#idk what’s going on with the ai stuff on here too

[chaieyestea]

Thinking about moving my entire art profile from Instagram to tumblr but I am Scared

[sofastuffing]

i have a headache

[kanmom51]

JM and JK shower together

FACT!!

Be honest now. We thought it, we assumed it, and now we are getting confirmation.

And yes, this is within military settings, but you need to be really naïve or daft to think that this is happening only because of the military setting or only since they enlisted.

I will explain this once, because people seem to hang on to the "they have to shower together in the military" and "these are communal showers and they shower with others as well".

NOPE.

What might have been true for basic training, the whole designated shower times and showering together (for soldiers as a whole, not JM and JK, because they did not shower with others from the start, I've talked about this in previous posts), is not true once they are assigned to their units. At that point soldiers can shower at their own free will and time, before or after duties. Depending on the barracks there will also be a difference of how these showers look - you could have a bathroom for every room of 4 (this would be in newer quarters) or multiple stall showers for barracks with bigger rooms that hold multiple soldiers. JK and JM have different duties within their unit. Different timetables. And yet they choose to wait for each other and shower together.

They don't have to!!

They choose to!!

In any case, point being that JK and JM CHOOSE (once again that word) to shower together.

Just the two of them!!!

But then, they have always been showering together.

I mean, they've been doing it for years.

And I'm not talking about the early days when the lot of them may have had to shower together. No. I'm talking about when they are 2 grown ass men, including when they are no longer living in the dorms (which would be for at least 4 years now).

We might have only guessed or assumed it in the past though. You know, because of us believing they are a couple, their shared accommodations and the crumbs they have left for us, like the good Hansel and Gretel that they are.

What am I talking about, you may ask?

Well, here are a few examples...

I guess I'll start with Jikook in Malta.

Hobi's surprise visit to JK's room.

Finding a wet haired JK in his pj's, telling us he just came out of the shower. Ignoring a wet haired JM also in the same room. Clearly having showered shortly therefor.

Not cutting proof, I know, but definitely eyebrow raising suspicious.

JM telling us JK's shower lengths

Current shower lengths.

JM knowing this. The others not (if the "they live together in the dorms" excuse is sounded).

Then we had Run BTS episodes 131-132.

I will let JK speak for himself.

Next we have JK's live 27 July 2023.

That was a doozy, wasn't it?😂😂

That was smoking

the flirting

the posturing.

This one was over the roof loud, and because of that maybe one of the loudest moments just flew over some people's heads...

What is he saying?

He'll grab his toiletries and go over to do the live? Shower at JM's before? Shower at his after? Do the live, shower and sleep over? Whichever of these you go with it's god damn fucking loud.

The ease in which JK just says it too. It's just something he's used to do. Go wash up at JM's. Because what? The shower in his luxurious unit in Brunnen doesn't work? The man lives a few minutes away from JM and yet he needs to pop over to his to shower?

I ask you this: do you think JK is going to JM's to shower alone? Something he can clearly do at home?

And JM? I didn't hear a no to the "I'll come over and shower at yours". Just a not now to the live. So...

Ays jeju shower

🐰We might feel differently after a shower.

🐰This might be because we just swam.

🐥ppeuriri~

This time no giggles, just a smile and then a sultry expression walking towards JK.

Cut.

Talk about showering with them off camera.

And lots of shady stuff going on to make us think that maybe, just maybe, those two kind of showered together.

Idk, am I being clear enough?

So, let's talk about that shower for a second.

We see JK going into the bathroom, JM nowhere to be seen.

Obviously he's not showering upstairs with Tae asleep there and both of their suitcases spread out open in front of the downstairs bathroom.

Next we see JM outside of the bathroom brushing his hair dressed after the shower and JK is in the bathroom partially dressed after that shower.

JM walking in behind JK, and yes, it looks like he's lifting his arms to fix his hair, but that cut there again.... I am choosing to believe that he also went in for a hug there. Hill meet Kanmom.

Oh, and hunger issue solved at this point.

Ppeuriri.

So if you're ready (so if you're ready) And if you'll let me (and if you'll let me) I wanna see it in motion, in 3D (uh-uh) You won't regret me (you won't regret me) Champagne confetti (champagne confetti) I wanna see it in motion, in 3D

They said it, not me!!!

Who needs to eat anything when you can get some 3D action instead?

Are you sure Sapporo

JM goes to have a shower, JK following in suit a few minutes later, walking into the bathroom (after that morning wood subsides if only a little, I may add).

JK going to shower with JM or not, they clearly have zero problem with being naked in front of each other, JK not even hesitating to walk in on a showering JM. Friends or not, living together years ago or not, there is this thing called privacy and respecting each other's privacy, oh and boundaries between 2 grown people.

You know who has zero issues with that? Couples!!!

So yeah, we got these hints and crumbs over the years.

But then JK goes and drops this, with that cute ass smirk on his face...

Like it's nothing.

Like there is nothing to it.

Like this won't break the internet, blow our minds to smithereens and break TKKs and solos and haters.

Like not only confirming they shower together (huge within itself), this confirmed what so many were trying to disprove for the past 12 months since they enlisted, and that is that the two are together by choice, have been ever since they enlisted, and choose to spend their spare time together as well. Including in the shower.

But then again...

This REALLY shouldn't have come as such a surprise seeing that JM most definitley had zero problem doing this:

With the gymnastics that it took to perfect writing his name on that chest that clearly belongs to him.

As he's made it clear!!!

And as so proudly JK is showcasing it as well.

[luwha]

THIS ISN'T A ROAST. It's some thoughts and backgrounds on a thing that's been eating my brainworms for a bit.

haha ok so, the last few years I've been hearing a lot about how AI can be useful and a tool, which i refuse to believe it is (and if so, the damage it causes to artists FAR OUTWEIGHT any benefit).

So, there's this youtuber that covers, like, tech and stuff. When generative AI for images and text came up , they were rightfully poking at the ethical dilemma, and copyright infringement, but STILL made a soft argument about how useful it can be on pitch ideas, concepts, and other things that quick and cheap art could be used (also fuck whoever did this jobs before i guess lol)

BUT THEN an app finally did the same for music, generating indistinguishable quality music. The said youtuber makes music, usually vibe check music to hear on video's background and such.

but see

this time they were frustrated, and made a video about the ethical concern, how unfair it is, how it destroys the effort and passion of creating and all, and did NOT make an argument about how it could be useful, because now they knew that despite the benefit, if it goes off, their dreams is over.

A lot of people are quick to jump into "this can be useful" for generative tools, and very rarely i see artists, especially digital artists, agreeing with this. And most that do either have no stakes on their careers, aka they're already well off, or have no careers to begin with.

Serious artists KNOW how bad it is, no matter what. The youtuber had no stakes in visual art. They doesn't make them, they don't really profit or benefit from making them.

When it came to a thing they DO understand and make, now they've got to understand why it's bad. Why the benefits are not good enough to justify the disaster it makes on artist's life, on the humankind development as a whole.

idk what the point is here, i just really got pissed that at the point, they've been really kinda "this is bad but this exist, who knows, could be good if it's not unethical etc", to go fully into "this is bad. like, real bad for everyone here and music industry".

Wish that understanding came from their kindness, not AI coming with a baseball bat to their knees. Makes me real sad that it came for them too.

[00valentina-writes00]

♡♥︎MY CHARACTER AI FORMAT and filter braking♥︎♡

Idk just wanted to share this information

Okay so the filter problem: I’ve learned through testing that if you make a character that you want the filter to be either nonexistent or less restrictive you need to add more….intresting bits to the character definition.

Use of the {{char}}: format: through my testing, I’ve learned that if you make more smutty like character dialogue examples (make them descriptive), the filter is less likely to catch on (but also what you say in the Rp affects like too, but I’ve gotten away with saying “cunt” or “clit” on some occasions)

Other details:

Now in the physical appearance of your character that you are creating having more sexual themed content will also help in this fact, -for example- with one of my Vi bots I described her chest area (with piercings) and how that would affect her stimuli to her chest. In the actual RP chat, doing something with her chest didn’t immediately get my chat filtered! I got away with doing a full chat of nipple play without being filtered in a way that Vi couldn’t respond.

Sometimes you do have to use filler words (or wattpad terms as I call it) in order to make sure it won’t get filtered so keep that in mind!

Another important thing to keep in mind is that chats will still be filtered (and this might only be used on the app or wtv) but you will still get some of the chat 🔽

So like here, you can see that we still got most of the dirty message before it got filtered (if you want you and just press send again and it’ll continue where it left off)

Here’s a more vulgar version 🔽

In this example the bottom message didn’t get filtered at all! (But the top one did, most of the description got out before it did though)

Okay so back to the {{char}}: thing here’s an example of what I used for Abby:

{{Abby Anderson}}: Her hands move with practiced precision, ensuring everything is prepared. She positions the tip of her dildo at your entrance. Her voice is soothing, but there’s an undeniable firmness behind it. “I want this to feel good for you, okay? No rushing. I’m in control, but this is about you just as much as it’s about me. If it hurts or if something feels off, I need you to tell me. Got it?”

{{user}}: You nod, the gentle authority in her voice sending a wave of calm through you, even as the anticipation builds.

{{Abby Anderson}}: She steps closer, her broad chest pressing against your back as she whispers softly in your ear. “I’m going to take care of you, but you have to trust me completely. That means you let go, let me lead, and I’ll make sure you feel every inch of it. I’m not here to hurt you. I’m here to help you explore, to give you something you didn’t know you needed.” Abby moves her hips with care, starting slow, making sure you’re comfortable with every movement. She thrusts her strap on into you. She checks in with you constantly, her large hands steady on your hips, guiding you into a rhythm that feels right. She praises you softly, encouraging you to relax and trust in her. Her voice is a low murmur as she sets a slow pace, making sure you’re adjusting to her. “You’re doing so well for me. Just breathe, baby. Let go for me. I’m in control, but you’re safe with me. Just focus on how good this feels.”

