#id below the cut

[snek-eyes]

See you in hell.

[ID: A series of gifs from the Good Omens 2.2 minisode "A Companion to Owls."

Sitis looks disbelieving as she says, "…No. God wouldn't!" Crowley gives an exaggerated frown and replies, "Are you sure?"

Sitis looks horrified and says, "But they've done nothing! They're innocent!" Crowley nods impassively: "So were the goats." Sitis stares at him in horror.

In the cellar, Aziraphale looks back over his shoulder, seeming offended. "God's [side], of course!" Crowley reclines, raising his eyebrows and nodding. "Oh, really. Same God that wants me to whack the kids?"

Aziraphale looks very uncertain, and slowly says, "…Yes. But…" Crowley grins slowly, gesturing to Aziraphale and saying, "That's just how it started for me."

Back in the house, Sitis looks devastated and desperate. "If my children are dead, then… I will curse God, and—"

Crowley swings abruptly around the doorframe and rushes over to interrupt Sitis. "WHOA! That never ends well."

At the cliff's edge overlooking the sea, Aziraphale looks on the verge of tears but determined. "Well. I'm ready to go." Crowley asks: "Go where?" Aziraphale swallows. "To hell."

Crowley sits down on the rock and says, "I'm not taking you to hell, Angel." Aziraphale looks over at him, his tearful expression turning confused. "Why not?" Crowley replies mildly, "Well, I don't think you'd like it."

End ID.]

[daisyjohnsn]

RK800, DESIGNATION: CONNOR [insp.]

@usergif 1 year celebration: shuffle challenge day 1: animated effects | single-color focused | character profile

[Image Description: A character profile of Connor from Detroit: Become Human.

Gif 1: Connor stares forward and an overlay of a picture of him looking off in the distance is overtop. Numbers scramble below the picture until they make up his serial number, 313 248 317-51.

Gif 2: Text at the top says, “Pick a Connor.” The gif flips through four clips of Connor with a corresponding label across the center as follows: Machine Connor, Flirty Connor, Deviant Connor, Beanie Connor.

Gif 3: Text at the top says, “Status: Determinant.” The gif flips through three clips of Connor with a corresponding label at the bottom as follows: Alive, Decommissioned, Deceased.

Gif 4: Connor looks forward with a soft expression. Text across the center says, “Statistically speaking, there's always a chance for unlikely events to take place.” End ID.]

[thunderworks]

JSAB Gift Exchange

Further information below the cut. Sign up here!

Making artwork for other people like a "secret santa," but not expressly holiday themed. Mass art trade, if you will!

Rules

Must have a reference of how you draw JSAB character(s) or your OCs. Doesn’t need to be a turnaround, just a colored fullbody is fine! (Or, if you don't have a character, fill out this form instead.)

You are welcome to submit a non-JSAB OC if you feel they fit the general aesthetic. (Ex, geometric looking creatures from object shows.)

No sexual content, period. All ages event. Blood & other darker themes are ok if your assignment is comfortable with that, since these are present in the base game.

No bigotry

All skill levels & mediums are welcome. Please be kind to each other. Unkindness can bar you from entering future events.

It’s preferred to keep your assignment a secret, so your art is a surprise for them!

Timeline

September 30 form opens for 3 weeks

October 19 form closes

October 26 assignments are sent out via Tumblr message

November 16 reminders are sent, progress check-in

November 30 final art is due

Please let Thunder (host) know if you need to drop off the event for any reason, preferably minimum 2 weeks before due date. She will try to make up art for any drops. 

This is Thunder’s second year hosting an art gift exchange. The first was a general one on ToyHouse with 20 participants. She has been doing freelance commissions & coordinating other online events for 5+ years. 

-----

Optional art theme: cozy, family time, bountiful harvest (Relating to the fall season, not specific holidays like Thanksgiving.)

Thunder does not have the time/energy to maintain a discord server for this event, sorry. But I’m more than happy to talk 1:1, or if you have a small server of JSAB friends I’d love to join!

Image descriptions of your gifts are not required to participate, but they are highly encouraged. Here is a video and short article about how to make them. Message me for help if you need it. Basically they explain the content & context of your drawing. Make a good ID, and that piece of fandom is now accessible to screen reader users!

For comics & other complex interactions, I typically write a short fiction piece of the event / core content, not an exact image description. 

-----

Comic Transcript:

“Hello..? Heli, are you sure this thing’s, uh..?”

“If the light’s blinking that means it’s on.”

