#i... am just too lazy to give every character an analysis to figure out which type they are haha
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Enneagram for Character Analysis
Before I start, let me warn you. This will be a long post and a lot of reading, but I'll do my best to simplify things as much as possible in a way that will make sense to most people.
The Basics
At its core, enneagram follows this basic principal. When you were a young child, you were basically, in one way or another, told something that had a profound effect on your psyche. From this unconscious childhood message, you developed a core fear and a core desire. In attempting to resist your core fear and achieve your core desire, you become a self-fulfilling prophecy that makes your core fear come true. These unconscious childhood messages, core fears, and core desires are below.
The Triads
Though there are many ways to separate the enneagram, the three main ways are the main triads. These triads represent the three main things each subgroup of the enneagram are concerned with. When it comes to typing characters or people, this is what you want to start off with.
There are three triads: the instinctive (gut) triad, the thinking (head) triad, and the feeling (heart) triad. Each triad is associated with a core emotion: rage (instinctive/gut), fear (thinking/head), and shame (feeling/heart). Each triad is concerned with different things: control (instinctive, gut), support/guidance (thinking/head), and self-identity (feeling/heart). Three types belong to each triad. And these types will deal with their core emotion and desires in three different ways. They will focus outward, focus inward, or do both.
I will go into each main triad and the types associated with each, but for a general overview, you can read the box below.
The Instinctive (Gut) Triad
The Instinctive Triad includes types 8, 9, and 1. They seek to instill their will upon the world without being affected by it. These types will attempt to put up a wall between themselves and the outer world, so as to say, "this is self, and this is not self." When things threaten to cross this line, aka their boundaries, this results in rage. Now let's go into the types.
Enneagram 8 - The attention of 8s are focused outward. 8s try to protect themselves from the influences of the outside world so that nothing can get too close and hurt them. As a result, their mentality is, as one reference puts it, "Nothing's going to get the upperhand on me. No one is going to get through my defenses and hurt me. I'm going to keep my guard up." However, because 8s are focused outward, so is their rage. They WILL fight anything that ever comes too close to hurting them. They are not afraid of raising their voices, their not afraid of displaying their anger. They will attempt to scare and fight off anything that comes too close. Realistically speaking, you see most type 8s having abusive childhood upbringings. Being an 8 is a rare type and most people will not be that type. I may be wrong about this, but I think the only 8 is Wanderer.
Enneagram 1 - The attention of 1s are focused inward. 1s refuse to be affected by the influences of their internal world. Their rage is focused inward at themselves. They constantly are holding back from their internal impulses so as to say, "I don't want that feeling! I don't want to have that reaction or that impulse!" Because of this, they have the reputation of being perfectionists, holding themselves and others to high standards. They repress their inner desires and are rule-bound. It makes sense why they fear corruption. Some examples of type 1s are Diluc, Eula, and Cyno.
Enneagram 9 - The attention of 9s are focused both outward and inward, in other words, they try not to be affected by influences of both the outer and inner world. In a way, one can say that they ignore their rage, completely under the delusion that it doesn't exist. 9s are primarily concerned with being at peace no matter what the cost, even if this means ignoring the world around them or giving up their wants and desires. Examples of 9s include Kazuha and Alhaitham.
There are easy ways to point out an Instinctive Triad type. Typically speaking, they are not the most emotional of people. They don't get affected by things emotionally as most people do. In my experience, they give off 'leave me tf alone' vibes. Not in the loner sense. But they dislike being obligated/manipulated to feel a specific way or act in a specific manner. They desire to have full control over themselves. There's always a wall between themselves and the outer world.
The Feeling (Heart) Triad
The Feeling Triad includes types 2, 3, and 4. The Feeling Triad is primarily concerned with the development of a self-image. Because they don't know who they truly are, they don't feel they are worthy of love. They feel they are worthless, which results in their core feeling of shame. The Feeling Triad essentially feels that there is something missing from their core. And once they are able to find it, they will come to have self-worth and love.
Enneagram 2 - The attention of 2s are focused outward. 2s look outside to others for validation and a sense of identity. They want to be wanted, so they act in ways which attempt to make this possible. They try to be helpful, friendly, and good to others. However, because they're so focused outside, they often do not know how they are feeling themselves. They often feel underappreciated and have feelings of resentment because of it. Mom friend types are almost always 2s. I am unsure of which characters would be a 2. Maybe Amber? Possibly Yoimiya?
Enneagram 4 - The attention of 4s are focused inward. They try to make a self-image based upon their feelings, fantasies and stories of the past. Namely, they try to create an image on what separates themselves from others, aka what makes them different, but because of this, they often feel estranged from others. They are often moody and have victim complexes, assuming they are the way they are because of the way they were treated in the past. An example of a 4 would be Fischl.
Enneagram 3 - The attention of 3s are focused both outward and inward. Like 2s, 3s need the positive feedback and affirmation of others. They do this by striving for success and accomplishment. By creating an accomplished successful image, they feel they thus become valuable. However, they are like 4s because they need a lot of internal self-talk, attempting to create and sustain a consistent internal picture of themselves. An example of a 3 includes Lyney.
The Feeling Triad are hands down the easiest to type. These people are typically the most depressed and the most insecure. They always have some self-proclaimed self-image they are trying to project, and if you do not validate their false self-image, they can and will get mad at you before getting depressed once more. LOL Long story short, they are a pain in the butt. Are they of the most annoying types? Surprisingly, no. But they are damn easy to point out in a crowd.
The Thinking (Head) Triad
The Thinking Triad includes types 5, 6, and 7. This triad is primarily concerned with finding an inner sense of guidance and support. They focus on the future, wondering "What's going to happen to me? How am I going to survive? How can I prepare myself to keep bad things from happening? How do I move forward in life? How do I cope?" Their minds are constantly active, and their core emotion is anxiety and fear, fear that they do not have the resources to ensure their future. Let's go into the types.
Enneagram 7 - The attention of 7s is focused outward. They charge into the world, adventurous and seemingly not afraid of anything. Where their fear is, however, not of the outside world, but the internal. They fear they do not have the resources to navigate their internal world. They fear being trapped in emotional pain, grief, and especially feelings of anxiety. So what do they do? They focus so much on the outside world that they ignore their internal. If they keep active, their anxieties will not surface. Examples of 7s are Itto and Gaming (I think).
Enneagram 5 - The attention of 5s are focused inward. I'm going to take this straight from a book that "Fives believe that they are too frail and insubstantial to safely survive in the world. The only safe place is in their minds,so they stockpile whatever they believe will help them survive until they are ready to rejoin the world." The anxiety of 5s is what keeps them from external action. 5s are most commonly stereotyped for being bookworms. Although I am not completely sure about this, I would guess and say that examples include Kokomi, maybe Kuki Shinobu, and maybe Mika.
