#idk why I'm doing this to myself at times-

[thegoogoomuckkk]

Can I get a smau about them finding out you were a jujitsu sorcerer? Like you’ve been dating 4 years and you just casually drop it out of nowhere. Like a REALL strong one too (stronger than SUKUNA strong) ps. Let me be delusional pls😍

NOW PLAYING

SECRETS

them finding out you're actually a jujutsu sorcerer

Starring: choso kamo, kento nanami, kiyotaka ijichi, satoru gojo, suguru geto, takuma ino

Warnings! none

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ok, first of all: thank you for this phenomenal request!!!! I love fulfilling requests, regardless of what they are because I just love interacting with you guys & sharing my writing with y'all, but it's always so fun & amazing to get a request that I'm so genuinely excited to fulfill & that inspires me as a creator, so thank you!!!

secondly: I kind of took the request & ran with it. I had a hard time coming up with a solution to like, why would they not know about it if they were dating, like that's an odd secret to keep?? So I originally planned on making this a pre-relationship kind of situation, but I have such a hard time with that, I always feel like anytime I try to create something like that it's so cringey & forced, idk??? So I'm sorry if this isn't exactly what you were asking for!

third: you'll notice the cast list for this smau is somewhat different than previous ones. I don't plan on keeping the same exact people or number of people in rotation for each post. When it comes to smau or writing in general, the last thing I want to do is force myself to create something. I typically don't add suguru to my smaus, but I felt like he really fit within this one & I had an idea for him. I didn't include any of the non-sorcerer characters because that made the most sense to me. In the future, if you'd like me to include a specific character (like suguru or sukuna, for example, who aren't in all of my smaus), just let me know; otherwise, it might be a mixed bag.

okay, fourth & final thing: this maybe only occurred to me, & if so, yay! but the whole time I was making this, I kept thinking that if this actually happened, they would probably never choose to have this conversation with you over text, & they'd probably have a much larger reaction. Those kinds of things are pretty difficult to capture in a 3-4 screenshot smau, if you know what I mean. Plus, angst is really not my bag at all; I wish it was & maybe I'll write more of it in the future, but not today.

xoxo, carlisle!

LOOKING FOR SOME MORE? MASTERLIST <3

LOOKING FOR SOMETHING SPECIFIC? ASK <3

[notsodailycake]

Part 3 for the fitclet I did for @keferon 's mecha pilot jazz au! (ﾉ◕ヮ◕)ﾉ*:･ﾟ✧

For those who missed it:

Part 1 || Part 2

This is probably the longest out of all the 3 parts, dear god, I went all in. It came out bigger than I ever expected it to be. I was not expecting it to go this far honestly, but the parasites in me, they begged for more. So here we are! :D

Again tho, idk how in character they will be here, but I tried my best ＼(*T▽T*)／. Also, kinda bullshitted my way through in worldbuilding bc idk how things work exactly- and I had to come up with stuff on my own, even tho I'm not that good in mecha world stuff, so I'm sorry for any inaccuracies ^^;;

Now, to give credit to those who so desperately deserve it:

My sister @saltynsassy31 for helping me when I couldn't write out some of my ideas and doing it herself (so consider this as a bit of a frankenstein monster of both our writing styles, mainly during intense scenes. If there is any fancy words in this, it's cuz of her) and being my beta reader for this part. Seriously yall, this wouldn't have been as coherent and well written without her help!

Also huge thanks to my online sister @yayadrawsthingz for helping out when I hit a few road blocks during this!

And finally, a huge huge thanks to my honorary online uncle @hexyz09 for helping me finish off the final fight scene when I got stuck during some plot holes and road blocks, or generally just writing myself into a corner and having to help me leave it, despite not knowing jackshit about the au, let alone the ship and characters themselves, but was still willing to help me through in working on the plot, in this crazy obsession of mine XD

Yall have no idea how much help these guys were. Probably wouldn't be able to finish without either of their help ᕦ(òωóˇ)ᕤ

Oh and an honourable shoutout to the song "Headlock" by Imogen Heap! Kept listening to this on loop as it kept my drive up to write this.

Now onto the fic!

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Prowl ignored Jazz's various attemps to push out his servo from the cockpit. Despite the mech being weak himself, the human was still no match against thousands of pounds of metal, especially in his own weakened state.

Which was a matter of its own at the moment. Prowl knew he had very little time to be able to run ahead before the other humans caught on to them, having noticed the alarm bells ringing through the facility.

So he ran towards the exit Jazz had initially pointed out, the only plan they had at the moment.

...

"Prowl! Prowler, hey! I know you can hear me! Prowl!" Jazz shouted as he slammed yet another fist in a failed attempt to nudge the bot's servo out of the way. He hasn't said a word since picking Jazz up, and he wasn't sure how long that was, maybe not that much, but it felt too long yet too little at the same time (what a headache).

Sliding down, he gently hit his forehead over the protective servo and let out a sigh of defeat. No way he could get him to move like this.

Why was he trying to anyways? Didn't he want to be with Prowl? He certainly did, but somehow, something in him made him feel like he shouldn't just be accepting this.

And maybe Prowl also knew this, which is why he took off and hasn’t said a word since. Both held conflicted feelings about the whole thing. If only things didn't feel so blurry right now!

Suddenly, a hard shift made Jazz stumble a bit, grasping at whatever he could so he didn't fall back, loud noises of metal scrapping metal could be heard as something got kicked open on the outside. Jazz scrambled over to the small crevice that opened between Prowl's digits, not enough for him to fit anything over other than his hand, but enough to get a glimpse of what was happening outside.

Prowl had kicked down the exit door to the lab ('not like he had the hands available to properly open the damn thing anyways' Jazz thought to himself). It was meant for mechas to exit the room after they finish off whatever it is they do in here, that Jazz knew, and if he was right, just down the hall there will be another exit leading to the backroom where they stockpiled the mech suits. No one but the technicians were usually supposed be there, it would be an easy fight to get to the big gate that lead to the outside training grounds, which is why Jazz had pointed for the mech to go down there in the first place.

There shouldn't have been a problem besides giving him time to leave unscathed. Which Jazz assumed would not be the case as he was currently inside Prowl and not buying him time to escape. But, to Jazz's surprise, nothing had come close to attacking them, yet.

The pilot did not have much time to contemplate it as suddenly he heard Prowl rumble an annoyed grunt.

"Don't move."

In shock, Jazz stumbled back as Prowl removed his hand and reached for the end of the overhead gate, seemingly alot harder to kick down than a two way door. The only thing it would really do would be to bend the metal a bit but it wouldn't give an open entrance. Jazz didn't dare leave, not like he could from this hight, but even if he could, Prowl would probably just pick him up again; it be a waste of energy really (just admit it, you don't want to leave him). But something about this felt wrong, so far they haven't had a single guard come down the hall, just this small pause would give them enough time to catch up to the two runaways, Jazz was sure that guards had been on his tail when he was under his rampage.

Unless...

Wait.

"Prowl! Wait don't open that gate!" But he was too late, the moment he uttered those words the mech had already been in motion and pushed the gate up with all his might and as quickly as he opened it a gun shot came through the otherside. They had been waiting for them, they knew where they were heading. The bastard he kicked down prior to this probably saw them and reported it, dammit.

Prowl let out a strangled cry of pain as the shot landed right on his left shoulder (like it wasn't damaged enough by the lack of arm), Jazz fell backwards with the harsh motions, hitting the back of the pilot's seat, the impact leaving his vision to go dark for a few seconds before he collected himself as quickly as he could. In an instant though, just as he tried to get back up to see what was outside, Prowl had put his hand back over the open cockpit.

No...he wouldn't be able to fight like this, protecting him as he is would only hinder the bot to more damage. And that's exactly what Jazz intended to express to the other. "Prowl! You won't be able to fight with your hand over me! Forget about holding me inside, I won't leave, I promise!"

"That's not the point!" Prowl growled, letting out another hiss of pain as more shots were loaded, someone shouting out for them to stand down.

Prowl couldn't risk leaving Jazz exposed. Unlike the human, Prowl could take a few shots, their weapons not being strong enough to inflict any serious damage to his plating (though perhaps a bit to his exposed protoform, though he could handle it for a little while longer). But it would take one lucky shot on Jazz to have him dead in an instant, and Prowl couldn't take that chance.

It seemed like Jazz got the message, not spitting back any sort of remark about Prowl's lack of explanation.