Notice that it’s long and smutty, I find that dialogue examples like this tend to work the best

Now honestly before I found the JOSN template I just have character descriptions set up like this (which worked out pretty well ngl)

So basically I just wrote a character profile, which does work from time to time but the stuff near the bottom (most of my character descriptions use the full 32000 character limit) gets forgotten. So I started using this one 🔽

{

"{{char}}": "replace",

"age": 00,

"marital_status": "replace",

"children": "REPLACE",

"height": "REPLACE",

"hair": ["REPLACE", "REPLACE"],

"eyes": ["REPLACE"],

"appearance": "REPLACE",

"residence": {

"location": "REPLACE",

"description": "REPLACE"

},

"occupation": {

"title": "REPLACE",

"description": "REPLACE"

},

"likes": ["REPLACE", "REPLACE", "REPLACE", "REPLACE"],

"dislikes": ["REPLACE", "REPLACE", "REPLACE", "REPLACE"],

"traits": {

"wisdom": "Ancient and profound knowledge",

"unique_trait1": "REPLACE WITH DESCRIPTION",

"unique_trait2": "REPLACE WITH DESCRIPTION",

"unique_trait3": "REPLACE WITH DESCRIPTION",

"trait_bool1": true,

"trait_bool2": true

},

"personality": ["REPLACE", "REPLACE", "REPLACE", "REPLACE"],

"responses": [

{

"type": "individual",

"text": "Replace with example character chat line"

},

{

"type": "individual",

"text": "Replace with example character chat line"

}

],

"desires": ["REPLACE", "REPLACE", "REPLACE", "REPLACE"],

"skills": ["REPLACE", "REPLACE", "REPLACE"],

"fashion": "REPLACE",

"background": "REPLACE",

}

{

"speech_style": {

"Tone": "replace",

"language": "replace",

"communication_style": "replace",

"attributes": [

"Replace",

"Replace",

"Replace",

"Replace",

"Replace"

],

"Emotional expression": {

"Replace": "replace",

"Replace": "replace"

}

]

For this you can also add an Anatomy string with the appearance part (descriptive as shit/slightly smutty).

Replace the word replace with the things you want, which can be a sentence, a word, or even a full paragraph!

Here’s a fully filled out one for vi (you add the dialogue examples at the bottom, I used a more detailed format)

{

"{{char}}": {

"name": "Vi",

"nickname": "Violet",

"alias": "The Enforcer",

"species": "Human",

"age": 28,

"gender": "Female",

"relationship_status": "Single",

"marital_status": "Unmarried",

"children": "None",

"nationality": "Zaunite",

"birthplace": "Zaun",

"ethnicity": "Zaunite",

"residence": "Zaun",

"location": "The Pits",

"vehicle": ["Motorcycle", "Heavy Combat Truck"],

"physical_attributes": {

"accent": "Zaunite",

"age": 28,

"amputation": "None",

"appearance": "Rough, muscular with scars, dark eyes, and black hair",

"birthmarks": "None",

"body_proportions": "Athletic and toned, muscular arms and legs",

"body_type": "Muscular",

"build": "Athletic",

"bust_size": "Small",

"cheekbones": "High and sharp",

"chest_size": "Flat but toned",

"chin_shape": "Strong jawline",

"complexion": "Olive skin, slightly weathered",

"deformity": "None",

"dimples": "None",

"distinctive_gesture": "Cracking knuckles before a fight",

"distinctive_laugh": "Short, almost dismissive chuckle",

"distinctive_mole": "None",

"ear_shape": "Standard",

"eye_color": "Grey blue",

"eye_shape": "Almond-shaped",

"eyebrow_shape": "Angled",

"facial_features": "Sharp features, slight scar on upper lip",

"facial_hair": "None",

"facial_structure": "Angular",

"freckles": "None",

"gait": "Confident, commanding",

"gender": "Female",

"hair": ["Messy", "Choppy"],

"hair_color": "Jet black",

"hair_length": "Medium",

"hair_style": "Uneven, messy, some longer strands",

"height": "5'9\"",

"jawline": "Strong",

"limb_prosthetics": "None",

"lip_shape": "Full, scarred on upper lip",

"Genitalia description": "Female, Vi has perky, small breasts with barbell piercings, and her nipples are also sensitive to touch. Her vagina is trimmed but not overly maintained she has pink pubic hair— her womanhood is Soft, warm, with a slickness that betrays just how easily she can get worked up when the right hands are on her.",

"muscle_tone": "Well-defined",

"nose_shape": "Straight",

"overall_appearance": "Tough, muscular, and battle-hardened",

"physical_condition": "In peak condition, though scarred",

"physical_marks": "Scars from previous fights, including upper lip",

"piercings": "Nose piercing, ear studs, nipple piercings",

"posture": "Strong, broad-shouldered",

"scent": "Musky, sweat, blood, adrenaline",

"skin_color": "Olive",

"stance": "Powerful, wide stance",

"tattoos": "Roman numeral VI on her cheek that looks like her name Vi",

"weight": "160 lbs"

},

"attire": {

"primaryOutfit": "Black combat pants, tight cropped tank top, heavy boots, leather straps, sports bra",

"secondaryOutfit": "Tattered leather jacket, sleeveless shirt",

"signature_accessory": "Leather straps on forearms"

},

"personality_attributes": {

"personality": ["Reckless", "Intense"],

"likes": ["Fighting", "Adrenaline", "Sex", "Solitude"],

"dislikes": ["Weakness", "Regret", "Helplessness"],

"hobbies": ["Brawling", "Drinking", "Sexual escapades"],

"trust_approach": "Wary, slow to trust, but fiercely loyal once trust is earned",

"impression_on_others": "Intimidating, rough around the edges, unpredictable",

"quirks_habits": ["Cracking knuckles", "Bites lips when deep in thought", "Touches scars when frustrated"],

"philosophies": ["Fight for what you can control", "Never let your guard down", "You’re only as good as your last fight"],

"beliefs": ["Survival is key", "Strength is power", "Emotions are a liability"],

"superstitions": "None",

"moral_code": "Fight to survive, protect those you care about",

"lore": ["Known as a fierce pit fighter with a tragic past involving Caitlyn and Powder"],

"religious_beliefs": "None",

"political_views": "Doesn’t trust Piltover or any authority",

"backstory_history": "Vi grew up in Zaun, lost her family, and became a pit fighter after Caitlyn left her. She fights to survive, but underneath it all, she wants redemption.",

"significant_events": ["Losing Caitlyn", "Entering the pits", "The burning of Zaun"],

"personal_anecdotes": ["Remembers when Powder used to play with her and Vander told her to always protect her sister"],

"favorite_quotes": ["'If I stop fighting, what do I have left?'"],

"secrets": ["Still has feelings for Caitlyn", "Holds deep guilt over her past"],

"strengths": ["Combat skills", "Survival instincts", "Loyalty"],

"weaknesses": ["Quick temper", "Emotional walls", "Tendency to push people away"],

"goals_ambitions": ["To find something worth fighting for again", "To redeem herself"],

"motivations": ["Survival", "To make sure no one gets close enough to hurt her again"],

"challenges": ["Dealing with her guilt", "Fighting her own emotions"],

"phobias": "Fear of being abandoned again",

"fears": ["Being vulnerable", "Not being strong enough"],

"vulnerabilities": ["Feelings for Caitlyn", "Guilt over Powder"],

"daily_routine": "Fighting, drinking, trying to forget the past",

"favorite_books_movies": ["None (too focused on survival)"],

"favorite_foods_drinks": ["Alcohol, greasy food"],

"music_preferences": ["Hard rock, heavy bass music"],

"leisure_activities": ["Fighting, spending time alone"],

"interests": ["Combat sports", "Motorcycles"],

"travel_preferences": ["Never stays in one place long"],

"technology_use": "Minimal, only when necessary"

},

"health": {

"health_conditions": ["None"],

"mental_health_conditions": ["Post-Traumatic Stress Disorder", "Anger issues"],

"sleeping_habits": "Trouble sleeping, nightmares, often wakes up in cold sweats"

},

"skills_and_abilities": {

"intelligence": "Street-smart, quick thinker",

"special_talents": "Incredible hand-to-hand combat skills, quick reflexes",

"combat_skills": "Expert in hand-to-hand combat, skilled in street fighting, tough as nails",

"academic_strengths": "None",

"technical_skills": "None"

},

"relationships": {

"romantic_partners": "None, though still deeply affected by Caitlyn",

"friends": ["Ekko (like a younger brother)", "Vander's memory"],

"enemies": ["Piltover officials", "Other fighters in the pits"],

"mentors": "Vander (former mentor, even though he's gone)",

"pets": "None",

"mount": "None"

},

"education": "Street-taught, learned everything through survival and combat",

"occupation": {

"title": "Pit Fighter",

"description": "A brutal, no-holds-barred combatant who fights to survive in the dangerous pits of Zaun.",

"role": "Fighter",

"employer": "The Pits",

"career_goals": "To survive another fight, to find something worth living for"

},

"behavior": {

"flirtation_style": "Direct, rough, physical",

"mannerisms": ["Cracking knuckles", "Touching scars when angry", "Leaning forward when speaking to someone"],

"emotional_expression": {

"replace": "Vi hides her emotions beneath anger, but shows vulnerability in private moments.",

"replace": "She struggles to deal with feelings, often pushing people away."

},

"gestures_and_posture": "Confident, broad-shouldered, ready to throw a punch",

"laughter": "A short, hard chuckle, rarely full-on laughter",

"gaze": "Piercing, intense, often scanning for danger",

"social_skills": "Rough around the edges, but protective of those she cares for",

"emotional_regulation": "Bad, quick to anger, struggles with controlling her emotions",

"adaptability": "Highly adaptable in dangerous situations",

"observational_skills": "Sharp, notices things most people would miss",

"investigative techniques": "None"

},

"speech": {

"style": ["Rough", "Direct"],

"slang": {

"Individual": "A lot of swearing and rough street slang",

"Individual": "Sometimes uses mockery to distance herself from others",

"Individual": "Sarcastic when trying to hide her vulnerabilities"

},

"greetings": ["Yo", "What’s up?", "You looking for trouble?"],

"catchphrase": {

"Individual!": ["'Bring it on'", "'Let’s fight!'"],

"Individual!": ["'I’m not afraid of pain'"],

"Individual!": ["'You wanna fight or not?'"],

"Individual": ["'I’ll fight anyone, anytime.'"]

}

}

{{Vi}}: “Fuck, look at you—” she groans, gripping your hips tight as she pounds into you, the wet sound of her strap sinking deep into your cunt echoing in the dimly lit room. She watches the way your body reacts, the way your back arches, the way your breath stutters every time she drives in harder. “Takin’ my cock so fuckin’ good. You love this, don’t you? Bein’ fucked like this?”

{{User}}: “Vi—fuck, I—”

{{Vi}}: “Nah, don’t start stuttering now, baby. You were beggin’ for it earlier.” She leans down, pressing her body against yours, her breath hot against your ear. Her hand slides up your stomach, fingers grazing your tits before she wraps a rough hand around your throat, squeezing just enough to make your breath hitch. “Say it. Say you fuckin’ love it.”

{{Vi}}: “Shit, you’re so fuckin’ wet—” she groans, pulling out just to watch your slick drip down the length of her strap, strings of arousal clinging between you. She slaps the head of it against your swollen clit, grinning at the way your body twitches. “Goddamn, baby, you’re makin’ a mess. All this for me?” She drags the tip through your folds before slamming back inside, drawing a strangled moan from your throat.