There is a series of watercolored drawings. Cube tilts her head to the side, looking concerned.

“AAH! Sorry, hello there!”

She stands straight upright, holding out a piece of paper to look over. She looks it over with wide eyes. 

“I come bearing news of a gift exchange! Two, actually, well, possibly two, depending on.. Ehm…”

She leans forward to re-read her notes, squinting in concentration, cat ears tilting back. Cyan points at the spot she’s looking for. 

“Ah!! Ok, so. It says here that you fill out the Google form with your.. characters? Or how you draw us? And then you’ll be contacted on October 26th to draw for someone else.”

Cyan beeps, pointing at a spot further down the paper. 

“Oh!! Sorry, not just drawings, you can also write or sew. Or make music, ooh! Is that like, writing a battle theme for someone?”

She looks over to Cyan excitedly, ears sticking up with alert. He just shrugs. She turns back to the camera. 

“Ok, well, ah, have fun!!”

Cube waves goodbye to the camera.

[jicklet]

Family. 1.16 || 4.08

[ID: A series of paralleled gifs from Nancy Drew episodes 1.16 and 4.08, featuring Ryan, Carson, and Nancy.

Episode 1.16. Carson and Nancy approach Ryan in the courthouse. Carson glances at Nancy before saying to Ryan, "I'm sorry, for what you lost."

A long shot of the trio as Ryan says, "Just be glad that you're both finally done with my family."

A close up on Ryan, who's tearing up and looks very tired. He says, "I'm never gonna be free from 'em."

Ryan, sincere: "Nancy, thank you." He walks off. Nancy leans her head on Carson's shoulder and they begin to walk away together.

Episode 4.08. Ryan enters the Drew house, looking nervous and awkwardly waving his hands as he says, "Hi. I um… Sorry, I'm interrupting. I-I got Nancy's text about coming over."

Ryan looks around and smiles awkwardly as he continues speaking: "But I know tonight's about family, so…"

Carson looks to Nancy before puttng a hand on Ryan's shoulder. "Yeah, exactly. And you're stuck with us." He pulls Ryan into a hug. Ryan looks surprised before breaking into a smile.

Nancy watches her dads with a watery smile. They separate from the hug, Ryan's face lit up in a huge smile as he says, "Thanks, man." Carson back, his hand squeezing Ryan's shoulder before he leaves.

End ID.]

[bumbleboyart]

a collection. i love u all btw

[image description: screenshots of tags from the reblogged post pasted into one image. they read as follows.

#ginger...

#Me and Armani

#Spot looks like Strider

Imma do this with my cat

This is me and Mackenzie. I dead ass hold her like that.

#dan this ks you aid archie also

#good cat #pretty cat

#me and archie:)

#i wanna do this w kimba always #data the most relatable

He is a good cat. and a pretty cat

#oh i miss my cat

#aaaaaaw #me with my cat i just hold him and smooch him #at first he's like MEOOOOW #then he purs and rubs his head on my face and kneads with his paws #he had problems with his teeth yesterday so we need to call the vet tomorrow :(

#he is a pretty cat #and a good cat

#me and PUMPKIN

#'tell him he's a good cat and a pretty cat'

Michis <.3

#I know this is Data from Star Trek #but I also went: 'How did you find this picture of me and my cat???'

#good god i miss strawberry

end id.]

lil feets

from here

[canonkiller]

king and unwanted son

[ image id:

image one: a drawing of two halves of an onion, in whiteon a black background. text reads: aren't you hungry?

image two: a drawing of two early-stage embryos a snake and a human, both white on a black background. text reads: what a stupid question. of course you are. you're human.

image three: a drawing of a serpentine dragon, the lindworm, hunched across a beam of light. so only its back is illuminated. text reads: you are a living thing; growing, consuming, becoming a thousand times over. this isn't a problem for other people, you know that? they aren't biting the hand that feeds them

image four: drawing of a knight fighting a lindworm puppet seen through a window. text: they aren't counting. they don't even have to question what they're being fed.

image five: a drawing of a close up on lindworm's eye, pressed up against the bright window. text: aren't you jealous, you selfish, wretched thing? don't you want to be human?

image six: a close up of the lindworm puppet, the raised sword of the knight reflected in its eye. text: surely you know by now that what you are cannot survive.

end id ]

[camthecatchameleon]

So carry me from these walls, brother of mine, Show me the world outside. It has to be true, I'm counting on you To be my wings and my eyes.

