#i've no idea what the quote means

[egophiliac]

Hello ! I positively adore the running joke of Idia unknowingly finding Lilia to be the coolest guy ever whenever he doesn't know it's him, like when Silver described his father, or obviously with muscle red. I can't say what'd be funnier, Idia finding out his online best friend is actually Lilia, resident spooky hyper fairy; or them both never finding out, and it'd become even more ridiculous as time goes on. How do you think it'll play out ? You're always so on point

(Also, though it makes sense, I'm still devastated bat boy didn't get a ticket for the Halloween skeleton train : ( does anyone mentions him at some point ? Like how he'd have fit right in with all those Halloween town little freaks, and how he'd have impressed them with his spooks and scared techniques; after all he's been every Briar Valley's children worst fear on Halloween for centuries. I'm on the eng server and I didn't wanna spoil myself by watching the whole thing on youtube)

Have a nice day !

you and me both, Idia and Lilia being oblivious online BFFs (+ Idia being incredibly intimidated any time Silver brings up his jock gamer dad) is my favorite running joke/subplot. 🤝 it's SO good, to the point where I also am unsure if I actually want it to ever be resolved or not...maybe, like, as a post-canon stinger or something? everyone's standing around covered in overblot ink, and Idia and Lilia's phones go off at the same time...

(legit I do think this is part of why Idia couldn't be present for Lilia's dream, because for some reason Lilia decided he was going to just. embody his past self online. he probably quotes his own battle strategies or whatever in the middle of boss fights. Idia didn't pick up on the whole "oh how weird that we both live on a super remote island" thing, but he would spend thirty seconds listening to General Lilia describing siege warfare and be like "w-wait")

all that aside, however it does end up happening, I do see Lilia being very blasé and all "oh! cool!" about it. y'know, taking it very much in stride! and Idia...very much not.

(can't tell if tumblr is going to chew this into illegibility or not, this will be a fun surprise ᕕ( ᐛ )ᕗ)

as for Lilia sadly missing out on Halloweentown shenanigans...he does get one little mention as part of an offhand reference to the light music club, but so far no one has brought up how this basically is just Lost In the Book of Liliatown (Sebek's been too busy yelling about not getting to be in the same group as Malleus). 😔 honestly though, it's probably for the best that he got left out, because he would just settle right in and refuse to ever leave. canon would shatter. we would miss out on all the delightful angst of episode 7 because Lilia is too busy eating poisonous shrubbery inbetween practicing his very best screams, and no one can pull him away from it.

(I can hope for a sequel next year though...)

[red-moon-at-night]

The Heart wants what it wants.

[lewyym]

Remember when in like 2020-ish Metal Gear Rising was cool again and everyone was talking and memeing about it

And how sometimes popular media quotes just become part of regular vernacular?

It's an absolute SHAME we didn't make "The death of a few soldiers is tragic, but nothing to start a major war over" into a saying

"I might be a little paranoid but it's nothing to start a major war over."

"Sure I have some gray hairs but nothing to start a major war over."

"Yeah it was a bit salty but nothing to start a major war over."

[six-white-venus]

the worst trait of me and my family is probably this: we never learned to say the word sorry.

i) my best friend and i, we are no people. knives? maybe. liars? definitely. but people? i’m not so sure.

knives were never forged to be tender (what a shame, what a shame) and we too, fall and slay what we meant to protect. him and i, we go for the throat when we clash. we hurt and bleed and oh, i should be terrified, i should be running for my life, but all i am is tired and a bit lonely and would really like his arms around me.

( “can we please stop fighting now.”

“oh god yes please.”)

because time and time again, this man has held my heart in his hands and cleaned its festering wounds with cotton dipped in alcohol (always the healer, always the lover) and wrapped gauze around them with clinical precision. and i have walked through the maze of his head and tended to his withering garden, have dragged the sun and fresh air and all the oceans to the barren land to make it bloom (always the poet, always the lover).

him and i, we have never needed words because we are knives forged in the same fire and at the end of the day, we both know that he will be the one who wordlessly stitches my broken heart and i will be the one who sings him to sleep.

ii) let me paint you a picture:

blue that fades into red that fades into black that fades into blue that fades into red. loud, clashing and nonsensical. a pit in your stomach that was dug with desperation and blunt fingernails. how do you colour anger that is also pain, grief, hate, love, fear and truth? the smell of the paint is foul and clogs your windpipes. blunt fingernails and blue and black and madness. can you bear to look at what you created without flinching?

that’s what anger looks like on my father. a horror. a mottled bruise. a hellfire.

all his life, my father has been scorned, belittled, beaten, spat on. his mother didn’t love him right because her mother didn’t love her right. my dad loves like he hates. something is fucked in his head and heart and his words fade into black and blue and red and this shitshow always ends with me sobbing, bleeding, dying on the floor. my father watches with his hackles raised and his eyes red and wide and glowing. once wounded, an animal never sheathes its claws. it strikes the ones it loves and walks away with its head held high and hands trembling.

but here’s what happens when the curtains close: he pulls me into his arms and brings me tea. he wipes away my tears with hands that has moved mountains to make me smile. he kisses my forehead and tells me that his mom didn’t love him right. my grief is like anger and indignation and love. i wrap my arms around him and cry all the tears he never had the luxury to. who should say sorry, really? is it him or his mom or his mom’s mom or this stupid fucking world? my father has never said the word sorry. he never needed to. this is what love looks like on us. a horror. a mottled bruise. a hellfire.

iii) despite it all, i am not usually an angry person. i take after my father and my mother, after all. i rage like my mother (quick, loud, fire that burns out almost as quickly as it sparked to life) and fight like my father (aim, shoot, bullseye). my sister does something even mildly upsetting and before i know it, i’m cursing her to be miserable till she dies. not even an hour later i’m draping myself over her shoulder and bugging her till she rolls her eyes and smiles ever so slightly.

(“do you have no shame?”

“yeah no i don’t think so.”)

my family and i, we never learned to say the word sorry. because the word sorry never meant sorry, not to us. because at the end of the day, that’s all it is: a word. and it sticks to the back of my tongue and the dents of my molars and gets tangled in my mouth when i try to spit it out. so i grab it by its throat and thread it into my being. i find it so much easier to hide my pathetic inability to do one thing that doesn’t scream that there's something wrong with me with the truth of another three words:

“i love you”

and they are always echoed back to me, just a few million times more tender, in ways only we can understand.

“yeah, i know.”

“that’s great, but there’s no escaping dishes duty.”

“oh, shut up, you.”

“what’s that for?”

a pause and a hum.

“i love you too.”

