#if I do this again next year I GOTTA figure out a specific fit to display my true vibes
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femme-enby · 3 months ago
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Workin hard, promise
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periru3 · 5 months ago
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4 and 9 for the vidder ask meme, please?
4. Vid you're proudest of?
Well, I'll give a quick shout out to Rose Bride My World, which was @tafadhali's answer to this question, as well as Inhuman Illusory Soul Fusion Magic, which are definitely both strong contenders for me. But my personal answer for this one has to be Rain in Derry. It's the most ambitious vid I've ever made and took me the longest to make by far. It incorporates clips from the It miniseries, both movies, and 7 other visual sources that are either movies referenced in the book, or just things I thought I could use to visually represent scenes from the book that aren't in either adaptation. In addition to the visual sources, I also used clips from the audiobook, and whooo boy, let me tell you, picking out quotes I wanted to use, finding those quotes in the audiobook, figuring out how to get the audio of just those quotes into a format I could use in premiere, editing them down to fit within the song's instrumental breaks and have a nice rhythm with the music, and mixing the sound so it all sounded nice and coherent was a project and a half (but also a total blast and I'd do it all again). Aside from how ambitious the task was just in terms of the scope of media used, I also went for a visual style in this vid that was a bit outside my comfort zone, with not only really fast-paced editing, but also lots of overlay effects and masking to combine different clips. It was difficult both for me as an editor and for my computer, which had such a hard time processing all these overlaying clips that by the time I was about half-way done with the vid, I started needing to render or export sections of it any time I wanted to see what my work actually looked like! So yeah, definitely my most ambitious and challenging vid, and one for a source I'm deeply passionate about, so it's gotta be my proudest vidding accomplishment! (wow, that answer got long. oops. I just have a lot to say about this vid lol)
9. What are some fandoms and/or ships you'd like to vid for but haven't yet?
Ooh, let's see, there are so many. A few off the top of my head are...
Yellowjackets - Taf has now made several wonderful vids for this fandom and it seems like a blast to vid, but I don't have any specific ideas myself yet.
Hannibal - another one Taf has vidded, though in this case I have 3 ideas written down that I've had for years now and really just need to get around to making!
Black Sails - I have an idea for this one that I think will be a really nice compliment to my existing gay pirate vid.
A League of Their Own - I have an idea for this one, and it might not shock people who are familiar with my (or Taf's) work to know it's to a Postmodern Jukebox song lol.
Poor Things - my favorite movie of last year, and not something I have any specific ideas for, but think would be SO fun to vid because of both the rich visuals and themes.
9-1-1 - Taf and my newest obsession! I'd honestly love to do a character study of almost any main character, a Buck/Eddie vid, or a Buckley siblings vid for this one, but don't have any song ideas as of yet.
A whole bunch of sitcoms, but especially Schitt's Creek - I want to keep making progress on my BNL Sitcom Vids series, and I have no less than 40 ideas written down, 28 of which are for fandoms I've never vidded, and several of which have already been started, but have been on the back burner for a while. Anyway, I love me some sitcoms, and Schitt's Creek has to be one of my favorites, so once I finish the Good Place BNL vid I've had in the works for a while, that might be the next one on my list to tackle!
These are fun! Ask me more! :D
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alpinefrsh · 1 year ago
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Hi! Baby writer here! I want to pick your brain because I like your writing!
How do you start writing? I’ve had book ideas for years, but I can’t seem to actually start writing anything. I wanna write and I wanna do this but my brain gets a little stuck at the idea part. Any tips, I guess?
How do you keep writing? My motivation is phenomenally low.
What helps you personally in the process of writing?
Do you have a beta reader for your fics?
How long have you been writing for? Can you see noticeable improvement as you keep writing?
How do you make sure the character you’re writing about has accurate characterization, do you have any tips?
Lots of love! :D
Hello there! This might be a little lengthy.
Well, usually I just have to get very strict with myself when I want to write something (no youtube, no reading fics, no gaming, etc). Easier said than done, and I actually tend to be more productive when I’m away from home, writing primarily from my phone. I suppose when there’s quite literally nothing I can do but write, it makes the decision much easier.
Also, if you’re getting stuck on a scene, don’t be afraid to rewrite and rework things. Just take whatever’s tripping you up and chuck it into a separate document. I’ve actually rewritten the first few thousand words of my next fic multiple times at this point. Finally found an angle I’m happy with not too long ago.
As for how to keep writing, it really is just a matter of dragging yourself one word at a time sometimes. I’ve got a bit of writer’s block myself at the minute, but I know that as long as I keep writing at least a little bit every day, I’ll eventually get my mojo back again. Or I’ll take a break to write something small and silly to reset my brain. That also helps sometimes. Finding a good playlist that fits the mood of the scene helps sometimes, there’s also this one playlist of videos that I’ll occasionally use. I find them helpful, but you’ve gotta be prepared to dedicate a couple of hours to doing nothing but write (with short intermittent breaks throughout). Here, just pick whichever one strikes your fancy.
No, don't really have a beta. My older sister reads my fics after I post them, so she’ll let me know if she spots any spelling errors, but for the most part it’s just me re-reading my fics in the week or so after posting to find and fix any spelling mistakes or poor wording.
My first fic on Ao3 was about 3 years ago, but I’ve been writing for more like… Idk, six years? Probably longer? Not really sure, I only started to really get into writing when I found sbi, because- I mean, have you seen that family dynamic? It’s literally so based, and not to mention versatile. You can put them anywhere and it never really feels out of place.
I’ve definitely noticed improvement in my writing. My older stuff is- well, I certainly wouldn’t want to re-read any of it. Even just the fics from the earlier stages of my crossover series (specifically fics 2 and 3) are pretty rough by my current standards. Though, thinking about it now, that might be partially because my wordcount standard has risen by a fair bit, 3-5k isn’t enough words anymore, lol.
Ah, characterization, my absolute beloved. The easiest way to nail a characterization- in my experience, that is- is to figure out how they speak. The kind of words they use most often, phrases and things. I’ve mentioned this briefly in a previous post, but I actually have a characterization notebook. It’s literally just a book filled with things people have said. I’ve got a bunch of stuff in there, certain words or phrases people use frequently, likes, dislikes- all that stuff. Though I’m very careful not to write anything speculative down, if it’s not explicitly stated to the public, it doesn’t touch the page. And on the rare occasion when I write down something from a secondhand source, I make sure to specify in no uncertain terms that the information is according to someone else, and therefore should be afforded very little merit.
To be honest, I don’t actually flip through it all that often unless I’m stressed, but the act of writing things down on paper makes things much easier to remember, in my experience.
Another thing that helps me with characterizations are voices. If you can get a character’s voice to stick in your head, that usually helps me a great deal. It’s always nice whenever a character has a more distinct voice, like Donnie, he’s pretty great for that. So’s Tommy, for that matter- but that could also just be because I’ve been watching him for a long time, lmao.
Whenever I’m really struggling to nail down a characterization, I’ll go watch clips and/or videos of whoever’s giving me trouble until I feel like I’ve got their voice back.
Original characters are a bit different, as you can’t exactly just look up clips to make sure you’re staying consistent- and I’m definitely not the person to go to for OCs- but on the occasion where I do need to make up characters, I try to make up a voice for them in my head. Give them specific accents or cadences to use whenever I write their dialogue so they hopefully don’t come across as too flat, haha
Anyway, I hope this was at all helpful, good luck with writing!! :D
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limetameta · 24 days ago
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My priorities for creative stories are as follow
Witches story (its autumn shut up)
Seasons (i just gotta set up some shit in the witches story so yall can comprehend the pay off in seasons) this is the structure i have so far: Murder mystery chapter; Sweltering Summer ft. pirates and old friends of the Beast specifically (kind of a nod to we're friends of Dorothy vibe but instead of just gay its queer); not yet autumn so its the wedding planning chapter; autumn and wedding ; this is a long as fuck honeymoon pls can u go back to ur jobs, the Unknown is calling nonstop why are ur phones on mute; Winter)
Working on the Retired Prometheus rewrite
The Thoros story (this is gonna be a long one so fuck me i guess)
Rewrite Metallic Crimson chapters 10-current one because the PACING HURTS ME AND ME SPECIFICALLY
Weird Wild West - i have completely decided to rehaul it and so it's actually going to be very morally grey. Ft our ice alchemist. Say thank you Hunger Games au because its thanks to it that i was like man i should write Isaac McDougal as a foil to these military bitches.
Oh shit i forgot Rota Fortunae - not very high on priority actually but probably when i switch my brain to HP we'll get updates but this is gonna be a Hermione story that will transition into a Sirius story.
Black Honour exists fuck meeeee so many wips someone kill me - need to heavily outline this one. I never outline but this one needs an outline because a) too many ideas b) not enough strenght to execute them c) would it be fucked up or what that alastor moody has a little pill in his tooth filled with basilisk venom so when a possessed human w a horcrux starts attacking him he bites the possessed human and is like if im going down im taking you all with me killing the possessed human, tom riddles soul, and himself in the process. Yeah this has been in my head for like 3 years. BUT DO I HAVE THE SPACE TO FIT IT IN THE STORY??? NO I DONT WTF ITS ONE OF THE SCENES I IMAGINED BEFORE WRITING CHAPTER 1 BUT I GUESS WE EVOLVED HUH I GUESS WE DONT HAVE ROOM FOR THIS ANYMORE
Resembool Tailor - honestly rip to this one i want to rewrite it as a one shot or as a concept piece just to stop having it be a wip
Riza Hawkeye Flame Alchemist au - yall i have adhd if you dont comment and remind me of shit i wrote from time to time i will forget these things exist. Also need to add structure because i have no idea what comes next.
Oh wait fuck Psych Eval - i mean i have to finish this but its just that I am a) not a shrink b) so devestatingly scared of people pointing in the comments and being like boo this sucked ass we expected you to for sure dissect the minds of these fictional characters from the unshaken and incredibly professional pov of a military doctor ur dumb boo we thought ud deliver we see the cracks we see ur not the wizard but are some dude behind the curtain boo the immersion is gone
Madame Christmas story - i actually like this one a lot but i just need to figure out structure a little better
Oh dear god i wrote batman fics (completely forgot they existed)
We forgot we were human - I am so pissed off i was ready fo write an adult Harry harrymort fic and i was gonna make it super weird and fucked up but it flopped. It just flopped and im never branching out again. They were gonna be insidious and nasty and cruel and it was gonna be soo good like I was ready. But now the only feeling i have towards this story is it looking at me and being like mother please love me and i just spit at it and say ur no son of mine wheres ur medical degree, to which the story replies: but i love being a comedian mother. And i hiss at it: all you've managed to become is a joke on my ao3 profile. That's all you are!! And then i suppose i imagine the personification of the story goes to cry.
What the fuck is that kimbliza spy story thats smth ill delete and just reuse for metallic crimson
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makeste · 3 years ago
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but I just feel too tired to be fighting
this is a follow-up post to what I said in my recap the other day about this arc being the Deku Angst arc, as opposed to the Villain Hunt arc or the Deku SIXQUIRKS Exhibition arc. I feel like the fandom discussion tends to focus on the flashier parts of the chapters -- the sexy villains and the new quirk reveals and the Shindous -- each week, and so the quieter emotional beats sometimes get overlooked, especially since the character arc here is playing out in little bits and pieces over time rather than all at once.
this has always been a very reactionary fandom, and there’s a tendency to judge the chapters week to week without ever going back to look at how they all fit into the big picture. so I figured I would try to attempt that, and basically go chapter by chapter here to look at what exactly Horikoshi is setting up and how it all fits together.
so let’s start with the end of chapter 306, which is when the arc officially kicks off. specifically with the very last page:
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this is imo one of the best pages Horikoshi has ever drawn. I got the sense that this was a scene he’d had in his mind’s eye for quite a long time, and that he was excited to finally get to this part of the story. it’s extremely effective as both a chapter-ender, and an arc-opener. like, look at this:
it establishes the initial premise of the new arc -- the world is in chaos, and Deku is now seemingly on his own
it leaves the readers with a number of questions. why did Deku leave U.A.?? is he really on his own now?? why does he look so beat-up and exhausted?? what is he up to?? what is the world like now that all these villains have been unleashed and the heroes have been decimated?? and most importantly of all, what the fuck is going to happen next??
it pays homage to some of Horikoshi’s comic book influences -- Batman in particular
it dramatically hits us with that “THE FINAL ACT BEGINS” and lets us know that shit is getting real now
that’s some good shit. so much so that I think people tended to overlook the other notable thing about this page amidst all of the initial excitement and discussion and speculation about where the series was headed. and that is the fact that the final panel in this chapter is NOT the panel of Deku standing above the city. the very last panel, the one that this chapter actually ends on, is instead the close-up of Deku’s face. his face, which is covered in shadow; and his eyes, which have dark circles under them and are prominently missing the usual flecks of light that give him his signature “sunny optimistic shounen protagonist” look.
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not to mention this last line here, which is a call back to the very first time we saw the 14-year-old Deku way back in chapter one.
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I don’t think it’s a coincidence that Horikoshi chose to throw this reference in. nor is it a coincidence that THIS is the scene he actually chose to end the chapter on. what this does is show us the drastic shift in Deku’s emotional state of mind, and his attitude towards being a hero. he’s gone from being thrilled and excited to being jaded and exhausted. he’s matured, but at a great cost. it’s always been his dream to be a hero, but “be careful what you wish for” is a popular adage for a reason. and right now he looks the furthest thing from happy.
and this is the emotional beat that Horikoshi chooses to end the chapter on. this is the panel that closes out the War arc, and begins the final act. to me the message could not be clearer -- this arc will be about the exploration of Deku’s character, and his struggle as he tries to live up to the expectations that have been placed on him as the Last Holder of OFA and quite possibly the World’s Only Hope.
it’s a character arc that builds on a lot of the things we’ve already learned about Deku over the course of the series, such as the fact that he is reckless, and that he focuses on others often at the expense of himself. but more importantly, it’s an arc that finally expands on the dark side of what has up until now been a net positive for Deku -- the power of OFA. up until this point, despite its ups and downs, it’s been a boon for Deku overall and has allowed him to pursue his dream. but now we’re finally reaching the point where the monkey’s paw part of the OFA blessing/curse finally starts to come into play. OFA gives Deku more power than he could have ever dreamed of, but it also comes with a built-in destiny that he can’t opt out of whether he likes it or not. AFO is on the loose and out there trying to destroy the world. and now everyone has pinned their hopes on this sixteen-year-old kid, and the question of whether or not the sixteen-year-old kid is ready is apparently not one that anyone feels inclined to ask (possibly because they’re afraid that the answer might be “no”).
he doesn’t have a choice in the matter. he has to do it, because there’s no one else who can. that’s the kind of pressure that is on Deku now.
and on that note, we begin the Deku Angst arc.
chapter 307
this in hindsight was mostly just a set-up chapter to better establish the current state of the BnHA world at large (spoilers: it’s not good), while also providing an answer for one of the big initial questions of the arc -- namely, “what happened to all of those villains that AFO released from Tartarus?” these are important things to touch on, but the pacing could definitely have been better, and the bulk of the chapter was dedicated to providing fanservice to all of the Shindou fans who spammed the most recent popularity poll (which, whatever lol). anyway, so this was the sole chapter thus far with absolutely no Deku development. thankfully the arc picks up from there.
chapter 308
on to the next one! this was the one and only chapter thus far which I think actually qualifies as an “exhibition fight.” this was definitely all about showing off Deku’s current powerset, as well as introducing us to another of the SIXQUIRKS. however, there was Deku development here as well, most notably in this scene:
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this is the scene that got a lot of people speculating that this arc was going to focus on Deku hunting down all of the old villains. but I think people got so caught up in that speculation that they overlooked what this scene tells us about Deku’s mindset. and yes, there is new information being revealed here, and it’s not just a rehash of the stuff we already knew. like yes, we know that Deku was shaken up by the recent encounters with Dabi and Tomura, and we know that made him start questioning why villains become villains in the first place, and all that good stuff, and that’s great. however, there are two additional important things that this scene helps establish for us.
the upcoming battle with TomurAFO is weighing heavily on Deku’s mind. this is something that will become a recurring theme in this arc. Deku is thinking about this constantly. the question of what to do when he finally encounters TomurAFO again is knocking incessantly at the back of his mind, and this won’t be the last time it comes up.
Deku is using these villain encounters as test runs. can Tomura be redeemed?? is he just being stupid and naïve?? or is this really something worth attempting?? the interesting thing about this is that Deku’s resolve to save people is usually so strong and unwavering that it’s more than enough to overcome any doubts that he might have. but this time it seems like the repeated objections posed by the Vestiges and Gran Torino have really gotten to him. it’s possible I’m just reading way too much into things, but to me it really feels like Deku’s recent attempts at Talk no Jutsu were meant to do more than just show his growing awareness that the line between heroes and villains is thinner than he once imagined. they’re also serving as trial runs for the real test, when it finally comes. if he can “save” even a villain like Muscular, there’s hope for him being able to save Tomura as well. and so that moment when Muscular rejects him out of hand is all the more disappointing to him, even if it wasn’t really unexpected. basically it wasn’t the answer that he had been hoping for.
aside from those little notes though, like I said, this was unquestionably an exhibition fight first and foremost. which is fine; we needed to establish where Deku is currently in terms of strength, and it was also just fun to see him kick some ass, ngl. in terms of story purpose this chapter was similar to 219, which showed us how Shouto and Katsuki had powered up after getting their provisional licenses. people who don’t care about those characters might argue that these fights weren’t necessary, but as someone who stans all three characters hard, I would disagree! but anyways, moving on.
chapter 309
in contrast to the previous chapter, this chapter focuses more on establishing Deku’s current mental state, as opposed to his physical state. and this is what we learn:
(1) Deku is ~technically~ being shadowed/accompanied by All Might and the Hawksquad (but in practice he’s avoiding them).
