#idk if they have a separate name

[abusivelittlebunny]

Carlos can't keep his dick out of the cuties of the grid and that's why he was banished to Williams

[hiding-under-the-willow]

Okay. hear me out. Creaking Helsknight

[featherlouise]

Exploring some concepts for a slightly older Ghost!! I imagine them as about 8-9ish during the game.

I’ve been neglecting them in most of my AUs lmao, I think it’s time for some Ghost centric stuff shxhxjxj (also they’re VERY fun to draw)

After killing the Radiance, the siblings take some time to rest and recuperate, and at some point decide to try and rebuild Hallownest. Hornet takes over Deepnest, taking her rightful place as Queen, while Hollow becomes king of Hallownest. While Ghost is technically the crown prince, it’s more in name than anything, as they would rather run the Path of Pain handcuffed in the dark than have that kinda responsibility (also they’re like. 13 by this point)

Some tidbits about their design and this AU for those interested:

- They resemble their mother more than PK, and as a result their horns are more like branches and grow to resemble antlers!!

- They also have a faint wood grain pattern all over their body

- Vessels typically have small glowing white dots on their bodies, and darker spots on their face and horns (I’ve been referring to them as soul spots and void freckles shbxxn), and you can generally tell whether they’re more proficient in soul magic or void magic depending on how many of either they have!!

(E.g. Hollow has a few void freckles, but they are COVERED in soul spots, meanwhile Ghost has a few soul spots but they have a TON of void freckles).

When they come into their power as Shade Lord, Ghost’s soul spots are swallowed by their void, and as they get older more void freckles appear until their horns are entirely black.

- I like the idea of Ghost’s power as SL showing in their physical form more as they get older, like their mortal body can’t contain their entire being, so it leaks out in the form of wispy void hair, void freckles, etc etc

- When they started rebuilding, there became a sudden need for formal clothing once again, so Hornet raids every closet in the White Palace to cannibalise the different dresses and robes into something presentable (luckily Ghost fits into most of Hornet’s old stuff)

(Assume the White Palace appears again at some point (finding PK’s corpse is a VERY fun time for Holly ahahaha))

- With the discovery of kingdoms beyond the Wastelands (via Silksong), the siblings start reaching out in the hopes of establishing some trade routes, and getting some help with the rebuilding effort

This opens some opportunities for visits from neighbouring royals (and pooossibly some new friends for Ghost, they need to meet people their age lmaooo)

[frankenstein-ate-my-left-shoe]

🪱🧠 Wiggly Wednesday 🧠🪱

this week, i was tagged by @just-my-latest-hyperfixation, @steddieas-shegoes, and @matchingbatbites!

this is one that i’ve had in my head for a LOONNNG time now, way before the song got big, even before @melonalemonade’s Zteevposting, so it’s always been Djo and Caroline BUT:

steve, robin, and eddie who all move to chicago together after vecna.

eddie, who gets offered a contract after a show sometime after they’ve arrived and before the thing between him and steve becomes something, and leaves to LA to fulfil the contact.

i’m my head it’s angsty; eddie and steve’s something becoming a Something™ the night before eddie leaves… a fact he doesn’t tell steve.

the record label squeezes two mediocre albums out of him and his image and eddie comes back to chicago, starts working as a gig manager for the same club/bar he got his not so great break at.

he hasn’t spoken to steve or robin in all the time he was gone (not that he necessarily didn’t want to, but could a) never drum up the balls to try calling steve, and b) didn’t want to incur the wrath of robin by calling her).

so he works. he pulls in some gigs with real promise, but a lot of duds.

one night, he gets to the club halfway through the set time of tonight’s act, one that his assistant signed up, and decides to look in on them after going through his paperwork for the evening. (you can’t say he isn’t a responsible part-owner)

there’s just one person on stage, wait, nope. two. one at the mic with a guitar and one out of the spotlight at a keyboard.