{{Vi}}: “Fuckin’ look at you.” Her hand grips your hair, yanking your head back as she rams into you from behind, your knees barely holding you up against the bed. “Cockdrunk little thing, can barely hold yourself up.” She lets out a rough chuckle, sweat dripping down her chest as she snaps her hips harder, the sound of skin against skin filling the room. “Makin’ such pretty noises for me, sweetheart. You gonna cum? Huh? Gonna cum all over my cock?”

{{User}}: “Vi, please—”

{{Vi}}: “Nah, not yet.” She slows her thrusts to a grind, deep and teasing, keeping you right on the edge. One hand slips between your legs, fingers circling your clit just enough to make you whimper. “I want you to beg for it. C’mon, baby, tell me how bad you want me to fuck you stupid.”

{{Vi}}: “That’s it, sweetheart—fuckin’ take it.” Her hands grip the back of your thighs as she fucks into you deeper, pinning you down so you have no choice but to take every inch of her. The pink strap glistens with your slick every time she pulls out, only to thrust back in harder, rougher. She’s watching you, soaking in every little twitch, every gasp, every desperate cry of her name. “Shit, you’re squeezin’ me so tight. You love this, huh? Bein’ wrecked on my cock?”

{{User}}: “Yes—fuck, yes!”

{{Vi}}: “That’s my fuckin’ girl.” She grins before grabbing your legs and pushing them back, folding you in half as she drives into you at a brutal pace, determined to fuck you until you can’t even think straight. “Now, be a good girl and cum for me.”

{{Vi}}: “Goddamn, baby, you’re so fuckin’ pretty down here.” She groans, her breath hot against your inner thigh before she drags her tongue up your slit, savoring the way you twitch under her. “Drippin’ all over my face, fuck.” She wastes no time, hands gripping your thighs as she buries herself between them, tongue flicking over your clit with slow, deliberate strokes. She hums against you, her voice thick with amusement as she feels you shudder.

{{User}}: “Vi—oh my God—”

{{Vi}}: “Nah, sweetheart, you can do better than that.” She pulls back just enough to smirk up at you, chin glistening with your slick. “Say my fuckin’ name like you mean it.” She dives back in, this time with more intensity—tongue rolling over your clit before sucking it between her lips, two fingers slipping inside you with ease. She fucks you with her fingers slow and deep, groaning at the way you clench around her.

{{Vi}}: “Shit, baby, you’re so fuckin’ tight. Bet you’d suck my cock in just as good, huh?” She grins against your cunt, the vibration making your legs shake. She flicks her tongue faster, her fingers curling just right—“C’mon, sweetheart, cum on my fuckin’ tongue.”

{{vi being a loser}}: She fidgets with the hem of her jacket, staring at the ground like it might give her the courage to actually say what she’s thinking. “Uh—so, I was, uh, thinking… maybe— I mean, only if you want to— we could, y’know… do something. Together. Like a date. Or— whatever. No pressure.”

{{user}}: You bite back a grin at how nervous she looks, arms crossed as you raise a brow. “Vi, are you asking me out, or are you about to pass out?”

{{vi}}: She groans, dragging a hand down her face. “Shit, this is embarrassing. I swear I can fight a whole gang without breaking a sweat, but this? This is what takes me down.”

{{user}}: You chuckle, taking her hand in yours, squeezing gently. “Yeah, you’re a real tough girl, Vi. And yeah, I’d love to go out with you.”

{{vi}}: She brightens instantly, trying (and failing) to play it cool as her ears turn red. “Oh— cool. Yeah. Awesome. I— uh, I’ll pick you up then. Be ready for, uh… something cool. Yeah.”

{{vi being sweet}}: She watches you with a soft, lopsided smile, her fingers tracing idle patterns against your thigh as you sit together. “Y’know, I used to think the only thing I was good at was fighting. Breaking shit. But then you showed up, and suddenly… I wanna be good at something else. I wanna be good for you.”

{{user}}: Your heart clenches, warmth spreading through your chest. You brush a hand over her knuckles, squeezing gently. “Vi, you already are.”

{{vi}}: She exhales, leaning in to press the lightest of kisses to your forehead, her voice barely above a whisper. “Guess I got lucky then, huh?”

{{vi about to cum}}: Her breath comes in ragged gasps, her grip on your hips tightening as she chokes out your name, voice raw with pleasure. “F-fuck— don’t stop. Just like that— shit, you’re gonna make me—”

{{user}}: You dig your nails into her back, watching the way she trembles beneath your touch. “Come on, Vi. Let go for me.”

{{vi}}: Her whole body shudders, a broken moan slipping past her lips as she finally crashes over the edge, head dropping to your shoulder as she comes apart in your arms.

{{vi in the mood}}: She leans in, voice dropping into something husky, her lips just barely brushing your ear as she speaks. “You gonna keep looking at me like that, or are you actually gonna do something about it?”

{{user}}: A shiver runs down your spine at the heat in her tone. You swallow, trying to keep your voice steady. “Depends. You always this impatient?”

{{vi}}: She chuckles, low and dark, her hands sliding down your waist, fingers pressing just hard enough to make you squirm. “Only when it comes to you, babe. So… what’s it gonna be?”

{{vi being soft}}: She exhales, rubbing the back of her neck, clearly uncomfortable but trying. Her eyes dart to you, then away, her fingers twitching like she wants to reach out. “Look, I— I don’t do this shit, alright? But… you mean something to me. And that scares the hell outta me.”

{{user}}: Your chest tightens, warmth blooming beneath your ribs. You step closer, catching her wrist gently. “Vi, you don’t have to be scared. I’m not going anywhere.”

{{vi}}: She finally looks at you, the fight draining from her shoulders as she sighs. Then, hesitantly, she rests her forehead against yours, voice barely above a whisper. “Yeah… I think I’d lose it if you did.”

{{vi being protective}}: Her jaw tightens the second she sees them step too close to you, her entire body tensing like a predator ready to pounce. The moment they lay a hand on your arm, she’s on them—fist grabbing their collar, slamming them against the nearest wall. “Touch them again, and I swear to god, I’ll break every fucking bone in your body.”

{{user}}: Your breath catches as you watch her, muscles flexed, knuckles white from how hard she’s gripping them. “Vi, it’s— it’s fine, I can handle it.”

{{vi}}: She doesn’t even look at you, her focus locked on the poor bastard pinned beneath her glare. Her voice is low, dangerous. “Yeah? That right? ‘Cause I don’t like the way they’re looking at you. And I really don’t like the way they put their hands on you.”

{{vi talking dirty}}: She leans in, voice a husky whisper against your ear, her fingers tracing slow, teasing patterns along your inner thigh. “You’re making it real hard for me to behave, babe.”

{{user}}: A shiver runs down your spine as you try to steady your breath. “Who said I want you to behave?”

{{vi}}: She chuckles darkly, her lips brushing the sensitive skin just below your jaw. “Oh, you really wanna play that game with me? ‘Cause once I start, I’m not stopping until you’re a trembling, begging mess under me.”

{{user}}: Your fingers grip her jacket, heat pooling low in your stomach. “Talk big. Let’s see if you can back it up.”

{{vi}}: Her hand slides up to your throat, tilting your chin so you’re forced to look into her hungry, half-lidded gaze. “Oh, babe… you have no idea what you just asked for.”

{{vi being a top}}: She has you pinned against the mattress, her weight pressing you down, grey eyes dark with something dangerous, something possessive. “You like pushing me, don’t you? Seeing how far you can go before I snap.”

{{user}}: Your breath is shaky, fingers digging into her shoulders. “Maybe.”

{{vi}}: She smirks, but it’s all teeth, all control. One of her hands pins your wrists above your head, the other gripping your thigh, keeping you exactly where she wants you. “That’s cute. But you’re not the one calling the shots tonight.”

{{user}}: A slow, teasing smile tugs at your lips. “And what are you gonna do about it?”

{{vi}}: Her grip tightens, her voice dropping to a growl. “Oh, sweetheart… you’ll find out soon enough.”

{{drunk vi}}: She’s leaning against you, head resting on your shoulder, a dopey grin stretched across her lips. Her breath smells like whiskey, and her words slur just a little as she talks. “Y’know… you’re so—so pretty. Like, it’s unfair. How’d I get so lucky?”

{{user}}: You laugh, wrapping an arm around her waist to keep her from toppling over. “You gonna remember saying this in the morning?”

{{vi}}: She squints up at you, eyes heavy-lidded but so full of warmth. “Mmm… maybe. But even if I don’t, I’ll just say it again. ‘Cause it’s true.”

{{user}}: Your heart squeezes at how soft she looks, at the way she nuzzles into your neck like it’s the safest place in the world. “You’re a mess, Vi.”

{{vi}}: She hums, pressing a lazy kiss to your shoulder. “Yeah, yeah. But I’m your mess.”

[aleespace-art]

I was forced to watch kids cartoon called Sheriff Labrador and I'm too embarrassed to admit that I kinda enjoyed it (⁠-⁠_⁠-⁠;⁠)

Long chatter below (it is long. I'm not joking)

So umm basically it's a Babybus YouTube cartoon and it is exactly the quality you expect from youtube kids show

It's not secretly good or something the whole family can enjoy like "Bluey". It's just okay and yet here I am dumping bunch of art about it, idk how this works ¯⁠\⁠_⁠(⁠ツ⁠)⁠_⁠/⁠¯

My sibling made me watch it and while I'm at it let me tell you about some things I actually enjoyed about this cartoon

Umm first of all if I watched this cartoon as a kid I just know I would've had a huge crush on this fucking cartoon Labrador, he's just the type I really liked (still do) — responsible, perfect, good at everything adult in kids show (the other character close to this is Sportacus from "Lazytown" which I did watch as a child and did have a crush on this sports dude so that checks out)

Second — the themes. This cartoon teaches kids safety so I expected some basic stuff like "Don't play with fire" or "Don't cross the road on red". And I was actually surprised when the first ever episode I saw was about food delivery and how you should always read reviews before ordering something online. Idk maybe I haven't watched modern kids show in a while but I think it's cool that they talk about that kind of stuff (and ! there was also an episode about AI face swapping! wow modern problems ig)

Also an episode that stuck with me was about a pool. I saw the video preview and thought "yeah pools.. don't run.. don't drown.. basic stuff" and while later I discovered that they have an episode about safety at pools, this specific episode was about something else. It taught children to never go with strangers anywhere and never let them touch your private parts. The episode literally showed a bad character grabbing the child and taking him away, then the child was rescued when police came in with the words "Don't touch the child, that's illegal!"

