#idk if they ever explain it or not

[barbieb0y]

you know im curious about the times hermes would ask zagreus if he'd like hermes to keep talking or to shut up while he offers his boon like arent these boon dialogues supposed to be one-sided? so how can hermes respond to zagreus' reply then?

at first my bet was that hermes was actually wherever zagreus is at the time but i dont think that would be plausible plus they couldve give us the courtesy of offering us a 3d model of him if that was true so my only guess is hermes is speedy enough to catch whatever zagreus is saying... i guess?

[starrysharks]

ghanaian miku

[tatretot]

hellooo danandphilgames buddies!! happy belated 10 year (more like 5 but shhh) anniversary :-)

[rassebers]

Yeah yeaaah yeah yeah

[gfguren]

shoto, very suggestive, mention of cunninglingus, 500ish words

Thinking about Shoto, your sweet, naive boyfriend, who just doesn't get it most of the time, and how he comes to you one day, asks in the sweetest tone, in the most unbothered way imaginable, if he can eat you out.

And by god does it take every bit of your patience not to call up every last friend of his until you find exactly which one of them put that phrase in his vocabulary.

Instead, you press the pages of the book you were reading closed, turn to him calmly though you're feeling anything but, fold your hands in your lap as if you're heart isn't running a marathon in your chest.

You'd been intimate before, but never like that.

Wandering hands, and heated kisses, and seeing each other in your most raw, and intimate state is one thing—Shoto tasting you is another. Not that you didn't want it, not that he didn't want it either. You just didn't want to go too far, too quick, didn't want to push him out of his comfort zone, didn't want to mess up something so good.

It's why you don't take him seriously when he asks something so out-of-pocket, suggestive in ways you've never known him to be. Why you're absolutely, surely, positive, he isn't asking permission to be in between your thighs, why you're sure he must've heard something wrong, got the meaning twisted somewhere along the way. It's the very same reason you straighten your shoulders to hide the way your knees press together when he adds a little "please" to the end.

"Shoto," you say with as much indifference as you can muster. "That doesn't mean what you think it does, I'm sure you probably think it means to go out to eat, or that-"

He shakes his head, lays a hand just above your knee, squeezes gently until whatever excuse you were blubbering dies on your tongue.

"That's not what it means," he says in the exact tone you use when explaining something obvious to him. "Do you want me to explain it to you?"

You hate how innocently he tilts his head, red hair falling softly over one eye, hate how the butterflies burst, warmth spreading over your cheeks and down between your thighs, because you know he doesn't mean it like that.

"No, Shoto, I-" you sigh, carefully thumb the cover of your book. "It's just, I don't think you know what it means."

You think you hear something like amusement rumble in his chest; it's rare, Shoto's laughter. You've heard it on occasion, fell for the soft reverberation and crescent-moon crinkle to his eyes. But this, this is different.

"I know what it means," he says, matter-of-factly, small, crooked smile tugging the corner of his lips.

He drops to his knees, and you promptly forget how to breathe. His dual gaze finds you from beneath dark lashes; one bright and blue, and eager, the other grey like smoke, clouded with something imploring - it fills your lungs until you can feel just how much he wants you with every bated breath.

His hands are warm when he kneads the fat of your hips between slender, calloused fingers. "So can I?"

Maybe Shoto gets it more often than you give him credit for.

[pirateprincessjess]

what if you fucking grow up instead of pretending to be a dog so people will give you the love you never got from your parents.

Oh! Oh! I’ve been waiting for this! I even took this picture so I could make this joke! But it’s such an autistic hyper fixation joke that I feel the need to explain it in excruciating detail!

In the early meta of Pokemon Scarlet and Violet VGC one cool Pokemon that I used was Dachsbun (a puppy Pokemon).

I would have it use substitute, which is a move that summons a pokédoll that sits in front of your pokemon. The pokédoll then takes damage instead of your pokemon.

In the picture I’m a puppy with a pokédoll substitute in front of me to intercept the anons attack! Just like how I used this stupid joke to intercept the attack! But the joke goes deeper!

Dachsbun has an ability called “Well-Baked Body” which makes it absorb fire type attacks, causing it to get a defense buff from the attack instead of taking damage. Dachsbun wasn’t a very commonly used pokemon so people often didn’t realize it had this ability and would try to use fire attacks against it.