[thedreadvampy]

my therapist spent today's session making Faces at me about getting an ADHD diagnosis

which

I can honestly say I have never seriously considered the possibility of seeking an ADHD diagnosis but she might not be a billion miles off

I was describing how I get "fizzy bored" where I have no energy or ability to move and nothing holds my attention but I feel like my bones are trying to vibrate out of me with the desire to be Doing Things and she was like 🤔 and I got onto the fact that I often need to be doing 3-4 things at once to ease into focusing on one and she was like 🤨 and then I mentioned how I find it really difficult to start doing things but once I'm in it I'm super focused and she was like 😌 have you considered the possibility of an ADHD diagnosis?

and so I explained that I don't really see the point because even though, unlike EDS and autism, a diagnosis could suggest an actual treatment, I don't really feel like anything I've described is disabling me cause I have the tools to manage it now most of the time and I feel Fizzy Bored WAY less often these days. and she was like 🤨

and I was like yeah to be fair actually I did use to think that about chronic pain, trauma and having shit eyesight and doing something about them did really change my experience. and she was like 😌 and I was like and actually now we mention it the fact that I sometimes for NO REASON AT ALL simply put off doing things even though they would be really easy to do and I want to do them for LITERAL YEARS is maybe. A thing that it might be nice to change if I could. And she was like 🤔 and I was like OH FUCK I'M GOING TO HAVE TO GENUINELY CONSIDER THIS POSSIBILITY AREN'T I?

anyway after talking a mile a minute and overrunning by 15 minutes I then got a quarter of a mile away on foot and realised I'd left my glasses on her table. she opened the door I went HEY SPEAKING OF ADHD

[secret--history]

the whole 'there are not very many Great Causes worth fighting for these days' from Julian scanned as WAY more out of touch than the moon landing thing for me the first time i read tsh

[druidgroves]

when asked for a name for the logbook upon entering diamond city, whisper/greta decided that until she could get her shit figured out she's not gonna be greta--she'll be someone else, just like all the times before when she was still working in the switchboard. except she panicked because she hadn't been playing the game in about 2 years before being frozen so the first name that popped into her mind was "pearl" because nathaniel used to call her his little pearl. using her actual last name wasn't her smartest move but hey, better that than calvert (her maiden name !).

[nishicchikouchi]

LITC is ending in 6 chapters. I HAVE NOT read anything about it, but my fyp is really full of litc content XD so I know that Cirrus is leaving for America. Im gonna wait til this finishes before I read so atleast I know the ending and what I would expect.

[pastel-peach-writes]

Hii, i just read all and i mean ALL of ur fics, but i saw you wrote for arcane women and was wondering if you could write headcanons abt them with a socially awkward/anxious reader?? If not thats A-Ok 👌 with me

Sure! How is everyone doing after the first three eps? I still haven't seen it but the edits I've seen... oh boy.

"I Got You." | Arcane Ladies Headcanons

╰┈➤ PLOT: How the ladies of Arcane(Jinx, Vi, Caitlyn, Sevika, Mel) act with a socially awkward and/or anxious partner

╰┈➤ WARNINGS: Spoiler Free, On The Shorter Side, Cursing, Not Proofread

⍣ ೋ Enjoy!⍣ ೋ

JINX

– At first, Jinx didn't get that you were socially awkward. She was used to people being awkward or even scared around her so she thought it was the same case with you until you two got closer.

– After knowing that your awkwardness was just you and not your fear of her, she observed you in social situations and noted what made you more anxious than normal.

– For example, she noticed you're more anxious and timid in bigger, louder spaces but if a space was quiet and quaint, you would be just fine so she often took you to quiet places for dates.

– If Jinx notices you're anxious in places you typically aren't, without a doubt she's removing you from the situation and taking you home where you can relax. No words, just grabs and tugs.

– She's tried the pep talk route before but it ended up in her rambling and somehow planning a terrorist scheme aloud... (yeah, a few patrons quickly left the area after hearing that), so she decided to scrap that idea altogether.

– At home though she would prepare what she calls, "A Safety Nest". It was a place in your shared space that had all your favorite things and trinkets, and she usually kept the space dimly lit and played your favorite music to calm you down.

– In social interactions where you take the lead in conversation, Jinx would quietly encourage you with big, almost alarming smiles and "gentle" pats on your back. Let's face it, Jinx can be socially awkward herself.

– Once the conversation concludes, she'll jump on you proudly, ruffle up your clothing, and pinch your cheeks endearingly all while calling you weird nicknames and quoting what you said while mimicking your tone and cadence.

––

VI

– Before you've had your first real conversation together, Vi could sense that you were an anxious individual.

– You fidgeted with your body while speaking, didn't hold eye contact long, and used a decent amount of filler words to casualize your sentences.

– She thought it was endearing to watch you act and move as if you thought no one truly cared about what you were saying or were afraid of boring others but you never bored her. She didn't think it was possible.

– You had tells and quips that revealed themselves with each conversation you two had. You showed more and more of your personality the more you got comfortable with her too. Vi loved it.

– When you spoke to her, especially when you went on tangents about things you were interested in, she always showed signs of active listening by nodding and asking follow-up questions. Even days later, she'll bring up the topic again to see if you have any updates.

– She made you feel seen and heard, something you've subconsciously craved. And when you went on your worry rambles, she consoled you and tried her best to stop you from spiraling.

– You thought about a lot of things and oftentimes about things no one else thought about. Vi thought your brain must've been exhausted with all the worries, doubts, and judgments that were usually wrapped up as others' but were truly your own; it was a lot for one person to handle so she strove to let you know that you were not alone.

– Is there a night you can't sleep because of your racing mind? Vi is there, holding you or reassuring you that everything is going to be okay. She can't sleep until you do anyway so why not speed the process along?

– You often had yourself stuck with your head stressing and worrying about multiple things at once and Vi was always there to bring you down to Earth.

__

CAITLYN

– Caitlyn's an encourager and a comforter with you.

– She's patient and silently allows you to take your time when gathering your thoughts midconversation but she'll also be the one to say, "It's okay, take your time," in the sweetest way possible.

– If there's an instance when you two are out and about and you really want something but are too scared to get it, she'll spring into action and get that thing for you. (Even if it was just a napkin).

– The only time she's frazzled socially is when you both are in an unfamiliar area and need to ask for directions. She'll stumble over her words and try to get someone's attention but they're moving too fast to hear her soft words.

– She'll get frustrated and you end up comforting her, but after a few backrubs, she's ready to try again. Her voice is strong and powerful, and people have no problem hearing her.

– You secretly thank whomever you have to for her determination but there was no way in hell you were going to walk up to a stranger and ask for directions like a tourist... which you were.

– Since Caitlyn's job has her socializing with a lot of people, she can get burnt out easily. Especially if work hasn't been going her way lately but even if she's burnt out and tired, if you seem to be more awkward or anxious than her, she's more than happy to step up socially.

– When you both have someplace to attend to or some event that holds significance, Caitlyn will not hesitate to stage a "social rehearsal" with you. She'll make flashcards of topics you could bring up, you'll both dress accordingly for the event in her living room, and she'll pretend to be an assortment of people so you can get used to different personalities all at once.

– It may seem like this is all for you, but honestly it helps her too. Sometimes she misses the personal cues of conversation leading the other to think she's a black-and-white thinking who has no time for pleasanties. Not true! She's very pleasant... sometimes she's just shy.

– Shyness is not a crime!

– After talking with the host and a few others she has to talk to due to her job, her social battery is depleted. She's extremely thankful you're able to recognize this and suggest leaving early. What would you two do without each other?

––

SEVIKA

– Oh, man. This lady found your awkwardness charming as hell.

– Your awkwardness was different than all the nerds and scaly-beings she's forced to be around. You were cute, looked perfect sitting next to her, and your awkwardness, as mentioned before, had a certain charming quality she can't quite place.

– She'll see you in your workplace trying to make casual conversation or small talk but none of your topics seemed to be landing. Your coworkers would give you a thin pressed-lips smile that she wanted to strike off of them to your attempts and then scoff at you behind your back.

