#ie his contracts

[takohebi]

This might be terribly ooc but eh w/e- one of my favourite azujamiyuu hc is that many years down the line, when azul feels more secure about himself and his own worth enough to not worry about outer appearances as much, he finally eats more of the food he likes and craves and puts on weight. And it makes yuu and jamil really happy to see him get more comfortable in his own skin like that.

[boomstab-papa]

from the website owner who bans you if you link to his blog

"We have a contractual obligation to try to make Live as successful as possible through the end of the year"???!!!!???!? (emphasis mine)

contractual with who???!!!?!?!

[comicaurora]

Hi, Red. I'm hoping you can put on your writing advice hat for a second. I've tried to write stories several times and think I'm pretty good at outlining plots. But the wall I always hit is that when I try to write the character's dialogue they all sound the same, ie they talk exactly the same way I do. At which point I give up. Any suggestions?

Ah, character voice! A tricky blend of strategy and ✨vibes✨ goes into picking one, but mostly they can be drawn cleanly from the underpinnings of the character themself.

Narrowing in on a character voice can be helped initially with some basic brute-force Q&A:

How polite/formal is this character? Would they pick their words carefully to avoid offense? Do they use honorifics or nicknames? Are they impulsive and often thoughtless, saying things in clumsy, unpolished ways that might offend? Do they aim to offend?

How confident is this character? Do they stutter, do they pepper in "um" and "ah"? Do they always know how the sentence will end before they start it? Do they turn statements into questions or vice versa? Are they guileless and open? Guarded and wary? What, if anything, makes them shut down?

What does this character prioritize? An explainer wants their audience to understand exactly what they're going for, so their dialogue will be clarifying and perhaps a bit long. A character who doesn't care what anyone believes might not be willing to waste time explaining themself. A character who cares more about everyone getting along might spend their dialogue defusing arguments or placating emotional rough patches; a character looking for a fight might aim to create those rough patches.

How silly is this little guy? Some characters will spot opportunities for levity and go for it. Some characters can't help themselves and will turn everything into a gag. Some will recognize a joke and pointedly ignore it until everyone gets back on track. Some have no sense of humor. All of this will determine what kinds of lines they will and won't say.

How emphatic are they? Some characters would never dream of using an exclamation point. Some couldn't end a sentence with anything else.

What's their frame of reference? One person's normal is another person's incomprehensible. A character totally at home in a certain environment or situation will carry themself through it very differently than someone who's out of their depth.

How insightful are they? Are they profoundly introspective or are they holding the door shut on their collapsing tupperware stack of emotional issues? If someone else is in distress, can they find a way to help, or do they maybe get frustrated at their inability to do so? Can they glean what's bothering someone or do they need to be told? What kind of things are obvious to them, and what flies over their head?

And etcetera. There's tons of questions you could add here, but they're just to get a gist. A character voice is genuinely less about tone and accent and whether or not they use contractions and more about, like. Would They Fuckin Say That. Everything else is icing as far as I'm concerned.

[carolmunson]

i'm the best thing at this party | e.m.

up and coming rockstar!eddie munson x girlfriend!reader (is that a picture of slash? sure, but we can pretend it isn't.) aka the first time carol ever wrote a fic based off a taylor song. but in my defense, it was a chase petra cover of 'you're losing me' that inspired it. this is not connected to my rockstar!eddie x actress!reader storyline, this is it's own oneshot in a separate story.

in the early 90s, when your boyfriend's band starts to make it in the big leagues, you start to come to terms with the fact that he might not want or need a small town player anymore. eighteen plus. established relationship. angst. hurt/no comfort-ish. open ending.

"and i'm fading, thinkin': 'do something, babe. say somethin'. lose somethin' babe, risk something. choose somethin' babe. i got nothin' to believe, unless you're choosing me.'"

The Hideout was hot with all the bodies packed in like sardines; stark contrast to the icy chill of winter outside. Glowing on the screen was The Tonight Show, everyone’s eyes glued to it while Corroded Coffin made their first national televised debut. 

No one’s totally sure how their manager Richie was able to finesse this slot – but they went to New York to film earlier in the week and didn’t ask any questions. With Richie, it's better to not ask questions and just let it happen. Eddie came home with an adrenaline rush so intense that he barely slept for three days. No matter how much you tried to keep him in bed and tire him out. 

And sure, it was hard to have him be gone while you drove out to Indy and took a friend to see the new graffiti art exhibit that came in from LA when it was supposed to be with him. It was hard to have him miss a lot of things. His return from the city only started another big talk about it, one you've been having every few months the last two years. Even so, you couldn’t help but be proud of him, proud of all of them. Remembering that just four years ago they were barely getting fifteen people in here to see them play when you first started dating. 

The crowd erupts when the camera comes off of the band on the stage and back to Leno at his desk, the boys in real life all standing on the bar. You look up at Ed and smile, he finally did it, he’s doing it. The contracts are signed, the people saw him, he’s gonna make it. He’s making it. 

You duck out of the way when they start to spray champagne over everyone by the bar, “Not my hair, babe!” 

The two  bartenders pour shots of Jameson and flutes of Prosecco while the show cuts to commercial and it’s not long before you feel the sticky chest of your boyfriend up against your shoulder, “It was good? I did good?” 

“Ed you’re…you’re fuckin’ famous,” you grin, “You’re fuckin’ famous!”

You follow while he leads you through the crowd, settled in near the back where the stage doors lead to the dressing room and out into the parking lot. He looks over his shoulder twice before he sneaks you both behind the amps; heart pounding when he leans you up against the painted cinder block walls, noses mashing when he takes your lips in his. It’s feverish, desperate when he pulls at your hips, one arm wrapped around your mid back to keep you steady up against him.

“Lemme – mmm – lemme take you to the green room,” he breathes between kisses, moving your hand toward the bulge in his jeans, “C’mon I wan–” 

“The interview’s up!” Jeff calls from on top of the bar. 

“Where’s Ed? ED? Come on! The interview’s up!” Gareth calls, the crowd erupting in a cheer of ‘Edd-ie, Edd-ie, Edd-ie!’

“Come on, come on!” you squeal, pulling away to pull him toward the front of the bar again, “You said they were gonna cut it!”  

“It’s stupid, babe,” he assures, “It’s so dumb.” 

“Ed, you’re being interviewed by Leno, this isn’t stupid,” you urge, “This is like – this is it.” 

“It’s literally like two minutes, it’s not special,” he doesn’t move when you pull him along with you, a frown pulling on your lips. 

“Eddie,” your voice raises an octave, tugging on his hand – he lets go. 

“I’m gonna take a leak,” he shrugs, heading toward the green room while you watch him disappear behind the door. Your brows furrow slightly, but it doesn’t stop you from making your way back to the edge of the bar where everyone’s eyes are glued to the medium sized screen in the corner. 

The crowd cheers again while the band is re-introduced, Eddie and Jeff sitting on the chairs with Gareth and Grant standing behind them. You admire the way your boyfriend looks post performance, nearly glittering with sweat but glowing with pride – with accomplishment. You look over your shoulder to see if he’s back from the bathroom yet, but he’s nowhere to be seen.

“So we got a group of some – what looks like – nice, respectable hard core guys,” Jay smiles. 

“I don’t know about respectable,” Eddie scrunches his nose back at the host. 

“I don’t know about nice, either,” Jeff jokes. You marvel at how relaxed and natural they all look on camera, cracking wise and getting laughs from the audience. They talk about the album briefly, and the front cover which has all four boys in caskets with a red kiss print on their cheeks. 

“So, the debut is self titled, Corroded Coffin – but it looks like you all got a coffin kiss here,” he points out, “These from anyone special? You got the girls going crazy.” The audience erupts in cheers and screams, a bra finding its way flung into the sound stage. You giggle when Gareth and Grant  hold it up, making them both blush pink on the screen. 

“Well I got a girl at home, so, I don’t hear any screamin’ if it’s not her cheering for me,” Jeff’s smile is bright when the camera focuses on him and he winks into the lens. Sasha, Jeff’s girlfriend, screeches in the crowd of The Hideout. 