Enneagram 6 - The attention of 6s are focused both outward and inward. As one book says, "Sixes feel anxious inside, and so launch into external action and anticipation of the future like Sevens. But having done so, they eventually become afraid that they will make mistakes and be punished or overwhelmed by demands on them, so like Fives, they 'jump back inside.'" Then they continue doing this in a pingpong action-like manner. I also may be wrong about this, but I feel that an example would be Collei.
The easiest way to point out the Thinking Triad types is that they are all avoidant in one way or another. There is always something they're trying to avoid. Now, DO NOT MISTAKEN ANXIETY DISORDERS WITH THE THINKING TRIAD. While there is correlation, they do not generally do not experience anxiety in the same way people with mental disorders do. 5s fear action, 6s fear trusting their support, and 7s fear their internal world.
Conclusion
There are other aspects of enneagram to go into that give color to the types. These include wings and instinctual variants, but I won't go into that. One important thing about Enneagram is that the theory does not exist to make you feel good. It's the "this is why you're pathetic" personality theory. You will see the most of enneagram when someone is immature. When someone is grown and actualized, you will not see a lot of their core fear or core emotion. This is doubly so when the character in question would not exist in real life (think Luffy or Naruto). Take everything with a grain of salt, but it will help you to get a better view into characters.
#enneagram#ekolu.talks#character analysis#ekolu.headcanons#this is a long post so buckle in you folks#the easiest characters to type are the ones that are immature bc their core fear/emotion is more visible#healthier characters are harder#and when theyre fictional characters it adds another layer which makes it hard to type#the examples i give for each type are heavily lacking i apologize#i... am just too lazy to give every character an analysis to figure out which type they are haha#in terms of likelihood and commonality gut triad is the most common. then head. then heart#also i didnt go into wings here but wings do play a big part in how a type presents itself#for example a 9w1 (kazuha) is very different from a 9w8 (alhaitham)#the way wings work is that you take on traits of one of the types directly bordering your ennea type#so for 9 you can only be a 9w1 or 9w8. not a 9w4 or a 9w6#a 9w1 has 1 traits so theyre more principaled and self controlled#a 9w8 however takes on 8 traits which makes them more willing to give into anger and fight#if youd like me to type any characters pls let me know
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So, what’s “Her Sweet Kiss” actually about?
There are a lot of posts about “Her Sweet Kiss” going around already. I might be kinda late to the party but hear me out. By now, plenty of people have started interpreting it as Jaskier’s song about his heartbreak over Geralt sending him and you know what? That’s great. Love it. Amazing. Superb.
But you know what’s also hella damn sexy?
Cold, hard, textual evidence. And damn, does the text deliver.
(Actual analysis starts underneath the line break bc this got longer than anticipated.)
edit 12/01/20: The whole thing’s now available in Brazilian Portuguese, courtesy of the extremely kind @sunshine-any.
So, just or a minute, I want you to forget all about Jaskier, and Geralt, and Yennefer, the events of “Rare Species”… Actually, I’d like you to just forget about the entirety of The Witcher until I get to the point. We’ll get back to them later. For now, let’s just pretend that “Her Sweet Kiss” is like any other song you might hear on the radio by an artist you’ve never heard of before.
And now, only now, without any of the show’s baggage, let’s have a look at what’s going on in this son(g) of a bitch, starting out with the first couple of lines:
The fairer sex, they often call it But her love’s as unfair as a crook It steals all my reason Commits every treason Of logic, with naught but a look A storm breaking on the horizon Of longing and heartache and lust
Okay so, you’ve got a narrator figure (whom, for simplicity’s sake, I’ll be using he/him pronouns for) and you’ve got a nameless woman he’s singing about. The song’s about love, but not the happy kind. Love robbing someone of all logic and reason is a staple of love poetry, but in this case the narrator frames it as a betrayal. The woman’s love feels “unfair” to the narrator, and he blames her for his loss of logic and reason. A single glance of hers and the narrator is overcome with a whirlwind of emotions – longing, heartache and lust. However, “a storm breaking on the horizon” suggests a sense of distance coupled with these emotions rather than a sense of immediacy.
She’s always bad news It’s always lose, lose So tell me love, tell me love How is that just?
These lines expand on the idea of unfairness. Her mere presence pains the narrator and “it’s always lose, lose”. In other words, there’s nothing he can do that will lead to a favourable outcome for him. A third party which the narrator addresses as “love” is introduced and he asks them “How is that just?”. It’s quite apparent that he feels wronged. At this point, the “love” he’s addressing could refer to a number of things. For example, he could be addressing the woman (think, “Why do you do this to me, my love?”); he could be addressing the concept of love, yet another staple of love poetry, (think, “Love, why do torment us humans like this?”). I don’t think it’s either of them, for reasons I’ll be getting to in a minute.
But the story is this She’ll destroy with her sweet kiss
The refrain is rather straight-forward, so I’ll spare you the repetition. By going out of his way to state “But the story is this” the narrator solidifies his position as a narrator figure, telling a story. You could take this as a suggestion that he’s not quite in the midst of things. He sings about how “She’ll destroy with her sweet kiss” but he’s vague about it. There’s no concrete mention of what she’s destroying. It could be their relationship, the narrator could be the narrator’s heart, let your imagination run wild, for now, because the second stanza clears all of that right up. Kind of.
Her current is pulling you closer And charging the hot humid night The red sky at dawn is giving a warning, you fool Better stay out of sight
Now would you look at that. Our narrator isn’t singing to himself, nor is he simply singing to a nondescript audience. There’s a third party (whom i’ll be using they/them pronouns for. Remember you don’t know anything outside of what’s written in the lyrics) he is addressing, who is captivated by the woman, and the narrator claims they are missing distinct warning signs. The narrator’d rather they stayed away from the woman.
I’m weak my love, and I am wanting
And this is where we start to get the whole picture. The narrator addresses the third person as “my love”. Which bears a lot of significant because it turns everything we’ve established so far on its head. (For one, it implies that when he asks “tell me love / how is that just?” it’s this “love” he’s talking to, not the concept of love, and certainly not the woman). He’s realised that “his love” is falling for the woman. The reason he feels the woman’s love is “unfair as a crook” and why it’s causing him so much pain isn’t because they’re involved in some ill-fated romance; it’s because the one he calls “his love” is the object of the woman’s love and he feels like no matter what he does, he’s bound to lose them one way or another. He’s pushed into the role of an observer while the woman and “his love” were getting entangled, hence his assumption of the role of a narrating figure rather than a figure with agency. Looking at “I’m weak my love, and I am wanting” and the following lines as a whole is kinda tricky because there’s a number of ways you could read that. It could be that the narrator is admitting that he’s tired of fighting the inevitable, hence feeling weak and wanting. However, the narrator could also be admitting to his shortcomings – as in “I know I’m weak and that I’m lacking [as a companion, perhaps? just one example]”.
