#i've seen posts like this one actually

[justali-anne]

Have you ever stopped to think that if it weren't for Papyrus, the pacifist run in Undertale as you know it wouldn't have been possible?

Let's go over the important things he did, shall we?

His very desire to have a true friend drove Papyrus to befriend Frisk. This is the second crucial step to get a True Pacifist ending, the first being "no killing monsters, no no don't do it, naughty, not even a single dust pile to be seen, nope!"

Papyrus is the one who orchestrated the Undyne "date". He encouraged you to go to her house, he was the one who tricked Undyne into trying to befriend you/Frisk as a challenge, and then he jumped out the window like a boss. If it weren't for him, we wouldn't have befriended Undyne, and by extension, the Alphys date wouldn't have been possible.

After you reload, Papyrus was the one who encouraged Undyne to write a love letter to Alphys and get Frisk/you to deliver it to the lizard nerd. Source:

Papyrus showed up at the Alphys date too from seemingly out of nowhere. This could just be Papyrus being Papyrus, but personally, my interpretation is that he's been watching it from behind the scenes the whole time, checking if it's all going according to plan.

Aaaaand of course, Papyrus was the one who called everyone to the castle, allowing them to stop the Asgore fight and allowed the Asriel fight to begin.

Now, I've always loved the whole "meta reset awareness" thing Sans has, and I ESPECIALLY love the AUs or ATs where Papyrus is aware of the timelines too. My favourite is how Zarla portrays it, with both the Skelebros being in the same boat but riding out the storm together. How wholesome and sad...

So, I've been thinking: If you take into account Papyrus' contributions to the Pacifist run and combine it with the "Papyrus has reset awareness" theory/AU/interpretation... then it's possible that Papyrus knew what he was doing all along. Well, maybe not all of it, but perhaps he has just the SLIGHTEST awareness, like he's not actively thinking "I'm gonna make the Pacifist Route possible", but it's more like, "I'm going to give the human an incentive to befriend us and give them a happier ending." And I think that's very sweet.

Give it up for Papyrus, everybody! Because without him, we wouldn't have the True Pacifist ending as we know it.

Hats off to you, Papyrus!

[screwpinecaprice]

They're on a vacation.

[secriden]

*cracks knuckles* Okay lets talk about the elephant in the room: Style going to the support group for those who've suffered loss and telling what appears to be a fake story about losing his pet dog.

I'm going to point out a few things that I think provide a framework for Style's actions here. Not because I think it excuses what he did, but because I think a nuanced read is what the character deserves.

Point 1: An irresistible opportunity

The subs put the "Support Group for Loss" on the image in the notebook, but I'm not sure there's anything to suggest that Style would've known that was what this image represents until he showed up and saw the sign on top of the door.

In episode 2, Bison says, "He plans everything down from years, months, weeks to days" and then tells Kant:

So Style is literally just going to addresses/locations at given days and times, potentially not knowing what to expect. And as much as Fadel is certainly attending this meeting as a response to having that heartbreaking flashback (😭), this is also something he attends regularly and has planned to attend way in advance. So Style has no reason to think Fadel is attending this meeting because of a recent resurfacing of his pain.

What we, the audience, and what the characters know are very different things.

Now, should Style have turned his cute ass right around once he realised what this meeting was? Of course he should. But that wouldn't have been true to Style's character. We've been told by his best friend that he is "crazy" and been shown repeatedly that he lives right up to that description.

Style is impulsive. He's all base instinct and he acts on his desires without thought or contemplation. And by this point he is desperate for a deeper connection with Fadel. He's fascinated, captivated by the mystery that is Fadel and this is an excellent opportunity to finally see behind the wall Fadel so carefully maintains.

When Style sees the sign above the door, Style looks at the notebook (which, again, shows nothing but people sitting in a circle with the words RISE UP) like he's just realising what it means. He then gets this amused, almost rueful look on his face (like he's thinking "am I really going to do this?") before it shifts to determination and he walks through the door.

(My soul for the ability to once again gif something because FUCK Dunk is doing SO MUCH in this show!!)

To Style, this is just too good of an opportunity to give up.

Because let's be real, Fadel is so clearly lying and hiding something:

Fadel is shady as FUCK. He is simultaneously actually a really good cook (Style finally tries his burger so he knows, now), and also has the skills to work at a strip host club, and also can take on 3 guys in a fight, and also can break a man's arm with his thighs. Can you honestly blame Style for losing his mind just a little bit about wanting to get his hands on something, anything, to figure this man out?

