at making friends as he is used to being moved from one place to the other

His last job in the upper levels was with Elita group but darkwing threw him to level 50 quickly after.... No one but Elita noticed that he was missing.

It's down there that he meets his best(only) friend, B-127, or bee as he likes to call him.

Orion is slightly smaller and weaker due to having alredy little energon down in lv50 and also having to share it with me

He still sneaks out and onto the archives pretty often. But now he does it with company as bee refuses to let him go him alone

Others don't reconize them as Orion and bee but those two crazy bots that run around some times.

He always tries to give what energon he saves up to bee out of worry for the trouble he brings him on

B-127

Was so so happy when he met Orion. New coworker (best friend forever and ever) let's go! Calls him pax because he couldn't think of a better nickname

Elita

Super excited to go out with pax to the archive and help out everyone find the matrix. That way they'll never go hungry again and they can go out like all the other cogless!

He and Orion are 100% the younger brother older brother duo. He idolizes Orion

While Steve and company were great, Orion is now his BFF, so sadly the guys need to be moved out since Orion need a place to sleep and plan their search to for the matrix

Still very chatty and Orion encourages this. They are eachothers only constant after having such an unstable life so they cling a bit (a lot)

He has told Orion all of his high guard facts. Orion now looks for stickers and info on the high guard as b-127 is a huge fan

I headcanon him as a starscream fan

With the space they have at their table to sleep Orion made mini versions of starscream and his trines alt modes and hung them on the ceiling for them to see

Tries to give what energon he saves to orion in turn

She was the last boss Orion had before darkwing demoted him to lv50

She was so worried when she couldn't find that new guy and no one knew where he was

She finally asked megatron what had happened and after much pressing she was told they where in lv50.... She was horrified and worried but there was nothing she could do

Since she isn't Orion's boss for long she isn't as harsh on his behavior, but she is very worried for them. (giving Elita my eldest daughter syndrome)

She often sends down energon and medical supplies for them.

They aren't her responsability or problem.... But someone has to look after them. Primus knows they don't do that themselves

Without Orion or d-16 a cavein killed jazz.... Elita blames herself and can't even manage to defend herself when darkwing fires her.

She failed jazz, she failed her team, and she feels she's constantly failing Orion and bee. At least in waste management there's no one she can let down and she has more chances to see her two clowns

She saw them on the race and nearly threw herself in the track to drag them out.

"what sort of idiot cogless would run on the race? ..... SCRAP THSOE ARE MY IDIOTS!!"

Ran to the infirmary thinking the worst had happened as she didn't stick around to see the race and stumbled onto megatron and darkwing who had been hurt by Orion and B-127 in the race

Megatron

Another mine supervisor with darkwing

While not as cruel he is much more strict

Couldn't tolerate Orion and his disregard for megatrons perfect plan to a mediocre yet simple and stable life

He has few friends. As in.... None

He is too dedicated to his job and has no time for a social life. So anything that upsets the balance of this causes him bouts of anger.

Still a big megatronus prime fan and sentinel idolizer with darkwing.

His relationship with darkwing is somewhat of a asshole idler brother, loser little brother. Megatron desperetly craves aprobal and beloved he can earn that by working his aft off.

Megatron tries to impress him, as he is his superior and a many times racer of the iacon 5000. But darkwing at best mocks him and plays it off as a 'joke' this leading to megatron being a bystander to his abuse of the cogless

After the iacon 5000 he had stopped just before he could hit B-127 graveously, and it caused both him and darkwing to not cross the finish line

Darkwing was pissed and fired him. Put him as supervisor of waste management.

He subconsciously begins to crack. All that he worked for just went down the drain because he didn't hit one meager cogless bot....