– You were authentically yourself and those bastards didn't know what to do with it. They were scared, not her though.

– When you two got closer and comfortable enough with each other that you could tease one another or make playful jabs at the other's expense, no doubt she would tease you about your awkwardness.

– With those gorgeous eyes of yours, you would look everywhere else but her own, prompting her to say, "You know you can look me in the eyes, right? I won't bite", with the stupidest most shit-eating smirk on her face. And then when you look at her, a bit shocked and playfully annoyed, her smirk would only grow. "Unless you want me to."

– Sevika never made your awkwardness seem like a flaw. Your awkwardness came with you and she wanted all of you so she often encouraged your awkwardness.

– If she caught you trying to "reel" it in or realizing that you've talked for a few seconds too long, she'll playfully scold you and tell you to continue or to "let it out". Y'know. As someone who seethes dominance does.

– There would be an instance in which you go to Sevika asking for advice to be "less awkward" and her only response would be, "Why? I like your awkwardness, you don't need to change it. Anyone else who thinks otherwise is a sad loser and don't deserve to be in your life anyways."

– like damnnnn, okay!

– Safe to say you never asked her a question like that again.

--

MEL

– Mel understands your worries about what others think and the awkwardness that can come with it so she likes to help you in any way she can.

– If you're stressed about a council meeting and afraid of what everyone's going to think about the new perspective you'd like to bring to the table, she'll reassure you and tell you she's right by your side.

– If she can't physically with her hand on the small of your back, she give you nods of encouragement, raise her brows proudly, and look at you with that sense of pride and admiration in her golden eyes.

– After the meeting goes well, which she knew would, she'll congratulate you with your favorite drink and a night in doing all your favorite things.

– Even if there were parts in the meeting that were rocky, like the council people asking questions you weren't prepared for or getting rowdy, she'll say you did an excellent job and what you presented will help the people of Piltover.

– Oh, and don't think for a second that she wasn't sending glares and daggers to those who stirred up your anxiety even more. If looks could kill.

– Mel sees that sometimes your awkwardness and anxiety result in people-pleasing and she would shut that down real quick. She's fallen into that dangerous pool before and knows how hard it feels when you disappoint others and how much harder it is to get out of that mindset.

– She can get quite spirited with her encouragement...

– "Well, if they don't like it, that's on them! They don't know something good when they see it." "I've learned that hard way that you can't please everyone. You might as well say what you have to now. They can get over themselves later."

– It's actually quite attractive to see her stand up for you, even if she was standing up for the possibility.

– Always keeping her words in your mind, you find yourself navigating through life easier and you only have her to thank.

WC: 1,705

[mariasont]

What if I put an insane little idea in your head and let it bounce around? Mid seasons (7/8 ish?) Spencer with a kinnda sorta fangirl? She just started at the BAU and it’s not that she’s weird about him but she does have like 3 of his papers memorized down to the letter and she “possibly quoted him on her college application essay” (it’s the literal conclusion).

Like she’s just this little ball of excitement and he has no clue what to do when the team is like “ask her out for the love of god and stop making heart eyes when she lets you nerd out”

Sorry if this makes no sense it’s 2:30 in the morning

FANGIRL - S.R

a/n: AHHHHH BECAUSE WHAT IF I JUST SMOOCHED YOU

loved, loved, LOVED this idea and writing it! you are amazing <3

masterlist

pairings: spencer reid x fem!reader

warnings: reader being a fangirl for reid because WHO WOULDNT BE UGH

wc: 1.2k

"Dr. Reid, hi, it's such an honor. I'm the new agent."

You give him your name, hand extended out to him, bouncing off the balls of your feet. There was a badge pinned to your shirt, the clip attached to it gleaming in the fluorescent light, which despite its usual severity, seemed to soften around you.

Spencer comes to a standstill, his coffee suspended mid-sip, documents wrinkled in his hands as he assesses you. You are pretty. exceedingly so, but he's having trouble processing it, his mind still shrouded in the remnants of sleep. 

He blinks away his surprise. "Nice to meet you. Hotch must've briefed you about the team, I assume?"

He adjusted the heap of papers to under his arm, freeing his hand to meet yours. The softness he encountered prompted a momentary pause, awakening a sudden urge to not let go. However, he promptly set aside the thought, releasing your hand with a concealed hesitation. 

You fiddled with your earlobe, you shot him a sheepish smile. "Yeah, Hotch did, but I already knew a bit about you. I've always been a fan of your work. I mean, not like a fan per se, because that would be weird, right? But I've read all your papers, and they're just... they're brilliant, honestly."

Spencer was clearly caught off guard, his brows leaping upwards as he surveyed you. You weren't lying--that much was clear to him. He could see it in the way you met his eyes with an enthusiasm so bright it was nearly blinding.

"My work? You're actually familiar with it?"

A soft giggle bubbled from you, a sweet sound that seemed to momentarily leave him winded. He placed his coffee on the desk, leaning back slightly. 

"Oh, definitely. Your research on chemical composition analysis in narcotics? I've read it so many times I could probably recite it in my sleep."

He considered the possibility of you exaggerating. He took great pride in his work and (without sounding too cocky) he was well aware of its significance and contribution to his field. However, there's a difference between knowing your work is recognized and encountering someone who has internalized it to such a degree--especially someone like you. He suddenly felt a touch of self-consciousness.

"I'm sorry, that was too much, right? I promised I'd play it cool, and then I saw you and... well, it's all just really surreal," you said before gesturing vaguely towards the bullpen. "Anyway, I'm going to go, uh, find my desk."

You hurried away before he could refute your words, head bowed. He felt like an ass.

The day threw him off balance. His contributions to the team lacked their usual insight, his mental gears turning more slowly. And for some inexplicable reason, he found himself preoccupied with thoughts of you. He attempted to rationalize it as a reaction to your interest in his work, a level of admiration that was a rare find. Unlike the formal niceties from others, your excitement about his work, about him, stood out.

He tried to latch onto Hotch's deductions about the unsub, willing his intellect to snap to attention and offer up a decent theory. However, a glance in your direction derailed his efforts. You were bent over the desk, your hands animatedly navigating through the papers. He was happy to see your enthusiasm was there despite his lack thereof earlier.

"Based on the geographic profiling and the choice of victims, it looks like the unsub has a background in urban planning."

Emily nods, "Good theory. What led you to that?"

He watches the anxious flicker in your eyes, glancing towards him, hands clasped together as you incline your head his way.

"Actually, I read about a similar case in Dr. Reid's paper on The Spatial Patterns of Serial Offenses." It strikes him then--he hasn't yet invited you to use his first name, adding another tick to the ever-growing list of ways he feels he's been inadvertently discourteous. "The clustering of crime scenes near arterial routes suggests the offender leverages the urban grid to facilitate escape and avoid detection. Embarrassingly enough, that was the topic of my college application essay."

Spencer was momentarily speechless (not something that happened often), his mind racing through the physiological response to shock--catecholamine release, vagal tone alterations, even transient arrhythmias--mirroring the way his heart seemed to skip a beat. You really did have his work memorized.

"That's, uh, right," he said, his voice gaining momentum. "By leveraging the urban grid, the offender not only evades capture but also creates a psychological terrain of control."

Hotch nodded in agreement, turning your attention to a series of photographs.

Before Spencer even looked her way, he could sense Garcia's stare, and as he turned, she prodded him with her elbow, smirking. "Seems like she's quite the match for you, doesn't she?"