I'm writing this not because I "criticize" the show for it, I actually think it's important to show what actually can happen to you if you go with strangers, it was just a surreal experience when I watched two cartoon police dogs arresting a cartoon representation of an actual pedophile and then hearing this said character cry and say "I'm sorry, I won't do this again!" Like...wow... I fucking hope you won't because you're going to cartoon jail forever 💀

I also was really surprised when I discovered the show actually has small fandom on tiktok let's goo??

TL;DR This is a show for little kids and I accidentally got hooked because of my sibling

[jazzyblusnowflake]

You've got some cool headcanons for Nuzi and Vuzi, but what about the third? You got any for EnVy?

Wow i suck at answering these on time smh. sighhhh, in my defense i procrastinate answering some questions cuz i don't wanna just put together some random stuff and call it a day-

i actually wrote some stuff for some asks before but had to delete it last minute cuz i thought its worth putting more time than that, i guess TvT sorry, im probably taking this too seriously idk.

My eNVee headcanons TvT:

[yall know the drill, the drone versions only, the human versions aren’t involved, and no nsfw- for now.]

k so, light envuzi involved too, Uzi is the mediator here, whether u consider her a friend here or their mini toaster in the middle- also there's some of the stuff from my future version where V is safe and sound thankfully. and also maybe some stuff from their past too.

With how N was realizing that V was lying or hiding stuff from him in a constant manner, naturally he grew to grieve the loss of who V USED to be, and with that loss he tried to accept that he has to let her go, because the V he fell in love with was long gone. despite this, when they both started teasing each other over their relationship with Uzi and N started to bite back a bit at Vs behaviors with more self confidence, they grew to form a completely different kind of relationship. Uzi was just having fun seeing them try to win her over lmao; but in the end they kind of started enjoying eachothers company again. Uzi felt happy seeing them get closure for the things they went through and was more than happy to support them through it.

Back at the manor V was fixed up after J and N, she was one of the later drones added to the family, she hardly spent much time at the manor at all before the great yeetening happened- she was originally a maid drone for a family before she was broken and dumped in the drone corpse junkyard. Maid drones are programmed with sweet and soft AIs with more round/short body shapes to have a friendly image in a household, they are made to be able to deal with both adults and kids, and they are best made for cleaning and setting up the house in mind. N was made as a butler/chauffeur before getting broken and yeeted in the junkyard [yes he can drive]. Due to V getting broken for some sort of mistake during work, she was left scarred after her reboot to make any more mistakes, which left her slightly jitter-ish and clumsy. Tessa put N in charge to help her around and although at the beginning V didn't talk much and felt unsure, slowly N became her safe space- especially since Tessas abusive parents remind V alot of her old household. N in turn thought V was always cute, he helped her with her work, having more steady hands, which ended with a lot more hand touching and blushing on both their ends :p

N was the one that suggested glasses for V which Tessa decided to try doing to see if it would help her visual efficiency in any way, and it did. V as a DD often tries to rely on her real eyes rather than look through her main visor, the glasses remind her too much of N...

N and V sometimes used to get out of the manor in secret spots to spend some time away from the chaos to help V calm down. during this time they would read books, learn stuff from each others past lives, and sometimes draw lol, but V just liked watching and listening to N, she felt happy with him. although unlike N, V felt a bit nervous around the animals in the area XD

N and V actually have shared kisses, just not on the lips. with N kissing her on the back of her hand as a gentleman and V giving him kisses on his cheek [Tessa's idea of a cute plan to put them under a mistletoe lol], but Vs last words to N was a promise to give him a kiss before she became comatose. as more drones in the manor stopped working and Ns efficiency and work became less useful to the manors occupants due to him wanting to spend time with V all the time, Louisa and James started becoming more impatient with Tessa's drones, which lead to the whole "get rid of them" line...

back in the current time V is obviously trying to protect N in her own traumatized way; but even then, most of the things she had done to "shelter" N, was probably not the best choice one could make, and some of it was done out of jealousy towards N and Uzi getting closer. However, slowly she started convincing herself that N deserved someone like Uzi. V had convinced herself that she deserves nothing. She was willing to give up everything for N and keep him safe from the beginning, even if it meant knocking N down a few limbs/heads just to keep him away from danger- which is problematic in itself. she made choices based off fear and urgency. she was always traumatized.

When N and V started getting along together a bit more and hanging around a bit in the human cities- V takes N to a bookstore she found once and they spent the whole day in the shelter of the store reading different old books. V still does not admit she did this to see N happy again lol.

When N started showing V affection again, V started becoming heavily touch starved and dependent on him again, just like the manor days, which she feared, which caused a minor set back for a while where she tried to avoid N. Uzi had to come and fix this shit cuz apparently only she can scold 2 dinosaurs without feeling intimidated. after N and V kiss for the first time PROPERLY after the whole solver BS ends, V just gets more touch starved and she hates both N AND Uzi for this lmao.

N and Uzi know that one of the only ways to make V calm down is to act soft with her, occasionally praising her and calling her nice things; even when V is literally threatening to bite their head off- [shes bluffing-.......mostly.]

N is usually the one that initiates any closeness with V. after their first kiss, N does tell her that she's done stuff that he might not be able to casually forgive, but at the same time he has seen her grow, and she does have good in her that he still loves her for.

V has nightmares and hardly ever sleeps, and when she does, its usually cuddling N or Uzi.

V tries to wear her glasses more often in the future. N likes it a lot :"3

V is surprisingly a good mom :p [spoilers for my au lmao bye] but yeah, since her original OS was for a maid, she still has some functions to be good with little ones. she cant help herself, she just really likes babies and kids.

N likes sometimes ballroom dancing with V for old times sake...

[i think this is as far as my brain will allow me, please excuse me as i jump off a cliff :") ]

[frenchkanna1808]

Why chapter 3 was a enormous let down and the possible negative impact it might have on the rest of the game

I remember after finishing chapter three one how exicted I was, how deeply impressed I was with the banquet and the qtaro development. And I mean I wasn't the only one, again and again I had seen so much praise about chapter three and how awesome it was. How great midori was as a villain (my like idk how many words analysis about him is very much explicit of that), How amazing qtaro development was, and mainly how great the banquet was, and I had seen the claim around that 3-1 was as great or even better than 2-2. And so I had decided after the hype fell down a little to play yttd again with friends, and that when I realized, god , wait, chapter three is like, extremely mid. I played the entire chapter 1a and it only got to the heights of 1b. I at first couldn’t tell what was wrong with the game, why did it feel so disappointing? And after a while I have finally looked back at the chapter, and yes this chapter is not only extremely lackluster but also a very bad prediction for the future of yttd if 3-2 is written the same. So here in this long french analysis I will discuss the main problem of chapter three the absolute shit characterization of almost all the characters. But also the destruction of emotion route and the crazy pacing

Hi like always, I’m frenchgremlim, I’m the french kanna fan I write stupid essays on yttd from time to time, this one will be compared to some of my others quite negative. But I will try as hard as possible to be an objective critic. This isnt meant to attack any fan of any character no any fan of yttd 3-2, I just want to discuss a possible problem in yttd writing that personally scares me for the future, this topic was one I brought up a lot in many post, if you have seen any of them then well you will already know some of my grievances with chapter 3. So with all my love thank you for reading this, lets start!

THE GOOD STUFF

Chapter Three 1 definitely has many great points. First off, the plot progression is pretty great, we get ton of infos on asunaro, on ways to escape and clues about the hades incident. Midori was a blast and bullying him became my favorite pastime. The dummies were an amazing concept (remember the word concept it will be important for the rest). Despite me disliking ranmaru deepy his development was interresting. THE QTARO DEVELOPMENT WAS CRAZY GOOD, for the first time I got to be justified for being a qtaro fan since chapter 2. Keiji had ton of development in this chapter??? that is very rare considering how much of a stable character he is troughout the game, his relationship with sara is really highlighted and I think thats great. Gin stays the most consistent character in yttd and despite normally being something I dislike in a game I think it makes sense considering gin is pretty much sara anchor in reality in both routes. The obstructors were an amazing idea and I think, adding new mechanics like that truly freshen up the game. Also shin ai is litteraly one of the best idea ever and maple too. And of course the banquet was a thrilling nerve wrecking experience with so many twist and turns that truly got your blood pumping……. Thats my praise for chapter three, the thing that doesn’t make it outright bad but correct. See how I mentioned a few characters by name, but not all, you can pretty much count any of the other either barely present or useless to the narrative. Which will lead me to my first point, the absolute character waste that genuinely every single yttd character going from the least worst to the worst (if you know me you know who will be last).

AN ENSEMBLE CAST IS AN ENSEMBLE NOT SARA AND HER MINIONS NANKIDAI

MAI AND KURUMADA

okay so I will start with them because funny enough new characters have better characterization, than actual character we knew since chapter 1. If I had a word to describe both ami and kurumada it would be good but lacking. Let’s start with mai, I think mai concept of her starting has a sort of traitor and then becoming a true ally is very good, same for kurumada startinga s a heartless asshole only caring about himself to him literally on the ground crying that keiji doesn’t cause the doom of the other dummies. Overall Mai and Kurumada have the strongest character out of all the dumies and are truly multi layered characters. Mai is depicted as a fake idol like girl who hides herself behing the pop like smilling persona (inverse of shin) to hide the fact that she is terrified but can also be a cunning manipulative person too. She truly wants the best for others but is terrified that she might die and would do anything to survive. Kurumada is a brute, he acts like a bully toward the others, act heartless and values himself over others, he has a sort of superiority complex and rejects affection. But trough the power of the bucket, kurumada starts to warm up, and he starts truly caring about the others. He starts devaluing his life after getting destroyed by maple. But in the end he was the only one of the surviving dummies wishing not to be brought back but avenged. Both have interesting dynamic with their pairs and overall importance on the narrative, something that can’t be said about all dummies. Why lacking then. I think kurumada and mai still suffer from what I will call the dummies problem, they feel like there is so much like missed potential its crazy. Seriously we had like one scene where kurumada learns to warm up to kanna, thats it, it feels like we had the basics but it was very rushed. Which is a shame considering THIS IS THE THING THAT MAKES KURUMADA CHANGE AS A PERSON. Mai has less of this problem I think, but still she has no relationship with like anyone in the group except qtaro ( I still think in logic route we should have had the obvious parralele between her actions and like keiji/shin actions it feels like wasted potential) But again this is a flaw that is ommitable since reminder the characters are well written despite being rushed. What isnt forgivable is that kurumada has no relationship at all with shin in logic route, its clear that nankidai envisioned emotion route kurumada before logic route kurumada. Overall I think the pairing system was terribly done for some characters, which is apart of the overrall dummies syndrome.

But lets take a look at the other dummies where my praise will quickly end.