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(2) it was Deku’s own decision to leave U.A., and he did it because he didn’t want anyone else getting hurt in order to protect him.
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and finally, (3) Deku’s game plan is to stop Tomura and All for One before they reach full power.
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this last part is very important, because it means there’s a countdown in effect. as far as Deku is concerned, there’s only a finite amount of time before TomurAFO becomes unstoppable. which means that he’s not only under “gotta get stronger” pressure, but time pressure as well. he doesn’t have the luxury of taking his time and training in safety. he’s being rushed now; this is do-or-die.
this chapter is also the first in this arc in which we get to see Deku’s expressions without the hood covering up his face, and what we see is very telling. as previously stated, the light is gone from Deku’s eyes. he keeps his expressions very neutral, and the only time we even see a hint of a smile is when he hugs his mom in the flashback, and it’s clear from the dialogue (“it’s okay, I’ll come home to you”) that he’s doing it for her sake in order to comfort her.
but aside from that, this is very much not the Deku we’ve grown accustomed to. this is the chapter that really establishes his current mental state imo. above all else, he’s afraid that more people will get hurt because of him, and so he’s distancing himself from everyone around him. and he’s also morbidly preoccupied with the inevitability of having to face TomurAFO again, and soon. the chapter ends on the flashback of Gran giving him his cape, and telling Deku that “killing can be another way to save someone.” there’s a lot on this kid’s mind, to say the least.
chapter 310
this chapter opens with a gang of civilians who are trying to open fire on a nice fox lady whose only crime was walking around in the rain at night. Deku intervenes to save her, and it’s the first time in this arc that we see anything close to the “old” Deku, who just wanted to save people with a smile.
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but it’s bittersweet, because all the lady can talk about is how scared she was, and how horrible everything is right now. and so Deku, who feels responsible in a lot of ways for everything that’s happened, just feels that much more pressure to somehow make things right again.
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there’s also this extra throwaway line which is especially heartbreaking:
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“I can’t afford to be around anyone.” fucking ouch. just reinforcing once more how incredibly isolated Deku is right now -- not by choice, but because he feels like it’s not safe to let anyone else get close to him. and so he’s out here running around this dystopian cityscape in the middle of the night in the pouring rain all on his own, and neglecting himself to the point where All Might practically has to force a bento on him.
but does he complain? of course not. because his focus is never on himself. instead, when he settles down to eat, his thoughts immediately drift back to, guess who...
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it’s that time pressure once again. “unless I draw out One for All’s full power, I can’t stop any of this.” it’s just nonstop, I have to get stronger, I’m running out of time, I have to do better, and constantly thinking about that inevitable confrontation.
Deku is a thinker, you guys. and when left to his own devices he will overthink, every time. his mind will run in endless loops while he mentally works his way through all of the possibilities. and that’s one of his greatest strengths, don’t get me wrong, but at a time like this it’s also one of his greatest weaknesses. it’s just so fucking easy for him to get stuck in his own head, in his endless rambling thoughts and analyses. and without anyone else there to help distract him, or help him focus, he’s become fixated on his mission, and it’s slowly consuming him.
this, incidentally, is also the chapter in which we finally see Two and Three’s faces, and learn why Two in particular is so reluctant to lend his power to Deku. he appears to be the lone holdout at this point, so stay tuned on that, because I don’t doubt this will wind up being crucial to Deku’s future development, however it winds up playing out.
chapter 311
this chapter flips back to the Hawksquad for the first half, so we get a brief respite from the ongoing Dekuangst. right before we switch back though, we do get confirmation of something we had pretty much already guessed:
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like, that much was already apparent based on what we’d seen (the bags under his eyes; the fact that he refused to sit still in any one place for very long even at night), but it’s always nice to get the official confirmation so that people can’t dispute it lol. so yeah, Deku isn’t sleeping much. and not eating much either, if all he’s getting is the occasional bento from Dadmight. so basically not taking care of himself at all, huge shocker there. but this is something that’s important enough to the story that Horikoshi took the time to point it out in the dialogue, in addition to all of the visual clues we’d already gotten.
and just in case we needed to drive that point in any further, this chapter ends with the appearance of Lady Nagant! like yeah, no shit Deku isn’t getting much sleep, what with him having to fend off racist civilians and hired assassins every five fucking minutes. smdh. can he live??
chapter 312
so this is the chapter that properly introduces Lady Nagant, who maaaay or may not be one of the primary antagonists of this arc?? like, it’s really unclear right now tbh, but she gets hyped up by Hawks and AFO, and has a flashback and a mysterious past and a weird trump card (where did you go, Overhaul) and all that good shit, so yeah? one can hope at any rate.
but anyway. so to his credit, Deku’s first thought is to retreat, but he quickly abandons that plan once he figures out Nagant’s location. this is played off like a logical strategic decision at first, but the subsequent chapter quickly makes it clear that Deku’s decision to take the fight to Nagant is less rational than he might have you think.
chapter 313
so yeah. last but not least, the most recent chapter, in which Deku’s real reason for targeting Lady soon becomes apparent:
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what’s more, it quickly becomes clear that he miscalculated and probably would have been better off following Hawks’s advice, seeing as he promptly gets himself shot, and subsequently realizes that AFO gave Nagant an extra quirk, something he hadn’t taken into account. but instead of cutting his losses and running at this point, he doubles down instead and not only breaks out Smokescreen, but also the Third’s quirk which he has never even used before.
it’s worth noting that both En and the Third start telling him to chill at this point, and warn him that what he’s attempting is too dangerous. but tbh if they were expecting him to listen, they haven’t been reading the same arc I’ve been reading. once again, Horikoshi makes it clear that Deku has one thing and one thing only on his mind right now.
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of course. once again it all comes back to this. hunt down AFO. it doesn’t matter that he’s exhausted. it doesn’t matter that he’s just been shot twice. it doesn’t matter that Hawks, despite knowing what Deku was capable of with his OFA abilities, specifically warned him away from this one person only. it doesn’t matter that even the Vestiges are trying to tell him you’re going too fast and you’re trying to do too much and it’s too dangerous.
he just doesn’t care. long story short, the only thing that matters to Deku right now is tracking down and defeating TomurAFO. and as the person who knows him best once so aptly put it, “he doesn’t take himself into account.” and therein lies the major challenge of this arc.
and so this is where we’re currently at now. and this has been a very long post, but if nothing else, I hope I was able to get this one point across: there is absolutely no way that Deku will be able to defeat TomurAFO as he is now. not a chance in hell. somehow he’s managed the uncommon feat of waging a war of attrition against himself, which is really quite an accomplishment. he’s not taking care of himself, and he’s refusing to listen to sound advice from the people surrounding him, and is trying to skip ahead to the final boss battle before he’s ready, because the guilt and pressure from feeling responsible for the current situation are eating him up. the only way that the world can go back to normal is if he can defeat AFO; therefore he has to do it as soon as possible, because time is running out and everyone is counting on him. this is who Deku is. and this is what inevitably happens when his saving mentality is taken to extremes, and left unchecked.
anyway so to wrap up this post now, I do think this arc is a lot more cohesive than it’s gotten credit for thus far, and Deku is the glue holding it all together. I for one am loving the exploration of his character and all the subtle little angsty touches as we build up to the big moment, whenever it finally comes. just keep in mind though that if his decisions right now seem reckless and short-sighted, it’s because they’re supposed to seem that way, because Deku is not in a good mental state right now. the cracks are finally showing in our perfect protagonist, just like everyone has been wanting this whole time. he is just a kid. he is doing his best. he is trying far too hard to do his best, and it is hurting him so badly, but he doesn’t even realize. this arc is not an endorsement of the Angsty Nomad Hero lifestyle, lol. it’s the exact fucking opposite, and I think it’s being wildly misinterpreted with all of the emphasis on “oh look at that, he mastered another quirk with no effort”, as opposed to “oh look at that, he is shutting down emotionally and is a few more missed nights of sleep away from a complete and total breakdown.”
tl;dr the overarching storyline of this arc is all about Deku slowly falling apart due to his trauma from Jakku, and the subsequent pressure that was put on him by the Vestiges with their whole “GUESS WHAT, YOU’RE THE LAST USER OF OFA, THAT’S RIGHT, IT’S ALL ON YOU BUDDY” pep talk. and mark my words, things are not going to go according to plan. something is going to go terribly wrong here. whether it’s something happening to All Might, or AFO setting up a trap for him, either way Deku is being set up to fail in a major way. unless of course, someone (or a group of someones) manages to intervene first, and possibly stage an intervention or something. it’s what he needs right now, but idk if Horikoshi is going to make it that easy.
anyway, but in other words, the point of this arc is not to show how much stronger Deku has gotten and how he doesn’t even need his friends anymore. it’s the exact opposite -- the point of this arc is to show that Deku needs his friends now more than ever. that in spite of OFA and all of its mystical trappings and fancy SIXQUIRKS, Deku can’t do this alone. he needs his friends. that’s the core message. and right now, we are at the “I can get by on my own” part of the story. and the part we are all waiting for, but which is coming -- I guarantee it is coming, you guys -- is “the thing is, you don’t have to.”
and that shit is going to slap hard you guys. and I for one can’t wait. but until then, enjoy the angst.
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wordsfromthesol · 3 years ago
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The Interview: The Sequel
Author: @wordsfromthesol Taglist: @togasbetch @malfoys-demigod  @pricetagofficial Pairing: Dick Grayson x Reader Requested: @the-house-of-auditore-frye Word Count: 1,378
Part One
The reality of the situation slowly began to set in. Everything seemed to hit you at once, just as you slung your leg over his motorcycle. Your entire body went stiff as you sat in silence for the entire ride. You didn't even question where you were going. The haze cleared from your eyes just as Dick pulled into the familiar building. You let out a sigh of relief when you noticed where you were.
**
Dick could tell the kidnapping jolted you more than you wanted to admit. He didn't bother going to your apartment, and you didn't say a word as he led you inside his. Almost an hour had gone by, the two of you sat on the couch watching some mindless tv show. Dick was beginning to worry.
"Y/N, are you sure you're okay? They didn't hurt you?" His eyes desperately searched yours.
"I just…I don't want to be alone tonight." You mumbled as you buried your head into his shoulder.
Dick acknowledged your request by pulling you further into his arms. It was there you fell asleep.
**
This nonsense had been going on for three months. Every time you met up with Dick, there seemed to be swarms of paparazzi. Why did they even care about some Gotham playboy? Wasn't there a better celebrity to stalk? You let out a frustrated sigh as you saw someone photographing you walking into your office building. As if on cue, your phone began to ring.
"Dick, what a surprise…"
"Uh…did I do something?" Dick was clearly not expecting to hear the agitation in your voice so early in the morning.
"Yeah, an interview." You couldn't hold back the sarcasm.
"Right, about that. Bruce is having a charity gala this weekend. Can you make it?"
A smirk spread across your face, "One condition. You gotta tell your family about this little ruse."
"What? Why?" Dick seemed almost disheartened at your request.
"I may have made a bet. With Tim. And this situation is going to make it seem like I've lost. When I totally have not." You tried not to get into the specifics of the bet. It didn’t matter.
"You made a bet that you wouldn't date me?!" Dick figured it out anyways. Guess it shouldn't come as a surprise.
"Do we have a deal or not?" This was not a conversation you wanted to have right now.
"Fine…" Dick huffed out, clearly annoyed.
**
Everything appeared to be going smoothly, you were making your rounds and talking to everyone of importance. Yet something was gnawing at you. All these girls, they just threw themselves at Dick. You were pretty sure you even saw one of them trip another just so they would get there first. Watching the show, you lost track of just exactly how many glasses of wine you had drunk.
"Shit" you mumbled to yourself. Stumbling over to a table, you sat in the corner brooding over the whole ordeal. Thankfully, Tim soon joined you.
Tim opened his mouth to speak, but before he could you blurted out, "I didn't lose! Dick told you, right?!"
Tim burst into a fit of laughter, "Don't worry, he told me. But may I remind you, there's still 6 months left before that 3-year mark." He looked you up and down before turning his gaze towards his older brother, "I'm not worried."
Your mouth hung open. "What's that supposed to mean?!"
"Oh nothing…" Tim hummed to himself. Before he could tease you further Dick walked up and enveloped your hand with his.  
"Let's get out of here." His eyes were locked onto yours, not even acknowledging Tim's presence. All you could do was nod. As you rose from your seat, Dick wrapped his arm around you.
"Thanks," you whispered in his ear as he led the two of you to safety.
**
Only two months left, you thought as you walked into the office. You didn't understand why, but you knew this fake dating thing needed to end. After all, how were you actually supposed to date someone? Dick had to understand, right? It’s not like he actually wanted to date you after all.
However, all your thoughts of ending this fake relationship were gone by the end of the day. The office drama was absolutely abhorrent and to top it off you were reprimanded for not meeting a project deadline.  Needless to say, it had been a long day and you needed your best friend. So once the clock struck 5, you headed out towards Dick's apartment. A huge grin was plastered across his face as he swung the door open to greet you.
"You aren't allowed to be this happy if I'm in a shitty mood." You retorted as you pushed past him and sat on the couch. "Wine please," you pleaded with a huff.
"Aw, and why are you so grumpy my little sunshine?" Dick questioned as he sauntered into the kitchen to oblige your request. Dick listened patiently as you ranted about your day until it was time for him to go on patrol. "Alright, I'm headed out. Don't leave too late and don't forget to lock the doors."
"Okay dad…" The sarcasm dripped from your words as you rolled your eyes.
Dick’s eyes narrowed as he turned back towards you, "Don't act like I didn't see you leave here at 3 am last week." You simply stuck your tongue out in response.
It was just past 4 when Dick crawled in through the window. Beaten and battered, his face lit up when he saw you asleep on the couch. He carefully scooped you up and placed you in the bed before he hopped in the shower.
You awoke to the sound of the water turning off. Shit. I fell asleep. Quietly, you pulled the covers back and slung your legs over the side of the bed.
"Don't you fucking dare." The stern words had come from the bathroom. "It's 4:30 in the morning. You can sleep here, I'll take the couch."
You knew protesting would get you nowhere and frankly you were too tired to go home. "Fine. But don't be ridiculous, there's plenty of room." You curled up in the comfort of the blankets. "Besides," a yawn interrupted the thought, "you're exhausted and probably bruised."  
**
"Tim, I don't think I can keep doing this…" Dick thought about you fast asleep in the next room.
"I told you it was a stupid idea to begin with." Tim scoffed at his brother's easily avoidable dilemma.
"It just slipped out, what was I supposed to do?!"
"How many alternatives you want?"
"Okay well I couldn't think of any at the time." Dick unsuccessfully tried to validate the decision once again.
"That's because you want it to be true. I saw how you looked at her at the gala last month."
"You just want to win your bet." Even Dick knew that wasn't true, but he continued grasping at straws.
"If that's what you think. Either way, you can't keep this up forever you need to tell --" Dick quickly hung up the phone as he saw you standing in the doorway.
"Was that Tim?" You tried to remember the bits of the conversation you had just overheard.
"Uh…yeah. Just talking about…a case."
"You know, given your alter ego, I feel like you should be better at lying. First the interview, now this."
"Wha--lying?" Dick was clamming up. It was as if you had some imaginary hold on him.
"Dick?" You raised your eyebrows and waited for the truth to grace his lips.
"Fine. I can't. I can't do this anymore. This fake shit." Dick ran his hand through his hair as he collapsed on the couch. "I don't want it to be fake." The sentence knocked the wind from your lungs. You never thought that was an option.
"How long?" Those were the only words you could get your mouth to form.
"Since the day I met you." Dick tried to bury his head in his hands, but you forced his gaze to meet yours. You searched his eyes for any kind of deception. It felt like time had stopped. Finally, the world sped up again as your lips crashed into his. 
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meruz · 4 years ago
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once again i am answering asks in a big compilation post. included is... gotham, patrick stump, tips about drawing backgrounds, tips about drawing in general, links to my faq, and infinity train
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like.... the tv series? No... I’ve drawn dc comics fanart before, though. But it’s been years since I’ve been really into it. I like jumped ship like 10 years ago when the New 52 happened LOL.
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AFJHDSLKGH I’m sorry I (probably) won’t do it again??
Actually full disclosure I have a truly cringe amount of p stump drawings/photo studies in my sketchbook right now LOL. He’s just fun to draw... hats, glasses, guitar, a good shape... but I don’t think I’ll rly post those until I can hide them in another big sketchbook pdf.. probably Jan 2022. Stay tuned........ (ominous) 
(ominous preview)
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These are all sort of related to backgrounds/painting so I grouped them together even though they’re pretty much entirely separate questions.... ANYWAYS
a) How is it working as a BG artist? Is it hard? What show are you drawing for?
I think you’re the first person to ever ask me about my job! Being a background artist is great. It’s definitely labor intensive but I think that could describe pretty much any art job (If something were rote or easy to automate, you wouldn’t hire an artist to do it) and I hesitate to say whether its harder or easier than any other role in the animation pipeline. Plus, so much of what truly makes a job difficult varies from one production to the next, schedule, working environment, co-workers etc. But I will say that I think while BGs are generally a lot of work on the upfront, I think they’re subject to less scrutiny/revisions than something like character/props/effects design and you don’t have to pitch them to a room like boards. So I guess it’s good if you don’t like to talk to people? LOL
A lot of my previous projects + the show I’ve worked on the longest aren’t public yet so I can’t talk about em (but I assure you if/when the news does break I won’t shut up about it). But I’m currently working on Archer Season 12 LOL. I’m like 90% sure I’m allowed to say that.
b) ~~~THANK YOU!! ~~~
c) What exactly do you like to draw most [in a background]?
