#if I didn't make it clear enough btw:

[nebulousmedic]

Self proclaimed A/I "artist" just followed me. Chat should I do a flip and jump off a building.

[forgettable-au]

FORGETTABLE-AU (Page 61-64)

* I-I don't think we were talking about the same thing...

[BEGINNING] [PREVIOUS] [CONTINUE]

[hauntingblue]

CAUSE THIS IS THRILLER (bark), THRILLER (bark) NIGHT

Usopp's outfit is so funny for reals

He got the whole squad laughing

Luffy enablers at it again.... (Robin.... I know.....)

The humor panels so far have been so good!!! God this arc is so funny

HE SAID IT‼️‼️

They look like birds 😭😭

It's just too good... luffy taking cerberus and zombies what can't he do

It's just banger after banger what can I say

Franky feeling for other people because of his guilt complex and sanji lying through his teeth and pulling out the women excuse to seem unaffected... yeah

Look at them.... look how they ate

Omg joyboy reference?? (No)

Sanji is rubbing off on usopp.... also chopper noticing that is sogeking's weapon akdhaksjak

ANOTHER SLAY!!!!!

Their priorities: I'm not strong enough, there isn't enough food, and nami isn't here

Franky going from wanting to kill brook for his jokes to making a joke like his after he hears his backstory... exactly (Robin was already enabling him before the backstory even fdagjsfha)

Sanji is altering his body and actually being on fire to communicate to us how fucking mad he is..... I need more of him going insane I do I do

My god what is he doing ALDJALAJALA

AHSAHAHQHAH THEY ARE THE SAME!!! naaah sanji wouldn't force a woman to be his wife

You cant see me but I am nodding my head in agreement over and over

You don't understand he altered his body to communicate to us how mad he is. He inploded himself and then reconstituted again. Those germa 66 genes are insane

You tell em usopp!!!! The first of many girls you've scared into defeat!!! Akdjqknql

Zoro zombie regressed to not trusting robin akdjaks he's still in there

ROBI-CHO SUPLEX??? HELL YEAAAAAH

There is zosa- [GUNSHOT GUNSHOT GUNSHOT GUNSHOT]

Super frapper gong.... he is doing combo shots with frobin... omg.... parents....

Everything is so fun I'm having such a good time reading.... and then zosan angst like damn I am being fed well here

[why-to-not-have-monster-kids]

Do you and Derp have any other kids? Ones that aren't just copies of yourselves? What about that yellow thing from the one post?

[fandomwe1rd0]

The only time I laughed or felt any joy during Rick and Morty: The Anime was the way like, Elle's death was protrayed as the super dramatic and sad moment but like, nobody but Morty cared about Elle's death the episode afterwards, like everyone went back to their usual lives, like hahaaaa eat shit Elle

[8cfc00]

they should make podcasts more visual for me specifically to have an easier time drawing fanart

[beedreamscape]

A fun little cat naming fact. Where in English black and white cats are called Tuxedo cat, the cartoon for Tweety and Sylvester was popular enough that we named the same type of cat after him except our Portuguese version, Frajola (which means a dandy individual).

[rexcaliburechoes]

me: i'm never touching dossoles holiday ever again. i full combo'd it. it's over.

also me: ... can i clear it with devil marjia?

[whateverthedragonswant]

literally my experience watching the Monsters of the Bermuda Triangle ep on Shark Week:

Tristan: "What is that big shark that just swam past the camera?"

Me *sees the footage of a tail, the size, the grey top, knowing that whatever killed Penelope dragged her down to the depths*: "It's a great white."

Tristan, a biologist, scientist, and shark expert: "We should show this to the team, see what they make of it." He gets up and leaves me and Skye being like wtf?

Some time later:

They're looking at teeth impressions from an attacked device from the dead Porbeagle & determine that it doesn't match a seven gill shark like they thought but is triangular.

The other guy: "So that means it could be either a great white or a mako."

Me: "It's a great white. Did you see the girth of that tail?"

A little time later:

Tristan and Skye drop a camera deeper in the water. After some reef sharks go for the bait, a large shark is seen pretty clearly swimming near the camera: you see the tail, the grey color, big body. Then something attacks/bites at camera from behind.

Tristan: "Look at that, it's massive."

Me: "Yeah, it's a great white."

Tristan: "We should share this with the team and see what they think."

Me and Skye are thinking wtf again as he runs off.

An even shorter time later:

I can't remember her name right now: "We got some new info on Olivia." (Olivia is the 2nd porbeagle shark eaten by this "mysterious killer")

The other guy: "The temperature shift shows the same temperature of the stomach of a great white or a mako."

Me: "It's a great white. Say it with me."

At the end:

Tristan and the other guy: "Looks like it was a great white all along."

Me:

[reshinless]

──── day 2: dnd on the hotel door.

⠀ ۪ ⠀✧ synopsis. wherein your friends give him.. more than just suggestive photos at your wedding. (you had a private boudoir photoshoot prior to it!)

⠀ ۪ ⠀✧ pairings. kinich, neuvillette, zhongli, tartaglia, capitano x gn!afab!reader. !!NSFW/SUGGESTIVE CONTENT!!