“You didn’t tell me you were gonna do that!” she beams, and your heart thunders while you watch them kiss on the bar. The promise ring that he gave her back in ‘88 shines on her ring finger, awaiting something much more flashy when that first big rockstar payday hits.

“It’s definitely a change of pace,” Grant nods on the screen, “Definitely wasn’t getting a lot of girls in high school.” 

“It’s wild,” Gare laughs. 

“And what about you, Munson,” Jay asks, “Frontman like you’s gotta be beating them off with a stick.” 

The camera focuses on him, his pink lips and smart grin, a flash of teeth before he starts talking. He’s so handsome, you feel your fingers and toes start to tingle when he opens his mouth.You weren’t expecting to hear your name on national television, or be alluded to. You’d never really prepared yourself for something like this. To be declared to thousands, maybe millions, as a rockstar girlfriend.

You swallow the nervous spit pooling in your mouth, heart pattering while you run through all of the scenarios of the outcome of being ‘announced’ in your head.  

“I don’t kiss and tell, Jay,” he smirks.

Oh.

Your hearing clouds and your vision blurs – unsure of what you just heard. If maybe you imagined it, but that proves to be untrue when you feel a few sets of eyes on you. A moment of silent confusion lulls on the crowd at the bar.

You swallow the lump in your throat, fingers and toes cold now while the blood rushes to your heart and head, to your lungs which suddenly forgot how to work. Through teary eyes you look around, drowned out by the cheers of the bar when Jay announces when the album will release. You sniffle, trying to hold it back – but there he is in the back of the crowd now, eyes rounded; pleading, looking straight at you. 

The tears spill over and you try to catch your breath as you make your way through the bodies on your way to the front door. You hear Gareth call after you, hearing him stumble over the barstools while he hops off the counter. Another ragged intake of breath shakes through you while you get closer to the sticker covered door, pushing through the first set and then the other into the dark blue night. Your breath puffs white in front of you, coat abandoned somewhere back inside The Hideout while you walk across the street to your car. 

You fumble with the keys, blubbering while you get the engine started and the radio blares Al Green’s Let’s Stay Together part way through the song. In the rear view you see him hustle out of the bar to search for you, catching the start of your car and getting to the passenger window before you can pull away. 

“Wait, wait, wait,” he strains, his fingers hanging on the edge of the half open glass, “I promise it’s not what you think. Richie asked me to answer like that, it wasn’t on purpose.” 

You press slightly on the gas, making the car lurch forward and inch.

“Wait! Please don’t – don’t just go,” he begs, voice breaking with desperation, “We can talk about it.” 

You look at him through wet eyes, the street lights haloing behind his head to feign his innocence. He can talk himself out of anything.

“There’s nothing to talk about,” you rasp out quietly, “We’ve done enough talking.” 

“I can…please don’t go,” he says again, “Not with you crying like this, c’mon. Don’t leave.” 

“I’m gonna go home, Ed,” you sniffle, “J-just go h-have fun inside. S’too cold to be out here.” 

“You don’t have your coat,” he states, “Come back in and get it. We can talk in the back, please.” 

“I don’t need my coat,” you garble out, “I’m going h-home.” 

“Well I’ll – I’ll bring it to you tomorrow morning,” he nods needily, “Okay? Is that okay?” 

You let out a shaky breath, fogging again against your windshield, “F-fine.” 

Eddie cracks a weak but winning smile, “Okay. I’ll see you tomorrow morning.” 

“I love you,” he adds. It tastes like ash in your mouth. You pull away before you feel compelled to say it back. 

Eddie show’s up in the morning with coffee and your coat, a small carton of donut holes for you both to share. He’s all smiles, seeing you in the kitchenette cleaning out the coffee pot that you now no longer have to fill. 

“Morning, baby,” he grins, “I brought your coat.” 

“Thanks,” you mutter, keeping your eyes on the droplets of water that race down the side of the glass pout, “You can just hang it on the hook.” 

“Are you…are you still upset with me?” his voice is airy, surprised while he makes his way behind you. Calloused hands reach around to pull your back in his chest, nose nuzzling against your cheek. Your stomach rolls, bile inching up the base of your throat. 

“Enough, Ed,” you sigh, pulling out of his hold. 

“Sweetheart, c’mon,” he huffs, “I told you already. I didn’t want to say that. But you know how Richie is! He just wants what’s best for the band and so do I! Don’t you? I thought you’d understand.” 

“Jeff had no problem talking about Sasha,” you do your best to measure your tone, too early to start yelling. 

“Jeff has the wholesome thing going for him; plus – you know his family isn’t for him being considered like, a rogue or whatever. He’s already in a metal band,” Eddie explains, like this is a totally normal conversation, “Richie even said this morning that he was getting a lot of calls.” “Okay,” you nod, sitting down at the small table in your kitchen where your coffee sits. 

“And like, a lot of people wanna do interviews with us and get hype up for the release,” he half smiles, sitting down across from you, “I told you, it was…it was a good thing. They were saying y’know like, mysterious bad boy front man is a good angle.” 

“Great.” 

“It doesn’t…babe, it doesn’t mean we can’t be together,” he leans forward, hand reaching out to touch yours. His shoulders sulk when you put them both under the table. 

“Ed I –” you let out a breath, eyes tracing a pattern on the waxed canvas tablecloth, “I can’t even look at you right now. And you wanna tell me we can still be together?” 

“What like it’s…some consolation prize?” you choke out, “You made a fool out of me. The looks I got?”   

“I know, I know, but it was for the band. You know how I feel abo—“ 

“How you feel about me?” you hold back a bitter laugh. 

“Ed, the last year or so we have kept having the same conversation over and over again. You are so, so caught up in Corroded and making it and getting there and trust me I am so proud of you. If there is anyone on the planet who is more proud than me maybe it’s Wayne, but – this is just like, this is kind of it. We have nowhere to go from here.” 

He’s quiet for a moment, his brown eyes rounding and brows tilting slightly when he realizes what you’re really saying, “What do you mean no where to go? Are you not listening? I said we can still be together, just like befo–” 

“Before? Before when?” you get up and pace back to the kitchen where he can still see you, “Before when you would cancel dates to go practice? When you missed my awards night for work  because you wanted to fill in guitar for a gig in Ohio? When you didn’t come to my poetry reading with the guys like you said you would and instead got plastered at The Hideout after rehearsal?” 

“Well I apologized for all that, that was all in the past couple years and I – look, I said I was sorry and you accepted that,” his voice raises slightly, he stands up to full height with defense evident in his stance, “You can’t just throw it back in my face.” 

“When you were gone weeks at a time for mini tours, for opening for bands on the East Coast – god, all the work I took off to make sure I was there for you? When you canceled our three year anniversary dinner, without my knowledge, because you got a call for discounted studio time on the same night,” you manage to get out, the tears inching toward the edge of your lash line, “And I sat there at the table in my new dress and everyone looked at me the same way they looked at me last night. Poor girl. Must’ve got stood up. What an idiot.” 

“Yeah well that studio time is why we were on fuckin’ LENO, babe!” he pleads, “Don’t you get that? It’s for us!” 

“It’s for you!” you break, the shrill frustration coming out with your voice, “It’s always just been for you. It’s always about Eddie and the guys. I have done nothing but make sacrifice after sacrifice, excuse after excuse to play the part of perfect, understanding, cool, laidback girlfriend but like fuck Ed, when is it gonna be about me, huh?” He stands there, unsure, cheeks sucking in between his teeth.

“And what’s on the docket for you on Friday? Have any plans?” you ask, your voice softening while you cross your arms over your chest. You lean the small of your back against the counter while you watch him. He clears his throat, hands finding their way into the back pockets of his jeans. 

“Um, we have some meetings in the morning in Indy. And then um, we’re gonna take a late flight out to LA. The label’s excited – they’re really excited,” he breathes out, eyes finding the floor and your sock covered feet.

“Oh, that’s interesting,” you nod, voice still measured, “Since we’ve had the tickets for my niece’s winter school concert on the fridge for over a month. I guess I’ll have to tell her that her favorite bonus teacher couldn’t make it.” 