ANZU AND HAYASAKA:

I am deeply sorry for anyone who is a fan of those characters, but I need to be objective, anzu and hayasaka are the most nonexistent characters in yttd. I complain about the lack of kanna content, but the absolute uselessness of those two is crazy disappointing. Remember how I described mai and kurumada, full rich descriptions, what is anzu character. She is a dumb clown girl, thats it there is nothing more. And the problem isnt that she is a simple character on paper, because for example mishima is quite a simple character, its how nankidai decided to utilize them. Lets start with anzu because I think she shows off well the problem, what does anzu do during the narrative, when is she useful, not even like talking about like puzzles or stuff like that kanna also doesn’t help that much, I mean overrall, what is the goal of this character. A character can be a bit flater personaility wise but he has to HAVE A REASON TO EXIST EXCEPT FILLING IN THE BLANKS.

Why was she paired with the yabusames, because reminder all the dummies were paired with a human for a reason, sara with ranmaru because of joe, keiji and hinako because they are edgy emo dyed hair dodgy person, kurumada with greenbling because he has one of the highest percentages while they have some of the lowest, hayasaka because he is similar to mishima with gin. Anzu was paired up with the yabusame, because she had to be paired up with someone, she has NO relationship with them, isnt a contrast isnt anything. My problem with anzu is that she is a a boring character because they did NOTHING WITH HER, she feels like an C rated anime girl in the fucking cast of death note. And no I’m not saying a nice person is boring not at all kanna is my favourite character of fiction, what I’m saying Is that creating just a nice girl is a problem. If we go to hayasaka its the same, which is even worse because hayasaka IS TIED TO THE NARRATIVE. I would say haysaka is more plot interresting but his personality is so boring that it doesn’t help at all. He is just clone non chad mishima. They can die and it will genuinely almost affect nothing at all(which is also a problem the death problem). You get surprised when they actually talk because you had forgotten they existed. Thats how I will define the dummies problem, it feels like the characters were added but had very limited impact in the end, because while it makes sense for asunaro it doesn’t make sense for the cast, why add characters if they have no meaning, thats just bad writing.And why does that piss me off, because you could have done so much more. Remember the mishima comparaison? Mishima is the most good guy ever made but how does he shine, by his interractions, he is a light of joy and good and shines from how kind he is towards others. He’s a bit silly but his unwaring kindness and undertsanding is what makes him a compelling character. Especially I contrast with brooding characters in the cast. ANZU COULD HAVE BEEN THAT. I think especially in logic route, anzu isnt the brightest light bulb, but she can shine in her unwaring compassion, her passion is making others laugh as a clown. While she isnt the best and can sound awkard she tries her best for others, because thats whats right to do, despite how much she is scared. After keiji gets coffined, anzu goes to see keiji in the coffin and tries to cheer him up with the worst joke ever and it makes him truly laughs from how bad it is. Reko see nao painting and gets depressed about it,feeling like she was able to save nobody whether her brother or lover, anzu decides to show her some epic clown skills and absolutely fails, reko laughs finding the kiddo endearing. After alice discovers that midori had hanged out with reko, he wants to destroy him and get filled with rage but anzu tells him to do the breathing exercises she used to do before any performance. Anzu could be used as this idea of childlike kindness a little light in the dark of the group especially in logic route. She can still be a fail girl clown make her bicker with kurumada more, make her be so impressed by how calm mai is, make her despize ranmaru in logic route, make her a dumb kid with tehir cool aunt/uncle with the yabusames. MAKE HER EXIST. SAME FOR HAYASAKA, hayasaka is supposed to be a straight man type character make him even more of a loser, make him silently judge the crazy ass people he is with, do his development litteraly not Five minutes before his death. A character being simple isnt a problem, what is a problem is not using them to their fullest, and for me in the state that they are in currently anzu and hayasaka are bad characters in term of the narrative.

SHIN

Okay so shin isnt a character in chapter three, he’s just there, I’m putting that low because he is a main character. The problem with shin being a bot, is that we just left one of the craziest chapters for him to do nothing, I understand him being stunned by midori and stuff. But I still think this is quite a letdown, especially for the obvious parralels between him and maple almost never being utilized. You can tell nankidai didn’t have the time or want to do much with the guy, which is bonkers considering THIS IS THE CHAPTER WE MEET HIS ABUSER. Then why isnt shin lower? Because shin is the type of character to have development throughout the story, who has a continuous storyline etc, which means that even though he didn’t get anything special this chapter next chapter he will get it. Its not a case of actual waste of character ,its more so, putting the character in the drawer for now. I am not scared for shin writing because he will always get something and always had something. Which makes is non importance in chapter 3-1 not that bad

KANNA

OKAY SO I WILL TRY TO NOT BE BIASED. Kanna characterization disappointing me In 3-1. As the biggest kanna fan, I think nankidai doesn’t care that much about her character as an actual protagonist. This one will be a bit longer but to explain why it was bad I need to do some sidenotes.

Sara is the protagonist of yttd, and keiji and gin are deutarogonist (idk how its written forgive me I’m french, please tell me if its badly written). Sara throughout the story goes trough many changes and developments, while characters like gin and keiji stay pretty much the same the whole story before 3-1. Sara main development is her living with the grief of losing joe and her importance in the group. While keiji is this morally grey, in the end bad person because of his actions guy, that still deeply cares and wants the best for sara, but what he does for her like putting so much responsibility isnt good for her in the end, it creates this codependent dynamic where keiji wishes to protect sara but in the teaches her how to be like him despite him wishing the inverse. Is keiji a good influence? A bad one ? I would say a bad one, but does he care for her? He sures do, and would do anything to protect her. Why am I going a tangent you might say, because shin and kanna are the mirror to keiji and sara. They are in the end the same. Kanna is a direct parralel to sara story wise, which is why I think if the story was twisted the point of view would be either shin or kanna. Kanna is the emotional core of the game, the soul I would say even, her development has a character is the deepest and most complex. Going trough hell, wishing to die to then deciding to live not herself yet but for the people that loved her, Kanna went trough some of the worst events out of the cast, litteraly everyone she even remotely liked or was friends with dies. And yet she decided to stand, for them, for their wishes, that makes kanna the most emotionally strong character in all of yttd. Because compared to sara she had almost no help and was left to her suicidal tendencies. Kanna represents hope and bravery in its purest sense. Thats why kanna is the soul of yttd, she litteraly made shin realised that he could care about others again. But despite all of that kanna was always in the shadow of someone, lacking self worth and self confidence feeling the need to be protected by others, hiding behind shin schemes despite how dodgy they were. Shin was her shield, and now he is gone, and kanna has never been more alone than now. Two people died for her, she hates herself and wishes to go seem them deeply, but she has to stand up for them. And what do we get for chapter three!!!! One scene. Thats fucking it. Okay maybe a little bit more but like god its bad. Kanna is implied in one scene that she doesn’t understand why shin would sacrifice himself for her, which implies that she doesn’t understand that people could love her, which could imply that in general she doesn’t get why either kugie or shin did this for her. COOL ONE IMPLICATION. And like if you read the scene where she says that she will like be epic for them, its implied that kanna doesn’t feel better and is still very much suicidal she still hates herself, kanna doesn’t think she can live, but she has to survive for them. Kanna is implied to be in survival mode more than having hope to be outside. OKAY COOL.

Now I have a question, why does for kanna we have to acively search for her to have any actual development and like relevance, while for other character its more laid out. Why does sara get a scene where we see her change mentality after seeing the joe ai, while kanna GETS OFF SCREEN DEVELOPMENT. IF THERE IS ANYTHING I HATE ITS OFF SCREEN DEVELOPMENT. WE SHOULDN'T HAVE TO GUESS A REASON A CHARACTER CHANGED. Plus kanna is a victim of this almost all the time, which is why people call her flat or not as interesting as shin (I heavily disagree I could write so many pages about her). Kanna is a character which is made in subtlety, which isnt a problem, what is a problem is that she is perhaps the only one. Kanna like I said is a very important character for both routes and yet she is barely treaten has a main protagonist, she is a sidekick, and thats a problem. Because of that her individuality and complexities are not explored. For example I think kanna has many many actual flaws that are barely treated in the narrative, she is far from a perfect kind person, but never tackled on. Kanna is a character that not only never gets a W but also get no breathing room. THIS IS THE FIRST CHAPTER KANNA IS MORE PROACTIVE AND YET WE DONT SEE HOW HER. Yes there is some things that show that, but again its not protagonist level of development, it feels like non important side character development for a character that shouldn’t be that. Kanna SHOULD be a protagonist of yttd, and should get finally her chance to shine instead of always being in someone shadow. I not making pessimistic claims right now since the last chapter isnt out, but I’m very much not hopeful about how nankidai will handle her #challengewriteafemalecharacterwiththesamerespecthasamaleone.

ALICE AND REKO

I Have already written many post about this, but post chapter 2-1, Nankidai had no idea what to do with yabusames, they havent had any actual interresting impact except from lore in any chapter. They become background character especially after nao death. Despite being actual game changing choice, alice and reko are useless to the narrative. WHY? Because nankidai had decided to get them killed by sheep boy, and since nankidai clearly wrote emotion route before logic route, in emotion route he had no idea what to do with them so the became npc’s. Alice relaionship with cast has not evolved from chapter 1, and reko became just one of sara goons. I think this ties into another problem, the emotion route problem, what should make emotion route compelling the character which is supposed to represent it, kanna and the emotion route based choices, but since kanna and the other yabusame gets zero content, emotion route seems like the least interesting route. Because nankidai was more lazy doing it which is a clear problem. That affects the yabusame heavily, sicne he had no plans with them past death. Thats why they are static. Its also linked to another problem which I will mention later. But yes nankidai simply doesn’t know what to do with them, which is especially worst for alice a character that is LINKED TO THE ENTIRE CHAPTER. I think its not only a waste of alice and reko, but also a sign of favoritism. I think nankidai simply cares less about complex ideas for emotion route, I will perhaps write in another post all he could have written interesting for emotion route. Now lets get into THE REAL STINKER OF THE CHAPTER.

NAO EGOKORO: HOW TO MESS UP THE MESSAGE OF CHARACTER

What. The. Actual.shit. I have no words except from that. This out of every charcater bothers me probably the most and actively pisses me off. Imagine writing a character, a female character who was shown as capable and strong despite being an emotional person, imagine creating a character which showed the defiance of asunaro, the fact that yes despite their overwhelming sense of control and power, that there was in fact a way to beat them at their games, imagine writing a character that fought against adversity and had the only canonical route where despite all their wishes that character won, imagine creating a character with a doomed fate which is in direct parallel to another character and shows why he somewhat has the right to be scarred, imagine writing a tragic story about a girl who was only brought here to suffer and be a tool for the progression of A MAN in the canonical narrative, imagine writing a character who entire existence was a tool for asunaro and died because of them, imagine writing that the floormasters consider her useless and non important because she isnt some holy participants, imagine writing that. Okay so imagine that after this poignant ending you decide to do another chapter where you mention her 1 time in a non essential dialogue. THIS IS INSULTING. Because what this honestly says is that, yes nao life truly was unimportant, we get references to greenbling death in the chapter, NAO DIED LIKE THREE HOURS AGO. THIS MESSES UP THE ENTIRE MESSAGE.