But the mech couldn't linger too much on those thoughts, he had to get out, and fast. He was losing too much energon, and his vision was starting to get blurry, which wasn't a good sign. It didn't help that his thoughts were a hazy mess, his usual ability to think logically overthrown by the panic of needing to get out of this place while ensuring Jazz's survival.

It's not like he had much to do, though. Any possible escape hindered by the fact he couldn't use his weapons unless he risks Jazz's life to one lucky shot. Perhaps he could make a run for it, knock through the mechas in front of him and let them tumble over as he reached the final exit; it wasn’t the best plan perhaps, with at least a 19% rate of success, given he isn't in the best physical state at the moment, he probably wouldn't be strong enough to knock them over. Added to the fact the exit wasn't shut by a gate he could simply knock over easily either, like the previous one. He'd have to push it open from the bottom, and there wasn’t enough time for him to act on it.

But he'd have his back turned to the shots, reassuring Jazz's own safety, so he could perhaps risk removing his servo to push the gate open once more.

With a quick warning from his HUD telling him his energon levels were getting dangerously low, Prowl decided to take the risk, with little time left, he took a step forward making a run for it.

The mechas seemed to ready themselves for his attack, quickly positioning their weapons to target him, closing any narrow space they had between each other.

What they didn't expect was for the mech to charge his whole body weight onto them. Despite not feeling any pain, they certainly could not fight against gravity itself. They all stumbled against each other as Prowl made a mad dash to the gate. He slid on his knees and made a quick reach for the bottom of the gate, anxiously removing his hand from over the cockpit, bending over protectively as to not have anything be able to aim inside.

He could feel his spark beating fast from anxiety, they were so close, they'll be able to leave soon enough. Jazz was most certainly having a good feel to Prowl's anxious beat, the loud thruming reaching the bot's own audials was most certainly deafening to the human sitting near it.

Then, a shot.

A pop.

A blinding light.

And the beat stops.

Jazz was curling in on himself as an instinct to protect himself from the sudden burst behind him. It only took a few seconds for him to realise what that was once he couldn't hear a single beat of a spark, or the burning sensation it left, feeling his own heart stop and drop to his gut.

It felt like the world around him suddenly stopped, everything going into slow motion, with no sounds to accompany the dread. Feeling as Prowl's body leaned foward to crash on the ground.

But just as quickly as the silance came, it left. Prowl catching himself from hitting the ground with a grunt, a slam could be heard as his arm and elbow made contact with the concrete floor. His spark beating, weakly, but beating nonetheless. What felt like hours of silance was only a quick few seconds of deafening dread.

"Prowl!" Jazz called out in desperation, reaching out to hold the edges of the cockpit, so not to fall out, but to also try and comfort his anxiousness as he tried to look up at the mech's face. The mech made a sound of acknowledgement, which came out more like broken static, but didn't make much effort to move, his face scrunched up in pain, optics shut. They shot him on his back, too close to where his spark would be, causing him to skip a beat, and busting a bit of his left doorwing, but it still seemed to function somewhat.

Suddenly, both of them picked up on the sound of something opening, giving no time for either to fully process what had just occurred. Prowl made a quick move to get his hand over the cockpit once more (with slight struggle as he stumbled and fell on his aft) as a thick metal slab emerged from above and beneath, right in front of the gate, shutting it close with a protective layer of metal. Guessing by the red alarm ringing around them, an emergency protocol to keep anyone from leaving. Slag.

The mechas surrounded them, guns all aimed to shoot at the alien mech if he didn't comply.

It was silent for a brief moment, in exception to Prowl's anxious beating spark (which wasn't a problem for Jazz at the moment, the burning warmth being somewhat comforting) and Jazz's own heart beating over his ears. Both catching their breaths.

"There's no point in fighting. So make this easy for all of us and surrender yourselves." A nobody pilot finally spoke out, weapon leaning a tad closer than the others.

The atmosphere felt heavy, they were pinned down. Really, the only thing they could do was surrender, but Jazz would sure as hell be reprimanded for his actions and Prowl.....he didn’t want to think about that. No, he wouldn't even allow that thought to become any sort of reality.

"Prowl" he whispered, knowing only the mech would hear him, leaning a gentle souch to his servo as if to beg, "I know you might not have alot of trust 'n me, but this might be our best shot." There was a tense shift, not too noticeble unless you could see the mechanisms from the inside, Prowl knew what he was about to suggest. "You need to let me pilot you." He cringed as he felt the other's servo stiffen, he wasn't pleased with the idea, and neither was Jazz, but he knew this place alot better than Prowl did, and knew how to properly defeat the mechas, knowing their weak spots. And Prowl was all too aware of that too, Jazz knew it. They both were very aware of it all.

"Please," he begged, leaning his forehead on the mech's servo yet again, "I can't lose you again." There was slight shift, Jazz looked up, though he obviously couldn't see the mech's face, the sigh he let out was loud and clear. The controls on the pilot's seat shifted, Jazz got the message:

'Alright'

He couldn't help but let a small smirk creep over his face, making way to sit down and start piloting.

"Under one condition though," Prowl suddenly whispered to him, though it was alot louder to Jazz on the inside.

"And what would that be, partner?" The title flew out too fast for Jazz to stop himself, feeling so natural to call Prowl partner once more. The mech didn't seem against it though.

"No removing my hand."

Jazz was left stunned for a quick second, though it felt like a minute for Prowl as he waited for a reply eagerly.

"I can work with that." Prowl let out a sigh of relief at that, allowing the human, his partner, to take control of him again.

It took a moment for Jazz to adjust himself, in the meantime, the people waited outside anxiously for the other to make a move. When Prowl finally started to shift around to stand up with a small grunt, everyone raised their guns and loaded them up, but didn't shoot just yet. The mech looked up at them with a deadly glare, but made no move to attack, his remaining arm not leaving the open cockpit for a second, he simply stood up with a slight slump to his posture, doorwings drooping down slightly. In all possible ways, he looked weak and defeated, no signs of fighting back.

One of the mechas walked closer, gun still aiming at Prowl, but it was lowered slightly. They reached a hand out expectantly.

"The pilot, hand him over." They demanded, no sympathy whatsoever.

Prowl clutched his chasis, anger pooling over in his spark, doorwings twitching up slightly, but he made no move to attack. Not yet. He heard Jazz speak to him in a low tone so only he could hear it, with a sigh, he relaxed. He slowly, very slowly, drew out his hand from the cockpit, the action in itself having the other mecha have their body relax slightly as they approached the mech, weapon being put down slightly enough, and so did the others around them. Jackpot.

Before he fully removed his servo, the mech made move to crouch down and in a swift motion swung a peed over to the mechas own, catching them off balance and knocking them down. Jazz let out a small hiss to the action, forgetting his own injured leg, but pushed on regardless.

Using the thrusters of his doorwings, they were able to balance themselves back up, Prowl's servo going back into fully protecting it's pilot once more. With most weapons being aimed up and not down, it took a delayed second to aim correctly, but it was enough time for the human and cybertronian duo to twist themselves out of harms way.

Before the fallen pilot could attempt to get up, Jazz made move to aim over the weak spot of their mecha's knee and stepped hard enough to break its mechanisms so they couldn't stand back up easily. But the glory was short lived as more shots were fired their way.

Jazz's hand twitched to move and use its weapons, but he resisted the urge with a slight huff, "Man, 's hard to fight without an arm!"

"This is none negotiable, Jazz." Prowl hissed as they made move to avoid more shots.

"I know, I know! Don't mean it makes it easier!" Jazz tried to analyse their surroundings, though it was made difficult with the many HUD warnings from all the injuries (the pilot couldn't help but mutter a broken "I'm so sorry" to his partner, whether the mech heard him or not he wasn't sure), but pushing through it, he took note of a few key details. There was a metal catwalk grate near above the mechas' heads, running with a few on ground troops, the bastard of a boss being one of the few amongst them. Near a corner stood an elevator to go up and down the area.

How that could help, Jazz wasn't sure yet.

A shot hit Prowl's arm, pain flowed through the mech as he moved out of the way once more. Jazz looked around in a frenzy to find a place to shield themselves....the mechas! Making a run for to the lifeless husks, he swivelled around between them and hid behind the many rows of mechas knowing full well that they would not risk such precious resource and money just to reach them. At least he hoped not, because he just needed a little bit of time to figure something out.

Hearing the big man call out to hold their fire was good enough indication that his idea worked.

"Ok, now we just need somethin' to distract them long enough for us to make a jump to the ceiling." Jazz explained

"The ceiling?" Prowl inquired, not so certain about his partner's ability to properly think at the moment.

