#if I could change one thing in my family's history it would be that

[directdogman]

Dialtown is the most USA-core game I've ever played. It's so fucking American that it's scary, and I've lived there my entire life! Like, this feels fundamentally tied with the game's themes and narrative, that's how extreme it is. And it's not even alienating OR nationalist?? It makes such genuine commentary? And then there's so much other shit to think about too; Dialtown has a very real identity outside this that anyone could love?

One: I am VERY impressed that you have done the USA and its people this well. I am actually astounded, bewildered, and chuffed. I've never felt so seen by a video game, culturally-speaking. I didn't even know there was a culture to see.

Two: WHY did you do that. Dialtown is like USA Culture Absurdified: The Visual Novel. What drove you to make a game this rich with American culture and ideas???

Hello!

It would've been odd for an outsider (non American) who enjoys reading up on history to make my setting nationalist or alienating. America is a country with a lot of serious issues. You can't really study how America is (and has been) internally run without facing glaring and obvious systematic issues. DT's setting is one of scarcity and most of the main characters you follow in DT are kinda just scraping by without much hope for true mobility/advancement. A lot of Americans (especially younger generations) would agree this sorta encapsulates the national mood of the country right now.

Of course, the systems that run a country don't define its citizens - many of the finest people I've ever known are American and are victims of the whims of those with power, not willing participants in this system. I could be wrong, but that's why I think the setting connected with a lot of people. We all know Randys, Olivers + Karens, people who've fallen through the cracks in some way. To them, America's spirit of self-determination isn't about individual identity - it's more "you're on your own."

Why I chose to set DT in America would be a novel length answer in of itself, but it mainly came down to history + narrative opportunity. I wanted to set the game in the epicenter of where the phone-revolution came from and Crown likely couldn't have pulled his plan off anywhere else and probably not during any other time. It had to be 1960's America.

Of course, some parts of DT are sorta universal and were inspired by the the Great Recession and what followed. I remember there was an area not that far from my house that was full of green fields when I was born and when I was a kid (and when real estate boomed), stuff started being built there. Parts of it looked really nice, not quite like anything nearby. Like the future was coming. Then the economy crashed and stuff was left sitting there, half-built for like a decade. Skeletal, unfinished buildings. DT is much the same.

There's a feeling that the city could've been something better and while things could be more equal, it does feel like there are no easy solutions to fix everything - unless someone very smart and determined somehow bypassed every safeguard that was set up to halt radical change and enacted a genius plan to somehow eliminate scarcity. It happened once and might never again.

I don't think most people understand the intricacies of stuff like global commerce all that well (myself included), but when you're sitting looking at a half built neighbourhood mere hours after speaking to a friend who just kicked out of rented accommodation and doesn't have a stable family unit to fall back on, you'd have to be a real dolt not to understand that things aren't great right now. Most people are scraping by and feel if they could just get affordable housing locked down, if they had maybe one good opportunity - maybe there's hope that things could change for the better.

The end of DT isn't really utopian, things don't massively change for the better and indeed, the town has a lot of rebuilding to do. But, a collection of lonely people are now looking out for each other and through the relationships they have, now feel like they have a place in this world. That no matter how bad things really get - they aren't truly by themselves anymore. Most individuals don't have the means to significantly advance change on their own - but you can live your life, love those around you and support others and plan for when the opportunity to affect change comes about.

I guess that's what life is, in America or anywhere else. Sorry I rambled for so long. Hope this answered the question!

[alittlebitofloveliness]

Wassup y'all, I'm back from lowkey radio silence with another hot take.

I've been trying to figure out lately why my multishipper ass dislikes a lot of ships within the fandom- more specifically a lot of greaser/soc pairings, and I realised at the core of it it's because there is no conceivable universe where they work without completely changing canon or the personalities of the characters. or at the very least their loyalties and motivations. Narratively, the novel is very clear about this, it even throws Marbit in our faces to prove it, showing (greaser) Two-bit his absolute dream girl who is beautiful and fun and likes him too , and yet is forever unattainable because she's a soc.

"Oh but Lovely, you ship Marbit! And you've written Parry! Obviously you're just hating on our ships."

No, I'm not. I very specifically DON'T hate on any ship, because that makes fandom less fun and more toxic and that is the LAST thing I want to do and because everyone deserves to have their blorbos and their ships that make them happy, I'm not here to yuck anyone's yum. And I realise my claiming I can't see greaser/soc pairings and using Marbit as an example of why while also actively shipping them looks very hypocritical. That said, I ship both Marbit and Parry in a very specific way, that would work canon compliantly, or at the absolute minimum still within canon verse without changing the tensions or the history between the east side and the west wide, or the characters as people.

Do I think Marbit could work in canon (in a post canon verse)? Absolutely I do- but not with Marcia staying a soc, or (more unlikely) Two-bit staying a greaser. If it's going to work- and I think it will because they are each others person, in any universe, whether it works or not- then Marcia either needs to fully acccept that the man she's in love with is a greaser and will always be a greaser, he is from the east side, and he has nothing set up in terms of a future, and no family money to keep him safe and sheltered. She needs to accept it, and accept Two-bit in the process, and embrace a life where she is ok with it being her future, particularly if she and Two-bit ever want to date in the open, and definitely if they ever want to get married. If Marcia wants Two-bit she needs to be prepared for the judgment she will face from her peers for marrying a man so far 'beneath' her, has to be prepared for potentially being disowned/cut off by her parents, needs to be okay with the realities of east side life becoming her reality. In a slightly different reality, Two-bit needs to be prepared for marrying Marcia meaning he needs to clean up his act, needs to realise it will entail being forever looked down on by her family and friends (if they stay in contact), be prepared for Marcia's parents to pull some strings and get him a decent job, not a soc level one but one available to the upper middle class and definitely not poor kids. If Two wants Marcia he needs to recognise that it will mean no more petty thieving and no more booze and being viewed as a class traitor by the majority of his neighbourhood. In either version he has to be ready to deal with the people who will tell him he's ruining Marcia' life, that he dragged her away from her life and her potential, will perhaps have to grapple with those feelings even if they come from no one but himself.

But I still could see them working in canon, and working as themselves, but their relationship would always be affected by soc and greaser dynamics and if they work out, one of them will forever be viewed as a class traitor, and it will absolutely not be smooth sailing no matter how much they love each other.

Parry is a little bit different, but it's still a greaser/soc ship I could see fitting in canon, or in universe without egregiously changing the characters or class tensions, and a big part of why is because it's a clandestine relationship that is doomed from the start, and is doomed in every universe. It's a first love, a secret gay relationship between teenage hypermasculine football players in the 60s. Here, class tensions probably caused tension in the relaionship, but outside pressures would be less because Darry was well liked by even the rich kids and known to be going places, and also because the relationship itself never saw the light of day. The reason I ship Parry but only when they're doomed is because it very obviously could happen: Darry could kiss Paul in secret and still be a greaser loyal to this neighbourhood, and Paul could snog Darry and still be an upstanding upper class golden boy without looking like he's punching down, because no one knew they were dating in the first place. They could have truly loved each other when they were together and in canon it means nothing except the fact that their fight was a bit more personal than any other at the rumble, because neither of them ever intended for their relationship to be anything but a secret. They knew it would never be real in the sense they could have a life together, so it fits in canon because they characters were only ever going to be themselves, and as themselves their social classes make it so they are fundamentally incompatible, even if homophobia wasn't a barrier that it so obviously would have been. Darry and Paul work as a plausible couple because they never plausibly would have ever made a go of a serious relationship, and they both know it.

"Oh but Lovely," you say "by that logic any greaser/soc gay ship works in canon verse or canon adjacent verse. You should be able to see/ship any of them." To which I say no, not necessarily. First of all, not every queer person throughout history was okay with having a secret relationship- quiet ones sure, but gay people had 'roommates' in the sixties, and i think textually there is a lot of evidence to support that the majority of the Outsiders characters, were they queer, would not be particularly interested in being anyone's dirty little secret. And even if that weren't the case, and they'd be fine with a secret relationship, the fact remains that the greasers and the socs don't like each other. In fact, they canonically despise each other to the point where violence between the groups is commonplace. Darry was in a very unique position as captain of the football team and boy of the year, to form a connection with Paul that would be able to blossom into romance. He had a level of comfort and familiarity with the socs that the vast majority of the greasers don't have, and would never attempt to or even want to attain. The average greaser sees the socs as a danger and the reason they always get the short end of the stcik, and the average soc sees the greasers as ruffians and thugs, dirt under their shoes that belongs there. Yes, the book makes the point that all people are just people, but from what we see textually the chances of a greaser and a soc- particularly of the same gender- getting close enough to form a romantic attachment is slim to none unless both sides got really cool with a bunch of stuff really quickly after the rumble.

ANWAY if anyone is still here thank you for listening to my rambly unedited thoughts from 2am, these are my reasons for not shipping the majority of greaser/soc pairs, I hope they make sense

[laauranenn]

I agree with many points in your response especially sugishita/ tsubakino part

So the most jarring part About the absence of Sakura's backstory is that nii himself mentioned he has no framework of sakura's past until now , like he has no idea how to start it, he had clear ideas for the side characters backstories " umemiya & tsubakino" but not for Sakura's , I don't understand how can we say "he is setting up Sakura's backstory" when he still doesn't have clear idea for it

So far there’s 160+ chapters and we still don’t know anything about Sakura’s past. Usually when it comes to main protagonists in manga, it’s the opposite but Sakura is such a mysterious character. He’s a 15-16 year old kid who lives by himself out of town. Who are his parents? Is he an orphan? Did he get abandoned and disowned by his family? It leaves me with so many questions

He gave us so many unnecessary flashbacks during fights. Umemiya ,suzuri, tsubakino and kaji received too much flashbacks and lore , Sakura didn't have any flashbacks except the tight rope in ch 56. Umemiya had an entire arc " chapter 88 to 97" about his past with solo volume cover, i believe Sakura won't receive the same treatment like umemiya

Aside from the lack of Sakura's Lore,also the worldbuilding is so bad where are the police why are these KIDS the police?? hello irresponsible adults?? the world feels so empty , the antagonists are lame , endochika get off so easy.They basically caused a war that got many people injured & traumatized all so Chika could have a fun birthday it’s a lil more fucked up

Glad to hear you agree with my points!!

I didn't actually know that about Nii not having a backstory planned for Sakura! When/where was this said? Not that I don't believe you, I'd just like to see it for myself as well! I haven't looked too much at Nii's official Twitter, mostly because of it not being in English. I really should look through it more huh.,

That definitely changes things though, and it makes me understand your frustration a lot more! Though I think it's typical for authors to not have characters fully planned out when writing? I'm not 100% sure about that, but it sounds right to me. I can't imagine having every character fully planned out. The most we can do is trust that Nii has it all figured out! I've really enjoyed the backstories of other characters and the worldbuilding, so I trust that he's got it handled.