[hello-there]

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[starrieisdelusional]

why kairi might be the one who manipulated sora's memory

yes you read that right, and no i did not mis-type this (if you're thinking hey that should be namine!)

i was going back a few times to kh3 and i found many patterns and cutscenes in 3 that can be compared to previous installments of the game, even side by side, this one particularly caught my eye:

crazy am i right

so remember that scene in 3 where sora falsely exclaimed "the light in the darkness" to be kairi? (it's actually riku) where sora and kairi goes enters the light to made it back to the real world

previous clip in link because tumblr isn't working with me ("riku, answer me!!" comparison with "okay! i have to protect them (aitsu)! Namine can you hear me?")

as you've seen in the comparison i realized it probably a direct paralell to namine's fake meteor shower scene back in COM Sora's side. And these lines of dialogue in particular interest me

it got me thinking, and i think that kairi purposely did something to sora's memory at some point in their lives. The exact when i'm not too sure, but she had inserted herself into some of riku's part in sora's life as sora's taisetsu na hito (special someone)

i know this sounds crazy, but i think there's a valid reason to this theory

Why??

the motive is clear: that kairi is lonely. i personally relate to her character struggle, loneliness can be suffocating, just like how namine portrayed hers that resulted to the events in COM

kairi's main theme has always been about 'seperation' and being left behind by sora and riku. so it would make sense for her to crave attention

kairi might feel sad that sora and riku doesn't pay attention to her unlike how they pay attention to each-other, so i don't see it as off character for her to insert herself into a fake picture if she had the chance, especially as the love interest of her crush

she even said this back in KH1 which sora responded with "Huh!? What's gotten into you?"

or is it done out of malicious intentions? there might be a possibility for that, but i don't think it is as it goes against kingdom hearts thematic story that stays consistent over the years, that portrays every character struggle in a sympathetic way that honestly you can relate too

(xehanort is even a subject to this in dark road)

i think that kairi felt really guilty about it and didn't realized the impact that she had done to sora and riku's relationship. or maybe she thrived for it, because even if the affection is not real, kairi is still loved and remembered by someone as their precious person, and it feels nice especially with someone like sora

snippet from kh3 novel

in the novels, there's a strong hint that kairi cut her hair because riku cut his, which contributes a lot to the theory of kairi wanting to be sora's precious person (riku) where she somewhat mimics his behavior (she probably realized deep down sora cares more about riku than her)

Passing Memories

i think this also made sense lore wise, because why else would sora suddenly lost his memory of riku? and i don't think sora's sort-of infatuation with kairi is caused by comphet alone

forgotten promises is a recurring theme in sora and riku's relationship, everything up to this point has always leads to hidden thoughts and burried memories, you have to dig deeper if you want to find a connection between sora and riku, the examples currently are:

whatever is happening between soriku

passing memories jp name of oblivion keyblade that is owned by roxas

riku is the TRUE light

necklace theory: the fact that THE necklace is everywhere in the game but is never brought up like ever

aitsu (check full discussion on the internet)

COM the game (just everything related to COM, the only game with riku and sora beside DDD? it's sus if you ask me)

compared to sora and kairi who's relationship always seems shallow and on the surface. i think it made more sense with the 'why' factor answered, because every time sora is thinking of riku, kairi would replace herself in his position, just like the light-tunnel scene in kh3

the 'oathkeeper' (promise charm) and 'oblivion' (passing memories) also reflected sora keeping his promise to kairi, but forgetting about his to riku, riku might not be affected in the same way that sora does, so this happens:

+ the multiple and many instances, riku is straight up covered by kairi

some of those instances:

kairi is true darkness (ex: sea is metaphor for darkness)

xion (is said to be kairi but proven also to also be riku)

the final world

Power?

honestly, i think kairi is more than she lets on (like LUXU), let's talk about her nobody:

i think it's already suspicious that namine has the power to mess with sora's memories (because she's from kairi's body and sora's heart?) when existing nobodies like roxas and xion for example has powers directly tied to their somebodies (kingdom key), xehanort doing xehanort things, marluxia possessing the same rose petals as his somebody counterpart, (and a lot more...)