Jazz rolled his eyes, but didn't make mention of the mech's tone. "It's the weakest point here, plus" he made way for Prowl to look up to where he remembered the area to be at, "there's a trap door for flying mechas and emergencies. One quick press of a button will open it up, even under "safety protocols."" Prowl let out a hum in thought, seeming to analyse the situation.

"Possible, but where is this said button?"

"Behind the elevator, by the catwalk grating on top. There's a control panel, and one big red button, can't miss it."

"Would smashing it still get it to work?"

"Yes."

"Then I don't have any complaints."

"Good, now," Jazz went back to scanning the area, "how to cause a distraction?"

"Would that broken pipe be of any use?" Prowl made an effort to twitch his head over to the direction of what he wanted Jazz to see. And just as the mech stated, there, by the first floor of the elevator, stood a broken pipe, steam coming out of it.

Jazz smirked "it would actually. If we can get somethin' to shoot at it, we might cause an explosion, giving us time to jump up without being the target anymore."

"Sounds like a plan." Prowl shrugged.

"Don't have anything to add?" Jazz asked a bit surprised.

"No, I don't." The pilot didn't push.

"Okay. Well, let's get these bastards shootin." In quick motion, they made way to the elevator, already hearing the commands to shoot fire, 'but watch for the machines!' Weapons were loaded from above as well, shooting down at the two runaways once again.

Jazz made sure to move swiftly behind the mechas, making sure they were shielded properly. Any gaps they had to cross was a small risk they needed to take, scrapes and scratches being left in its wake, but tried not to do it too often, just enough that they could follow them. They eventually reached where the pipes were, Jazz took a deep breath.

"Ready, big guy?"

"Ready."

They stepped foward, making sure to call the attention towards where they were, but quickly retrieting back behind the mechas suits as they shot directly where they wanted to hit. "Bingo."

Quickly, activating Prowl's thrusters, they leaped over to the metal grates that stood above them as the pipes behind them burst, causing a huge commotion as empty mechas fell down and whatever machine near the crossfire tumbled down. Prowl let out a gasp as he felt the world around him spin, the grating beneath them not being of any help as it shook with his weight. Jazz was quick to hold on, helping the mech stablise himself before aiming with his left foot to kick the big red button with their ticket out of here, the motion causing his vision to flash in pain, but he bit his toung until he could taste iron and pushed forward.

Hearing the metal door above them open up, Jazz readied himself, but hesitated with the warning he'd received from Prowl's HUD from his low energon levels. He didn’t even get the chance to fully check on it though, Prowl quickly pushing them out of the way himself.

"I'll live, just one more push." The mech hastily reassured the human. Jazz wasn't inclined to belive it though, feeling the other's spark beat anxiously (and for some reason that made him feel slightly dizzy. Though he chalked it up to it being his possible concussion).

It took one shot to slip an inch away from Prowl's face for them to finally snap out of it and jump. One more push from his thrusters as they flew up through the trap door and landed on top of the roof with a grunt, the mech's left wing finally giving out.

But they weren’t in the clear yet. Looking out, a wasteland of a forest awaited them, with dense trees at the bottom.

"We'll have to make a jump for it. If we're lucky enough the trees will be big enough to hide us." Jazz supplied.

"45% of that happening. But we don't have much of another option at the moment." Prowl added

With all that being said, Jazz moved into action. With so much at stake, he had to, he couldn't waste another second in debating. Hefting Prowl up, he used all remaining strength to jump where they needed to go, but as the training grounds began to get closer than anticipated, Prowl knew they didn’t make the jump and that made the mech almost freeze.

Though Jazz had other plans, because as their impending flat doom approached in rapid speed, Prowl's remaining thruster burst to life and gave that final impusle they needed to reach the slope. They both braced themselves as they were thrown up and over to their intended destination, Prowl having half a mind to tighten his hold over his chest so none of the debris and impact could reach the fragile human still in his care.

They rolled down the slope, Prowl just barely being able to shift himself so that he was sliding on his back instead. The aggresive motion of going down a not so smooth path causing bigger cuts and slashes against his already damaged frame. But the only thing he could think of at the moment was that they made it.

Jazz was quick to let go of his control over Prowl, who in turn made an effort to sit properly. Though the sudden slamming to his servo made him look down worriedly, moving it slightly to see Jazz leaning on it desperately.

"Prowl-" he heaved, "Prowl put me down I'm feeling sick."

The mech panicked and quickly made move to help the human down, gently placing him on the grass below. Jazz made no effort in being graceful as he hurled over and puked his guts out, luckily avoiding Prowl in all of this.

Clutching his stomach in pain, his heaving and coughs agitating the injuries on his abdomen. Everything around him felt blurry and muffled as his body made sure to get everything he had eaten in the past day out of him.

What made him panic was the sudden taste of iron in his mouth as he coughed up whatever he had left inside. That's not good. And that definitely didn't escape the giant mech's notice, who kept a hovering servo near him.

"Jazz! Is that blood?!" His voice sounded so broken, static lacing over his words.

"Uh- Yeah. Yeah it is." He wasn't sure how to deny that really, and he felt too light-headed to try. But his attention diverted to the sudden pink glow that landed at the side of his vision.

Energon.

Quickly looking up, he finally got a glance at his partner's battered condition. Energon leaked from many different parts of his body, but the main source being from his missing arm. Jazz couldn't help but cringe at that.

But what hurt him the most to see was the weak light from the mech's optics, which still held visible concern on them. Despite being close to going into offline, he still looked at Jazz as if he's about the crumble into dust and leave him. Which he honestly, maybe, felt like. But seeing Prowl's optics flicker as they fought to stay online, Jazz panicked

"What 'bout you?!" He called back, catching the bot off guard. "You're losing too much energon! You look like you're about to go offline!"

Prowl cringed a little, not having anything to counter that. "Well that's because I-"

"No! I'm only a little bit dizzy, but I'll live. We need to patch you up right now!"

"I can help with that."

The new voice catches the duo off guard, Prowl immediately reaching out to Jazz, hand shielding the human from whoever that might be. Jazz looked down from where he was looking at Prowl and turned to see who it was that the voice came from.

There standing in front of them was a human carrying a simple tool box and a huge backpack strapped over one shoulder, filled with questionable things.

---

BEFORE YOU LEAVE, a little something I would like to point out for the fic, that some of yall with either like or not, during the process of writing this, I've seen a few posts keferon made about the spark being radioactive and such, and it sorta made me think a bit while developing Jazz's condition. So well, take Jazz's health in this as you will with this info :)

But anyways, yippie!! That's all for today folks! I hope yall enjoyed this one bc I definitely had a heck of a time writing this one XD

It got alot bigger than I anticipated and took much longer to finish than I originally planned (was supposed to be done 2 days ago).

Now, I know I keep saying "not sure if I'll make another part to this" but then proceed to do so anyways. But I mainly do so because everytime I shared it someone said something that added to the story somehow and gave me ideas to continue foward.

So like, if yall liked this and wanna see more, don't be shy to suggest/add anything to this as it may help inspire me to add more onto this, cuz honestly idk what the fuck I'm doing rn, I'm just going with the flow ᕕ( ᐛ )ᕗ

Also, a bit of note for the doodle, holy shit I did not expect it to look this good!! Tho I suffered with Jazz's suit, plz ignore any inaccuracies tee-hee. Prowl's knee and hands were hell too, especially his knee, but i could like, hide most of it lmao. Actually mainly struggled to not have his hand cover Jazz too much bc it kept covering the parts I actually wanted to show off lmao.

Oh and the guy at the end? Yall can take a good guess as to who it is :)

But since he doesn't have any official design, I kinda went with whatever felt right lol.