If this is the path I must trudge I welcome my sentence Give to you my penance Garroter, jury and judge
Essentially, what’s happening is that the narrator is giving up. He’s accepted the way things are (or the way “his love” thinks things should be, as “sentence” suggests that some sort of judgement has been passed or a decision been made) and assumes responsibility for what wrongs he might have done his lover. By uniting the roles of “garroter, jury and judge” in “his love” he’s basically giving them (and them only) free reign over his fate. Cue the refrain.
But the story is this She’ll destroy with her sweet kiss
Now for the fun part. Because this isn’t just some random song created in a vacuum. Remember how it is a song sung and composed by Jaskier? And remember the episode it appeared in? There are some minor differences, of course. I won’t start guessing about how this might relate to Jaskier, Geralt and Yennefer’s relationship because then we’d be bridging over into speculative territory and I only wanted to try and figure out what’s going on with the lyrics. Some have pointed out that, in the episode, Jaskier originally debated making the line either “gorgeous” or “lovely garroter, jury and judge” before eventually using neither. Others have pointed out that, in-universe, Marilka also acknowledged that “Geralt” and “Garroter” sound somewhat similar, which could be interpreted as an intentional parallel from the actual writers’ side.
In conclusion, I’m shamelessly stealing someone else’s observation that “Her Sweet Kiss” totally is the “Jolene” of the Witcher-Verse.
Make of that what you will.
edit 06/01/20: Tiny caveat. I was too lazy to get into the whole thing about "real author” vs. “implied author” vs. “narrator” vs. “characters who just so happen to be writers”. Just, keep in mind, Jaskier is a bard who makes a living off his art. Writing songs is his job, and oftentimes a good song is one that makes people emotional. A lot of stuff in ep. 6 can be used to support the interpretation that HSK’s about Jaskier’s actual heartbreak over Geralt and Yennerfer’s relationship. But, I also cited “cold, hard, textual evidence” which, at the end of the day, boils down to “HSK is about a love triangle” and “Jaskier was working on Her Sweet Kiss around the time he and Geralt parted ways”. It’s a conspicuous parallel that may yet affect future episodes but, please, don’t misunderstand me as treating it as a foregone conclusion. What I was trying to say is, “here’s what we can gather from the lyrics themselves” and it can mean as little or as much as you want it to mean for Geralt and Jaskier’s relationship.
#the witcher#her sweet kiss#geraskier#gerlion#geralt x jaskier#fantastically foolish literary analysis
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there it is! kama interlude analysis by a kama fan!
WELL. LIKE IT SAYS IN THE TITLE: this is just my own thoughts!! youre free to think whatever u want !! i am just putting my own knowledge into words because i genuinely love kama, and i would like for kama’s depth to be understood by the NA fandom a little more!! i try to stay as close as possible to their character in everything i do because i believe that the more in character they are, the funnier/more interesting content ppl will produce.
and hopefully i understood them well ???!!!! HOPEFULLY ?!
i will be screenshotting the translated reddit post under this read more and stop whenever something i find interesting to develop pops up ! or else it’ll get way too long lol if you wanna read the interlude for yourself heres the link!
with that said, let’s go!!
kama’s interlude begins with guda passing the hell out because of exhaustion and then waking up in a dream sequence where kama treats them to some relaxing adventures, stuff to take their mind off heavy things!! first dream sequence is kama roleplaying a highschool setting where they’re dating.
i like this because they openly admit that its an illusion, breaking the immersion but as long as youre okay with roleplaying, they’ll continue it LOL at some point, caesar mentions the student council president and arjuna appears behind him
since this is an illusion that kama made, i’ve been wondering about the fact that the way servants conduct eachother in this interlude is mostly because that’s how kama envisions they would act in a highschool setting, in an amusement park and finally with eachother (mostly for confirmed couples such as siegbryn, consort yu and her hubby etc...). suzuka and sei being gyarus is obvious, but arjuna as the student council president... is so cute???!!! i MEAN IT FITS ?! THATS A GREAT IDEA KAMA!!!! ANYWAY
this is kama’s first monologue and since they’re primarily the god of lust, all of the more vanilla stuff they mentions such as sharing a pair of headphones embarrasses them since its so tame. ITS CUTE !!! kama expects you to be horny in class !! what are you doing thinking about hand holding !!! medusa saves u from that tho with a direct reference to her relationship with kama’s vessel
this is interesting !! and reassuring !!! i think that kama as a character has a lot of depth and just reducing them to “sakura” would be a waste and this interlude shows how different they are from her. but they’re also similar! sakura went through a lot just like medusa says and kama does have trauma related to shiva. its not the same circumstances but the same kind of suffering which explains the nuance here. and what i like about chaldea is that there’s been multiple instances where its been proven that servants can grow thanks to their relationships with guda (most common example: leveling up your bonds) BUT ALSO, saint graph evolution (alts). and as a kama fan i’d like to see them happy someday and this interlude as a whole is proof of their healing/coping because of the time they spent in chaldea and how they interact with others. more on that later ! here, they don’t recognize medusa which is normal since they’re not sakura (someone else entierly), but...
they care about her ! because of sakura’s influence being a part of the servant called Kama(assassin). the difference here is important !! but i’ll come back on this in a bit. quick mention to the greek cupid <3 kamadusa nation we were fed (i clap by myself because im the only one who has 57575757557 kama rarepairs-----)
kama is a delinquent whos horny in class but still takes a few notes, enough to do well on their tests! and thats tea<3 smart horny lazyass !! theyre a gift
SO ARJUNA WAS OUT FOR BLOOD ????? ANYWAY, this is right after the actual fight against weirdo terrorists, and im happy to know that kama DOES enjoy a good fight (as proven in their voicelines as well) but theyre not a farming unit because it’d be too much work (single target NP..)...!!!!!!! lavish god of love....
FINALLYYYYYYYYYYY THE REAL DEAL !!!!!!!!!!!! “it feels wonderful to be your girlfriend” christ, kamadeva was so used to being a husband and a good lover, it reflected in their servant version.... but ree what do u mean by servant version???
I MEAN THE OBVIOUS !! kama explains it very well in the screenie just above !