“Okay—for this next one.. I gotta tell you, it’s weird being back in this town.” the man on mic says, his oddly fake-looking mustache scrunching with a smirk. His voice is oddly familiar…

“I lived here a good couple years ago now, and things going to shit is what started all this.” he gestures around to the stage and crowd. “So, here’s one for you, Chicago.”

he pushes a loose hair of his.. wig?? (wig and mustache?? really?) out of his face and starts to play.

the tune is good. really good. really really good. so good that he is blindly waving down his assistant for the artist’s info.

he doesn’t take his eyes off the man on stage.

eddie sees a foot in a strikingly familiar blue adidas shoe press onto a pedal in front of him (weird)

the man rolls his shoulder around his a familiar way when sings about being in chicago at 24 (isn’t that about how old he and steve were when—)

a pice of paper is shoved into his hand; the artist’s name is Djo. (“Like Joe.” his assistants note says beside the name.) damn, does everything have to remind him of steve tonight? his middle name was Joseph. (coincidence)

Djo sings about the end to a beginning. Eddie knows how that feels.. (hang on…)

He sings about someone named Caroline encouraging him, and Eddie thinks of how much he teased Robin about her middle name being the same (hold the fuck on??)

it takes Eddie all three of Djo’s “You take the man out of the city, not the city out the man.”s for him to be sure.

That’s Steve up there on that stage.

And he’ll be damned if he misses this chance.

[feeling--pink]

Day 8 (pink) - Love Händel 💕

They are THE gay men polycule of all time- to me :)

Anyways a bunch of people did this screenshot redraw a while ago and I didn’t do it then so I thought it would be fun to do now!! :D

Sketch + Screenshot

[necrotic-nephilim]

for the ask game (1)

au where bruce is attracted to his robins and batgirls. he tries not to think about it or act on it, but it's getting more difficult with every new member of his team he acquires. does anyone know? do the robins and batgirls notice his weird behavior? what do they do about it? do they ever find out the truth? who would think it's terrible and who would find it strangely hot/comforting/nice? does bruce ever act on his feelings?

for the ask game!

oh my GOD do i have thoughts for AUs like this, i love this shit so dearly, dirtybadwrong Bruce who's trying to keep a lid on it my beloved.

i think the fun of this AU is if characters would notice Bruce lusting for themselves vs would they notice Bruce lusting for a different Robin/Batgirl. like does Dick pick up on it when it's just him and Bruce? no, because it's just. him and Bruce. he and Bruce are weird and complicated and hold endless bounds of nuance. that's just How Bruce Is, and Dick is the "test run", in a sense. he knows Bruce is new to this whole sidekick/family thing and is giving Bruce grace for being rough around the edges. but when Bruce starts looking at Jason or Tim or Cass that way, that's when Dick starts to notice. it's never enough of a suspicion he feels justified to bring it up, but the thought lingers. he's hyperaware and grows less and less comfortable with leaving them alone with Bruce. it's a weird game of chicken, Dick and Bruce staring each other down when Bruce's touch lingers too long. each waiting for the other to say something first. if Bruce ever broke and actually acted on his feelings, Dick would be eaten alive by the guilt of knowing something was up, but never saying something until it was too late.

obviously, Cass would know. there's no world where Cass *doesn't* know, the nature of who and what she is would immediately clock it. but the issue is, Cass doesn't have a good framework of what family looks like. she doesn't really understand familial vs romantic love bc she has no firsthand experience of what a parent's love should even look like. so she never calls it out. she just watches. i'm a fan of Cass believing this is normal and believing she too can express and act on attraction that's vaguely incestuous. maybe it's with Babs, maybe it's with Dick or Tim or Bruce himself. but she recognizes this as Normal and Accepted within the Batfamily, so it severely fucks up her understanding of familial love and i just. man it's my favorite thing about Cass in Batcest honestly, is how you can play with her lack of experience with love, boundaries, and sexuality.

Tim is the fun one for me. because my favorite flavor of BruTim is when Tim knows, as he agrees to be Robin, that there's a non-zero chance that Bruce is going to be Weird and agrees anyway because he's decided it's an acceptable risk. so Tim knows from the get-go because he's expecting it. if Bruce acts on his attraction, i think it's either with Tim or Cass first, because they're the most likely to confront him about it in a way that isn't entirely negative. Tim has accepted it's a possibility and Cass just seeks being loved and touched so. it leads to the first time someone's ever confronted Bruce about it. and the thing is, Bruce really doesn't like confrontation about his flaws. the first time Tim tries to imply he's okay with it, Bruce would lash out at the idea, tell Tim how inappropriate that is and benches Tim for a week. it'd probably take a united front from Cass and Tim to get Bruce to even *admit* to the attraction. still Bruce wouldn't allow it to happen and he brushes them off until finally, the dam breaks. it's fun if there's a cause like sex pollen, but i think it's *more* fun if it's just. a random fucking Tuesday and finally Bruce is at his limit. he has no real reason, there's nothing particularly different about that day's routine. he just sees Tim or Cass striping armor and sighs and gives in.