I also really wanted to draw out more scenes to add to the fic, but then it would take me a lot more time to actually post the fic as I figure out how to draw robots :'). But maybe I can try and doodle them out another time if I can, no promises tho-

[rootspiral]

Agatha All Along deep dive: episode 3 part 3

(Wandavision entries: [1][2][3])

(AAA entries: ep1 [1][2][3][4] ep2 [1][2][3][4] ep3 [1][2][3] ep4 [1][2][3])

lilia: falling through time, desperately trying to help alice

agatha: bitch I'm trying to save myself!!!!! oh she's so awkward when she thinks lilia's going mad. she's a moment away from grabbing a broom and going there, there like in that 30 rock scene

I know they had a relatively low budget for this show and it was such a blessing in disguise. they invested in great sets and instead of cgi they relied on classic cinema tricks that I find so satisfying?? Idk if it's just nostalgia talking. here they simply move the camera away for a moment, lower the lights and move the actor in position, and it makes for an amazing jumpscare.

baby lilia asking 'vuoi vedere?' do you want to see? because it is a choice for lilia. for a long time she chose not to use her gift- she was simply too powerful, she saw too much, and the knowledge of the future scarred her and made her an outcast among others

alice's smile at seeing a vision of her mom T-T

why inconvenient? what was jen doing? she was an obstetrician and midwife. she was helping women out with herbs and pagan knowledge passed down from mother to daughter. Back in the day midwives were struggling to get their skills recognized in an increasingly male dominated field, they were advocating alternative treatments for women constantly humiliated by condescending modern doctors - from forced bed rest to insane asylums to lobotomy in worst case scenarios. think Charlotte Perkins Gilman's short story, The Yellow Wallpaper. think about everything that happened to Virginia Woolf.

we know that alice was a teenager when lorna died in a fire. she wasn't well, alice says, and we see now that she had a drinking problem. it's equally possible that the demon got to her or that she set herself on fire out of desperation. and if lorna could feel her own mother dying, alice could too.

daang great zombie makeup on the teacher lady

lilia when her incredible abilities made her able to see Death: burdened by knowledge way beyond the scope of humanity she goes into exile

agatha when her incredible abilities made her able to see Death: you know what I'm gonna tap that

I saw people saying that because the Road wasn't real nothing that happened in the show mattered, that they all died for nothing. I disagree completely, and not only because Billy's chaos magic is so astonishingly powerful that he can create a functional Road out of thin air. like, it wasn't a trick, he made it real. But more importantly, what happened to these women, their experiences, their growth on the Road is real. Even if Billy didn't do it on purpose, even if it's fucked up that a teenager can essentially go, you know what would be cool? if they all experienced their deepest trauma! but that's the point, that's the point, that's the whole damn point of the show. life is chaos and nonsense and heartbreak, it's up to you to find a meaning where there isn't any. look at lilia! the lesson is not that you're going to die, but what you choose to do with the cards that you're dealt, with the time that you're given.

while Patti clearly has an american accent, she is speaking correct sicilian, tutti morti su' - they could have had her talk in italian and hardly anyone would have noticed, but they went above and beyond with the details. the latin in the show is also rather impressive, like they actually hired experts rather than relying on google translate

agatha has gotten too used to run leaving a pile of bodies behind. not so easy to consider them just food when you have to live alongside them and witness their feelings, is it?? first wanda and now this!

@perpetualanon pointed out yesterday that agatha also had selfish reasons for wanting to save billy, i.e. she didn't want to risk him being poisoned because who knows what horrors a hallucinating billy could create. Yes! exactly that! it's always worth saying that when agatha has these fleeting moments of compassion and altruism it's in the context of a whole lotta selfishness. i think of her as that drawing of Stitch's badness level, her whole body is almost filled to the brim with awfulness and there's only a thin layer of goodness that she's constantly trying to smother. her actions on the Road are almost entirely selfish, but for the first time in centuries she's surrounded by people, like Lilia here and Jen and Alice and especially Billy, who are accidentally nurturing her almost atrophied good side. and lemme tell you she's pissed about it!

of course these two don't know what a sous vide is, one is dirt poor and the other eats people.

I'm gonna take a stand for zoomers here, he might have never learned what counterclockwise means, but millennials like me would also have hesitated and tried to picture it in our minds. because a lot of us lack spacial intelligence and are generally rather dumb

the shock and terror on her face when she hears nicky crying

another great special effect achieved only with lights and the cast shuffling out of frame

they show the darkhold because they need to mislead viewers and can't give nicky's story away just yet, but doesn't it make sense that agatha would see it? all these centuries blaming rio, and deep down agatha is haunted not by Death, but by her own actions and choices. the way she kept Nicky isolated and unsafe. the way she insulted his memory by going on killing sprees instead of letting herself mourn. the way she used the darkhold to corrupt her soul more and more, because she was never brave enough to confront her guilt.

kathryn hahn really said, do you want Emotional Devastation???? do you wanna see a woman SUFFER? do you want your heart put through a blender??? I can do that in TWO seconds

agatha wants to NOT DIE so badly that she has to drop the clown act and give jen a proper pep talk. because she knows what makes people tick and she can uplift just as well as she can destroy, she can help jen because she knows her so well. there's always that potential there, all of agatha's talent and her intelligence and experience could shape her into a great mother and sister in a coven. a potential that evanora refused to see and that will likely never be fulfilled.

and the irony, the irony of never wanting to hurt jen, to deliberately avoid going after her - because she's a midwife. because nicky was stillborn, because she had to give birth alone in the woods. agatha believes with all her heart that jen's work is fundamentally good and important. and yet she was the one who bound and tortured and violated her. she was so fucking focused on herself that she didn't even realize she was tramping and destroying everything in her path like a mad steamroller. she allied with the enemy, she went against her community's best interests. there's a lot to think about there, I really want to explore it more

patti during that hot ones episode

NOW YOU GUYS REMEMBER HER. and of course it's alice who does

your internalized stereotypes are really testing lilia's patience, billy (and while they consider the oven sharon is writhing and dying on the table)

how it started: jen pushing lilia out of the way

how it ended: "you are my sister in the craft" 🥲

I love you patti lupone

alice is strong! alice is noble! alice is pure of heart!

gee i wonder why

they had to add a goonies poster in billy's room because of this scene, but i guess disney didn't want to buy the copyright so the poster says "the goofballs"

agatha shoving everyone and then kicking jen twice for good measure

my guilty pleasure is watching reactors on youtube (don't judge) and everyone, everyone had my same reaction to sharon's death: she is not really dead. it was too unceremonious, too sudden. you cannot have debra jo rupp unconscious for half an episode and then get rid of her like that, she's too talented, too funny, how can they keep the humor up without her? if sharon is gone they don't want to watch anymore! no, they're gonna bring her back for sure, they're witches, they're going to find a way.

And then Alice dies, and it's unfair, it's too sad, she just had her big victory! that doesn't sit right with you, that the writers would do her so dirty. And then Lilia dies.

Wanda said it from the very beginning: we cannot reverse death, no matter how sad it makes us. Some things are forever. Sharon's death was horrible and uncomfortable and senseless on purpose, because these shows are about the exploration of grief. How can you make peace with the impossible? How can you reconcile yourself with a nice fun lady dying after losing her last shred of agency, scared and alone and forgotten? Didn't she deserve so much more than being just a casualty of witchfolk drama? And how can you reconcile yourself with someone as good and as wonderful as Alice dying in such a cruel way? What about the death of a parent? of a spouse? of a child? What about your own death, as inevitable and inescapable as your birth?

I'm posting this one early cos I didn't sleep last night and I wanna take a nap now 🥲 when I'm tired i ramble, I knew that already. sorry-y!

we get to episode four tomorrow, and y'all know what, or rather WHO, that means!

go to episode 4 part 1

[sunnydust2003]

Vent:

It's official

I'm scared of her rn because since i deleted my DA account, she won't leave me alone.

She's still stalk and harassing me despissd facts, i left this god awful website.

She's calls me like a pedo, zoophilia, child murder and etc with no proof and took out of context.

Like explame this as possible i am:

1. Pedo stuff:

The reason why she's call me a pedo because i favourite parody of Cuties which was make funny of pedo which i favourite because i like people make fun of this type people who deserve that from piece of shit but i regrett favourite this art.

And one thing, i hate Cuties because you know why.

I'm glad it's got remove from good.

2. Zoophilia:

She's calls me a Zoophilia just because i comment of one my friends art of "Oh No, He's so Hot" gif of Squidward from picture of Donald being muscular (it's not fetish art btw) and she's believe i have crush on Donald which i don't have actually crush on Donald Duck.

Do i like Donald Duck, yes but do you have crush on Donald.

The answer is fuck no.

Donald isn't my fictional crush.

3. Shipping Ren and Stimpy.

She's believe i ship Ren and Stimpy just because of i comment one of person which i ask person where she's start ship Ren and Stimpy because i like heard when they start liles ship or anything.

Beside i don't ship Ren and Stimpy because i see them as friends and nothing else more.

4. She's hates when someone favorite artwork just because they don't like.

She's blame me of i favourite Spongebob x Vocaloid: Lust because she doesn't like song which okay fine but why you blame me from this.

Oh yeah because he's was prevent to female or some shit which btw i never actually listen to Lust or anything because i'm not interest on song.