⠀ ۪ ⠀✧ director's notice. saw a cute tt of this exact topic (⁠人⁠ ⁠•͈⁠ᴗ⁠•͈⁠) will do diff characters next week!

kinich who'd already been so nervous for whatever was to come on this day; he was always more than willing. he knew the first laugh you both shared. the first kiss you both partook in, not everyone he's kissed had such a long-lasting impact on him, that's if he ever kissed anyone at all (that wasn't you.)

it wasn't all that special he said, but everything you've ever wanted in a wedding was there. he remembered what flowers you'd always pluck from the grounds you traveled on. or the colors that always had your eyebrow twitching just hearing the first letter of the pigment's name.

the venue wasn't necessarily small either, borrowing whatever he could in his homeland to make it perfect, even going as far as to asking others for help on what to embellish the locale in.

for as long as you've known him- kinich wasn't much of a romantic. letting you take the lead instead, switching up occasionally by spooning you alternatively. but you remembered he'd always laid his head atop your chest, from the nightmares of his own past, and regrets; he found peace in listening to your heartbeat, and feeling your torso heave slowly.

he wanted to make you feel special today & tonight. so he wants to do it right at least. he tried to fluster you in a way that you'd be surprised, aware he wasn't very amorous.

or at least that's what was in his point of view because you had a whole other plan ready for him. but you didn't know about the surprises he'd throw either.

the whole theme of the wedding was based on his tribe, encased with traces of your own home/favorite colors.

but something that you'd see as a surprise this afternoon was kinich's suit. it wasn't the usual black suit and tie. no- he wore.. your initial around his neck, and his tie was the color of your eyes.

you felt your eyes water a little, walking down the aisle, your arm entangled with the guardian who's been with you since day one. (or whoever you'd like!)

after the classic bouquet toss, and squealings later. you told your newly-wed husband your bridesmaids had a surprise for him. he didn't think much of it; meeting them before, they seemed nice enough. (one of them is mualani btw :3)

mualani who stands beside kinich briefly for the picture, she hands him a polaroid photo from the photographer's kamera. "what is-" he gets cut off, his face turning to playfully sour until it slowly changes to his usual stoic behavior (he doesn't know his face is turning redder by the second)

"you.. hmm." he awkwardly nodded after another picture was taken of his reaction, cheeks aflame; the picture was still so clear in his mind. now it couldn't get out!

the mental image of your body in frilly lace/in nothing but a blanket over you, a simple layer of clothing that stopped him from seeing your bare body- fuck he could feel himself get hard already.

and the more time that passed, progressing with each photo being taken, the worse his boner got. shit he can't believe you're his. and he's damn well lucky to have you.

even as he stood idly, talking to some of the guests, some more of the bridesmaids came up to him, handing him more scenes for him to visualize in his head.

"ahh.. may i excuse myself from this conversation?" he politely bows and walks away to where you were. the eventide's stellar in the sky definitely wasn't shining each time he saw you. oh there it is- that laugh he always loved and fell in love with again each time he heard it.

"pretty.. ahh.. there's something i.. need help with."

kinich who's already in your newly bought home, hurriedly stripping you of your clothes, ready to devour you and eat your cunt out to his content.

kinich who could only palm his erection, as his mouth latched onto your wetness was already waiting for him. your taste, how it smelled, how your slit was already so wet for him- you knew what you were doing. and it worked really damn well.

neuvillette who was already nervous, throughout the proposal, even you relationship before being fiancees, I mean, it was you, why wouldn't he be worried? he was ready to jump off a cliff if anything went wrong if he'd tell the truth, but he'd never say that.

neuvillette who sighed with relief, the days of worrying that something bad might happen to you on your special day with him. taking pictures with the bridesmaids for the wedding's little picture book for you to look back on soon, and maybe even for your kids to look at and call you both corny for.

neuvillette who suddenly received 3 photo frames from 3 of your bridesmaids, confused as he took a look at it, he could only feel the rush of warmth crawling up from his neck to his ears. his horns grew the more he looked into the photos.

"w- where did you get this?" he observed the room shyly, looking for any signs of you, why? to help him out with 'something' of course. no one could take care of it better than you did.

they simply shrugged and walked away, whispering and chuckling to each other. awkwardly walking to find you, pulling you to the side, inside one of the venue's main buildings, bringing you into one of the bedrooms.

"you didn't need to tease me like this." you were pinned to the bed once the wedding ended. the painful boner you had caused hadn't gone away, even now, throbbing, missing where it's supposed to be (inside you)

ripping your wedding dress off your body (not really, just making sure you get out of it without ruining it), he couldn't wait to fill you with his seed. he wanted to see personally if you could take all of him in. he could only caress the very rim of your hole, teasing you with his fingers before he would finally split you apart with his cock.

from the amount of time, he's been alive, his stamina would be unmatched, so it'd be entirely up to you for how long you wanna do this :)

it felt as if he was such a meanie, but his words were different- praising you, and gently holding your wrists in place. it didn't quite match the pace of his cock drilling itself inside you though, it felt deep, and it looked as if the night has barely even started. oh well.

zhongli had never thought of the idea of marriage until he overheard you speaking about it with a few of your friends. it wasn't you necessarily hoping he'd propose, but you were the only one within the group of four to have not been married yet!

he knows you'd never leave him for another, but adding a ring to your pretty little hand definitely would tell all the other men and women alike who try to hit on you to say everything for him.

the wedding was more than just a delight, it was planned to the very smallest of details. it was beautiful, even on a budget of somewhat a lot but not too much; it made sure to shine brighter than most of the stars that night.

before he could sweep you into his arms, and take you upstairs into the home you both chose out before the wedding; some of your bridesmaids, along with your maid of honor had handed him a book.

they said nothing but laughed and walked away to the food section, looking through the book and oh wow.

he hadn't learned what a boudoir was but he definitely enjoyed what he was seeing now. flipping through the pages, staying to the side so no one else could see what was happening. he'll have to ask you about that lingerie set later, white definitely complimented you..

"s'dirty.. you tease me like this, even on our special day? mmmf.." you sat down on his cock, as he showed you off in the mirror. the same lingerie set you wore in the photo book was already ripped off your body, and on the floor. geo marks that scattered, covering most of his arms caressed your thighs that trembled.

his strong arm ran over your body, carefully exploring every inch of you that he could. the thought of being legally, and weddedingly(?) yours. you have his last name now.

he could only imagine how much more pleasure he'd want to give you throughout tonight. he could only praise you for taking him so well, watching you try and use his cock for your own, but he's too big :(.

tartaglia who introduced you with pride to his family after proposing. but watching you treat his little sister and brother so well.. oh he had to get you pregnant.

but for now, he'd put those thoughts to the side, and enjoy his and your special day, no lust, just love.

you had other plans though. and he wasn't gonna complain.

a couple of your bridesmaids took pictures with him for the futurity of the book of photos for his siblings to look through as well. but after each photo, they all handed him Polaroids.