Style is being absolutely consistent in his persistence to understand Fadel. This isn't about the car or about finally 'winning' the fight (thank you @airenyah for giving such a detailed framework to understand what Style's been doing until this point) anymore. This is about Style wanting to know Fadel himself.

Point 2: The potential implications of the setting

Now, what might give us a bit of insight as to why Style is this way? I have a theory (albeit one that could prove to be very wrong, but hear me out). I think this whole entire show is set in what could potentially be quite a small town/suburb.

There's a few things that make this theory plausible:

(1) Fadel and Bison are in hiding after Bison blew their previous cover. They're probably on the run from some section of the authorities and so it makes sense to settle in a quiet/out of the way place.

(2) Style seems to be really familiar with the people in the area. Like he grew up there and its the kind of small town where everyone knows everyone and everyone is in everyone else's business.

(3) Style is clearly the darling of the market aunties and uncles.

Style just lost her a sale and potentially a loyal customer, and she's still rooting for him? In episode 2, when Style asks the uncle to let him borrow his cart, it takes nothing but his word for the uncle to give Style his entire cart of produce for his ridiculous scheme.

Style is so clearly someone they all know well and have great affection for, and a very plausible explanation for this is that they all watched him grow up and the entire market (town/village) is fond of him.

And honestly?? Yeah, we see the way Style is actually quite sweet in that careless, guileless, thoughtless way. He goes the extra mile to fix his mistake with Fadel by replacing his car parts for free in episode 1. He helps out by taking orders in episode 2 without being asked and takes it seriously. In episode 3, he tries to drive more business to Fadel's store (bless him, he so clearly does NOT understand how restaurants work, but he MEANS well!!), and can we all acknowledge that it works?? He understands how to appeal to potential customers in the area because he knows the people there. It's not (entirely) his fault that Fadel wasn't remotely prepared for an actual rush crowd and Bison was off getting kinky with Kant and not doing his (fake) job. He is so clear about not judging Fadel's host job and tries his hardest to help him (to absolutely NO effect, but still) when the 3 guys gang up on Fadel.

Style is so loved and more importantly so very loveable.

Point 3: What this could mean for Style's character

So, potentially, Style is someone who grew up in a small town, who has been well loved, potentially spoiled and coddled, but also very much kept within the confines of the narrow viewpoint that a quiet, country town places on you.

It's in the way his dad scolds him as if he was still a child when he's at least in his mid to late 20s. It's in the way Style was so mad at Fadel for scolding him ("thanks for the lecture, dad"), like that hit a sore point for Style. It's in the way no one in the market takes him seriously; they're fond, but he's still a kid in their eyes. It's in the way he has an abundance of free time like he doesn't REALLY need to work at his dad's shop. It's in the way he sees Fadel beat 3 guys up with ease, starts wondering if Fadel is an assassin or a hitman, and is completely unfazed like he doesn't quite have a handle on reality.

It's in the way his best friend is a man who has no qualms about lying to him and putting his life in danger, and how Style seems to have no other friends or people (aside from his dad) in his life.

@wuxian-vs-wangji made a comment to me about Style being desperate for a meaningful connection, and I think she hit the nail on the head. Because along comes Fadel, a mysterious stranger with a suspiciously versatile set of skills who is also very hot and keeps giving Style these wonderfully complex reactions? Who sometimes wants nothing to do with Style, but at other times seems to be at war within himself about desperately wanting him? Who treats Style with anything but apathy?

This is catnip to Style; he never had any hope of resisting this.

Breaking news: Style is a complex and imperfect character...

Here's the thing, though: he was never going to try. The show has been incredibly upfront about who Style is as a person. Regardless of whether I'm correct about why he is this way (ie. that he is very much the product of the environment that didn't know how to handle a kid with Style's personality), episode 3 shouldn't have surprised anyone about Style. He's been incredibly consistent and true to himself.

He wants Fadel and he's "crazy" enough to go all in, no holds barred about it, and the Support Group was the biggest doorway to finally discovering something REAL about Fadel.

And its not just about sex or to prove his superiority anymore. Because if it was just that, then Style would have reacted very differently to their first time.