“Fuck,” Eddie’s eyes shut, pulling his lips in to run his tongue across them while he thinks of what to say next. Your heart thrums in your chest, throat getting tighter and tighter while you hold back a cry – this was just another thing to add to the list.

“I can make it up to her, I promise,” his raspy nicotine voice becoming garbled with desperation, “I can make this all up to you, too. I swear. I wish you had just told me about all of this.” 

“I have, Ed. We are always having the same conversation. I’m tired of having it. I’m so tired of this. Make it up to me? How do you make up for it?” 

“I…” he chokes on his words, ringed fingers running over his face and reaching to pull his hair back off his neck. 

“Go ahead,” you encourage angrily, “What’re you gonna do? Say something. Fucking, do something, Ed!” 

“Baby, I don’t know what to…” he swallows, tears pooling in shiny wells over his eyes, “What do you want me to do? I’ll do it. I’ll do anything.” 

You take a breath through your nose and let it out through your mouth, taking the three steps it takes to get to him. Your hands fall from being crossed, reaching up to cup each of his cheeks. Your thumbs run over the apples and drag softly over the stubble left over from the night before. 

His eyes shut while he keens into your touch, his rough hands covering yours. Calloused fingertips coasting delicately over your knuckles. You know what you have to do, even if his touch makes you want to do the opposite. 

“Go be famous,” you shrug, smiling weakly, “Go be the big rockstar I know you are. Like how you wanted. Go play The Garden and live in LA.” 

Your hands slide down his face, tears falling after them, “Go do all that, and just, um – just leave me alone. Please.” 

“But I don’t–” he starts, pulling in a sharp breath while a cry leaks out of him, “I don’t wanna lose you.” 

“Oh, Ed,” you shake your head while the ache spills over into your own leveled sob, “I’m already lost.” 

“No, please,” he begs, trying to catch your hands as they make it back to your sides, “Please, baby, I’ll fix it. I pro-promise.” 

“There’s nothing left to fix,” you whisper in finality, “You should go.” 

“I don’t want to,” Eddie’s soft pink lips quiver while he speaks, “Please. Please. I can fix it, the next interview, anything, it’ll be all you. I swear I can…I can…” 

When your face doesn’t change he knows there’s no way to pull you from your stance, voice trailing off in defeat. You watch as he rips open your storm door and goes to his van, his chest and back shaking with sobs that make the hardware on his jacket cry with him.

A year passes and you are not surprised when you find out that Corroded Coffin has made the cover of Rolling Stone. Wayne bought every copy from the gas station at the end of the road and put them in every mailbox early that morning. You don’t think there’s been a day in the last year that Wayne wasn’t seen beaming ear to ear; his boy finally getting everything he wanted. 

Life had gotten easier now that you weren’t regularly expecting disappointment. You went on few dates here and there, just trying to navigate your life after spending four years sharing it with someone else. Some nights were colder than others, but it was better than the frigidness you felt that night at the bar.

You did your best to avoid the tabloids – Eddie was certainly doing just fine navigating his life as a bachelor; some new model or actress on his arm every other month it seemed. Hardrock’s Resident Playboy. It stung the first time you saw it, and a little less each time after – heart breaker to the core; you would know, you were the blueprint.

In the same cold that matched the night at The Hideout a year prior; you sat on your steps wrapped in a robe – morning cigarette between your fingers. 

“Morning,” Wayne’s voice is gravelly when it sounds over you, still soaked with left over sleep. 

“Mornin’ Wayne,” you smile, taking a sip of the steaming cup of coffee in your other hand. 

“Wanted to uh, to let you know that the guys are playin’ a show in the city tonight. I could uh – I could get you a ticket if y–” 

“That’s sweet of you Wayne,” you smile tightly, “But I don’t think that’s a good idea.” 

“He might like to see you,” he shrugs. He hadn’t quite gotten over the break up the way you and Eddie had, convinced that this was the real deal – that he was watching young love flourish into something bigger. 

“He’s seeing someone, Wayne,” you take a drag of your cigarette, “Why would he want to see his ex-girlfriend who still lives in Hawkins? He’s got some actress girl now, right?” 

Wayne shrugs again, scratching at the back of his neck, “I never know what that boy’s got goin’ on in California outside of shows and gettin’ into trouble. Maybe he is seeing some girl but, y’know, seein’ an old friend could be good for him.” 

“He’s still got plenty of friends here he can see,” you let the smoke out to drift off in the gentle wind rustling through the line of trailers and mobile homes, “I don’t think I need to be one of them.” 

“Well, they’re gonna have a small after party at The Hideout tomorrow,” he offers, “Even if you just wanna do somethin’ fun. I never see you goin’ out anymore.” 

You laugh, “You work at night, what do you mean you don’t see me goin’ out anymore? I go out plenty.” 

His eyes linger on you, enough to encourage a thoughtful sigh – you might as well humor him. 

“I’ll think about it, okay?” you toss your half finished cigarette onto the browned grass before looking back up at him.

“Okay,” he smiles, eyes sparkling as he makes his way back inside. 

You spend the next day deliberating between making it to the bar or not, putting in the effort to get ready and showing up. Why bother? Just to sit awkwardly in the corner while everyone flocks to the boys and tells them how great they are? They already know they’re great, they’re crawling higher and higher up the ladder. 

You haven’t even talked to Eddie since the morning he left your trailer, and Wayne knows that. He knows how bad you hurt his nephew because he came over to talk to you a week after Eddie went to California and stayed for good. ‘So why should I show my face there? So I can relive the moment he made a fool of me over again?’ You think while the hot water of the shower glides over your shoulders and down your chest. 

‘Maybe it’ll be good to make amends or something, I at least owe it to the guys,’ you figure silently while you slather on some moisturizer at the bathroom sink. And you did – not seeing Eddie meant not seeing the rest of the band. Gareth, Jeff, and Grant were your friends too, and you sort of broke up with them in the same instance. Sasha moved out to California with them soon after – it would be nice to catch up at least. You hadn’t seen her since that night. 

‘But why would I want to bother? So I can see that engagement ring on her finger and hear her talk about her wedding plans?’ you swallow sourly while you use a touch of your lipstick as blush on the apples of your cheeks. ‘Remember all the times you thought you and Ed were gonna get married? Hilarious.’ 

Before you know it, it’s 11:30 and you’re standing outside of the sticky and stickered covered door of The Hideout. Even from where you’re standing the bar is a buzz like a hive, energy inside like a livewire when you get into the entryway, showing your ID to the bouncer at the inside door. 

‘Small after party my ass, Wayne,’ you think to yourself when you get in, shrugging off your coat. There was barely room to move and most of the lights were off or dimmed aside from the small stage in the back. By the looks of it, they must’ve played a small set – an intimate ‘home base’ concert for the real hometown fans. You push through some of the crowd, acrid smoke haze hovering over the room. A single bar stool sits empty at the end of the counter close to the wall and before you can think about it, you beeline straight there before someone else can grab it. Not that anyone would be able to see it through the six couples making out to Slayer blasting through the speakers. 

The bar tender notices you soon after, coming over to get your order while his two cohorts speedily pour shots and mix drinks. You almost don’t want to get anything just to make the night easier, but opt for a beer instead. 

“How much?” you ask over the music. 

“WHAT?” the bartender shouts, holding a hand to his ear. 

“HOW MUCH?” you yell back. 

“ON THE HOUSE. BAND IS COVERING DRINKS,” he shouts back. You take a few dollars out while he pours your beer anyway, sliding it across the bar with a smile. He smiles back, pocketing the ones with a wink before helping another person leaning over the bar. 

The TV takes your attention, a tape of their recent interviews and music videos playing on a loop with no sound. The beer is almost comforting as it passes over your tongue, it’s been some time since you just sat in a busy bar – and for the most part, no one here even knows you. For the most part. 

A call of your name snaps you back to reality, looking around to see exactly who you thought you would. Sasha. And low and behold a ring sparkles bright on her finger, a breathtakingly big diamond glittering in the neon lights behind the bar. 