Could you elaborate on your opinion on "unnecessary" flashbacks and lore? For characters like Kaji and Suzuri, the flashbacks give us a clearer idea of the themes the characters portray, as well as give us insight into how they think.

For Kaji, we get his struggle with his anger, as well as the way he dehumanizes himself, and the way he learns to cope with it. We find out more about him as a person, and about his relationships with his vice captains and Hiragi. I think Kaji is an incredibly interesting character, and I enjoyed learning more about him. Though if he isn't a character you care for, I can see why these scenes would feel unnecessary.

Kaji also plays a similar role to Umemiya, where he's someone in the same position as Sakura/ in the position Sakura is aiming for.

(Since Kaji is a grade captain like Sakura.)

I've also seen something about parallels between Kaji and Sakura? Though I haven't looked into that too much.

As for Suzuri, the flashbacks and lore we get for him are important for the fight. Suzuri serves as the primary threat in the Roppo Ichiza arc. He's the person leading Gravel and goes against Tsubakino in the fight. The fight wouldn't be able to play out the same had we received zero backstory or lore for him and the rest of Gravel.

As for the specific chapters, not to hit you with the "Erm, actually!" but the tightrope is ch. 60 I believe? As for Umemiya having chapters 88-97, I'd say 88-92 are more about Furin's history and Endo's war declaration. They include Umemiya since he is the one who united Furin.

Chapters 93-97, however, are about Umemiya. But that is to be expected, considering those chapters are his backstory.

I'm not exactly sure what the solo volume cover thing is about? A lot of the manga covers feature other characters.

It's true, that typically in media we get the backstory of the main character, as well as other relevant info about them fairly early. And this is something that makes Wind Breaker stand out, which I like a lot.

Sakura is mysterious, but I think that's part of the fun! It makes us curious about him, makes us want to learn more! Though I also understand that knowing so little might make it harder to connect with Sakura. It's fun thinking about how he's made his way to Makochi, about where his parents are. He's clearly not got a lot of money at his disposal, if the state of his apartment is anything to go by. But he also owns a phone? Based on how little he's used it (He has no apps, is bad at texting, only has a single contact on his phone), I'd assume someone else got it for him.

If I were to guess, I'd assume he's got the same cold treatment from his parents as he has from the rest of the world. Though a guess is the best I can do on that front.

There is a lack of parents in Wind Breaker though, except like Umemiya's dead ones and Sugishita's absent ones.

The lack of police is an interesting point though! This is also something that I can only make theories and guesses about. The police likely aren't active in Makochi, or if they are, they aren't helpful at all. This post also mentions the lack of police! It's a mix of headcanons and predictions, but I agree with the idea that the police might've left the town after the fights got too out of control.

The lack of police is also why teams like Bofurin and the Roppo Ichiza are left to defend sections of the town. I wouldn't say it's bad worldbuilding, as it shows why there is a need for Bofurin in the first place. The lack of police explains why these kids are defending the town, because nobody else is there to do it for them.

As for the world feeling empty? I don't agree with that. The character backstories, the relationships, the extra pages showing us the menus and layouts of different locations all make the world not feel as dull. The different teams all have their own clothing styles, their own territory and values! It all makes Makochi feel like an interesting location!

I don't think the antagonists are lame, but that's subjective. Endo and Takiishi are some of my favorite characters, the Noroshi in are interesting and I think Keel and Gravel were interesting too! But again, that is purely subjective, something I find interesting might not be interesting to you!

As for Endo and Takiishi getting off too easy? I think that's likely rooted in how Bofurin works. They don't really do the whole "punishment" thing. Hiragi says Bofurin is defensive, not offensive when Sakura asks about getting rid of other teams before they can stir up trouble. Umemiya ends the conflict with Shishitoren by declaring them friends and leaves Choji and Togame to clean up their own mess. And when they tell Sakura they'll accept any punishment he sees fit, he leaves it at telling them to change and not be so lame next time. With Bofurin, losing the fight is already considered punishment enough. They don't stick around to inflict any punishment beyond just the fight on those who have harmed the town.

The whole situation with Endo and Takiishi is also a little more complicated than just giving Takiishi a fun birthday! I'd love to get into that sometime as well!

I'm happy to keep the conversation going! Tell me what you think of what I've said here! I'm also curious on if you have other characters you enjoy other than Sakura! ^_^

[malachitezmeyka]

*Has very long emotional talk with grandma that brought both of us to tears* "This is so UtOS coded"

[pheenixbabe]

i can answer ur last question since i initially used to keep racism / slavery in my dr in some way. honestly i was intimidated by the amount of change that scripting it out would bring. me being black, and growing up in the us i had an understanding that bigotry itself was fundamental to the creation cultures around the globe.

the bottom line is i wondered how much thatd change culture. for example reggae and rap are products of the systemic discrimination african descendants in the americas faced. without those you dont have reggaeton, dancehall & dembow. BOOM five of my favorite genres just gone. (p.s sometimes i try to picture what a rap songs lyric would be without the use of the word n1gga as dr visualization excersize 💀)

not even just racism but queer-phobia. loads of queer culture formed due to the discrimination and isolation they faced. so then what happens to their culture? does it just become an insignificant preference? no flags, no pride, no nothing?

and so much music, culture and art has been made to protest bigotry or inequality itself that scripting it out felt like "erasing" loads of culture--not even just that, but political and social movements. what about gyarus, hippies and punks? its the little things we dont even think about. scripting out inequality would really make an entirely new world, which i wasnt ready for.

granted i now deeply look forward to these changes as a part of my shifting experience. a "new world" in a social and artistic sense might be interesting to explore. and i decided to just say some stuff would still "be there" even if i didnt explain exactly how its also possible to script the "same world" with beneficial changes but youd still have loads of alt history going on. it still feels like such a big culture shift it gives me the heebie jeebies. i could totally shift and get a history, culture or personal fact 100% wrong and everyone else is looking at me like im insane. like what if i shift thinking my family is christian but in my dr we end up practicing west african traditional spirituality? lmao 💀

tldr; thats a crazy culture shock if you really think about it and some shifters dont want a "new world" or even a "better world" but just a "alternate universe". one where their celeb crush likes them back or theyre richer than the rothschilds. not every shifter is as simpatico or idealistic on their goals regarding shifting as we like to believe we are.

plus, i noticed a lot of people already shift to universes with forms of cultural/racial inequality or discrimination in place. for example atla, genshin, harry potter, mcu, avatar, aot, etc. and some of those are pretty common dr. (not even just that but how can you script out bigotry in some dr where everything is centered around it, like in both avatars? that unintentionally changes a ton) and this reality isnt special so if its normalized to keep discrimination in those universes, i feel like we cant really judge anyone who keeps inequality in a uni based on this one (not saying ur judging, just speaking generally).

and my intentions arent to minimize any groups struggle, but to highlight the fact that those struggles very strongly shaped everyones culture. its sad, but its true. sorry for the yap this is just something ive thought about a lot. shifting really gives way to a loot of possibilities. more than we realize. its just that sometimes we arent ready for the cause & effect.

elephant in the room 🐘

rant about the state of online shifting; "get-it-off my chest" moment

part 1. scripting trauma/ being a bad person in a dr how many people are really doing "bad things" or scripting in trauma in their dr? lets be so fucking for real here. why is it that everytime someone "morally corrupt" it gets exposed months apart and the "culprit" is some small ass account with like ten followers? its not common. and im not saying it never happens. but shiftok is always on about these people and im like...who tf are yall talking about? they find one bad apple and then decide the whole community needs to be reminded how fucked up it is to do xyz.

i mean lets be realistic, how many people are going out of their way to script something traumatic or harmful? the majority of the online community (reddit, tumblr, tiktok) always talks about shifting for their s/o, adventure, frienships, family or a better life in some way. how many people are deliberately scripting to harm themselves or others? and is the number really so much that we need thinkpiece after thinkpiece about it?

aand when others behave immorally or get traumatized in their dr they will experience it. they will see the effects of any bad things they do to others. they will feel the trauma first hand and suffer from what theyve scripted in many ways. we dont need to punish these people. their dr will do it for them.

P. S what about when you shift to a dr like the walking dead? or even mha and keep in the war arc? thats traumatic. hell, even an idol / fame dr can be traumatic and those are hella common! yet nobody bats an eye or reprimands it...odd...

part 2. racebending race doesnt exist. i saw a shiftoker (a white one too??) act like someone was crazy for saying it! the whole concept was created by europeans! white mans burden, race based social classes, and eugenics all seems natural to yall? i mean logically its not odd to anyone that modern racial concepts were made by the same group of people in the same time period...? the time period people needed excuses to kill, rape, steal from and enslave other groups... search up "who created race" and then report back to me..anyways..

name one good thing that splitting people up and assigning them identities based on their background does for us? its caused mocking of those that dont fit the mold their race gives them, harmful views of other because of their racial group(s) and low self esteem from outside perceptions of your race. oh and division among groups on top of everything. so what is the point of holding on to race? abandon it! shift to be white, asian, black, indigenous, do what you want! youre not "changing your race" until you shift to become a different species (and theyres obvi nothing wrong w that!).

and some people say "if you script your another race your downplaying the racism poc face" but not every country has the same type of racism the states has. not every country is even as racist as the states. for example if im shifting to be fully south korean born & raised, and live full time in south korea, its not likely ill experience racism. and even so you can just...script out racism? like what...some people literally hate shifters who dont script out racism and expect everyone to script it out, but then turn to say that they cant change their race because of racism...huh? genuinely dont get that.

P. S im only really preaching abandonment of race so flippantly in regard to shifting. in this reality we're kinda stuck with it at this point lol.

P.S.S and it seems shifters from the usa hate racebending the most! as an american, i wonder how much of that is being intimidated that the concept of a racial hierarchy, that our nation has been built upon for centuries, can be shattered so easily...and therefore obviously proves it as obsolete. food for thought. (half joking here teehee)

[roomba-mangga]

thoughts on thistle and yaad's dynamic that i vomited in the tags of another post but will now try to articulate here: they're not actually family, or at least they shouldn't be. not in a conventional sense anyway. framing them as uncle and nephew (even in a non-literal, silly fantasy world way) rides more on technicality than anything concrete.

what i mean by this is yaad calls thistle by name and says he and delgal were raised "like" brothers. he talks about thistle like he's an outsider imposing himself into the melinis' space, and it's clear that thistle was never legitimized as a member of the family. for thistle's part, though we don't know how he would treat yaad pre-demon brainrot, it's safe to assume based on the way he punishes him—turning him into a doll—and how little is shown in the way of any sort of relationship between them that thistle only cares* about yaad as an extension of delgal (otherwise i'd expect something like kabru and milsiril, because it's not like another complicated interspecies family dynamic would be out of place, yet there's next to nothing on them even in bonus content, just their scant interactions in the main story).

in essence, they're strangers to one another. thistle's desperation to preserve the illusion of a family, a model where he doesn't even fit, was the snare they were caught in for the past thousand years of stasis. yaad-as-nephew is a prop to uphold that illusion, and thistle is playing a role he's unfit to play. in the context of post-canon interactions, attempting to reconstruct that facade would only be a reenactment of trauma for them both (in a deeply compelling way i'd love to watch unfold, tbh), as that "uncle and nephew" framing places thistle in an implicit position of power over someone he's already traumatized through misuse of authority in the past, a role which also perpetuates his adultification and yaad's infantilization in turn. it'd mostly be an obstacle to any real connection.

best to burn the melini family bridge, i think, and if there's still anything salvageable left in the rubble, let something different supplant it.