@kaitomiury​ Lots of stuff! I really like to draw clutter! Because it’s a great opportunity for environmental storytelling and also you can be kind of messy with it because the sheer mass will supersede any details LOL. 
I like to draw clouds... I like to draw grass but not trees lol,,, I like to draw anything that sells perspective really easily like tiled floors and ceilings, shelves, lamp posts on a street etc.
d) Do you have any tips on how to paint (observational)?
god there’s so much to say. painting is really a whole ass discipline like someone can paint their whole life and still discover new things about it. I guess if you’re really just starting out my best advice is that habit is more important than product. especially with traditional plein air painting, I find that the procedure of going outside and setting up your paints is almost harder than the actual painting. There’s a lot of artists who say “I want to do plein air sometime!!” and then never actually get around to doing it. A lot of people just end up working from google streetview or photos on their computer.
But going outside to paint is a really good challenge because it forces you to make and commit to lighting and composition decisions really quickly. And to work through your mistakes instead of against them via undo button.
My last tip is to check out James Gurney’s youtube channel because hes probably the best and most consistent resource on observational painting out there rn. There’s lots other artists doing the same thing (off the top of my head I know a lot of the Warrior Painters group has people regularly posting plein air stuff and lightbox expo had a Jesse Schmidt lecture abt it last year) but Gurney’s probably the most prolific poster and one of the best at explaining the more technical stuff - his books are great too.
e) Do you have tips for drawing cleanly on heavypaint?
@marigoldfool​ UMM LOL I LIKE ONLY USE THE FILL TOOL so maybe use the fill tool? Fill and rectangle are good for edge control as opposed to the rest of the heavy paint tools which can get sort of muddles. And also I use a stylus so maybe if you’re using your finger, find a stylus that works with your device instead. That’s all I’ve got, frankly I don’t think my drawings are particularly clean lol.
f) Tips on improving backgrounds/scenes making them more dynamic practicing etc?
Ive given some tips about backgrounds/scenes before so I’m not gonna re-tread those but here’s another thing that might be helpful...
I think a good way to approach backgrounds is to think of the specific story or even mood you want to convey with the background first. Thinking “I just need to put something behind this character” is going to lead you to drawing like... a green screen tourist photo backdrop. But if you think “I need this bg to make the characters feel small” or “I need this bg to make the world feel colorful” then it gives you requirements and cues to work off of.
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If I know a character needs to feel overwhelmed and small, then I know I need to create environment elements that will cage them in and corner them. If a character needs to feel triumphant/on top of the world then I know I need to let the environment open up around them. etc. If I know my focal point/ where I want to draw attention, I can build the background around that.
Also, backgrounds like figure compositions will have focal points of their own and you can draw attention to it/ the relationship the characters have with the bg element via scale or directionality or color, any number of cues. I think of it almost as a second/third character in a scene.
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Not every composition is gonna have something so obvious like this but it helps me to think about these because then the characters feel connected and integrated with the environment.
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Some more general art questions
a) Do you have any process/tips to start drawing character/bodies/heads?
I tried to kind of draw something to answer this but honestly this is difficult for me to answer because I don’t think I’m that great at drawing characters LOL. Ok, I think I have two tips.
1) flip your canvas often. A lot about what makes human bodies look correct and believable is symmetry and balance. Even if someone has asymmetrical features, the body will often pull and push in a way to counterbalance it. we often have inherent biases to one side or another like dominant hands dominant eyes etc. you know how right-handed artists will often favor drawing characters facing 45 degrees facing (the artist’s) left? that’s part of it. so viewing your drawing flipped even just to evaluate it helps compensate for that bias and makes you more aware of balance.
2) draw the whole figure often. I feel like a lot of beginner artists (myself included for a long time) defer to just drawing headshots or busts because it’s easier, you dont have to think about posing limbs etc. But drawing a full body allows you to better gauge proportion, perspective, body language, everything that makes a character look believable and grounded.
Like if you (me) have that issue where you draw the head too big and then have to resize it to fit the proportions of the rest of the body, it’s probably because you (I) drew the head first and are treating the body as an afterthought/attachment. Sketching out the whole figure first or even just quick drawing guides for it will help you think of it more holistically. I learned this figure drawing in charcoal at art school LOL.
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oh. third mini tip - try to draw people from life often! its the best study. if you can get into a figure drawing/nude drawing class EVEN BETTER and if you have a local college/art space/museum that hosts those for free TREASURE IT AND TAKE ADVANTAGE OF IT, that’s a huge boon that a lot of artists (me again) wish they had. though if youre not so lucky and youre sitting in a park trying to creeper draw people and they keep moving.. don’t let that stop you! that’s good practice because it’s forcing you to work fast to get the important stuff down LOL. its a challenge!
b) I’ve been pretty out of energy and have had no inspiration to draw but I have the desire to. Any advice?
Dude, take a walk or something.... Or a nap? Low energy is going to effect everything else so you gotta hit that problem at its source.
If you’re looking for inspiration though, I’d recommend stuff like watching a movie, reading a book, playing video games etc. Fill up your idea bank with content and then give yourself time/space to gestate it into new concepts. Sometimes looking at other art works but sometimes it can work against you because it’s too close. 
Also something that helps me is remembering that art doesn’t always have to be groundbreaking... like it’s okay to make something shitty and stupid that you don’t post online and only show to your friend. That’s all part of the process imo. If you want to hit a home run you gotta warm up first, right? Sports.
I should probably compile everytime i give tips on stuff like this but that’s getting dangerously close to being a social media artist who makes stupid boiled down art tutorials for clout which is the last thing i want to be... the thing I want to stress is that art is a whole visual language and there are widely agreed upon rules and customs but they exist in large part to be broken. Like there's an infinite number of ways to reach an infinite number of solutions and that’s actually what makes it really cool and personal for both the artist and the viewer. So when you make work you like or you find someone else’s work you like, take a step back and ask yourself what about it speaks for you, what about it works for you, what makes it effective, how to recreate that effect and how to break that effect completely, etc. And have a good time with it or else what’s the point.
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for the first 2, I direct you to my FAQ
For the last one, I don’t actually believe I’ve ever addressed artwork as insp for stories/rp but I’ll say here and now yeah go ahead! As long as you’re not making profit or taking credit for my work then I’m normally ok with it. Especially anything thats private and purely recreational, that’s generally 100% green light go. I only ask that if you post it anywhere public that you please credit me.
(and I reserve the right to ask you to take it down if I see it and don’t approve of it’s use but I think that case is pretty rare.)
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a) @lemuelzero101 Thank you!!! I haven’t played Life is Strange but actually  that series’ vis dev artist Edouard Caplain is one of my bigger art inspirations lately so that’s a really high compliment lol. And yeah I hope we get 5-8 too...!
b) Thank you for sticking around! I’ve been thinking about Digimon and Infinity Train in tandem lately, actually. They’re a little similar? Enter a dangerous alternate world and have wacky adventures with monsters/inanimate objects that have weird powers... there’s like weird engineers and mechanisms behind the scenes... also frontier literally starts with them getting on a train. Anyways if anyone else followed me for digimon... maybe you’d like Infinity Train? LOL
c) @king-wens-king I’M GLAD MY ART JUST HAS PINOY VIBES LOL I hope you are having a good day too :^)
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a, b, c, d) yessss my Watch Infinity Train agenda is working....
e) aw thank you!! i think you should watch infinity train :)
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twstarchives · 4 years ago
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Let Me Go!!
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Card: Dorm Uniform - SSR Characters: Epel, Rook, Vil, Idia
Chapter 1
—INTERIOR HALLWAY—
Epel: Um... This is where the film studies club meets, right?
—CLASSROOM—
Epel: Excuse me...
Rook: Hello, Epel-kun! I see Vil asked you to lend a hand here.
Epel: I’d say it’s more like I was forced... Did he ask you too?
Rook: I’m helping on my own accord. The pleasure is all mine if I’m able to be with Vil.
(Clap, clap!)
Vil: Film studies club! Everyone gather around.
I’m going to discuss the details for when we begin our next student-produced film.
I’ll hand out the script first. Everyone, take one each.
Epel: Whoa, this script is so thick. They must really go all out with their activities here...
Vil: The next film we’re producing will be about time travel.
It’s set in the present day. The students of Night Raven College use a time machine...
And travel to the era of the Great Seven’s Fairest Queen of All.
Rook: The era of the Fairest Queen of All... How très bien!
What a fascinating idea, don’t you think, Epel-kun?
Epel: Hah... I guess.
Vil: The leading role is still undecided. I’ll let you know once I’ve chosen them.
Now, the time machine is the key item in this story... Epel!
Epel: ! Yes?!
Vil: I’m putting you in charge of designing it.
Epel: What?! I-I’m just the help. Why am I in charge of something so important...?
Vil: I’ve deemed you the most suitable for this.
Epel: (What gave him that idea?! I’ve never designed anything in my life. I want to say no...)
Vil: The time machine will use a magical wheel as a base. You’ll be customizing the exterior.
This way, we can shoot driving scenes.
Epel: You said magical wheel...?!
Vil: Yes. I’ve already arranged for one to use in our shooting.
I’ve asked Ignihyde’s dorm leader, Idia, to modify it, so you will work with him to complete it.
Epel: Got it!
Vil: ...You sounded very genuine there. Well, if you’re feeling motivated now, then that’s fine.
The theme of the time machine’s design should be “something beautiful and fitting for the setting.”
Your deadline is in three days at noon. Is that clear?
Epel: Yes, Vil-san!
(I was so reluctant about having to help out the film studies club... but I didn’t expect there to be a magical wheel involved!)
(That feeling of the passenger becoming one with the vehicle as they ride on... Just watchin’ it gets me all excited.)
(Maybe if I made a design that makes Vil-san’s jaw drop, he’d even let me take it for a test run.)
(Okay, I’m gonna do my best!!)
—IGNIHYDE DORM - LOUNGE—
Epel: I’m Epel, a first-year from Pomefiore. You’re Idia-san, right? Let’s work hard together.
Idia: Ugh... The glittery Pomefioran is here, hurray...
O-Oh, um... Vil-shi explained everything to me. We’ll use this lounge to work...
Epel: Okay, thank you.
Oh, that’s the magical wheel we’re going to modify there next to you, right? It’s so cool...!!
Idia: Hah... I only agreed to this ‘cause Vil-shi said he’d compensate me...
But working with other people... really makes me irritated by the second.
I need to finish this and go back to my room ASAP before my sanity gauge runs out.
Epel: (I know Vil-san’s taste pretty well since he’s been training me for months ever since I enrolled here.)
(I need to aim for a fancy design that goes with the setting and also satisfies Vil-san.)
Idia-san. Let’s do our best designing this magical wheel...!
Idia: Yeah. Let’s get this done as fast as we can...
Chapter 2
—IGNIHYDE DORM - LOUNGE—
Epel: It took all night... but it’s done! Idia-san, the coloring for the magical wheel is all finished.
Idia: Congrats on getting it done. You told Vil-shi you’d show it to him once it was finished, right? Shouldn’t you call him?
And end this so I can be alone.
Epel: Yes, I’ll go do that!
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Epel: Here’s the magical wheel, painted to look like a time machine.
The design was inspired by the peacock engraved into the Fairest Queen of All’s favorite chair.
Vil: ......
Epel: Um... Vil-san?
Vil: Epel. Are you satisfied with this design?
Epel: What do you mean, am I satisfied...?
Vil: I ordered you to design something “beautiful and fitting for the setting.”
However, this piece conveys nothing from the creator’s heart.
You wouldn’t consider this design “beautiful,” would you?
Epel: ...! Well, I...
Vil: To me, this looks like you only tried to match the setting.
Redo it, Epel. And don’t think about coming back to the dorm until it’s finished.
Epel: What?! Vil-san, wait a seco— ...He’s gone.
...Dammit! How can he be angry that I made it exactly as he said...?!
But I get to work with a magical wheel, which I love so much. No way am I giving up after failing once!
I need to make something that I think is beautiful, that matches the setting,
And something that would make Vil-san satisfied, right?
I’m gonna do it!!
...... But what would that be...?
—IGNIHYDE DORM - IDIA’S ROOM—
Idia: Hehee! I got that kitty accessory I wanted! It’s a rare strength item that boosts my speed by 100!
Hehehe, now, the boss from this ultra-hard quest... You should tremble in fear of my dodging power.
(Running footsteps!)
        (Epel barges in)
Epel: Idia-san!
Idia: Eee! E-E-E-E-Epel-shi! It’s rude to come into someone’s room without knocking!
Epel: Oh... S-Sorry.
It’s just, we have to redo the time machine...
Idia: Hah? He rejected that flashy design?
Epel: Yeah... So please help me make it over again!
Idia: (I can’t believe Vil-shi. He should’ve done this himself if he was going for something specific. Why’d he leave it to someone else?)
(I can’t stand them taking away my gaming time anymore. I gotta get this done now and chase out Epel-shi...)
H-Hey, Epel-shi. Do you have anything you’re good at?
Epel: Huh? Why are you asking?
Idia: ‘Cause wouldn’t this get done faster if Vil-shi just made it himself instead of having you make it over again?
But he still put you up to it... So shouldn’t you consider that maybe you’ve got some kind of secret talent?
In online games, leveling up skills you’re good at makes getting through the game easier.
Epel: But I’m just good at things like carving apples. I can’t really use that in desig——
(...Hm? Apples...?)
I figured it out!!
Idia: Ee! I-I-It scares me when you yell out of nowhere! Wh-What did you figure out?
Epel: I figured out what I can make that’s as beautiful and fitting for the setting as I can!
Idia: I-I’m glad to see you came up with an idea. Well, let’s get on with it then.
Epel: Huh? But you stayed up all night last night. Are you sure you shouldn’t rest a little...?
Idia: Heh, staying up all night is nothing to me. I stan a group of idols who look elderly but with hearts eternally 17...
And even Moirai on the Edge can do live performances for 72 hours straight.
We’ll prevail over this ultra-hard quest!
Epel: M-Moi...rai? I-I don’t know what that means, but let’s work hard!
(This time, we’ll make a design that Vil-sanーno, that anyone would approve of!)
Chapter 3
ーーThe day the time machine is due.
???: ...el... Epel!
—IGNIHYDE DORM - LOUNGE—
Epel: *Yawns*...?
Huh? Ahh! When did I go to sleep?! And Vil-san, what’re you doin’ here?
Vil: Your deadline is today at noon, so I came to check up on how you were doing. Honestly, I cannot believe you were sprawled out asleep on the floor.
So? Have you finished the time machine?
Epel: Oh... I did. Take a look at this!
There’s a story where the Fairest Queen of All made a poisoned apple, right?
So this time, I used that as my inspiration.
The color of the whole body represents a ripe, red, shining apple.
Like one you reach out to take without even realizing it... Anyway, I made sure it looked delicious!
Vil: Hmm... Go on.
Epel: Right. The other thing I worked especially hard on was this design that’s hidden when the machine is stopped, and only gets revealed when it starts up.
I’ll turn it on to let you see.
Vil: ! You painted the tire kept inside... Is that a skull?
Epel: Yes! One of the stories mentioned that a skull rose up before the poisoned apple the Queen made turned red...
So I added a symbol that can’t be seen from the outside unless you start it up.
This time machine is as “beautiful and fitting for the setting” as I can make it right now!
Vil: ...Allow me to ask you one thing. Why did you change to a poisoned apple?
Epel: Um... When I tried to use a peacock in my design, I honestly couldn’t tell if it was good or bad...
But then I thought, no one would be able to resist a design that makes apples look appealin’...!!
Vil: ......
...Heh. You finally came up with a design that reflects you.
Epel: ...! Yeah!
Vil: Now, I will leave you with the keys to this magical wheel.
Epel: Huh? Why me?
Vil: I’m heading back to our set. You’ll deliver the machine to the film studies club yourself.
You have until noon to bring it, just as we discussed. Don’t be late. Understood?
        (Vil leaves)
Epel: ...If he was in such a rush, he could’ve just taken it himself... Wait, hold on?!
Does this mean I can ride it back to the set... maybe?
AHH~! ALL RIGHT!!
Idia: Ugh... Epel-shi, you’re too loud... Your voice is ringing through my sleep-deprived head...
Epel: Oh! S-Sorry, Idia-san.
I’ve always wanted a magical wheel... And I get to ride one I designed myself. I just can’t believe it...
Alright, let’s get to the school building!
—MAIN STREET—
Film Studies Student A: Hm...? What’s that? There’s something coming towards us from the front gate.
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Rook: That is a magical wheel. And the one driving it is... Monsieur Cherry Apple, Epel-kun.
Film Studies Student A: It’s so glossy, like a real apple... And his Pomefiore uniform looks so nice. It’s beautiful!
Film Studies Student B: Driving that machine, Epel-kun’s got a radiance that’s different from his usual frail beauty.
Film Studies Student C: Yeah. That piercing cold look and his unconsciously curled-up lips... I’m so drawn to it; I can’t look away.
Rook: Did you hear that, Vil? Everyone is praising Epel-kun!
Vil: Hehe, these potatoes’ reactions are perfect.
Epel: Oh... There he is! Vil-san! Just as promised, I’m here to deliver this.
Let me stop the machine... Okay. Well, I’ll get going now.
Vil: Hold it, Epel. Stay right there.
Film studies club, your attention! I have an announcement to make regarding our next film.
For our undecided leading role... I’ve decided to cast Epel right here.
Epel: Wh... What?!
Vil: You all saw how he looked riding that time machine, yes?
I believe there’s no better person out there more suited for this role. Are there any objections?
Rook: It’s true, the sight of him riding that time machine up here almost felt like a scene from a movie.
