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pianostarinwonderland · 4 months ago

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Now it's likely we will enter everyone's dream what do you think azul dream would be?

rubs hands Ohhhh anon, you're in luck because I have so many thoughts.

Since I also have ideas for the tweels, I'll take this time to write what I think all the Octavinelle dreams will be like. Most of these are my own thoughts, but some ideas are from friends. And because I love the trio so much, I'll also write my own ideas of what would possibly get them to wake up and such.

General notes before listing the individual dreams:

May be an obvious point, but I think all 3 of them will have each other in their dreams. Octa trio are very close, and I don't think they can imagine not having each other in their lives. It also matches how their initial dorm card art have each other + how all three of their stories are tied together.

I think that Jade is going to be the Octavinelle dream segment's SSR because of the twins, Kalim and co. will likely have an easier time waking Floyd up. Jade may need some prodding from someone more familiar with him.

However, I do acknowledge the argument made by my friend that it is possible for Floyd to be the SSR as he's the rightmost one in the order you find at the lessons (if you notice, the order goes Ortho > Lilia > Rook > Kalim (though Kalim is an exception) with Sebek in between Lilia and Rook, and they're the rightmost ones in their dorm order seen in lessons. Floyd is the rightmost one in the Octavinelle order). And I wouldn't be surprised if TWST decides to pull that out. But admittedly, I don't know what exactly would make Floyd's dream deep enough that he needs to be woken up by someone more familiar, so I write the dreams with the assumption that Jade will be the SSR.

Though not necessarily going to be important in the following ramble, I have a feeling that they will release Coral Sea's hometown event to be able to use certain assets (i.e. backgrounds, possible official reveal of Azul's merform) in book 7, just like Vil's hometown event was used for the Pomefiore dream segment.

As a disclaimer, I don't have full translations of the last two updates so I may not have the most accurate ideas for how the Octa dream segment can turn out because there are patterns they're following here. Many of these are still brainrot induced (even though I think I make good logic wheezes).

Ok, with all that said, here are my thoughts for the Octa trio's dreams :>>

Floyd Leech: Living underwater with Jade and Azul

It's not a secret that Floyd is at his happiest when he's in his merform. Among the trio, he's the one who transforms the most often into his merform. Some incidents include the time that he transformed during swimming class according to Ruggie (Book 3) and Vargas Camp where he transformed to get fish. Floyd is also the one who tells the most stories of his time under the sea with Jade and Azul. We know about their middle school band because of him (Robe Kalim vignette); we know about Azul's actual size in his octopus form because of him (Beans 2 main story); we know about the music contests they used to join because of him (Portfest Floyd vignette).

So it makes sense that his dream would be in the sea, where he's in his merform. It's also going to be pretty simplistic, depicting a happy life underwater.

TWST tends to be very comedic, especially with the first dream. So my friend suggested it would be fun if there were literal fish versions of the cast in his dream 😂 so we could have live2D assets of a literal goldfish Riddle, crab Ace, sea snake Jamil, etc.

Jade and Azul of course would be in merform along with him. Maybe they might be playing in their middle school band: Floyd on drums, Jade on bass, and Azul on piano (and maybe their audience is composed of the NRC cast as fish).

In this dream, maybe Floyd has no memory of ever being on land with Jade and Azul. So that may be what the others will use to wake him up.

Jamil would probably remind Floyd of basketball club days + dancing, and Ortho would probably remind him of his love for shoes. These could be pretty reasonable as the permanent card vignettes (so SR Robe/Lab, R Uni/PE, SSR Dorm) seem to be compliant with the canon of the main story. Grim would probably remind him as well of Book 3's events and how he'd do fun shit with Azul and Jade at the Mostro Lounge. They would probably remind him as well that Jade and Azul love what they do on land.

I don't know where to insert this, but it's very likely that Azul in this dream does not hate his merform. Floyd talks highly of his merform (whether it looks yummy or very strong), so it's possible that he wishes that Azul loves himself just a little bit more (I really want to say it is hinted at, but at the moment, I have no idea if that's correct, let alone say where it is hinted at, so I won't say it like it's canon). And by extension, this can be Floyd's way of sharing that maybe Azul wouldn't have OB'd if he was more accepting of himself.

Jade Leech: If Azul never overblotted

Jade's dream would take a similar path to Rook's dream, in which the premise for the latter is that Vil never overblotted because he's not in conflict with Neige. And for Rook, that's okay, he just wants Vil to be happy, even if he looks on from afar. Except that for Jade, he wants to be the reason that Azul didn't have to overblot.