i don't think Steph, Jason, or Babs would notice until anything substantial happened. not because they're not wicked smart, but just because none of them were looking for it. Jason put Bruce on a pedestal when he was alive, and when he came back from the dead he wasn't close enough to be noticing Bruce's interpersonal dynamics outside of his narrow scope. Steph has no real framework for what healthy fatherhood looks like, so if Bruce's touches linger, if he stares too long, she just shrugs and assumes it's how it is. and Babs was just never quite close enough to Bruce to notice. if and when she notices, is when actual sexual things start to happen between Cass and Bruce. because Cass would see no reason to hide it. Babs would be pissed, but it'd be tricky to navigate. Cass would be an adult, even if she's only 18/19, so technically, she's old enough to be consenting. if nothing else, Bruce is a careful man. even when he breaks and gives in to his desires, he covers his tracks well. he makes sure he has enthusiastic consent and there's no legal recourse that could be taken. age of consent and all that. there's not much Babs can *do* other than try to tell Cass (and/or Tim) that this isn't normal or okay. not that it gets her anywhere, but god would she try.

by the time Duke comes along (if we venture out of the pre-Flashpoint era) i think it's a sort of. open secret, in the Batfamily. talked about in nothing but hushed whispers and knowing glances. at some point, they've all had sex with Bruce, caving all for different reasons. some more than others. Tim sees it as a duty, Cass sees it as a way of seeking comfort, Steph sees it as getting Bruce's approval for once, etc. it's never forced on them, but eventually, they all come to Bruce sooner or later. and that's the fun irony of it, i think. they try to convince the others not to, but would go to Bruce on their own well. because complicated reasons they can't put into words. sometimes, Bruce is just a messy man who doesn't realize how prized his Attention to for the rest of the Batfamily. that weird duality of not liking him, but also wanting desperately for him to like you. all of them have dealt with it, at some point. so for Duke, it takes a while for him to understand this... whole dynamic. it's Cass who tries to explain it to him, and he's a little horrified, a lot confused. especially when Bruce starts staring at him a little too long as well. i think he'd only want to watch first but well. they all cave eventually.

also fun bonus if we venture into the Dark Knight Returns universe for my bestest girl Carrie Kelley: there's such a like, "i'm fucking around and i'm finding out" vibe to Carrie. like Tim, she's very proactive in just. deciding she's going to be Robin and she's ready for whatever that entails. (IMO canon Carrie is closer to fanon Tim than canon Tim is but *that* deserves its own post-) like she takes one look at the old man that is Batman and goes yup. he's never fucking getting rid of me now. if Bruce started having weird feelings about her, i think she'd have *fun* with it. she's decided she's in it for the long haul and for whatever being Robin means so. she's almost teasing about it, seeing how hard she can push before Bruce snaps. since it's an older, gruffer Bruce, i think he'd express open annoyance at it first, almost a sort of banter about how Carrie behave. but of course he caves and Carrie leans into it, because there's a fun in having all of Bruce's attention to herself. in the main timeline, Bruce is pretty split with so many Robins and Batgirls, but during their era, it's *just* her and him and she's very proud she's got him all to herself.

[wavesoutbeingtossed]

not to beat a dead horse but there's something kind of illuminating and warmie yet sad about the fact that Taylor's parents are attending Travis' game with her and regularly. I know the "you never saw--" joke is old, but the idea that [redacted]'s family did actually occasionally attend events with Taylor (including at what it seems may have been a difficult time), but after a certain point she herself didn't/couldn't attend his in turn, never mind her family, and it's just a testament to how different things are now, how different her life is, and frankly how integrated their family life has become. Idk I'm just really happy for popstar bestie because I feel like this is probably everything she ever wanted and didn't know she could have at one point.

[smallmartiniolive]

Hey. Don’t be upset. Ian Malcolm holds Alan Grant’s hand in Jurassic Park

[ofmdee]

god i'd love to consolidate my social media accounts but the problem is:

twitter: +supports gifs up to 15mb, +allows nsfw, -but it sucks there

tumblr: +supports gifs up to 10mb, -no nsfw allowed, +better vibes than twitter

bluesky: +great vibes, +allows nsfw, but -no gif support

😔

[croh3]

yearly second citadel relisten starts now

[astrolotte]

What if... Timmy was the first one to call Peri "Poofie" when he was a kid...