so, with a game like kingdom hearts, does namine's powers really came out of no where? we know that sora doesn't have the ability to manipulate people's memories, so who else could it be?? kairi's powers might even be more powerful

this would also aligns with the theory 'riku is light-kairi is darkness' because even at front value the game is telling you 'hey kairi is LIGHT and riku is DARKNESS' time and time again its always the reverse in certain situations, but you never got to wonder what it actually mean

yes riku is the light, but why is kairi the darkness?? yes she sort-of brings demise as xehanort's pawn, but is it really just that?

lastly, kairi is a princess of heart, and might even came from the lost masters era as it is decorated and spammed with stars (every symbol is replaced by stars i'm not joking)

it's very on-theme with the 'traitor' plot point that has been consistent in every khux game, so... (i have a theory that kairi is master ava, or master ava is her grandma, OR kairi is mom... or skuld)

in addition to all of this, i also think that kairi can also be a creature, maybe she's actually a chirithy:

however i do think as opposed to riku as a dreameater (spirit), kairi is a nightmare chirithy, as seen in their color pallet (might be a coincidence but who knows)

[nose-rice]

OH MY GOD YES. YES YES YES. I mentioned this in my og post but with the whole Nuru being raised differently, I mainly focused on her being a girl and royalty. But being a black girl also plays a huge roll with the whole "you're either the mom friend, or sassy". I've seen her portrayed as straight up mean before which is personally infuriating to me.

And with Yong!! Like you said he's a pre-teen! While I certainly wasn't matured, I wasn't thinking surface level thoughts. You start to overthink, find yourself, and your rose-tinted glasses start to fade just the tiniest bit. He's more than just "wow.. ypu guys seem really sad," or "wow! I'm so happy my fireworks worked!" And him being the fat asian kid leads is also troubling like you said. He's never taken seriously beyond the surface level "I don't wanna bother you guys" It's just really sad to me because I see so much of myself in Nuru, and I absolutely ADORE Yong and his absolutely vibrant personality. I feel like he holds immense power when it comes to shifting the tone of the story since he's the main source of optimism in the group, which could also set up a character arc that deeper than one short little moment of introspection.

Also this is a more personal thing but as a mixed poc, I am STARVING for literally any fun cool story I love with MAIN poc characters with complex thoughts and arcs. And I mean the MAIN. STARS. I'm a little tired of seeing the white lead with their poc friends that serve them in every way, and if we're LUCKY, perhaps a poc love intrest, which we didn't get here lol. Ofc I still love them. I just have been craving more diverse characters that can be seen in a complex light, which is what started my whole Nuru rant (i love Nuru soso much)

And i do agree that part of it is the way the story was set up fundamentally, with there being almost no info on Nuru and Yong, and being centered more on the main white couple. But I think it's great that it was just a first draft, and Anna and Kay have said they enjoy seeing different interpretations and chages. It's just unfortunate that most people tend to grasp onto what we're given a little too much, and not exploring so many possible concepts. The whole point I feel was that it was an idea thrown out there to whoever wants to add on to it or simply just enjoy what's already there, but the fandom pretty heavily tilts toward the "enjoy what's given" side.

Not to mention DONELLA AND ULLA?? EVEN CYRUS!! I personally am biased towards Donella but I feel a lot of the things with her can be said for Ulla too. I feel that a lot of the time they serve as plot devices for Varian and Hugo respectively. Obviously they're all very important to eachother, but I wanna see more of THEM. Just Ulla. Just Donella!! There are some good fanworks and art out there that do dive deeper into them, at least a big chunk more than Nuru and Yong which is a little sad. But I feel like I never see any fanworks that focus on their backstory aside from the library and "sons". What about THEIR parents, where they grew up? Their little quirks and their cultures? I especially find the way some Donella redemptions feel half hazardly taped on for the plot infuriating because to get to her state, you have to be pretty set in you beliefs!!