“Hey!” you call back with a smile, sick crawling up your throat. You watch as she fights the crowd to get over to you, wrapping you in a tight hug while you stay seated on the stool. 

“How have you been? You look gorgeous,” Sasha’s tan skin glows back orange in green while the lights change, tight dark curls bouncing prettily around her face. 

“I’ve been good!” you nod, your voice hardly sounds like your own, “Y’know just – hanging around Hawkins. How’s LA? How’ that ring?!” 

She holds her hand out so you can really see it, her skin is warm in yours while you take her fingers. It’s more beautiful up close, the marquise diamond flanked by two smaller triangles in perfect harmony. 

“He did so good, Sash,” you giggle. 

“I slapped his arm so hard when I saw it,” she laughs, “I said, ‘Jeff we could’ve bought a freakin’ house!’ but you know how he is.” 

“I do, I do,” you nod, “Did you set a date?” 

“Probably not for another year or so if we do a big wedding,” she shrugs, “Maybe a little longer? We think it’s smart to actually buy a house first – with this kind of money coming in. And y’know, the industry is, uh, well, it can be wishy washy. What’s in today could be out tomorrow. We wanna be smart.” 

“Well thank god he’s marrying someone like you then,” you tease. 

“That’s true,” she beams, “Do the guys know you’re here? I can go grab J–”

“No, no, they don’t,” you interrupt, taking her arm gently while she turns to leave, “You don’t have to tell them I’m here. I’ll go find them, I promise.” 

Sasha gives you a half hearted smile, “Okay. Well – We’re sitting over by the stage if you wanna come say hi to the guys. Gareth would lose his mind, and Grant brought his new girl with him, she’s so cool. They met in LA and she’s like, got the sickest punky-goth type of thing about her.” 

“I love that he’s in love,” you gush. 

“Me too,” she nods, “The girls are obsessed with him out there.” 

There’s a silence, but it’s knowing – still one person yet to have been mentioned but you both seem to understand it’s not worth bringing it up. Sasha reminds you that they’re by the stage, giving her a wave while she disappears in the throngs of people in the crowd. 

Half way through your second beer and a couple of random conversations with people later, you see him in glimpses while people pass by. You can tell by the smirk on his face that he’s flirting, and when more people move and re-disperse, settling, you see glimpses of her, too. Some cute young looking thing, you wouldn’t be surprised if it was her twenty-first birthday. All doe eyed and giggly while he leans over her against the wall near the booths. I guess whoever he’s seeing in California isn’t too important.

He looks good, healthy, you can tell his clothes are tailored now – sort of comical that a tailor would fit and adjust ripped jeans and an old leather jacket. Not that he has to know you think it’s funny. 

Eddie leans forward and lets his finger tap her on the nose, a tell-tale sign of his that they’ll kiss later. He’s used that move on you more times than you can count. He did it the night you met, tipsy at a party at Gareth’s – tapped you on the nose, making you scrunch it. 

‘Aw, if I knew you’d make a face like that I would’ve booped you way earlier.’ 

‘What do you mean? What face?’ You scrunch again. 

‘That face,’ he bites his lower lip, blush on his cheeks, ‘It’s a cute face.’

You expected it to hurt more, to watch him active in his element; but it doesn’t. You know the motions, you know his tells, he next move. You can see it in the way he leans into her and then leans away – almost kissing her, but leaving her wanting more. You smirk into your next sip, counting down the moments until he puts their conversation on pause to do their rounds and finding her again later. Gotta keep her yearning, you guess. He certainly was always good at things like that. 

You don’t see their reunion, you assume it was somewhere near the stage where the band and Sasha were. At the end of the night, the boys play a goodnight mini-set, just three songs. You’d never seen Ed so in his zone in your life, fully basking in the glow of upcoming stardom. Every chord and every lyric punching out of him like the sweat pouring from his hairline and chest. This was what you wanted, what you told him to do. 

Go be famous. And here he was. Famous. Just like you said he would be. 

Water takes the place of your beer while they play; and you know better than to get up and join the crowd. Much happier sitting at the end of the now more empty bar just listening instead of getting potentially punched or tussled with amongst the bodies. 

People take their time leaving when the set is over, shrugging on their coats to brave the cold weather. 

‘Thanks for comin’ out to celebrate with us – now get the fuck out so our buddies at the bar can go home before four!’ 

You savor the conversations and music settling down to a much quieter murmur while you sketch on a napkin. A few people you shared niceties with tap your shoulder to say goodbye, new friends you’ll never see again. On the other end of the bar you hear Grant and his girl order a round of shots. Your head almost pops up at the sound of his voice, but that might bring attention to you that you don’t think you really want. Now that the night is over, you’re glad you came. If anything, just to see that they were making it just fine – and they would have with or without you. 

With less people in the bar you can hear Sasha’s laugh in the back where the stage is, and you laugh into your napkin turned sketchpad. Her laugh was always infectious, enough to make the crowd follow suit. You grab a fresh napkin from the pile next to you and start to doodle again while you figure out how to best leave without anyone catching wise that you’re here. Out of the last twenty people left at the bar, a little more than half knew who you were.

The tap of the pen on the bar top while you think blends in with the tinkling of hardware that gets a little louder the closer it gets to you. A squish of leather and drag of a barstool later makes you privy that someone’s next to you. Spiced cologne and sweat sheened skin. 

“You come here often?” 

Slowly, you turn your head – level with brown eyes you haven’t looked in for a year, just in the glossy pages of magazines you’d leave behind at the grocery store or Melvald’s. 

“I used to,” you offer a quiet tired smile, leaning your chin on your hand on the bar, “It’s been a while.” 

Eddie smiles back, soft, cautious, “Yeah, same for me.” 

You both don’t speak for a moment, adjusting yourselves on the barstools while a few more people head out to leave. The jingle of the door fades out, crunches of the parting patrons’ sneakers and boots in the snow sound outside.

He clears his throat, bringing your attention back to him – the curls of his hair, the slight stubble on his jaw and cheeks. His bottom lip tucks between his teeth for a moment before he turns his chest toward you. 

“Can I uh, can I get you a drink?” 

[causticsodaa]

What I personally think is behind Suo’s eyepatch: A Delusional Theory

The title explains itself (heed the disclaimer please), so I’ll get straight to the point.

Firstly, I believe that Suo is blind in his right eye.

Typically, eyepatches are mainly worn by people who

Are recovering from surgery

Cosplay

Have eye trauma or are half-blind

The first point is immediately negated, since it’s confirmed that Suo has been wearing an eyepatch on his right eye since middle school at the earliest. I doubt that even the most extensive eye surgeries would need him to be wearing one for years on end. Most eyepatches are made out of adhesive material, whilst Suo’s is made out of leather. I won’t dwell on this point much since I don’t think this outcome is very likely, but I just wanted to bring it up anyways (lol).

The second point could be plausible, considering that Suo voluntarily draws attention to his eyepatch in his introduction, even stating that there is “an ancient Chinese spirit sealed” in it—there’s a story behind it.

However, Nirei’s question immediately disproves this. Nii Satoru is a very deliberate writer; I don’t think there would be any reason to include Nirei’s dialogue about a ‘past accident’ (more on this later) if it wasn’t meant to serve as foreshadowing or at least be somewhat true.

Theres also the fact that Suo directly agrees with Nirei’s claim, though his wording is very vague (ie. it’s what other people say rather than Suo himself confirming it).

I believe this scene is mainly meant to showcase Suo’s goofy side (backed by Nirei’s comment about expecting Suo to be more cold/aloof and with Suo introducing himself as Leonardo di Caprio); but I also assume that he decided to make up a story about his eye because he’s been questioned about it many times in the past. It’s obviously not true, but I don’t think that Suo would voluntarily wear an eyepatch for years on end just to look cool (not to mention the depth perception issues!).

It’s also important to note that Nirei’s information is scarily accurate as well. He even figured out that Suo hated natto despite how secretive the latter is, but I digress.

This leads me to the third point, which is what most of the fandom (myself included) speculates. However, I’ll be focusing more on the prospect of Suo being half-blind.