See, it's very subtle, but Jade is probably upset or even traumatized from Azul's overblot. While he never shows this (this motherfucker istg) the one small bit of evidence of this is in Book 4. Jamil's hypnotizing everyone, and Kalim, Azul, and the rest are frantic as they don't know what to do. But as Jamil is about to overblot, Jade tells him to stop, or else he will overblot. And that's a very interesting thing: why is it Jade who's the one telling Jamil that he'll overblot at the rate he was going? Why not Azul, who's both fascinated with Jamil and the one who underwent overblot? Or even Grim and Yuu who have 3 experiences of overblots by that time? Of course, that's not necessarily a guaranteed indication that Jade is upset from Azul's overblot, as in general, overblot is very dangerous and could kill a life. Jade may have been saying this to prevent Jamil from entering a life-or-death situation. However, I still find it intriguing that it's Jade who's warning Jamil, especially when another instance of another character trying to stop an OB was Kalim, who followed Vil since he was reminded of Jamil's own OB (and we know Jamil and Kalim have been together since forever).

There's two ways that this can go: either (1) Jade's dream follows like Rook's, or (2) it goes the opposite of Rook's.

In (1), Jade (and consequently, Floyd) would not be friends with Azul, and Azul would continue on as he is, only a lot more independent.

(1) stems from the fact that the plan Yuu hatched to destroy Azul's contracts was hinged on separating the twins from Azul. Jade might have realized this, either in Book 3 or off screen post Book 3. And in a similar fashion to Rook, he might blame himself a little bit for Azul not being able to get the contracts off of Leona on his own due to the fact that he and Floyd are always with him. So in his mind, he thinks he might be dragging Azul's potential down, and he knows how much Azul wants to become the best version of himself. So maybe he looks on from afar as well. Maybe he's still an Octavinelle student, but not the vice leader.

(2) also stems from that same fact, but it also has an additional element: In Book 3, Jade asked Azul if they should do anything about Leona, since it was unexpected for Yuu to stay in Savanaclaw. Azul replied that he probably won't act on anything, so he says not to disturb him. What if Jade might have been hooked onto this? That maybe he should have acted more upon his suspicions? That maybe he should have been more attentive when spying on Yuu and co to find out when they hatched this plan? So maybe in dream (2), he had a countermeasure or he just knew when to nudge Floyd to go back to the dorm before Leona destroyed the contracts. Then once that was dealt with, they deal with the photo and bam, Azul wins and they get the Ramshackle branch.

Both (1) and (2) are connected by Jade's wish in the Dances and Wishes event, where he expresses that his wish is for Azul's and Floyd's wishes to come true. In a sense, (1) fits this a bit better than (2). There's also the idea that moray eels have a cowardly nature, according to Floyd. (1) could be an expression of said nature within Jade.

But if you ask me, I think (2) is a bit more in line with Jade. Firstly because I doubt he can imagine not being close to Azul, secondly because I think in his ideal world, I think he'd wish he had more control over what happened (and Jade has a thing for control).

Thirdly, it matches in terms of how his dorm card and Rook's dorm card are both same and different. The gameplay of TWST tends to be intermingled with the story and characters at times. Dorm Jade and Rook both have first spells where they boost their ATK stat for 3 turns, with fire as their duo element. The differences between them are (a) card typing (Rook Attack vs. Jade Defense) and (b) M1/M3 elements (Flora/Water Rook vs. Water/Flora for Jade). This parallel can be reflected in their dreams vs. the reality of their situations. Rook dreamt of never being involved with Vil, but in real life he was in time to intervene and save Neige. Meanwhile, Jade would dream of being on time to stop Leona, while in real life, he was too late and only in time to kick Azul's ass out of his overblot.

And fourth, this is where you may wonder: Isn't Azul's second dream going to be the Book 3 AU, based on the patterns with Idia, Vil, and Jamil? To which I answer: yes! Definitely! But here's where I'm going to point out something: Jade and Azul not only have similar ish mindsets but also have the same paintings in their initial Platinum card art, just with flipped positions. I like to think that this is reflective of their dreams, where both of them wish to change the same events of Book 3, except that they'd go about it differently.

Jade would definitely be woken up by Floyd, who would remind him that what happened has already happened. (On this note, I wonder if we'll get to see one of their vicious sibling fights so Jade can wake up, but I'm just dreaming at this point)

By virtue of him being the SSR, we gotta think of what's the scenario that would make Jade cry! Him having to fight the fake Azul and Floyd might break him. Yeah, he's fought Floyd and all, probably dueled with Azul too, but it could be different when he has to be 100% serious about it. Either that or, there might be some part of him that hates the fact that it was a dream. And Floyd would have to snap him out of it, saying that everything is okay.