"Huh? What? No, I mean--she's my coworker, and besides, she's much younger." Spencer was quite sure he sounded anything but convincing.

Garcia raises an eyebrow, shaking her head. "I meant in terms of smarts, but oookay, Spencer."

She walked out with a bounce in that definitely hadn't been there earlier, and Spencer was left with a red face.

He had every intention of pulling you aside, to apologize for earlier, to reassure that he didn't find you odd or weird, and to admit that he was genuinely flattered. But it appeared that every time he had a chance to make it to your desk, you had vanished, or were in deep conversation with JJ, or inside Hotch's office.

It was a relentless cycle that persisted until the end of the day, when everyone began to leave--except for you, who remained still firmly planted at your desk, fervently jotting notes into your notebook.

Absorbed in your work, you didn't notice his approach until he cleared his throat.

"Hey," he said softly.

Startled, you flinched, prompting him to immediately feel like shit. Strike three. You laughed off the shock when you realized it was him, moving your notebook aside, offering him your undivided attention.

"Sorry, Dr. Reid, hi! How's it going? Is there something I can do for you?"

"I thought I'd see if you needed help with anything, and you can call me Spencer, if you want." He glanced at his watch. "Are you still working?"

You pushed a piece of hair from your face and nodded towards the formidable pile of forms. 

"Spencer, okay," you said, like you were testing it out, "and just sorting through a mountain of onboarding paperwork."

He nodded, hesitating slightly before speaking. "Listen, I need to apologize for earlier."

You tilted your head. "What for?"

"I think I wasn't as welcoming as I intended to be."

"That's okay, I know I was a bit intense."

He shook his head. "No, you weren't. It's just... It's rare that my work gets much attention. I'm happy you appreciated it. If there's a specific topic that you're more interested in, maybe I could explain more about it sometime?"

You glanced down at your hands, trying to hide the smile that was blooming there. You weren't successful. When you looked back up, Spencer felt a little bit awestruck by your eyes, the flecks of color that he could now see clearly.

"I'd love that. Maybe over coffee?" you suggested.

"Yeah, sure." He could feel the heat rushing up his neck. 

He reluctantly parted ways, leaving you to your paperwork, and as he approached the elevator, Penelope was there.

"You know, sugar, maybe I did mean quite the match in a romantic way. So, are you going to ask her out, or shall I play Cupid?"

He blushed. "I think she might have just beat me to it."

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[huginsmemory]

Ideology of Exceptionalism and Gravity Falls; meta and character analysis

I had a whole ago read a post by @icanlife that had a quote by Alex Hirsch on Ford's greatest flaw, and wanted to explore what the flaw is, which is the ideology of exceptionalism; in the exploration, I’ll touch on what it is and how it is used in abusive relationships and cults, as well as how it drives multiple Gravity Falls characters and consequently how it impacts relationships between these characters, and how the show ultimately refutes exceptionalism.

Quick note here; I am not in any way, shape or form a psychologist nor have any formal training in psychology; this is written from my own experiences with this ideology and my own forays into psychology and trauma-informed learning. It is also written with a loose understanding that is likely not broad enough to cover all references to cults, extremist groups and abusive relationships. 

The Ideology of Exceptionalism 

First of all, we have to get through a drier bit, which is… what is the ideology of exceptionalism and how does it arise? Might be fairly obvious, but it is the belief that you are, or belong to, a group of exceptional people, thus more important and worth more than anyone else; ie, those who don't qualify as 'exceptional'. It is often a subconsciously learned ideology. Now, what qualifies one as exceptional can be extremely varied; generally it revolves around something that provides some form of privilege. Thus, it might be, as the main exceptionalist idea in Gravity Falls, 'intelligence', or power, or it can be such things as attractiveness, quantity of money one has, species, nationality, or skin colour and ancestral heritage. The ideology of exceptionalism, being by nature hierarchical, devalues, and at its worst, openly and violently dehumanizes those who do not qualify as exceptional. 

For why exceptionalism occurs is an extremely broad topic, but I've personally found that, for exceptionalism revolving around intelligence, it's a result of a poor sense of self-worth, and having one's self-worth tied to what makes one exceptional. Poor self-worth itself (again, broadly) is a result of childhood trauma from a lack of positive affirmation and unfulfillment of the emotional needs of the child. Meanwhile, self-worth becoming tied to the quality of exceptionalism generally is a result of when positive affirmation was pretty much solely provided around their 'exceptionalism', especially when provided derogatory commentary, or a blatant example of how they would be treated if they aren't 'exceptional'. As a result of the general lack of affirmation, self-worth then becomes often solely reliant on the qualities of exceptionalism, as that is the only way for the child (and later, adult) to get affirmation of their worth, as well as out of fear of being ‘not worth anything’ like the examples of ‘non-exceptional’ people they have been given. 

This is especially likely to occur when the child is a social outcast; the adoption of the hierarchical ideology of exceptionalism, and the devaluation/dehumanization of others often occurs subconsciously as an avoidance/minimization tactic from pain. This is to say, the child, and later the adult (if healthy self-worth is not established) goes 'it doesn't matter what the non-exceptional people say or if they accept me since I matter more than them because of my exceptionality'. It can even be taken further, that being shunned is part of one's exceptionalism, and becomes part of the qualifier of being exceptional. For instance, 'they just can't understand because they aren't exceptional and that's just a part of being exceptional'. This idea also neatly tailors into the part of the concept of being better then others means you are separate from others; this can be taken that someone who is special, needs to be alone to be truly special.

Obviously, exceptionalism is not a healthy coping mechanism for poor self-worth, as often such people constantly feel the need to prove and show off their exceptionalism to gain that affirmation and avoid rejection, which is stressful. As well, it often negatively impacts their relationships with other people as a result of the arrogance of believing that they are better than most others, or even deliberate sabotage due to their arrogance. This occurs as they flatten the complexity of human experience to black-and-white hierarchical categories of exceptional/not-exceptional through constant judgement of those they meet, and often refuse to engage with people who don't belong to their 'exceptionality', or even people they simply don't like, even if they technically qualify. Generally, those that they do like or have close relationships with, often due to being similar, are automatically labelled as 'exceptional'. Those judged as ‘exceptional’ also become privy to the open judgements of ‘non-exceptional’ others, out of a subconscious belief by the exceptionalist that the other believes similarly; something that may strain their relationship if the other doesn’t ascribe to exceptionalism. This all culminates in the exceptionalist being blind or even adverse to the diversity of experiences, which makes it difficult to create relationships and community outside of echo chambers of their own beliefs (if they can even find this), and subsequently, these people are often isolated and have very few to no close relationships with people. 

However, all humans require connections with other people, relationships where one can rely on others emotionally and physically if needed and feel accepted; they also require to feel like they are worth something, that their life has meaning. Lacking meaningful connections and having a crippled sense of self-worth, a deep yearning hole is left in these people. Exceptionalism, especially as it is a narrative constantly pushed by Western society as it validates hierarchies, is then employed as a (often subconscious) trauma response to assuage this yearning hole, with arrogance and denial. And depending on the circumstances, it can be a very strong and definitive trauma response for people.