[cluescorner]

I gave myself a writing challenge and I am fascinated by it

So basically I put the robins in a randomizer to give them a new order/role (because I just...kinda wanted to see what would happen + I like role-reversal AUs) and got results that are giving me a fucking brain blast.

Stephanie, the first sidekick who defines the role

Tim, the sidekick who dies and comes back wrong

Dick, the sidekick who saves Batman from himself

Damian, the sidekick who was never supposed to be a sidekick but would go on to prove everyone wrong

Jason, the youngest sidekick who is still the Kid Wonder

...So this is fucking wild. I've got some ideas and several of these fit perfectly (Dick's role is pretty similar to his one in canon), but some of these are fucking INCREDIBLE to explore (Steph being the first Robin is something I never even considered but tbh I kinda love it).

I probably won't write a fic or anything because tbh I don't like publishing my writing that much, but I might expand this into a full AU and post about it. I might randomize other stuff too (ie, stuff that I cannot change vs stuff that I cannot keep the same) but this fucking rules as a starting point.

[asterdeer]

not to be like “i miss college” even though i do but mostly i think i miss being smart. before depression and life events had chewed up and partially swallowed my brain. just getting to problem solve and think, being Very Into something as the norm. i know being an english major is basically the easiest thing you can be at the undergrad level but i do feel like that was the one and only time in my life where my natural state was actually a pro instead of a con. i graduated with the highest honors and absolutely no one cared but i cared

[neil-gaiman]

I found myself having, not exactly an argument recently, but a highly opinionated conversation with someone who did not believe my assertion that once upon a time there were official Hello Kitty vibrators. With the aid of the Wayback Machine, I found this article, and thought the world at large might enjoy it too...

Here's the text of the article:

The history of the Hello Kitty vibrator

By Peter Payne October 4, 2004

Sanrio is one of the top character licensors in the world, having more or less created the business model of doing business by creating something that doesn't really exist and licensing its use to other companies. Sanrio produces nothing -- all their characters, like the Little Twin Star, Minna no Ta-bo, Bad Batz-Maru, exist as legal entities and nothing more. Their most successful character, Hello Kitty, or Kitty-chan as she's known in Japan, is now now thirty years old.

One of the many companies that license Sanrio's characters for their products was a Japanese company called Genyo Co. Ltd. Genyo made a wide variety of products, from bento boxes to children's toys to chopsticks, many with the Hello Kitty character on them. They scored big in the late 1990's with an off-the-wall hit, a series of Hello Kitty toys which featured a different Kitty figure from each of Japan's 47 prefectures, each representing something the prefecture was famous for. (The figure from Gunma Prefecture, where we live, represented a wooden kokeshi doll.)

In 1997, Genyo designed a product that would live in infamy: the Hello Kitty vibrating shoulder massager, which really is a shoulder massager (trust us -- it says so on the package). Sanrio approved this design without batting an eye, and the product enjoyed modest sales in toy shops and in family restaurants like Denny's and Coco's. It wasn't until 1999 or so that people began to catch on to the fact that the Hello Kitty massager had other potential uses, and with amazing speed, they started popping up in adult videos in Japan. The next thing anyone knew, they had changed into a cult adult item, sold in vending machines in love hotels -- after all, what self-respecting man wouldn't buy his girl a Hello Kitty vibrator when she asked him for one?

The emergence of the Hello Kitty vibrator as a cult adult item caused friction between Sanrio and Genyo, and Sanrio ordered the company to stop making the units. Genyo refused, since it had paid a lot of money to license Kitty for their products. There seemed nothing Sanrio could do, since they had approved the item for sale (see the official Sanrio sticker on the boxes). The answer came when the Japanese tax authorities raided Genyo on suspicion of tax evasion. It seems that some creative accounting was going on between the president of the company, a Mr. Nakamura, his vice president, and the owner of the factory in China where the units were made. All three were arrested, and Sanrio had the excuse needed to yank Genyo's license. They seized the molds used to make the vibrators and destroyed them.

And so, the sad, weird chapter of the Hello Kitty vibrator is at an end. The last of the Kitty vibes are gone, so now what will the world do for wacky comic -- and sexual -- relief?

[birdantlers]

A heartfelt and grievously expanded-upon update to this—please, please read the whole thing if you can. reblogs much appreciated.

(DISCLAIMER, for all who are saying reasons like abusive parents/legal stuff/toxic ex/triggering memories/page got deleted/job/stalkers/bullying/[[insert any other shitty life thing]], This is not concerning that—personal safety & health ALWAYS comes first, and is worth more than any media ever could be. This is my biggest reason for defending that autonomy. I would be a hypocrite to say I hadn’t deleted triggering posts of mine or ones that got me in trouble with my family.)

it genuinely makes me sad and kinda upset when someone purges all their old art off the internet like. barring harmful content what if someone liked that. What if someone would have. And now nobody will ever know and it's just gone. even people's old invader zim askblogs or whatever getting deleted feels like a micro alexandria to me and that's just something I made up. I wasn't even thinking of a specific one it just stresses me out. Is this the autism I don't get why nobody else seems to freak internally abt it like I do. I see artists whose blogs I've never even looked at go like "man so glad I deleted all my old stuff it's so clean" or saying they throw out art from when they were kids I'm like. how are you not hurling. How is that not distressing that is literally your tree rings why would you do that. I want to see what's out there. people want to see it I promise someone out there likes it

...don't they??? Does everyone get quietly irrationally upset by this as me, or is this just hyperfixation/autism/some amalgam of the two. I'm not a hoarder or obsessive compulsive or anything like that so i wonder..

Anyways. reblog if you had a favorite amateur youtube animator in your childhood whose channel got nuked without a trace one day that you still think about.

I wanted to attach this video because it condenses my point very well. A TLDR of sorts. Please watch the whole thing, it genuinely changed the entire way I think about art as a concept.

(2nd vid is "Subjectivity in Art")

“The moment your art touches an audience, the ownership shifts in an irreversible way. [They're] not having an art experience with you and your intentions. They're having an art experience with the art object.

“You can't just burn your past; it's not even your past to burn anymore. It's other people's history as well. Whether or not you like it, that art is already bonded to somebody's soul, and if you rip the art away, you're ripping a bit of the soul that has adhesive contact to it.”

The digital age makes it very easy to distance or detach yourself from the impact your work has—be it art, fanfic, videos, even memes. Online content is as important to people now as any other media, if not more. But it's also by far the easiest, fastest, and most effective form of it to erase from public access. Media so unbelievably important to people and in general. Yes, you—with the 2010s purple sparkle dog speedpaint. I still think about that speedpaint all the time, because it was the first time i learned that you could draw on a computer, and I thought it was cool as hell. I still do.

I do wish there was a stronger culture of preservation and consideration for this, because every time I see people talk about snuffing their stuff because it doesn't personally resonate with them anymore, I just think ...what about all the people it did?

I've seen lots of people saying "get over it, it doesn't even matter," but it fucking does. It does matter. Even if I didn’t make it, even if I don’t have to deal with being the one who made it, even if I'm naturally inclined to be distressed by it—It still matters. And there’s nothing you could ever say to suddenly make it not matter, because there’s nothing you could ever say to make it not matter to me.

Don't devalue the act of creation. Don't dismiss something you made. It's out there, in people's thoughts and hearts and souls, and that is real. Even if you don't know it. Especially if you don't know it. Especially in a world where physical media is being snuffed out, the internet is constantly dying without any physical remains to recover, social isolation is rampant, and simply because independently produced content online is still media.

Fanfiction can hold equal or greater significance to someone as a book, but you can’t unpublish a book. Authors don’t have a button that can vaporize every copy of their work across all time, but fanfiction authors do. I’m not counting people who download fics either—when you buy a book, that transaction is over. But online, you have the power of unending transaction that can be terminated instantly at your will. The process of publishing fanfic vs. publishing a book may be different, but people’s connection to the art is the same intensity.

So yeah. I do get depressed about the Internet being a constant Alexandria, but the times I get the most depressed is when I click someone's page and see that all their work is gone because they're ‘curating a new aesthetic’ for their page or some shit. Or weeding out all the "ugly" art. Or just went on whatever the hell 'thrill deleting' is, because they just get a kick out of it.

Fuck it—yeah! It upsets me! I’m not wrong to say that. I’m saying it!

Under the cut, because it got long as shit! Also don’t worry the ending is way sappier and more ‘beauty of human nature’ vibe so it’s not all doom and gloom lol

What if that was someone's favorite art of that character. What if someone read that 'cringe oneshot' on the worst day of their life. What if that Warriors meme vid is still burned into a college student’s mind despite being gone for 10 years. What if it's actually not just you and the ones and zeros you rent out to the world—secure in knowing the original will always be on your computer for you to do whatever you want with it.

I really, deeply wish there was more of a general awareness of this, because even though social media can be used like a diary, that’s functionally the opposite of what it is. It’s social media. When you post, it’s no longer in a vacuum, even though you can’t see the real humans that content touches—often deeply.

Media is history. You shouldn’t burn that history just because you personally believe it isn’t worth saving.

Because it’s no longer just your personal opinion. It’s no longer just your personal work. it’s. history. Memory of media is not a suitable replacement for the media itself. If it was, we wouldn’t save anything at all. Nostalgia is an agent of that. The definition of nostalgia is grief for moments of the past that are inaccessible, and the biggest balm for that pain is accessing a physical reminder of those moments. That opinion of yours is no longer personal. It’s weighed against uncountable people across all time that your thing is ALSO personal to. People who would, and will mourn its absence.

How many times have you joined an older fandom only to discover that some of its most popular works are gone? How many times have you routed through random blogs looking for scraps people hopefully reblogged? how many times have you used Wayback machine desperately praying that a fan fiction or a YouTube video will be there? How many times do you look up crunchy old vines or YouTube videos or anime AMV‘s? How many times do you remember old fanfic.net sex that impacted you in middle school, only to shake your head and go ‘probably no point even looking.’

i mourn the absence. No, people can’t and shouldn’t have their agency over what they post revoked, but they should be conscious of that weight. If you’re reading this and getting extremely annoyed, and you’re not in the pink text above,,,, good.

I honestly do hope it gets under your skin. I hope it sits with you. I hope you feel it every time you hit that button, and whether or not you do hit that button—if you hesitate, if you remember this, even spitefully, I’ve done my job. I am howling into the void. And I may not want an answer, but I do want my anguish to be heard and remembered. Because it isn’t me just being melodramatic.