If Suo is blind in his white eye, he would have a white iris. Although many blind characters in anime/animation have their eyes closed or just lack pupils, some do have white/clear/sheen irises:

Additionally, some people who are blind do have ‘milky’ eyes in real life!

Even other animanga characters who wear eyepatches have some sort of eye trauma (if they aren’t pirates/concealing some power/forced to give their eyeball up for a contract, though WBK isn’t that kind of story) such as Hange Zoë and Asuka Langely Soryu.

Personally, I believe that Suo had injured his right eye in the past to the point of blindness, given with the evidence presented before. I can’t really provide any theories as to how this happened due to a lack of canon evidence, but it’s probably linked to why he tells Nirei to never close his eyes. It’s highly probable his right eye is linked to a traumatic incident of his past—though anything further related to Suo’s backstory prompts an entirely different conversation.

Theres also a possibility that Suo might have been born half blind as well, and uses his eyepatch to protect/cover it; though it’s merely speculation on my part (and I’ll talk about this theory more in a bit).

You’ve probably noticed that I’m drawing a lot of attention to the color of Suo’s right eye, rather than the cause of his blind eye. This is where my theory gets delusional.

Let me bring in our beloved protagonist of Wind Breaker; Sakura Haruka!

Wait, isn’t this a theory about Suo? What does Sakura have to do with Suo’s eye?

Although Sakura and Suo do have their stark differences, they’re also eerily similar (and this criteria applies to Suo + Nirei and Sakura + Nirei as well). The most prominent thing they have in common [design wise] are their ‘abnormal’ eyes (with Sakura having heterochromia, and Suo with only one eye visible), and how they’re somehow linked to some sort of past trauma. I (albeit briefly) went over how Suo’s right eye connects with a potentially traumatic incident earlier, so I’ll be focusing on Sakura in the meantime.

In the beginning of the anime, we see snippets of dialogue by people from Sakura’s past, which mainly consisted of a barrage of criticism and rude remarks towards him. This line in particular stands out to me:

Japanese society is very conformative both in real life and what we see in Sakura’s memories—being unique or looking different from the norm is 🆖. We see different people in the series poke fun at Sakura’s hair, but I feel like this comment hurts the most. You can’t exactly change your eye color easily without contacts, unlike hair in which you can style/dye it as you please (though I’m not trying to justify the mistreatment Sakura has experienced by comparing apples and oranges; simply put, it’s incredibly vile).

Because of the above, Sakura has been consistently ostracized in the past mainly due to his ‘weird’ appearance. This causes him to internalize those sentiments for years on end before coming to Furin. He then begins to project his insecurities externally throughout the manga whether it relates to his leadership skills or how he interacts with the other students (initially questioning why people can accept him given his ‘strange’ appearance and mannerisms). There’s also this:

Sakura used to cover his hair and eyes with hats/sunglasses, however it failed to work as people still avoided him. This is even shown in the anime!

Poor kid took all those comments to heart and internalized it to the point it essentially crippled his self-esteem—but who wouldn’t, honestly? Being constantly alienated and perceived as ‘disgusting’ by others causes a sense of distrust to a person, especially during their developmental stages (as Sakura experienced most of this as a child/teen), hence why I’m classifying this as traumatic for Sakura. Even though he’s in a better place now, the ghosts of his past still haunt and affect him to this day.

Since Suo + Sakura are written to foil/parallel each other at times, there is a chance that Suo might have also covered his eye for a similar reason to Sakura’s: he doesn’t want other people to know he is blind (either to not be perceived as weak, or Suo was ashamed of for a different reason—perhaps other people thought his blind eye was scary?). Maybe Suo was born with a blind eye, much like how Sakura was born with a “half and half” appearance.

As I’ve mentioned before, Sakura has heterochromia (wow no shit Sherlock); his left eye is yellow, while his right is black[ish-grey] (his eye is sometimes colored a light grey/blue but thats usually a stylistic choice)

Both Sakura and Suo’s character colors are based off their left eyes: Sakura’s being an amber and Suo’s being red (rather than mainly sappanwood but its a shade of red anyways—and Suo is usually represented with a bold red in other official/merch art so shhhh)

And if we were to follow my theory, Suo would hypothetically have a milky colored right eye and a red iris for his left as in canon. Do you see where I’m going with this?

Both Sakura and Suo would have their character color as their right eye (amber and red respectively), while their left eyes (black and white) would contrast each other. Black and white are considered opposites, after all.

If my (delulu) theory holds true, this could perfectly showcase Suo and Sakura’s differences and similarities—but instead of it being almost hidden through the layers of their unspoken relationship, they are physically represented through their character designs.

Okay, I know you’re probably thinking that this theory is too far fetched (hell, even I think the same). But hear me out:

There is another duo in Wind Breaker who have character designs that contrast each other: Togame and Choji!

Nii Satoru makes it a point to emphasize how different these two are—and it’s no secret given their designs: Togame is tall, beefier, and has straight dark hair while Choji is short, lankier, with light and curlier hair. Even their eyes contrast each other; Togame’s are thin, slanted, and green while Choji’s are wide, round and red[dish brown]. (I KNOW THAT HIS EYES ARE MORE BROWN IN THE ANIME BUT THEYRE COLORED RED SOMETIMES BY NIISATO PLEASE TRUST ME ON THIS)

Honestly, this entire section makes me want analyze Choji and Togame (must… control… my demons…), so I’ll just move on to my next point.

Additionally, Sakura is sometimes drawn with his hair slicked back, which makes him look eerily similar to Umemiya…

I believe this is entirely intentional by Nii-sensei, but if I speak any more I fear that I will start rambling about Umemiya/Sakura parallels like a madman. My point is, two characters with similar/contrasting designs do already exist in WBK.

And in the case of Suo and Sakura, these two elements could possibly coexist in their character designs via their ‘irregular’ eyes.

TLDR; Suo and Sakura are the only characters in the cast with messed up eyes -> If Suo’s blind in his right eye, it would be white -> which would contrast Sakura’s black iris thats also in his right eye -> this shows their differences -> but also reinforces the fact that they are similar since their left eyes are red and amber -> which are their character colors -> I am severely delusional -> and I need to be euthanized immediately

[raven-at-the-writing-desk]

I read the post where you answered why you didn’t like Malleus and remembered that you placed Leona really highly on your favs list, and Leona is my favorite so do you mind me asking why do you like Leona?

[My TWST character tier list is here.]

[Anon is also referencing this Malleus post.]

THERE’S A REASON WHY L*ONA IS IN “Unfortunately Enjoy” TIER 😭 I think for like... over a year (2020-2021)? Probably closer to 1.5 years?? I really disliked him and swore up and down that I'd "never in my life simp for the fake cat". This was largely in part due to book 2, which to this day I believe did Leona a HUGE disservice and made him look very unintelligent and uninteresting. Then I was drip fed new Leona content as it steadily came out (vignettes, voice lines, event stories, his return in book 6) and my opinion of him vastly improved. Book 2 was just a really bad introduction to him and it greatly soured my first impressions. sjfyofqebfeiafns B-But now I'm too embarrassed to openly declare, "Yeah, I like a sad muscular l*on man. So what?" Some would say that's tsundere behavior... BUT I SAY I'M COMPLETELY JUSTIFIED FOR ACTING THIS WAY BECAUSE IT ISN'T EASY TO CONFESS WITH YOUR WHOLE CHEST THAT YOU LIKE KINGSCHOLAR OF ALL TWST CHARACTERS

... Anyway! For a much more expanded explanation, I'd recommend this post! It already states a lot of my thoughts, and I don't want to repeat them in yet another lengthy lion-related post. What I'll do instead is summarize the key points for you, plus add some commentary about Leona and Malleus at the end.

Admittedly, he is pretty. VERY pretty. I'm saying this as someone who normally really dislikes hair longer than shoulder length, the "wild"/bad boy aesthetic, and kemonomimi. Leona breaks ALL the rules and still somehow manages to wear everything and anything well because of his sheer confidence and natural grace. His physical features are also very striking... The sharp bright green eyes, the small waist and large chest (there's NO reason why he HAD to be built like that), his stupid smirk, etc.