Azul Ashengrotto: Ultimate business owner + Book 3 AU

The first dream we enter, in typical Azul fashion, we're likely going to see him owning a whole chain of Mostro Lounge restaurants! And maybe not only that: he's probably running a hotel or two, he's got a delivery service going, he probably has a monopoly running while we're at it. Basically, it's all the stuff that he lists down in Book 6 before he sleeps on Riddle's shoulder.

His businesses expand over both land and sea. Since Azul prefers being on land, we may see him on land first before diving to the sea to check on business there. And that's where the first confrontation happens.

I think Azul would feel practically invincible by this point! And by invincible, he not only has everything he wants, but there's not a trace of his past to be discovered, so people think he's always been this intelligent and strong. So when he's confronted by Jade and Floyd, who share memories of his past (his shared past with them, from middle school to NRC), that's the first instance of Azul slowly starting to wake up and him panicking about his perfect world being fake. And it almost works until the dream versions of Jade and Floyd come in and remind Azul of the kind of invincible person he is.

Then they descend to the second dream, which is the Book 3 AU where Azul got his contracts from Leona and probably beat his ass. Except that the difference between this and Jade's dream is that Azul does this all by himself. When dream Jade and Floyd get back to him with the photo, they're praising him, all like, "Good job Azul! You're so strong and powerful! I'm glad I get to hang out with someone as awesome as you are!"

But the real Jade and Floyd would try to stop him from destroying the photo and tell him that it's a reminder of who he was, and how much he's grown. And if Azul succeeds in destroying that photo, Jade and Floyd would pull out the photos that they carry with them (think the album from the opening). They want him to accept the person that he was, and realize the person he is now is someone who's grown stronger. He has become better.

On how his dream would collapse, this is tricky. I would want that Azul destroys his contracts (thereby breaking the deal he made with Yuu, which would entail that his happy end has been broken), but him not destroying the photo would also cause the dream to collapse since the way to his happy end involves removing all ties to his past, namely the photos. He could do both. However, the trend so far is that foreign influence affecting the happy ending is what would break the dream. If anything, if Jade and Floyd do have their own copies of Azul's past photos, that means that the presence of those indicates that Azul's ties to his past are not broken at all, and therefore they would break the dream.

Then as per pattern, the others leave while Azul sinks deeper to try and wake himself up. He meets his OB self, who's steeped in his insecurities and is very unaccepting of his past. And this is where Azul accepts those insecurities and accepts his past but will continue to move forward with his life and grow to be a person he can be proud of, and fight his OB self. Then he faces his first dream and dream Jade and Floyd, and then he wakes up eventually.

#twisted wonderland #twst #twst jp #azul ashengrotto #jade leech #floyd leech #twst theory #tldr they need each other fr #if you ask me i absolutely think jade and floyd would exhibit their same difference schtick #in which they have their individual ways of expressing smth but at their core they have similar desires/goals/feelings #like i think floyd might partially blame himself too for azuls ob or if not blame himself he at least wished he never had to see it happen #its just that to him if azul was more accepting of himself like how floyd accepts him then azul wouldnt have been hurt enough to undergo it #ofc it needs to be said too that jade and floyd want each other to be happy #idk how Exactly they'd go about that but im sure for jade he wants floyd to be able to do what he wants #and floyd wants that he and jade are happy tgt under the sea #tho i do admit my ideas for jade's dream are more azul focused than floyd focused esp (2)#(1) would defs be able to encompass floyd's wishes more alongside azul's #i still want the tweels to brawl after seeing kalim and jamil throw down in the latest update lmao #like how vicious would they get and would they actually fight over how they shouldve handled a matter deeply involving someone they care fo #i demand to see more fists thrown tbh for a school thats built up to throw hands we dont get enough full blown fist fights #edit 1: its jamil who accompanies them not kalim #edit 2: added in the photos in azuls part bc my friend talked about it and i COMPLETELY FORGOT HOW IMPT THE PHOTOS ARE TO AZULS STORY

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fiendishartist2 · 21 days ago

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im not fucking around anymore. here's the full "Paul is Care" essay i've been working on:

“Alright. So there's uh, nothing out here, as far as I've seen. But actually, I think there is something out here. I just haven't seen it yet.”

In Petscop, the story is told between the lines. When you feel like you have a grasp on it, a single colour or date throws off everything you’ve built up. That’s why I like to look at Petscop in another way; not as a series of events, but an exploration of a single character: Paul.