I know I sound that way writing so much, but if my favorite writing YouTuber can drop trow this week and go, "yeah, sorry, all my video essays from less than a year ago that you listen to in the car all the time? I'm "rebranding" my content so i deleted them. besides, my personal views don't really agree align with the analyses i did, or the techniques i taught in them anyway. Sorry if some of the literal tens of thousands of you used them, but I don't want to feel shackled to having youtuber "classics" tied to me”

….then i guess I'm just going to have to sound dramatic! That fucking sucks! Hours of work and knowledge gone! This was a new channel too. It’s very likely there’s no archive of any kind, because who would think someone who worked hard enough to write, record, and edit hour-long videos, would just turn around and nuke it all? I definitely didn’t see it coming, but I did just start a new screenwriting class a few weeks ago, so I’ll tell you at least one person is REALLY missing those fucking videos right now. Because a lot of them were about specifically screenwriting, which I know jack shit about. and that specific person’s pace, editing, and style of breaking down information was the best suited style I found that I could focus on and absorb. There’s no replacement for that. No alternative for his individual perspective. his jokes. his opinions.

No, they may not resonate with him now, but in this decision, he’s put up a big middle finger to everyone who might have. And he has like 100k subscribers! Those are confirmed supporters! Imagine how many silent and untethered observers are feeling this loss right now. Imagine how many will not have it in the future.

If he never posted them at all, we wouldn’t know we had it. It wouldn’t be a loss. But we did. We did have it. Until he decided that no, we didn’t, because he just happens to be the one out of millions of individuals holding the button to burn it in a hundredth of a second.

His personal work, the attachment I had to it, and the ways that it helped me are now just ripped away. I am one person out of millions, literal MILLIONS of people who saw and liked this content before it vanished. The soul has been ripped, the access severed, and by CJ’s (and my) definition, the art is functionally dead. Not for the YouTuber or anyone else lucky enough to save a link or download, but everyone else. From this point until the end of time, even if people even two weeks from now don’t know it. Even if someone who stumbles upon his channel today, doesn’t know it.

We only mourn the concept of Alexandria because we had some kind of scope for what was inside. Yes, maybe you got self-conscious and deleted your 12 year old deviant art account. Do you know who else is doing that?? THOUSANDS AND THOUSANDS of other twenty somethings who ALSO feel self-conscious about their old socials. Art. Fanfic. One direction fan videos. anything.

Suddenly, an unquantifiable amount of information from your age group—an entire age group in 2012, is. gone. And we will NEVER know what’s been erased from that history. We will NEVER know what could have been significant to us ten years from now. Twenty years from now. A hundred years. A thousand.

You could have deleted a fanfic that would have been someone else’s new go-to panic attack distraction tomorrow. You could have deleted a video someone used to laugh at with their friend who died yesterday. When you delete something, you risk tearing a hole in unknowable personal histories.

The Internet isn’t just a big library of Alexandria. It’s a library containing libraries. And those libraries have their own libraries in those libraries have their own as well. libraries inside libraries, inside libraries, ad infinitum. To conceive the amount of destroyed history on the Internet is crushing.

And I just can’t help but I ask myself how in gods name people can choose to contribute to that, instead of reposting everything to trash heap alts titled “hall of shame” or some shit.

You can offload to alts. Put up disclaimers. Make password locked blogs, or dropboxes, or anonymous imgur dumps. Anonymous reuploads. Orphan fics. Make a playlist or linktree of unlisted videos. Cut off the watermarks. Delete all references to it on your main. Make a dedicated unlisted playlist. make a google drive. Make new portfolio sites. Delete any questions you get about it. Change pen names. Pretend it never existed.

Give a heads up.

Something.

But don’t. kill. the media.

The knowledge that our stuff is going to forever be tied to us is a cross we have to bear, but the responsibility that comes with putting it out there in the first place, can’t be ignored.

Anyway. I'm not trying to start conflict. This is not a bash on anyone, nor a call for witch hunts. Or anon hate, or blocks and unfollows or anything of that nature. I'm not wishing ramifications or hate of any kind on anyone who does wants to do any of this.

I'm also not guilt tripping— I am not saying that you should feel bad. I AM saying why it makes me feel bad. That’s not guilting, it’s a dialogue. One I personally feel is long overdue.

It's me yelling into the void: please consider the real people on the other side of the screen before you hit that button. Realize and know that whatever you're about to erase from history could be the most important thing in the world to someone.

Art is an experience. It's why we revisit it. If art and history simply lived in the matter and code of media, we would only need to look at it once. We wouldn’t put things in museums. We wouldn’t build libraries. We wouldn’t look up vine compilations.

If you're able, consider (and I do mean consider, this is not a call to action) not destroying that. And don’t shrug it off as some pretentious asshole venting on Tumblr. You only need to look in the notes and tags to see that it isn’t just me. it’s never just me, or you, or the pixels.

And even if you do shrug it off, then at least recognize that what you make matters. Whatever you think about it, if it’s out there, that's not your discretion anymore. If a tree falls in the woods and even one person is around to see it, it fucking mattered. Because it happened. Don’t mulch your tree rings if you don’t have to. Because if enough people do it, a whole forest is gone. Media is history, no matter whether you think it’s worth putting in a museum, or only has 30 notes.

Thousands of years ago, a child named onfim doodled on his homework. They’re crude, and everyone has the wrong amount of fingers, and they’re also priceless archaeological artifacts recognizable throughout the world.

the only thing separating Onfim’s doodles and your MS paint Pokémon doodles is time. The only thing separating your old MS paint Pokémon doodles from being a priceless artifacts, thousands of years in the future is time. Your creations are already priceless artifacts. No matter what you do, don't ever, ever deny that. It isn’t blowing up your own ass, it’s artistic and anthropological fact.

The mundane and the supposedly unworthy are often the first things lost to time, and that’s why they’re so precious. That’s why artists who were before their time are scorned first only to be celebrated later. Do you think they knew that was going to happen?? What if they nuked it? Many probably did! But now that’s happening exponentially and instantaneously everywhere, WITHOUT the artist having to destroy their only copy—which makes it way easier and more dismissable.

Sometimes, If you’re revolutionary enough, people will make an effort to preserve your work, but recognized and thoroughly recorded work is rare compared to unrecognized and thoroughly recorded work.

Sometimes something is beloved enough that it would be impossible for it not to go down in history, but even then it isnt a guarantee, and it’s rare. But if van Gogh burned all of his paintings in a fit of despair before his death, we would have no van Gogh. Because he wasn’t respected as an artist in his time, but that wasn’t what defined the worth of his art. The people after him did, because his art was still there for them.

If you rip the art away, you're ripping a bit of the soul that has adhesive contact to it. If you belittle your art, you belittle the very real relationships and emotions and revisitations people have with the media. You defy the inherent worth and weight of a creation. you created. That's effort. It's passion. No matter how flippant or unskilled or worthless you think it is, it matters. Because at the end of the day, you could have chosen to make nothing at all, and you didn't.

•

Muting notifs

[diamondsunbursts-and-marblehalls]

The first real conversation Katniss has with Peeta is when he tells her that he wants to die as himself, that he doesn't want the games to change him into something he's not, and that he wants to keep his identity and prove he's more than just a piece in their games because that's the only thing he has left to care about.

The first time we see Lucy Gray she sings a song that basically says that nothing they could take from her was worth keeping. "Can't take my past. Can't take my history... You can't take my charm. You can't take my health."

The capitol has taken everything from them both, but at the same time, they could never take away who they are.

They are both likeable charismatic and funny, with the kindest hearts, and incredibly loyal to the people they care about.

At the same time, everything they do before the games, and during is calculated. Lucy Gray singing a love song and winning the hearts of the capitol. Peeta confesses he's in love with his district partner, therefore cementing her identity as desirable. Both of them know how to sway people with words, how to charm people, and how to manipulate crowds. Neither of them has any problem doing so to keep themselves, and the people they love safe.

Lucy Gray's song The Old Therebefore, about learning how to love and live her life to the fullest before death, a final and calculated stroke in a last-ditch effort to save herself from the arena. This evokes enough emotion in the watchers to get them to rise to their feet and plead for her life alongside Snow.

Snow, watching the 74th and preparing for the 75th Hunger Games sees Lucy Gray in Katniss. A young girl, from the 12th district. Unafraid at the reaping. Selling a false love story, manipulating a boy who loves her in order to get out and supporting the revolution with the mockingjay as her symbol.

He threatens her family to get her to sell that she and Peeta are in love, to prevent the revolution, because obviously, she's pretending. He's had experience with a girl just like her before. He has no doubt that she has the acting ability to sell this story because clearly, she manipulated the first Hunger Games in her favor, the same way Lucy Gray manipulated him.

Watching the interviews for the 75th Hunger Games he realizes-

Katniss is just an impulsive girl, in a Mockingjay dress she didn't know about, made by someone who supports the revolution.

Peeta is a boy who has the ability to move people with just his words. He made Katniss desirable, he was the one who sold the love story, and he was the one to make their romance seem real. Katniss only started the revolution because she would rather risk dying with him than live without him. A concept President Snow was completely unfamiliar with. And it is with all these realizations crashing around him Peeta drops the baby bomb. He knows the baby's not real, and so does Snow. But it evokes enough emotion in the watchers to get them to rise to their feet and plead for the lives of the tributes.

Is it Lucy Gray or Peeta?

By the time Snow realizes he's made a mistake, it's too late.

Peeta is still charming and manipulating the capitol. Katniss is in love.

He goes up against a kindhearted boy expecting to beat Sejanus again, only to find out that it's Lucy Gray he's fighting; knowing he will never be able to escape their ghosts.

-from a conversation i had with @grandtyphoonpoetry breaking down every character in the hunger games.

[lovelyyandereaddictionpoint]

Yandere Naga King // Part 2

Part 1

Shian is the King of the Naga, the valued birthright of his family to one day earn the tribe’s respect as they murder the reigning King if they don’t offer their service to the heir. Many other tribes and kingdoms may say this is brutal but it was his way of life. 

“My King! A warrior of the canine race was found on our borders–how would you like to proceed?”

“The same we always have. Devour them.”

“Yes, my King.”

It was how his family established a kingdom in a world where the human kingdom was in the mood to acknowledge different tribes as kingdoms. Word has it that a hero had come to the humans that would unite all the separate tribes with some peacekeeping power. Naturally, Shian thought such a thing was the stuff of dreams; instead was planning to make the journey to gauge the threat of this new being. But of course his strength brings so much attention the chatty little snakes couldn’t help sharing about the oddest thing.

“Did you? Did you hear?

“Yes! Yes, I did! So beautiful! A beautiful thing!”

“A naga youngling! A naga youngling and their human parent!” 

“What a sight! What a sight to behold.”