Film Studies Student B: Yeah! Hats off to you for how dashing you looked. I’ll let you have my seat today.
Epel: W-Wait a second. I thought I was just helping with the design——
Vil: I’ve already made up my mind. I’ll thoroughly train you to be an actor, so do prepare yourself.
Now, you must do a costume fitting. Costume committee, take Epel to our club room.
Costume Committee: Okay!
Epel: I-I still haven’t said anything about doing th—let me go!!
Vil: ...I see now how drastically the sparkle in his eyes changes depending on whether he’s interested or not. Honestly. He’s a difficult apple to deal with.
Rook: Epel-kun was shining like a completely different person than he was yesterday, yes...
But perhaps were you anticipating this finale from the start?
Vil: Well, now. Who’s to say?
606 notes · View notes
sunnypogue · 4 years ago
Text
taking care of drunk coho!rafe
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oh how the tables have turned. sequel to THIS.
normalize drunk couples who take care of each other equally!!
for: @moldisgoodforyou​ & @oopmyheartwent-obx​. happy new year.
pairing: coho!rafe x reader
warnings: excessive drinking, references to other substances.
enjoy xx
Normally, your boyfriend had a relatively decent grasp on his tolerance. It didn’t mean he would push his limits from time to time (he was a college student after all), but he was a responsible drinker for the most part.
Football games were his downfall. More specifically, tailgating.
No matter the time of day, if there was a home game, your boyfriend would be three sheets to the wind by 8:30 am, crushing his fourth “mouthmade” mimosa of the morning as you begrudgingly dressed for work.
By the time you were out the door at nine, Rafe would be opening his third Andre bottle of the morning, smacking an obnoxiously loud kiss on your cheek as he sent you on your way to the stadium, hooting and hollering with his equally drunk friends as you made a swift exit.
After that, it was a complete fucking mystery as to what your idiot boyfriend and his teammates got up to in the eight hours y’all were separated. Rafe wasn’t big on drunk social media use and was known to misplace his phone during his benders – not that you particularly cared, considering your job had you hauling ass through a stadium in 105-degree heat.
All while wearing khaki’s, of course.
It wasn’t until you returned to the sanctity of your car that you began to worry about your boyfriend’s location, digging your phone out of your team-issued backpack to attempt to get in touch with him – if he had his phone, that is.
Surprisingly, he picked up on the second ring.
“Hullo?”
“Rafe?” You sat up a little straighter, genuinely surprised he still had the cognitive function to answer his cellphone (a feat that had bested him on more than one occasion prior). “Where are you?”
A beat passed.
“Hullo?”
You sighed, dropping your phone to your lap, casting an exasperated look towards the roof of your 4-Runner. Cranking your keys, your car rumbled to life, transferring the call from your phone to your Bluetooth.
You tried again.
“Hi Rafe. Where are you?”
“I am exactly where I need to be.” He slurred, his voice becoming fainter as you imagined his head drifting away from his phone.
“Rafe!” You yelled, trying to get his attention as you turned out of the parking lot. “Rafe, that is not at all helpful if you want me to come pick you up.”
A loud gasp erupted through your car as your boyfriend figured out where his receiver. “You’re coming here? Now?”
“If you want me to come get you so you don’t have to Uber back later, yes. I’ll come get you.” You paused to take a long pull of your water bottle. “But I can’t do that if you don’t tell me where you are.”
Before Rafe could respond, you heard the warbling of drunk college students singing an off-key rendition of John Denver’s “Country Roads” in the background.
Turns out you didn’t need to play 20 Questions with Drunk Rafe – you knew exactly where he was.
“Be there in 15, do not leave.” You barked through the phone. “Understand?”
“Yes’m.” He slurred. “Bye bye.”
Illegally cruising in the carpool lane got you to Rips in 12 minutes, the bar surrounded by various Uber XL’s parked illegally in the middle of the street. You whipped your car into parking lot of the sex shop down the street, knowing no one would be ticketing you there at 5 pm on a Saturday.
Ignoring the double glances you got as your marched down the street in your men’s cut polo and khaki ensemble, you pulled your phone out to call Rafe, hoping to avoid the line to get in.
You spotted him during the third ring, his broad ass easy to spot in a sea of drunk sorority girls and their 5���9” frat boyfriends.
He was standing precariously on the curb, one hand on Clark’s shoulder as he wobbled forward.
“Rafe!” You barked, shoving your way through what looked like 75% of Lambda’s pledge class. “Rafe!”
He turned slowly, inadvertently pulling Clark with him as he tried to locate the voice calling his name.
His face lit up when he registered your presence. “Baby! You came!”
You rolled your eyes, suppressing a smile at your boyfriend’s uninhibited joy to see you, despite your appearance. “I told you I would.”
You glanced at his teammates, all messily drunk in their own distinct way. “Boys. How you doing?”
Matty burped in response.
“Sounds about right.” You nodded, turning your attention back to your still-wobbling boyfriend, who was now clutching Clark with both hands.
“Is now a good time to ask why half of the team is sitting on the sidewalk?” You probed, directing the question more at Clark, who seemed slightly less drunk than the rest of the boys.
“S’fault.” Clark pointed a crooked finger at Matty, who clumsily flipped him off in return. “He lit up in the bathroom.”
“And now you’re all out here?”
Clark shrugged. “Rafe and Luke tried to fight the bouncer taking Matty outside.”
You moved your hand up to your mouth, breathing evenly through your nose before your posed your next question. “Okay. Good. Great. Now what are you doing?”
“Looking for,” Clark paused, fumbling for his phone. “Dave in a Black Tahoe.” He waved his cracked screen in your face.
“And that’s gonna fit all of you?” You asked.
“If not, we’ll just leave Matty behind. He’s a survivor. He can find his way back.” Clark offered.
You glanced over in time to see Matty gag, presumably puking in his mouth.
“Or he’ll just pass out here and someone will find him. Whatever works.” Clark finished.
You snorted. “Am I good to take this one then?”
Clark patted the top of Rafe’s head, which had somehow found its way onto his shoulder. “Be my guest.”
A swift kick toward Rafe’s calves had him stumbling forward, nearly crushing you as he went to swing his arm around your shoulders.
“M’comin’.” He slurred, face inches from yours.
“Alright big boy.” You groaned, starting your shuffle back to your car. “Walk with me, we’ve gotta get to the car.”
“Big boy.” He parroted. “S’me.”
“Okay, don’t let it go to your head.” You rolled your eyes, tugging him through the increasing crowd.
You only threw an elbow once, when a girl got a little too close to Rafe’s chest, and managed to shove him into your passenger seat with little fuss.
“Dixie Chicks.” He demanded as you started the car. “Or shit. The Chicks. I can’t remember.”
You laughed, pulling onto the busy street. “I gotcha. Old or new?”
Rafe huffed, as if he was offended you’d ask. “Old.”
You punched in Cowboy Take Me Away, and let the soft singing of The Chicks (feat. Rafe’s drunk humming) guide you home.
“S’posed to sing that with Luke tonight.” Rafe sighed as you pulled into his driveway.
“Next time, bud.” You parked the car. “Want me to come inside?”
Rafe frowned. “You don’t wanna?”
“No, I just wanted to check with you. I’ll come in.” You unbuckled yourself, laughing as Rafe stumbled through the motions of exiting your car. “Maybe some water?”
You grabbed the keys from Rafe after watching him try to unlock his door for two minutes, guiding him into the messy kitchen for water and whatever food you could find.
“You’re gonna hate this in the morning.” You glanced at the sink full of crushed Bud Light cans.
Rafe just shoved a handful of chips into his mouth.
“Cute.” You went to move towards his room, ready to steal some of his sweats for yourself, when you were stopped, Rafe’s long arm securing itself around your waist.
“C’mere.” He grinned, pulling you into his chest. “I’m cute?”
You laughed, moving to brush the remnants of his snack off his chin. “Unfortunately. That’s why I keep putting up with your dumbass.”
Rafe just grinned wider, eyes focusing as he grabbed gently at your chin. “You love it.”
You let him guide your chin upwards. “Only ‘cause you do the same for me. Two-way street, baby.”
He leaned down, brushing his lips against your cheek, clearly missing his mark. You burst out laughing, dislodging your chin from his grip as he blushed.
“Here,” You move to mimic his position, grabbing at his chin and letting your thumb rub across the unshaved stubble up to his full bottom lip. “C’mere – I gotcha.”
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mxtantrights · 3 years ago
Text
past lives | epilogue
a/n: time to look forward. and back. this doesn’t feature a big time jump. I’m gonna make an ending so cheesy... I think I’ve left this story pretty open so that you can insert whatever you want / envision for yourself. Once again thank you all who kept up and read or who’s gonna binge read once this comes out! Love ya <3
You opened your front door and there they all were. Most importantly Alfred. You had to show the man you could cook and fend for yourself if need be. Even though others couldn’t say the same.
“Great you’re all here. Come in, I’ve got the table set up and everything.” you said. 
They walk in one-by-one into your home. You were up last night tossing and turning because it really wasn’t much. They didn’t all live in the manor currently but they all had lived there previously. 
You eyed Damian specifically, to see his reaction to your place. He hadn’t been inside of it yet. Only ever on the fire escape and even that needed some work. You watched as took one swift look around and nodded at you. 
“It’s quaint.” he said.
“Did you just call me cheap or something?” you said.
“It was a compliment.”
“You hesitated.”
-
You wince as Alfred wrapped up your lower stomach. It was to help the swelling he said. You were sitting up on the bed in the guest bedroom. 
“May I ask what caused such bruising.” he asks.
You look over at Bruce who’s out of his nighttime suit and is watching from across the room. 
“A really big box.” 
You see Tim leaning against the door archway, hands behind his back. Bruce was Batman and Damian was Robin. That meant the Tim shaped Red Robin was Tim. He steps further into the room and reveals his hands.
He hands you two pills, “for the pain.”
You take them out of his hands and put them into your mouth. Then he hands you an opened water bottle. You take that and gulp down the pills, you have to tilt you head back a bit. 
When you tilt it back forward you feel the hammering of the punches again. It makes you wince. Alfred had already did the best he could with your face. No stitches thankfully. But just bandages and ointments.
“So how long have you known I was his child?” you ask Tim.
He shrugs his shoulders, “After the gala before the lunch interview”
“You mean the set up to get my DNA.”
He winces when you say that. 
“Tomatoe, tomato.”
Alfred lets you know that he’s done wrapping you and that you should lay down and try to get some rest. Which you don't argue with, you get the feeling that you don’t really argue with a man like him. He helps you pull your shirt down.
So you lean back slowly into the bed. You try to hold back the sounds of pain but one slips past your lips. This makes Tim and Bruce stand over your bed.
“You don’t have to worry. I’m pretty sure I’m not gonna die from a couple beatings from Ra’s.” You say plainly.
And it hurts Bruce. Damian had told him that you were in the league years before. But he could tell the harsh treatment you suffered there stayed with you. You were able to take so many hits from Ra’s it was something he never wanted to witness in his life.
“Any normal person would.” Tim says.
Bruce looks over at him.
“Well after I came out the pit things changed.” You answer.
They both look at you then. You figured Damian told at least Bruce that you were brought back to life by the pit. Maybe he was leaving that to you to discuss. 
“We’ll talk about this in the morning. Get some-” Bruce begins.
Then you hear the incoming footsteps to your new room. Sure enough Damian pops into view in the doorway. He wastes no time in running over to you, stopping short of hugging you once he sees the wrappings peeking through your newly acquired pajamas.
“Alfred says you’ll live.” he says.
You nod you head lightly, as to not start another headache before the ibuprofen kicks in. 
“You got there right in time.”
“I shouldn’t have let him get to you in the first place.” 
“Wasn’t your fault, besides I can handle myself.” 
“Obviously not look at your face.”
“I was in retirement. Cut me some slack.”
Bruce interrupts the impromptu match the both of you were having. Even though a part of him didn’t want to. He wanted to see the two of you interact more, since the both of you were family after all.
“Time to rest, say goodnight Damian.”
Damian takes another look over you. 
“Goodnight.”
He walks out the door with his brother and father. And they shut the lights on their way out. You're thankful you get to shut your eyes for a bit. The homecoming Ra’s gave you was anything but sweet.
By morning time, you wake up to find Damian sleeping in a chair at the end of your bed. He has a blanket pulled over his form, from either Alfred or Bruce you take it.
-
“Thanks for offering to do the dishes with me. I know Alfred is probably losing it in there.” You said.
Bruce looked at you with a laugh, “Yeah.”
When you handed the last dish for him to dry and cut off the sink you didn’t make a move to leave the kitchen. You had some words to say to him now that everything was out in the open.
“I wanna be clear, that day when you hinted at the recorder being on and me hearing your conversation with the others, I wasn’t rejecting you.” 
Bruce stopped drying the plate for a second. You saw him falter. He tried to pick up like it didn’t happen but you saw it. Instead of letting him continue you grabbed the plate from him.
He looked at you. 
“You weren’t?”
You shake your head, “No. I think you're a great guy, from what I know at least. And you had to be or my mother wouldn’t have liked you. Nor would she had wanted me to find you.”
“About your mother-”
“We can talk about her another time. I’m talking about you Bruce Wayne. I wanted to let you know that I do wanna figure out this relationship. I couldn’t say anything before because there was things I was unsure of.”
He cleared his throat.
“Like me?”
“No I wasn't unsure of you. I was unsure of how you would react about me and my past. I was your secret child who had been murdered and brought back to life by a mercenary who trained me to kill. On top of that, I had unknowingly cared for your youngest son before either of us knew anything.” you said.
He nodded his head at your words.
“But I think I knew I was sure of you when you wanted to fake me out about the added information in your interview. When you let me walk away.” you said.
Bruce tried to hide a grin but he couldn’t do it, “I thought you rejected me that day.”
“I was trying to protect you. Before I knew who you were during the night time, that is.”
“So now that you know, how do we do this?” he asked.
You hold up on finger, “First, you will not send me money. I make enough as it is and I do not need more.”
“Maybe just a savings account then.” 
“No, Bruce, no accounts. And no secret accounts either, I’ve heard from Alfred about your little set ups and such.”
“Sneaky.”
“I like him”
When you finally get to the dinning room in the morning everyone, sans Alfred, is waiting for you. You hold onto your wrapping as you take the open seat next to Damian and across from Jason.
“I just wanna say I’m sorry for flirting with you before I knew you were family.” Jason says.
He doesn’t sound that sorry, which makes you look over at Damian. He’s got a proud smirk on his face. You face forward again.
“It’ll never happen again right Todd?” he asks.
Jason mumbles something indescribable. 
Then the room is filled with a moment of silence. It’s not really awkward per say, but you think it’ because they all have so many questions they don’t know where to start.
“So you guys LARP every night?” you ask.
Tim busts out laughing along with Dick. Jason crosses his arms over his chest with a chuckle. Damian, who you can tell is looking at you like you’ve grown another head, isn’t laughing. Neither is Bruce. Like father, like son you guess.
“I think you’re gonna fit right in.” Dick says.
“Speaking of which, are you gonna live here now?” Damian asks point blank.
Bruce beings to apologize for him but you shake your head and let him know it’s alright.
“I’m going to remain at my own residence. If you wanna come over you know the way.”
Jason has a look of shock on his face and Damian stops him. 
“Shut it Todd.”
-
A knock comes from your front door. It must be one of them, maybe they forgot something? You jog over to the door and open it.
Dick Grayson is in your doorway. 
“Did you leave something here?” you asked.
“No, I just wanted to say that I’m glad you're a part of the family. Honestly I’ve never seen Damian so calm before. And not his typical calm where he’s planning out every exit, this is different. It’s like he’s a normal kid.” he said.
You are speechless for a moment. 
“Thank you for letting me know, Dick.” you smiled.
“Gotta get going, a flight to catch.” 
You nodded you head, “Jason said you were in between red-heads. Do I wanna know what that means?”
He chuckled.
“I’ll let you know when I visit again, gotta go meet Wally.” he said.
Then he left with a simple wave. You could tell he wanted to hug you but didn’t want to cross any boundaries you might’ve had. In all honesty you would’ve hugged him back. You can see a bit of him in Damian and you’re thankful. 
You closed the door and turned the lock. 
-
As the rest of the boys cleared out, Bruce slid over your phone. The new one that you thought you had dropped on the sidewalk when you were taken. You reach for it and it’s totally fine.
You look up at him.
“Thanks, how did you get this?” 
“Nyssa.” 
Her name makes you still. She was never going to contact you after that night. Whatever friendship the two of your had was over. It was going to be hard to come to terms with but you’d have to make do.
But why did Nyssa have your phone?
“But this was on the ground last time I checked.” you asks.
“We saw on cctv, she picked it up while you were being put into the van. She had it on her the whole time, she’s the reason we were able to find you. Nyssa turned it on and it pinged a tower.” he answers.
Maybe it would be the last thing she ever did for you. Saving your life. You didn’t know what to think about her actions. It all felt like a past life or something.
You turn it on and see that you have unread messages and unanswered calls. Spanning days.
“How do I have all of this on my phone?” “I might’ve asked a favor from Killer Croc. It’s just the SIM card don't worry.”
“You mean Batman asked Killer Croc to find my phone?” 
“He told me it wasn’t that far from where you dropped it, outside of your building.”
“What I’m hearing is you and Killer Croc talk one-on-one.”
-
About fifteen minutes later, after Dick returned, there was a knock you were expecting. It came from your fire escape. You hurried your way into your room and drew up the blinds. There he was.
You slid open the window.
“Hurry up and get in, it’s fuckin cold out there and I’ve got nothing on.” you said.
He climbed through the window and stood toe to toe with you. 
“I can see that. Nice tank top.” he joked.
You raised your eyebrows at him, “You know I can just kick you out of my home you horny bastard.” 