“You know very well how servants work.”
KAMA ASSASSIN (the servant in your chaldea) is neither KAMADEVA or SAKURA MATOU or MARA. they’re a MIX OF PARTS OF THE THREE. creating an entierly new person(in this case, servant) !!!! it might sound like i’m repeating myself, but this is important!!!!!!!!! i will say this multiple times so people remember it !!! and if u already had this figured out: GOOD JOB I LOVE U !!!
Kamadeva (the god) has many stories, ones where he was born from concepts (dharma and shraddha), one where his parents are brahma and sarasvati, one where his parents are vishnu and lakshmi, stories about his reincarnation after his death where his parents are krishna and rukmini, his love with Rati and so on. We all know Sakura’s backstory since this is nasuverse. And Mara is a demon, an entity that tried to corrupt Buddha and prevent him from reaching enlightenment/stray from the path. Kama assassin has parts from all of these entities which explains why they have a vague longing for Rati, why they have a soft spot for Medusa and why they have an affinity with Kiara(and also like talking about corrupting u !).
they then mention how a japanese highschool setting is fun and all i have to say is: i’m gonna make an indo fam delinquent vs student council au out of this one folks !!!!!!!! i gotta !!!
OK next
TIME FOR THE SECOND DREAM SEQUENCE WHICH I WAS VERY VERY VERRRRRRRRRRYYYYYYYYYYYYY AFRAID OF BEFORE THE TRANSLATION CAME OUT.
THE PART WHERE KAMA ACTS LIKE YOUR CHILD.
well with their stage 1 it was expected but without the translation i have to say that i was scared shitless! because people hate thinking! and even if kama clearly tells you that it’s a charade, u know a JOKE. A DREAM SEQUENCE. DONT BE A CREEP. KAMA INTENDED FOR IT TO BE WHOLESOME. i know some ppl wont use their brains. but u know its fgo and degenerates are everywhere.
anyways. family bonding time ensues until another monologue appears!!
exactly like before, kama mentions myths that belonged to kamadeva. Meaning that the Kama in our chaldea isn’t the Kamadeva we know and is not Pradyumna either but the fact that the writers chose to have kama acknowledge it is very reassuring !!! Because it means that they’ve chosen to make it a part of their (complicated) history. Kama says that Pradyumna is the myth about themself they know the least, once again proving us that the Kama in our Chaldea (Assassin) is a different entity and that they were summoned to the throne upon their death, the moment they were burned by Shiva’s flames and became Ananga, in any case they’re still familiar with all of their own myths. it allows us to keep heroic spirits separate from their original myths. Obviously! And in the case of pseudo-servants, it allows us to keep them separate from their vessels. Cuz this is a fanservice japanese game. Andddd the fandom likes forgetting this fact quite a lot i’ve noticed. As a person who loves thinking about tons and tons of headcanons for fun, this allows us a lot of space ! Because this is fate/grand order at its base. Nasuverse.
I’m glad that the interlude explains it so clearly, it’s very good !! Because the majority of myths from every culture are confusing, family trees are confusing, names are confusing, powers and attributes are confusing... its a mess !!!! the fgo characters we know are just cut from their own respective timelines/historial figures so the writers can organize themselves more easily. Like cutting halves from a big cake. Kama (Assassin) is the Kama that died from Shiva’s flames and became the universe ONLY. In Nasuverse, Arthur Pendragon is a woman. Anastasia Romanov NEVER had a demon familiar named Viy in real life despite the creature being part of russian folklore. u know ! im russian i can testify dude !!
hopefully everyone got this bc i wont be explaining this any further dude, its exhausting !!!!!! bangs my hands on the table !!!!!
ANYWAYS kama mentions “eternal pain that turns [them] into ash” being their key element. Their trauma is at the center of their heroic spirit self, what they are as a servant. This suffering is tied to everything they do, why they’re so lazy, why they’re so lax, why they’re so detached from their job. But they’re not detached from their role. And “job” and “role” have different connotations here. They refuse to work as a cupid because of obvious reasons. BUT. They’re not detached from their role as the God of Love, as the God of Passion. The embodiment of those feelings. This whole interlude is proof ! They’re giving u free therapy because they Love you. Passion. They feel your love. Passion. They acknowledge how much fun you’re having. How passionate you are about certain things. They might seem extremely detached and hateful, but they aren’t. They’re one of the most empathetic servants there is. And their ability to love everything, even the things they hate is what makes them so miserable. Because it’s a part of them. Because the concept of Kama in hinduism is linked to them. Be it lust or simply the passion born from anything you do where you’re enjoying yourself. (quote: “ the term also refers to any sensory enjoyment, emotional attraction and aesthetic pleasure such as from arts, dance, music, painting, sculpture and nature “. R. Prasad (2008), History of Science, Philosophy and Culture in Indian Civilization )
... I’d like to say that this contrast with Mara is interesting. And that i’m glad the writers chose to add in Mara to the kama assassin Beast mix.
Because the anger Mara feels can become a drivepoint for Kama. I’ve always believed that anger and sadness are two sides of the same coin, it’d explain how layered Kama is and how valid their emotions are. Constantly torn between love and hate. An eternal grudge (i don’t deserve to be hurt like this) and an eternal misery(maybe i do deserve to be hurt like this).
i wish they were my roommate <3 oh fuck ree got emotional wait where were we.
OH YEAH
i think kama saying that they dislike being involved with other indian servants because theyre linked to shiva is a feeble attempt at trying to keep up a strong front because they still love them in the end. cuz that’s how kama is ! after a while they’ll get bored of bullying ganesha and ashwatthama. they’ll get interested in rama because their respective mythos are linked even if their servant selves have no connection. hell, at the end of the interlude they talk about parvati and how they themself changed and realized things. BUT OH WELL, THATS STUFF FOR ANOTHER POST HEHE thats just ree wanting kama to b happy yall move along !!
.....THIS ISNT A COLLEGE STUDENTS ROLEPLAY BUT ITS A CUTE JAPANESE COMPANY BOSS/UNDERLING SETTING AND ITS CUTE SO I THINK KAMA WEARING A PENCIL SKIRT AND POURING U ALCOHOL IS CUTE. CUTE.
further proof of kama’s overflowing affection and what i detailed above!! hopefully u all knew this one simply from reading this interlude/their profile page and dont need me to write it down for u. HOPEFULLY !!!!!