Only i favourite because artwork was amazing and that's why favourite art in first place.

5. She's blame me over i ship something.

She's blame me over i made status about i cringe myself when i used ship Elsa and Selena Gomez just because i thought it's was adorable.

Keep mind, i was minor back the day, i didn't have brain development until i get olded and realized:

What the fuck is wrong with me.

Idk what's wrong with my younger self when ship this two.

I'm glad i stop ship this two because it's was weird af.

6. She's calls me a child murder.

Yup she's calls me a child murder because of i was hyper about FNAF movie and says i'm only watch movie because i want see kids get killed which wtf are you talk about?!

I'm not watch movie because kids get killed, i'm watch this movie because of how adoption of game it's was.

And i'm glad they didn't show kids get killed in movie because last time i have experince with kids get killed is was hard to watch.

7. She's rant about how i so called treat my friends shit.

Now yes, this was true i was asshole about my friends about whole of "Freddy hates his friends" but i was only mad at this because my friends is remind me of toxic cartoon community and i don't want my friends become one of them but since i watch AOSTH and Scratch, Grounxed and Coconuts are become my new favorite characters, i realized i was asshole towards my friends and i apologie to him from real this time and he's accept this apologie.

This now, we talks about Freddy fight Peck or other his interest, hell i even give him a idea and drawing based of i comment on this because i want make him a happy and i love make friends a happy.

But what really pissed me off is she's lying about me so called sent my whiteknight to my friends which it's was bullshit because i don't even have whiteknight and don't want harassing my friends over this.

I may was asshole but at least i apologie about my action and i want improve myself.

She's just lying herself with no proof of this.

8. Finally she's get trigged over i made one meme of Lincoln get kick out which was meant be make fun of toxic TLH fanbase of how overprotective Lincoln when Lincoln is no better.

Now if you see Such No Luck, i made meme this because i want pissed TLH fans off because how over sentisive about this when Lincoln is no better because he's was lying about he's got bad luck just want have free time when he's could tells his family honest.

Before you say, no i'm not defense Lynn Jr and facts, both of them are unlikable.

So yeah.

9. She's blame me over the facts, voice actor of Abby (Back at the Barnyard) is anti vaxxer and she's say i should proud of her because she's so called cares her children which i have question:

If she's so called cares her child, she shouldn't realized maybe i should protect my kids from infection but nope, she doesn't give a fuck about her children and forced on people who tells to wear mask is canceled culture which prove me a point, she doesn't care from children.

And i want talks about her double stands ass because i like how she's called me a pedo when she's also defense Rev Says Desu who is lolicon and she's defense him by saying:

"Oh he's not going after a real kids, they are just fictional characters" which is gross af.

And thing is she favourite of My Melody and Kuromi from Sanrio x Yu-Gi-Oh pillow sexual which remind me of:

"My Melody and Kuromi are underage" which is red flags because how she support this type shit.

So remember i tell you about she's thinks calling me a child murder just because i was hyper about FNAF movie.

About that, she's also double stands because she's calling me a child murder over FNAF movie but yet, she's have favourite FNAF on her DA.

Hey are you same person telling me about i'm so called support child murder just because of one movie but yet, you favourite FNAF despised facts, you just said to me i support child murder but i guess, she's become stupid af and acting like she's a innocent person.

Yeah fuck this bullshit.

So yeah, i'm done with this shit.

It's time to move on from good.

So yeah, if you reading this:

Please leave me the fuck alone, i don't want have deal with you or anything.

I just want get free from stalker and harassing i got from you.

So please leave the internet and get some seriously help.

[rookinthecrownest]

Discussion about romances + expectations under the cut (I'd put it as like..mildly critical, but also coming from a place of understanding?). As usual, will tag as such so you don't have to engage/read on if you don't wish to. I always invite open discussion, just keep it respectful (as I will endeavour to do so myself).

This is going to be a bit of a ramble, so I apologize if my thoughts are not clearly laid out like they should be.

I think I've found the reason why I (and maybe others), feel that the romances in Veilguard feel a bit... idk, hollow, at times (not BAD!!! just feeling like there could be MORE). And that's because of the trap of expectations. I may also be speaking completely for myself here.

Anyway, let's rewind to 2014.

Be me, 10 years ago. You're not really a gamer, but indulge in action RPG's casually.

See a commercial for this hot new game coming out called Dragon Age: Inquisition. Be intrigued by the character designs, but know nothing about the world. Come to find out it's part of a trilogy. So naturally, you buy the first two games and play through them before playing the third.

Be amazed, and completely hooked on the characters, the lore, the world, the darker elements and themes. It becomes your favourite game series of all time.

But you had no idea that you could romance any of the companions going into the experience. And man, does it fundamentally rewire your brain chemistry to fall in love with cRPG and get ridiculously attached to your Warden/Hawke/Inquisitor.

So, you romance Alistair first because he's funny as hell, and has a really interesting story/character arc. Then you romance Zevran, and love that too - he's charming and suave and awkward and funny. Then you go onto DA2 and romance Fenris and Anders, and each of those romances pack their own emotional gut punches. Then it's finally time for DAI, and predictably, you go for Solas (a veritable slow burn that spans TWO games), Cullen, and partially (I never finished those playthroughs lol) Blackwall and Dorian.

I had no idea you could romance companions going into these games. It was a pleasant surprise! It always felt like an important part of the story, while not overshadowing the main plot. There was enough material in the codexes, the cutscenes, and party banter to make each romance feel complete and whole and awesome and nuanced.

And then, like some of you I suspect, I read an article that touted Veilguard as "The Most Romantic Bioware Game Yet", and I thought - "Wow, if they're saying this then the romances must be something else", given the quality of the previous romances you've experienced in these games!

But you get to the game - and while you're having fun, it definitely leans more into the ARPG style where romances feel a bit more pushed to the side in order to tell a certain story than the traditional Bioware/Larian RPG experience you've come to love.

Which is fine! Again, once I stopped thinking of Veilguard as a classic Bioware CRPG, and more like GOW/The Witcher, I found I was able to appreciate it a lot more for what it is. Things have to Happen A Certain Way for the narrative to work, and that's not a bad thing. DA2 was similar - it was a harrowing, personal tragedy about the Hawke family and their struggle to survive in Kirkwall.

Just like DA2, there are aspects of Veilguard that make me glad things happened the way they did. I'm not mad that Rook has so much dialogue without a ton of player input and you can't 'be evil' - because the game doesn't make sense if you can. At its core, Veilguard's narrative is centered around Regret, after all - you can't have an evil protagonist running around because Solas' Regret prison would never work (evil people don't generally tend to regret their actions...)!

Now, if you're expecting a long-winded, fully researched academic breakdown of every romance I'm sorry but that ain't happening tonight lol. This is not based in any fact, this is all opinion.

I can't quite put my finger on it, but sometimes it feels like the romances in this game (and I say this with the biggest grain of salt as I've only done Emmrich and Lucanis' - and am going through Neve's now), are just missing....something, to take them from good to great.

I loved Emmrich's romance. I thought it was very well done. I think a lot of people would agree it's one of the stronger ones in the game - doubly so if you play as a Mourn Watch Rook (you get a TON of MW specific lines going this route, it's great). His side romance with Strife if you don't get together is very cute, I enjoyed it. But as superbly well done as it was, somehow, I wouldn't even put it in my top 4 Bioware romances.

With Lucanis' romance - whatever my hangups may be about how it was handled, certain parts of his romance were done excellently (even better than some of the previous Bioware romances, I'd say). You can read more about my thoughts on his romance here which is why I'm not going into detail about it. Unlike Emmrich's, I would put it in my top 4 because I fell in love with the character that much (both in the game but really, I've loved him since Tevinter Nights), and I've grown very attached to my first Rook and him as a pairing. I've seen others share a similar sentiment on here (and I hate to say it but I agree) - sometimes it feels like I fell in love with Rookanis despite the way it was handled, not because of it. I can't say that for many other romances. While it's been fun to think up a lot of HC/write fics/make art about those abandoned concept sketches and parts where I felt the game could have showed us more of their dynamic, I can't help but feel like his (and other) romances would have immensely benefited from even 1 or 2 extra small scenes to flesh it out a bit more if they weren't going to let us freely talk to our companions.

The issue with the romances might also have something to do with the pacing of the game itself. I think Act 2 is where the pacing goes a bit awry, before picking back up in Act 3 (which is great, I love it).