Granted this news was not delivered maliciously but that didn’t matter to Shian. As King of the Naga it was his duty to protect the clear separation of all humans and Nagas. History and biology spoke volumes—Nagas are the better creatures. Shian was more eager than anything to prove this, especially on the journey to observe eliminate the hero meant to unite them all. But of course, this changes when he meets you.

“Oh (Y/n)! I saved our dearest Nox from a wild boar and I saved the body for a hearty meal!!! Can’t I come inside now!”

“No!”

“Please!? Wouldn’t you like it if I didn’t break the window, this time?”

Since he’s met you everything has changed. Now that he’s discovered that his destined mate is a fiery little human he’s had no choice but to reconsider. Now he can adore your flaws as a human and admire your unique traits even more. His skepticism about other humans hasn’t completely gone away but he’s plenty more merciful now that he has you to woo. 

“HISSS State your name and business human!”

“-I-I- just wanted to deliver the fruits I always do sir!”

“Hmm my mate did mention something about their usual shipment….fine but thank your stars I’ve decided not to gorge myself on those eyes of yours.”

“Y-y-yes Sir!”

Not to mention you have an adorable little Naga son! Not that he finds Nox particularly cute on his own but it’s the words he parrots from you that make him a delight to be around. It’s a biological thing that Nagas interested in a mate aren’t fond of their children previous or otherwise. Even when they’re created together, there’s a strong chance that paternal love humans expect may never appear. But he’s found when he acts as though that’s what he’s doing you excuse more of his behavior.

“Now to strike with your tail you’ll have to shift your weight like this."

“Oh I see!”

“Yes…good job…”

“Are you looking back at the window, again?”

“Well of course I am! You said they were looking, right?!”

He does find that the more time he finds with Nox he doesn’t hate him. He’s sure if he was any other little snakeling in his kingdom he’d fully be invested but this is the snakeling in the way of attaining his mate’s complete attention. This is why it’s easier to blame him than accept you’re not very interested in giving him your attention anyway. It does annoy him that Nox isn’t unaware of this. The little narc snakeling is happy to string him along; baiting him with his praises to you to learn things from him.

“What?! I thought you weren’t watching the fight?!”

“I didn’t but the forest talks. So how do you move so fast across the forest like that?”

“Hmph that’s a secret. Family secret, actually.”

“Oh, that’s a shame…guess I ought to tell them you could never see us being a family.”

“What?! That’s not what I–”

“Guess I'll call out in one. Two. Thre–”

“Okay okay pay attention I’m only showing you once.”

“Yes!”

In the Naga King's heart of hearts he kind of really loves likes this domestic life with you two. It feels as though the whole world is right when he can spend all day following and pestering you as he learns more about you. But it won’t stay that way forever. And unfortunately, his entourage and advisors will find him. Reminding him of that pesky hero he has to eat meet. It’s simple to debate with his team about taking you with him or sending you back home to his newly constructed castle. Of course, he neglects to ask your opinion on the matter and must reap the consequences.

“My (Y/n)...why are all of my servants tied on the drying line?”

“They started moving my stuff. I thought I told you and your little buddies to stop touching my house.”

“ But how are we supposed to move you to my castle?”

“What?!”

“(Y/n)...please put down the knife!”

After talking you down committing his entire entourage to chores you wanted done he ordains that you should try accompanying him on his mission to the human kingdom. Leaving out the part about the hero he suggests that he leave some of his servants to tend to your home and babysit Nox. This is entirely so that he can convince you to come to his castle one day. Not just so he can enjoy some alone time with you. And while you’d like to refuse Nox thinks it’s awesome. When you aren’t chasing the Naga servants away they regard him with kindness and very giving. And it’s that same observation that has you kissing Nox goodbye as you depart for the human castle.

“Alright, Nox be good…try not to grow up too much while I’m gone.”

“Of course not…if you want I can send my shedded tail skin to you so you can ‘see me grow up. ”

“Nox don’t do that. That’ll be weird.”

“I thought so too but the others say it’s an endearing thing.”

It’s going to be hard, returning to civilization. Since you’ve been isekai’d you limited almost all of your interactions with other humans and now you were going to meet the protagonist. But you wouldn’t let your mind be completely occupied because you would be distracted by the obsessed Naga king.

Part 3: ....

[purplecoffee13]

NFWMB - part 1

Summary: “Harry is a retired boxer who owns a gym and teaches self-defense classes. He considers himself a strong man, but when a gorgeous innocent woman attends a try-out class, she manages to leave him weak in the knees…”

Wc: 4.3k

Tropes: boxer!Harry x innocent!reader

Warnings: mentions of violence and SA

A/N: hello everyone! This is my new series NFWMB, named after one of Hozier’s most horny songs😄. I am so incredibly excited for this series omg it’s gonna be so good!!! If you don’t believe me, go listen to NFWMB and you’ll get a vague idea of what’s coming ;)

P.S. header = pov change

General Masterlist

Series Masterlist

Harry Styles was not one for regrets.

His life may not have turned the way he expected it to, but he was still proud of where he had come.

Being a professional boxer was a risky job, and Harry had known that when he had decided that it was going to be his career. But there was no other logical option. Harry was an exceptional boxer who was able to go pro at age 18, where he defeated a lot of men who were older and bigger than him.

It was his passion, it always had been. Which was something that was quite remarkable, especially to his closer family members, because Harry was anything but a violent person in his day to day life. He was quite reserved, and managed his temper very well. The years in the boxing ring did harden him quite a bit, his reserved nature developing into something more akin to stoicism.

Nevertheless, Harry loved boxing. It wasn't so much a fight to him, but more of a puzzle. Each opponent had its own made up riddle, and it was up to Harry to solve it as quick as possible. Much like a dance you learn the steps to along the way. A perfect combination of intuitive technique.

He hadn't planned on having to retire at the age of 27 already. It was supposed to be his peak; it had been for almost all boxers in history, and he was looking forward to how far he would be able to push his body during his prime.

He never got the opportunity to get an answer to those questions. A car accident got in the way.

He wouldn't have been able to stop it, he knew that, and he had forbidden himself from thinking about what could've happened had he not taken that specific road back home that horrible night. There was nothing he could do about it now, so there was no point in dwelling on it.

After a year of recovery, he was slowly able to get back into the rhythm of his old life again. Well, except for the boxing part. Knowing that his career in that field was over, he began thinking about some other options of his, and decided on fulfilling another dream of his: opening a gym.

He had always wanted to do it, but he always imagined to be retired by the time he would start on that.

Now, two years later, his gym was already in multiple locations, but Harry was still working at the first one he opened. He would visit the other ones every once in a while to see how everything was going, but he was mainly at the one nearest to his house. It was special to him, the place where it all started.

Despite running the place, and therefore not needing to be on location all the time, Harry was at the gym 24/7. He wasn't a personal trainer—wasn't really his style—but he would help people and teach self defense classes to women.

Every Thursday between 6 and 9, he would teach groups of ten women everything they needed to know on defending themselves from whatever threat they may run into. It was one of the things he was proudest of; the turn out at those classes. That these women put their trust in him, and let him help them become even tougher than they already were.

Tonight, after teaching the last group, Harry had gone to the bar with some of his friends. One of them was Sophie, a woman he had become friends with since she'd joined his self defense class. She was a great person with an impeccable sense of humor, and Harry was glad he had introduced her to Greg, his best friend. They were basically made for each other.

Harry had to admit that he envied his friend for the relationship he had. He was happy for them, but sometimes couldn't help but think that his lack of a partner was this one puzzle piece that would make his life even better. All in good time, he reminded himself.

"Hey," Sophie caught Harry's attention when she waved her hand in front of his face. His gaze shot to hers, eyebrows raised. "So, I was talking about your self defense class today at work. You know, promoting your business and all."

Harry chuckled at the cocky tone in which Sophie told her story, chin up high. He mumble a soft 'thanks', to which she grinned.

"You're welcome. Anyways, I have this new colleague and she seemed so intrigued by it, but she was too insecure about joining. I mean— she didn't outright say that, but I could just tell." She huffed, Greg rubbing her back. Sophie was a very happy person in general and wanted the best for everyone, this new colleague of hers included. Harry had the same habit, it's why he immediately suggested:

"Why don't you invite her along next week? A free try-out."

"But your try-out classes aren't for another two weeks." Sophie noted.

It was true. The self defense classes had become very popular, and since Harry taught them himself, he had scheduled one night of try-out classes a month. He was only able to take on so many people, but he didn't mind making this exception.

"She can join your regular class." Harry shrugged, and Sophie's eyes beamed with excitement.

"Thank you Harry!" She squealed happily, giving Greg a hug to channel her enthusiasm. "Oh, I hope she'll come along!"

"I'm sure she will." Harry assured her with a smile, and took another sip from his beer.

Y/N had never been one for risks.

She had never been the type of person to take the leap of faith, relying more on familiar feeling of security. Why risk hurting yourself when you could be safe and content?

It was the logic she had always operated with, the logic she had been taught from a very young age. Y/N had had a sheltered upbringing. Her parents wanted her and her little brother to be as safe as possible, and that was just fine to Y/N.

Her little brother was the more feisty one of the two, and his childhood consisted of a lot of fighting. It hurt Y/N to see the people she loved so much be so angry all the time, and it only motivated her to be as good as possible. She never drank, smoked, or went to parties. She turned in her homework early and got an A on almost every test. It did put a strain on her relationship with her brother, especially since Y/N's behavior would be used as ammunition towards him.

They still didn't talk all too much, but Y/N hoped that one day, she could repair that relationship again.

Moving a few towns away was a big deal for her parents, but the wonderful job she had gotten as a secretary at quite a prestigious law firm had made it all worth it. They helped her with moving into her apartment, but Y/N would regularly visit them on both weekdays and on the weekends. All in all, she'd had a safe, comfortable, content life.

Until a few months ago.

It was a Friday night, and Y/N had agreed to a date. One of the lawyers at the firm, Oscar, had been flirting with her ever since she started working there. Not wanting to be impolite, Y/N never outright rejected him, and so the flirting continued. She was a bit uncomfortable about it — especially since he was nearing his forties and she was only 23 — but figured the banter was part of the job. She was so shocked when he did ask her to go on a date, she said yes.

It wouldn't be too bad, she figured. She would just go on the date and tell him she wasn't interested afterwards. It could be casual, and no one would be too hurt. The date was definitely out of her carefully moderated comfort zone, but she would step out of it for one night.

The date was fine. Like she had expected, she wasn't interested in Oscar in a romantic way. Still, she listened to his stories, laughed right on cue at all his jokes, and told some of her own anecdotes as well. The dinner was great, and he even offered to walk her home.

They were nearing Y/N's apartment when Oscar had suddenly slowed down his walking pace. She only noticed when she was a few feet away from him, and walked back to where Oscar was standing.

"Are you okay? We're almost there, I promise." Y/N smiled politely, much like she did in the office. Oscar didn't say anything in response, only the corners of his mouth quirking up ever so slightly.