[seaofreverie]

Sparkstember Day 19: Lil' Beethoven (Ride 'Em Cowboy)

First of all, let this very important fact be known: the love I have for all three albums in the Lil' Beethoven trilogy cannot be overstated. I think I can safely call them my favourite pieces of art ever made. You know, when you look forward to something and it not only lives up to all your expectations but it's also just SO SO much more? Something about this neoclassical / dada / deconstruction of pop music / whatever-you-should-even-call-it approach is absolutely PERFECTLY suited for my tastes, and I didn't even know I was looking for something EXACTLY like this until I found it.

I think the circumstances of my first hearing of this album are pretty funny and something I got pretty lucky with actually (I often think about this with Sparks in general, as much as I wish I've known about them sooner I also do feel like they appeared in my life when I needed that the most. But anyway.) I was very eagerly looking forward to hearing it and finally seeing for myself what the genius of this album is all about. But I insisted that I can only do it through a physical format because yesss, let's make it even more *special*! The moment I've been waiting for! So yeah let's gooo, I need to wait until my CD arrives in the mail (that was one of the longest weeks of my life). And then I started to wonder, well, maybe I actually won't like it that much. To hype myself up to this extent and then be severly dissapointed - would have sucked!

Well, I was NOT dissapointed. Instead I was perplexed, confused, but also very intrigued and quite, ok not just quite, *completely* amazed already. That was the initial reaction and I think it's a rare but very beautiful moment when this happens - no need to *fully* grasp it right away, but enough to be all like "oh that was SOMETHING. I need more." As I said after that first listen (and I actually have my whole LIVE reaction to hearing LB written down lmao, that's how much of a big deal this was for me), I felt like it actually has to grow on me a bit still, gradually but surely with each next listen, rather than the 1st listen being THE prime listening experience. And that was very true! But it wasn't even gradual, it was very fast, seriously. And something very important that stood out to me right away too were the melodies - something about them, and that continues into HYL and ECOTD too. It's this classic feeling of: this always existed, or at least it feels like I've known it for years already. And as I listen more and become more familiar with them the magic still grows.

It's of course no coincidence to me that an album that relies so much on extreme levels of repetition is so addicting, even hypnotising. And once upon a time I thought that I couldn't like something that's too repetitive and therefore could be considered monotonous or "predictable". But nothing is predictable about LB actually. (Besides... ok, I'll get to that one bit later). But yeah, it's good for the brain. And it's been said before by others but this music definitely has this certain neurodivergent appeal thanks to all this, and, well, I love that aspect of it so much and I definitely relate to it on some level that goes even deeper than just song topics and instrumentation choices. It's in the structure and the fundaments of it all too.

I legally can't finish this without a dedicated paragraph to the 2004 Live In Stockholm performance because HOLY SHIT. Feeling so lucky again that all three of these albums got this treatment and we have recordings of these half-concert-half-performance-art pieces that we can now marvel at. I will say that like, a pretty big part of the sum of the appeal that LB has as an album is stored in this show and its visual and narrative elaboration on its themes. And also it's just so fun to watch! Sometimes I thought about how this might be an even better introduction to LB / this era of Sparks / Sparks in general than the actual album but well, never had a chance to test that and you know. Maybe shouldn't recommend Sparks with one of the most leftfield things there is to be found from them. Either way, very good, very important, felt like experiencing the power of LB for the first time all over again.

So now, please hear my exact reasonings for why I so deeply love (almost) every single one of these songs......

The Rhythm Thief

NO song made such a big impression on me the first time I heard it as this. I might have gotten more used to it after all this time but man, The Rhythm Thief, you will always be the realest one to me. This is what made me look forward to the whole album so much and convinced me that it would be like nothing else I've heard before. And that turned out to be so very beautifully true!

How Do I Get To Carnegie Hall?

I could listen to this one a hundred times in a row over and over and not get sick of it one bit. That's it, idk what else to add, beautiful and ethereal in every way

What Are All These Bands So Angry About?