Sometimes I also felt that there was a little too much reliance on codex entries and party banter to tell the story of the romance rather than showing it explicitly through cutscenes. I think that's what makes the romances feel a bit truncated at times, compared to the previous entries? Some of the romance-specific party banter was so good, it probably deserved its own cutscene. But it's also highly dependent on the party you have, and it's easy to miss/not trigger. I remember absolutely living for the cutscenes in the first three entries and I can't explain why I feel like, subjectively speaking, Veilguard just has less romance content (this may not be objective reality - I haven't compared the amount of romance specific content head to head with other games).

I also couldn't tell you why I feel DA2 doesn't suffer the same problems as DATV in terms of romance interaction - because you can't freely talk to your companions in that game either. Yet somehow, it always felt like I was getting enough of them to not notice that. I do miss being able to chat my LI's ear off and ask them questions about their life/their views/etc. like I could in DAO and DAI. I think it's a shame we can't because the companions in DATV are SO interesting. I want to ask them all a billion questions about their lives/stories/etc even if they're not my love interest. The party banter in this game is immaculate but being able to talk to them individually about this stuff would've been SO nice. I feel that I've missed out on SO MUCH of these characters just because I didn't have two of them in my party at the same time!

Anyway, I need to wrap this up.

In closing, perhaps, if I hadn't read that article about how it was going to be Bioware's most romantic game ... maybe I wouldn't feel this way? I think it sent my expectations through the stratosphere, and that's no one's fault but my own. Not Bioware, not EA, mine.

I know that this game's development cycle was a unique sort of hell that the other games didn't suffer. To go from Joplin -> Morrison -> Veilguard. To have so many of the original staff leave the team when Joplin got scrapped. To have to pivot from Live Service and then back to single person RPG. More lay-offs. It's a miracle this game got made. I'm happy I can sit around thinking about it. And I hope its successful enough that we get DA5 so we can all sit around dissecting that in 5-10 yrs time.

Don't get me wrong - I enjoy the Veilguard romances for what they are. I'm enjoying them more I play and discover additional banter/codex/etc that I missed the first time around. Like any Bioware romance, there are spots where they hit their stride, and spots where they falter a bit. When they hit their stride they knock it out of the fucking park. But when they falter, you can really feel it. Romance is hard to write! And you'll never fully please everyone.

But a small part of me wishes I'd gone in blind, and checked my own expectations a bit.

Maybe you agree, maybe you don't. Tell me about it. What was your experience with the romances? Did you also read that article and get your expectations up?

I hope this makes sense.

Kind regards good fandom folks,

Keep the discussion respectful. And please don't use this post as an excuse to just blatantly hate on the game.

-Rookie

[meamiki]

Here is the original ramble! Actually I will preface this new rb by saying please feel free to correct me if I am mistaken in misremembering anything in these!! Okay here it is under the cut proper

vvv

---

Okay, so honestly this is more or less an excuse to ramble out an appreciation post (of sorts) on everyone tbh, since I do not do that often if ever. I'm just using the quote picks to keep me a bit focused on topics a bit more specific than being completely aimless!

[Also specialist of special shoutouts to my friends Squid and Aya for proofreading all this. Ily guys ever so dearly <3333]

---

Mirabelle

"Avoidance, huh... That feels... a little too cowardly, for me."

The Housemaiden, who would probably fulfill the 'Hero' role if this was a normal RPG, Mirabelle! She has a lot going on that's so interesting to me!! Okay tbf everyone else does too but I really just needed a segue.

She's the chosen one that wasn't really chosen. The reason she was blessed was due to circumstance, and it wasn't even by the Change God either. Because of that, she feels immense pressure/imposter syndrome since she knows the truth of her blessing. Speaking of feelings, she also already felt like she’s failing her own faith for being comfortable with herself, in staying the same forever. For not wanting to Change in that way, when everyone else can, and feeling broken because of it. And, of course, she literally has anxiety and hasn’t had access to her meds throughout the entire quest. That probably also does not help in the slightest!! It's an interesting stewing pot of feeling like a fraud of a 'chosen one' with all that in mind.

And yet, her dedication to her faith and country shines through her actions and words, whether she knows it or not. She’s not someone to avoid her worries. She’ll face them, head-on, even if she doesn't think she'll succeed. I feel like this quote captures it best to me actually! Especially since it's a direct response to Sif saying that they try to avoid their own doubts and worries, in comparison to Mira’s own in her own faith. It almost feels like a subconscious response, and to me that says a lot.

[Side-tangent, but it's also interesting to me that this very dedication works against her, in a sense? Like, notably the bonding proposals. Beyond the societal pressures in play related to the Change belief, she is also the one to take the initiative to ask a dating company for bonding proposals, it didn't just happen around her (as in, no one suggested this to her)? Even when she isn't even interested in dating anyone to begin with! She's not interested in Changing in that way!!! That is to say, her head-on dedication can be to the point of her own detriment at times, to the point of bringing her woe? Not sure if I am wording this properly. Just a thought I had, idk if it has much merit tho. Sorry if that made like no sense!!]

But yeah! She gives it her all in just about everything she does!! She was already known as the most hardworking Housemaiden in the House, always striving to better herself, always taking new classes prior to all this (over 150! and she herself said that she couldn't do anything before coming to the House, which makes it all the more impressive). And when faced with the insurmountable task of saving her home, all of Vauguarde, from being frozen over by the King? She continues on to take on the mantle as the chosen one, the one who will save everyone, and she starts it off completely alone. She's the reason the journey was able to play out, and why everyone is together in the first place. All because she isn't one to avoid her doubts and worries, and willingness to do it scared, yanno? It's just a small part on what I appreciate about her, but I think I'm going to cut myself off here!

---

Isabeau

"Doesn't that feel like someone you wouldn't feel ashamed of knowing?"

Isabeau!! Literally the whole “Change is destruction” convo that Isa has prior to this quote was up to be picked, but I figured picking the end would be easiest. But now that I think about it, I think all my picks are basically at the end of the FQ's so that point is sort of moot. Oh well! It's just hard to pick a singular quote off of these okay!!

Isabeau from the start of the game is shown to be portraying himself as a himbo. Big guy, dumb guy, the like. But, even from the start, there are signs that he really isn't stupid, like at all! First early gameish example I can think of off the top of my head, that distinctly shows this, is the color theory book. Mainly because he sort of kind of drops the facade for a split second there. Without proper context to his deal, it's just a funny moment. But, reflecting after the fact, it's more of an '...OH!' moment, since he seems to have been kinda upset about not knowing about colors (even if he's hamming it up a little bit, saying he's 'failed them all' for not knowing what colors were.) And that's not even going into his emotional intelligence either.

But, delving into his FQ the full picture is shown. That he wasn't always this big boisterous guy. He used to be the nerdiest kid around, incredibly shy, and because of that he didn't like himself much. But then he Changed and is much happier now, compared to back then! Even after his Change though, he's unhappy with some aspects of himself. He doesn’t like being considered dumb because of his act. And, even after Changing, that kid from before is still there, right? As much as he continues to project this air of cool confidence, he can never truly be rid of that part of his old self, can he? The one always paralyzed by fear.

With that, comes the quote pick! Since, to me, he's not necessarily talking to just Siffrin here, but also to himself. Because it all boils down to his own self-hatred, I think? He himself does mention this in the A5 version of this FQ, albeit kinda heat of the moment, that he "...keeps changing personalities like clothes, because it's easier than learning to like myself." He's still a work in progress in that regard. But even still, he is trying to be better, for the people he cares about.

[Small aside, that too can maybe stem from his own self-loathing? Putting the people he cares about first. I mean, he is the one who told Sif to focus on the others first. And even after that, he was putting focus onto Sif at first during his FQ (as in, talking about how he thought Sif would like seeing the stars, only letting the convo slide into focus unto himself after Sif made an obvious topic change.) The quote also kind of reads as an ask of reassurance, in a sense? That him Changing again would allow himself to be someone that people would like, even if he himself doesn't like himself. Idk where I was going with this tbh, but I think it makes sense to keep its inclusion here!]

Overall, I just think it's interesting to revisit Isa's previous dialogues with the context of the FQ!! Especially when thinking on the underlying reasons as to why the way he's acting the way he is, even while seeing signs from the start that he isn't the airhead he was masquerading as.

---

Odile

"I'm Ka Buan and Vauguardian, in ways I do and don't realize... And I am also myself."

The Researcher, Odile! I think I’m just gonna jump right into it without a semblance of an intro since I know it’s going to be a lil less focused. Mainly because I know for a fact I will not be able to articulate this ramble that well, so here we go.