"what's this?" he looked at them confusedly, but all they did was "just look at it!" "you won't regret it!" and boy he sure did not!!! ssshit just covered in a blanket, no nothing underneath? you wanna get fucked tonight?

he pushed you against the wall of the master bedroom. "mmm.. w'na try to get me hard like that again in public, and I'm gonna do a looott worse than tonight, baby."

the ring on your finger he saw as your hand held onto the wall while he stripped you- he couldn't help but let out a loud as hellll groan. even when he held you down to the bed, he made sure to kiss the jewelry on your finger that meant you're his for life.

while you ride him, his eyes are always on the necklace that has his initials on it, watching it bounce up and down on your chest. for the longest time; he was foreign to the idea of even a relationship, let alone getting to marry someone. but he was gonna make sure you'll feel what he couldn't express throughout time.

when he's soo obsessed with nutting inside you, he holds your hips down onto his, making sure not a drop will be wasted. he could already imagine what your kids with him would look like.

capitano who preferred a more quiet wedding. one between simple friends, and I guess co-workers (he was against it but you invited them anyway.)

so in this sense, columbina, arlecchino, and signora had agreed to accompany you as your bridesmaids. tsaritsa also agreed to bless your wedding (because she agrees that you are strong, mentally, and physically, and give capitano something to look forward to, unlike before.)

i guess the others attended (most attended just to say congrats and leave, pierro was best man)

accompanying you down to a glass garden house nearby the venue you chose out, but before he could proceed, your three bridesmaids stopped him. cheeky smiles on signora, and columbina's lips- arlecchino handed him a book.

"they want you to have this." the fourth harbinger states, leaving with the two ladies simply giggling and walking off, opposite sides of arlecchino.

he questioningly opened the book while about to walk back to you but oh. wow.

as he catches up to you, he's still a bit flustered, but quickly composed himself once more. "are.. you trying to tease me, kitten?"

and as much as he hasn't had any experience in a long while, oh boy is he ready to find out if he still got it or not

but capitano never knew he'd be so turned on to think about what real married life had to offer.. like kids. he knew he couldn't necessarily have them since he's a harbinger, but a man can dream, right?

anyways he's already pulling your hair from behind, while he has you doggy style on the mattress. I don't know cause I get the feeling he would.

a tight hold onto the strands of your hair. "fffuck.. this is what you get for looking so fuckin' hot.." he groans.

even so when he isn't fucking your pussy with sloppy thrusts from behind- he's fingering you with his long fingers that make you go wild.

he does take note that his fingers are pretty long, so he's pretty careful when it comes down to that.

you sitting on his lap while he admires you in the mirror, watching how you reacted to simply him adding another digit inside your hole, as another hand held onto your left hand, caressing the ring that binded you to him. he couldn't be happier!

[yourfourthparent]

so silly how i'll make one post about Sex Things and then the person who followed me the Instant i reblogged something off of them just fucking dips

[skywalkerslvt]

puhleasee write more sub peter parker stuff 🙏🙏 its so good

pairing: college!peter parker x reader

CW: dry riding, cumming in pants, sub peter, 1.3k words

summary: dry riding peter while he tutors you

a/n: submissive loser nerds who have never felt the touch of a woman drive me crazy i swear it's the whole reason ive never been able to pay attention in math/science courses. anyways hope u enjoy!! (btw requests r open guys keep sending stuff i need the inspiration)

Peter had been trying desperately to stay focused on tutoring, but every second that passed made it harder. Each time you leaned over the table to look at his notes, your perfume wrapped around him, making him dizzy. His gaze flickered down to the dip of your shirt without thinking, lingering at the curve of your chest before he forced himself to snap his eyes back to the paper. But the soft glow of the desk lamp seemed to conspire against him, highlighting your skin in a way that made every detail stand out.

He cleared his throat for what felt like the tenth time, a flush creeping up from his neck to the tips of his ears. You pretended not to notice, but each nervous shift of his chair, each pause when you moved, told you that you had his full, undivided attention-and not on the calculus problems in front of him.

Peter's voice faltered as he tried to explain a formula, his fingers tapping erratically against the book's edge. "So if we take... um... this equation and..." He trailed off when you reached across him to grab a pen, your arm brushing against his in a way that sent a visible shiver down his spine.

You pulled back and raised an eyebrow.

"Pete? You okay? You seem... distracted," you said, feigning innocence as your fingers traced the rim of your water bottle. The way his eyes flickered down to the movement made your smile widen.

"Y-yeah, I'm fine!" he said, the pitch of his voice betraying him. He pushed up his glasses, trying to look anywhere but at you, but the heat in the room was palpable, and the tension strung tight between you two.

You leaned forward, closer than before, letting your hair fall in a way that brushed his arm. "Are you sure? You seem nervous," you teased, drawing out the words just enough to make his eyes dart up to yours, wide and startled. The flush on his cheeks deepened, and his fingers curled into a fist on his thigh.

"I'm... I'm not," he mumbled, eyes flicking away, but his body betrayed him. He shifted uncomfortably, and you didn't miss the way his breath quickened when you subtly ran your foot up his leg beneath the table.

"Hmm," you hummed, biting your lip as if in thought. Your gaze dropped, just for a moment, to where the fabric of his jeans was noticeably tighter. You hid a grin, leaning back in your chair as if you hadn't just clocked the way his jaw clenched. "You should keep explaining, Peter. I'm really trying to follow."

He swallowed, Adam's apple bobbing, and nodded hastily. "R-right. So, the derivative here..." His voice shook, and you reached across, placing your hand over his to stop the tapping. The contact made him jump, eyes going wide like a deer caught in headlights. You tilted your head, fingers sliding up his wrist just a little as if absently.