In this post Anon is trying to burn me, so this is a fire type attack. And they had no idea that I’m an autistic pokemon turbo nerd who was going to absorb the attack into this extremely convoluted (and unnecessarily long) joke and use it to strengthen my defense. Just like Dachsbun!

But wait! There’s more!!!!

Dachsbun doesn’t have a strong attack stat, so its main offensive move is Body Press which allows it to attack with its defense stat instead of its attack stat.

Body press is a good move, but it doesn’t do a lot of damage without a ton of buffs, so it often ends up taking a long time to chip away at an opponents health. That’s exactly like how this post is probably slowly chipping away at anons health!

So to sum it up! I’m a puppy with a substitute Pokédoll that I’m using to intercept attacks, and I’m absorbing a fire type attack to raise my defense while slowly chipping away at my opponents life!

Anyway, thank you so much anon! I really appreciate you walking into this incredibly stupid trap that I’ve laid!

[elevenveggiestraws]

“Take my right eye.”

“Excuse me?”

“Since I’ve already staked it once.”

…

“If you lose one of your eyes, won't your combat ability deteriorate? Why would you take such a loss because of me?"

"If I had to choose, I'd choose you, Han Yoojin-gun."

[betterthanbatman1]

Clark: Butts are for sittin’ not for sassin’

Robin: Kill me now

[bigskydreaming]

Imagine looking at a character whose entire premise is that in every stage of his life, he's made every version of himself into someone that inspires people to such a degree that EVERY SINGLE VERSION OF HIM has people wanting to literally follow in his footsteps in some way or another.....

And coming to the conclusion that like.....the most important things about him are the sum of all his trappings. His entirely homemade developed from scratch could not exist if not for what he already was and brought with him BEFORE crafting this newest version of himself trappings, with his greatest trait throughout all of it being his adaptability; his ability and willingness to roll with the punches and not try to simply weather any opposition or changes to his life but instead reshape himself as needed to better fit INTO whatever new shape his life and the world around him takes. All while managing to carry the most innate, fundamental and necessary aspects of himself from one version to the next. Thus every single version of himself is different but simultaneously every single version of himself is also undeniably the same person.

The strength of this character, to me, will always be that he can be so many versions of himself, he can become so many things, all without ever actually losing or discarding any of the aspects of himself he considers most essential, the things he's not willing to lose or give up just to keep going. Finding that road not taken by most, usually because most never even think to look for it as an option. But one that he's always able to find because the one trick he's mastered in his tumultuous life is threading that needle of not just digging in his heels in an unproductive way but rather being selective about when and where he makes a stand and decides "this is not a thing I'm willing to compromise about" but here are places and ways I can and will change and evolve and adapt in order to make it possible for me to hold onto these parts and keep them as they are.

And that's why its always so mind-boggling to me that so many writers can't seem to think of anything else to do with Dick Grayson other than invent some new reason for him to just....not be that person, or to like just take the character whose most basic fundamental trait he's NOT about to compromise on is willingly giving up his spot in the driver's seat of his own life.....and make him just a passenger in his own life and stories.

Dick Grayson at age nine....at age nineteen...at age twenty nine....the one core thread running through all versions of him is the only way he's standing back and letting you call the shots for him or putting him on the sidelines in some way is over his dead body.

HOW he goes about that, what that looks like, who he becomes and what aspects of himself he plays up at some times and what traits he lets fall by the wayside at other times when they offer less in service to his primary goal here....that changes constantly. He changes constantly.

But those changes are almost always (or at least they used to be/should be IN MY OPINION) made with the intention of keeping certain things about him or his life as consistent as possible.

That's the duality of Dick Grayson that I'm here for. The inherent contradiction of him that COULD allow for endless conflict and breaking new narrative ground in all sorts of ways if mined properly:

His eternal willingness to compromise....but only ever in pursuit of doubling down on the ways he's not willing to compromise.

Forever walking that tightrope in ways that only a kid born and raised in a circus could ever hope to.