In this scene, Style is pleased and evidently enjoying himself, but he isn't exuberant. He isn't overcome with joy. If anything, he was more happy and excited when Fadel let him help out in the diner (I mentioned this in the tags in this post too) than he was when Fadel is literally fucking him. He lets Fadel set the pace; barely moves to touch Fadel except to hold him close. Almost like he doesn't want to accidentally mess this up, like he's worried he'll take too much, so he'll take what Fadel gives him and no more (please appreciate @braceletofteeth's amazing tags on this post). For a character that has been so aggressively on the offensive, this is shocking until you realise that sleeping with Fadel - while it's a step in the right direction - isn't Style's end goal anymore.

And he makes that abundantly clear in this episode:

Does Style even fully realise the weight of this desire? I doubt it. But I do believe that Style is in earnest. He doesn't fully understand his own feelings, but he also doesn't really care to either. All he knows is that he wants Fadel, wants his attention and his passion and his focus and his heart.

...but Style is also kind of, sort of, perfect.

Because he's exactly, precisely, breathtakingly exactly what Fadel needs.

Because Fadel is hurt and broken and bleeding inside. Because Fadel is barely holding it all together for Bison's sake, but has already given up hope for any true happiness for himself. Because Fadel can't trust anyone or anything in his life, when he's been used and used and used by the family who should've loved and cared and protected him.

Because it's going to take nothing short of this kind of unwavering, unshakable, uncomplicated determination to give Fadel even a chance of healing and opening his heart to love again.

[sundry-whovengerslocked]

Doctor Who "Rogue" memes

I've made memes. enjoy.

(contains slight spoilers)

firstly, ones that are more encompassing:

regarding the episode itself:

and finally, Captain Jack Harkness stages of grief:

[tyrantchimera]

Something I've noticed about being in a small, 'dead' fandom... when you're a content creator, it's like the whole remaining fandom *reacts* when you do anything. I'm in a small but dedicated group of authors for a small fandom. If one of us posts after a dry spell, the rest of us perk up. The fans react. Other creators (like myself) are inspired to make their own stuff.

For a small while, we aren't just small-time creators. It's like we're the franchise itself! Everyone knows when we post stuff. Our content is THE content.

Wow. What a feeling.

[anomura]

thinking about clegan understanding each other so well, soulmaterism levels of being in sync and on the same page etc. but maybe sometimes there's specific things they can't see eye to eye on and that's what they reaaally fight ugly about. they get along like a house on fire 99% of the time, but when they disagree about something truly serious it's lowkey nuclear warfare good luck to anyone unfortunate enough to be around to see it. e.g. them having opposing views on trying to escape the stalag and leeching vibe arsenic into the air because of it

[djevelbl]

The end to the story. whatever happens, I guess it happened — I have hopes, idk where they're placed or what they mean, but I have them.

Whatever happens, I know Evbo is going out with a bang.

[lunarharp]

if i just told you i love you would this world change

[kumakuma-circus]

behold. my narukujikuma + souyorise agenda. i'm cooking.

[jackawful]

Y'all have got to realize there are ways to protect older teens from sexual predators without insisting that teenagers don't think about sex or sexuality until the magical moment exactly 18 years from their birth. Trying to reduce harm to teenagers (especially teenagers online!) is a good and valid goal but pretending none of them have ever viewed porn or fucked isn't it. You've gotta acknowledge that if they don't have safe ways to explore their sexuality with peers they are going to explore in unsafe ways & that secrecy, shame, and censorship are what open the door to predators & allow them to normalize unhealthy power dynamics.

Shit like (professed) minors allegedly being on ezra's site is most likely the result of that community being the only thing they could find that treated them as like, humans with autonomy and desire, and that's a pattern that plays out with adult exploitation of teens in-person too (the "you're so mature for your age" routine). Of course teenagers exploring sexuality for the first time fell into a community that told them they weren't bad for being attracted to adults or having sexual desire in the first place! Thing is, an "Adult Attracted Minor" is like, the default state of teenagerdom.