(I START BEATBOXING VERY RAPIDLY AND RUNNING TOWARDS YOU) KAMA IS A SADIST AT THEIR CORE AND I WILL NEVER STOP !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! they’re easy to fluster because theyre not used to being so vanilla, but whats underneath is how they truly are !! a beast turned servant, the sweetest sadist !! theyre very mature and this interlude is so well written (wipes my teears
this is directly linked to what i explained above, by burning you away, you’ll melt into nothingness just like they did. When they were the universe, they felt both everything and nothing.
But was it really relief ... ?
... IT WASNT.
AND PARVATI SAVES THE DAY !!!!!!! phew!! thank u paru, it’d still like to be able to touch kama’s huge titties and i cant do that if i turn into ashes (falls down the stairs
ok she summoned lovey dovey canon couples to annoy kama since they’re exhausted of seein them!!
...............(I TAKE OUT A KNIFE) TAKE THAT BACK. DONT TALK TO THEM LIKE THAT. TAKE THAT BACK !!!!!!!!!!!!!!!!!!
ohhhhhh im obsessed i love when theyre angry<3 i love when theyre fighty <3 i think they should beat the living shit out of a boxing bag DAILY to let out some of this steam. they’d be a monster on the ring... aaa kama in training boot y shorts aa a .. .uughg hg ouu... (you all shove me into a locker)
ok this is interesting !! i think that the interlude showing us that parvati feels a semblance of guilt is character dev. proof for what i mentioned before!! in ookuu parvati felt quite ..unsympathetic to me, even if kama is a beast who wants to annihilate humanity, when u think about it, at their core their grudge is because of her and shiva’s betrayal. and here, she properly apologizes for making kama so upset. this is heartwarming to me since i dislike thinking that members of the indo fam hate eachother :( same goes for arjuna and karna, at some point i’d like for them to act like bros normally and finally be comfy. but anyways !!
u wake up from the dreams and da vinci, mashu and paru are here to tell u whats going on. But its fine bc u remember everything and u have to go thank someone for helping u out!!!
CUTE !!!!!!! THEY CARE ABOUT U !!!!!! but whether it be because of their role or because theres a deeper meaning is entierly up to your own interpretation because...
of what they say here.
and here !!
ohhhhhhhhh this is so important !!!!!!
this is actual proof of kama’s growth as a servant and how servants evolve in chaldea !! chaldea is not the same as a grail war, its a special, cut-off place and thats what makes it even more relaxing to think about. Everytime u summon a servant in ur chaldea u give them a chance to have fun with you, to have fun with other servants, to make amends, to start from scratch, to discover things they would’ve never known in their time (movies, video games, tons of different foods etc...), u give them a chance to relax. to grow !! this is the headcanon that im most attached to and im glad to see it be confirmed in the interlude of a character i love tbqh i had to stop and talk about that.
everyone say thank u kama !! can we roleplay a college roommate coffee shop slowburn au next time <3
ANYWAYS if you’ve read it this far: thank you !!! im sorry if you expected something very serious, im not that type of person hehe im jus here to have fun and look at things i like, and the interlude itself was quite lighthearted and refreshing. By talking about the myths and all of kamadeva’s stories, the writers basically gave lore nerds a huge thumbs up like... “its ok now !! u can go ape now !! go be insane<3 love u<3″ and all of this kama characterization GENUINELY makes me so happy because i think they really needed that. kama assassin... (i blow a kiss to the sky) is a little mess of a servant... a god, human crumbs and a demon... a total mess... im in love with them...
..............tho now the wait for a summer alt where they interact with the entire indo fam begins (im sitting in a chair unmoving)(i have a gun in case minase begins acting gross
#ree's fgo hcs#kama#WONT TAG THIS ONE AS A WHOLE BC IM... A LIL SHY TO BE HONEST#its just a kama fan rambling bro....... jus a kama fan liking the interlude man.....#like i said at the beginning of the post its just my thoughts<3
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What I Thought About that ONE SCENE from “Covention
As promised after my "Young Blood, Old Souls" review, I am going to review the rest of The Owl House episodes that I missed. And now that they're all on Disney+ (WATCH ‘EM), I'm currently making an effort to rewatch every episode to gather my thoughts for each one. Unfortunately, they're going to be my general thoughts and won't include any in-depth analysis.
However, the episode "Covention" has such a great scene that I have to break down what makes it so incredible. I'm, of course talking, about the “Hallway scene,” which is a definitive moment in Luz and Amity's relationship. And here's how:
(By the way, you’re gonna want this scene on standby while you read this. Because I have no idea how to get pictures from the episode and add them to a Tumblr post. And I’m too lazy to figure out how.)
Luz runs off to find Amity: Keep in mind that Luz had no reason to do so. Amity treated our favorite weirdo like garbage, and Luz had every right to just let Amity sulk. And yet, she still goes off to check on her. Why? Because it's in Luz's DNA to help others when they're clearly in distress. That willingness to be a kind-hearted person is why Luz is one of my favorite characters. She has moments of drawing the line when someone takes it a step too far, but her heart is always in the right place when the time calls for it.
Where Luz finds Amity: It's odd how fans refer to this scene as "the Hallway Scene" because Amity isn't really in a hallway. It's more of a dark corner if anything else. However, the exact name of her location doesn't matter because it's how that location is shown that makes an impact, due to how it perfectly illustrates who Amity is and how vital Luz is to her. Here, we see Amity down and depressed while sitting alone in the dark, where Luz is watching while in the light. This very idea comes more poignant soon, but there are a few things I want to mention first.
Amity’s tone when Luz apologises: Let's give a round of applause to Mae Whitman, who did a great job at this moment. She perfectly captures someone who is trying hard to be angry but is too distraught that she can't completely hide her real emotions. You see it better when Amity snaps at Luz, and her expression briefly changes into something more sad than mad. It's a sign that she's capable of thinking against her "can't show weakness" mindset that her parents clearly drilled into. So kudos to everyone in charge of that.
“You made me look like a fool in front of the Emperor’s Coven. My future!”: Notice how she says, "My future." Not "My dream" nor "My desire," either of which would make it clear that it's something Amity wants. Instead, she says, "My future." Hinting that perhaps joining the coven isn't entirely what Amity wants. I'm sure that she's somewhat excited to do so (You don't make an adorable squee at the idea of joining something if you're not into it), but the way Amity says "My future" gives the impression that it's more of a requirement for her. That if she fails to do this one thing, then she will face a worse punishment than the tedious task of finding a new career path. And it’s the fear you see in her eyes that all but confirms this.
“I have been working my whole life to get to the top!”: This shows so much of Amity than fans could have ever realized. First off, it reveals that Amity is more than just some snooty rich girl who tries to be better than everyone else to boost her own ego, like many other characters (Looking at you Boscha). Instead, we see Amity's reason to be the best is so that she can work hard at getting "her future." It also hints that she ever takes a break to be a normal kid, given the "my whole life" aspect of this line. This pretty much gets confirmed in later episodes, and it really shows how genius the show's writing is in the way it can be subtle and blatant at the same time.