[caelanglang]

when they started to fall, it never stopped : skk

[ganondoodle]

so, inspired by the warm welcome the captain received with that rough doodle i posted, i made an updated design for Ki'ita as well (basic and with clothes)

i removed the piercings she had bc considering that they spend the majority of their time in arctic waters i think having metal directly in your skin is a bad idea, no matter how thick your blubber is; i also gave her typical white markings a green hue bc ... i liked how it looked and makes them stand out a little more

(i will not repeat what i wrote on the post about the captain but wanted to add a bit of more info about Ki'ita herself)

(i dont have ALL of their backstory done yet but) the captain and Ki'ita worked together in another organization, one in which the father of the captains child also worked at, before being betrayed and barely managing to escape, after which the both of them founded their pirate crew (possible name is the Solar Pirates bc of their solar powered boat stuff); since the captain had her daughter shortly afterwards Ki'ita managed most of the organisational matters at first, including the construction of their base on an abandoned island they had initially fled to

over the years they invented the solar powered ships that allowed them to gain control over a large part of an important trade route, leaving normal ships (mostly) alone but attacking those of hunters and similar, rescuing demons and mutants, even some humans from them, most of which also join the crew and it quickly lead to them becoming their own little community

Ki'ita does not like to spend alot of time among large groups of people, no matter how much she cares about them, and her originally being from norther lands gave her the idea to explore, and if viable, do underground missions in those norther areas to disrupt the infrastructure the hunters had built in recent years and overall keep the crew informed about things that may otherwise stay hidden; with each of their travels her time absent from the base increased but the patience of the captain is wearing thin so its likely a serious talk is underway on Ki'itas third solo mission she nearly died due to entanglement in abandoned nets made by hunters from an unknown material that she could not break, the massive scars on her tail especially come from that, only surviving bc the date they were supposed to return to the crew had passed and the captain grew to worried about her and made the entire crew rush into an emergency search, including the captain herself and her toddler, who were not suited for the cold climate just like the rest of crew, taking a huge risk that Ki'ita still feels ashamed of for causing; they stayed within the base for a whole year afterwards, not just to recover but also as a silent apology, taking time preparing herself to ensure theyd not get into a situation like that again

(before departing on their next mission the captain gifted her a sword with the blade made from the material of the net, a wooden handle, bc of the cold, and a blue wrap around it reminiscent of the captains striking blue teeth; a reminder of what had happened, a means to defend herself when their strength and teeth are not enough, and also a promise to always return again)

the oldest members of the crew know Ki'ita well and treat her like an old friend, among the newer members she has more of a .. cryptic status, the mysteriously absent vice-captain who only appears every few months or so out of thin air, throws a big party, sleeps for a few days and then vanishes again, the only hint to when they will return soon again being the captain getting noticably grumpier

(OC art, Ki'ita, she/they)

[dykedvonte]

I was rewatching mouthwashing, and I ended up thinking of the different reactions that Curly and Jimmy had in doing their tasks. How during the scene of Anya evaluating Jimmy and showing dread towards the idea of doing his evaluation, Curly was the one that offered to take it off her hands. He had no issue with adding more to his plate, because he knew - or well, thought, he knew that Jimmy wasn't going to "bullshit" with him since he's known him for a long time. When Anya hands Curly a note from Swansea, Curly goes to check out what the issue is and he takes care of it without a complaint, the only "complaint" he has is how this incident could have damaged the pods. Which is reasonable, those pods are their only way to be saved if anything tragic happens on the ship. However, in comparison to Jimmy being asked to do things, he's passive-aggressive about it. When Anya asks Jimmy if he could help her out with Curly's painkillers, he tells her that people should be worth their titles, specifically using her title as a nurse when she asked him for help and then when she says forget it, since he made her feel insecure, he still goes "Oh no, I'LL take care of it" as if he was doing a chore, a favor for her. Then, there's that part where he blows up at her for things that she didn't even ask him to do - more so the others asked him about it, like the code scanner, him deciding he needed to find the axe for the foam, and then, there's the medicine part (which when she does ask, and she reconsiders - going to do it herself, he takes that away from her). Jimmy complains about the tasks he has to do and he treats it like a big issue, a "woes me" that he has to do this and that - wanting the praise of the capital without actually doing any work. While Curly doesn't complain about it, in fact, he even mentions that he's aware of how well he is doing at his job as a Captain during that cockpit scene with him and Jimmy. If Jimmy only had to do a small amount of tasks to get irritated and annoyed at being captain, while Curly didn't which I feel like encapsulates their personalities. Curly understands what he's doing is a job, it's a responsibility, why would he complain at any point for doing what he's suppose too? Why would he be upset at people asking him to do tasks? While Jimmy on the other hand, isn't used to it at all and it's different to what he's had before and he's realizing that he doesn't actually like doing the work he has too. I just wanted to ramble about it even if it seemed kind of obvious xd

It’s obvious but it is a thing people miss or understate when trying to find parallels in Curly’s and Jimmy’s relationship/personalities.