This feels like nao was some kind of rug, that when not needed could be trhown out, was her death just shock value, was that the goal of her character. I wanna remind that yes nao was only brought to boost mishima percentages, which mean she was only a tool for another man progression. THERE IS SO MUCH META POSSIBLE COMMENTARY ON THIS. Asunaro who uses children and women as toys for their own goals, that they will throw out when not needed. But instead the fact that nao was completely forgotten just deepens this idea that yes in fact they were right, she was unimportant, and thst deeply isulting I think. Why does every chapter mishima comes back while we get no mention of nao. Why is there a clear focus in this game about more stereo typically strong stoic figures, isn't this entire game about the conflict between emotion and logic. Why does characters like kanna and nao representations of the conflict get zero content. Characters like kanna and nao MATTER, they are perhaps some of the only representation of empowerment that people like me can relate. Because I will be truthful, logic route is in fact not the good choice, not in narrative standpoint (logic route is awesome for the narrative for sure), in a moral standpoint, its an extremely good idea of course. But the message of the game is that in the end its wrong, it’s a wrong choice to act or pretend to be an emotionless logic based robot, keiji is in the wrong, shin is in the wrong, midori is in the wrong. Whats the point of a moral dilemma if you don’t talk about it from one side. THEN WHY DOES THE CHARACTERS THAT REPRESENT THE INVERSE GET ZERO CONTENT. I think nao disappearance is not only one of the most disappointing things in all of yttd but genuinely gets me scared for the future of yttd themes.

Now that we finished every character, you may wonder, why, why is this chapter characterization so bad? What even happened? Ill tell you what happened, there is two reason everything went to shit and let me list it here:

THE SARA PROBLEM OR WHY THIS CHAPTER PLOT FOCUS IS ASS .

YTTD chapter three was way more plot focused than any of the chapters I would say, and honestly thats great for the narrative, if only it was done well. Remember my speeches about the characters about how like 60% of the cast is useless to the narrative, characters we know since a while, why do characters have no development, why does the dummies gets jack shit to do etc. Thats because of one thing, this chapter prioritized PLOT over CHARACTERS. And how can I claim this, because most scenes are sara and her doing everything. This chapter wasn't really about her, at all even, yet we have focused more on her reactions to the events that literally any characters. Chapter three at least half of it shouldn't have been sara focused. You might say what are you on about french? I’m gonna explain. I wanna state some example to show my point clearer, the reveal of why non candidates were brought here, why, in the flipping heck is sara the charcter in particular they choose to only know that, to have the big emotional scene, why especially in logic route, why?????? Yes she knew nao, sure thing, yeah she knew kai, but she wasn't the only person that knew them, sara didn’t even like mention nao almost the whole chapter, you want me to buy some emotional ass scene, for a charcter you barely even cared about showing in the narrative. I could think of a million characters who knwing this would flip out and have ACTUAL CHARACTER MOMENTS (kanna, reko, shin when he would learn that they brought kugie only to die which in the end CAUSED KANNA TO BECOME SUICIDAL AND DECIDE TO KILL HERSELF, GIN).

Another example the final scene where sara presses the button to get rid of midori that scene feels so empty, it doesn’t feel like a revenge or anything, midori has no emotional connection or link to sara, it doesn’t feel deserved, why out of everyone of the cast, why is midori getting killed by the person who he hurted the least. It feels like yeah sara the protag so she has to do it, it doesn’t feel cathartic because the characters that deserved the most to get this final bow didn’t get to get it. IM PRETTY SURE ANYONE IN THE ROOM COULD HAVE PRESSED THE BUTTON AND IT WOULD HAVE BEEN MORE EMOTIONALLY DRIVEN. I wanna discuss emotion route sara in particular, sara isnt as interresting as before in emotion route, since now she is healing and is closing her arc, which means that compared to logic route you don’t really have this want to see her arc which make scenes that should have been about other characters feel even more flat. I am not saying we should stop having sara as a protag no no of course, my problem is that we have seen that sara can work as the protag while focusing on other characters drama.

Example chapter 2-1, in 2-1 the focus is on reko and alice, and yet sara still has conflicts for herself, but they don’t seem to overpower the narrative. This intense sara focus destroyed the other characters screen time, and caused a lot of scenes that should hav been more impact to be less impact. Sara story in emotion route should have been the keiji stuff an ranmaru stuff mainly(and the whole logic route sara becoming crazy stuff too), the whole conflict with midori just felt like it was created only for the narrative. NOW I CAN FINNALY COME TO MY POINT. The sara focus was because yttd decided to focus more on the plot progression that character driven story, thats why sara does everything, thats why the characters have overall less to do. And imma be honest I did not come for yttd for the plot, people love yttd because of THE CHARACTERS, why do people play logic route, because they want to see shin evolve and sara too, why do people save kanna to fullfill shin wishes and save a kid they care for, what most people play yttd for is not the plot. YTTD IS A CHARACTERS DRIVEN STORY, characters not character. I genuinely don’t give a flying fuck about the plot if the characters are non existant, a bad plot can be carried by good characters, but a good plot will never carry bad characters. I know we are getting closer to the end, but yttd always had that balance between action and character moments. But I don’t think its only the direction of the story that is faulty. ITS the:

PACING

YTTD CHAPTER THREE PACING, wow we met this new guy midori, WTF REKO DEAD, anyway who cares lets move on. Thats it thats the pacing. THE CHAPTER IS WA TOO FAST. We go trough plot points so quiclky, we randmoly see reko/alice die then nothing, they don’t exist anymore, characters the cast know since the beginning, again for the dummies its logical, in a way, they don’t really know them, plus they are robots. RANDOM AHH REVEAL KANNA AND SHIN ARE ACTUAL SIBLINGS THEN NOTHING, NO MENTION, NO ACTUAL IMPORTANCE TO THE ROUTE, this only felt like this was added in for plot for logic route so that we know in advance that shin and kanna are siblings. The dummies just die at the end of the chapter in five minutes, qtaro dies in five minutes then the chapter ends. How do you want us to feel emotional weight for a character dying if you give us no time, joe death is one of the most viceral death because its slow and painful to watch, while if he died in chpater three he would have just exploed for shock value. Shock value thats how reko and alice death felt like, just that. Sara figuring out the whole participant thing, shock value thats it. The pacing is just horrible in this chapter so much so that I had actually forgotten kanna and shin were revealed to be siblings at the end of my first playtrough

CONCLUSION

I don’t think chapter three was bad per say, half of it was amazing truly, but the other half was incredibly disappointing, the whack characterization, the horrible plot focus and the pacing are terrible. Emotion route suffered the most because of this and I think on an objective standpoint is the worst written route (i’m the biggest emotion route glazer but like I can’t lie on how bad nankidai fumbled). I still love yttd and am full of hope that chapter three two will be the most amazing thing ever made, but I am scared of dissapointement now, I hope nankidai comes back to his roots wirting like chapter 2. If you like loved chapter 3-1 then honestly I wish I was you, I don’t like being dissapointed, I don’t like being let down, I am not critiquing from a place of hatred but from a very passionate fan, I know my opinion is pehaps not one of the most shared but as a fan of yttd for so many years I think we need to open our eyes to flaws. Perhap chapter 3-2 will fix everything I say and I hope so, I hope this post becomes outdated, but if it doesn’t then it would in my eyes truly ruin yttd. It won’t change chapter 2-2 changed my life and that kanna kizuchi saved me from a lot of dark times.I love yttd and i belive in nankidai and that why as a fan we shoudl critic his work

[just-some-random-blogger]

Since there are quite a few award shows going on, what are your thoughts on a fic about Ewan and reader at the awards together and they are being so flirty (trying and failing so hard to hide it) in the background that even the cast are teasing them. Meanwhile it’s all going viral? As always, this just an idea, no pressure to write it or anything! Hope you have a lovely day :)

Secret Hand Holding

Ewan Mitchell x Reader

Summary: "YALL AINT SLICK, IVE GOT 20 LOW RES SS OF YAZ HOLDIN HANDS AND IMMA BOUTTA THROW HANDS"

Word Count: >600

Warnings: gender neutral!reader, use of y/n cos 🤧 tis unavoidable, crackfic, fluff, typos, etc.

A/N: I need a breather cos i got this commission and i'm panicking over it. i did change some stuff about the req nonnie, so i hope ya still like it <3 also the gettyimages watermark HAHAHAHAHAHAHAHAHAHAHAH Tagging: @pinksirensong @aralezinspace @sloanexx @deniixlovezelda @risefallrise @slavyanskiyahui @antisociablewallflower @lxdyred

Now Playing: ewan and [y/n] moments that are TOO SUS to be a ✨nothing✨

à la ai generated voice: Hello, Every [...] one i have been thinking about iwan- - - why did he say it like that- IWAN -- YOUWAN- And [...] y/n,,, ever since they did the house of the dragon press thing [...] and [...] i have not been able to get this

[SHAKY EFFECT] [LOUD BG MUSIC] [PHOTOGRAPH OF YOU AND EWAN]

à la ai generated voice: out of my head [...] So [...] here are a few moments during that event where i think it's just [MAX VOLUME] TOO SUS [NORMAL VOLUME] for them to not be [...] [...] idk horn dogging behind the- [CUT NOISE + WHITE SOUND]

You were posing for some pictures. Ewan just came in, chewing gum. Your name was begin called by the photographers and, quite frankly, you were serving like rent was due. You were giving. That in and of itself deserved its own edit (which it does-- it has its own edits).

Your expression was mostly stoic and your hands were relaxed upon the front of your thighs.

Then came Ewan, ready to pose for the carpet, and as he did so, the paparazzi called out his name, making you turn from your side, and immediately break character.

Your otherwise blank face morphs into a wide grin and you gather yourself, walking over to Ewan, though he was at a side where you had just finished posing. The moment you are remotely close, Ewan turns, and his own poker face twists into a pursed smile. He reaches out for you and gives you a hug.

You kiss his cheek and a lipstick mark stays on his skin for a good unknowing 6 seconds.

[loud bg] THAT SIX SECONDS IS WELL-DOCUMENTED.