His pettiness and sarcasm. Leona has, hands down, some of the funniest lines 🤡 I love that he has the balls to speak callously to everyone, including fellow dorm leaders and royalty. His best moments, however, are when he whips out the sarcasm on statements which are so patently untrue--like when he says he is a 'delicate prince' and a 'lost child', both moments from book 6. It's also hilarious whenever Leona speaks in a formal way, showing that he does have the education and the knowledge of how a prince should present himself, but just actively chooses to not make the effort and only does so mockingly or when social grace calls for it.

HIS BIG BRAIN FOLDS, HOLY COW (err, book 2 aside). Leona works smarter, not harder!! He's always one step ahead of everyone else, even if he appears sleepy or disinterested at the time. He figured out the trick behind the "indestructible" golden contracts, he sussed out Jamil WAY before book 4 ever came out (saying that Jamil has "eyes that always glare" and implying that Jamil poses a threat to Kalim's life; this is from Jamil's School Uniform vignette), he takes what he learns in textbooks and so easily translates it to real-world experiences (ie advising the first years on how to more efficiently mine magestones in Vargas Camp), etc. Additionally, Leona knows when to step in and when to be hands off. It's not done out of cowardice or laziness, but rather because he's thinking strategically. For example, he could have resisted capture at the hands of the Ferrymen, but he didn't because it would be smarter to just go with them willingly. It saves everyone a lot of time and energy, and it’s this kind of intelligent thinking that makes Leona really stand out.

He knows how to lead. There are many different types of beastmen, each with own beliefs, values, and traditions that are unique to their own group. As a result, it is very difficult to unify all beastmen within the Sunset Savanna under one rule. Guess who doesn't have this problem? THAT'S RIGHT, IT'S LEONA. There's a variety of beastmen in Savanaclaw, and he effortlessly rules over them and commands their respect.

He actively thinks about how to improve the Sunset Savanna. Leona's ideas are not always the best (like, yeah, you could introduce new technology to the country but expect significant social pushback from the people, who prioritize living in harmony with nature). However, I can really appreciate that he did not entirely turn his back on the people who feared his powers and talked him down. I think he eventually realized the flaws in his way of thinking and actively chose an energy and mining lab internship in hopes of researching ways to slowly implement changes that will benefit the Sunset Savanna while also remaining respectful of the people's beliefs. He is concerned about Falena's lax way of ruling and consistently brings up ideas in various voice lines about how they can improve the Sunset Savanna and its relationships with other countries and tourists. In spite of everything he went through, Leona never wants to hurt those who hurt him with their comments and comparisons to his elder brother. He does not ever want to tear down the system that kicked him down again and again, only wants to challenge it by proving his own merits and the merits of the other downtrodden that he leads.

As much as he wants to deny it, he cares about his underclassmen and goes out of his way to help them. There are sooo many examples of this that it cannot possibly fit in one bullet point. (I would really recommend reading the elongated post linked above, as I go into more detail on this.) Suffice to say, Leona has been shown guiding, instructing, and mentoring many other characters including, but not limited to: Epel, Ruggie, Jack, Jamil, and various Savanaclaw mob students. This really hits me in the heart because I love reliable big brother characters 😭 EVEN THOUGH LEONA IS TECHNICALLY A YOUNGER BROTHER...

He understands his strengths—and he understands others' strengths too. This man is fully aware of his magical might and powerful presence. He uses every last bit of it to full effect and to attain his goals, whatever those may be. One of my favorite uses has to be In Fairy Gala!! He distracted some pixies by simply demanding water and their attention so his partners in crime could escape—and what’s more, this was a plan he came up with on the spot because their mission was being jeopardized by unforeseen events. Leona is also good about pinpointing people’s best attributes and then helping them hone it. This happens a lot during club practice, bur it also occurs in book 6 between him and Jamil. Speaking of…

THAT WHOLE BOOK 6 CONVERSATION WITH JAMIL DESERVES ITS OWN BULLET POINT. This part was peak mentor mode Leona 😭 Sure, maybe he wasn’t the kindest with his wording, but I felt this was the wake up call Jamil needed to hear. What really got me though was the part where Leona tells Jamil there’s still hope for him… “unlike me”. (I believe this part was translated differently in EN to make Leona’s ego sound more inflated (ie “I’m not like you”) which saddens me immensely.) It paints the image that Leona is still struggling to believe his efforts will amount to anything and that he believes more in his juniors than in himself :(( (which informs my headcanon that Leona mentors younger students so that they can have the bright future he doesn’t think he can have for himself).

Emotional complexity. When you get down to it, what started off as a very basic story of jealousy and inferiority complex actually resulted in a deeply flawed, traumatized, and scarred individual who continues to doubt and put himself down but is slowly recovering. Leona is smart and charismatic—he is everything a leader should be, but he doesn’t truly see his own worth. (Ironically, the only people who do are the ones who look up to him and follow him.) And now… Leona’s actually got his eyes set on graduating! He has his internship plans set! I think he’s made such big strides since book 2, and it’s been so rewarding seeing him regain his willingness to try and succeed return to him.

Looking back on it, it’s so ironic how things ended up working out. Initially, I was totally on Lilia’s side when he insulted Leona and said he would never be the kind of leader Malleus is. Now I’m realizing how Leona does many of the things I don’t see Malleus doing (despite Lilia claiming Malleus is more fit to be king than Leona is).

Malleus isn’t harming his people by any means, but it’s more like he’s… stagnant? Complacent? He’s satisfied with the status quo and is comfortable resting on his laurels. And because of that, Malleus doesn’t really seem to consider what he, as a leader, can do for others, be it for his dorm members or doe his country. (Part of this is also how isolated and opposed to change Briar Valley is, of course! That kind of culture definitely shapes Malleus’s thinking.) He tends to avoid situations which involve navigating social complexities rather than dealing with them himself. Think of Ghost Marriage, when Sebek proposes in his place. Think of Fairy Gala, when Silver is the one that ultimately resolves the conflict between the diurnal fae (who have historically not been friendly with nocturnal fae) and NRC. Malleus is so sheltered that has not truly been put in situations where he has to make tough decisions or where he has been challenged. He has never had to claw and scream and beg for people to see his worth.

Leona has been through that emotional wringer, and though he’s been hurt so badly, he still came out the other side. In running from the shadow of his family—of his older brother—Leona found solace in this new kingdom, Savanaclaw. It’s a place to build himself up, to stew over the ideas he has that have yet to be realized, all with a safe mental distance from home. It’s through the many hardships he has experienced that has refined his wit and given it a place to practice, to be used.

When it comes down to it, Leona and Malleus are two sides of the same coin. Both arrogant princes, the second born and crown prince, respectively, wishing for the other’s circumstances. Leona desperately wants that respect and recognition that Malleus has. Malleus longs for the intimacy and camaraderie that Leona is so easily able to cultivate and command. Leona has been forced to adapt, to learn, to grow from his scars. Malleus struggles with the concept of change (understandable, given his background) and actively denies reality if he finds the truth to be unpleasant. He’s not used to facing dilemmas that cannot be solved with magical strength, and has not ever been challenged in such a way. Malleus doesn’t know how to deal with that, which is partly why be panics and loses himself to emotions in book 7. (By the end of it, I’m sure he’ll be given the chance to see the error of his ways though 💦 or at least I hope he does??)