And to be fair Cyrus is very much less involved as he is Don's "side kick" sort of? Bodyguard? It's up to interpretation. But I really like seeing people giving him a bigger role in stories. Like. PLEASE. This is more just me asking for things I personally wanna see but I sorta wanna see a found family dynamic between Cyrus, Hugo, and Donella. The "villain trio". I think it would be super fun! Love seeing people rant about this stuff because I never see it talked about!!

Guys I NEED to rant about my thoughts on Nuru because i love her <3 ramblings ahead

Like I feel like in almost every fic i read, she's just like, a side character that's there to make whitty remarks to Hugo and be the levelheaded one. If she has an insecurity or problem it's usually pretty surface level and solved quickly, or only mentioned once or twice. I think there are SO many aspects of her character that are so cool.

Okay first, I think we sometimes forget that she's a nerd just like the rest of the gang. Yes, on the outside she's definetly the most 'normal' one, but I think we should concider the fact that she's the only girl in the group, and she's literal royalty. She was raised with a completely different set of standards than the other three. I don’t think I've really ever seen anyone cover that. I feel like she would get called "mature for her age" when she's only 15/16, and almost always gets critisism when she talks back with her own ideas (like her concerns about the meteor shows for example). I feel like out on her journey, she would finally get the freedom to just be herself, and be a kid and be able to rant on about her intrests with the rest of the group. It could be a struggle at first, but it would be awesome to see her getting more comfortable with the group the longer they spend together! Nerds encouraging nerdy rants lol

Since she is a kingdom figurehead, you could also argue that she always has a lot on her hands (especially since she's very proactive when it comes to science and solving problems). This could bring up a need to be productive, or always feeling like she needs to make the right decision, even for the littlest things.

I also feel like a lot of the time she's potrayed as the "right" one, who is 100% right when it comes to stuff like arguing with Hugo. Since they're opposites when it comes to class, they often are compared through that lense. I think it's cool just having Nuru tell Hugo off for judging a book by its cover, but I feel like they have a lot more in common than they realize. I think it would be interesting to see Nuru judging a book by its cover too. Maybe not to the degree that Hugo does, but I feel like calling out both their judging would not only call out character flaws, but it also enforces that even though they hate eachother and would never want to be like the other, they have a lot of the same flaws.

Also, being sheltered in a palace her whole life, I think she might think kind of black and white sometimes, and while she knows when people are just being mean as an act, she might struggle when it comes to people like reformed criminals.

Maybe she's able to be meaner to Hugo because she justifies it by telling herself he's criminal, and therefore bad, possibly glossing over the reasons he might be like that (maybe it crosses her mind, but she tells herself it's not a good enough reason, because stealing is still stealing, and he literally steals EVERYTHING. Even little trinkets and stuff he definitely doesn't need!). When they find out about Varian's criminal history, maybe she reexamines her views on morality and how she used to see people, because by her standards, Varian is a 'bad guy' who's caused harm to SO many people, but he's also the kind, caring, helpful friend that she's been traveling with who would never willingly hurt anyone.

Moving on to Amber x Nuru, I honestly never find myself liking the ship because Amber isn't developed enough which is fine. I don't think every character has to be a magnificent work of art. Side characters are side characters, but their romance is usually written like: "wow that girl is cute! I have a crush now!" Which is cool, but then that's about as far as it gets, then timeskip! Or offscreen they're a couple now. I know it's a side couple so it won't have as much devlopment as something like Varigo, but I never really see their dynamic play out in different situations. Like I don't know how to explain it, but it feels like they solely exist to be a couple? Amber sometimes just feels like an extention of Nuru, and their relationship feels surface level a lot of the time.

I feel like too often she's just watered down to the nice, smart, grounded friend, and I don't know I just think there’s so much more to explore with her. She’s not just some side character. She's literally part of the main cast! Even in fanart I feel like she doesn't really get a lot of stuff besides funny art and just like, pictures meant to look pretty. Unlike something you get a lot with characters like Varian or Hugo.