This isolation and lack of self-worth is catnip to abusive relationships, including cults and extremist groups. These types of relationships often heavily rely on isolating their victims or pulling them into echo chambers of solely the abuser’s rhetoric, to redefine what is healthy through gaslighting; as the exceptionalists are already isolated, this makes them extremely susceptible. They also often provide these people affirmation, and in these cases especially about their exceptionalism, thus confirming their self-worth, their 'specialness', while also providing them the connection they have been lacking, either through the cult community or through the abuser’s own presence. These emotional needs, which haven’t been met in a long time, if ever, begin to be fulfilled; something that abusive relationships and cults hinge on, rather than any form of logic.

Ideology of Exceptionalism and Gravity Falls

The main characters within Gravity Falls which are heavily ascribed to exceptionalism would be both Ford and Bill; this characterization deeply impacts the story and their relationships with others (technically the Northwest are another case regarding wealth, but less directly impact the storyline and thus tangential; Gideon also is an example, but as a mirror of Bill). With each of these characters I’ll go into detail within their sections on the way they began to ascribe to exceptionalism, and how it plays out later in their relationships; I will first begin with Ford, then move to Bill. Then, to cap it off, I’ll go into the characterization of Stan and the way Gravity Falls refutes exceptionalism. 

Ford and Exceptionalism

Firstly, the quote from Alex Hirsch that kicked this whole baby off, as mentioned previously; 

“Ford sees Dipper as someone who’s special like himself. That’s Ford’s great flaw, his arrogance is he believes that there’s special people, and everyone else. That human attachments are actually weaknesses. And the song and dance that he’s giving Dipper right now, is the song and dance that he gave McGucket, back when they were younger… ‘You and me are different, we’re better than everyone else. We have a path that no one else can understand, and only us can do this.’ It’s a very seductive idea for Dipper… Dipper is a smart kid, but Ford’s projecting. Ford loves Dipper because he sees someone who’ll tell him ‘yes’ to everything. Who’ll never challenge him, who’ll do a really insane dangerous mission.”

Very blatantly Alex Hirsch calls Ford out on his arrogance in the belief that he is special, in his belief in the 'lone hero' complex, in his belief in exceptionalism. And really, it should be no surprise that Ford does so, considering the way he's depicted as a social outcast as a child (other than Stan), and the way his parents have been clearly shown to be not particularly emotionally supportive (“I’m not impressed”); they don't provide positive affirmation except for his intelligence (mostly due to the possibility of money making through it…), while also actively comparing him to Stan who is derogatorily ‘not-exceptional’, and ‘worth less’. This all sets Ford’s self-worth up to be fragile, and other than Stan who wholeheartedly accepts him, he is isolated and invalidated; plus, the only other validation he receives is around his intelligence. All very classically fitting the profile for exceptionalism.

Image id: Stand and Ford when they were children, both clearly enjoying each other's company.

Ford’s belief in his exceptionalism catalyzes after the shattering of his and Stan’s relationship. Previously the twins are shown to do everything together, having a very close caring relationship; something unlikely if Ford thought he was better than Stan. Also, when Ford is talked to about his opportunities, Ford looks uncomfortable at the way they talk about Stan as inferior, compared to how he himself is being praised; but in the offer he’s simultaneously finally being validated, he’s being told he’s someone worth something, and he’s going to be someone worth something after this. And then the science fair incident occurs, and Ford loses that validation from his parents, from the judges and a future of more validation; after being promised validation and acceptance, it slips through his fingers. And in his anger of being denied that, it becomes easy to begin to slip subconsciously into the rhetoric the others have been feeding him; that he’s exceptional, that Stan isn’t, and he deserved to be recognized for his worth. So he breaks the relationship with the only person who accepted and validated him for who he is. With that loss of previous support, Ford becomes then deeply obsessed with proving his exceptionalism to the world to assuage that fragile self-worth, to become accepted, or even better, revered, confirming that he is someone of worth, someone special, like he was promised. 

Ford’s obsession also doubly functions as a way to alleviate his guilt over shattering their relationship; if he’s exceptional as he believes, then he’s within the right to respond the way he did, as he’s worth more than Stan, he's better off alone, and he has a right to be angry over being denied that validation. As well, in much the same way as it is used as a way to alleviate his guilt over the end of their relationship, it is also likely used in a way to minimize the pain of being ostracized (although not directly depicted); afterall, Ford’s keenly aware and insecure about his social ineptitude and his six fingers as things that make him different from other people, case in point with his experience visiting Lazy Susans Diner. Thus it wouldn’t be unsurprising if he uses the idea of being worth more than those who ostracize him to imply it ‘doesn’t matter’ what they think. His ostracization by nature keeps him from generally forming close relationships, with the exception of Fiddleford (who much like him, is socially outcast, and intelligent) during his university days. As a result, he's isolated and acutely lonely, having lost Stan.

Image id: One of the missing Journal 3 pages in TBOB, detailing Ford's botched social interaction in Lazy Susans Diner. In the background is the print of his six-fingered hand.

In his obsession over being acknowledged, Ford, like many others who believe in exceptionalism, identifies strongly with the causes of his ostracization (his intelligence, his six-fingeredness) as part of, or wholly, makes him exceptional. It is obvious through his choice of study; with the grant he has been gifted, he chooses to revolve his work around the weird, the outcast, something that you see Ford gravitate towards being an outcast and deemed 'weird' himself (which in Journal 3 he openly talks about). Something that can be, much like him, framed as 'exceptional'. His work is even recorded in a journal that Ford deliberately chooses to put his six-fingered hand on the cover of. Intertwined with the way it becomes adopted into the idea of exceptionalism, is the keen loneliness from his ostracization and a deep desire to be accepted and a wish to find a community of other weird people.

Image id: Two pages from journal 3, labelled 'Myself', in which Ford is open about being weird, and a social outcast, while also noting his ambitions and that 'Gravity Falls, [is] the place that I fit in.'

Ford and Bill

All of this culminates in Ford becoming an incredibly easy target to manipulate by Bill. He’s desperate to be acknowledged (and thus accepted) by an authority figure so that his belief in exceptionalism is justified and his self-worth confirmed. And he knows he’s intelligent, that he's exceptional because people have told him so, but he just needs to prove it with something that shakes the world. And the grant is finally his second chance after the fair, but he's stuck, and the research is going nowhere, and he's in a town where he doesn't really know anyone and he’s so terribly lonely. And sure, he clings to his exceptionalism but if he can't even prove it then is he really exceptional? Is he even worth anything like he thought he was? And what about what he's left behind, rejected, because of his exceptionalism?

And THEN he finds an incantation and he ignores the warnings because maybe, just maybe, this will be his break to get that acceptance/validation he has been chasing his whole life? 

And then it's better than that. 

A god, essentially, shows himself to him, an ultimate figure of authority. And he tells him that yes, he is special, he’s worth more than other people, and Bill’s only showing himself to Ford because he is so much more intelligent than anyone else. Ford is suddenly getting his exceptionalism confirmed by a god of ancient knowledge, an immensely intelligent interdimensional being, and he’s also showering him with affirmations, specifically affirmations around what Ford's fragile self-worth is based on. And even better, he's delighted by Ford's six-fingeredness; he's not put off at all, it even becomes his main nickname for Ford, just like it used to be for Stan all those years ago. On top of it all, Ford's own social ineptitude doesn't phase Bill, another thing Ford is self-conscious about; Bill's own social ineptitude as he's not human probably makes Ford feel comfortable, knowing that's not expected from him.