“Say it! Say you’re not a witch!”/”...I’m not a witch…”: This is Luz's arc for the episode, coming to a complete end. At the start, Luz fought back Amity's resentment with even more hostility. But after seeing how upset Amity is and exactly why she's upset, Luz decides to give in. You can tell it pains Luz to admit Amity's right, both from her tone and expression, but it's apparent that it is something that she needs to say. However, Luz doesn't call it a day after admitting what Amity demanded to hear…
Luz performs her light spell: Instead, Luz meets Amity halfway by explaining her own situation in a peaceful manner. And this is what I meant when I said that Luz is vital to Amity. It's no coincidence that Luz's first spell is a light spell. She brings light figuratively, and literally in this case, to everyone she cares about. Look at Amity's face when she stares at the light spell. She's clearly amazed, and for a brief moment, we see more than that bully that she acted as in the beginning.
“That’s nothing. A child could do a light spell.”: But the sad thing about brief moments is that they don't last forever, as it doesn't take long for her "show no weakness" mentality to come back. This is shown through the fact that Amity physically, literally, retreats back into the darkness and passes Luz's accomplishment off as nothing special.
“But...I’ve never seen it cast like that.”: And yet, Luz broke through anyway. Because now, not only is Amity curious, but she's interested enough to rebel against that toxic mentality for quite possibly the first time. It's here that we get a glimpse of the person Amity could be. The person she wants to be.
“It doesn't come naturally to me like it does for you, so I've had to improvise.”: And it's here where Luz once again sees a chance to get Amity to open up. A chance for Luz to find common ground and explain that while Amity thinks that Luz has it "so easy," the reality is that the opposite is true. That she also has to work hard, but she doesn't have a fear of failing when her efforts don't work out.
Amity unbinds the Everlasting Oath: I love this. Not only because Luz didn't have to ask Amity to do this, but also because Amity doesn't give a reason for doing so. Did she consider the duel a draw because they both cheated? Or did she finally see the person Luz really is and decided to do the right thing? There's no clear answer, and that's why I love it. Because even if it's the ladder, Amity can easily use the former as an excuse for why she showed weakness. And if it turns out that Amity did decide the duel is a draw, then it still works because it makes sense for her character at this point in the story.
“Humans have no magical ability. But I doubt that’ll stop you.”: Do me a favor: Read that quote. Don't just read it in Amity's voice, or read it as how it was said. Read this quote as exactly how you would say it if you haven't seen it before.
...
Did you do it? Because it looks like a compliment, doesn't it? Almost as if Amity is telling Luz that she does have the capability to become a witch. Despite her setbacks. Well, that's what this could be if not for Amity's tone. For it suggests that she's indifferent to Luz's success. But because Luz still broke through to the nice side of Amity that she wants to show to the world, Amity finds a way to try to be kind while giving the appearance that she's following her parent's mentality.
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So, yeah. This scene is f**king amazing. Through the span of a minute, here's what we get: So much development from Amity, why Luz is such a kind and supportive character, and the beginnings of their complicated relationship. This might just be the best, well-handled scene in the entire series, and it doesn't have elements of what makes recomend the show. There is no fantastic animation, there is no hilarious comedy, and there is no LGBTQ+ representation...Ok, there might be that, but you have to squint to see it. This scene is just two characters talking, and through their conversation, we learn and love so much more about them.
...
And yet, people STILL wonder why Lumity is the most popular ship of the fandom. It's because of s**t like this, people. It's because of s**t. Like. This.
(But seriously, though. This is a great scene from a great episode!)
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Into the Spider-verse, but make it about the Umbrella Academy
Album challenge: Umbrella Academy Edition, i.e. I take a songlist and try and attribute each song to a character.
Song lyrics and (my personal, probably inaccurate) character analysis under the cut. Fair warning, long ass post is long.
So I’m starting this challenge with the Spider-Man: Into the Spider-verse album because I’ve been listening to it (a lot) lately.
01. What’s Up Danger by Blackway & Black Caviar is, to me, very much a Five song. Like, just check out these lyrics:
Ayy, gettin' old, they doubted us Makes it that more marvelous … Two-hundred miles-per-hour wit' a blindfold on (on) Mama always askin', "Where did I go wrong?" (wrong) What's up, danger? Ah, what's up, danger? Traveled two-hundred miles, I'm knockin' at your door And I don't really care if you ain't done wrong, come on What's up, danger? (Danger) D-don't be a stranger (stranger) I like it when trouble brews, I won't dare change I like it when there's turbulence on my airplanes I like it when I sense things I can't see yet Swimmin' with sharks when they ain't feed yet 'Cause I like high chances that I might lose I like it all on the edge just like you, ayy I like tall buildings so I can leap off of 'em I go hard wit' it no matter how dark it is If I'm crazy, I'm on my own If I'm waitin', it's on my throne If I sound lazy, just ignore my tone 'Cause I'm always gonna answer when you call my phone Like, what's up, danger? (Danger) Like, what's up, danger? Can't stop me now I said, "I got you now" I'm right here at your door I won't leave, I want more What's up, danger?
02. Next up we have Sunflower by Post Malone & Swae Lee which, to be honest, gives me such heavy Vanya vibes I can’t even. More so due to the song itself than the lyrics, but they’re still pretty accurate. That smooth af sound, tho.
Give me a reason to (to, to) Oh, every time I'm walkin' out (ayy) I can hear you tellin' me to turn around Fightin' for my trust and you won't back down Even if we gotta risk it all right now, oh (now) I know you're scared of the unknown (known) You don't wanna be alone (alone) I know I always come and go (and go) But it's out of my control And you'll be left in the dust Unless I stuck by ya
03. Next we have Way Up by Jaden Smith, which, despite being a boppin’ song, really didn’t remind me of anyone in particular until I really sat down and read the lyrics. So I’m going to attribute this one (tentatively) to all of the seven, though I’m leaning a little heavier towards Luther than the rest.