"You're shaking," you whispered, watching the way his eyes fluttered closed for a second. The tension was unbearable now, and you could feel his pulse hammering beneath your touch. Peter opened his mouth to speak, but no words came out, only a shallow breath as you leaned in even closer, your chest pressing lightly against his arm.

Finally, the anticipation was too much for either of you. Without warning, you stood up, only to swing a leg over his lap and settle down, facing him. His gasp was immediate, eyes flying open as he looked at you, bewildered and overwhelmed.

"W-what are you...?" he whispered, but his hands hovered at your waist, unsure whether he should touch or stay still.

"Keep talking," you ordered softly, brushing your lips against the shell of his ear. You felt the tremble that ran through him, the way he squirmed beneath you, already hard and aching.

"I... uh... I c-can't," he stuttered, eyes squeezed shut as your hips rolled against him, sending a jolt through his body. The way his chest rose and fell, the hitch in his breath, and the small whimper he tried to suppress were everything you needed to hear.

"Try," you teased, nails tracing down the front of his shirt.

Peter's breathing came in ragged gasps as he tried to pull himself together. His fingers twitched at your waist, aching to hold on but hesitating as if he couldn't quite believe this was real. The way you were looking at him, so close, so purposeful-it was a lot for his overworked mind to handle. You watched him struggle, enjoying the flush that travelled from his cheeks to the hollow of his throat.

"Come on, Peter," you murmured, your voice dropping to a low purr. "You were doing so well before. What's next in the problem set?" Your tone was playful, but there was a challenge in it that made his pupils dilate.

"I-I..." He started, but a soft moan slipped out as you shifted your hips again, pressing down just enough to make him choke on his breath. His eyes opened, wide and pleading, and for a moment, he looked like he was ready to say something coherent. But you leaned forward, brushing your lips against his jaw, and whatever resolve he'd gathered shattered instantly.

"If you stop talking, I stop moving," you reminded him, running your fingers up his chest until you felt the rapid thudding of his heart beneath your palm.

He bit down on his lip, trying desperately to remember where his train of thought had been before your touch turned him into a trembling mess.

"T-the derivative. We need to... evaluate.." His words broke off into a whine when you pressed down again, rolling your hips slowly against him, making sure to drag out every second of friction.

"Good boy," you praised, and his reaction was immediate-his eyes fluttered closed, mouth falling open as a shudder wracked his frame. He had never felt anything like this before, every nerve in his body alight with a mixture of desire and helplessness. Your fingers threaded through his hair, tugging just enough to make him gasp.

"I don't think you're focusing, though," you said, almost mockingly.

"I-I'm trying," he whimpered, eyes glassy as he tried to meet yours. The way he looked up at you, so wrecked and needy, made your stomach tighten with satisfaction.

"Try harder," you said, slowing your movements to an agonizing halt. He bucked his hips involuntarily, a high-pitched sound escaping him as he chased the friction you'd just taken away.

"Please," he begged, and the word came out so raw and broken that it sent a thrill down your spine. You couldn't help but grin as you took in the way his chest rose and fell, how his fingers had finally dug into your waist, desperate to keep you there.

"Oh, now you're begging?" you teased, leaning down so that your lips were almost brushing his. His eyes stayed locked on yours, wide and glassy with need.

"I-I'll do anything," he confessed, voice cracking. "Just... please, don't stop."

The sight of him beneath you–cheeks flushed, glasses slightly askew, and eyes filled with desperate submission— was more than enough to spur you on.You leaned back, shifting your hips in a way that made him moan so loudly that his own hand flew up to cover his mouth in shock.

"Don't hold back now, Peter," you whispered, moving with more intent as his body tensed beneath you. You could feel how close he was, the way his muscles tightened and his breath turned erratic. The anticipation built until finally, the last remnants of his control slipped, and with a shuddering gasp, he fell apart under you, eyes wide as he reached his peak.

You watched the realization dawn in his expression, a mix of awe and disbelief as he came down from the high, breaths coming in short, ragged bursts.

His gaze met yours, still hazy and dazed, before you tilted his chin up and whispered against his lips, "Tutor me again tomorrow? "

[ann7av]

Spoilers for act 2

Isha is Jinx's inner child just as Warrick is Vi's inner monster and their mutual destruction is actually a pivotal event so they can both evolve as individuals, in this essay I will--

*start yapping*

No, I mean it, the hyper fixation kicked in and it kicked me hard. This is just about Vi's perspective in ep.5 btw but in my defense, she looks so tired

In the first arc, Vi starts to separate Powder from Jinx as a way of coping, she feels guilty about the destruction Jix caused and, as we know, Vi would never intentionally hurt her sister so the only way for her to try and stop her is to separate the two.

She can't kill her sister but she can kill Jinx (at least she thinks she can)

In ep.5 we see her spiraling into self-destruction, her entire character thus far has been taking care of others and now she has no one, and as such she doesn't think she has value simply as an individual.

Vi cannot accept change, that's her biggest flaw, she can't accept her sister's change or the change in the underground, and she begs Cait not to change in arc one. She somewhat recreated what her life in prison must've been like (she has a tiny apartment where she keeps herself enclosed, she's fighting on a daily basis, she's angry) so Vi's seeking familiarity in whatever she can find.

Now, she wakes up to Jinx in her little "protected" new reality, and her first instinct is to attack. She chokes Jinx (not her sister) and tells her off when she tells her about Vander, but THEN what happens?

Jinx starts to cry, and for a millisecond the illusion of Powder X Jinx is broken and Vi lets go of her, allowing her to say that "Vander is alive" and that "He needs OUR help".

Just like that, Vi's forced to face the possibility of change, she's not trusting that any of this is actually real and not one of Jix's "delusions" but it doesn't matter, the chance that someone NEEDS her help is enough for her to finally look at her own reflection on the mirror she broke in anger and denial, she has a choice to stay in the illusion or to take a risk.