“Oh but then we couldn’t all the fun stuff.”
“That would indeed be the point Jason.”
He kissed the top of your head. Then he began to peel off his jacket. The same one that he wore to the gala when you first met. He looked just as good right now as he did that night. The cigarette smell might’ve added to that too. He placed it over the chair that sat in the corner of your room near the window.
It was a quick, like lighting really, and you saw him move his eyes away but he looked at your scar below your collarbone. It stuck out like a sore thumb when you two weren’t rolling around in the dark.
But before you can say something to him, he speaks.
“I never told you this, but I think we must’ve ran into each other before all of this.” he says.
You tilt your head, “where would I run into you, Jason Todd?”
“I’m not sure, maybe in a past life or something.” he shrugs.
You watch as he walks past you, heading to the kitchen no doubt. Out of the both of you your fridge is the better choice for actual food and not takeout. You follow behind him, only up until your room’s doorway which you lean your body against. And you think to yourself, you have a couple of past lives now.
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adsdragonlover · 4 years ago
Text
You Matter To Me
Coda to 15x19
Wc: 2k, Tags: fluff, pie, happy ending, first kiss
Also on ao3
It’s been three weeks since they won, but Dean still isn’t happy.
He’s been driving around the country, searching for something he knows he won’t find. The thing he wants that he knows he can’t have. He lost his chance.
Eventually, he ends up at a diner.
Lulu’s Pies, it says in softly glowing neon cursive above the building.
The bell above the door chimes as Dean pushes it open and steps inside. It’s pleasantly warm compared to the cold night outside, but Dean still feels cold. At least on the inside.
He heads to the bar and sits down on one of the stools.
With a cursory and habitual glance around the diner, he realizes he’s the only one here. At least the only customer.
That makes sense, he supposes. It’s barely 3 AM and the diner is plopped in the middle of bumfuck nowhere. The only other signs of life in the area are the long winding road outside and the shitty old gas station a few miles back.
To be honest, Dean doesn’t quite know why he came here. Maybe he needed a break from the drive.
He wanted to get some pie - the place was literally named for its pies - but that was mainly out of habit rather than actual desire. It’s been hard to want any of the things he used to enjoy, not since…
He cuts off that train of thought with a scowl to himself.
The waitress, a sweet looking woman with long, wavy, dark blonde hair and deep blue eyes approaches Dean from the other side of the bar. “What can I get for you, sugar?” she asks with a warm voice, rich with a soft southern accent. It reminds him, inexplicably, of his mother.
“I-“ Dean stops. “I don’t know,” he admits quietly.
The waitress, Jenna, according to her name tag, smiles sympathetically. “That’s alright,” she says sweetly. “It can be hard to know what you want, especially when you lose someone dear to you.”
Dean frowns. “How did you-” He begins.
Jenna smiles sadly at Dean. “There are some things a mother just knows, and heartbreak is one of them.” Her eyes are understanding, and painfully blue - too close to Castiel’s eyes for comfort. Dean looks away. “You look like you could use a slice of pie,” she says, handing him a paper dessert menu, specifically made for this week. “They’re all made from scratch, and made from the heart. Take all the time you need, honey. I’ll be back with a cup of coffee for you, it’s on the house.”
Jenna’s words soothe something raw and stinging inside Dean, and he offers her a small smile as she heads back into the kitchen.
He looks over the menu with a tired sigh. Not too long ago, Dean would’ve killed to eat here. All the pies sound awesome, and something about the waitress makes it very clear she puts effort into her pies.
Still, his heart isn’t really in it.
When Jenna comes back with a mug of coffee and a smile, Dean nods thankfully, but shakes his head when she asks if he’s ready to order. “I just- I need more time,” he says.
He isn’t just talking about the food. Not anymore.
Jenna nods. “Just give me a call when you’re ready, hun,” and then she’s gone.
Dean isn’t really sure how long he sits there, staring blankly at the dessert menu, coffee warming up one of his hands, his soul feeling achingly empty.
He's snapped out of his stupor by the sound of the bell above the door chiming to indicate someone else entering.
Dean’s eyes are glued to the menu still, reading the blurb under Heartbreak Pie. It's a black bottomed cherry pie, and the picture stops him.
He hears footsteps walk over, but he ignores them. They come closer until the stranger sits down on the stool to the right of Dean.
Dean feels irritation flash through him briefly, the diner is completely empty, and Dean’s positive he’s radiating “leave me alone” vibes, but for some reason the stranger decides to sit next to him anyway.
The irritation is gone as fast as it appeared however, Dean just doesn’t have the energy. Not anymore.
A couple days after they’d won, after Jack had left and Sam had reunited with a newly brought back Eileen, Dean had broken down in the bunker.
He’d lost it a little, had cried and cried and cried for days. Begging and pleading and praying. But Cas hadn’t come back.
Not long after, the sadness had turned to anger. Anger at Cas, for making the deal in the first place. For loving Dean so much it killed him. For telling him and then leaving before Dean could say it back. Anger at Jack, for dying and causing the deal, for becoming God and not bringing Cas back, for leaving Dean just like Cas had, just like Sam.
But mostly, Dean had been angry with himself. For not saying it back when Cas told him, for just standing there, for being the reason Cas died, for being too stubborn and too scared to say anything sooner, back when he’d had the chance. He was angry at himself for not being everything that Cas apparently thought he was.
Those few days were fueled entirely by anger in Dean’s opinion. He knew, deep down, that the anger was caused by love, but he didn’t want to think about that. Because if Cas was right, if he was right about Dean then there really wasn’t any good reason why Dean had never said anything.
Those few days were fueled entirely by anger. He knew, deep down, that the anger was caused by love, but he didn’t want to think about that. Because if Cas was right, if he was right about Dean then there really wasn’t any good reason why Dean had never said anything.
Nowadays though, Dean just felt numb. He drives around in Baby with the hopes of bringing something back into his life, but nothing helps.
He almost missed it, he was so lost in thought, and he barely caught the tail end of Jenna asking the stranger what she could “-get for you, dear?”
“I’ll have a slice of cherry pie,” came the low and gravelly voice, and Dean’s heart stopped, “and a slice of apple pie for my friend here,” Castiel finished.
Dean could barely hear Jenna’s acknowledgement and departure over the sudden ringing in his ears and the unavoidable bloom of hope in his chest.
He wants to look over, he does. He wants to see for himself if it really is Cas. Or if he's finally going crazy. But he can't move. He's frozen in his spot.
And then Cas’ hand comes to rest on Dean’s shoulder, right where his handprint had been, both as a scar that was no longer there, and as a bloody stain on a jacket Dean kept in the trunk of the impala for safekeeping. That movement, that touch, it was undeniably Castiel, and it forced Dean into action.
He turns his head, and looks his best friend in the eyes for the first time in what feels like forever.
And it's Castiel. Undoubtedly. He has the same messy hair, the same stubble, the same beautiful blue eyes, same dirty trench coat, the same stubbornly crooked blue tie.
“Cas?” Dean croaks, voice wobbling, painfully close to cracking.
Castiel smiles softly and the sight of it brings endless relief to Dean. And when Cas responds with, “Yes. Hello, Dean.” The relief doubles until it floods over Dean so completely his hands begin to shake.
“Cas,” he starts, voice trembling almost as much as his hands. “I- you- how-?”
“Oh look, our pie,” Cas says, cutting Dean off as their slices of pie are placed down in front of them.
“Cas, listen-” Dean begins quietly.
“Dean,” Cas interrupts. “We’ll have plenty of time to talk, I promise. Just eat your pie.”
And maybe, some other time, Dean would’ve been worried, would’ve been suspicious over Cas’ clear redirection. But he isn't. Because Castiel’s eyes are earnest and honest.
And Dean suddenly understands. Cas doesn't want to talk about it yet. He doesn't know how Dean is going to respond. He wants to have this first, just a quiet, peaceful moment.
So Dean nods, and begins to eat his pie.
It is really good pie, especially a regular apple pie, and it's probably the best apple pie he’d had in years. Mentally, Dean decides to give Jenna a large tip.
He’s halfway through eating his pie when he can’t do it anymore. Not with the way he could feel Cas watching him contentedly, fondly.
“Cas, listen, I-”
“It’s alright, Dean,” Cas says, cutting him off again, but Dean can’t be mad at it. He just needs to keep going.
“No,” he says sternly, looking stubbornly down at his half-eaten slice of pie. “No, it’s not Cas. It’s not alright, and I need to say this.”
He looks back up at Cas and waits for his response. When Cas nods in understanding, Dean takes a deep breath. He closes his eyes to steady himself briefly before opening them back up and looking Cas in the eyes. “Cas, I love you,” Dean says quietly. “You gotta know I love you too.”
Cas’ eyes widen slightly before his expression softens to something so fond it would probably make Dean uncomfortable had it been coming from anyone else. “I know,” he says with a smile that’s almost a grin.
“You kno-?” Then Dean gets it. “Oh you little shit,” he laughs. “You did not know, you don’t get to Han Solo me, you asshat,” Dean says with a wide grin.
Cas chuckles and the sound warms Dean up from the inside out. “My apologies, Dean. It seemed fitting and I figured you’d appreciate it.” Cas ducks his head slightly, avoiding eye contact, though he’s still smiling.
“Hey,” Dean says, and he reaches out and grabs Cas’ hand. “There’s no need to apologize, man.” Dean’s grinning too, and, distantly, he figures he should probably make an effort to stop calling Cas “man” and “buddy”, considering the fact that he’s in love with the stupid angel.
Cas’ smile widens and he looks back up, meeting Dean’s gaze as he turns his hand over and laces their fingers together almost hesitantly.
The flood of warmth the action brings Dean, as well as the hesitation in Cas’ eyes, brings Dean to squeeze their hands automatically, reassuringly.
All the hesitance in Cas’ expression melts away, and he practically beams at Dean. “You should finish your pie, Dean,” he suggests softly.
“So should you,” Dean points out.
Cas chuckles again and shakes his head. “It only tastes like molecules to me. I’ll get a to-go box for it and you can finish it for me later,” he says, and the ‘later’ in that sentence fills Dean with joy.
They aren’t over. There’s going to be a “later” for the two of them.
He grins at Cas and squeezes his hand before turning back to his delicious pie.
It’s after he finishes it that he gets an idea, and he grins. “Hey Cas, you wanna taste it? It’s pretty good.”
Castiel frowns and does his confused little head tilt that Dean has always secretly found unbearably cute. He realizes, suddenly, that he doesn’t have to keep that a secret anymore, and the thought makes him smile.
“Dean, I don’t understand,” Cas says slowly, “there isn’t any pie le-” and then the look on Dean’s face must sink in, because he cuts off with a slowly growing and a little shy smile. “...yes,” he says finally. “I would like a taste.”
“Good,” Dean says, and then he reaches over with both hands, wrapping one around Cas’ arm and cupping the back of his neck with the other as he pulls his angel into a kiss.
Castiel melts into it, and Dean feels a little like he’s glowing from the inside out, he’s so happy.
When they pull away, Dean is still grinning. “Well?” he says. “Did you like the taste?”
Cas is wearing a matching grin. “Hmmm,” he says with mock thoughtfulness. “I’m not sure, I think we should do it again, so I can have another taste.”
God, Dean is in love.
They meet again in the middle for another kiss.
Dean’s face almost hurts from smiling so much after such a long time of not smiling at all. And he knows, as they hold each other close in the pie diner, that they have the rest of their lives to spend together.
And Dean is happy.
Tag list! Ask to be added or removed!
@dreamnovak @tearsofgrace @bluebell-24 @rambleoncas
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avengers-age-of-fanfics · 3 years ago
Text
just for you, honeybee (5/?)
pairing: steve rogers x reader (platonic), bucky barnes x reader
warnings: grief, sadness, CA:TFA
words: 2,074
authors note: I am so sorry for posting this late, been a crazy few days! anywho, part 5! slowly working our way into The Avengers & The Winter Soldier. not sure how i'll write the avengers yet but i'll figure something out! thank u for being patient!
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Your whole body felt so heavy.
Everything hurt and even with your soft breathing, it was as if all the muscles in your body were screaming at you to stop. Sounds of people cheering were heard but you tried to tune it out, your brain barely able to comprehend why your body hurt so much.
After telling yourself to try to at least open your eyes, you did, and it was so bright. Your eyes fluttered closed once more as you groaned at the light, trying to adjust. Listening to the sound once more, you heard a specific tune – Harry James’ Maria Elena – play on a radio.
You groaned, opening your eyes again as the song continued, hearing Harry’s voice, “Maria Elena, you’re the answer to a prayer…”
God, James loved this song.
Becoming used to the light, you tensed your toes, your legs, your arms, all the way up to your teeth, then untensing. It felt weird, being alive. Wait…were you alive? Maybe?
Before you decided to lay in your cot any longer, you sat up, glancing at your clothes – a plain, white t-shirt with an Eagle in the middle, along with some nice fitting tan pants and some shoes. ‘Odd,’ you thought to yourself, ‘definitely don’t remember changing clothes.’
The room you laid in was relatively plain, nothing was out of the ordinary as Maria Elena continued to play on repeat. “Okay,” you said aloud, “that’s a bit weird.”
With a grumble, you placed your feet on the ground as you held your head in your hands, “ugh, Steve, where the hell are you? ‘Could really use one of Howard’s hangover cures.”
Before you could talk any more nonsense to yourself, the door opened, revealing a beautiful young woman dressed in a nurse’s outfit, “good morning.” She took a quick glance at her watch, “or should I say afternoon.
You eyed her suspiciously as one of your favorite songs quickly grew to be very annoying, “where am I? Where is Steve?”
She seemed a bit nervous as she answered you, “you’re in a recovery room in New York City. Captain Rogers is right beside you, the next room over. He has been informed that you’ve woken up.”
Harry James’ “All or Nothing At All” came on the radio and you felt the urge to roll your eyes, “where am I really?”
The woman chuckled, “I’m afraid I don’t understand.”
Your eyes narrowed, “the songs. Listen, any person with a stable head on their shoulders loves Harry James, but there is no way in hell Blue Ribbon Town is playin’ his songs all the damn time. Now, where am I – and tell Steve I want him here.”
The ‘nurse’ – well, you didn’t know if you could call her that cause you seemingly caught her bluff – grew worried as you stood up, the bed creaking below you, “just tell me where I am and where Steve is and I’ll-“
You stilled for a moment, recognizing the sounds of two people arguing, and of course, Steve’s voice. He sounded agitated and on edge, but at least you knew he was safe. Now, you just wanted to get the hell out of here. The woman, nurse, whoever she was, grabbed a walkie-talkie and began talking into it, but you paid no mind to her.
The door opened behind her, revealing a man, you guessed an Agent, in a suit, “who the hell are you? I want to get out of this room.”
The man held out his hands, “Agent Y/N, my name is Phil Coulson, we work with S.H.I.E.L.D. There’s no need to stress, you are alright and safe.”
You squinted your eyes at him, “well, Agent Coulson, I’m sure you can tell why I am even remotely hesitant to trust you, so with all due respect, I’m breaking out of here.”
And with that, you sprinted towards the wall opposite you, ramming shoulder first and knocking it down, revealing bright lights and metal flooring – almost like they were keeping something on the inside.
An alarm sounded above you as you stopped in a hallway, people looking at your figure before gasping. “All agents, code 13” echoed above you as you dragged yourself along, unable to take a second and look. You cursed Steve for leaving you alone, for not hearing you fighting with that woman and Coulson guy. Shoving some men down onto the floor, you continued to run until you pushed open the doors, the outside becoming cold very quickly.
You spun in a circle, trying to take in everything around you as you ran into oncoming traffic, the sounds of horns blaring causing more confusion than anything. Running seemed to be the only thing you knew how to do, the rain drizzling down upon you, doing nothing to slow your speed. The more you ran, the more you realized how unfamiliar everything looked. Neon signs, tall buildings, cars you’ve never seen before – if that woman was telling the truth, when the hell did everything change?
You slowed to a stop, huge moving-picture signs changed above you and the unfamiliarity was daunting. You needed someone’s hand to grab, to hold onto something, so you reached towards your chest, holding tightly onto Bucky’s dog tags.
Black cars pulled in front of you and from behind you, a tall, sort-of menacing man stood before you, “at ease, Agent.”
Your eyebrows furrowed as Steve stepped out of the backseat of the car, looking uneasy; the man continued, hands at the side of his black trench coat and eyepatch adding more questions as to who this man was, “look, I’m sorry about that little show back there, but…we thought it best to break it to you slowly.”
Your grip on Bucky’s dog tags tightened as your breathing quickened, “Steve? Break what?”
The somewhat terrifying man took a breath, “you’ve been asleep, L/N. For almost 70 years – same with your friend Captain here.”
Your heart ached and it hurt to breathe all of a sudden. Tears welled up in your eyes as you tried to steady your breathing, looking around at everything around you. Steve stepped forward, hands quickly grabbing yours even as you tried to move away, “honeybee, I know it’s a lot to take in but you gotta breathe. You got this, you got this…”
You nodded, trying to listen as ringing took over your ears.
Steve turned, trying to catch his breath as the man in front of you looked to you both, “you going to be okay?”
Steve nodded, “she’ll be okay, she’s fine.
The man looked to you, “Miss L/N?”
You tried to steady your breathing, “I need…where is…”
The man held out his hands, “we’ll answer all of your questions, starting with who I am – my name is Director Nick Fury of S.H.I.E.L.D. We’ve been taking care of you both since your discovery and anything you need, you let us know. Now, can we get you situated?”
Steve continued to look confused as you glared at Fury, “how do I know I can trust you?”
Fury gestured to the world surrounding you, “you see anyone else trying to make friends, Miss L/N?”