I went from boy to a man, wow (man) Opposition had to stand down Man I had to make a perfect plan, now I'm on the wave (Wave, wave, wave) I had to fight for the city (for the city) I had to fight for the people (for the people) You gotta do what all leaders do (go) Everyone here, we believe in you (yeah) Know you can be a hero 'cause we seen you do it (woo) And this is the time that we needin' you (you) Everyone is here to see you move (move) Winnin', we winnin', we winnin' (we winnin') We put a world on a wave (wave) And every time you swinging through the city You are the saving the day (let's go) ... We had to fight for the town (town) Now there's no villains allowed ('lowed) Everyone cheer in the crowd But I'm still way up, I'm over the clouds (clouds) We had to fight for the city (city) Competition was lethal (lethal) Honestly it's no biggie (biggie) I had to do what all leaders do ... They always hate on us, but they can't do it without us Yeah-yeah, yeah-yeah, we out here cleanin' the streets (streets) We don't accept the defeat ('feat) We keep on going until we win (win) Yeah, yeah, yeah, yeah, all of 'em weak in the knees (knees) Deer in headlights when they freeze (freeze) But we keep on going until we win
04. Familia by Nicki Minaj & Anuel AA ft. Bantu is, without a single doubt, representative of all of the Hargreeves siblings. Full stop.
Father, father, unforgivable This is my house, you made it personal It's always trouble when they go too far Nobody mess with my familia Father, father, could you bless his soul? He talking crazy, I may lose control
05. The lyrics don’t necessarily fit in some places, but the general tone and feel of Invincible by Amine still makes it a Luther song in my book.
I wanna, I wanna fly right now I wanna see all my homies get down I wanna feel like I can't come down I got a dream so I can't stop now I gotta stop feeling invisible And start feeling invincible Hate feeling impossible The hardest thing is believing in your dreams Stop feeling invisible And start feeling invincible Hate feeling impossible The hardest thing is believing in your dreams I feel like a stranger to myself And sometimes that feels dangerous But I'll bet you'll see me For who I truly am, maybe not if it wasn't bland Some days I look in mirrors and I wonder who's that man
06. Start a Riot by DUCKWRTH & Shaboozey is Diego’s official anthem don’t @ me. The dude probably blasts this when he’s taking down bad guys. A bit of shade, a bit of bass, I can fully see Diego rocking to this song.
When I say, "Brooklyn, stand up" (stand up) You better just fix your posture And every hero needs his theme song So, who in here tryna You ain't got a chance, boy What you think? (Huh?) I thrown in everything but the kitchen sink (yeah) I try to be friendly in the neighborhood (okay) I know all the little grannies wanna sip they tea (yeah) And here you come, all barging in (huh?) All ugly like a brown fur cardigan We receive the monologue and the arguing I'm like who in here tryna start a riot? … If you bump that action, it don't matter Just let me know, oh, know Make way (make way) I'm comin' through With my crew to make 'em pay I don't need no super suit I'm feelin' brave Don't be a hero Turn around and walk away … Every day is like a sticky situation When evil's looking for a chance (for a chance, ooh) And I know we are the newest generation (newest, newest) We got the power in our hands
07. Hide by Juice WRLD ft. Seezyn is, for me, all about Allison and how having and losing Claire changed her as a person. This is a more sorrowful song, but I still think it fits her. Slow, more laid back, but still heartfelt.
She made me leave the thrills at home And I'm fine with it She really made me lose control I'ma let my love unfold We're just two lost souls But we're fine with it There's love at my front door, short notice You're not like the same girls I notice Think I met my soul mate Yeah, I know it When it gets dark outside In you I confide You help me face my demons I won't hide, hide Girls like you are hard to find I hope you don't mind If I give you the time of your life … Life is not the same With your pictures in my frame Now that you're here I want nothing to change You pick me up when I'm down I need you around You seen me through my darkest times Girl, is there something that you try to find? You brought meaning to my life All because of you, I do right Because of you, I have a purpose Fight for the world, because you're worth it
08. Oof, this next song. Despite having a nice little lo-fi beat and a lighter sound going on, in the context of his experiences I really do think that Memories by Thutmose personifies Ben (both the Umbrella and Sparrow versions) and, to an extension, Klaus (seeing as dead!Ben can only interact with the world through him).
My memories came back In the form of someone else … Memories It's gon' take some getting used to Memories Feel the pain when it hits you Memories Don't you ever let them fool you Don't you ever let them fool you 'Cause I know that you know that it ain't true I learned the hard way about trust About us, about us You sin and be on your high horse We're not so stable anymore What's left if I give you my all?
09. Save The Day by Ski Mask The Slump God & Jacquees ft. Coi Leray & lougotcash was a tough one, because the sound really didn’t fit in with anyone and I wasn’t really feeling it in regards to the group at large, but then I started digging into the lyrics and...
I pull up and save the day Don't want any problems, I'll be a call away I'm ready for action, fly without a cape I'm one of those ones, they'll never beat me
Okay, fair enough, this one can go into the “All” category. But, y’all, when I tell you I felt my soul ascend when I read this line:
You could still be adopted even though you a sibling
I am positive this song represent all of the siblings, now.
10. It’s time for the angst track, everybody. And let me tell you that Let Go by Beau Young Prince has the reverb, the tone, and the soul crushing lyrics for the job. It’s universal angst, too, because this could honestly apply to any of the seven.
Sometimes I don't really know myself Devil on my back, pray for me, need help Angel in the front tryna guide my steps Who do you call when you need some help? Who do you call when you by yourself? Who do you call when you feel down low? I just wanna scream, I just wanna explode … Violence in the streets, I just wanna calm the beast All these problems I'm just fightin' with myself are enemies Looking for my peace while I'm (Looking for my peace while I'm) I just wanna swing and fly away (fly away) I just wanna see a better day (yeah) I just wanna soar and never drown (never drown) I'm looking for my happiness now (now) I just wanna swing and fly away (fly away) I just wanna see a better day (a better day) I just wanna soar and never drown (drown) I'm looking for my happiness now, yeah
11. Scared of the Dark by Lil Wayne & Ty Dolla $ign ft XXXTENACION is one of those tracks that immediately hooks you, pulls you in, and then sucker punches you in the feelings. With that in mind, in both a literal and figurative sense, this song is all about Klaus.
I'm not scared of the dark I'm not running, running, running No, I'm not afraid of the fall I'm not scared, not at all Why would a star, a star ever be afraid of the dark? I'm not scared I'm not scared, even from the start I'm not scared of the dark Of the dark, mmm Tunechi I ain't never scared and I ain't never horrified I just look down at my Rolex, it said it's the darkest times I ain't never terrified, I ain't never petrified You know I see dead people, I just tell 'em, "Get a life" I ain't never scurred, I'm not sure if that's a word, but I mean every word, feelin' like, "Do not disturb, " wait … You know I can read your mind like I'm the author There's a line for tomorrow and that line's gettin' shorter I'm behind the trigger, what if I am the target? Deep sigh, a sayōnara, I ain't afraid to die It's either goodbye or good mornin', and the skies start to fallin' And I'ma shine in the darkness
12. Elevate by DJ Khalil ft. Denzel Curry, YBN Cordae, SwaVay & Trevor Rich has that kind of upbeat tone, can-do attitude, and fun tempo that immediately makes me want to see a scene where the Hargreeves siblings fight a bunch of baddies (together) to this song.