Now, Vi follows her out and sees the mural. Not only does the mural depict Jinx (the person Vi is convincing herself killed her sister) as a hero but it also has Vander in it.

Jinx became Silco's daughter, the man who killed Vander and tore their family apart but for Zaun, she's also Vander's legacy of revolution. Vi is having to face that both things can be true at the same time.

They walk the tunnels and they start bickering, throwing things at each other's face and it's clear she's trying to avoid thinking too hard about what Jix is telling her.

Vi drops her gauntlets to make a point she doesn't need them, but her gauntlets are a physical symbol of her own emotional barriers, she takes them out when she's comfortable enough to let her guard down.

In this scenario, she's using her anger as a shield against Jinx, and anger is a safe emotion so she assumes there's not much risk, she doesn't expect Jinx to hit her, and when she does she hits back.

The thing is, that fight does not seem serious, they're not actually trying to hurt the other but rather just trying to prove their own points.

Now, Isha is serving as Jinx's inner child here and, as one would expect, she jumps in to help. But Vi's not expecting that and (as she does) she reacts.

She hits Isha (the embodiment of Powder) while fighting Jinx, she didn't mean to hurt the kid just like she never meant to her her sister all those years ago, but by fighting with Jinx (the sister she cannot accept) she does.

That's a visual representation of her inner turmoil, there's Jinx and there's Powder and she cannot see them as one, but she can't fight one without hurting the other, where one goes the other follows, they are one and the same.

Jinx goes to comfort Isha, and THAT'S when she puts her gauntlets back on, that's when she builds her defenses again, she can't allow herself to humanize Jinx or else she'll have to admit she's her sister and that she's changed.

Then we have Singed talking about Warrick (not Vander) something like:

"The beast was once a man victim of a great tragedy, but he had an incredible will to live, tolerance to pain, and was very resilient but it got lost in the bowels of the beast" - Yeah, sounds familiar?

We see in Warrick's pov, and he remembers wiping Powder's tears the same way Vi wiped Caits but Vi is blurred, her memory is still lost to him just like she's lost to herself

They find an office that belonged to Vander and Silco, and Violet takes one of her gauntlets off after she enters but keeps the other, her defenses are faltering but she's not willing to lower them yet.

They find a letter from Vander apologizing for what he did after the riot (the thing that broke them apart and later on separated Vi and Jinx)

Warrick came back to where Vander's apology to Silco was never read, he's roaming a familiar place with no purpose, desperately trying to find something he doesn't even know what means anymore.

And what guides him to the sisters is Isha's blood, the blood that was shed when Vi struck her in her fight with Jinx.

Jinx says everything might have been different if Silco had found the letter, and that same thought could apply to them.

If Marcus hadn't taken Vi away before she could come back to her sister, if Jinx had known what happened, if they had talked sooner after reuniting

Vi's defenses are crumbling here, they're both thinking the same thing and for a moment Jinx and Powder are the same, she almost comforts her with her uncovered hand, Jinx is being vulnerable, but Vi hesitates to trust her, so instead of reaching for her she reaches for the gauntlet again, putting her defenses up.

They leave back to the tunnels when Warrick finally catches on, and Vi sees this "beast" running towards them

It doesn't matter Jinx is telling her it's Vander, because Vi is still not trusting her, all she can see is Warrick and he himself is not stopping either, he can't recognize his daughters.

The only person who trusts the beast is Jinx, but she's not the person who can stop him at this moment, Vi is, and she does. Just like she has always done she gets in the way to protect the people she cares about.

Now, now, something very interesting about how this show deals with details is that Warrick was following the scent of Isha's blood so when he jumps to attack the camera focuses on the two.

As I commented, these two characters are being used to show Jinx and Vi's inner turmoil, and the fact Vi's inner monster (Warrick) is specifically aiming to hurt Jinx's inner child (Isha) is very telling.

But what is even more telling is that Vi is the one to stop him from hurting her, and by extension, she's protecting Jinx.

Just like before we see that Vi cannot attack Jinx without hurting Powder here we see that she can't protect Powder without protecting Jinx as well.

And THAT'S when we have the Jinx X Powder separation cracking

She says he's going to kill YOU, she's not worried about herself here, and the way she tries to protect them is to fight.

Vi always tries to fight her problem away by either violence or avoidance and now is no difference, she tries to fight him but here she's metaphorically fighting her own anger, the same anger that hurt her family and herself

The problem is that you can't fight fire with fire in these situations. Anger will not beat anger, punching will not stop the fight it will only make it worse.

They fight and he throws her against a wall before turning to focus on Isha but Jinx gets in the way and for a moment he recognizes Powder again

Jinx has been trying to protect Isha while making them stop and she tries again, but this time Vi is willing to hear her out,

She doesn't see Vander inside Warrick yet, and as this ginormous thing is barreling towards her she makes a decision, and for the first time, she trusts Jinx again, lowers her gauntlets and stops fighting. Vi's accepting the beast

There's a sequence where the image goes from Vi to Warrick repeatedly and they have similar expressions but then her eyes change and she calls for her father again.

Everything goes dark then, and we see Jinx completely terrified holding a lighter and looking for them. She doesn't know what she's going to find, she doesn't know if she was right in blindly believing Vander was still there.

The lights were bright during the fight but now everything is dark, and the dark is often used as a space of uncertainty and vulnerability Jinx couldn't save her sister from the beast and all she could do was try to guide her into saving herself.

Violet tried everything she knew, she tried fighting Jinx but in the process, she hurt the child, she tried avoiding the connection with her sister and by extension avoiding the family history but Warrick caught up with them again nonetheless, and when he did she tried to fight him off but the beast can't be killed by the same violence that created it.