And honestly I get it. Some characters you just don't take an intrest in. I know I find Varian, Hugo, and Nuru more relatable than I find Yong, but I feel like part of that is developing their characters rather than just seeing them on a surface level. Ofc there are exceptions and there are some stories that dive deeper into Nuru's character out there! I just happen to see this A LOT.

Wow i said "surface level" a lot didn't I 😭😭

Anyway thank you for reading my rant i wanna know what you guys think!!

[eah-confessions]

i think people are too harsh on the apple and raven switched at birth theory. sure, people are not allowed to like it and i'm not against pointing out the flaws in it but i sort of think people are overly negative about it's flaws, and i hope that doesn't affect the creator. and i'm saying this as someone who doesn't agree with the theory and also heavily disagrees with it

first of all one of the takes ive seen is switched at birth would "destroy" the destiny themes of the show- to which i heavily disagree. i feel like if the writers added this revelation later on in the series if way too wonderland and dragon games didnt end the destiny arc it would point the flaws in the destiny system and change the relationship's the royals. both raven and apple's moms have one track mind and believe their destiny should be followed. it would be a massive revelation to the characters and affect their relationships. i dont think it would make all the "drama" useless considering how a lot of it stems from the culture of the fairytale world, and it would force the characters to really consider what the destiny system is. one of the biggest revelations it would be if the parents didnt know too somehow, and it was a mistake the doctors made and not intentional. (or even an ordinary citizen of bookend who was mad at the destiny system- just throwing ideas out) if the story suddenly went this way, i wouldnt like it but it doesnt feel impossible to be added to the ever after high story, given cerise and ramona's story being added late in the story or holly and poppy. i mean swapping two different babies compared to twins being born really close together is a huge reach- but still.

another thing i've seen is that because blond hair can be be recessive it disproves the theory. i understand the theory is mostly because of the hair colors of the characters not matching, but i dont really think this disprove it because it's really hard to dispute given how bare bones the theory is. many bad theories are intentionally or not intentionally difficult to disprove. i also thought, as far as i know never seeing both sets of parents even in an illustration for them is kind of suspicious to me. it would be interesting to see them focus on their family tree as well, but they didnt probably because that would kill the suspense of seeing these characters later on.

i do think this is a bad theory (its more of an idea than a theory), but an interesting story concept that could have even be considered for ever after high. i do think that its possible that this was an early idea for ever after high. consider the following: ever after high was in development for several years and wasnt even about fairytales at first, it was about witches. disney was even working on desendants as well. now part of me wonders if the reason that apple doesnt have black hair is because of disney and not wanting to make the characters too similar to disney's despite them having the well known versions of many characters. so they have to call back to the disney version (ex: adding yellow and gold in apple's design) without directly copying them. another thing that strikes me as interesting is that in one of the original versions of snow white she has "hair as black as ebony" yet in her future shown in the mirror we never see snow white in the future with the blonde turning into black hair. in fact its raven who undergoes more of a transformation. knowing how much ever after high uses the original source material of the original it's something to consider. another interesting thing to consider is the possibility if cerise was going to be more relevant this theme would make sense throughout the series, of inheriting a destiny that doesn't belong to you (i believe she was in the stop motion short) so with this i propose that it could have been considered at one point for the story, but didnt use it because it didnt work. another interesting idea is apple and raven not being switched, but being related somehow. like if the good king had a relationship with snow white but left her for evil queen and she had apple because of that. so apple and raven would be half sisters. again, not something i would want in canon but still interesting.