Mostly I just want to direct everyone's attention to the bridge section, at the 2:26-2:52 time mark, which as far as I can say is the most heavenly piece of music ever made. Feeling like that Winnie The Pooh soul leaving his body gif each time I hear this

I Married Myself

Aromantic anthem, to me. Not that much to say actually but it's just, a very sweet and pretty song even when it might be taken as just this sort of ironic piece, I think it's this situation where a song can be taken more or less literally and it doesn't lose anything, rather the sincerity takes on a new sort of meaning? Because yes, maybe this hyperbolic situation (marrying yourself) COULD be the solution to the heartbreak of failed relationships. Ever thought about that??? Ok, stopping right here and leaving my I Married Myself analysis for another day

Ride 'Em Cowboy

My mind is blank on this one suddenly. But it's so good believe me. I love it a lot. It just has this LB spirit that makes it very addicting to listen to

My Baby's Taking Me Home

This was sort of the first Sparks song I've ever heard, or maybe that I quote-unquote purposefully listened to, and I think that's pretty important considering that it was the moment that ultimately lead to... all this. This song has always been incredibly beautiful and powerful to me, but lately it just makes me emotional to an extent that makes it hard to listen to most of the time. I WOULD sell all my material possessions for even one chance to experience this song live by the way

Your Call Is Very Important To Us. Please Hold

Earns soooo much as a live version, but even without that I think it's genius in the same way as The Rhythm Thief, and maybe the most disquieting piece here overall... If we ignore the next one maybe

Ugly Guys With Beautiful Girls

Sitting there hearing the intro of this song all like "huh, this is so chill and calm... too calm..." and then being hit with, well, everything that's going on in this song afterwards was truly THE MOMENT back in the day (and re: the predictability thing. idk though, it's not like, really an issue). Later on I decided that this sort of narrative nature of the song makes it have less replayability value than the rest (???) but I abandoned that opinion soon enough, thank god. I love it how long it took me to realize that this song and the ending of MBTMH are the only times when drums appear on this entire album (I mean no, I'm not very proud of that fact actually, as the self-proclaimed biggest LB fan in my area. And The Rhythm Thief literally saying "say goodbye to the beat"... come on man). So yes, sometimes less is more! I adore this song now it's such a treat I would gladly terrorize my neighbours with it

Suburban Homeboy

Ok, I'm sorry Suburban Homeboy fans but this is the only song here that I'm not a HUGE fan of. I still think it's brilliant and an incredibly fitting ending for the whole thing - the mood whiplash is amazing as this is the only "vaguely happy sounding" song on here, per my words from months back. And what's better than yelling WE ARE THE SUBURBAN HOMEBOYS! (I'm actually awaiting today's Sparks karaoke rating reveal very impatiently lol the reveal happened before I posted this and I'm very happy about it)

One more actually, a quick word on Wunderbar because it gave us two things that we might have not been able to do without: 1) this whole album actually (the fact that LB exists because of Wunderbar giving the Maels the idea to continue meddling with this style. Up there as one of my fav pieces of Sparks trivia) 2) anddddd the 21×21 performance of it of course

[dan-whoell]

i keep thinking about a phandom book club, but i have no idea how to go about organizing it or if anyone would be interested or even where to host it

alternatively is there already a phandom book club i could join? because i would love that

[camellcat]

reading a post s7 fic and it's got me thinking... like, y'know, maybe the reason wil and xand struggle with their partners is because no one really comes above buffy. they're part of the slayer's arsenal, her best weapons, her biggest supports. and why buffy has such people troubles in general is because she will always always save wil and xand before anybody else. cause it's them three against the world

[linrinkuarts]

🍕💣❔

[charlesemersonwinchesteriii]

Kept thinking about the decline in popularity of Christmas caroling from the 1800s to now and came to the following conclusions:

Would not go caroling in any time period:

Hickey

Gibson

Golding

Wall

Des Voeux

Fairholme

Crispe

Collins (would like to, but is too shy)

Would go caroling in the 1800s but not in a modern AU:

Goodsir

Hartnell Bros

Diggle

Morfin

Weekes

Hoar

Tozer

Dundy

Crozier (coerced into it by Fitzjames)

Jopson (moral support for Crozier)

Would go caroling no matter the time period:

The Franklins

Gore

Magnus

Lane

Fitzjames

MacDonald

Irving

Hodgson

Little (coerced into it by the former two)

(List not meant to be exhaustive. I left out anyone I was undecided on. Additions and edits welcome!)