In the end, it was the act of trusting Jinx that brought Vander back, Vi hugged him with the same gauntlets she used to hurt Warrick, she recognizes Jinx is also his daughter and by doing so she opens a door to seeing her as her sister again, even Isha got pulled into the hug.

Important to add that I do see Vander and Isha as more than just inner versions of Vi and Jinx but this show makes so many connections that everyone is everyone's inner something at one point tbh

Also, wdym both Cait and Jinx go to Stillwater and yet there was not ONE little detail of them thinking about Vi while my girl is literally hallucinating and only thinking about them? ONE MENTION

[hannieehaee]

I was reading your boob or ass svt reaction and vernon's part reminded me of that one tiktok trend. I lowkey wanna see more of his reaction. Make it like oc is trying it out on him, he could just be doing anything and oc walked in and just flashed him idk just a suggestion hehe nice fics btw!

18+ / mdi

content: bf!vernon, established relationship, smut-ish (fades out into smut), reader has boobs, boob worship, etc.

wc: 1088

a/n: this is the perfect concept for him thank u for the request!!

masterlist

"sorry, babe, i'm just finishing up this one thing. i'll be free in a bit, okay?"

those had been vernon's initial words when you'd asked him to come to bed so you could watch a movie you'd been meaning to for a while.

he somehow had a week off between his packed schedule, yet he had been spending most of it fine tuning some music on the small at-home studio he had set up a while back. you'd tried calling out to him a few times already, but he had absentmindedly dismissed you each time, an apologetic look on his eye each time he did.

after about an hour of constant dismissals, you were getting kind of fed up by the wait. had it been any other day, you would've let it slide, understanding that he had a busy job that required working from home on occasion. however, the two of you had agreed that you'd limit work this week in order to fully enjoy vernon's short-lived vacation. yet you now stood (well, laid) in bed huffing after yet another 'i'll be right there, babe' from your boyfriend.

enough was enough. you'd have to take out the big guns.

literally.

like any other man, vernon was a simple guy. when you first met, he was a bit of a mess any time the two of you hung out. it was clear to everyone and their mother how much he liked you. his crush on you manifested in shy glances and the occasional senseless ramble.

as the two of you got closer and eventually started dating, he became more chill around you, now considering you one of his best friends as well as his girlfriend.

there was just one thing that had not changed from back when the two of you first crossed paths. and it was the way he'd react to your body.

just as any other man, the sight of a nice pair of boobs could get him completely out of commission, shy in his glances and stammering just like back when you first met.

he could be formidable in bed, but he absolutely could not resist you if you caught him off guard. any time you initiated sex or sent him nudes out of nowhere, you'd have him wrapped around your finger within seconds.

today, you'd have to use a similar strategy once more.

getting up from your bed, you threw off your tank top without a thought, leaving yourself in just a tiny pair of sleeping shorts. looking yourself over in the mirror, you straightened your back so your tits could be in their nicest state for your boyfriend.

you made your way to his studio, finding him slouched over and working on something on his computer, back facing you. you knew that if you walked over to him and messed with him by wrapping yourself around his frame, he'd merely shrug you off with a chuckle and a promise to come to bed soon, so you went for something a little more out there.

"baby?" you called out from the doorframe, leaning against it in a casual yet sensual way.

"hmm? i'll be right there, baby," he practically dismissed you.

you audibly huffed, "look at me, at least?"

"oh, you're here?", of course he was so absentminded he didn't realize your voice was no longer coming from your shared room but from behind him.

turning around, he put down his headphones and faced you, eyes widening in surprise at the sight. he opened and closed his mouth a few times, brows furrowing in confusion and head cocking to the side. despite his confusion, you could tell his eyes were glued to your tits. they went back up to your eyes every few seconds but mostly remained south.

"baby?", he finally questioned.

"are you coming to bed, nonnie?", you asked as you slowly brought your hands up to your tits, taking short steps towards his chair.

"i, uh, i still have to-" he cleared his throat, "i'm almost finished, baby. i promise," he reassured, though not sounding too sure of himself.

"but you've been saying that for hours," you pouted.

"i- i know, baby," he sighed, "it's just- i just have to- fuck, can you put those away? i can't think when they're just staring at me," he groaned, interrupting himself.

"put them away?", you whined, "don't you wanna play with them, nonnie? they're so sensitive ... it's cold here. wanna see?", you asked once you'd made your way to him, standing over him as he sat on his chair, hands on his knees and digging onto them in what was clearly frustration.

"baby, please ... i need to finish, just- oh. oh, okay, i guess this is happening now," he gaped when you straddled him without such thing as a warning, tits now on his face.

"nonnie ..."

he shook his head, "don't say anything else, i- just, yeah ..." and with that, he ducked his head to get one of your tits in his mouth, hands pulling you to him so your covered cunt could sit right against his hardening dick — his thin sweats left nothing to the imagination.

"fuck, nonnie ..." you sighed as he let himself go on your tits.

his tongue explored them, uncaring in the trail of saliva he left behind. nothing mattered when he had his favorite things at his disposal, practically begging to be marked up by him.

"you're so fucking mean to me," he groaned with no actual conviction in his voice, "this is why i never get any work done at home."

"are you complaining? want me to- ah! to take them away?"

"shut up," he grumbled as he increased his ministrations, mouth going from one nipple to the other as he made out with them.

at some point, his hands had reached the back of your thighs, lifting you with him as he sat up from his chair and resulting in a yelp in surprise from you. as he attempted to walk you out of the room and towards your bedroom without bumping into too many things, you interrupted him with a mocking laugh.

"thought you had work to do?"

"baby, if you don't shut up and let me take you to bed i'm putting a lock on that door and now neither of us gets to have fun," he threatened with a huff.

all you could do was sigh in contentment when his lips enclosed around your bud once more, ready to let him have whatever he wanted.