"You're so beautiful, do you know that?" He  complimented her, and Y/N looked at her feet, not quite knowing how to handle the flattery.

"Thank you." She said softly, and froze when Oscar's fingers tilted her chin upwards. Her eyes widened when he suddenly leaned in and put his mouth on hers. After the first few seconds of pure shock slowly passed, Y/N pulled her head back.

Not getting the hint, Oscar grinned and leaned in again, this time with both his hands on her face. Y/N let out a yelp, stumbling backwards. Her body's alarm bells were ringing so loudly, but Oscar must've been deaf to her body language because he backed her up against the wall and kept kissing her.

Y/N cried out as she tried to push Oscar off with her hands, but he only grabbed them and pinned them above her head. Finally, not knowing what else to do, she lifted her knee and kicked him right in the crotch. Oscar shot backwards, groaning loudly as his grip finally loosened on her. He looked incredibly angry.

"What the fuck?!" He bellowed, standing up straight again. Y/N's lip quivered, tears running down her face.

"You wouldn't stop." She said softly, almost in a whisper. Her entire body was shaking from the adrenaline. Oscar's mouth opened to say something, but the conversation got interrupted.

"Oscar!" A woman's voice shouted from down the street. He turned his head, and his face morphed from sheer rage into a lovely smile, the same one he always put up for Y/N back in the office.

"Sophie!" He said, but the mention of her name sounded strained. Sophie... Y/N recognized her name, but she hadn't ever met the woman. She was one of the three female lawyers at the firm. Had been working there for only five years, but her reputation was so badass, everyone knew who she was.

"What are you doing out tonight?" Sophie asked as she gave Oscar a hug, and turned to Y/N. "Who's this?"

"This is Y/N." Oscar replied. "She's a secretary at the firm."

"Nice to meet you." Y/N extended her hand, and Sophie shook it.

"Nice to meet you too! How come I've never seen you around?" She tilted her head.

"I— I work on a different floor."

"Well, I'm glad I met you, Y/N!" She said, the kindness in her tone being a real comfort after that scary moment she just had to live through. Somewhere in the way she said it, and in the way her eyes softened slightly, it almost felt like Sophie knew.

"I— I should go. It's getting pretty late." Y/N decided that this could be her sweet escape.

"Right, I'm gonna bring Y/N home." Oscar said, and your eyes shot to him. Anxiety filled your lungs until all you could breathe was fear. You didn't want to be alone with him. You had no idea what he would be able to do to you. What were you going to do about it? You weren't even half as strong as he was.

"Oh, which way is it?" Sophie asked, turning to Y/N, who was about to open her mouth but got interrupted by Oscar.

"That way." He pointed toward the direction of Y/N's house. Sophie side eyed her colleague, then nodded.

"Exactly the way I was going! Let's go." She hooked her arm into Y/N's, and began walking, ranting about how it was unacceptable that they didn't work on the same floor.

Y/N wordlessly nodded along, filled with gratefulness to Sophie or the universe—or both—for not leaving her alone with Oscar again.

She got home safely about five minutes later, not daring to look Oscar in the eyes as she hugged him and said goodbye, and she only allowed her tears to fall down her cheek when she closed her front door.

Y/N spent the rest of the weekend in bed, not in the mood to do anything. By Monday, she felt both better and worse. She had had some time to come down from the shock of what happened, but the terror that filled her at the realization that she was to see Oscar again, had her stomach turn. On Monday morning, she even got into work late as a result of a wave of nausea that hit her once she'd grabbed her keys, spending the time she used to drive to work to puke her guts out instead.

Later, she'd found out that Oscar had called in sick that day. It gave her some time and space to breathe. Sophie visited her the same day, and she hadn't stopped visiting since.

Oscar did eventually return to work, but they never talked anymore. Y/N didn't dare to look him in the eye, and she avoided him at all costs. One day, about two weeks after everything happened, she did see him waiting by her cubicle, but she hid in the toilet for half an hour and by the time she returned he was gone.

It had been two months since that horrible event, and Y/N had entirely isolated herself. Back to the normal routine, back to what was familiar. It gave her a sense of control. She was fragile, and sensitive. She had just pressed down her sadness and anxiety that lingered as a result from the date, and instead focused entirely on what she could control.

She figured it would be easier. Well, except for the mental breakdowns she'd get when something small didn't go right. The dishes not being cleaned, her vacuum not taking up every speck of dust; it just set her off. It wasn't healthy, but she had no idea how else to deal with these things.

When Sophie mentioned she was following self-defense classes a couple weeks ago, Y/N's ears had perked up. She tried to be subtle about it; asking questions to pry some information about the classes from her. But, being the amazing lawyer she was, it didn't go over Sophie's head, and before she knew it she had an invite to a class.

"See you next week!" Harry exclaimed as the last of the women from the 7pm class left the room. He was still busy putting everything back into place before the next class which would commence in about five minutes.

He was just about done with everything when Sophie walked in, another girl walking in close behind her. Harry couldn't really make up her face, as she stayed closely behind Sophie, even upon nearing him.

Sophie looked proud, probably feeling very accomplished about the fact that she had been able to convince this colleague of hers to take her up on her offer.

"Hey!" She greeted Harry cheerfully, giving him a quick hug. He was still smiling when he turned to the woman standing next to Sophie. His mouth went a bit dry when he took in her face.

"Harry, this is Y/N."

For starters, she was a bit shorter than Sophie, and quite frail too. Her hair was up in a ponytail, leaving her features to be admired out in the open. Her eyes were soft—radiating mostly insecurity at the moment—and wide. Those Bambi eyes and plump, rosy lips...

She looked so... innocent?

He wasn't sure if it was the right word, but he was sure that he had to say something before the silence became too long.

"Hi Y/N." He repeated her name, seeing the slightest flicker of surprise run through the eyes of the woman in front of him. But the slight relaxation of her body told him that his usual trick was working. It was a typical 'strategy' that he would often use with people who were a bit unsure about him. His voice would soften, he would always wear a hint of a smile on his face, and he'd repeat people's names to create a bit more of a familiar environment. It always worked, and he was glad it did. He never wanted anyone, especially a woman, to feel uncomfortable around him.

"Hi." The corners of her mouth tugged up.

Angel.

That's all he could think of as he looked at her. Jesus Christ, she was beautiful.

"Thank you for joining the class. You don't have to join in on everything if you don't feel comfortable. Just observe and see if this is something you would like to practice more often, okay?"

The girl in front of him nodded intently the second he had finished talking. Her eyes widened ever so slightly before she peeped out an, "okay."

Harry grinned, his gaze shooting to Sophie—who was looking at him with this suspicious look on her face that she only got once in a while—before calling everyone in a circle and commencing the class.

This girl, Y/N, turned out to be a real distraction for him. He was so focused on trying to read how she was feeling that he trailed off during explanations a couple times. It was embarrassing, really. He was a grown man for God's sake, why couldn't he just concentrate?

Y/N only joined in for a couple of the basic movements, but she stayed back for most of the class. Her big eyes observed every movement Harry and the others made, impressed with how developed everyone seemed to be in their techniques. He noted that it only seemed to make her more timid, though.

His eyebrows kept knitting every time he looked at her, getting lost in his thoughts on how he could help her become more comfortable in his class. She'd caught his stare about halfway through the class, and at the way her eyes shot to the floor he realized that his gaze was actually doing the completed opposite of what he wanted to do, which was help her.

When the class ended, Harry gave his usual speech about how good everyone had done their job, and that he would see them all next week. Afterwards there would always be a couple of women hanging around to ask questions, and he would stop a few on their way out to compliment their improvements. When the rest of the women had left, Sophie walked up to Harry, Y/N following closely behind.

"Great class, Styles. Thanks for teaching me some ass kicking again." She teased, smiling at him before she took a sip from her water bottle.  Harry chuckled, shaking his head faintly.

"Glad you liked it." He turned to Y/N. "What about you?"

Her cheeks started heating up, mouth falling open ever so slightly. "M— me? Oh, uhm, yeah, pretty good."

"I'm going to use the bathroom really quick, I'll be right back." Sophie chimed in, and began walking towards the door. "Keep her company for me, will ya Styles?"

Harry almost laughed at how Y/N's eyes nearly popped out of her sockets at Sophie's announcement. She was nervous around him, and it was quite endearing, but she didn't need to be. Although it was very cute, Harry wanted her to be comfortable around her.

"You hated it, didn't you?" He said as soon as Sophie was out of sight. Harry was amused, watching Y/N scramble for words when she realized what he had said.

"What? No, no of course not! You're great! Teacher— you're a great teacher, I mean." She stumbled over every last one of her words, making it sound even less convincing than it already was, even though she did really mean it.

Harry solely raised his eyebrow, indicating that he did not buy any of that, and it was all it took for her shoulders to slump and a little sigh to leave those pretty lips of hers.

"It's really not you, I promise. I just get... a bit nervous in group settings, especially when it comes to sports. I don't even go to the gym." She confessed, and Harry nodded. That certainly made more sense. His heart warmed a bit at the fact that she reassured him that he wasn't the reason she wasn't liking the class all too much.

"Why don't you go to the gym?" Harry asked further, his tone soft. He didn't want to press too much, but he did want to know more about her.

"It's... embarrassing." She shrugged. Harry chuckled.

"I go to the gym all the time. I mean, I own this one. I can only imagine how embarrassing I must be."  He joked. He had to say he thought it was pretty funny, the way she blushed as he teased her.

"No, I didn't mean it like that! You're not embarrassing at all— I mean, you’re like the opposite. You're lean, and strong. You have like— big arms and you know what you're doing." She ranted, and had no idea how much Harry's ego was fueled by the compliments she was unknowingly throwing at him. "Whereas I— I have no idea what to do at a gym. I hate the idea of people being able to watch me and judge me if they want. Not that I think everyone's focusing on me all the time! I— I don't think that..."

Y/N's heart was racing as she finally got herself to stop talking. It was a nervous habit she had always possessed. As soon as something got awkward, her mouth would open and it would just never shut again. All communication skills flew out the window as soon as something — or in this case someone — made her nervous. She couldn't even remember half the words she just said.

"I can teach you, if you want."

The offer was as unexpected to Y/N as it was to Harry. He hadn't quite anticipated the words rolling off his tongue, but he didn't regret them either.

"It'll be a private class, and it can be in a closed room, like this one, or after closing time. Whatever suits you." Harry tried his hardest to sound casual, and not like what he was offering was something he literally never did. He had to hire a cleaner at home because he was too busy to get around to cleaning the house, that's how much he had to do. But the prospect of losing even more free time did not seem to bother him at all. In fact, he hoped Y/N would take him up on his offer as he scanned her face and waited for her to say something.

"No, I wouldn't want to ask that of you. I'm sure you're busy with a lot of other things." She declined politely, but he didn't miss the glimmer of hope in her eyes. Those private classes had sounded intriguing to her, he just knew it. So instead of accepting her rejection, he shrugged.