You grumbled, “y/n is fine, really…Cap, what’s going on?”
Steve gripped your hands, “you can trust him, y/n, I promise. He’ll make sense of everything, he’s a good guy.”
With a glare, you looked towards the Director, “where…where would I be headed with you?”
Nick Fury leaned back on the balls of his feet, “Washington D.C, Triskelion, S.H.I.E.L.D, HQ, specifically.”
With a glance to Steve, you knew that broken look too well – a place to rest, to fully digest this news, would be nice. It seems he has somewhat fit in with this new world that you now have to adjust to. You turned to Fury, “I’ll go with you. But will I be staying there permanently?”
Fury shrugged, “you are in charge of your own life. Once we get you settled, you’re free to do what you wish.”
Steve nodded towards you as he recognized your hesitance – you can trust Nick Fury. You’ll be in charge of your own life once you become accustomed to this new world.
The trip to Washington D.C. was not too troublesome, but coming to terms with what era you were living in sure was. You and Steve were silent the entire ride, making sense of what had happened during your final mission. Once you arrived, Nick Fury had no qualms about telling you what had happened; you had completed the mission, saving millions of lives, and you had won the war.
But it just did not feel right.
You knew why; you shouldn’t be here. At this point, you and Bucky, your Jamie, should be in your late 80s, kids, and grandkids living their lives to the fullest. Yet here you were, living in an unknown world without your James, and the worst part – you had no idea if his body was recovered, if he had a funeral, if Becca had something for him.
That was what the first few months of your new life consisted of: doing research on these high-tech computers about Bucky, Rebecca, catching up on the history you missed out on. Unconsciously, you found yourself researching ‘Colonel Chester Phillips’ and found that your broody Colonel lived the rest of his life to the fullest, becoming one of the founders of S.H.I.E.L.D. – you just knew that man was meant for greatness. Next, ‘Howard Stark’ added to your search and your heart ached.
Howard, your Howie Stark, was murdered.
They had known it was murder, or some kind of setup, once the feds realized much of his equipment was stolen from his car. Howard and his beautiful wife Maria were murdered.
You cried that night.
The next day, you brought yourself to visit Colonel Phillips’ grave and laid a bouquet of flowers on his grave; you knew he’d call you ridiculous, that he didn’t need any flowers, but you did it anyway. Shockingly, Howard and Maria’s gravesite weren’t too far and you had laid flowers on their graves as well.
Steve hadn’t joined you.
You weren’t upset with him, no, just…you weren’t sure. You wished he came along, but he figured giving you space was what you needed when in reality, you needed him – you needed your Steve Rogers from Brooklyn. At least when you two went down, Peggy was still alive; your James wasn’t. A part of you hated Steve for that, but it also grieved with him.
Nothing more was done of your research on Jamie; you’d seen the same thing about him over and over, yet you knew all that was said. However, you loved seeing moving pictures of him and Steve, ones you hadn’t seen before that day. He was just as beautiful as the day he left you for war. His smile made your heart race and his nose scrunch, his eyes squinting during his smile…he was breathtaking.
Reaching below the collar of your shirt, you grasped the dog tags around your neck, thankful S.H.I.E.L.D. hadn’t taken them off. Laying a kiss on them, you let them go, hitting your chest before your fingers met the keyboard: “Grover, Newspaper vendor, Brooklyn.”
That man had continued selling newspapers until his final years and right away, you saw an article titled, “LOCAL NEWS VENDOR SHARES PERSONAL EXPERIENCE WITH CAPTAIN AMERICA’S PARTNER, Y/N L/N, AFTER LOSS OF CONTACT.” Of course, that old man had to talk about you.
Reading the article, you realized this was right after Steve and you crashed; you felt Grover’s grief and pain through his words. “That kid was a pain in my side, but y/n l/n is – was, one of the lights in my life. She was like the daughter I’ve always wanted an’ while I wish she coulda stayed here, she always told me she needed ta’ do somethin’ with her life,” Grover had said, the author keeping his Brooklyn accent. “Her relationship with James Barnes meant so much to that girl and if there was any way she’d avenge his death, she’d be doin’ it, and I know she did,” he said, “and even though I gotta live the rest of my life without that girl, I know I couldn’t have kept her from doin’ what she thought was best. I love her and…I’ll miss her.”
Visiting his grave was the most emotionally draining day since you’ve been back.
-
honeybee taglist: @clownerlyluv
@ginger-swag-rapunzel
@starkleila
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polite-pandemonium · 4 years ago
Text
I fixed Start-Up to my satisfaction
No one asked, but here’s how the fix-it fanfic would go for Start-Up if I had the energy to write that (I don’t and I already have too many works on the go):
1. This would be a total rewrite cause the writers clearly never intended to have Jipyeong and Dalmi end up together. Never giving him any real chance was a disservice to the love triangle and since it dragged on for so long, ultimately the characters. So the only way I would feel like I could make it work would be doing away with the triangle all together.
2. Forget the revenge plot, 2STO, Alex, and the time jump. None of that added to the story or moved it along. Ultimately, we could have done without.
3. If I don’t specifically mention something it’s cause I wouldn’t change it or I think it’s so inconsequential to even matter.
This got LONG, so it’s under the cut.
OK, so:
The first few eps go along the same way except for a few clear details: Jipyeong and InJae interact backstage at the panel they do at the beginning. They kind of seem to hate each other? But also a little flirty? Ms. Yoon is equal parts exasperated and entertained.
Leading up to the hackaton, the plot relatively stays the same, but after Dalmi discovers Dosan at Sandbox, Jipyeong, Dosan, and grandma start to realize the lie is going too far. Keeping up long term is never going to work. They all separately agonize about it, before coming together and agreeing that they have to tell the truth. A fun episode full of their almost-confessions ensues! It is humorous!! Light!! They are going to tell her!!
Dalmi is always a little skeptical. How come Jipyeong is *always* around? How come Dosan remembers *absolutely nothing*? Why did he lie to her about being successful, really? Why did Jipyeong help him? None of it makes sense.
Before they can find the right time to tell her, Dalmi outsmarts them. Following the hackaton, she’s messing with the handwriting software they developed, so proud of their work, and the day’s presentation. She picks up the presentation notes Jipyeong marked up and notices the handwriting looks familiar. She compares it to a letter and runs it through the software. It’s a match.
She brings the letter and the presentation to Dosan and asks him for an explanation. He comes clean; Jipyeong was the one who wrote the letters and asked for his help, but he himself was so taken with her that he wanted to keep getting to know her, even under false pretenses.
Dalmi is devastated. She has no idea who this stranger is and now she works with him? She blows up at grandma, couldn’t believe that she would lie to her for all these years and let her humiliate herself.
Once Dalmi has calmed down, grandma talks to her. Explains that she wanted to help her when she was young cause she was so lonely. Explains about Jipyeong, explains that he was young and lonely too. She didn’t expect it to go this long. She just wanted to give her something back after all that pain.
The next day, Jipyeong talks to Dalmi. He explains that he has been indebited to her grandma and has tried to find them. He says that he had no friends then and her letters were his only comfort. He tells her about growing up an orphan and how her grandma took him in. Dalmi starts to fall for him; he’s he first love, the one she has been looking for all along, and he is finally here, and has been through so much.
Only problem? Jipyeong kind of views her as a sister.
Her actual sister though? Continues to infuriate him. He still volunteers to be Samsan Tech’s mentor and the way she keeps messing with them is driving him insane. He’s still tough as hell, but invested in being a mentor. He doesn’t understand why she can’t let it be? They bicker at every opportunity.
Dalmi told Dosan that they’ll have to continue to work together, but she is wary of him now. What parts of him that she knew were real? What part was fabricated? Now that she knows who her real first love is, she wants to focus on that.
Dosan is disappointed, but understanding. He finds out about grandma in the same way and decides to make the code for Noongil in secret. He still cares for Dalmi and hopes she can grow to learn to care about his true self.
Dalmi finds out about grandma from grandma. Idk how but she does.
Dalmi, in a fit of sadness, goes to Jipyeong at his apartment for comfort, and tells him about her grandma. He is devastated. Together, they drink the night away, laughing and crying, talking about their past. Dalmi tries to make a move, but Jipyeong rejects her, saying she is drunk. She says she isn’t and she loves him. He lets her sleep it off. The next morning, she doesn’t remember anything, and Jipyeong has no idea what he is going to do now cause he doesn’t want to hurt Dalmi.
The next day, he sees InJae at work. She asks him why he seems so upset and he doesn’t know how to reply. She says it must be something stupid her sister did again. He explodes and they fight; he doesn’t understand how she can just abandon her family like that, she doesn’t understand why he cares so much. He tells her to go visit her grandma. InJae is confused.
InJae goes and visits grandma and finds out she is going blind. She is devastated; she hasn’t seen her for years and now it feels like she had wasted them all. She ends up going to Jipyeong’s and breaking down, standing in his doorway crying saying she’s never known how to reconcile with her grandma and sister after all these years and now it might be too late. Jipyeong hugs her in the hallway as she cries on his shoulder.
Unfortunately, down the hall is Dalmi, witnessing the whole thing. She had come by to surprise Jipyeong with dinner and to ask him some questions before demo day. She is heartbroken - Jipyeong and her sister?! - and flees.
Right before demo day, where the team is going to present their handwriting software, Samsan Tech is hit with a ransom ware attack. The twins were at it, obvs, and no one knows what to do. Yongsan says they need to call Jipyeong but Chulsan tells him no, they can figure it out on their own. The two Sans look to Dalmi to make the call. Still upset about what she saw a few days prior, she says not to call him.
It blows up in their faces. They were unable to stop the ransomware attack and their data was erased. They have nothing, with a mere 72 hours before demo day.
Jipyeong is livid. He can’t believe they didn’t call him. Samsan Tech fights back, saying that he never believed in them anyway. He’s so harsh and never supportive. Jipyeong realizes he hasn’t been the best mentor.
InJae goes to visit Dalmi. She heard about the ransomware attack and wants to make sure she’s okay. Dalmi admits that she was foolish, not willing to let Jipyeong help cause of her personal feelings. She doesn’t think she deserves to be a CEO. Injae asks if she likes Jipyeong and Dalmi nods, embarrassed, and says she is pretty sure he likes someone else. Injae is clueless and says whoever that is must be an unlucky fool. She responds with her own stories of failure in her first few years as a CEO. The sisters smile; the cracks in their relationship are still there, but starting to close.
Getting ready to pack things up and leave, Dosan is backing up his files one more time. One of the Sans sees the code over his shoulder? What’s this for? He asks. Dosan tries to hide it; it’s the code for Noongil. The team prods at him and he pitches the idea. Wait, this might be something.
Jipyeong doesn’t love the idea; it’s not profitable, they would have to secure CSR investors in like, a day to make it to demo day. But he knows it will help grandma. He agrees to help them make it happen.
Cue montage of them trying to put together a pitch just in time! All nighters! Grandma brings hot dogs! Sleeping in weird positions! But they gotta do it!! They gotta stay in the game!!
It’s the middle of the night, only Dalmi and Dosan are awake, still working; everyone else is taking a nap. Dalmi asks where he got the idea for the app and he confesses it was her grandma. Dalmi is touched. Maybe there is more to him than she thought.
Jipyeong, sleep deprived, runs into Injae the morning of demo day. Things are awkward between them since their hallway encounter. She notices that he looks tired and asks to get coffee. Over 1+1 lattes, she asks how things are going with her sister’s company. He says he thinks they might pull through. She asks if he likes Dalmi and that’s why he’s putting so much effort in. Jipyeong says that she is very dear to him and very important, but not in the way she’s implying. They exchange a look and awkwardly glance away. Jipyeong muses that it was strange that someone was able to hack into the Sandbox servers to get the code; whoever it was must have had working knowledge of Sandbox’s set up. Injae thinks to herself, reflecting on the twins recent weird behavior. Something clicks; she runs off. She has to fire the twins.
Demo day happens. It goes well! They secure a modest investment that will keep them up and running for a couple of years. Everyone is so excited!! Quietly, in the hallway after, Dalmi confesses to Dosan that she is thankful for him. He is bashful in response. It’s cute!
Samsan Tech continues to work closely together. Jipyeong mentors them, like an exasperated babysitter, but you can tell he likes it. Dosan and Dalmi continue to grow closer together, running into each other on the bus and working late, having a bunch of meet cutes.
Meanwhile, Jipyeong goes over to see grandma and Injae is already there. He’s surprised to see her; she’s a little dressed down, making food with her mom. He’s never seen her like this. Grandma asks him to stay for dinner.
Dosan and Dalmi work late one night. No one else is around. They end up talking about their perspective dreams. Dosan says he’s not sure what his is anymore, but he thinks that working on Noongil and with Dalmi and the team will help him find it. Dalmi’s heart flutters.
Meanwhile, Jipyeong and Injae are doing the dishes after dinner. They talk about their pasts; how Injae has felt alone since she left her family, how much she regrets it. He says he has felt alone his whole life. A moment passes between them, as they look at each other. Grandma interupts. They jump.
Dalmi wakes up the next day and looks at the Follow Your Dream ball. She realizes that she can’t stop thinking about Dosan; somewhere along the way, he’s replaced Jipyeong in her mind. She likes how considerate he is of others, how he smiles with his eyes, and how he has a sweet boyish charm. She realizes she might be falling for him.
At Sandbox that day, the news comes out; the twins have gone to Morning Group and are launching a competitor product to Noongil and this time, with a huge financial backing. Everyone is devastated.
Injae comes to see Dalmi about it and they fight; Dalmi says that this must have been Injae’s plan all along. Injae insists it wasn’t and that Dalmi is always looking to blame someone other than face the facts. She leaves, angry.
The team asks Jipyeong if there is any hope of continuing. He admits that it is unlikely they will surpass a product with a heavy backing and corporate support. They lash out at him, saying again that he never supports them. He counters that they only listen to him when he says things they want to hear and they’ll never be successful at that rate.
Saha says they might as well disband. This is hopeless, two strikes against them. The two Sans agree. Dosan says they should consider trying and looks to Dalmi for support. She tearfully disagrees.
They decide it’s over.
Dosan goes to visit Dalmi. They talk about dreams again. Now that it has been taken from them, Dosan knows what his is. He wants to make AI that will help people. He wants to make people’s lives better. Dalmi is overwhelmed and kisses him.
Injae is in her office, cleaning up files, when she notices something saved on an encrypted, secure doc on the server. She goes inside and sure enough; it’s all of the code to hack into Sandbox and Samsan Tech’s servers. She immediately calls the police.
The twins and Morning Group are charged for whatever charged you get when you conduct a ransomware attack. Idk I am not Googling it!!! Their investors pull out - Noongil is saved!!!
Jipyeong goes to Injae; he knows this was her doing. He thanks her. She says she is starting to understand why he cares so much, about family. They kiss.
Dalmi and Dosan stand outside a large skyscraper. They are going to go inside to pitch their business to a huge investor, Jipyeong had made them practice over and over again. They know there is a small chance they will get it, but they are going to try again. They take each other’s hand and walk towards the building.
EPILOGUE; time jump of three years later!!!!
Samsan Tech has created a huge amount of AI software for a variety of disabilities and has their own offices. Yay!
Dosan and Dalmi get married; Injae at her side, the two Sans by his. In the first aisle sits Jipyeong next to grandma, he and Injae’s baby on his lap. Cute!!!
Grandma has a hot dog stand again, cause Dalmi, Injae, and Jipyeong pitched in to help her buy it. Everyone helps out on the weekends and they hang out there with her mom, Jipyeong and Injae’s baby running around, like HAPPY FAMILY TIMES.
THERE I FIXED IT TO MY SATISFACTION
BYE
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talesofesther · 4 years ago
Text
Anchor - Part 1
Five Hargreeves x Reader
Summary: When Y/N reunites with her friend Klaus he ends up dragging her into his family mess of saving the world from an apocalypse. Meanwhile, Five sees himself getting more and more attached to this new girl.
Masterlist with the other parts
A/N: if you wanna be added to the tag list, let me know. 
Important notes, PLEASE read: 
I suck at summaries, so I'm sorry;
Anyway, I haven't written anything in a LONG time, so brace yourself for some bad writing, also English is not my first language so I'm sorry for any mistakes;
Five is aged up to 17/18 years here (which is Aidan's age, so nothing's changed);
This fic will be focused on Y/N's and Five's relationship so if I sometimes just brush past anything important happening with the other siblings, that's the reason;
I will follow the main events of the series but there might be some changes to best fit this story;
I have just a vague idea of what I want this story to be, but I'll mostly figure things out as I write. I'll try to update this always as soon as possible, but no promises (I'm also open to ideas of what you would like me to include in this story, so don't be afraid to ask);
I'll always try to keep the siblings in character as much as I can, but it may not always be perfect, so I'm sorry;
And last but not least I will only continue posting this fic here if you guys like it, so please let me know, a simple like will suffice. And all feedback is appreciated :D.
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It was already late at night, Y/N didn't know how late, but it was late. She was mindlessly walking the empty streets, with her hands in the pocket of her jeans, her sneakers kicking the dirt and her head overwhelmed with probably too many thoughts. She reached a club, at least she presumed that's what this place was. Just hearing the music from outside already seemed to give her a headache.
She was already walking away from the disturbing place when she saw a man stumble his way out, something about him looked familiar so she walked a bit closer and squinted her eyes to give him a better look. The only light illuminating them was the moon and the faint colorful lights coming from the club, and when she saw who the man was her eyes automatically widened.
"Klaus?" Her voice made her sound more surprised than she actually was.
Klaus on the other hand, raised his head so fast when he heard her voice he even became a little dizzy. When he saw the girl in front of him, his hands came to his mouth in utter shock and he muttered "oh my god".