The shit that's actually been demonstrated to help with this isn't carceral whackamoling of bad actors - it's giving teenagers education about healthy relationships and power dynamics and safe sex and yeah, kink, and also giving them the autonomy to make their own decisions about sex. Specifically, you let them know that it's normal to be attracted to adults but that adults trying to date or fuck them are in a position of power that means those relationships can't be healthy. In absence of that, teens are vulnerable to the first adult that appeals to their need to be taken seriously. And for fucks sake, using "minor" to equate teens with young children in these cases makes this tactic easier for abusers to pull off, not harder, because it is self-evident to teens that they have more capacity for autonomy than the average 8 year old. Sure, it makes the people you're targeting in your callout Sound Worse, but it also immediately loses you credibility in the eyes of teenagers themselves.

And for fucks sake, don't let a handful of bad actors using a leftist framing for that old song and dance lead you to believe that's what youth lib is about OR take away focus from all the times the right wing has systemically & institutionally done this.

[quietlyblooms]

alright, friends, it's time for a lil heart-to-heart.

for quite a while now, i've struggled with feeling like the rpc is an actual community. there's a few things that contribute to this feeling, but it mostly comes down to a lack of interaction and visible interest. sometimes i feel very one-sided in my interest and attachment to my mutuals bc when i see their ooc posts or headcanons, i like them or comment, yet this isn't reciprocated by everyone. i can usually guess who i'm about to see in my notifications, and to be absolutely clear, i'm very grateful for those people!! it's a handful or two of you, but it could be just one and i'd be grateful. it's not about numbers whatsoever but rather growing uncomfortable that not all of my mutuals are all that interested in my character or me.

i write on here to share the excitement of creating with other people. i write on here to create together, too, but i'm also here to share characters and ideas and lore with people i know are happy to hear me ramble. i'm just getting to the point in which i'm questioning how many of you are actually happy to listen, and that's just not a good feeling at all. i'm not a mind reader, y'all. if you don't tell or show me that you care about the things i talk about or even about interacting, there's no way for me to know. eventually, i'm going to question why you're following me if i never see or hear from you, and eventually, i'm going to softblock and move on. that's the only way forward i see right now because i just do not feel comfortable on my own blog. i feel like i'm retreating into this quiet bubble to avoid discomfort, and it really sucks. it's killing my muse.

i'm not perfect. none of us are, and we can't be online at all times to catch every little post. but if we're a community, then we should be supporting each other when we can and liking headcanons, liking/commenting on those lil ooc posts that remind us our writing partners are humans with lives outside this site, reblogging their promo posts, sending in that meme they've reblogged even if we're nervous to reach out first -- if we're a roleplaying community, then we need to act like it. " community " implies connection, and a connection doesn't really begin when you follow each other. it begins when you reach out, even if it's in some small way.

tldr: i think we can all do better to support our mutuals and to connect, and i'm going to softblock people rather than continue to feel unsure where i stand with my mutuals. i won't start until sometime next week, and i won't make one of those " like this to remain mutuals " posts. they're not helpful to me, if i'm honest. if you're worried, just reach out. i'm literally a 4'9'' gremlin who sleeps with a m.unchlax plushie -- i promise i'm not scary despite this post uvu

[lilacpaperbird]

If I could free the spn fandom from one illness, I'd choose the compulsion so many people have to present Sam and Dean as opposites in every facet, big or small. There are many preferences they both share, there are many situations in which they'd both feel or act in really similar ways, and there are certain pillars of their personalities that are essentially identical. Trying to always find that "polar opposites/two sides of the same coin" energy everywhere only ends up twisting and misinterpreting their personalities to make them fit that mold. And there's usually one brother who ends up getting the short end of the stick and being transformed into a caricature that has lost any actual connection to his canon self, just so he can be presented as the opposite of his brother

[imjustavenuxwithaboomerang]

monster high (live action) + text posts (pt 5)

(1 2 3 4)

[theneighborhoodwatch]

i’m gonna be real with you guys: matpat is uh, Not my favorite youtuber, to put it politely, but i think we’re getting a little too comfortable with catastrophizing every time a Big Name Clickbaity Horror Youtuber looks at welcome home. nobody likes it when something they love is relegated to reductive theories and comparisons to fnaf/bendy/ddlc/poppy/whatever tae fuck is hot on the market rn, but ultimately i find that the best cure for things like these is to just not give them any attention at all (or at least as little as you can manage. technically i’m defeating my own point by writing this post, but i’m a pedant so whatever.) the it’s so over around us may burn bright but the fuck it we ball inside us burns brighter,