"How about this. I'm always in till late on Tuesday's. If you're sure you don't want private lessons, that's fine. But if it does sound like something you want to do, just be there at 9. I'll be there either way." Harry suggested. He didn't wait for a response — hearing Sophie's footsteps nearing — and instead said,

"Just think about it, alright?"

Y/N merely nodded, not even able to croak out a 'yes' before Sophie walked back into the room.

"Okay, I'm ready to go. Y/N?" Sophie asked, watching as her friend agreed and grabbed her things before walking towards the door where Sophie stood.

"Thanks for the class." Y/N turned around and smiled at Harry, throwing him a small wave as she started following Sophie out the door.

"Anytime." He winked at her.

"Bye Styles!" Sophie shouted, her keys clinking as she waved at Harry, behind her.

"Bye Soph." Harry called out, his eyes still transfixed on the girl behind his friend.

He didn't take her eyes off her as they walked towards the exit, taking in every detail of her delicate body as she moved further and further away from him. She was painstakingly beautiful. How had she just walked in? As soon as the girls disappeared behind the door, Harry let out a big sigh.

"Fuck." He murmured under his breath.

He really hoped Y/N would take him up on his offer. Harry had very quickly and very suddenly developed this intense need to help the girl, and that couldn't mean anything good.

Maybe he'd never see her again. She did sound very unsure. Besides, who said that she even wanted to go to this class? For all Harry knew, Sophie could've just used her manipulative convincing tricks, and Y/N, the polite angel she was, would've felt too bad to decline. Maybe, she thought he was an ass and didn't want anything to do with him.

In spite of the countless theories flying through his head, he knew that she wanted it. He had seen it in her eyes. She did really want to join the class, she was simply too nervous. But whether she would take him up on the offer, that was the question. He'd have to wait until the following week.

Strangely enough, he couldn't wait until it was Tuesday. He couldn't wait to find out…

[clockwayswrites]

City Pigeons Bleed Green Part 17

Somewhere in the back of Bruce’s mind, there a voice that was grateful that no one Bruce had slept with had experimented on their own child. With Talia and himself there were already lines that had been crossed, but what Danny had been through was another level of horrible. Which is why that tiny voice didn’t mater.

This wasn’t about Bruce, this was about Danny. Danny who looked ready to bolt again. Bruce reached out and placed his hand on Danny’s still cold cheek.

“Danny, being my clone doesn’t make being my son any less true.”

“That’s not—” Danny’s eyes welled with tears again and he leaned into the touch even as his foot scooted backwards. “That’s not how it works.”

“It does for us. Our family is messy. It’s complicated and confusing and… wonderful,” Bruce said. He spoke slowly both so that his words were clear, but also so that he could find the right words. “It’s a butler and orphans, assassins and demi-gods, sons and daughters and sometimes people who are neither. You being a clone is just one more thing in that mix. You’re still my son, if you’d like to be.”

“You can’t want me, I’m dead,” Danny insisted.

Jason set a pot down, loud enough that Danny’s eyes flickered to him.

“Kid, Danny, that doesn’t mater,” Jason said in a carefully controlled tone. “It’s the same as I’ve said before, they all know I died.”

Danny’s eyes widened, causing the tears to sleep free. He blinked rapidly.

“…Oh.”

-

They’re sat around the living room, each with their own mug of hot chocolate, even Bruce Wayne— even… well, Danny supposed it would be Tim Drake-Wayne, once he had shown up. He had flown through the door as he spoke through gulped breaths of air. He didn’t have a domino on either. They all sipped slowly at their drinks.

They were waiting for him to talk.

Talking seemed an insurmountable challenge.

Danny took another sip of the hot chocolate and licked the sugar sprinkle bat from his lips. He didn’t look at them as he spoke.

“Dick Grayson, Jason Wayne, Tim Drake-Wyane. Cassandra Wayne… Duke Thomas, and Damian Wayne. I don’t know Spoiler or Oracle. I only… I looked up Bruce Wayne on a library computer after I ran. That’s why I know.”

“Close friends of the family,” Mr. Wayne said.

“And ex-girlfriends,” Night— Dick spoke up.

“Right. Red— Tim said him and Spoiler had dated.” Danny mumbled. He glanced over at Hood from under his bangs. Hood… Jason? Hood. Too many changes. Hood hadn’t said anything since he had revealed everything.

He must have noticed Danny looking though, because he sent a melancholy smile Danny’s way. “I get it. We kept a really huge piece of information from you, but we didn’t lie. When we said you had us no matter what Bruce Wayne did, we meant it.”

“But he’s your dad.”

“And that means we're all very good at not listening to him,” Tim said proudly.

Mr. Wayne just gave an amused snort at that.

“Dandelion,” Hood said, ignoring his family, “the first time that you looked up at Red and I we both clocked who you were instantly.”

“Not the clone part,” Red added.

This time it was Danny who gave a little snort.

(Fuck, they even snorted the same.)

Hood just flicked Red off. Tim. “Sure, not the clone part.”

“Because someone wouldn’t let me take DNA,” Tim interrupted again.

“It’s corrupted anyways,” Danny said and suddenly all eyes were on him again. He ducked his head down into a shrug. “From my death. This form I guess it would match enough? But my ghost form wouldn’t be any help.”

“Yeah, I can see that,” Tim said softly. “But also Hood was right, you didn’t deserve us doing that to you right then, even if I just wanted to help. But that doesn’t mean we didn’t know that you came from Bruce. You just came from him in a different way than we thought.”

“You were family right away, kid,” Hood said. “If didn’t matter your name or pronouns or history or if you’ve died or even that you’re a clone. As soon as we got a good look at you, you were family.”

Danny could feel the tears coming again and he wiped at his eyes in frustration. He wanted to just stop crying today.

“You could have been wrong,” Danny said. They didn’t get it, why didn’t they get it?

“Could have. But you were still a hurt kid that needed help,” Hood said.

“You don’t need blood to be family,” Dick said. “Me and Jason and Tim and Cass and Duke… Alfred, none of have blood with each other or Bruce and Damian. If you had turned out to not be related to Bruce at all? Well, you were already family.”

The tears came now and Danny couldn’t stop them. The hot chocolate was taken carefully from his hands by Jason while Dick pulled him into a hug.

“I don’t— I don’t get it,” Danny said through the sobs. “Why can you all— why can you all love me after a month when they— when my— when the people that were supposed to be my parents never did?”

“Danny—”

“They killed me!” Danny roared. He was shaking now and Dick help him tighter. “They made me just to kill me and cut me into pieces! I was their son! I was…. I was their son. Why couldn’t they love me?”

Between one blink and the next Mr. Wayne was up from his chair and in front of Danny. His large hand was so warm on Danny’s cheek. Danny sobbed harder.

“I don’t know, sweetheart, I don’t know because you are so loveable. It’s something wrong with them, not with you. I already know you’re wonderful and I can’t wait to get to know you more.”

Danny didn’t get it.

Danny didn’t believe it yet.

But god did Danny want it.

Danny flung himself forwards, landing in the arms that were waiting to catch him, and let himself cry.

-

“Nose bleed stopped and he’s resting now. Jay is staying in there with him in case he wakes,” Dick said as he closed the door to Danny’s bedroom softly behind him. A sad, wet blue lump was in his other hand. “We’ll try to get his bear dried out, it was in the bag he took.”

“See if the dryer has an air dry setting,” Bruce said. When both sons in the room looked at him in surprise he just gave a little shrug. “Dickie used to play with Zitka outside all the time. I learned to help make sure she was always ready for bed.”

Dickie gave a little laugh. It was heavily tinged with stress, but it was a laugh. Bruce would take what he could get right then. Jay still had a job, so he’d be alright for now. Dick would need to stay busy and close to people, but both those would do most of the work for the moment. It was Tim that Bruce had to worry about the moment; he was being very silent.

“Tim, chum, are you done with your drink?”

Tim blinked up from staring down at said drink. ���What?”

Bruce crouched down in front of Tim (trying not to think of how he crouched down in front of a sobbing Danny just a bit ago) and took the mug. “What are you turning over in that head of yours, chum?”

Tim fiddled with his nails now that the mug was out of his hands. Bruce wouldn’t stop it unless Tim managed to make himself bleed. It wouldn’t be the first time or the last.

“Sweetheart?”

“It’s going to take him a long time to believe us— this,” Tim said, the words almost a rush.

Bruce nodded slowly. “That makes sense.”

“And he could run again,” Tim continued, still speaking quickly. “It could all be going well and then suddenly he could be thinking of running again because he’s doubting things.”

“Okay Tim,” Bruce said with careful words. His mind was running through all the times when Tim had pulled away from the family, “what do you think we can do to help that?”

Tim shrugged and looked away. “I guess— I mean, saying things to him is good but it won’t get as far as actions. And those actions need to include making him feeling useful.”

“But—” Dick started, the dryer now rumbling away in the linen closet.

“I’m not saying make him do work,” Tim interrupted. “But until he can consistently believe that we want him in the family, him feeling useful will help give him a reason to stay. As long as he’s useful, he won’t think that there’s no reason for him to stay when he thinks no one wants him around.”

Gently, Bruce reached out and took Tim’s hand away from where his cuticle had started to split and bleed. He pulled out his handkerchief and dabbed at the spot gently. “We’ll make sure to offer him ways to help out. We’ll talk as a family about where the lines will be and what sort of work is alright, especially as Danny is still healing.”

Tim took a careful breath and nodded. “Good.”

“And Tim?” Bruce waited until Tim was looking at him to continue. “I love you and I’m very glad that you are part of this family.”

-

Bruce sent Dick back to the manor after Cass arrived. They talked about what was best and agreed together that for Danny, Bruce still needed to be here in the morning. Bruce knew Dick hated to leave, but he was the other one who could handle Damian and whatever moods this may have invoked. And they were both worried about pulling Jason away from Danny right then.

Once Dick had wrangled Damian, they all had a meeting. Jason joined in with headphones Tim delivered and stayed mostly silent. Alfred lingered behind Dick’s shoulder.

Bruce went over the day, doing his best to treat it like a debrief just so that he could get through it without his heart breaking the rest of the way.

Danny had run of his own volition, afraid that those who had hurt him would find them. He was most afraid of them hurting Jason and Damian. (Dick pulled Damian close). He wasn’t Bruce’s son, biologically speaking, but his clone. They would try, with permission, to take some blood and analyze it soon. There were worries about the state of Danny’s DNA that Bruce wanted them to look into, for Danny’s safety.

There was worry any tests might set Danny off.

Danny knew about their identities, though they did not share Stephanie and Barbara’s name— both girls gave their go ahead. He seemed confused, but alright. They had to be ready for a possible out burst over it later after everything that had sunk in.

They would be sure to give Danny things to do that made him a quick part of the family, Bruce wanted everyone to think what those would be. There was to be nothing that was patrolling or anything dangerous. They would all agree on the list.