"Oh my god Y/N" he said again, louder, after some seconds. Next thing Y/N knew she was being enveloped in a bone-crushing hug by her weird friend. "I can't believe you're actually here. Oh, it's been so long, I missed you" Klaus said while holding her close, he seemed genuinely happy to see her and it sent a warm feeling to her heart.
"I missed you too, buddy" she said with a smile, bringing her arms around him as well.
Klaus finally pulled back and held her by her shoulders. Now that he was closer, she noticed that he was sweaty and looked quite on edge. "Finding you here is definitely the best part of today, oh I haven't seen you in ages"
Y/N grinned at his overreaction, this was so typical of him that it even made her feel at home. But honestly, it hasn't been that long, probably just... Two months.
"Are you back in town? Please tell me you're back in town"
"Yes, I'm back in town Klaus, I was planning to call you tomorrow actually" Y/N chuckled.
This put an even bigger smile on the man's face. For some minutes they just sat outside of the club and talked about what happened in their lives in the past months, Y/N realized that she also missed him dearly. She didn't have so many people she could talk this carelessly with, or any at all.
After some minutes, she decided to ask him the question that was swimming in her head. "Are you okay Klaus? You seem a little on edge"
His eyes met hers and he saw her genuine concern, so he told her the truth. "I conjured my dad"
Y/N's eyes widened once again. Yes, she knew all about his family and his powers, and she saw about his father's death on the news. But she also knew that he hasn't conjured anyone in years, so that was a surprise. "What?"
"Listen, I'll... I'll tell you everything he told me, god I'd be happy to" he gulped and fidgeted with his hands. "But not here, come with me to the Academy. It's comfier there" he smiled.
Y/N had never entered the Academy before, Mister Reggie would probably despise her so she kept her distance. But since he wasn't around anymore, she didn't see much of a problem. So she reluctantly agreed and left with him.
_________
They stayed up all night, talking in the big living room, drinking some glasses of wine here and there. And Klaus told her everything. He told her about Dave while he cried and she held him close. He told her about the apocalypse that was coming, and as much as she didn't want to believe him, she saw the sad sincerity in his eyes. That one specific part she took a couple of minutes to process, but he promised her they were working on stopping it. And at last, he told her everything his father said to him.
They only noticed that it was already morning when the rays os sunlight seeped through the windows.
"Hey, do you wanna head down to the kitchen and make some coffee? I gotta wake my siblings and tell them the big news" he asked while he got up from the couch and stretched.
"Of course but, your siblings don't know me, Klaus..." Y/N smiled hesitantly, looking up at him with her head resting on her hand.
"Ah don't worry about them, they're gonna love you. Just like I do" he waved her worries off and headed upstairs.
Y/N sighed and rubbed her eyes. She had to admit she was a little nervous, from what Klaus had told her, his siblings were nothing like him and she honestly wasn't expecting to meet them anytime soon. Especially now that apparently their missed sibling was back and for some reason that Klaus failed to explain to her, he was her age, but very grumpy. Klaus's words, not hers.
Yet here she was, about to make them coffee. In the kitchen that she was supposed to find in this immense house. Just great.
After she spent more time than she would like to admit looking for the kitchen, she was finally able to brew the coffee in peace. But at least while looking for said kitchen, she was able to take a look at the house. It was huge, every part of it was filled with decorations that were probably worth more than everything she's ever owned in her life, but nonetheless, it was beautiful. Plus Y/N was lucky she didn't run into anybody yet.
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"Alright the big man is finally here, Y/N is that coffee ready yet?" Klaus barged into the kitchen followed by a huge man, too huge. Y/N even felt a little intimidated. The big man's eyes soon landed on the new girl awkwardly standing in the kitchen while he sat in one of the chairs.
"Hi I'm-" Y/N was about to introduce herself when Klaus put an arm around her shoulders and cut her off.
"This little thing is Y/N, she's my friend" Klaus had a pleased smile on his face while he held Y/N to him.
"Hey, I'm Luther" the big man mumbled his name, he was clearly very hungover.
Y/N was about to sit on a chair but Klaus stopped her once again. "Oh, Ben is sitting there" he said while pouring Luther a cup of coffee. So the girl sat in the chair in front of Luther, looking at the seemingly empty chair beside her and whispering "Hey Ben, how've you been?".
Her kind smile made Ben smile as well. "I'm good Y/N, I missed you" sadly she couldn't hear him, but her smile didn't leave her face for a while, which made Ben's heart feel a little alive again.
All too suddenly another boy appeared and took Luther's coffee cup from his hand. Judging by his age and appearance Y/N presumed this was their missing brother that was now back. He was wearing a blue set of pajamas and honestly, he was quite... Cute. An opinion Y/N would never let Klaus know, otherwise she would never hear the end of it.
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"Jesus, who do I gotta kill to get a decent cup of coffee?" His snarky comment made Y/N raise an eyebrow at him and a small smirk make it's way to her face. But it soon disappeared when the boy's eyes finally found her's. His gaze was serious like she was a complex math problem he was desperately trying to solve.
"And who are you supposed to be?" He asked without taking his eyes off of her.
"I'm Y/N, a friend of Klaus" She gave him a small wave of her hand, but his serious expression still hasn't dissipated. He just took another sip of his coffee and said "Five".
She supposed this was his name, giving that all the other siblings seemed to have actual names instead of their numbers it was a bit odd. But she decided to not ask about it.
"Don't worry guys she's already all caught up in the apocalypse business so she's here to help" Klaus voice made yours and Five's head turn to his direction.
"Help?"
"What?"
Y/N and Five said at the same time. Which made them both look at each other for a second before Y/N spoke again. "You didn't say anything about me helping stop a fucking apocalypse, Klaus. I mean, I will but... A warning would have been nice" she mumbled the last part, bringing her eyes down to her hands to process her new task, apparently. Of course she would help them in any way she could. But she wasn't like them, she was just... Normal. 
"You can't just run around telling all of your friends about the apocalypse Klaus" Five scolded him.
"Hey for the record Y/N is like a little sister to me alright? And also she already knows everything about our weird family, the more help the better right? So you're welcome" Klaus said back at him waving his spatula around. Five didn't look totally convinced, but he didn't say anything else, just shot another glance to Y/N's direction.
"Can we get started please?" Luther finally talked again.
And so Klaus finally started to talk about what happened last night, which was the reason that everyone was here in the first place. His siblings didn't seem to believe that he was able to conjure his dad until a monkey showed up and confirmed his story. He was so adorable that Y/N had the sudden urge to give him a hug, but she stayed on her chair in silence. She wasn't surprised when he confirmed that their father had actually killed himself apparently just to bring their family together. There are probably easier ways to schedule a family reunion, but she wasn't one to judge.
Luther was the first one to leave, he seemed pretty annoyed with all of this, and Y/N couldn't blame him.
Five risked another glance up towards the new girl, she was mindlessly playing with a spoon on the table. He wondered how she ended up with Klaus, maybe someday he can ask her. She looked innocent, fairly happy, and despite Klaus saying she already knew all about his family's weirdness, he had no desire to put her in unnecessary danger. But now was probably too late.
When her eyes rose up and met his, he felt uneasy. He felt an unfamiliar sensation inside his stomach and he didn't like it one bit. So he ran his hands through his hair, said "I gotta think" and in a flash of blue, he was gone.
Leaving only Y/N and Klaus (And Ben) in the kitchen.
***
Thank you for reading ♥ the next part should be out soon. And as I said, if you have any idea about how this story should progress or anything you would like to see in it, please send me an ask or message and I'd be happy to include it. ♥
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caguaydreams · 4 years ago
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A thorough analysis on why Vah Medoh’s dungeon theme makes me want to cry
Yep, that’s an accurate title. Hi there! do you have a moment to hear about Breath of The Wild soundtrack? posting for yet a third time in hopes that tumblr won't hide it. I'm so tired
What started as a quick and harmless post, pretending to simply point out a couple of things, rolled downhill, out of my grasp and turned into a massive snowball of a short essay. How and why did this happen? Well, I assume a lot of people know about this song, and know what I’m talking about when I say that it makes me tear up and sob uncontrollably with every change in key as the seconds tick by and I spiral down into a dwell of misery from where I struggle to find the exit and to later recover.
……No?…..At the VERY LEAST it makes you a little uncomfortable. And I state this with much certainty, because after reading hundreds of comments everywhere online where this song is present, I picked up on a vast majority of people who expressed to feel the same way I did when it came down to our current music subject. See, statistics don’t lie… normally. So, naturally, my intrigue got the best of me. I wanted to find out exactly why this soundtrack was mercilessly stirring up everyone’s emotions, so I caved in and we ended up with this.
Buckle in, fellas.
Out of all Divine Beasts’ dungeon themes, Vah Medoh’s is the one that I can’t sit through. Not without growing antsy and wanting to turn it off as soon as possible. I find it genuinely difficult to listen to, and it’s not only because Revali is my favorite character and the song is just, plainly put, depressing, mind you.
We’ll start from 0 terminals activated.
It opens up similar to the other three dungeon themes; the pace is slow but eerie, gives off the impression that it sounds broken somehow. Something is off here, and it’s easy to figure out what that is from the get go: you’re basically entering a majestic, ancient, mechanical mausoleum, where everything went terribly wrong a century ago. Someone is gone, someone you knew, someone who was probably close to you, but it’s impossible to be sure. You don’t remember a thing, and this entire ordeal is confusing at best, and terrifying at worst. It’s your duty to make things right again.
It’s the same for all four Divine Beasts upon entering, save for the obvious little differences that separates them from each other and make them unique. Ruta’s is played on a major key, adhering to a sense of hopefulness. Naboris’s begins with a startling smashing of the piano keys, much like thunder of a sudden lighting strike. And Rudania’s theme starts threatening, dangerous, like scalding lava.
But now, back to Vah Medoh. The tone here is… alienating. The dissonant chords are all over the place, and feel disconnected, cold. It’s almost as if someone doesn’t want us to be here, or just like the elusive key, our presence is unexpected. Fitting, for a Divine Beast that’s high above the land, impossible for most to reach, yet we somehow made it. Apart from the piano, we have the occasional hint to rito culture, in the shape of a short, synthetic version of the rolled chords at the very beginning of Rito Village. A quiet reminder of where we come from. There is also, of course, the morse code distress signal, but we’ll talk more about that later.
As soon as this formal introduction is over, we finally get to the more, say, intimate stuff. Oh, and wouldn’t you know, it’s just tragic.
One terminal activated.
There’s no better short way I can describe this passage, other than anxiety-inducing. Especially when the strings come into play, and there’s two reasons I can think of why I feel this is an important thing to point out:
1- Characters and Symbolism.
I tend to associate stringed instruments, all of those which compose the violin family, with rito culture. And Revali, most specifically. In Creating a Champion we can see the early concept art and designs for all or most major characters in the game, and Revali’s highlighted rough design might be the one that changed the most throughout proper development of the character, out of all champions. He looks quite different from our usual depiction of him, it’s fascinating. What truly catches my eye, however, is the design of his bow.
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You thought bird puns were bad? Oh boy, how do you feel about Revali having a bow that looks like a violin/cello/viola??? And do you need a bow to play it also??? Like, is it even an instrument or it’s nothing more than a mere fashion statement?-
Anyway. I believe this was originally going to be a not-so-subtle wink to rito culture, being heavily musically inclined as we can see and conclude for ourselves. Perhaps Revali was going to be a musician as well, now how cool it that!
Needless to say, the idea was eventually scrapped. But one detail I am CERTAIN carried over to the character we know and love today(okay not all of us love him but seriously if you dislike him why are you still here lol): strings. The association between bows(weapon) and stringed instruments, aside from being a quite clever and creative one, goes beyond the concept art and remains strong as part of Revali’s character, settling for having a presence via score. After all, Revali is a master of archery, so in that way it makes sense to keep strings as symbolism to reinforce the idea and drive it home.
But can you guess what other thing Revali excels at? That’s right: flying. He’s the only rito we know of who successfully managed to take advantage of wind currents and bend them to his will. And do you know what musical instruments are often used to evoke the feeling of flight and gale? If you thought of bowed strings, you’re correct! Unfortunately, I couldn’t find much support on this topic online, so you’ll have to take my word for it. I am most certain that this is fact, although not something worth discussing on the Internet, by the looks of it.
Anyhow, violins/cellos/etc are ever-present whenever we’re close to Rito Village or dealing with a rito related mission. Attack on Vah Medoh, for example, features a sequence of strings that is meant to evoke the strong winds we’re fighting against in that particular moment(*). Another great example is The Final Trial, the song that plays at the shrine of resurrection nearing the end of the Champions’ Ballad. Preceding the activation of each terminal, you’ll notice that a new instrumental element joins the crowd: the first one corresponds to the tambourines, related to the zora and Mipha; the second one are strings, referencing the rito and Revali, etc. I tell you, the moment I heard this during the trial I almost started crying like a baby. And, although strings have a lot to do with Rito culture in general, they tie most strongly to Revali, since he was the champion of his people, and his legacy carried over throughout the years. His accomplishments became material of folk tale, a legend, a source of pride and inspiration for the village. And let’s not forget that, at the end of the day, Revali is the crucial and foremost connection Link has to this place. Other than appeasing Vah Medoh, Link’s responsibility here is to free his past fellow champion’s spirit from Ganon’s malice. The soundtrack is referencing Revali first, and by extension his devotion to his home.
With all that in mind, let’s move on to our next point:
2- Nowhere to Go.
You shoot the canons, land on top of the Divine Beast, do what you gotta do, activate the first terminal and the soundtrack goes off unannounced. Like some sort of surprise anxiety bomb. The rhythm turns fast, the melody erratic, incredibly desperate in its execution. There’s this sheer despair, fear, this feeling of suffocation almost, which are so well achieved in this particular piece.
And that is, partially, because a quite familiar resource is used here as well; one that we’ve heard before in songs such as Rito Village or Revali’s theme. You could even think of it as a motif: two notes are played in an semitone interval, repeatedly and in quick succession. For the sake of later convenience, we’ll call this the Flight Motif, now let me explain why. In Breath of The Wild, this semitone loop is often followed up by some form of resolution. In Rito Village, formerly known as Dragon Roost Island(**), that resolution consists of a graceful descent of the melody, from a high that was built up previously during the motif. On the other hand, if you listen to Revali’s theme, you’ll notice that the interval repeats itself for a couple of times as thought charging up, to then rise fast and determined into a triumphal reprise of Revali’s distinctive assigned melody. This juxtaposition supposes the difference that lays between common rito flight and Revali’s trademark ability; both musical sequences are speaking of flight, albeit in two different languages depending on the way to achieve it. While the rito traditionally use their wings to glide and let themselves get swayed by the air currents Buzz Lightyear style, Revali takes full advantage of his flying capabilities to somehow create an updraft of his own, rising meters above the ground whenever he likes or needs to.
So, now that I layed out my base of thought when focusing on the strings, this’ll be much easier to explain. We’ve settled what the instruments themselves are a symbolic representation of Revali, in this scenario specifically. He was the only one inside Vah Medoh, and the score is, in a way, a retelling of what we can vaguely assume went down here during the Great Calamity, as much as it is what sets the tone and ambience for Link’s mission. But what are we hearing exactly? What we talked about, the Flight Motif, is being repeated nonstop. And that’s the thing, remember how I mentioned that this sequence usually finds resolution at the end? Well. Inside Vah Medoh,… it never does. The melody picks up in numerous occasions, but it’s not nearly as graceful, or calculated, as we’ve grown used to by now. It gets tangled and lost, and then inevitably falls to the ground in disarray. The pattern repeats itself, reaching higher after a handful of failed attempts, but no matter how much it tries, the cycle never ends. What used to tell us about flying and freedom in the skies, has morphed into an almost sinister musical incarnation of a tornado, and there is no way out of this trap. What do you think it must feel like to mindlessly flap your wings against wind currents so strong and violent, that it is impossible to get anywhere nearby, let alone take off every time you lose your balance. Or every time you’re shot down. On top of that, trying to aim and fight back in whatever short breaks and opportunities you get, at an enemy that’s much more powerful and relentless, who’s using your own element as a weapon to destroy you… it’s a risk Revali surely had to take in order to put up a fight. Even knowing full well that the odds were not in his favour, that he was most likely going to lose this battle, that he was going to die. Let that sink in. I’ll skip the activation of the second terminal, since there’s barely any change registered in the theme in general. So-
Three terminals activated.
I know this post is supposed to be a breakdown of the song purely, but that doesn’t mean there’s no place for a little theorising, and the following scrutiny is also quite relevant for our discussion. Bear with me for a bit. I’ve read almost everywhere about people’s most common interpretations on the Divine Beasts SOS signals, and how everyone thinks that Revali’s coming in last (a few seconds later than the other champions) has to do with him holding on for longer. Or, also, overconfident as he was, it means that the idea of calling out for additional support didn’t cross his mind until it was too late, and that’s why the beeping sounds more frantic and panicked than the others’ when it does appear. After giving it some thought myself, I’m betting on the latter option holding more ground, and that’s not all. I want to touch upon a detail of the piece that I never acknowledged was there until very recently(after seeing myself obliged to listen to this song fully and a handful of times, suffering every minute of it for the sole purpose of this analysis. It’s okay I didn’t need my heart anyway). Soon after activating the third terminal, the SOS signal disappears, or grows distant and faint enough that we can’t make it out from the background anymore. In its place, we’re confronted by this… shrill, piercing and painfully slow tune. It sounds synthetic, artificial, devoid of life. And it’s funny, because you know what it reminds me of? I’ll tell you:
A heartbeat flatline sound.