Some people like to map everything out in a single timeline; when did Care go missing, when did the family get the game, when did Lina and Mike die. I think that every interpretation of Petscop has its own value, because Petscop means something different to everyone who watches it. But, when I look at Petscop, I don’t just see a series of events wrapped up in the mystery of Care’s disappearance. I see a video game used as a device to explore and understand the connection between the past and the present. I see the ways in which Paul Leskowitz is Carrie Mark.

I know that to some that notion might seem crazy; the broader discussion of Petscop is different to the niche ones held by crazy people in the tags of a Tumblr post . Obviously, this theory is personally significant and I hold it very near and dear to my heart. But, I want to share this theory in a way that makes sense to the general audience of Petscop because I genuinely believe you guys are missing out! So, keep an open mind and enter my Petscop mind-palace…

“...were signs along the way. Um, that I ignored. Because it would have been a completely ridiculous idea to me. Um. But when I found my room, it made, uh, well, I was shocked at first, but it made sense, especially considering where I found the game in the first place, um, that it would be tied, in some way, to me through you. Um. And I'm trying to think, when was the last time I saw any of you at all? It had to have been in like, 1999. I was a kid, I was a small kid. Tiny kid. Um. And after that, just, you know. But, it would make sense in the timeline.” (Petscop 11)

A lot of Petscop theories surround the actual textual proof found in the videos, so that’s where I’ll start. There’s many instances where Paul makes the connection between himself and Care, but one moment continues to stick with me. In Petscop 11, Paul finally enters the house and takes a look around. He’s on the phone with someone, presumably Belle. Paul goes up to the calendars and starts talking about Care, “Yeah, on that topic... I don't remember meeting this girl at all. Um, I don't remember knowing her at any point (…) Um, and I remember you saying that we were, that we, we are, um, exactly the same age.” (Petscop 11). He points out that he and Care share the same birthday, down to the year. We get further confirmation of this in Petscop 14, when Paul’s conversation with Jill that he had on his own birthday is superimposed onto Care’s. The next part though, is what really gets the theory started, “I do agree there's a resemblance. Um. Very strong resemblance between us.” (Petscop 11).

Faces are incredibly important in Petscop. Marvin thought Care and Mike could be rebirthed into Lina because they had similar features, and Care had to be given Mike’s eyebrows specifically to change her room. So, for Paul and Care to have such similar facial features that someone else pointed out the resemblance is significant.

They also happen to share the name “Leskowitz”, which is both Anna and Lina’s last name. We know this because his Reddit account is “p_leskowitz”.

If he’s a Leskowitz, then that explains his complicated feelings towards “the family”. “The family” is a foreboding presence throughout Petscop. Their meddling isn’t outright malicious, but even Paul admits that he’s intimidated by them. And it makes sense, as “the family” (comprised of Anna and Jill) each have a major role in the core mystery of Petscop. Anna is the mother of Care and the wife of Marvin, while Jill is Marvin’s sister and the mother of both Rainer and Mike. To be a Leskowitz, Paul would need to be blood related to Anna or Lina in some way. Paul shows that he has this relation to the family in Petscop 22, when he’s talking to Belle about finding the windmill, “And, I don't th- and you don't have to worry about it, right, 'cause... 'cause you aren't, you aren't family, so you wouldn't... have a room, that's the thing.” (Petscop 22). In this context, Paul is asking Belle whether Jill has contacted her. When he tells her she doesn’t have a room, this is in reference to the Child Library explored in Petscop 3 and 7. This means that in order to be part of the Leskowitz-Mark family (and in our case, related to Care), you have to have a room in the Child Library, something both Paul and Care possess.

Paul being related to the family is also supported by his casual mention of meeting Rainer as a child, “‘Rainer’... I saw him at a birthday party once. All the older kids were down in the basement playing video games, to hide from everyone. He was down there, too. He was older than the rest of them, though.” (Petscop 11), and his confusion of not knowing Care, with the implication that if she was real, he would have met her through the family.

A rarely discussed aspect of Paul’s character is that he can’t tell his left from his right. When he’s doing the disc puzzle in Anna and Marvin’s room is Petscop 11, “Um, we can see what the room looks like in that recording, um, on the uh, right? ... Left? Left? Right ... side.” (Petscop 14) and before he even enters the house, “And, I mean, I still get confused about that. Because, I mean, well, I know it's always the top, but, um, I still have to think. I have to think.” (Petscop 11), we can clearly see that he has trouble with directions. In a similar fashion, Care is described as “dizzy”, most notably in the end credits of Petscop. She is also described as blind by Rainer in Petscop 17, “You were blind. At some point, your movements stopped making sense.” (Petscop 17). In the counsellor’s office, the counsellor says to Paul, “Are you right handed, or left handed? You don't know? Really?” (Petscop 22). I’ll get more into it later, but this sequence is presumably a real conversation that the game is recreating. If this scene is taken from Care’s real childhood, then it confirms that she also had problems with her lefts and rights.