Their characters are very different, and that’s not a bad thing!! If anything, it makes their dynamic so interesting to observe and it offers varying interpretations of the same “prince” trope. I definitely know which of the two I prefer 🤡

[barbatusart]

bit of thinking outloud but for my current tactician run im doing a special wyll origins playthrough im calling the Evil Wyll Run & it’s given me a lot of food for thought about his character (or at least the freedom of psychological movement + exploration afforded to an origin run!)

wyll spoilers abound we’re entering the wyllenium here

wyll always felt a bit underwritten to me - i know that’s partially because there was that big kerfuffle in the 11th hour with changing his whole story and personality on top of having to recast his VA, and frankly hats off to both original VA lanre malaolu & new VA theo solomon for their hard work - both brought tremendous performances, & i sincerely hope mr malaolu was paid well for his work & time even if his voice wasn’t used in the final cut (i would also say warlock as a class itself felt a bit underdeveloped but im 100% OK with chalking that up to me the player not understanding how to play warlock effectively yet lol im more of a fighter barbarian Hit Stuff guy)

but honestly this feeling of being “underwritten” combined with a character with a long history of heroism in his pocket made wyll really interesting to me even in my tav playthrough. for all his accomplishments he still feels like a blank everyman, or like he’s someone who fully believes he’s the main character who doesn’t “need” to do any extra work on himself - and honestly he feels Very much like he could be The Main Character. once his backstory of the son of the duke was revealed too i immediately got the sense of like, rich boy trying to prove his worth beyond his wealth and status by striking out & becoming that hero, or that Prince Charming. basically that perfect happily ever after somebody. and im of the opinion that you don’t get mixed up with a cambion in the first place unless you’re either the kind of naïve “everything will just work out” immature that tends to comes with his status as the son of a noble, or you’re hungering for power. depending on playstyle he’s very easily both of these things

on the naïve front (ie a good wyll playthrough) if anything he feels very believably immature, & from that perspective the events of the game feel as though they’re the prequel to the actual start of wyll's story where he finally finds himself & learns what kind of man he really is. we just dont get to see it alas, but i really enjoyed the thought exercise of somebody still grappling with overcoming his own immaturity. he feels like someone who can still grow and that his tale is just beginning

Evil Wyll (meaning any time mizora shows up he drops everything to enact her instruction & hasnt once tried to find a loophole out of his contract) which ive come to be far more fascinated by is someone clearly vying for power, which is interesting because his noble status would’ve given him all the power he wants had he Played Nice. to me it speaks of someone who wants to be able to take what he wants from life without it being handed to him, which contrasts in a really fascinating way with entering into a warlock pact at all. maybe he thought it was better that it be a decision he made as opposed to nobility given to him by his family ties, maybe there’s still that pollyanna sentiment of “it’ll just work out & ill live happily ever after.” again maybe both. maybe in a sense the fiend, as he calls himself, is a good excuse to shuck off any poor decision he makes or any genuinely heinous thing he does under mizora’s instruction - an identity he uses as power fantasy (and very much in tandem/interchangeable with the blade of frontiers power fantasy) until it means taking ownership for any of his misdeeds, and then a scapegoat.

may be a bit incoherent but im only now hitting act 3 in my origin run & im Really enjoying this difficult characterization ive cooked up for myself lol

[batmanisagatewaydrug]

If having sex/masturbating can help end periods, does that mean it can also start them?

hi anon,

I think this question may have come as a bit of a response to this one, where we learned about how masturbation can help push out leftover endometrium after menstruation is mostly over.

to get at this question, it's important to emphasize that this is different than causing the period to end. in cases like this menstruation is already over, and a little bit of extra blood just gets knocked loose after the fact by pelvic floor contractions (usually, orgasm).

while it's possible to do something similar at the start of your period - ie, well-timed pelvic floor muscle movements pushing out the first of the uterine lining that was going to be shed anyway - I don't consider this quite the same thing as actually "starting" your period. the menstrual cycle is the complex product of a lot of hormones working in tandem for very particular results, and while expelling blood from the uterus is obviously the most visible part of the process it's not the only thing going on in your body during that time. when your period begins and ends is ultimately MUCH more controlled by your hormones than by your pelvic floor, and no amount of masturbation can meaningfully alter what your hormones are up to.

[twopoppies]

“Look at how he reacted to knowing he no longer had that purity clause.”

Wait what is a purity clause Gina? I am lost

In the Better Homes and Gardens interview Harry gave for Harry’s House promo, he mentioned that there was a purity clause when he was in the band (I assume for all of them, not just him). We don’t know the details, but in general it would be an agreement not to do anything that would fuck up his image (ie: things like getting caught with drugs, hiring sex-workers, saying racist shit, getting arrested, admitting to being anything but straight, etc.). He said he cried when he signed his new contract and found out his career wouldn’t end if he went to jail.

I honestly can’t imagine the pressure he’d been under from the age of 16.

[misskattylashes]

Okay, I’m going to do it. I have been holding back and just telling my closest fandom friends my crazy theory, but what the hell. Most of you think I’m batshit anyway.

Here we go.....

What if we have been on the receiving end of a long played out psyop and Louise has been a way to make the public want Milex?

Okay, hear me out...

It’s 2017/8 Alex has abandoned Miles after EYCTE. He has gone to France to write and record TBHC, having realised their little TLSP bubble could never last (see Star Treatment). Without Alex, Miles is a little lost and lonely in LA. His reputation is also at rock bottom after the journalist incident. Miles decides he wants to move back to England, and Alex decides he wants to move back to, as we know they can never be more than a few minutes away from each other

Taylor either wouldn’t or couldn’t leave LA, so she and Alex break up. But they need a new girlfriend to keep up the straight image (especially with the new badly-received album and a world tour about to begin). On the original version of OPP as seen on the AM in Mexico video, over the turtle segment Alex sings ‘One More Year I’ll Call It Quits’ maybe the plan was to give it all up,but he had signed a contract to do another album and tour after TBHC, and with Miles’ reputation so bad, if they were together then they would both be cancelled.

So a European girlfriend is found and this is where the subterfuge begins. We start with old Instagram posts with tags like #alexturnerwillyoumarryme, then we get professionally shot videos of her backstage at AM’s concert (all the time Alex is ‘still with’ Taylor) so as soon as they launch, the first image of Louise the public get is a negative one, as a fangirl who has set out to get Alex, not caring if he cheats in his current girlfriend.

Before I list the reasons why I think she is fake, can I say this idea he has stayed with her as punishment for cheating on Taylor is absolutely ridiculous. Men who are serial cheats aren’t known for wearing hairshirts. Especially when you’re a handsome, wealthy rock star who could easily get another girlfriend.

So, the idea is, Louise is the most unpleasant person who makes Alex miserable, and if most people are honest, they want Alex to be happy..

So, let’s look at the evidence..(where there is a * it means there is a Miles counterside)

Louise doesn’t work. She claims to be a feminist, but her job seems to be being Alex’s girlfriend.

She openly copies selfies posed by previous girlfriends, making her look like she has no personality of her own

She boasts in her IG posts ie the ‘we just fucked’ pic and the panties on the piano.

She claims to be a musician but we rarely see her writing or recording anythjng.*

She writes embarrassing things about itAlex on social media (beautiful dick).*

Openly takes a neutral stance on Palestine.

Claims to wear vintage clothes but they rarely are*

When Alex was ill after the third London show, it is publicised that he leaves the Emirates with his parents, no sign of Louise. She’s too busy taking pics in the hotel with Matt and Amanda

Meanwhile Miles has worked hard on his public image. He has shown he is a hard worker. He rarely mentions Alex on social media and when asked about him in interviews, whilst admitting they are good friends, is insistent they are not working together. Which is good because he has always been accused of riding on Alex’s fame.

He frequently gives updates when he his writing and recording, treating us to little snippets, something Louise never does.

Is it a coincidence that holiday gate is the same as the week One Man Band’s release. Alex looking miserable with Louise Vs Miles being charming and hard working.

Not long after Louise starts going on about her fake vintage, Miles posts a whole real of him going proper vintage shopping so he looks authentic.

Even in Dublin there is no duet with Alex. Miles not using Alex’s,fame,but also those who monitor social media can see how hungry they are for Milex interaction.

The river Mersey comment – another way of guaging public opinion. Finally the legion of doom 😍😍 comment on the NY recent. The fandom went crazy at Milex acknowledgement.

Alex....

His face..Alex is a pro. He has had twenty years of faking smiles after arguments with the other Monkeys, girlfriends, even Miles. He could fake a smile with Louise if we wanted to when they call their friends at Backgrid to take pap pictures. But instead he chooses to look like someone either on the verge of tears or else being held hostage. And in the latest set of pics, Louise looks the same.