Like the way people portray it as neither taking responsibility when it is almost split down the middle of Curly taking responsibilities and faults that shouldn’t be his and making himself unequipped to handle the ones that are while Jimmy refuses to handle the responsibilities he has because he wasn’t expecting the work that comes with them.

Not a lot to say but people forget that another thing the game comments on is prioritization of issues and responsibilities and how the guys fail at it in one way or another in the situation.

[possibilistfanfiction]

CaitVi prompt: hugs

[ok s/o the one person who wanted a climbing au lmao. this rly isn't abt climbing, it's just a silly meet cute thru jinx's pov. i love sisters ur honor! also idk jinx is a cooler name than powder so that's what we're going with lol. incredibly minimal angst :)]

//

keep your helmet on this; finish dressing your knot that; vi triple checks the number of quick draws you have on your harness — ‘i have twelve, and there’s only nine bolts, vi,’ you say again— while you roll your eyes so hard your whole head moves. she sighs, as marginally satisfied as she ever manages to be when you’re leading anything. 

‘okay,’ she says, checking her grigri carabiner for, like, the fifth time. 

‘okay.’ you roll your eyes once more for good measure before you establish on a truly disgusting set of crimps. ‘climbing.’

vi gives a very serious, ‘climb on,’ and since she can’t see you anymore, you let yourself smile. even though she’s annoying and hates when you take victory whips — your favorite — you do love her: she takes your life seriously. 

the route is gross, overhung with tricky feet and big moves, but vi had lead it just before you and made it look pretty easy, even though it’s her style and definitely not yours. still, you’re not going to back down from a challenge, even though admittedly she’s way stronger than you: you’re light and unafraid of falling, which sometimes evens the playing field. 

you yell out anchor and then take just like you’re supposed to once you finish the route, refusing to shake out your arms even though you’re pumped as hell, and vi lowers you smoothly. you expect her to have her utmost, full attention on you, but when you turn to talk about your beta as you undo your knot, you see vi very quickly get off belay and then take her fleece quarterzip — a black patagonia which had been your best thrift find of the past year, in your opinion — off in an almost frantic, decidedly uncool way. it’s even more ridiculous because it’s freezing and all vi has on under her jacket is her favorite ‘queer crush’ tank from your gym. she smiles in your direction — a small, proud one — but then her grin turns shy and she looks at someone else. 

the someone else in question, a few feet away, gearing up, is, admittedly, hot — you gotta give vi that.

she has dark hair that manages to look chic even under her helmet, pants actually designed for climbing, and an arcteryx down jacket — the right weight for the fucking weather, at least — and even her chalk bag and shoes look kind fancy; you notice a pair of very neat camp slippers sitting next to approach shoes you could only dream of, the socks in them in a neat little ball. 

‘caitlyn,’ she says to you, offers her hand in a firm shake — not a customary fist bump — before she ties in anywhere or chalks up. you’re kind of confused why she’s walking toward the start, but you introduce yourself anyway as you pull the rope.

‘cait is going to clean the route,’ vi explains as caitlyn ties in, another smile exchanged. ‘her climbing partner is peeing, so i offered to belay if she wanted to lead it.’

it’s a pretty gnarly 12a, and also vi never lets you clean anchors, mostly because you don’t think all the steps with a PAS are necessary and you take victory whips without announcing them first, but whatever. it’s boring anyway.

caitlyn and vi go through the most intense safety check, joyously, almost, vi practically giggling when she looks at caitlyn’s figure 8, her hand hovering over caitlyn’s waist when she checks the loops on her harness, and you sit with a huff on a small rock near enough the route you can watch. 

you do everyone the profound kindness of staying quiet until caitlyn clips into the first quickdraw and vi very officially says, ‘you are on belay, cupcake,’ but then you’ve had enough. 

‘cupcake?’

‘she’s sweet,’ vi says, concentrating more on belaying than she ever has in her life with you. you’re not stupid, so you can tell she’s really just trying to avoid you seeing her blush. 