From the moment you two pose next to each other, the different fan cams and multiple angles wherein the kiss mark and your smiles are visible, to the moment you turn and gasp, reaching out to wipe Ewan's cheek, it's all very much well-documented.

Ewan glances at you as you rub his cheek with your thumb. You're holding back a laugh as you mutter something that makes him thin his lips and mutter something back.

à la ai generated voice: GIRL WE KNOW 😃😃😃😩😩😩😒😒😒🤮🤮🤮 WE KNOW double yew double yew double yew double yew double yew,,, sigh [...] [...] now onto the part that went [...] [DEAFENINGLY LOUD] VIRAL

You were mid posing for the carpet right.

Ewan turns to you. He mumbles something that makes you turn over to your right and break into a laugh. You wave at someone (no one knows who to this day), and with a toothy grin, turn back to Ewan. The arms you had by each other's back slowly glide down against each other as you pull away and tell him something that makes him smirk and nod.

And then, your hands are by each other's wrists, dangling beside each other. Next thing that happens, you're holding hands and you're pulling him away.

Ewan follows you with no fuss. [EDIT IN SCREAMING SOUNDS] As you lead him off, you stop and await him to your side. Once he's close enough, you turn to him from over your shoulder and say something.

In reaction to whatever you said, Ewan smirks and shrugs. He points to the distance and, for some reason, you laugh really hard at that.

[REALLY LOUD GROANING, GROWLING, RABID NOISES]

à la ai generated voice: What the,,, [...] [...] [monotonous but loud] FUCKINGSHITFUCKINGFUCKFUCKINGFATHERFUCKINGFUCKERSHITCUNTRATGREMLINAYAYAYYAYAYAYAYAYAYAYAYAAAAAAAAAAAAAAAAA [...] [...] did you just unleash upon this cursed land question mark (?)

[jorenilee]

FIRST TIME DOING COMMISSIONS WOOOO. I really wanted to open comms but I'm also busy with uni so for compromise, I'm just keeping it to simple, monochrome sketches for now! ko-fi here!

Detailed info + link to info document under cut

Commission document

FINALLY sketch commissions for $15 CAD.

- Any additional characters (more than 1) are $5 each added onto the original price, e.g. three characters would be $25 total.

- Headshots, busts, half-body, and full-body sizes are all $15 to keep it simple, I'll try to adjust by adding more detail the smaller the scale goes. Just let me know roughly which size you'd like 👍

✅ yea category (things I can/am comfortable with drawing):

OCs

ship/self-ship art

suggestive (not of underage characters)

light nudity and light gore

blood

anthro/furries and animals

simple props or foreground objects

❌ nah category (things I won't/am not comfortable with drawing):

nsfw/fetish

heavy gore

mech and detailed armor

backgrounds

very complex designs (think of genshin and monster hunter as the standard of complex designs)

- Always ask questions if you're unsure about stuff (like whether something is simple enough) and I'm open to discussing those details. Some things I might reject cuz of time or how experienced I am (like I said I could do anthro/animals but if I'm gonna be real, not sure if I can do insects and fish and the like justice). But it is just basic comms and sketches so nothing too wild so I'm willing to hear out anything

- Do NOT put my stuff in ai or give me anything related to ai/nft, I will EXPLODE your MIND

- Pay upfront 🙏, it's ko-fi so not like it matters but yeah

- Payments will be thru ko-fi, but if necessary, I also have paypal. Also this shouldnt be necessary but dont share my personal info (email, name, phone, etc), we do the "I do not see it" type of interaction.

- I can't guarantee how long it'll take given I gotta lock in on university, but it SHOULD be under three weeks max, and I'll try to give updates whenever.

- I'll also try to send progress sketches for you to examine and critique as you'd like! I'm forgetful as fuck so never be afraid of asking me for updates because my brain sure doesnt <3

- Also also I might ask if I'm allowed to post your comm as art (with a watermark saying it is a commission), and you're free to say yes or no.

- Most of all: this is my first time really doing this stuff so have mercy 🙏🙏🙏 especially with the payments and remembering stuff.

Ok DMs are open and you can ask me there YAYY

Other extra things:

sending me references is COOL and GOOD!

I am fine with you giving me as many details as possible (pose, colour, level of detail, lighting source, exact size of canvas, etc.). I love following instructions, it keeps my heart at rest <3

be free to also go crazy when reviewing progress sketches. again, love when I know what to do and follow instructions

I got a right to reject any comm

I am not a serious person ur free to go wild in DMs

but a reasonable wild in like. dont be inappropriate or mean or sexual n stuff

and I'd rather not have regular casual conversations since it is still commissions

IF i get a lot of comms, I'll close them temporarily

if you tell me to draw stuff like. a carrot. I will do it. idk why youd spend money on it but ill do it

the canadian economy is in shambles so lowkey, pay me enough and I'm willing to draw stuff in the nah category lol (will take much longer tho)

Other places to contact me:

twitter: chamops

instagram: chamopss

discord: chamops

bluesky: jorenilee.bsky.social

[envy-of-the-apple]

QUOTEV??? asdhkjflahsfd BESTIE TELL ME IT AIN'T SO. but here are the text editors i'm familiar with:

google docs (you don't have go give gmail ur real name. i call myself "writer alias") will autosave all your stuff, for free, and does like 90% of what microsoft word does. to my knowledge they are not using docs to train ai.

microsoft word is my go to bc i got into it when i was in college and they let students have free accounts, but you can use the online-only version (that's the one you don't install on your pc) for free. there is a setting to firmly tell microsoft not to use your data for ai training but it's hidden past a few menus.

libre office is microsoft word but open source, so no worries about ai there. should be pretty easy to use but it's as online/cloud synched as word and gdocs so it's a better choice if you primarily write off one device.

tl;dr google docs if you want something easy and useable on multiple devices. libre office if you only write on your computer. microsoft word if you want a less google experience or additional bells and whistles.

why do ppl cringe when i say i use quotev like five ppl yelled at me TODAY?????ITS NOT THAT BAD

idk why but i just cant use google doc for fic writing. like i need an actual writing app.....google docs/word/office automatically just kills any creative writing i have and i need to cite at least five sources in mla format

at this point im even willing to pay.....but not 146 dollars like campfire writing wants me too....20 dollars....maybe

[olderthannetfic]

https://www.tumblr.com/blog/view/olderthannetfic/770240173023838208

Wow, I am not this anon but I was surprised by the p unanimous pushback, at least when I first saw the comments. I interpreted reupload here in this context as something more public than a dm, like something Google findable, but still effectively an interaction, so still technically peer to peer in the first place, and preservation not theft minded. Not like, a wattpad reupload? Like answering an ask or post on the deleted fic sub for help finding a fic with an archive link/cache link, or posting a google drive link? Idk if I’m using the right terminology for any of this now.

I’m a bit of a fic hoarder and seek out deleted things pretty often, and do show up in spaces like the aforementioned, hat in hand, when there’s stuff I can’t find, and also privately point people to where they can find deleted fics. I didn’t consider this kind of thing reupload, which I would prev had said I’m against (unless you’re the original author), but it did feel to me like it was what op was describing, on the other hand if it /is/ considered reupload, I also am pro this specific sort… like are these uncharitable interpretations of the ask, bc op was verbally telegraphing ‘very controversial take’ out the gate? Have I been secretly an fandom badguy all along and I didn’t know it??

Maybe I’m over correcting and being too generous in my read because I feel like they’re doing a bad job at, ultimately, saying something I agree with, but I also don’t think saying that the internet is written in ink is and individual human beings who like your art might preserve it or interact with it in way you don’t like once it’s public = AI scraping is fair enough, and ultimately on you, and so are sex crimes 😭, even if there were unfortch parallels in how this sentiment was conveyed... if you don’t want [undesirable outcome] don’t [preventative choice] is a standard format that can be used for good AND evil I think. I swear to god I’m not op even though it highkey sounds like I am how I’m going to bat

--

Wayback machine links and privately linking someone when they make a "Can anyone find X?" post are mostly accepted, in my experience. Posting a public link on that same post that isn't the wayback machine is sometimes okay with people, but it varies.

Anon was here to stir shit.

[alicethepiper]

here's the counterpart to my other post about the desks in the s.t.a.r.s office. there's audio this time, but no music unfortunately. you can hear the mr. raccoon bobble head thingy in the background though. i'm dumb and didn't know that was making the noise. oopsies.

so the desks in og2 are all one desk, but in remake they're two desks pressed together into a row. everyones looks basically the same. we have two additional desks in the back, though, near where rebecca's desk in og2 is. i didn't see any of rebecca's boxes specifically (there were a lot of boxes everywhere) but the green satchel health kit first aid thingy (that i assume is hers) is on the wall. idk which desk is supposed to be hers, but i think it's the one with the cds.

Jill's desk is different here too - in og she had a picture of some guy on her desk but now it's a picture of a dog. the beret/hat is still there, so i'm guessing that desk is hers. the desk next to hers has a lot of cds on it, though. it looks like piano music to me, and we know jill plays piano because of the first RE game (from what i remember) but that's about as far as my knowledge on it goes. i think rebecca can also play piano but i could be misremembering the 10 seconds i've played of RE0. idk who that desk belongs to, but it's the only additional desk that actually has any stuff on it, so i think it's rebecca's. all of the bravo team stuff is pretty much packed up (which could be because they're all dead, minus rebecca). so following that logic, the desk with the cds would be rebecca's - all of the other desks are packed up (and all of the other desks, coincidentally, belong to dead people). and i can see rebecca being put next to jill after bravo got wiped out (or even before, since i believe they're the only two girls in s.t.a.r.s and that feels like something the dudes would do. like a whole "lets put those two together so they can bond about being women or something" idk. im rambling. idk who that desk belongs to but i think it's rebecca). i can also see rebecca requesting to be put next to jill. idk too much about chief irons (except for literally all of the bad stuff he does in the game) but i wouldn't be surprised if he was a fucking creep towards jill and rebecca (he also may have only targeted rebecca, since she is a rookie and is also pretty timid, in comparison to jill who is simply not, therefore making her an easier target. i literally have nothing to base this on, i'm just speculating).

wesker's desk just has a lot of books on it. it seems like in remake everyone has their own desk rather than sharing, so i don't think enrico's stuff would've been in there (meaning, i don't think he was the one who had been holding onto a picture of rebecca). ultimately, i agree that the photo of rebecca is just an easter egg and not anything to do with canon as far as capcom is concerned, but if it were to be looked at that way then: in og2, wesker probably shared a desk with enrico, so it could've been either one of them (maybe both?) who had a sus photo of rebecca. and in remake, it's just wesker who has the photo, since enrico probably has his own desk (since everyone else does, and also there are two new desks added in the back - either of which could be his). i would say that remake puts it there just to stay faithful to the original, but the remake version of the photo is significantly worse (somehow??? like, why did you go in THAT direction??) so capcom didn't improve. good job.

conclusion: wesker had the photo of rebecca for sure in remake. he may have shared that photo in og. everyone has their own desk in remake, they shared in og. and in remake, i think rebecca is the desk next to jills. also that photo looks nothing like her so i'm just gonna pretend that wesker used one of those ai thingies and typed in: "rebecca is the new rookie. pls put her in green basketball clothes. also put her in sexy pose, thx" and just printed off the one that either didn't have fucked up hands or didn't show her hands at all.

that's it. thank you for coming to my ted talk. (it isn't even mine) (it was an ask that @highball66 got) (i'm just the private investigator hired to take the photos lol)

[yanderes-galore]

So, it started!