Now, this is the base level of the theory. It’s easy to figure out that Paul is a Leskowitz, he literally calls them “the family”. And while I think the bits about faces and birthdays and directions are significant to this theory, I wanted to get all of the textual evidence out of the way so that I could get into the fun part of this essay: the subtext.

”Some things you can't rewrite.” (Petscop 14)

Petscop is nothing if not a collection of symbols and metaphors. Ask me what Petscop is all about on any given day and there’s a non-zero chance I will start explaining why the car is orange. While it is necessary to analyse Petscop as a real series of events, I think that another approach can be taken; what if we analysed Petscop as a series of events that are happening to Paul specifically? That the game is creating meaning by placing Paul specifically in these snippets of the past. By looking at each moment as “Why did the game make Paul do this?” instead of “What is happening in the game?”, we can see everything through a new lens.

First, I want to discuss colour. Colour plays a huge role in Petscop; almost every character is assigned their own colour. This is most often used to denote who is speaking in text, but it’s also used for other things like the tool. You are probably aware that Care’s colour is yellow, as all of her text is yellow. What you might not know is that Paul’s colour is red. Paul has exactly one instance in all of Petscop where he has coloured text and that is in Petscop 22, when he gives the counsellor his name. The calendars in the house are also colour coded, as the one showing 2017 is red.

One of my favourite moments in all of Petscop uses colour in a way that supports this theory perfectly. When Paul takes Care out of the rebirthing machine, she has been transformed into an Easter egg. A red and yellow striped Easter egg. I will get into this egg later on, but for now, I want to point out how Paul and Care’s colours have been used here. Of course, it’s significant just that they've been put together, but it's more than that. Care’s final form, the egg she has been placed in to keep her safe from all of the trauma she has suffered, that she will spend the rest of the series in, is painted a combination of her and Paul’s colours. In the same sequence, when Paul is playing the Needles Piano for Care B, the “wrong” notes he plays to turn her into the Easter Egg are all red. There’s a joke about eggs and transness in here somewhere.

Right after Care’s rebirth into the egg, Paul places her in the locker with the purple egg and the “new life” letter. If we abide by the established colour theory, this second egg would be Belle’s/Tiara’s egg. By putting them together, alongside the letter, it symbolises Care and Belle’s transfer to Lina’s care; this can also be supported by the ending of Petscop. In the final scene of the soundtrack, Belle recounts when she and Paul were adopted, “There is Boss waiting for her son. Pall do you remember being born. Smuggled away driving to your new house. Boss in driver seat me in back.” (Petscop Soundtrack). “Do you remember being born” is a question posed over and over again throughout Petscop. It’s meant to be a reference to rebirthing, but here it’s Paul being asked if he remembers being born, not Care; you can also connect this to the “new life” letter, making it apparent Belle is asking if he remembers when he was given his “new life” with her and “Boss”. There’s also the implication of the wording “smuggled away”, implying that there was something stopping Paul from being taken to his new home. Paul and Care’s final scenes parallel each other; Care is placed with Belle’s/Tiara’s egg with the “new life” letter, while Paul is taken back to “Boss” by Belle. Care and Paul are both asked if they “remember being born”.

Another, smaller piece of colour theory in Petscop comes from the board games in the counsellor’s office. The board game “Accident” features red and yellow puzzle pieces that fit together, but are broken apart. Remember that Care’s colour is yellow, so assume that she symbolises the yellow piece; Paul’s colour is red, so assume that he symbolises the red piece. The red piece is bigger and fits into the smaller yellow piece, like it’s missing the beginning of it. The yellow piece comes before the red piece, as if it adds context to the red piece. When we think of this in terms of Care and Paul, we can see that Care is the “missing piece” of Paul; the small part of his past that adds the context that completes him. Paul’s piece is bigger because he’s been Paul for so much longer (if we interpret the counsellor’s office as a real event the way it is shown, then that could be the moment he changed. Or, if we consider Care’s rebirth into the egg as the moment Care turned into Paul, then that would be the moment instead), meanwhile Care’s piece is small because she was only a small part of his life.

Taking colour into account, we can get into the meat of the symbolism in Petscop. When we view the events of Petscop through our new lens, many things become significant. Paul is placed in the role of Care many times throughout the series; on Care’s birthday, in the counsellor's office, and in Rainer’s “you are Carrie Mark” monologue.