[andhumanslovedstories]

I've been running this writing experiment lately to cut out phrases like "I felt" in my fiction writing. Like I was looking at a sentence in a draft that said, "he felt as if character's eyes were pinning him in place." And then I was like, "well, does he think that or is it true? As a result of this person watching him, he's froze. It's not like a thing, it is that thing."

Oh and "almost"! I'm always going, "He felt almost relieved that it hadn't happened." Well, did he feel better that it didn't happen or didn't he? Or "somewhat", I'm always going, "she felt somewhat perturbed."

And like none of that is wrong, to be clear. I don't know if it'd improve your writing, I don't even know if it'll improve my writing, but I use this sentence structure all the time so every viewpoint is from a voice that thinks about what it thinks, hedges its statements, and offers the same ability for wry little jokes formatted in the exact same way. And I have a lot of writing like that and I think (!) that they're good, but read as a whole, I'm like, "god, they all sound the same." Like there's one melody that I write songs to, so even with different lyrics, it's almost (!) the same song. Something I've been struggling with in regards to my writing and why I've felt so blocked is how boring I found writing my usual way. I'd read something and enjoy the individual parts of it, but then I'd step back and I didn't like the whole. And I got good at this enough at seeing that I didn't like it to do it in real time as I was writing, which as you can imagine didn't improve the process of writing because now I was bored AND dejected about being bored.

There's this sentence-level structure fact that I use unconsciously. A pattern I find easy is short sentence, short sentence, short sentence, long sentence. So I write that. "He [verbed]. He [verbed]. Then he [verbed]. As he [verbed] to his [consequence], he [verbed] that [noun] was [statement of condition]." Which could work, it often does make for a nice rhythm, but it's something I reach for often because it's easier for me.

Just last sentence, I originally typed, "I find it easier for me." But if what I mean is "using this pattern is less effort than another pattern," then it's easier for me. One voice is hedging its bets and the other asserting. Either is fine! But they're different! And, again, GOD you would not believe how many words I've cut out of this paragraph as I write it. I'm so chatty. I love using twelve words when six will do. And that gives my writing a specific tone to my ear.

So if I am bored of that tone, why not try using just the six words? Why be understated? Why be afraid of stronger opinions? So right now with my fiction, I'm experimenting with cutting out as many self-reflective words as I can. Sometime you do need to draw attention to the face that this is the character's interpretation, but like you definitely don't need to do it as much as I naturally want to do it. You don't need to always go out of your way to allow the possibility that the narrative voice is wrong. During editing, I trim the weaker ones (I originally typed, "what I consider the weaker ones" Is that more accurate?). But I think them being there in the first place shifts my language which shifts my character's which shifts my plot. It's sentence structure all the way down!!

(this barely applies to my writing on here, btw. i try to do good but yknow this is a tumblr blog. i'm not trying to get a lit mag to accept it.)

Anyway blah blah (chatty!) the point is I've been trying to write in a way opposite of my interests. Something that doesn't take itself too seriously, that emphasizes EMOTION and ACTION instead of minimizing it, and that clips through scenes at a good pace. Doing this been amazingly fun. I've been having such a good time doing it. I am writing so much because I really enjoy doing it. The process of writing is so fun again.

This post is about two things. One is my new mood stabilizer and therapy day camp. The other is about the benefit of pretending to be MXTX.

[beannoss]

So I've been thinking about them:

Specifically I was wondering what the moment was (if there even was a specific moment) that cinched it for Twilight developing feelings for Yor.

[Spoiler warning: this post references manga chapters not yet animated]

I think for Yor it's pretty quick. Like, this moment here:

Not that Yor fell in love with Twilight then (ymmv) or that she's fully aware of her feelings, but it's explicit that she felt connected to him here and attached in meaningful ways.

But for Twilight, it wasn't so clear. For a while I'd kind of decided that it just came over him slowly (and I think there is something to that) and that there wasn't any singular moment which stood out. But that didn't feel quite right. The more I thought about it, the more I thought there were two stand-out moments, only one of which Twilight actually (semi-)clocks.

The first, which I think passes him by entirely, is this:

In my view, this laugh is an entirely authentic response. I think he is, despite himself, delighted by this woman who 1. just unexpectedly saved him from being stabbed, and 2. did it by sending the guy flying across an entire alleyway.

This is accentuated in the anime, I think, by the jaunty, puckish music that makes up the first part of their marriage theme song. I am dying for the reappearance of this music in some fashion, btw, it's so fun and cheeky and I'm hoping foreshadows their vibe after various revelations and particularly when they start working together as Agent Twilight and Thorn Princess:

The second moment for Twilight, I think, is more subtle for all it's more impactful. Or at least, the degree of its importance passed me by on initial read/watch, and I think it's deliberately downplayed by Twilight himself. Because he does actually clock it but if he looks more closely at it, well... then he might have to do something about it. And maybe that something won't comport with what the mission needs, and then what?

It happens when Twilight first bugs Yor, and then poses with Franky as SSS agents to test whether she knows Yuri is with the SSS.

It's clear in the lead up that Twilight recognises he has some feelings about/for Yor, and he doesn't want to spy on her; he doesn't want to mistrust her at all. He has to convince himself to take seriously that she may be a potential threat.

And even then, the convincing only sort of mostly works, because he hesitates again:

Which is, by the way, bananas. At this point, they've been a fake family for maybe a handful of weeks? Twilight is an experienced, accomplished spy with a finely honed and necessary sense of paranoia. Of course he should be suspicious. Her brother is an SSS agent! Canonically, the SSS are both Twilight- and SSS self-described as Twilight's greatest existential threat. It shouldn't be a question whether or not to verify Yor's knowledge here. And yet.

We all know how the rest plays out. He decides that listening in isn't enough, he needs to confront her insofar as he's able. I wrote previously about Twilight's relationship with Anya and the pivotal moment for him in how his view of his relationship with Anya changes based on Anya's (and Endo's) choices. I think a similar thing happens in this scene with Yor.