i know the original posters of these takes might disagree with me, but i feel like switched at birth- even though not a well carefully or thought out theory (literally just a "what if") can open up more discussions of the creative decisions on ever after high, and i feel like the community just going at this theory (as well as other communities going after theories that arent just "its not real") to me is sort of unproductive. ive seen too many takes on why it's stupid and i'm tired. i think the original creator, as far as i'm aware is a well read person who made one bad theory so when people say that it "lacks media literacy" i sort of get mad on their behalf, also hating that as a buzzword. so yeah, even though i think switched at birth is a "stupid" theory i think it's overcriticized in the fandom for being bad, when the concepts it has are really interesting outside of this theory. because the fact the ever after high designers made the child of snow white a blonde is very interesting from a design perspective because snow white is well known in many versions of her tale for having black hair. as well as the fact that ever after high was sort of mistreated by mattel and that affected the plot we were shown and how the fandom interacts with eah media. sorry if some people see this confession is just "people are too negative" but i do think people are blowing how bad this theory out of proportion. it's a bad theory with a lot of potential. i think this fandom in general has a lot of problems of overusing negative criticism and certain discussions becoming popular over others, like overfocusing on the selfishness of certain characters and whether or not apple (or raven) is a good or bad person objectively and arguing about it amongst each other instead of like... the larger actual story? i also think switched at birth would make a good AU and seeing what it would mean for their fairytales is so interesting. but not a good theory, no...

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[purble-turble]

okkie pallet cleanser time, i bring fluff and when i think nezha first started to genuinely fall for mk. so back in the breakup/rebound arc one of the things that really got nezha feeling butterflies was a huge night out MK had planned for him. Now, the Celestial realm does have a lot of parties, especially birthday bashes and banquets, but as you can imagine most are pretty dull formal events and are really only for show. The private dinners Nezha has with his family are better, but they are still mostly formal and always lacking in a way Nezha couldn't really explain. this year was different tho, when mk found out about his birthday he instantly wanted to do something special. Nezha still didn't know much about the modern stuff in the mortal realm and had expressed interest when mk told him about the city's nightlife. so the next time Nezha was granted a day off mk surprised him with a huge night out as a late celebration for his birthday.

he took him shopping for some stylish clothes to wear out first, and then spent the rest of the day and well into the late night taking him around the city. scenic areas and historic landmarks, community gardens or art alleys, cafes and arcades, the night market, bars/nightclubs, etc. mk had made a detailed list of places Nezha had either expressed wanting to see or try, plus places mk thought he might enjoy or just wanted to share experiences with at. and if they couldn't do something, something went wrong or nezha wasn't as into it as hoped, no problem! there was lots of other options. he of course saved up a lot for the night because he wanted to treat the prince. the sponsors he has now helped a lot money-wise. not that Nezha let him pay EVERYTHINg mind you.

it was easily the funnest and most exhausting birthday nezha could remember having in centuries. MK, who was known for being reckless and impulsive, had put so much obvious thought and care into making sure Nezha had the best time; giving him new experiences while also respecting his comfort zone. he spent the whole night with a growing warmth in his chest.

he didn't even care when he finally went home and got scolded about him being slightly tipsy and it being 3 in the morning. hell for days after that he walked about with a soft content smile and a far of dreamy look in his eyes. his much more cheerful mood overall confused the hell out of everyone, especially his father and brothers and they briefly were concerned their youngest was sick.

Ohh this is too cute!! 🥰

The dark stuff is fun and intriguing, but when there’s fluff it’s just ₊˚⊹♡ aaah it’s so good!!!

I think MK really going all out and taking charge of making sure Nezha has a good birthday is super in character for him. It’s also another way of him expressing how much he cares about a person.. as we’ve seen from MK, he’ll do just about anything for his family. He runs himself ragged for them at the barest opportunity, so when he gets the chance to do that sort of thing for Nezha too- after they’ve been together and Nezha has been so supportive and helpful about his feelings about all that Pillar of Heaven drama- well, he really thinks the Lotus Prince deserves someone to take care of him, too! So obviously it’s gonna be MK who does so!!

Anyway, yeah Nezha is not used to being so looked after. It probably makes him feel loved in a way he didn’t realize he could be loved. Sure he’s got family, and they’re not trying to kill each other anymore, but just the fact that that has to be mentioned kind of reveals the issue with seeking the affection he’s starved for from them… so when he has MK, with how thoughtful and full of life and love the Monkie Kid is, well he’d probably do just about anything for him too~

[hello-there]

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