Through Bill, not only does Ford find someone who validates his self-worth through intelligence and even confirms to him that his weirdness is part and parcel of making him special, he also finds someone who he regularly (generally) is in contact with, who enjoys talking to him and even banters with him familiarly. Hell, Bill even deliberately goes out of his way (literally possessing a whole wack ton of rats, then dream karaoke) to celebrate his birthday with him; how long do you think Ford has simply skipped his birthday since he had no one to really celebrate it with? The loneliness, beneath his arrogance and belief in exceptionalism, is being fulfilled; for the first time since Ford was a teenager, he's fully accepted by someone, social awkwardness, six fingers, exceptionalism and all. 

Image id: One of the lost pages from Journal 3 in TBOB, the 'one thing led to another' page, with Bill and Ford singing karaoke and drinking together, both clearly enjoying themselves; Bill has an arm slung around Ford's shoulders.

So it's really no surprise at all that Ford fell for this, hook line and sinker. Hell, if I was in Ford's shoes I would fall for it just as hard. And I've seen a few posts floating around talking about how Bill is bad at manipulating, and no, he's not. He was able to pinpoint exactly what Ford wanted and needed, and provided that, was charismatic enough to provide that. Again, manipulation isn't about logic. It really isn't; it's about the emotional core in people, what people lack and what you can give them to slowly reel them in to sing your dance and song. And people will ignore vast swaths of red flags when you're finally being accepted, when you're finally getting your emotional needs met at least in some way or form. It's better than not having them met at all, such as previously. So Ford worshipping Bill is really not a surprise, especially as Bill deliberately stoked it.

All of this is part of why you see Alex Hirsch call Ford's belief in his exceptionalism his greatest flaw; because it allowed him to be very easily manipulated by Bill, and by its nature kept Ford isolated from others, evident by his arrogance in assuming he knows best and refusing to see other people who aren't as 'intelligent/weird' as him as worth getting to know, listen too and even reach out to ask help from, it's him believing he has to be the lone hero as someone whose 'special'. It's something that blinds him to the danger of his work around the weirdness of gravity falls because he’s desperate to seek a place where he and his weirdness belong, and it's something that plays out in each and every relationship he has because it's something he clings to so deeply. It's what cost him his relationship with Stan, who previously accepted him completely, and, as he's disinclined to form new relationships and as Bill actively strokes his paranoia (Trust No One…), ultimately further increases the hold Bill has over him. It's only Fiddleford’s presence as he works with Ford that allows him some form of outside reference and reprieve from solely Bill’s influence, something that Bill resents deeply and is clearly jealous and angry about, even if Fiddleford is helping create the portal. And it's ultimately Fiddleford, once he was aware enough of what was happening, calls Ford out on it, seriously jeopardizing Bill's influence over Ford; but Ford is too invested in the portal, in chasing his own ambition and caught up in Bill’s manipulation to take him seriously, until the incident with the trial, and Ford beginning to hear other voices then Bill.

Ford’s Exceptionalism and Wider Relationships

Now back to how it plays out in all Ford's relationships; we've already gone over it with Bill's influence, because it made him extremely easy to manipulate, and with his disregard of Stan in favor of validation of his exceptionalism. But Ford, as pointed out by Alex Hirsch, also exerts the ideology's seductive rhetoric to both Fiddleford and Dipper (who look up to Ford) in a similar way that Bill does with him (although there is a difference of it being used intentionally and maliciously, compared to subconsciously and earnestly, even if it is problematic). Ford, with his black-and-white view of exceptionalism, sees both Fiddleford and Dipper as people who are like him; 'exceptional', and so he treats them as such, and uses this rhetoric to coerce them into helping him.

For Fiddleford, the lure is how he can change the world, how he can be finally acknowledged if he helps Ford with the portal. And it works well; he willingly chooses to leave his own work and his wife and young son, to work with Ford. Much like Ford, Fiddleford himself is also a social outcast and regularly presumed less smart than he is, and he’s got a chip on his shoulder to prove himself, to gain acknowledgement and recognition from the world at large. Although Fiddleford has a family which presumes he’s not entirely lonely like Ford is, he also clearly has deep feelings for Ford, some which are hinted to be more than just ‘friendly’ feelings; it is likely the combination of the lure of validation and spending time with Ford, a kindred spirit that accepts him and an old friend/crush, that causes him to agree (afterall, it was Ford who made Fiddleford feel accepted and choose to stay at Backupsmore). And Fiddleford’s not even considered a partner, but rather an assistant to Ford due to Ford's arrogance, and he still drops everything to go! It’s more about their relationship and connection rather than validation, but that doesn’t stop Ford from espousing exceptionalism. And this is a distinguishing difference, because although Fiddleford would like recognition, he’s not there solely because of it; he’s not a believer in exceptionalism nor arrogant about his skills, and so, unlike Ford who is blinded by his obsession, he’s much more aware of the dangers of the weirdness of Gravity Falls. Thus, he's actively calculating the risks involved, and when he realizes there could be potentially devastating consequences of the portal, he attempts to talk Ford out of it; this fails due to Ford’s own denial and obsession over the portal. In the end, it all goes terribly sideways, and Fiddleford ends up losing everything he had; his wife, his son, his friend, his memories and himself to the trauma he had experienced at the invitation of his friend with the lure of validation and company, due to the memory gun he had created himself. 

As for Dipper, much like Ford, he also has issues with self-worth (many of the episodes deal with Dipper finding self-worth; ie, the manotaur episode), has a physical oddity (his birthmark) and by far the trait he relies on most for worth is his intelligence (for example, in one episode he rubs it into Mabel's face over and over again in beating her in games). He's also extremely desperate to be recognized by authority figures as someone intelligent, case in point when he summons the dead after being made fun of by the government agents to try and show them that the information he's gathered is important after Stan dismisses his knowledge. This desperation to be seen as someone of worth from Dipper, much like Ford, extends to the need to be a hero, something he even says at the end of the zombie episode; yet, due to Mabel, unlike Ford he's not a lone hero, and Mabel also half the time acts as the hero.

Image id: Zombies crawling out of a crack after Dipper summons them; Dipper and the two agents look on in horror.

It all culminates in Dipper hero-worshipping Ford when he returns; really, no different than Ford worshipping Bill. And Ford clearly finds it extremely flattering; Dipper's attention and amazement of him feeds his exceptionalism. Exactly how Ford responded to Bill, Dipper is willing to do anything for Ford, excited too, in an attempt to impress Ford and be validated and accepted. And for Ford, that's an extremely heady feeling, especially as someone who has been constantly alone the last 30 years, especially when he had one previously confirm his exceptionalism all those years ago and stopped, and now someone is once again affirming that idea. And Ford doesn't have to be alone again, because he's found a kindred spirit in Dipper as his assistant, someone ‘just’ like him, someone who is exceptional. Because he sees himself in Dipper, he begins to espouse exceptionalism unconsciously, by praising Dipper's own intellect and adventurous spirit, assuaging his feeling of self-worth, while also telling him he's more important or better than others because of it. 

And it's seductive to Dipper, because he wants to hear those affirmations of his self-worth, especially as he hero-worships him, but Dipper isn't sold on it, because it means leaving Mabel behind, it means believing that he's worth more than Mabel (and also, Stan, and all his friends he’s made in Gravity Falls). It's ultimately because of his relationship with Mabel that he rejects the ideology; he's not isolated the way Ford was with Bill, and he's not willing to break that relationship for that acknowledgement, because his relationships matter more to him.