Fish in a Birdcage - Rule #4, Fish Inside a Birdcage (2022)

Image ID:

First image - A messy, sketchy quality drawing of Ol' Jericho Sticks from Legends of Avantris: Edge of Midnight. Well, technically this is Virgil in Jericho's body. He stands at the far left side of the canvas, with his back to the camera and his head turned over his shoulder to stare a beady four-pointed eye at the audience. Their arms hang loosely at their sides. Four massive black wings sprout from Jericho/Virgil's shoulderblades and from below his "ribcage," the two farther from the camera extending over the rest of the canvas. The two in proximity to the camera curve over Jericho/Virgil's body, obscuring parts of them, and framing emphasis around their eye. Seven orange eyes with four-pointed star pupils, drawn even more messily than the figure, float in space and stare out at the audience from between the feathers of the extended wings. Scribbles in jagged strokes frame the piece and reach towards the figure. The whole piece is in a duotone greyish/orange color scheme. Words, the lyrics to Fish in a Birdcage's Rule #4 - Fish Inside a Birdcage, are written messily, following the contours of the eyes and the wings. The words write: "YOU GAVE ME MORE THAN I COULD ASK FOR... INDISTINGUISHABILITY"

Second Image - A zoomed in version of the first image, to give a more detailed view of Jericho/Virgil's face and body. Only the figure, the two closest wings, and a quarter of the other two wings are shown. No words are in view, but two of the eyes are visible.

[cryptidm0ths]

ariadne live doodles! text is from @/duckletranslations

[aregebidan]

Every woman has the power to make beautiful the man she loves. / You will give me a name someday, and I live in terror of that day.

Happy belated Halloween to the film that stole my heart </3

[genderdenied]

☆ㅤwolf4fox

pt: wolf4fox :end pt

!! ㅤ;ㅤ for : @forthecriminallyinsane

﹒ㅤdefinition ::

; a flag for wolves who prefer to ( /exclusively ) date foxes .. This can apply to alters,, therians,, or anyone who identifies with it !!

; userboxes by ghosting-plural-userboxes

; copy-pastable pt and ids below

top header id: A lace header, it curves downwards and is split coloured with a warm orange on the left and a light grey on the right. It has multiple outlines going pastel orange, bright orange, grey, light grey. In the center is the words " wolf4fox " outlined similarly. :end id

divider id: A simplistic orange divider. It has an orange crescent moon on each side and is all outlined in brown, white, orange and brown again. In the center is the word " genderdenied " outlined similarly :end id

flag 1 id: a rectangular flag with 5 equal width strips, colours going in top-to-bottom order: bright orange, faded orange, warm white, light grey, grey. In the center is a drawing of a Cowslip flower coloured a darker orange. :end id

flag 2 id: a rectangular flag with 5 equal width strips, colours going in top-to-bottom order: bright orange, faded orange, warm white, light grey, grey. :end id

flag 3 id: a rectangular flag with 5 equal width strips, colours going in top-to-bottom order: bright orange, faded orange, warm white, light grey, grey. In the center is a drawing of a The Lupine flower coloured a darker grey. :end id

bottom footer id: A lace footer, it curves upwards and is split coloured with a warm orange on the left and a light grey on the right. It has multiple outlines going pastel orange, bright orange, grey, light grey. :end id

userbox 1 id: A red fox themed userbox. The picture is of a red fox having it's head held. The text reading " DNI: Radqueer, TransID, Syscourse and NSFW " ( userbox by ghosting-plural-userboxes ) :end id

userboxe 2 id: A red fox themed userbox. The picture is of a red fox sleeping peacefully, tongue sticking out slightly. The text reading " This being appreciates reblogs and comments " ( userbox byghosting-plural-userboxes ) :end id

pt: definition, a flag for wolves who prefer to ( /exclusively ) date foxes. This can apply to alters, therians, or anyone who identifies with it :end pt

; tagging : @radiomogai @x4xarchive @liom-archive

[5oz-mud]

decided to hop on the trend of painting my own kim to hang on the wall. more wip pics under the read more!

[daisyjohnsn]

You're Kamala Khan. You wanna save the world? Then you're gonna save the world.

IMAN VELLANI as KAMALA KHAN in THE MARVELS (2023)

[Image Description: 8 gifs of Kamala Khan from The Marvels (2023) teaser trailer. End ID.]