The Taylor tattoo....it looks like he thinks so little of her he has kept that tattoo.

‘I don’t wanna be hers, I wanna be yours’ quite often at gigs where Louise is in attendance.

Not one song on the car written about her.

And now of course with the tour over, a lot of people return to watching TLSP videos. Happy, muscly, healthy looking Alex having fun with Miles as opposed to skinny, miserable Alex trapped with Louise.

Apart from Louise’s most ardent fans, most people want to see him away from her and would be overjoyed at a TLSP reunion, and for us Milexers, a declaration of their love.

So, has this been a long game? A way of making the people think they want Milex? I told you it was crazy, but just remember the world of public relations is completely underhand and insane.

[teatitty]

Given that curse based jutsu are a whole subfield of fuuinjutsu in naruto already I'm like genuinely surprised that nobody has used this as the perfect opportunity to do hanahaki fic for KKIR more often. Especially with Iruka getting the curse, since we all make him the seals master anyway. Like, maybe he went on a rare job because nobody could figure out what a thing was and he ends up contracting it himself, or maybe it was an accident [IE: accidentally triggered it while trying to disarm it] or he could've been hit with it during a fight etc etc and I point to Iruka specifically bc we all know he represses his feelings worse than Kakashi does and it'd be very fun to have him Suffer From This and leave Kakashi fretting over him constantly

Iruka takes it all in stride ala "this is a curse and my whole thing is getting rid of them I'm sure I'll figure out a solution Eventually" and then he puts it on the bottom of his list of things to do bc surely it's not that important whoops it got worse haha when did that happen

[fuck-customers]

For context, our optics store sells RX eye protectors, ie eye protectors with your own powers. Most customers who want to buy RX eye protectors have been sent by the companies they work for and the companies will pay for the eye protectors since it's your work equipment. Usually, you need a referral from your employer to get these and an up to date presription.

It was less than 10 minutes until closing time today when this dude walked in and said he needed new RX eye protectors, his most recent powers are good, and he won't need a referral because they can just order new ones once a year. He was so rude about it, too, and acted like we were bullying him or something when we said we'd check the business contract we have with the company. He definitely seemed like someone who walks everywhere like he owns the place and everyone else should obey him without a question.

Posted by admin Rodney

[pomodoriyum]

i am in a poll mood this week i guess. one more.

my reasoning:

tozer-- i dont think he will do work on his own unless specifically asked to do that specific thing. he knows whats in his job contract!! the work he puts out is like, just okay, but it's clear he did try y'know?

stanley-- brusque, thinks he's better than everyone and is not nice about it, a bit of a control freak. will do work on his own but will NOT collaborate. will make cutting and mean comments for no reason

goodsir-- friendly but also an insane control freak. extremely high standards for work and will go thru and 'make improvements' to whatever you worked on. thinks hes better than everyone, but is nice about it, i guess. accidentally condescending.

collins-- does his work but things keep going wrong due to insane non-school related issues. absolutely gets blasted on something to try and cope with the stress the night before & day-of the presentation. gives real manic 'finishing assignment five minutes before presentation' vibes. cries during the presentation and has to step outside to calm down.

hickey-- categorically refuses to do any work at all, but will act like he's doing things. happy to 'collaborate'-- ie have a chat, but he's not going to be doing work if he can be doing literally anything else. gets huffy if you point it out. really good presenter day-of, though. give him a speech or a slideshow and he'll rock that thing, so long as he doesnt have to make it himself and he's taken five minutes to read through it.

des voeux-- unpleasant personality, but generally o.k.-ish standard of work. he'll whine and bitch and moan but he'll do it, even without being asked (some of the time). really good at some stuff, but will also put in absolutely the bare minimum to do o.k. and is not. like. motivated. he will say something rude to his group members.

[sir-adamus]

I'm so with you on the promotional side!! So excitinggg!! Like, yes, volume 10 is likely coming, which is incredibly exciting, but it's tip of the iceberg now! So excited for all of us and them!!

yeah and honestly like

we're more likely to hear about collaboration stuff, and cross-promotional stuff, stuff that can be outsourced elsewhere without heavy involvement from the crwby (like manga/graphic novels/art books/novels), all of those kinda things before we hear about volume 10

in the blog post it only mentions Kerry as continuing in his role from before, but that makes sense when you consider that he'd be the first person they'd have to sign on before doing anything - everyone else they've already contacted (so Eddy, Laura, Erin and the VAs just from how they've been posting) is likely in contract negotiations while discussions for allocations of resources and how they approach production are on-going (likely not just for RWBY as a show but for other avenues, ie RWBY Chibi, movies, spinoff shows, other anime titles), whether they make a studio solely for CRWBY to make the show in the same kind of production they did prior (the dream would be CRWBY to just have their own animation studio so they can make RWBY to their heart's content after all) or if they outsource studios, or some midpoint between those two - and then how much money gets put into that, how much staff they have (i would imagine given Viz's greater scope that RWBY could get a lot more funding than it's had before)

working all that stuff out is gonna take time before we hear about volume 10 being greenlit - but there's now opportunities for other things to happen in the meantime to tide things over and keep RWBY in the zeitgeist

[kcscribbler]

Honestly, one of the things I love about Crowley, book or otherwise, is his selectively skewed perception of evil, ie. gluing coins to the pavement, or contracting an army of rats to take down the phone lines.

Because we can joke about him doing something drastic after S2 all we want, but we all know his idea of getting back at Aziraphale is just using a book as a coaster.

[notfreetoday]

MPW Timeline

So, in the most recent behind the scenes video (vol. 11), Atsuki mentioned that Segasaki and Yoh's meeting takes place 5 years ago. I've been trying to figure out the timeline of everything and think I've got it (deductive reasoning under the cut)

We know from the show itself, the BTS and the manga artist:

5 years ago: First meeting

3 years ago: Proposal

Just over a year ago: Yoh pulled Man-san into the Segasaki Fandom

4 months ago: Started living together (around Mar/Apr)

We also know from the weather reports/contextual information that:

Proposal was on a day where "it was unusually hot for the season" - Either Spring or Autumn

Ep 1 ends/Ep 2 starts with the start of the rainy season - ~ May/June

Ep 3 - Rainy season is ending - ~End of July/Start of August

Ep 4 - 6 - Summer ~July/August

Ep 7 - Very hot weather, with a Typhoon - Summer Typhoon ~August

When was the Proposal?

To become a meteorologist in Japan, the usual route is to study related subjects at university (4 years), and then take the national licensing exam (which has a pass rate of about 4-5% btw). This exam can be taken whilst in university too.

We know that during Segasaki's proposal, he was pretty confident about getting a high pay, so it's likely he already had a job offer by then. The academic year in Japan starts in April, and the average Japanese university student will began preparing to enter the job search (yes this is An Annual Event, like the great migration 😅) around June of their 3rd year. After internship, interviews etc, job confirmations and contract signings will usually come around Sep/Oct of their 4th year. So, my guess is that Segasaki completed the licensing exam sometime before he started his job search, probably did pretty well during his internship and interviews, and so was pretty confident that he'd get signed even before he received any confirmation. This puts his proposal to around the end of his 3rd year to before Oct of his 4th year. Given that the day of the proposal was unusually hot, we're probably looking at Spring, aka Mar/April/May, which fits with the end of his 3rd year/early 4th year.

When did they first meet?

So, if they met 5 years from "now", then that would be 2 years before the proposal, putting Segasaki at the end of his 1st year/early 2nd year. Given that Segasaki is Yoh's senior in university, and the clothes they're wearing, I'm guessing this is sometime in April, ie the start of the new academic year. Thus, Segasaki has just started Year 2, and Yoh has just started Year 1.

When did they start living together?

Since they are 1 year apart in terms of school years, then it is likely that Yoh graduated 1 year after the proposal, which leaves us with an additional 1 year after his graduation where he was likely living alone/wherever he was during school, before he moved in with Segasaki. This was the time he introduced Man-san to Everyday Weather (the shot of him is so tight you can't really tell if he is in Segasaki's house or not, but if my math is math-ing right, then he probably isn't).