Bill and Exceptionalism

Now of course, that's only on the Pines; what about Bill? 

While it's obvious that Bill uses exceptionalism as a main manipulative tactic, it's not just an ideology he sprouts emptily; it's also an ideology he believes in, just like Ford, although it's less based on intellectual exceptionalism, and more on power and 'weirdness'. 

This most distinctly can be seen in Bill's denial about what happened to his home dimension; Bill's belief in his exceptionalism occurs as a pain avoidance tactic from killing his whole dimension. Bill was clearly a social outcast within his dimension due to being able to see 3d; he's not accepted, and not trusted, to the point that there is medical intervention to make him blind. That's a deeply traumatic experience that completely erases one sense of self-worth, where one’s sanity is called into question by your parents on something that is not harmful, that's beautiful and you just want to share with them. It's a deep and clear rejection of who Bill is, and his ability. As a result, out of a desperate bid to be understood and accepted, he ends up trying to show them the stars. And it ends up killing everyone. 

Image id: Page of TBOB, on 'The Early Years' which notes that Bill was an oddity for seeing 3d, something that was illegal to speak about. Bill frames it as something that made him 'special' and better than all the others.

Traumatized, and originally rejected by the dimension, he instead weaves an excuse of exceptionalism; that it doesn't matter what he did to them because he's exceptional and he's worth more than all of them because he can see 3d, because he's powerful, so he shouldn't/'doesn't' feel any remorse about it. With such a traumatic result of trying to be accepted by people, he rejects the idea of trying to be accepted for who he really is; instead adopting a facade of a monster that he believes he is (and eventually, becomes).

Even if he clings to the delusion of exceptionalism, and shuns attempts to find true acceptance, he still wants it; and that's where his henchmaniacs fit in, as they're all, as Bill's noted when trying desperately to get Ford to join him, weird; each has something 'wrong' with them, which is why Bill accepted them as his lackeys (although it's not like we know the context around these). It's a surface-level acceptance however, one more predicated on fear than emotional acceptance. He's taken his 'weirdness', much like many do who believe in exceptionalism,as ‘part of what makes him exceptional'.

In the same way that Ford wants to show the world that he's smart and intelligent by building the portal, Bill does so by wreaking havoc and taking over existences as a way to show the world that he's powerful, that he's someone to be reckoned with, that he's not someone to be ignored because he's someone who's worth more than others. If you can't be loved and accepted, then being hated and feared is better than being ignored; acknowledgement at least approaches acceptance, it's validation of some sort of worth. It also functions as deliberate self-sabotage of his morals, by proving that he is the monster that killed his entire dimension; if that's what he is, then that's who he's going to be, because if he wasn’t, then he has to come face to face with his remorse over what he did to his dimension and his whole house of cards around his exceptionalism and not caring collapses. So instead he keeps feeding the delusions the denial, and lies and lies and lies and keeps lying to ignore all of it, to wrap himself in this shroud of exceptionalism and brutality as a way to function. And it somewhat works, because he's mostly deluded himself about it all, even if subconsciously he knows. 

And of course, this display of Bill's exceptionalism is what brings Bill to earth, to Gravity Falls, and to manipulating humans. In meddling with earth and humanity, beyond Bill's goal of taking over earth and fleeing his own unravelling dimension, he also enjoys reaping the benefits of being worshiped by humans, who find him awe-inspiring. Their amazement of who he is, and Bill's own posturing and manipulation of people leads to Bill literally forming cults (ie ciphertology) or having apprentices that worship/find him (to varying degree) inspiring; all reinforcing his feelings of exceptionalism. 

Of course, Ford numbers among these people; he praises Bill and worships him, as he's played like a fiddle by Bill, because his self-worth and belief in exceptionalism is fucked up in a way that perfectly resonates with Bill’s. Because it's the exact same types of issues around self-worth, around being an outcast, being weird and wrong physically, and yet at the same time gifted. And Ford clearly is incredibly lonely and yearning for acceptance, but so is Bill; since the beginning he's been trying to find someone who would accept him, even if he's given up on it. And for his song and dance to entice Ford in, he pretends he's not crushed dimensions for fun, that he's not a 'monster'; a version of him he buried after he had tried to show his parents the stars, one that he occasionally resurrects and puppets around for manipulation (all lies are better when they have a grain of truth). And this version of him is worshipped, but above all is accepted, is loved by Ford. The softer parts of Bill, even if they are still weird as fuck, the parts that were never far beneath the surface for all his deluding, become loved by Ford. Much as Ford becomes hooked on Bill’s praise, Bill also becomes hooked on Ford's genuine love and care. It becomes personal, unlike any previous ‘inspirations’ and Bill over time gets to the point that he feels accepted, safe enough with Ford to share about his dimension much more close to the truth then he did with any of his henchmaniacs. He becomes vulnerable with Ford, in response to Ford’s own vulnerability with him. He’s finding acceptance for the first time in his life around the softer parts of himself, not just the feared acknowledgement that comes from his dimensions conquering; much like Ford is finally finding companionship and acceptance with Bill, not just only intellectual validation. Bill's also for once, not just self-serving; he cares, and goes out of his way to take time with Ford, even celebrating Ford's birthday (in the unique way he does things), both with the rats and the karaoke.

Image id: One of the lost Journal 3 pages in TBOB. Ford recounts Bill talking about the destruction of his dimension, and calls himself by implication a monster.

They're both fulfilling each other's emotional needs, needs which both of them have struggled with most, if not all of their lives (although their relationship is certainly not healthy, considering it's codependent as fuck, riddled with exceptionalism and oodles of power imbalance issues). And suddenly, against Bill's plans, Ford's no longer just a disposable pawn, but someone Bill wants as part of his team, someone by his side, closer than his henchmaniacs are. He's unwittingly fallen for Ford, and so when everything goes sideways in his plan, and Ford swears it off, suddenly cutting off their relationship and that acceptance Bill had finally felt, he spirals into grief and anger from the rejection. As a result, he becomes extremely abusive to Ford in desperate attempts to continue their relationship, and ultimately he becomes obsessive over Ford joining him again as Ford continues to refuse, as evidenced by both Weirdmageddon and the Book of Bill.

Stanley Pines, and the Refuting of Exceptionalism 

Exceptionalism, being a negative driving factor behind many core character dynamics, is ultimately refuted by the show. This occurs multiple times over the show, such as with Mabel in the Pioneer Day episode, especially compared to Pacifica, but mostly through Stan's characterization. Stan is someone who has been since the beginning characterized (if lovingly so) as someone who is a failure by societal standards; he’s an older man running a run-down tacky tourist shop to swindle gullible tourists out of their money, has multiple divorces, has an ongoing feud with a literal 12 year old, clearly has had multiple mishaps with the law (some ongoing), is generally pretty self-serving and is extremely lonely and really had no close relationships until Mabel and Dipper showed up. He's not exceptional; he's not even what we would consider 'decent' enough to have a 'typical, hard working job’. In short, he’s a failure, a stark difference to the idea of 'exceptionalism' that characterizes Ford. If he's gifted in any area, it would be charisma (debatedly), not anything else.