[wonder-worker]

this is a Princes in the Tower and Edward of Lancaster stan account btw

[riddlerosehearts]

thinking about floyd and riddle spending their first halloween as a couple together... i think floyd absolutely loves how varied and lively all of the different halloween traditions he's learned about since coming to live on land are, and he wants to try out as many of them as he can each year. so when riddle tells him that his mother always made him stay in his room studying on halloween, and that the only halloween activities he's ever done were those that NRC students were required to participate in, floyd decides that the two of them are just going to have to spend the day doing everything they possibly can. riddle tries to say he's far too busy for such things, but floyd will not let it go and honestly riddle is only half-heartedly protesting anyway because he secretly did always dream of doing the things that other kids got to do on halloween, and maybe it wouldn't be such a big deal to take one day off and spend time with his boyfriend.

so, riddle never got to make jack-o-lanterns? floyd decides to "borrow" about half a dozen of the pumpkins jade and azul had bought for mostro lounge and takes them to riddle's dorm room. riddle is terrible at trying to carve them at first and floyd can't help but laugh at him a little, but since he knows it's not riddle's fault he's never gotten to do this before, he says he'll show him how to do it. unfortunately floyd isn't nearly as good as he thinks he is on account of having lived in the ocean for almost his whole life and now riddle gets to laugh right back at him. they probably both get the hang of it right as they're down to their last two pumpkins.

riddle never got to go trick-or-treating with his childhood friends? floyd texts trey and convinces him to get in touch with chenya as well so that they can all go together. when they approach the first house, in the costumes they had prepared for each of their school's halloween events, riddle starts to get nervous and asks if they aren't all a little too old to be doing this. floyd shoves several huge handfuls of candy from that person's bowl into his and riddle's pumpkin-shaped buckets and tells him it's not like there's any rule that says they can't, and besides, riddle is such a cute little goldfish that he practically looks like a kid in his costume anyway! chenya stifles a laugh while trey has to stop riddle from committing murder that night.

riddle's never gone to a haunted house before? floyd and chenya both think it would be hilarious to make him go to one, so they do. riddle absolutely hates it, but it honestly does make him happy to see everyone else enjoying it--even if floyd and chenya both keep trying to egg him and trey on and get them to go down creepy corridors and check around corners by themselves, and even if floyd keeps running off to different parts of the haunted house and then coming back and hugging or even lifting riddle from behind knowing full well that he'll get freaked out by it.

riddle never got to play the apple bobbing game that's traditional in the queendom of roses? turns out there's a place right by the haunted house where they can go to do it! predictably, floyd is great at it while riddle ends up drenched without getting any apples, but just giving it a try is more fun than riddle expected.

riddle's never gotten to make candy apples before? luckily, trey knows an amazing recipe as well as what combinations of toppings work the best, and he's willing to teach them both! riddle gets very confused at imprecise directions such as being told to use "a few" drops of food coloring on the syrup or to drizzle "a little" white chocolate over it, and keeps asking trey exactly how much he should use. floyd thinks this is adorable. he also thinks it's adorable when riddle tries to scold him for ignoring half of trey's directions and just doing whatever he thinks sounds good.

riddle's never done a horror movie marathon before, or even seen any halloween movies in general? floyd insists that they marathon at least 3 movies together. after the experiences he had at the haunted house, riddle doesn't think he'll enjoy horror movies, but he tries to keep his cool throughout the first one anyway... which does not work out, because he really can't handle jumpscares or excessive gore. during the first movie they watch, floyd (who loves slasher films so much that he laughs and cheers every time the monster gets a kill) is happy to let his goldfishie cuddle up to him and grip onto his arm to keep himself from knocking the popcorn bowl onto the floor, but you know that once it's over riddle is getting teased relentlessly about how scared he was. floyd decides to be nice and put on something tamer for their next two movies, and riddle actually ends up really enjoying coraline and especially beetlejuice.

by the end of the night riddle realizes that they've stayed up way too late at night and a small part of him wants to scold floyd for keeping him up so late, insisting on having him do all of these silly activities and eat all of these terribly unhealthy snacks. another part of him wishes he could scold his mother for keeping him from doing any of these things as a kid, with his friends and the other kids in his hometown, the way you're supposed to do it... and another part of him still is just incredibly happy and grateful to floyd for finally giving him the chance.