No millimeter, this is my arena I'm the black widow with a bad stinger And I'll make you scream like a bad singer I'm everything that you wanna be plus more Since there's no heroes anymore Jump out the window, then put the mask on Who the bad man that a man gotta bash on? … They will slander me, I just plan to be Somethin' powerful for my family Tried to balance life and my sanity Show a different side of humanity So amazin', keep appraisin' Save you from a home invasion Chasin' robbers from the bank … When the light shine, I go python I've fallen, on my last lifeline There's no way in my right mind My city up on my back tight How can I possibly act right? I'm Robin Hood, I'm the Black Knight I know you heard 'bout my last fight 'Cause I win, over and over again Battlin' evil, I'm hopin' to win Fightin' my demons, I'm nice for a reason Enticed with the bleedin', I'm showin' my sins How can you expect me to stay sane? Protect me My technique go X speed on high waves and jet skis I jump off this building to save these civilians My strength and my honor is trusted by children I'm ready and willing to fight all these villains No chaos or killings, my style is so brilliant … I may have lost the battle but I will not lose the war I can promise you I will not lose this time
13. And finally, Home by Vince Staples has a soulful kind of sound to it that, combined with the lyrics, reminds me that Five will quite literally do anything, endure anything, kill anything, to get back to and protect his family. It also has a kind of epic choral-esque start and finish to it that felt really nice to listen to.
This morning I woke up in a fortress of distortion I'm at war with my emotions, I'm at war with they enforcement Tryna fight for what's right and got sidetracked Where your mind at? Never mind that Can we think in a blink, you swimmin', you sinkin' You win, you leavin' a head where I've loaded my weapon I stay with my brethren, I pay for protection My prey in my sight so I'm doing what's right and not askin' no questions I wanna be home free Where's one that was lonely? But I'm ready and waitin' For my day of salvation, and I'm patient I'm coming home now I'm coming home … Right where I belong now Right where I belong They looking for saviors, I'm looking for safety They never gon' break me, take me Down on my knees, believe I'm never gon' beg or plead Yeah, I never say never, but I guarantee Gather my strength, goin' hard in the paint Paint you a picture, it's put on display I'm gonna get, they don't give then I take Can't take me down now My feet on the ground now Fight 'til I'm down now Say it out loud now Say it out loud, are you ready for war?
And there you have it. If anyone has any suggestions or questions about this challenge feel free to wander into my ask box.
- 57
#the umbrella academy#luther hargreeves#diego hargreeves#allison hargreeves#klaus hargreeves#five hargreeves#ben hargreeves#vanya hargreeves#tua#tua luther#tua diego#tua allison#tua klaus#tua five#tua ben#tua vanya#horrance#alluther#fiveya#song lyrics#song list#album challenge#into the spider-verse#umbrella academy#my stuff
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Guess Who? Character Clues
heavy spoilers in this!! you have been warned.
When I started the series, I forgot how smart stays actually are, so when I first started drafting, I left in a bunch of VERY obvious clues before 12 pm. Since posting them however, I modified the messages on the spot to make them harder to guess (hehe) so I’m glad I was able to fool you guys on at least one of the members! Here are all the guesses I counted up: (the ones in dashes are the few friend guesses, aka “who’s friends with who?”)
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First of all, I want to address the easiest way you could’ve figured out which member is which. You could’ve found this out at 12 am, it was there from the start!
It is.. the contact pictures!
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Ta da!! It’s their 19 photos.
Okay maybe I shouldn’t be completely surprised that nobody saw this, but this is the STAY community, where you guys analyze every frame of an mv and creates a theory about it that somehow makes sense. No one got this??
Anyways, lets now do an over analysis of each clue for each member!!!!! because i’m THAT person
#1 - Han Jisung
His assigned number is 1 = J.One
Majoring in music production
Wants to be a lyricist after university (can be related to his “emotional rapper” title)
A flirt
“Hyung scolded me” “I didn’t realize he actually left the dance studio��� = his skz friend is Minho!
Prefers writing songs about serious topics (19)
Hyper
#2 - Kim Seungmin
Weirdly calm throughout 12 AM
“Please calm down”
s m a r t (“you can’t say your name” “i found this on a website” “dammit guys we need to figure out who her soulmate is”)
Majors in journalism (could be linked to his trainee diary) and works at a cafe (he just gives off that aura??)
MINORS IN PHOTOGRAPHY
“go away Jeongin” “wait this isn’t Jeongin” “let me ask my brother” = his skz sibling (in this case) is Jeongin! (i apologize for the inconvenience, i didn’t realize seungmin only has an older sister irl ;;)
DOESN’T LIKE #3
#3 Seo Changbin
Not a morning person
He’s just,, grumpy okay
and DARK
Works at a music studio
Prefers writing about dark topics
“Enjoys writing the occasional love song” (I originally had it drafted as him hating love songs, then On Track happened and I said “oh shit what now”)
Professional when it comes to music
Born before the 2000s (1999)
Only has two friends, but keeps in touch with one regularly (this is the confusing part where you can interpret whatever! The two friends are supposed to represent 3RACHA, but with #1 as Jisung and Chan.. you’ll see, it doesn’t work out too well. You can interpret who the regularly kept in touch friend is, whether it’s Wooyoung or someone else, but he’s actually supposed to be Hyunjin!)
#4 = Lee Felix
I DEFINITELY have the most obvious clues for him this is gonna be fun
keeps screaming, SHARKKK
Doesn’t live in Korea (omg wow!! all of you got this nice job guys)
trusts wikipedia
Is two hours ahead of Korea, which lines up with the timezone of Sydney, Australia (did he actually live in Sydney though is the question!! because I was too lazy to look it up)
Keeps referencing memes (“im crying in the club” “ok boomer”)
“I’m staying at my buddy’s house” = his skz friend is Chan! (NO ONE GOT THIS???? YALL SAID HE’S FELIX BUT LOOKED OVER THIS?? AND PROCEEDED TO CALL #3 CHAN??? ahem excuse me)
Compares the group chat to a video game
“we need to decide if i should take the machete or the gun guys”
Alright that’s everything I could find from 12 AM - 12 PM! I’m quite impressed by you guys getting 3/4 majority correct, so great job!!
HIMJIN STANS RISE UP
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