During the “strange situation” birthday scene, Paul carries around a yellow balloon, symbolising that he is standing in for Care. This is further cemented by Anna’s dialogue addressing Paul as if he is Care on the day she came home, “You made it. Happy birthday! (...) Why are you covering your face? (...) Of course I recognize you. Those eyes. That nose. That’s still you.” (Petscop 14).

This next dialogue from Anna is particularly interesting to me; she doesn’t just tell Paul that she’s happy Care is home safe or ask him where she’s been, but instead she says this, “I sure hope you’ve realised by now. It doesn’t matter how long you’ve been gone. It doesn’t matter how much you’ve changed. You aren’t lost. Stop wandering and come home.” (Petscop 14). When we talk about Petscop, we have the urge to deny any supernatural involvement in the story. Whether through AI or predictive programming or alternate timelines, we want Petscop to be plausible. Understandable. Easy to digest. But, we often forget that Paul poses the question of a literal “ghost in the machine” in the first few episodes. I want to consider this quote– Anna talking to her child who has been “lost” for many years– as an act of this ghost. The game is talking back to Paul, telling him that no matter how much he has changed, he still has the same eyes, the same nose that made him Carrie Mark. And we know how important eyes and noses are in Petscop. Also as a side note, consider how Anna didn’t specify eyebrows; we know that Care’s lack of eyebrows is in some way due to Marvin, but when she tells Paul she recognises his eyes and nose, she doesn’t add on eyebrows. Paul said it himself in Petscop 7, “Um, and why am I doing that? Well, because eyebrows seem to be important.” (Petscop 7). I like to think that she couldn’t have said that Paul has the same eyebrows because, since Marvin isn’t in the picture anymore, he wouldn’t have any reason to pluck them.

Another scene that mixes up Paul and Care is the counsellor's office. When Paul finally enters the “girl wall” in Petscop 22, he is placed into a school’s counsellor’s office. Again, they talk to Paul as if he is Care, apologising for taking him out of class and saying he needs to “catch up”, implying that he’s missed a significant amount of school. As they start to play Graverobber (Jesus Christ, Rainer), the counsellor is confused about Paul’s name; they ask him if they have the wrong name written down, as his save file is currently “Strange Situation” and when they called out the name on file, Paul didn’t respond. Now, the connection here is a little more nuanced, but it still comes to a conclusion that I think greatly supports the theory. “Strange situation” is in reference to the Mary Ainsworth Strange Situation Experiment, a test in which an infant is deliberately separated from their mother to test their level of attachment. This is a very base level understanding of this concept, but when applied to this specific scene, it becomes apparent that this “strange situation” is another reference to Care. Care was separated from her mother for about half a year, only returning during the birthday party scene; the counsellor’s scene was accessible once Paul started using the “Strange Situation” file. Care stopped recognising the name she used before the seperation, considering herself to be “Strange Situation” instead. She has literally stopped recognising the name Care, and picks out her own name (which in the game Paul sets to his own).

Also consider the implication of the “girl wall”. At first, it’s an absurd joke, meant to lighten the mood using the same roundabout humour the rest of the series has. But, the counsellor asking if they have the wrong name, listing Paul as “Strange Situation” instead of his name, combined with the fact that when Paul is placed in front of the girl wall, he can’t walk away from it, it becomes a bit of an analogy; The game keeps forcefully showing Paul the word “GiRL” over and over and when he finally enters the “girl-world” as Strange Situation, he is called the wrong name and once again placed in Care’s shoes.

Let’s revisit the “ghost in the machine” idea. In Petscop 17, we are shown a past recording of Petscop; we never find out who was playing at this time, but it’s easy to assume Paul is the one watching the recording. The footage is less interesting than the dialogue, but it is notable that it’s a recording of the player running backwards in a very deliberate pattern. The actually relevant part of this sequence is Rainer’s monologue; in particular, the way he frames it, “You are a girl named Carrie Mark, and you were born on November 12th, 1992. You have a mommy named Anna, a daddy named Marvin, an auntie named Jill, an uncle named Thomas, a cousin named Daniel, ......I know what you must be thinking. Have these statements always been true? Or have I cursed you? Is there such a thing? A curse that changes your past?” (Petscop 17). There’s something about the forcefulness of this dialogue, “You are Carrie Mark,” as if Rainer is trying to make it so just by saying it. The inclusion of the birthday is also notable; we have been shown time and time again that Paul and Care share a birthday, and that this is an important part of both of their characters. So, when Rainer asks if these statements have always been true, or if it’s “a curse that changes your past”, we’re meant to interpret it as such: some of the statements are true, but the “you” being addressed is not currently “a girl named Carrie Mark”. Rainer casts a spell to make the player retrace their steps and although he might not be playing, the use of the word “you” and present tense language makes the statement pointed towards Paul. There’s something to be said about Rainer’s position in all of this; he isn’t the only tangible “ghost” in Petscop (Marvin and Tiara fit Paul’s definition established in Petscop 6), but he’s the only one to be fully dead. It truly feels, in this moment, like Petscop– like Rainer– is talking directly to Paul. The “curse that changes your past” is the part that ties it all together. This past that Paul doesn’t fully remember, where Anna and Marvin have a daughter named Care, where someone in his family went missing for months– by learning about this through the game, Rainer is essentially changing Paul’s version of the past. Your memory and physical evidence are all you have of the past; when your memory tells you one thing, but physical evidence tells you another, what version of your past is true?