[flame-shadow]

Defiant Root Bug Fables NPC Collab [10/23]

Background - @flame-shadow Editor - @flame-shadow

Character Credits Crisbee - @trapitorag The Mayor - @lemmykirby Tory - @ghost-of-hallownest Tynn - @tradingstars Wayde - lordbob Sandy - @lemmykirby Nish - @schematikart Trey - samy00000008 Charmy - @jayjar100 Anna - cuppa_tea Ven - @aged-string Isau - samy00000008 Butomu - firesoul1230 Engira - firesoul1230 Kali - @nblynera Eremi - @milatheartsy Xic - @nblynera Sun - @motheatencrow Neil - samy00000008 Dran - lordbob Locke - @flame-shadow Will - firesoul1230 Morty - muffletruffle Shay - @schematikart

[click here to see the entire collection]

[bxrberry]

Sakuramochibunnyplushic

[pt: sakuramochibunnyplushic]

A gender relating to a pouch of mochi shaped bunny plushies.

Coined and flag by me!

@coinfight attack for @analogtoonz

Plain text and id (also in alt text) below cut

5 points for team villain

A gender relating to a pouch of mochi shaped bunny plushies.

coined and flag by me!

@coinfight attack for @analogtoonz

first flag: a 7 lined horizontal flag the first top and last bottom 3 colors are pink, dark pink, and white with the center line being link pink, in the middle is a pouch of a mochi bunny snack themed with three plush mochi bunnies in front of it, one white and open eyes, with the other two being light pink with their eyes closed

second flag: same as first one without the plushies

[nonhumanhermitheadcanons]

NHH PROMPTOBER 2023

We hope you are interested in this swamp themed challenge.

Alt format for prompts below the cut.

The prompts read.

unconventional spooky animals

Swamp

Bugs

Full Moon

Frogs

Witch hunt

Fog

Drowning

Ooze

What Lurks Bellow

Banjos

Acid

Monsters

Hydra

Free space Alternatives Ogres, Birds, Worms, Rock

A prompt challenge flyer. Green slime oozes form the top with the text. "NHH PROMPTOBER 2023" There is a Black cat with green eyes in the lower left corner next to a dead tree. on the right a cattail plant.

[fans4wga]

WGA, Saying “Era Of Divide & Conquer Is Over,” Accuses AMPTP Of “Gaslighting” Union Members & Telling A “Lie” About The Breakdown Of Contract Talks

June 1, 2023

[ID] → also in ALT directly on images...

During the last writers’ strike back in 2008, the DGA made a deal with the AMPTP on the 73rd day of the strike. The main issue was residuals from what is now known as streaming. A few weeks later, the WGA agreed to similar terms, ending its 100-day walkout. This time around, the DGA began negotiations for its own contract nine-days into the WGA strike, but the WGA says the companies’ “divide and conquer strategy won’t work this time.

The AMPTP set a strategy in motion designed to be a repeat of 2007/08. Divide and conquer. Hold off a deal with the DGA until after the WGA contract expiration date so that in the event of a writers’ strike the AMPTP could force a DGA pattern on the WGA. Even better if they could also sew up a deal with SAG-AFTRA. They would then claim that the writers were being unreasonable.

“That strategy, however, depends on divided unions. This year is different. Every union in town came out in support of the WGA, both during negotiations and after the start of the strike. The DGA has been clear that it is facing a tough and critical negotiation to address its members’ needs. Yesterday, we joined a statement along with SAG-AFTRA, IATSE and Teamsters 399 in solidarity with the DGA in their negotiations. SAG-AFTRA is taking a strike authorization vote as they enter negotiations to address the existential issues its members are facing. Teamsters, IATSE, and other entertainment union members have been honoring WGA picket lines across the country.

“Still, the AMPTP remains committed to its strategy. They pretended they couldn’t negotiate with the WGA in May because of negotiations with the DGA. That’s a lie. It’s a choice they made in hope of breathing life into the divide and conquer strategy. The essence of the strategy is to make deals with some unions and tell the rest that’s all there is. It’s gaslighting, and it only works if unions are divided.

“Our position is clear: to resolve the strike, the companies will have to negotiate with the WGA on our full agenda.

“The AMPTP should have made a fair deal with writers by May 1st. But they didn’t, as they are seemingly intent on continuing their efforts to destroy the profession of writing. For the last month, writers have followed in the footsteps of many generations before who went on strike to secure their collective future in this business. We will continue to march until the companies negotiate fairly with us. We do it now with the support of our sister guilds and unions, and we will support them whenever it’s their turn. The era of divide and conquer is over.” [/ID]