‘sure, sis.’ you watch as caitlyn does a pretty sick high foot to hand match and mantles calmly; vi shouts some encouragement. ‘did you get hot belaying me?’

‘what?’

‘very smooth, showing cait your best asset right away. thanks for waiting until i was done, at least.’

vi scoffs. not convincing at all. ‘the wind has gone down.’

‘we’re in a slot canyon.’

caitlyn sails past the crux, incredibly technical and very calm. it’s unfortunately impressive. 

‘nice, cait!’ vi shouts. ‘that was sick!’

caitlyn, to your dismay, pauses after she clips into the next quickdraw — your least favorite hold on the whole route, a terribly chalked up sloper — and turns to give vi a thumbs up. 

you groan, long and drawn out, and flop onto your back while vi laughs. you’re no stranger to girls falling all over themselves to impress your sister, but this is one of the few times where one of them has actually been impressive. 

when you sit up, a guy who was watching caitlyn climb looks at you and laughs, immediately somehow in on it all, you can tell. 

‘i was gone for, like, ten minutes,’ he says. ‘cait already found a new partner?’

‘in more ways than one,’ you bemoan. you offer a fist bump, correct and cool climbing etiquette, not some stupid handshake. ‘that’s vi, my sister. and i’m jinx.’

‘jayce,’ he says, then looks up. ‘is cait cleaning the anchor?’

‘guess so.’

‘i wanted to climb that route.’ he’s definitely pouting, which you never do because it’s extremely undignified, obviously. 

‘you snooze, you lose, i guess.’ you shrug. ‘plus, i think they’re both just trying to impress each other. horrible. worst thing to happen today.’

‘i took a whip on slab,’ he says, shows you a scrape on his palm. ‘so maybe second worse.’

‘nah,’ you wave him off. ‘big whips are the best, most fun part of climbing.’

he looks at you like you’re crazy, which, like, you certifiably are, but even your therapist thinks that climbing with vi — and therefore with a lot of gear and safety checks — is good for getting your “intrusive impulses” out without too much danger. could be worse, you always tell her, because it has been. 

you don’t let yourself dwell on that, though, not out here on a cold, beautiful day, your hands stinging a little in the best way, the sun sinking just slightly. vi might be annoying and so, so gay, but she’s your favorite person in the world, hands down. for now, it’s okay. 

caitlyn calls for slack and then quickly and neatly cleans the anchor, and vi lowers her carefully while she takes the quickdraws out. they’re, like, basically about to kiss, you’re pretty sure, when caitlyn gets to the bottom, before she even unties her knot. 

‘that was amazing,’ vi says, full of genuine awe, as if the both of you didn’t also just lead that route. when caitlyn brushes her hand against vi’s — in thanks, you guess — vi blushes hard enough even you can see it. you’re relieved for her, honestly, when caitlyn’s cheeks are the same shade of pink.

and so the day goes like this: caitlyn sails up a run-out slab route vi had sworn off every other time you’d come to the crag, mostly because she’s so strong she hates slab and it’s truly heinous — the best route here, in your opinion — full of mono pockets and the tiniest foot jibs. it’s kind of embarrassing to watch vi tremble her way up, especially after she lets you lead it after caitlyn, but you actually do belay her carefully and caitlyn and jayce both shout encouragement. vi sends it, even though she’s a total baby and asks you to take twice. jayce — also really strong; also terrified of slab, which makes you laugh — and vi convince caitlyn to end on another overhang, exhausting and pumpy, and you only agree to do it too because you know vi won’t care as much if you fall on it. you send it first, take a giant whip off the top that you know vi will be annoyed at you for, but when she lowers you the rest of the way, she just smiles and taps the top of your helmet.

‘you’re getting so strong, jinx,’ she says, the easy, heartfelt compliment making you feel all warm inside. vander and ekko insist that you’re kind like vi, that you share the same big heart, and sometimes you think they might be right.

‘great job,’ caitlyn agrees, happily and without anything underlying, and jayce echoes the sentiment too. all day they’d both asked you thoughtful and caring questions about your studies, jayce especially excited when you told him you were going to school for mechanical engineering, and about your friends, your hobbies, books and music you’ve enjoyed lately.

kindness is too much for you, sometimes, especially when it’s easily given and true, so you duck off and set about pulling and coiling the rope; gathering the rest of the gear split into your packs — vi’s, of course, much heavier whenever you’re in charge.

still, she stops her flirting — caitlyn is talking about how she’s a doctor, or something, and vi wipes her sweaty face with the bottom of her tank before finally putting her jacket back on, then telling one of her bravest firefighter stories — to say, ‘thanks for doing all of this, sis,’ sincerely before shouldering her pack.