“You’re the Newmaker. You can turn Care NLM into Care A, and close the loop.” (Petscop 9)

Finally, I want to explain why this theory is supportive of the themes of Petscop. Of course, there’s the obvious link between rebirth and the change from Care to Paul. But, there’s also themes of blood family versus chosen family, breaking the cycle of abuse, and of healing from your past. I want to provide an explanation of each of these themes and how the “Paul is Care” theory fits into them.

Let’s begin with the family point, since I already expanded on the family’s role in Petscop earlier. There’s a story behind the scenes in this series; the conflict between the chosen family versus the blood family. Anna and Jill against Belle and Lina. Anna and Jill are restrictive– they take over the channel and block certain things from the audience. Paul admits that he’s intimidated by them, and he’s concerned when he thinks Jill could be in contact with Belle. When we get the only dialogue from Jill, Paul is hostile and aggressive with her, something we don’t see from him otherwise. Alternately, Anna comes off as dismissive in most of her dialogue; when Care shows up at the birthday party, Anna treats her like no time has passed, like they haven’t been searching for her for months. We don’t get direct contact between Anna and Paul (except for a phone call in Petscop 11 that you could interpret as being with Anna), but the way she talks to the player through Care during the birthday party is still dismissive, “I sure hope you’ve realised by now. It doesn’t matter how long you’ve been gone. It doesn’t matter how much you’ve changed. You aren’t lost. Stop wandering and come home.” (Petscop 14). There’s a level of distance between Paul and the family, which is evident from the name alone; Paul identifies himself as part of the family, but he still calls them “the family” as opposed to “my family”. When you pair that with the fact that he calls them all by their first names instead of any term of endearment (like how Rainer calls her “Auntie Jill” in his spell), it paints a clear picture: Paul does not want to be part of this family.

In direct contrast, Belle is shown a significant amount of affection from Paul. Not only is he on the phone with her for a good handful of the episodes, but Belle also has a familial connection to Paul. In Petscop 2, Paul is talking to Belle and he says “When you come home next month, and uh, hopefully you're feeling a little more enthusiastic about that now, we can investigate this together, and maybe you'll find stuff that I can't find here.” (Petscop 2). I think the casual use of the word ‘home’ to describe where Belle is staying implies a certain closeness, maybe even that they live in the same household. That’s not the part of this line that is important to me, however. Take a look at Belle’s final speech at the end of Petscop; Belle says “I could not wait too be your friend,” and Paul responds, “Family”, to which Belle says, “We can investigate this together.” (Petscop Soundtrack). After distancing himself from the family, as well as directly telling her she’s not part of the family (following it up with “Uhh... I didn't- I didn't mean it that way,” (Petscop 22), implying they have a similar connection that she’s defending), Paul calls Belle family. She states that they’re friends and Paul corrects her by telling her that they’re not just friends, but family. The most gut wrenching part of this dialogue is the use of ‘we can investigate this together’. It’s like a ward, a promise that Belle is making to Paul. He doesn’t have to go through this alone, she’s promising to be there for him. She’s going to investigate this with him, like he asked her to in the second episode. Paul doesn’t call his blood relatives family, but he tells Belle that they are his family; her and the “Boss”.

How does this connect to Care? It’s not hard evidence, but when you take this theme of family into account, it makes more sense for Paul to have a strained relationship with the family if we apply Care’s story to him. Think about it; Paul was ‘smuggled away driving too [his] new house’ and he hasn’t seen the family since he was a child, and Care’s egg was (metaphorically) placed with Belle’s and the New Life Letter when she would have been around 5, since that’s the age she was when she was kidnapped. Care went through an extremely traumatic event in a toxic environment– why wouldn’t someone step in and take her out of that family? To me, this theory extends the same closure Paul gets at the end of Petscop to Care; it tells us that even after everything she went through, she finds people who love and take care of her.