When Bruce ran out of things to say, Alfred stepped forward, there as always to help with the next step. “Is there anything specific I should prepare for his room?”

“Blue,” Cass suggested.

“Stars,” Tim said from where he was tucked into Cass’ side. “He likes space. Maybe one of those projectors that turns the ceiling into the night sky?”

“Soft blankets,” Jason spoke, a quiet addition.

“An air diffuser, natural scents like flowers and earth,” Dick chimed in.

“A… a pet,” Damian said, words uncharacteristically hesitant, though he straightened up defiantly at the look of confusion on everyone’s face. “If he is a flight risk, then a pet will be something he stays for. It will also be a responsibility for him that is little effort and not dangerous. Also, when he needs company but the family is… overwhelming, his pet will be there for him. There are many cats and some suitable dogsat the shelter right now, I will take him.”

Bruce’s mouth twitched up in a little smile. “That’s a very good idea, thank you. I’m sure Danny would like your help, after we introduce you two properly.”

Damian nodded, though that slight uncertainty was still there in the curve of his shoulders.

“Dami?” Dick prompted.

“When will I be able to meet him? Properly.”

“How about in a few days, before we move him to the manor, I’ll bring you over with me, okay ayouni? We can bring lunch with us and have a meal together,” Bruce offered.

Damian nodded sharply, a slight smile on his lips. “Acceptable.”

“Good. We will try to have everyone over before we move Danny, which will be mostly on his timetable. For now, everyone get some rest.”

There was a chime of voices agreeing to that and signing off. Bruce made sure he was the last to leave the call.

---

AN: It's... mmm... not great day, so you all are getting this now instead of tomorrow when ao3 updates. Stay delightful, darlings <3

[somnoir]

Bats and Phantoms - Part 1

Prompt: All the Phantom/Fenton Siblings end up with one of the Bats and Birds. It's just that neither of the two families know that their partner is related to their siblings' partners.

Danny and Red Hood

Going to Gotham for university was a planned decision, mind you. It was one of their many contingency plans in case the reveal went wrong. Thankfully, it didn't but his parents were still trying to change their views on ghosts for the sake of their children. Last he heard from his parents, Jack and Maddie Fenton were practically harassing every ghost they could find on culture, history, and etiquette. (He's gotten one too many complains from Box Ghost and Poindexter.) Plus the mess that was the situationship between the Fenton Couple and Vlad Fucking Masters. (Dante was about to kill himself again for that).

Gotham had enough ambient ectoplasm for him to be stable. Everything was very normal. Absolutely...

If not for the fact that Danny loathed clowns. When a clown decided to try and attack Danny, what does he do?

He did what every self respecting Fenton would do when faced with something he absolutely hates. He came at him swinging, aiming for the face.

And maybe he put a little too much power into the punch and the next thing he knew, a body was flung against a wall and breaking it on impact. Danny stares at the toppled wall and—HOLY SHIT HE JUST KILLED THE JOKER.

Fuck, fuck, fuck, fuck—BATMAN WAS GOING TO KICK HIM OUR OF GOTHAM!

But this was the Joker... The last time that crazy fucker got out of Arkham, he threatened to blow up an orphanage. Okay, he could do this. Gotham Harbor it is.

And in typical Fenton fashion, his luck was shittier than ever.

"What the fuck..."

Danny whipped around, freezing in place when he came face to face with the Red Hood. The fucking revenant of Gotham that the city spirit seemed to really favor. Fuck.

"It's not what it looks like! I mean—It is—But, like..." He swallowed thickly, trying to offer a smile but he flinches away when Red Hood snapped his head from the corpse then too Danny.

"That's the fucking Joker!" The Red Hood was pointing a gun at the corpse now, voice distorted and everything.

Yeah. Well. Shit. Danny gulped, finally deciding that since he was already half dead, he might as well clean up. Not like the Red Hood could kill him—I mean, he could, but Danny wasn't going to die by a bullet.

"You—" The gun was now pointed at him.

"It's not my fault he decided to fucking jump me!" Danny immediately argued, grabbing the clown by the legs and dragging him forward before he winced at the trail of blood. "It's a clown! A fucking clown!"

He yelped when the crime lord slapped his hands away from the corpse, "The fuck is wrong with you? Don't fucking touch the corpse unless you want that shit to traced to you." The Red Hood grunted, shaking his head. He sounded... He kinda sounded giddy, in all honesty. Why the fuck was the Red Hood teaching Danny how to get away with murder?

"What were you even going to do with the body?"

Danny cringed away. To tell the truth or not? Such a difficult question... Okay, he's pretty sure most of the Bats were like detectives and lying to this one might get him shot.

"Gotham Harbor?" He squeaked out.

Danny was met with silence and the man built like a fucking fridge (but he's so damn sure that Dan was still the tallest person he knew) didn't move a bit. Then his shoulders shook. And then he was laughing. Fucking shit, the Red Hood was laughing because Danny was going to dump a body in the harbor.

What was Jazz going to say?!

(Meanwhile, Jason Todd finds a strange boy that makes him feel strange, warm—the same boy had killed his worst nightmare. He might just have fallen in love right then and there.)

Part 2 | Masterpost

[seresinhangmanjake]

To add on to my last ask about the celebrating the holiday for the sake of Feyds new wife:

LIKE SHE MAKES FEYD A FLOWER CROWN AND HE WEARS IT

Like from the “friendship bracelet” dialogue from bobs burgers

Wife: :)I made you a flower crown!:)

Feyd: *thinly veiled annoyance and disapproval*

Wife: :( you don’t have to wear it if you don’t want to :(

Feyd: No, I’m gonna wear it. Forever. Back off.

Anniversary

Feyd-Rautha x wife!reader

Summary: Giedi Prime is different than your home planet. They don’t celebrate the things you used to. So, you show your husband one of your traditions to mark the first year of your marriage. 

Notes/Warnings: none, i think. It's just a cute fluffy thing.

Words: 1050

Feyd-Rautha Masterlist / Main Masterlist / Tag List

You once would’ve bet everything you had that you would never fall in love with him; from every coin to your family’s name, to every extravagant gown you owned, to every jewel that adorned your neck. When you walked down the aisle, you saw something vile waiting for you at the other end, not the husband you would come to have. You saw a snake to match the name of Harkonnen, and the prospect of a future together made your stomach turn. Until you became his wife. 

What you expected in the form of threatening words and a knife to the throat on your wedding night didn’t come. He left you alone when you told him that was what you wanted. In fact, he left you alone in every aspect of your relationship until you were ready to come to him. 

That moment came three months later. For those three months, he made sure you were comfortable, as happy as you could be, well-taken care of, and he didn’t once force his presence upon you. From that, you opened yourself to him and, in a quick decision one night, dressed yourself up, went to his room, and let him take you. 

You’ve been inseparable ever since, unwilling to leave his side and vice versa, even when he’s needed elsewhere. He takes you with him to his meetings, his executions, Arrakis. You’re his wife, in all senses of the title. And as more time has passed, you’ve adjusted to being a Harkonnen wife; everything it means, down to the things you gain and the losses you face. 

The most difficult of losses have been the traditions you grew up with. You don’t see your family anymore—as enemies of Giedi Prime, they aren’t exactly welcome on the planet—and so the values your House believes and partakes in have disappeared from your life. Holidays celebrated on your home planet do not exist on Giedi Prime. Religion is not the same. Your people bow to a Goddess. Harkonnens bow to Harkonnens. Your people bask in the changes of the seasons. Giedi Prime doesn’t experience those same seasons due to the lack of rotation around their sun. Celebrations do not exist for anything other than war victories and birthdays. But most painful are the anniversaries that go entirely unacknowledged. 

At home, anniversaries are one of the grandest events. Another year of love, of shared life. Each year, you watched your parents grow giddy as their anniversary neared, and you witnessed the people of your planet rejoice for them as if it were their own milestone of marriage. 

Giedi Prime—the Harkonnens—do not care for that. Something to do with wives not lasting very long in their House. History states you’re one of few who has made it to a year of marriage with a Harkonnen, as most women, unless pregnant with an heir, have offended their spouse in some manner and so have received that dreaded knife to the throat. 

You’re lucky there, you suppose, but it doesn’t make you miss the things you can no longer have any less. And Feyd has noticed.

“Tell me what is wrong,” he says to you as he sits beside you on your bed. 

You hesitate, fearing laughter and jokes about how ridiculous your upbringing was—it wouldn’t be the first time—but when you explain further, he’s much more receptive than you imagined.

“A celebration of love?” he asks. His brow raises, but he doesn’t scoff. 

“Yes,” you say. “Back home, couples do not have to stay together. If they are unhappy, they separate–” His head jerks and he makes a displeased face. “Staying together, continuing to be in love with each year that goes by, is considered an achievement. Something worthy of praise and pride.”

“And you want this…praise?” He doesn’t understand. Praise is harder earned in his world. Praise comes when pain is inflicted. “How do you receive praise for love?”

“People have parties–”

“We cannot have a party for this.”

You take his hand in your lap. “No, I know,” you say. “But there’s also gifts.”

He shakes his head. “No one will–”

“Between us,” you stop him. “We give each other a present as a symbol of the strength of our love.”

He thinks on your words for a few moments, slightly staring off into space, until he says, “Like what?”

“Well…” Taking your hand back, you reach into your nightstand drawer and pull out a small box. “Something like this.” You peel back the lid of the box to reveal a black band with a ring of silver running through the middle. “I had this made.”

“A ring?”

As you nod, you set the small box down between you. “It’s a wedding ring. I know you don’t exchange those on your wedding day here, but back home, when you say vows, each person puts their ring on the other’s finger. This one right here,” you say, tapping the correct finger on your hand. “It’s a kind of ownership that you show to the world. You’re telling everyone that you’re taken by someone who loves you.”

Feyd swallows, his eyes flicking back and forth between yours and the ring. “People know you belong to someone else if you wear this on your planet?”

“Yes. And seeing as you belong to me, I thought…” you pause, realizing he might hate the idea. What if it bothers him? What if the light weight throws off his knife skills? What if it gets in the way of his armor? You didn’t think about these problems until now when he’s blankly staring at the damn thing. 

Feyd plucks the ring from the box and puts it up to the light. “They all look like this?”

“They’re all different,” you tell him. “If you don’t want to wear it–”

He slips it onto the correct finger. “I’m never taking it off.”

“Wh–” Your eyes blow wide. “Really?”

“Never,” he says, still staring at the onyx circle around his finger. “Even my enemies will know I’m taken.” You sigh. A chuckle of relief leaves your throat, and he turns his gaze to you. “I’ll make one for you.”

“Oh! But you don’t have to just because I did.”

His features twist in disapproval. “You belong to me as much as I belong to you, do you not?”

“Yes.”

“Then you will wear one as well. Silver,” he says. His hand raises to cup your cheek. His thumb brushes over your cheekbone. The ring is cold against your skin. “With black diamonds.”

“You want to match?”

“Yes.”