See, it would have been enough for Yor to continue to deny, continue to not call on Yuri's help, to prove she didn't know, and to put Twilight's mind at ease.

Endo takes it further.

Y'all: THIS IS ABSOLUTELY WILD. It borders on levels of impulsive foolhardiness that Twilight should actually take as a negative for the person playing his wife for Operation Strix. Yor even alludes later to the problems this could cause!

The SSS are indiscriminate; if Yor was facing down actual SSS agents, first assaulting and then threatening them would 100000% land her in custody. Were it not for Yuri, it may even get her disappeared, based on how casually and frequently Yuri references having people executed. It would absolutely put the Forgers at risk, in general and in the implicitly sexist Ostanian society, because if Mrs Forger behaves this way, how does Mr Forger behave? And why can't he control his wife? The Secret Police are not known for their leniency, their modesty, their discerning, their temperateness, their mercy. They are known for the exact opposite of those things. And due to being a spy, Twilight probably knows they're actually much worse than even their public reputation.

And here's Yor saying: you can question me but if you threaten my brother or my husband, I will fucking end you. Bodily.

Of course, it's entirely in keeping with her character, and it's an entirely revealing moment of who she is. And I think this is the moment for Twilight. He's already been trusting her bit by bit, as he says above, intuitively. I'd suggest that maybe even more than that though, Yor taps into something Twilight deeply wants: backup. Someone and somewhere safe. Maybe we could describe a person fulfilling that role in an adult relationship as a partner...?

It's because he doubts his intuition (his wants, his feelings, things he shouldn't be countenancing) that we get to this point where he (overzealously) tests her.

She blows his test right out of the water.

The SSS are basically the group he fears most; this is reiterated throughout the story. He doesn't trust them specifically because of who he is and also just generally. He doesn't trust their judgment. He doesn't share their values or their priorities. He doesn't like them around. He doesn't like them looking. He doesn't like being anywhere near them. (Also, he's right.)

And here's Yor. Not only standing up to them on his behalf but actually going on active defence on his behalf.

(I pause here to note 'on his behalf' is a bit, mm, tricky, since it's actually technically on Loid's behalf and I have Thoughts and Feelings about Twilight & Identity. But for the sake of the impact of this moment on Twilight, we'll take it as writ that in this moment there's no appreciable difference between Twilight and Loid.)

I think from here on out, it's incredibly difficult for Twilight to ever doubt or distrust Yor. He perceives her as firmly in his corner, that if the chips are down — if his worst enemy and his worst fear come knocking — she'll be on his team, unflinchingly. He may not think there will be much she can do (heh.) or much she can offer given the power of the SSS and her civilian status (I reiterate: heh.), but it matters that he believes that she'll be by his side.

And you know what? He's right. She will be.

That isn't something he's had since he was a little boy. Even WISE doesn't seem to offer that to its agents, given Nightfall's thought here:

Twilight's had to rely on himself for decades and now here's this astonishing woman who will threaten the Secret Police for his sake. Of course he trusts Yor. Of course this moment widens the cracks in his barriers. And further: of course those cracks start to reach into those walls deep, deep inside that protect his heart. This is all before getting to other moments, like when he reflects on how Yor is creating a better world in ways he (thinks he) can never aspire to do himself. That she loves Anya openly, freely, with such dedication, to the point of sacrificing her own needs. That she just never gives up, she persists and persists and persists, always doing her best. That she reminds him it's okay to accept peace and to rest. That she wants and tries to take care of him... On and on and on.

Of course we get to this point:

I'm particularly taken with his body language a little later in the scene. He manages to get himself to sitting but he's still sprawled, open, even as he can't wrap his mind around what exactly is happening or why, and he's feeling vulnerable for all that. But at the same time, this is Yor. And she's safe.

In my view, if the Mole Arc hadn't happened immediately between this moment and the earlier where Yor declares herself unhappy, it would have been clearer how much stress he felt specifically due to Yor's apparent sudden unhappiness with their arrangement. The stress got subsumed (conveniently, ahem, Endo) into the stress and violence of the Mole Arc, but I think it rattled him pretty profoundly. It's also additionally why her warm greeting hit him as hard as it did: relief across multiple lines, such that he had to remind himself not to relax, despite Yor's apparent return to normal.

And there may be added layers to Twilight's reactions to Yor's bad moods due to his familial history, as pointed out by @unhappy-sometimes in this post; the inverse, of course, is that Yor's general good-naturedness would add layers to Twilight's sense of security with her. And the apparent loss of that, all the more devastating.

Rounding out the original moment though, I think this in many ways demonstrates the point:

Twilight throws away the bug. That is also wild. It isn't like that bug could only be used on Yor; it wasn't somehow modified to only respond to her person. It was a device that could be used and reused on different targets, on people who actually are worthy of being bugged, etc. But instead of pocketing it for later use, Twilight throws it away.

Actually: he not only throws it away, he crushes it first. Perhaps because he couldn't stand to have that particular device around, the device he used when he doubted Yor?

Seems kind of irrational, Twilight.

Seems kind of telling.

I mentioned my last Twilight meta about his relationship with Anya: in that, I suggest Twilight recognised entering into a compact with Anya, which subtly modifies, for him, the motivations around Strix. I think something like that happens here, too. If Yor is willing to go to such apparent extremes to protect him, he'll do his utmost to protect her.

I've had this meta in my drafts for a while, but I'm chuffed by this panel from the most recent chapter, as it kind of underscores all this by Yor's positioning of herself:

(Of course the point is there isn't a dichotomy: they'll protect each other, as indicated by Yor's if I had to choose: she won't have to choose.)

Back to Twilight, at this point, he can still justify all this as being within mission parameters. Of course he should protect Yor: she is an innocent civilian and if anything happens to her it would threaten Strix. But if/when this line is tested, if/when there comes a point where protecting Yor is actually the option that may put Strix at risk or put him somehow in opposition to WISE, then we'll see.

And more importantly, Twilight will see, too.