‘don’t mention it,’ you grumble, trudging out of the canyon back up toward your cars. the approach is short but steep, so thankfully they’re mostly quiet. but as you load everything up — yours into vi’s old bronco that you’d both fixed up with vander; caitlyn’s into a brand new forester with every “wilderness” add-on you could possibly think of — they exchange numbers with the promise to climb again soon, both indoors and at another of your favorite crags too. you’re sure caitlyn climbs at one of the fancy gyms in town, one that you can only afford a membership to because vi is a first responder and you’re a student, and even then just barely. 

horrifically, maybe the worst part of the day, is that caitlyn looks unsure for a moment but then opens her arms, and vi enthusiastically, and softly, hugs her for an amount of time that's way too intimate for having just met a friend at the crag. you’re a nice person after all, it turns out, because you don’t make a single gagging noise. you do catch jayce’s eye, though, and he lifts a brow, fighting a laugh. you duck your head, but it makes you smile too. 

they longingly wave goodbye one last time, and then vi glares at you when you start to laugh as she pulls out of the spot and onto the dirt road out of the canyon, flooring it a little more than necessary. 

‘hey,’ you say, ‘why are you all —' you motion to her, the furrow in her brow and the downturned corners of your mouth.

she slows down, taking the next turn and rut in the road carefully, like usual. ‘i just — i don’t even know if she’s queer, first of all.’

‘other than, like, her expertise at pockets —‘

‘— jinx—‘

‘— and the fact that she was all over you for, like, three hours, she had a trans flag on her helmet,’ you offer, taking a little pity on vi. ‘and she drives a subaru.’

vi sighs. ‘she’s — i mean, you can tell. wealthy and smart and gorgeous. i’m, well —‘

‘hot and kind and also smart?’

for someone who’s always bugging you about accepting compliments, she’s terrible at it. you know she holds a lot, feels inadequate in so many ways, because she couldn't save your parents, and because she was incarcerated, and because you grew up poor, and because she can't fix everything for you all the time.

‘look, i don’t think anyone will ever be good enough for you,' you tell her honestly; it's important. 'especially some idiot who wears arcteryx.’

vi laughs; you don’t mention that it’s a little watery with tears.

‘you save people for a living. your muscles are insane. you help me with school, and refilling my meds, and you always pay rent on time, and we can even eat out now, whenever we want. you’ve read, like, seventy books this year. you like podcasts about nature, which i only know because you make me listen to them with you while we drive anywhere.’

it’s quiet — no podcast, not just now — for a minute or two, but then vi nods.

‘i guess you’re right.’

‘i’m always right. i’ve literally never been wrong.’

‘shut the fuck up.’

you laugh, delighted, and put your socked feet on the dash just so vi can swat them off. 

‘so, anyway, do you wanna tell me more about how caitlyn being perfect at pockets made you feel, or…’

‘i will throw you out of this car.’

‘you’d never.’

‘i might.’

you laugh; when she pulls onto the paved road you take her hand in yours, lace your fingers together, put on a song you love that she hates. she rolls her eyes but sings along anyway.

[aro-throughyourchest]

c!techno apologized when he shot tubbo. nobody ever apologizes to tubbo. i. hm.

wilbur never apologized to tubbo. wilbur just said “that’s just the way life is.” and wilbur carried on. tommy never apologized; it’s not his fault. he didn’t know how. tommy just kept asking, “you’re not really going to do it, are you?” he just kept asking for tubbo’s affirmation. it took far too much blood and far too much pain for the two of them to even stop. because tubbo’s been raised to take it like medicine and tommy’s been raised to follow his elders.

but techno. techno said “I’m sorry.”

[beartes22]

Season 2 Jayce with season 1 Viktor this, beard Jayce with young Viktor that….fools, all of you. I raise you, season 2 arc 2 Viktor and season 1 Jayce.

[astranauticus]

soliloquy

(edit once again i drew something with my ipad screen brightness too high and now that i've posted it nothing is visible. sad!)