Abuse is a huge focus in Petscop, both as a plot point and a major theme. Rainer’s main motivation is to expose Marvin’s abuse of both Mike and Care to the family– whether or not that’s successful is not important. Because years after Rainer’s attempt, Paul is back doing the exact same; although, his playthrough of Petscop is less of an expose and more of an attempt at solving the mystery. Now, I think it’s a little pedantic, but in this context, I think the “cycle of abuse” in Petscop refers less to a generational cycle, but a continuous cycle that happens every time Petscop is played. Care is stuck in this version of the past that Rainer has created, forced to live through it as many years as Petscop is left on. Paul doesn’t continue this cycle though; as far as we know, Paul is the only person to reach the good ending of the game, where he’s rebirthed Care into the egg and reconnected with Belle and ‘Boss’. Paul is the only person who could understand what Care needed, because it’s exactly what he needed.

Care’s trauma is replayed for us throughout Petscop. Every knowable aspect of it is shown, leaving behind a raw feeling; like somehow, Paul and Rainer have made a spectacle of her abuse. But, I don’t think that’s entirely true. Rainer, although he is bitter and vengeful, is ultimately the person who finds the truth about Care and Mike and (if we are to believe him) is also the one who found Care at the school. In the beginning, it’s obvious that Paul is playing the game to see the mystery and is slowly engulfed by it throughout the rest of the series. When the game tells him that, “Marvin picks up tool hurts me when playstation on,” (Petscop 3), Paul proceeds anyway. The same happens when Care is caught in her room; Paul sees what is obviously a child being kidnapped and continues to solve the puzzle anyway. He picks the flower, catching Care NLM, and leads Marvin to the house. Paul follows through on everything he can to ‘solve’ the mystery of Carrie Mark, but in the end, he defies what the game has told him to do and saves Care. He does what Rainer couldn’t do: he breaks the cycle of abuse in the Mark-Leskowitz family. It’s kind of poetic, the idea that the person Care grew to be is the same person who confronts and lays to rest her trauma. The fact that playing his own theme would be the key to changing Care into the egg (a symbol of birth and potential) is beautiful.

The last thing I want to talk about is the theme of healing. This concept is more nebulous; we don’t see much of Paul post-Petscop, but the final scene does always leave me feeling hopeful for him. I think the reconnection with Belle and ‘Boss’, alongside the reassurance that, “[they] can investigate this together,” shows that Paul is out of the mindset and environment Petscop put him in. I’ve always thought that throughout Petscop, we see a deterioration of Paul; in the beginning, he’s intrigued and confused, but we see him become more and more disturbed, irritable, and frustrated towards the end. This is first evident with the CD puzzle in the house, where Paul is so out of his depth and confused that he stops acting with the same calm rationality shown throughout the earlier episodes. Then, when Paul is messing about with the demo recordings, he stops speaking in the videos entirely. When Paul sees the final blacked out object, which are coordinates to the real life windmill, he is the most stuttery we’ve ever seen, “Hm. Y- y- yep, yep. Yep... yep. N- we would- we would have to find out how big... like, we'd have to find out how big a tile is..? One of the tiles..? Like, if we could- if we could figure out how big... one tile is, in... u- in, umm... Like, feet. Or... Uhh, yeah. Meters.” (Petscop 22). He’s frazzled and excited and a little bit scared, evidenced by how he talks about the family, “They didn't... I don't like talking to them. They intimidate me…” (Petscop 22). All of this changes by the end; Paul is no longer stuck playing the game and he’s free to return to the people who love him most. This freedom is summed up in a single image: the final one we see in Petscop. Paul’s chair is empty and the blue sky beyond the desk is brimming with hope.

All this to say, Paul choosing Belle and ‘Boss’ over the game as well as saving Care by doing what’s best for her instead of finishing the final puzzle, alongside his final scene where he is welcomed home by his real family, shows us an interpretation of Petscop that paints it not as a tragedy, but a story of chosen family, breaking the cycle of abuse, and healing trauma through connection.

Thank you so much for hearing me out.

Bye-bye!

#its been done for ever i just never got around to posting it #i went through and edited it to bw more coherent tho bc this was written in the middle of a petscop fervor lol #petscop #paul leskowitz #carrie mark #im not tagging everyone #essay #petscop theory #i love you paul is care theory forever and ever #its long so you may wanna read in multiple sittings #like 10 pages long ToT #sorry not sorry #lmk if i actually made sense or if im crazy pls i want to know if this is even understandable to ppl who arent me #this was actually originally written as a video essay but idk if ill ever make it

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