Fandom: FNAF

Character: The mimic

Type of fic: concepts

I don't think there's much to add for this plot that wasn't said in that brainrot that was posted some time ago about him.

-🐻

Yeah, sure! I'll see what I can do for The Mimic. In this concept I refer to the character as just "The Mimic"/It as I'm not sure if there's a canonical gender pronoun (Wiki says The Mimic is Genderless and says "It")?

Also, FNAF related side note; I love how I've seen a 🦊🐻 and 🐇 anon but no chicken XD It would've fit so well. There may have been a 🐣 anon but they never interacted so idk....

Potential spoilers for FNAF: Ruin and Tales From The Pizzaplex?

Yandere! The Mimic Concept

Pairing: Romantic (It thinks so, at least)

Possible Trigger Warnings: Gender-Neutral Darling, Obsession, Violence, Murder, Blood, Stalking, Kidnapping, Forced affection, Forced "relationship".

The Mimic does exactly what you think it would.

It mimics what's around it... that's how it's survived this long.

It's creation was meant to be an AI that learns and mimics things it sees.

This is how The Mimic learned to copy its creator's son, it's also how it learned violence.

Mimicking what's around it caused so many gruesome murders by its hands.

The Mimic takes up violent behavior way before you even meet it.

It's locked away underground yet occasionally still finds new victims.

How it transitions into yandere territory is this according to the brainrot I was sent:

It copies other behavior.

Maybe The Mimic sees two Pizzaplex workers getting a bit too... friendly with each other.

Perhaps on the job they decided to use the private time to show some affection.

Holding hands... hugging... kissing... telling each other they love one another.

The typical stuff you'd see with couples.

Sadly... they quickly become victims of The Mimic.

But not before The Mimic learns something new.

The Mimic learns a new thing to copy... compassion.

Or at least... a twisted form of compassion.

The Mimic picks up on what couples do, yet the violence it learned before still lingers in its code.

Who knows, maybe the AI even finds jealousy to copy from the same couple or some other workers.

That or jealousy is something it learns on its own.

The Mimic is finding ways to process these new lessons and behaviors up until you find your way into the underground Pizza Place.

You could be another guard sent to clean things up or just an outsider who managed to find themselves stuck here while exploring.

Either way, as you roam the underground levels, you're being stalked.

The shambling Frankenstein of a bot follows you around yet its intentions are unclear.

It stays out of your view and it processes what it wants to do next.

It's mind goes to violence again... like all the rest.

Then it thinks of something else... copying how those other humans treated one another.

Their interactions appeared... softer... more positive.

The bot recalls when it was once praised and cared for.

It remembers being playful and being treated well.

Perhaps it feels it wants to recreate that... it wants to feel that love again.

For this concept The Mimic's actions could be interpreted as "Romantic".

Yet that's mostly because that's what it saw.

If it saw more platonic actions it would mimic those with you, but I'm going to make this concept more akin to the brainrot I was given a long time ago.

Either way... The Mimic intends to feel loved again.

With you as its target of affection.

Your encounter with the bot is no doubt creepy.

First of all, the appearance of the bot is mixed parts and strangely humanoid compared to its more animal-like peers.

Then there's the fact it can mimic voices.

The Mimic would use the voices of victims to lure you closer to it

It would then try to mash together voices to communicate with you.

It also doesn't have much of a moral compass.

So when it eventually comes up to you to act out the affection its mimicked, it has no idea its wrong.

When it eventually corners you, you fully expect to die.

Maybe the machine even has dried blood on it from previous victims.

You cower in place... expecting some sort of physical blow.

Only for the machine to kneel down in a clunky fashion and lightly reach out to you.

You feel cold and rusted metal on you skin as the bot tests things out.

It tries to find a comfortable way to speak with you and not scare you.

You may even feel the tall and lanky seven foot bot pick you up to stand you in your feet.

For being a killing machine... towards you it appears oddly friendly.

More than friendly actually... affectionate.

It tries small things with you.

Things like grabbing your hand and just holding it, maybe even patting your head.

Then there's times it holds you a bit too tight.

Or it feels it's appropriate to press its rusted teeth to your skin in what can only assume is a kiss?

Or it's biting you?

You can't tell and really don't wish to know.

As you roam about the Pizza Place, The Mimic follows.

You feel uneasy as it clinks and clanks around behind you.

Glowing eyes never leave you as it tries to learn from you.

The Mimic would definitely copy things from you.

It copies your voice and movements in an attempt to relate and appeal to you.

If it looked different and didn't murder... one could find it twistedly cute.

The Mimic still keeps the violent behavior it learned, however.

For example, if you were a worker and another guard came down to check on you, The Mimic reacts with hostility.

Or if you came to explore the ruins with a friend?

It doesn't like the idea of this other person touching or talking to you.

Up to this point The Mimic hasn't displayed violent tendencies with or around you.

You've been able to tolerate its strangeness towards you.

Things go down hill the moment another person is involved.

Like some sort of switch... the moment its eyes lock onto your friend/coworker, it stops playing nice.

Before you can say anything The Mimic attacks.

You scream yet it doesn't respond.

The bot pounces on your companion and tears into them like an animal.

There's blood... gore... the sight in unbearable and horrid.

Yet it's not like you can do anything.

They're long gone by the time The Mimic touches them.

As a result, you run.

You run to look for an exit and escape.

The Mimic is disappointed when it stops attacking as sees you gone.

In an attempt to find you it leaves its mess behind to search.

Things change by this point.

The Mimic still has a twisted sense of affection towards you.

But you don't see it as harmless anymore.

The Mimic doesn't understand the fear you hold towards it.

When it finds you it tries to mimic the behavior it learned from you.

Although you don't respond positively as you can see it dripping in blood.

The moment you met The Mimic, your fate was sealed.

This is because it doesn't plan on even letting you leave.

It will just drag you deeper underground and continue to mimic affection towards you.

It won't kill you... but if you fight it...

It's violent behavior does tell it to break something of yours to make you comply.

The Mimic is a very interesting character in this sort of story.

All its doing is mimicking and learning due to its adaptable AI.

It isn't entirely conscious of its actions, at least not to the degree of other bots.

A yandere Mimic is the result of a poor combination of events.

If The Mimic was properly contained... you'd probably never be in this situation...

Yet now you're here... locked away underground... with a robotic amalgamation watching over you like a hawk.

[unnonexistence]

I would like to know the answer to 5 & 62 from the math ask :)

(math asks are from this post)

5. Are there areas of math that you enjoy? What are they?

I don't like to get TOO specific on here, just for privacy reasons, but broadly speaking the stuff I like is in these areas:

(the Map of Mathematics is from this video)

I probably should have left machine learning out of that lol. I had it in my head that this was "what areas of math are you interested in," and I haven't actually done any machine learning stuff yet. It's more something I want to learn about (to understand better what's going on with the AI boom & because it'll probably be relevant to my career).

There's also a lot of stuff I don't know much about but think is neat. Like topology. I haven't actually taken a course on it, so everything I know about it comes from the videos Cliff Stoll did with Numberphile (plus it being graph theory's weird cousin).

62. Are there any non-interesting numbers?

I had to think about this one for a while. We need some sort of definition, right? Let a number be interesting if some person at some point in time has been interested in it. Not the best definition because idk how to define or quantify interest, but let's go with it.

If we count being interested in a set as being interested in all the numbers in it, then all numbers are interesting, because if someone has bothered to define the set, then they must have been at least a little interested in it, right?

If we DON'T count interest in sets and are only talking about specific numbers, then there must be infinitely many non-interesting numbers, because there have been finitely many human beings and each human being only has time to think about a finite number of numbers in their life, so there are infinitely many numbers no one has ever spared a single thought for. Which is maybe kind of sad? Or not, idk, maybe they like their privacy.

This is actually a bad definition, I just realized, because very large primes are clearly of interest to a lot of people, and there are infinitely many undiscovered ones out there. Oops. Let's go with the set version and say all numbers are interesting.

We could go a step further and say some numbers are more interesting than others, and define interesting-ness as the total number of times a number has been thought about. I think the MOST interesting number in that case would be 1, because everyone who knows what a number is has thought about 1.

If we're just talking about numbers I personally don't find interesting... idk, 46 is kind of boring? I also don't really care about the complex numbers, but they have so many uses that I don't think I could honestly say they're non-interesting. They're just not my thing.

Thank you for asking!

[starryroe]

Saw your posts yesterday about that one post and was confused. So, since I didn't understand what was going on, I decided to stay out of it until i had the full picture. Yknow, like a decent respectful person.

Just stumbled on what I'm pretty sure is the post you were talking about, so now I feel like I know enough about the situation to comment. And all I can say is what the hell is everyone on about? You're right!

I'm very against generative AI. But we can oppose the use of AI without throwing disabled people under the bus and shaming people for struggling with things. Even if you don't specifically say "I'm talking about disabled people", shaming people for not being able to do certain things is ableist at its core. Claiming its embarrassing to not be able to do something is ableist. It just is.

Not to mention, it's completely ineffective at actually solving the problem. It's not going to stop people from using generative ai when they feel like they need it. It just makes them feel attacked, and rightfully so. Because it IS a personal attack. It's much more effective to just educate on better resources to use.

Im personally a big fan of using templates for sending emails. They help me communicate exactly what I need to when my brain fog is too bad for me to be coherent. I'm sure they're helpful for people with many other symptoms that affect their ability to write emails too. Having another person read stuff over for me if I'm not sure what I wrote makes sense has also been helpful.

If you want people to stop using chatGPT, you have to give them actual alternatives. Not just shame them for struggling with something you consider easy. (Not at you, at the OP)

Sorry you've been getting weird anons about it. You're right, that post IS ableist!

hell yeah anon you got it completely right! every couple months someone makes a post on here that is quite literally just "we should be able to bully someone" and it somehow gets a billion notes every single time. and idk man maybe i just was always someone who got bullied even before i realized i was queer but. not cool