As the oldest party member, it makes sense that she's much further along in her own character development / self-discovery journey in comparison to the others (at least in relation to her FQ centered struggle on finding out more about herself in relation to her heritage), and I think her FQ, in itself, helps portray that. Compared to Mira and Isa, who are still in the midst of their own personal journey on how to address their turmoil and putting it to action, Bonnie, who is the youngest of the group and is learning how to tackle their issues to begin with, and Siffrin who is going through All That™; Odile has come to a conclusion about her own woes, where the others have not. 

That’s part of the reason why I went with the quote pick actually! In a sense, it’s a display of self-assuredness in herself that can really only be gained with time and experience. She’s also able to explain her feelings on her heritage eloquently as well, and the convo prior to the quote helps express them too! It’s the recognition that yes, her mixed heritage helped shape who she is as a person in ways she may or may not realize, that it’s not the only factor at play here in regard to her identity. It’s the fact that, at the end of the day, what matters most is that she is herself, yanno?

Even with her self-assuredness towards herself, it’s also interesting to me how that contrasts her closed-offness to the others, especially in outright saying/showing that she cares? Which also probably also stems from her mother, someone who was supposed to love and care for her, leaving without a trace early on in life. It makes sense to me that she would have reluctance in showing that she cares for the others!! What if she ends up hurting others similarly to how her mother hurt her?  Of course, she wouldn’t want to do that to the others, and is distinctly also why she does NOT want to be called a Mom. 

[Tangent that doesn’t relate as much to the quote, but I want to touch upon anyway since it’s FQ related. I also want to point out that the FQ helps inform us why Odile is more willing to question things around her / be more sus? When her mother left, she left nothing behind, and with it, any links to her Vauguardian roots. This left her with a complete loss of that connection, one that was stolen from her and, with that, the feeling like she didn’t belong anywhere as a result. This led her to be curious enough to seek out a resolution to that feeling, lending more into her inquisitiveness on just about anything. How else would she be able to learn more about Vauguarde, without asking questions, after all!]

All in all, for Odile it’s a bit harder for me to elaborate on why I like her? I dunno, I think it’s just hard to sum it all up as eloquently as she probably could LOL. 

---

Bonnie

"So you can protect me, and I can protect you... And we can protect everyone, too!"

Bonnie!! TBH I had a toss-up on what specific quote the drawing would be based around. The other one being “You got hurt because of me and— And I don’t like it!!! I don’t want it to have happened! You should have stood there and let me be hurt!” . Because of the toss up both quotes will be discussed somewhat, since they go hand in hand with the ramble!

[To note, the toss-up was decided by putting it on a poll to my friends, as a simple “choose !” with the options being “joyful” or “angsty” with ZERO context. I told them after what the poll was for (basically if Bonnie would be crying or not in the drawing) and I got threatened for that one HAHA.]

But, to start, Bonnie has had, not once, but twice, people sacrificing themselves in some way for them (Nille telling them to run and getting frozen, Siffrin losing his eye.) Makes sense, because they're a kid, so of course those who are older need to protect them. Still, they are not happy about this, about people getting hurt because of them, and understandably so! It probably doesn't feel good to have your loved ones putting themselves in harm's way for your sake. But what can they do, right? They're a kid and don't really get a say on the matter. I mean, what else can they do? It makes sense to me that Bonnie is frustrated about that part!! It can be frustrating to have everyone discuss things around you, have everyone do things that you don't want them to, and (unintentionally or not), ignoring your input as a person because you are so young.

Kids are smarter than you think. Even if they may not have a full understanding of what's going on, they can certainly follow along and get the gist. Like, for example, Bonnie always listens in on the burial conversation during the second snack break (first found out either during a FQ run or in Memory of Promise). They even pretend not to hear whatever Siffrin says to make everyone think that they aren't listening in! They also seem to hone in completely to the conversation the second Isabeau says that it doesn't matter what happens to him after he dies, since they stop prepping at that point. Even worse, everyone starts discussing how they won't let Bonnie be killed. Which, if it comes to fruition, would be the third instance of people getting hurt because of them, and would be another thing they get zero say in! And everyone thinks they aren't listening in on it, meaning they were being discussed around. Plus, in Memory of Promise, while they don't have the words to articulate why everyone talking about their deaths is so upsetting to them, this context spells out the picture of them not wanting people to be hurt because of them, time and time again.

So when they get a proper opportunity to have a say on something, their promise with Siffrin on protecting one another, to protect everyone too? It makes the exchange all the sweeter to me! It's the first time, in probably a long time, Bonnie has had proper input on something from someone older than them on an important decision. For once, they get to stand on a more equal footing to an adult, rather than being treated as a kid who doesn't know what's going on. And, it probably means more to Bonnie than Siffrin realizes.

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There’s probably a lot more of examples/subtopics I am forgetting to add onto all of these but. Please forgive me, but a good chunk of this was written while I was travelling or in one sitting on my singular day off after travel ASDAFSA. I might genuinely be forgetting something I wanted to talk about, esp since I couldn't double check stuff easily. I've been going off a combination of memory and downloaded friend ISAT streams LMAOOO.

Feel free to correct me on stuff I possibly? Completely misconstrued as well?? Since that is entirely possible in happening! Or further add onto thoughts! In short feel free to extend the discussion on any of this! But yeah, wrangling (some) of my thoughts on why I like them has been fun :D

And to those of you who read all of this to the end, thank you for reading my ramblings!! And if you're skipping to the end, FAIR ENOUGH LMAO!!

Regardless though, I'll end this off with a fun lil fun fact about this post! If I scheduled this properly, it should be going up at 11:11... somewhere! I thought it'd be a fun easter egg to myself. Mainly bc I remember people always used to say "11:11, make a wish!" a lot when I was school whenever the clock struck that time. I just thought it'd be fitting to queue this up for that time is all :]

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Happy Anniversary In Stars and Time!! Have some Friend Quest based drawings :D

(These have specific quote picks related to them! And there's also a long ramble on why I like those specific quotes below if interested)

(And by long, I mean roughly 2k+ words of proper ramble total, so be warned before clicking keep reading this link right here to the rb!!)

[lexumpysfunland]

Aquarium

Day 2 of the road trip! today I'm not referring to a specific place in France so just have them enjoying a little moment~

[fizpup]

valentine, you're a horse ❤️

[sunnymainecoonx]

And errr whatever this guy is

[lunarharp]

pretty & cute witch men

[sayakxmi]

Saiouma Puella Magi AU, but Kokichi takes Madoka's role and Shuichi takes Homura's.

For one, Kokichi's too naturally distrustful to just hear "I can grant you any wish :)" and not think ok where's the hook. So he just does what no one ever has & essentially interrogates Kyubey, so he knows it all even before he gets to make a contract. So, some of his classmstes are MGs & he won't become one himself BUT he still ends up tagging along to just protect them in his Kokichi ways. (Though I'm entertaining Kokichi lying about being a magical girl, because, well, it's Kokichi).

(I also got a small idea of Gonta being a magical girls and Kokichi originally tagging along him into labyrinths, Gonta also makes him a magic gun from the toy one he had, and at some point witches out & Kokichi manages to kill him with that gun. So he always has that spare Grief Seed on himself, bc it's still his best friend & he can't handle the idea of just giving it away or using it himself (he does anyway in the end).)

Shuichi prolly ends up being a new kid & it isn't like MadoHomu, the ppl who reach him first are Kaede & Kaito, classic. Kokichi's there, too, but he's his usual sus self. He's actually discouraging ppl from making a contract when they find out magic and miracles are real, which absolutely includes Shuichi. He's very vocal abt it, but he won't explain stutf, bc 1) he's a liar, so who'd believe him? and 2) he doesn't want them to witch out upon finding out the truth or, idk, murder everybody Mami-style.

Anyway, fast forward, bad things happen bingo & by the end of the run most charas are dead, there's Walpurgis nachting, and he makes his wish to bring back the ppl who died notably not as magical girls. Contract signed, he fights & fails, rip. I also thought it was similar to how he thought he could end the killing game by himself - he though he could finish Walpurgisnacht by himself, too. And he failed in both times. Whatevs.

Shuichi doesn't actually make his time travel wish for Ouma specifically, he wants to save all his friends. Timelines are messy esp at first bc he either tells then or it backfires or just makes himself look very sus bc he's trying not to tell them. He also realizes why Kokichi hadn't told anybody aby witches at some point, bc, yeah, it messes them a lot, assuming they believe it.