And I want to highlight that this doesn’t happen in any of the other Divine Beasts themes. All their SOS signals carry on, but Medoh’s is no more. This abrupt stop, followed by this bone-chilling tune…. makes me believe that Revali was the first of the champions to fall. A few days ago I came across SuperZeldaGirl’s video on a similar topic, theorising that this could very much be the case. There is not much evidence to support this claim other than some visual cues that could be suggesting to it, but after I found this in the soundtrack, and if we’re to rely on it for anything, I believe Revali was either the first champion to be ambushed by Ganon, or well…. the first to be killed. It is plausible, because short after Calamity Ganon unleashes his power, Revali parts from the group and flies directly to Vah Medoh, and he very well could’ve been the first pilot to arrive.
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On this note…. we’ll have to wait and see for ourselves, when Age of Calamity provides long-awaited answers to many of our questions.
Four terminals activated.
An interesting melody is being played on what, for me, would qualify as a glockenspiel or a celesta, which are keyboard based instruments that produce a sound similar to that of a music box(***). If you want to pay more attention to it, I suggest listening to Vetrom’s Instrumental Mix Cover of the theme, where they practically zoom in on this part of the song (keep in mind that it uses the All Terminals’ time signature so it’s being played faster). For some reason, this particular addition makes me feel profound empathy. The sound of this instrument could be described as cute or childlike, magical, even. It is more often than not used to represent innocence, but I highly doubt that’s specifically the intention here. Much like the leading strings’ melody, the melodic contour of this one is trapped in a loop of going up and down constantly, but the difference is that this time around it sounds more under control. And much more uniform too. It doesn’t lose focus or takes risky, fruitless leaps, but rather chooses to stay on a path of waves that consistently rises and falls without taking detours. Like a determined battle strategy, giving it your all. You fall, but get back up again, and try again, and again. It reminds me of Revali’s approach to training, being persistent to the point of overworking himself. He had discipline nailed down to a tee, which I also think served him well in combat. It’s not just about being hard on yourself, either, but being confident and having complete faith in your abilities; believing that you’ll make it.  For this to appear now, that the SOS signal is almost completely gone, is significant because it means that by this point, being so close to success on Link’s behalf, the music is sparing genuine encouragement for once, in spite of the tragic outcome of the past and the danger of the current situation. But, in all honesty, this is probably just me reading too much into it. Perhaps the composer just thought this addition sounded pretty bitching and there’s not much else to it, which is completely fine. Although, intentional or not, sometimes coincidences do happen, and at the end of the day, interpretations like this are a form of appreciation for an artist’s work and for what they can unknowingly accomplish.
All terminals activated.
This is the moment when the song finally lightens up. Notice how the strings abandon the wave pattern for a more even contour. The beat quickens, the melody stabilizes. At first I thought, coming from our flight analogy, that this meant a cease in movement entirely, and it was partly one of the reasons why the song in general makes me anxious. But thinking about it now, …there is something different going on here. The strings are playing on a steady rhythm. It resembles a march, it’s like a pounding heart. It’s a lively, hopeful statement. And what’s interesting is that, up until this point, there was so much fear and helplessness present in the score, even going as far as to reach a dead end when we activate the third terminal. But that’s it, isn’t it? the music just keeps going further. 
It’s saying: this isn’t over yet. Even after complete and utter defeat, there’s still hope and an underlying wish to overcome this predicament, and we started to hear this as soon as a fourth terminal is activated. The melody we previously talked about? it’s here as well, and its beat is much more daring and confident.
And I just want to say… this is so powerful. Because this sentiment is deeply tied to the game’s story and Revali’s character arc. You see, he is introduced as someone who resents Link for being the manifestation of his failure, in a way, because Revali has trained arduously his whole life to be where he is, to be recognised. And yet… this hylian gets chosen by a magic sword and some tale of divine destiny and, apparently, that’s all it takes for him to be deemed the hero that will save the land. In Revali’s eyes, Link has done nothing to prove his worth before him, so it is easy to see why he despises the silent knight so much; he is yet another individual that was born into their destiny. Meanwhile, Revali has had to build his reputation from the ground up, earning him a place among the greatest warriors of Hyrule, and even then he finds himself surrounded by people who grew up praised for being born gifted.  We can see how Revali is the odd one out, and can map out the reason for him acting so antagonistic towards Link.
But once we’re on Medoh, things start to change. When Link enters the Divine Beast, Revali greets him with disdain, as per usual. Of course, Link has no recollection of whatever happened a hundred years ago, other than a small glimpse of the rito champion talking down to him, a memory that came and went in a flash. So as Link, we more than expect Revali to act cold and mocking, which he does. He provides us with as little help as needed in order to free Medoh, reluctantly, shielding his wounded pride over having to wait for Link, of all people, to come to their rescue. But you can hear him starting to open up bit by bit(I wish I could translate his dialogue directly from Japanese but I’ll make do with a couple of dubs and other numerous sources from translators online). With each little step Link takes towards success, activating the terminals, the perception Revali has of him shifts from one of resentment to one of genuine admiration and respect. By the end of it all, he is willing to not only cheer on Link during the boss battle, but to trust him with his life’s worth achievement. And once left alone, he admits defeat and lets go of his bitterness, realising that he was wrong to underestimate Link, and later wishes he could’ve had a chance to measured up to him. To take all of this into consideration and work with it in the soundtrack I think it’s genuinely splendid. And for once, I am grateful that it ends in somewhat of a positive note that puts my soul to rest. I still have a hard time listening to the first two thirds of the entire thing, but now I can look forward to a hopeful and earnestly heartening conclusion for all the pain that this composition puts me in. I must admit that it’s beautifully and brilliantly crafted, and that I am enamoured of it regardless.
That is why I wrote roughly 4k words about it! I hate myself!
If you’re as crazy as me about the soundtrack of this game, I recommend you read the published cd interview with the composers themselves! if you haven’t already. I just found it yesterday(unbelievable but it’s true) and… after writing all of this and checking it out, I felt validated. It sure is a one of a kind feeling. 
Alright folks, we’ve made it to the end. Congratulations for sticking around and thanks being interested in my nonsensical rambling! 
I also hope that you, like me, will now be unable to listen to bowed strings without being reminded of Revali. Good luck!
————– Annotations/Sidenotes/Whatever
(*)The Flight Motif(in point number 2) is also present in this track. We can hear it in the background right after the Rito leitmotif, as per usual. It starts with a clarinet, I think, before the strings take the lead. (**) Note that the Flight Motif only comes into play in the Breath of The Wild rendition of the song. (***)I strongly associate this instrument with Mipha, given that it is used in her theme, in every “response” to the initial melody. It can be heard in Attack On Vah Ruta, as well, it enters the scene when the notes Mi(E) and Fa(F) are played. The initial tune, Si and Do(B and C) are played on a clarinet or oboe, wind instruments just like the flute that leads Sidon’s respective theme. The celesta can also be heard inside Vah Ruta, activating the first terminal…. when the song really takes a turn just like Medoh’s. Mipha has nothing to do with the song of this analysis, however. We must understand that instruments, although they are attached to characters/various story elements in some cases, can always be used outside of that context, for that is the nature of an orchestral soundtrack. If you have this many tools at your disposal, you will make good use of them.
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beautifulterriblequeen · 3 years ago
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The Thief and the Tinker, Part 3: I See Fire
part 2
Part 3
Viren: Well how do you suggest we get him out?
Claudia: *grins, brandishes marshmallow on toasting fork* Unharmed is just another kind of harmed
Viren: Claudia no
Claudia: Claudia YES
I See Fire
Angst rating: 9/10
Viren is clever enough not to take the Silvergrove on alone, no matter how badly he wants Ethari to make him a magic key. Aaravos could be cooking in that pod for a while longer, but Viren still has a trustworthy and badass ally at his side.
Oh yeah, it's Claudia Time again!
Claudia is a powerful and imaginative dark mage, and she has the tainted Sun staff. So, you're the magefam, and you've made it to Xadia, to the edges of the Moonshadow Forest. And all you need to do to get the power of your dreams is to threaten one soft craftsman. But how do you find one specific Moonshadow elf in a hidden Moonshadow village somewhere in the middle of a giant spooky magical forest?
You burn him out.
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Credit once again to@random-fandom-ramble for reminding me of this forest fire headcanon, because it fits so well. and so I don't get all the blame for this one, lol
Because see, that's not ordinary fire. Oh, no. That's dark magic fire. We've seen that before. It leaves permanent scars. Remember Sol Regem's eyes?
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That's going to be the landscape when Claudia's fire gets through with the Moonshadow elves' home. Where I live on the US West Coast, they name forest fires, and if they combine, they get called complexes. So maybe we can name this fire the Dark Tragedy Complex? Because I do have to wonder... you could start a dark magic forest fire easily with a tainted Sun staff, but how do you put it out?
Two things are going to happen if these events should unfold. One is angsty. The other is also angsty but then amazing.
Firstly, Viren is going to get what he wants. He'll find Ethari, whose tree burned down :(. He'll show him the coins, and he'll offer a trade. Build what he wants and make it work, and Ethari can have his family back, uncoined and free.
And Ethari will say yes.
He'll say yes no matter what anyone else tries to persuade him to do, and I hope they do try, because see: Ethari has to make it look good. He has to make it look like he's all in on Viren's plan, to Viren. Even if that means turning his back on his people in their time of greatest need.
Secondly, the Moonshadow elves are going to be collectively homeless and bereft, hungry, injured, terrified, angry. They will have nowhere to go. They will be a people without a home. And no one else in Xadia will help them. Maybe they're too terrified to hide Ethari's people in case doing so brings Viren down on them, too. We've seen how ordinary elves flee in terror from dark magic. Maybe they're all fighting other issues, too. Viren knows all about stretching resources too far during times of crisis. Whatever the case, there will be no welcome anywhere in Xadia for the Moonshadow elves of the Moonshadow Forest.
But here's where it gets amazing. Because one hand will reach out. One small hand, from across the border. Good King Ezran will stand up on the seat of his throne and say, "You can stay here. I have forests. You're tired, you're hungry. You need medicine. Let me help."
And I'm gonna cry like a little baby.
How many cycles does this break, how many circles does it complete? Moonshadow elves used to live in Katolis before the border was created. When humans were under threat of total annihilation, the Moonshadow leader's daughter spoke up and asked for mercy. That mercy came in the form of land reassignment, and the Moonshadow elves had to give up their ancestral home, their Nexus, and travel east across the new Border. But that mercy got paired with justice, and the life-loving Moon Druids probably had to swear some kind of blood promise to keep an eye on the humans forevermore, and to kill any individuals who got out of hand, as if their sins were the Moonshadows' responsibility now.
That's got to breed a little resentment, a little superiority. "Look what we sacrificed for you, and this is how you act. Ungrateful." And maybe that was partially Luna Tenebris's goal: to hold to her vision of justice, she had to make the elves who shared her arcanum feel a little resentment. Moonshadows love life, but we can't have them being too soft to keep Xadia safe from dark mages, now, can we? I will never stop cackling over dragon politics okay, never
But the Moonshadow elves never figured on King Ezran. A soft boy who refused to let his father's assassination harden his heart, because every life is genuinely important to him. I've seen headcanons for Ezran getting the Sun, Earth, Ocean, and Stars arcanum. How about Moon, too? Because this is very Ethari of him, and if these stories of Viren's plan and the Moonshadow elves' displacement were actually to happen in tandem, the contrast between Ezran's soft choice and Ethari's hard one would be mindblowing.
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Ezran completes the circle by inviting the Moonshadow elves to return to Katolis, to their ancestral home. They left long ago, paying the price for an act of mercy, but they were welcomed back by the mercy of humans, repaid after a thousand years, repaid in the face of tragedy. Tragedy on all sides. Tragedy Ezran wants to stop from happening, by being brave and caring and soft, and by being the first to break this thousand-year cycle between Katolis and the Moonshadow elves.
Rayla is his friend. And these are her people. It won't matter what they've done, only that they need help in a time of great desperation. And of course he'll help them. He's Ezran, and he's Katolis's greatest treasure.
Oh, what's that you say? Inviting the Moonshadow elves to settle in Katolis again would make it easier for Rayla to live with Callum in the future? Oh gosh, how about that? What a deal. *smug matchmaker noises*
And once the Moonshadow elves understand that they're safe and begin to trust Ezran--which could happen very quickly, because saving a Moonshadow elf's life when you didn't need to is a really fast way to prove you're trustworthy--maybe Ezran will be encouraged to take the next step toward peace, and eventually other elves and dragons will come to meet together to talk it over. And Ez will offer them jelly tarts, which they will love.
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Back to Ethari, because we're not done with him yet. Ethari is soft, but he isn't weak. He won't be a willing pawn for Viren. He loves Runaan to the point of invention, and his devotion is more constant than the moon itself. He'll agree to do what Viren says, and he'll be Very Sad. But his spirit is in no way broken. Viren bribing him with the coins containing his family will only have the opposite effect. It'll give Ethari something to fight for.
We could get Focused Chaos Ethari. We could get Angery Trickster Ethari. We could get Rules, What Rules? Ethari. Let him try to steal the coins, try to break them, try to kill Viren, and be stymied at every turn, until he settles and seems cowed. And then all he does is craft his way out of the problem. What if we are gifted with Iron Man Ethari, who pretends to build a fake Key for Viren, but meanwhile he's really building a coinbuster with whatever he can get his hands on - primal stones, magically imbued gemstones, stolen artifacts, his own arcanum, his own reputation as the Master Craftsman of the Silvergrove. He'll use almost- almost - anything, to stop Viren and free his family.
Ethari may have to choose between those two things, though. And he's a hero, deep down, just like his family, just like his daughter. If he has to choose, he'll choose to stop Viren and save Xadia. He'll pay the same price as his family has if he must.
He'd let Viren think he was motivated purely by wanting his family back, but Ethari is far too steeped in the illusion and sacrifice for that to be all there is to his motives. It's a so-close-and-yet-so-far thing, how he and Viren almost embody the same ideals. Almost. Ethari would take one look at Viren, who just burnt down his whole Forest, he'd see the biggest threat in Xadia, and he'd say anything to get a chance to stop this juggernaut of destruction from getting his hands on whatever that ultimate power really is, locked behind that missing key. If he has to abandon his people and bawl his eyes out to convince Viren he's in, then he will.
And Viren wouldn't make it easy for him. He knows clever when he sees it. He went through all this trouble to persuade Ethari to work with him. He would need to keep Ethari as off-balance as possible to ensure that he keeps working as he should.
Angsty jewelry, anyone: Viren giving Ethari his husband in pendant form to remind him what he's working for, when Viren and Ethari both know full well that only dark magic can open the hellcoins. Ethari wearing another pendant of his love, except it's not a metaphor this time. It's literally his love, in a coin around his neck.
Viren would know that Ethari would have to stay close to Viren of his own free will if he ever hoped to free Runaan. And making people bind themselves to you is a big power flex. Remember that TDP stream future-season teaser note about Bait being in a creepy restraint in a future season?
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This card is written on in all-caps, so that really could be "Bait" or "bait," or--knowing this show--both. Viren's been using Runaan as bait for Ethari all along. Putting his coin in a dark magic pendant casing for Ethari to wear would be a great parallel for that. Oh god. Oh man.
Maybe he'll stab the coin's scary casing right through that circle on Ethari's chest, right over his heart, make that Iron Man reference really obvious. Ethari also losing his shirt at some point, for angsty Viren-related reasons? It's more likely than you think. I mean... Ethari is literally involved in both forms of forging at this point. Shirt's gotta come off for uhhhh work reasons. And because he's hot. Because of all the forging. I mean how else are we finally going to discover what his markings look like
I mentioned that I liked god-tier villains, right? Yeah, this is amazing. I haven't wanted to die and ascend over an idea for quite a while, but Ethari vs Viren in a drawn-out battle of wills would kill me in the best way. Especially since, while it looks like they're essentially fighting for who gets Runaan, they're truly fighting a much larger battle with much higher stakes. They're fighting for the future itself. It's an epic struggle between the Narrative of Strength and the Narrative of Love. And we've seen what happens, over and over, when the Narrative of Strength gets to call the shots.
On a meta note: If Runaan and Ethari's story arc isn't a love letter from one trauma survivor to another, and on a broader scope to all survivors who see it, I don't know what is. Sometimes life just chews us up and spits us out and we can't stop it and it breaks us. But sometimes we can reach out and grasp the chance to help each other, even after that, even when it hurts a lot, because we know what it means to be loved, and to love, and to want a safer future for each other and for people we'll never meet. The future is worth standing together for, helping each other back up for, fighting side by side for, even if you can't see how it'll end, or even how to begin. We are stronger together, and sometimes we need to fight for our "together" before we can fight for anything else. And that's worth it, every time.
This is glorious, it's beautiful, it's tragic, it's amazing, it makes me want to dance, it makes me want to scream into the void, it makes me want to slap someone with a semi truck. No, someone specific, don't worry, and he super deserves it.
Because Ethari is going to win. He was always going to win. He's soft, and he's clever, and he hasn't forgotten what love means. It's what he's fighting for. Not power, not control. Love. He doesn't want to dictate Runaan's future, or anyone else's. He just wants his husband--and everyone else--to have one at all.
So he's going to win.
What beating Viren looks like, I can't guess yet. TDP is no stranger to angst, so there will probably be a high cost involved in thwarting the dark mage. Maybe not everyone can be rescued from the coins. Maybe Ethari will lose his life, or his soul, or his vision, or something else really angsty. Viren could even kill him and resurrect him as a smoky craftsman, or a zombie craftsman, or something equally biddable but horrible. The only thing I'm sure of is that Ethari would never willingly make a working Key of Aaravos Ethari as long as there's a chance Viren could possess it. But I do believe that if he gets the right opportunity while he's busy saving the world from Viren's dark intentions, he'll break his husband's hellcoin open somehow and set him free, even if he has to smile at the devil to do it.
part 4
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