Still, Kokichi ends up one of the few people who are nearly always giving him a chance, not necessarily out of belief, but out of pragmatism - bro can stop time & knows the truth, that's just too useful. So they often work together & Shuichi grows closer to him but still we ain't there yet. But the thing is, Shuichi's time travel still makes Kokichi more & more powerful with each timeline, bc Shuichi usually goes back after Kokichi dies, so the universe figured out this guy's life's important. Anyway, another notable thing is the iconic Homura kills Madoka scene, but it's Saiouma with guest stars of Kaito & Maki. It's Walpy, it's not defeated yet, but the training trio are spent & just kinda accept their fate of turning into witches together. And then, boom, Kokichi appears & steals their Soul Gems for a sec & he's like did u know you can cleanse your Soul Gem with a darkened one? But it's a lie & he quickly tells them so, he just had a spare Grief Seed after cleansing his Soul Gem & he needs them to do some stuff. Shuichi can travel back in time & fix things, and Maki & Kaito are needed to fight Walpy here. He actually questions what happens to the timelines Shuichi leaves behin, and ofc he doesn't know. There's a chance they remain, so Kokichi needs Maki & Kaito to fight Walpy here.

Kaimaki leave, and Shuichi finally looks at Kokichi & realizes sth is Wrong. Kokichi struggles to hide how he's trembling & grimacing, and it's Kokichi, so obviously it must be extremely bad. Shuichi dreadfully realizes something worse, and he weakly asks Kokichi why aren't his wounds healing. And Kokichi just falls, laughing weakly, and Shuichi catches him & searches for his Soul Gem and, God, he knew it. It's nearly completely black. Kokichi laughs & admits he lied abt having two Grief Seeds, he only had one he never wanted to use. But they'll have the second one soon, so no need to worry. He asks Shuichi to maybe destroy his witch form as it's hatching, so he'll have the Grief Seed without any fighting… and he admits that he hates fighting, he hates this magical world and all its violence. He says that Kaito was right in calling him a coward, even here he just can't handle the idea of fighting any longer, he's so sorry. And Shuichi tells him he ISN'T a coward. He was scared, but he always followed everybody, trying to help, and when push came to shove he would always make a contract for the benefit of others rather than himself. He's a lot of things, but a coward isn't one. Kokichi actually tears up hearing that, and Shuichi promises he won't let him fight ever again, and especially he won't let him turn into a witch and hurt anybody, because he knows it's the last thing he's ever wanted. Even now he only accepts turning into a witch to help them fight to keep others safe. So Shuichi won't let him. Kokichi probably apologizes and thanks him and then he dies.

Keeping Kokichi from fighting starts off as a side quest that gains importance with time, bc it's something Shuichi won't compromise on (ah, trauma), which leads him to occassionally neglect others a bit, which makes them more likely to get hurt & ironically Kokichi more likely to make a contract, especially since he gets more powerful & Kyubey is more interested in him with each timeline. And that also makes him witch out super quick. Shuichi's paying more attention to him & over time grows resentful of others for how they're treating him. To Shuichi it's no question that Kokichi cares & is just doing his best to help, but nobody realizes that.

But the biggest obstacle in keeping Kokichi from fighting is actually Kokichi himself, bc he's too smart and nosy, lmao. Even if he knows nothing, he will find out quickly. Doesn't help that Kyubey wants him to make a contract.

Also, obviously Kaito is Sayaka-coded and Maki could be Kyouko-coded, so that's a thing, BUT it's usually Maki that witches out. Kaito is usually pretty close, but Kokichi intervenes & he survives, but Maki later cracks on her own (and since in the new timeline Kokichi isn't there, Kaito's the one to die, so he's still the secretary). So it's Kaito who gets the dramatic sacrifice. I imagine he genuinely hoped you could bring somebody back if you tried Very Hard & Kokichi called him a moron bc obviously it's not possible. If it was there'd be far less witches that there are. But it's Kaito, he doesn't listen to reason. So, Kokichi follows him to the labyrinth. At first Kaito's mad cuz what if Kokichi being there ruins the plan? Maki hates his guts! But eventually he gets hit pretty hard, and Kokichi is near immediately by his side, trying to help him get up, which kinda makes Kaito short circuit a little bc wait Kokichi's trying to help? But witch!Maki attacks them & Kokichi pushes Kaito away & gets caught himself (and choked until unconsciousness, naturally). Anyway, Kaito gets him away, Shuichi catches Kokichi & Kaito makes up his mind about going down with Maki & asks Shuichi to tell Kokichi that he's sorry. He doesn't get him, but he got hurt trying to protect him, so he'll believe in that if nothing else. F.

As for The WishTM, in the last timeline Shuichi lashes out at Kokichi for his willingness to just become part of the system. In no timeline has his wish actually helped, it did NOTHINHG, which OUCH but it also makes Kokichi think out of the box more & he becomes the Law of Cycles. And Shuichi realizes what is happening & freaks out bc Kokichi's doing it bc of what he told him & like Homura they end up having a momentTM in space & Shuichi remembers. He feels a lot of guilt even tho he also questions whether anything was real, but if it was, he pushed somebody he far too realized he loved into erasing himself from existence.

[waketoearth]

20 POSTERS FOR JUNGWON'S 20TH !!!

[softpine]

okay i just made maybe my favorite thing ever 🤭 i'm so excited i wish i could just post it now but there's still more to do, but i'm grinning ear to ear even though that's highly inappropriate for the subject matter

[thatonecrookedsmile]

"There's nothing wrong with dreaming. Wishing for the impossible is just human nature. That's how I got started. Just a pencil and a dream. We all want everything without even having to lift a finger. They say you just have to believe. Belief can make you succeed. Belief can make you rich. Belief can make you powerful. Why with enough belief, you can even cheat death itself. Now that... is a beautiful, and positively silly thought." -Joey Drew.

[OPEN YOUR EYES]

-Line-

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I mean, at the end of the day, he wasn't so wrong about that last part.

This one also took a little longer to finish. I wonder why /s.

I usually don't like drawings where I have to create a design for a character I've never drawn before. It ends up making me force myself to come up with ideas and sometimes I end up not liking the design anyway. At least this time? That didn't happen (thank goodness).

At first, I didn't know what to do for this prompt. What I originally conceived was a more "joke" drawing with Joey and Sammy, with Sammy literally drawing the line between him and Joey with a big pencil. No big deal, right? But then the phrase "end of the line" came to mind and then… this happened. Funny. A while back I had an idea for a drawing about Joey's afterlife. The idea was much simpler, from what I remember. And compared to what we have, quite different.

"Death" is what came for Joey, and it's what comes for everyone. What he faces is nothing less than what will determine his fate. It is the very Arbiter itself - the eye that sees all - who decides where souls whose lives are over will go. The heavenly gates in the great beyond? The burning flames in the darkest pit? The void of vast nothingness? Somewhere else beyond? Reveal your soul and the Arbiter will decide. I have a certain guess as to where Joey is going, but I'll leave that up in the air.

Maybe I thought just a little bit too much about a character that I probably won't draw in a long time,but i don't mind giving a little lore even to characters that i don't see using much in the future, you know.

(Also, since I used Joey's audio log from BATIM CH3 in the beginning, did you know that Dave Rivas (Joey's current VA) did his own reading of that audio? He's going to be a guest on the Indie Horror Talk Podcast, and the video they posted teasing Dave's appearance there has him reading this same audio log, only with his Joey voice. So now we have Joey's first audio log in the series voice acted by both his first VA (David Eddings) and his current one. I thought that was cool, you know. I found this out a while back and wanted to talk about it for a sec.)

(Alt. without the text):

[grapeskeeto]

kinito I missed uuuu. messing around with shading

[cindergarten]

what are your kg ships? can be ships you absolutely love or also ships you think are cute.

I absolutely love 🩷Cindix💙 x100000

it grew on me and now it's like my biggest ship! 🫶 But it's also the only "popular" ship I have cuz I like lots of lesser known ships like:

💚Emindy🩷 and 💜Austix💙

( those two coexist in my mind. If I'm not shipping Cindy with Felix, I'm most likely shipping her with Emmy. Same goes for the boys. Listen, you just gotta see the vision )

Now for some that I like but I'm not as crazy about as the ones above: Perla, Bindy, Felonty, oooh and I really like Austemmy!! and a bunch of others. And I mean a BUNCH.

But yeah I'm veeery open minded when it comes to ships, the joy of being a multishipper ^^