But it's still Stan who rebuilds the portal from literally only one journal (not all three!) and gets it to work. It even seems like he only needs some codes from the other two journals when he does get them, suggesting that he was able to extrapolate from what was left and the first journal’s blueprints to fix it entirely, something that is extremely difficult and technically complicated (Ford, Bill and Fiddleford all worked on it together!). Stan's able to do it, even if it's been shown he's not 'naturally' gifted in that area. And it's something he does as a result of his deep care for Ford; because even after their fights, he cares about Ford and wants to right his wrongs, believes he should, because of his whole life of being defined as a failure and even worse than that, screwing up his ‘exceptional’ brother’s life. And he’ll do it even if that means learning how to build an interdimensional portal, even if it takes up thirty years of his life doing so, and he doesn't waver. Much of this is connected to his own complexes around being deemed a failure compared to Ford, having failed to succeed in his life, and how he feels that he needs to atone for screwing up Ford’s life, now for the second time; but beneath it all, he also cares. Much like Ford, he's extremely lonely, but he's not blinded by Ford's arrogance, and as a result he wants to make sure Ford's safe, because that's what he used to do, they’re twins, they grew up together, they once they had fully accepted and cared for each other, and dammit that still means something, and Stan hasn't found that depth of emotional connection since. So if possible, he wants to rekindle that closeness they had, but first, he needs to bring Ford back. 

And in the end, it's not Ford's own special gun he built using his intelligence that 'kills' Bill. It's Stan, someone who Ford had long ago broke it off with in search of validation of his exceptionalism, someone who both Ford and Bill labelled as 'not-exceptional', who defeats Bill. It's exceptionalism's devaluation of people who are 'not-exceptional' that causes Bill to underestimate the Pines beyond Ford, and it's only when Ford put aside his exceptionalism and his refusal to accept and trust 'non-exceptional' people, that is, trust Stan once more, that causes Bill to end up defeated by Stan.

In the end, it's not about who's 'smarter'; it's a reminder that everyone has different skills and are better at different things, but that doesn't diminish one's worth or value, and that just because someone isn't naturally 'gifted' in an area doesn't mean they can't learn or use different ways to get around obstacles. Ultimately, it comes down to that no one is worth more or less than other people; exceptionalism is a lie. It’s a lie and an excuse, and it's certainly not a healthy way to assuage one's poor self-worth. What does matter is creating positive healthy connections with other people, and caring about them. This creates a community where you can be yourself and be emotionally fulfilled through these connections; and when opposition does arise, you become able to fight it together, and fight so much stronger than if you are alone.

And by the end of the show, you see that. Ford begins to let go of the ideal of exceptionalism and its black-and-white categorization; finally recognizes his own faults around prioritizing validation of his intelligence and exceptionalism over his relationships, and finally, after all the years, chooses to create and rekindle positive relationships with people, trust people, and make amends. And in the end, he goes sailing with Stan, prioritizing their relationship, finally fulfilling their childhood promise.

Image id: One of the pages written by Ford into TBOB. Ford refutes Bill's idea of happiness, and says he has finally found his own happiness, and it looks like the photo taped in, of Stan, Ford, Dipper, Mabel, Soos and Wendy, all smiling together.

TLDR: Exceptionalism, an ideology of categorizing people into being special and worth more vs plebian and worth less, is a trauma response and subconscious ideology that characterizes Ford and Bill’s lives, deeply impacting all their relationships as it is used to coerce people into doing what they want, makes Ford easily manipulated, and breaks relationships through their arrogance. It is ultimately denounced through the way Dipper chooses to reject Ford’s offer and his rhetoric of being exceptional, and through the way it's not Ford’s intelligence, but rather Stan, who has been labeled as 'not-exceptional' and a failure at life, that defeats Bill through trickery. It's a reminder that everyone has worth, and no one is worth more than other people, even if one may be gifted in certain areas; the ideology of exceptionalism is fragile and a lie. In the end, creating a caring, loving community around oneself is where strength truly lies, as is seen with the deep care and love the characters have for each other, and the repairing of Ford and Stans relationship.

Thanks to the lovely @eshtaresht who deigned to beta read this monster of a post for me

If you enjoyed this meta, (first of all if you read all this you're a champ!) I've also done another gf meta post! (It's shorter I swear)

[nostalgebraist]

I feel like I've had the same experience several times now: someone does a new translation of a non-English literary classic, and all the critics praise it to the moon, so I go and try to read it, and it's turns out it's just . . . bad? Like, really bad? And weirdly bad?

A while back, I wrote about the case of Pevear and Volokhonsky. Here's another example, which I encountered while doing background research for my novel Almost Nowhere.

----

One of my novel's major characters is a literary translator, famous for his rendition of the Persian epic poem Shahnameh ("Book of Kings").

To help me write this character, I tried to read the Shahnameh myself. I started out – where else? – with the translation that seemed to be the gold standard, and which was certainly the most critically lauded.

Namely, the 2006 translation by Dick Davis, in prose with occasional shifts into verse.

Here's how the Shahnameh begins, in Davis' translation:

What does the Persian poet say about the first man to seek the crown of world sovereignty? No one has any knowledge of those first days, unless he has heard tales passed down from father to son. This is what those tales tell: The first man to be king, and to establish the ceremonies associated with the crown and throne, was Kayumars. When he became lord of the world, he lived first in the mountains, where he established his throne, and he and his people dressed in leopard skins. It was he who first taught men about the preparation of food and clothing, which were new in the world at that time. Seated on his throne, as splendid as the sun, he reigned for thirty years. He was like a tall cypress tree topped by the full moon, and the royal farr shone from him. All the animals of the world, wild and tame alike, reverently paid homage to him, bowing down before his throne, and their obedience increased his glory and good fortune.

And here is the same opening, in the 1905 translation by Arthur and Edmond Warner (which I only discovered much later in the process of writing Almost Nowhere):

What saith the rustic bard? Who first designed To gain the crown of power among mankind? Who placed the diadem upon his brow? The record of those days hath perished now Unless one, having borne in memory Tales told by sire to son, declare to thee Who was the first to use the royal style And stood the head of all the mighty file. He who compiled the ancient legendary, And tales of paladins, saith Gaiúmart Invented crown and throne, and was a Sháh. This order, Grace, and lustre came to earth When Sol was dominant in Aries And shone so brightly that the world grew young. Its lord was Gaiúmart, who dwelt at first Upon a mountain; thence his throne and fortune Rose. He and all his troop wore leopard-skins, And under him the arts of life began, For food and dress were in their infancy. He reigned o'er all the earth for thirty years, In goodness like a sun upon the throne, And as a full moon o'er a lofty cypress So shone he from the seat of king of kings. The cattle and the divers beasts of prey Grew tame before him; men stood not erect Before his throne but bent, as though in prayer, Awed by the splendour of his high estate, And thence received their Faith.

Now, I can't speak at all about the source text. I have no idea how faithful or unfaithful these two translations are, and in what ways, in which places.

Still, though. I mean like, come on.

This is an epic poem about ancient kings and larger-than-life heroes.

This is a national epic, half myth and half history, narrating the proud folkloric lineage claimed by a real-world empire.

There is a way that such things are supposed to sound, in English. And it sure as hell isn't this:

What does the Persian poet say about the first man to seek the crown of world sovereignty?

Excuse me? That's your opening line? I thought I was reading a poem, here, not taking a fucking AP World Literature exam!

----

Postscript

Some of the critical praise for the Davis translation, quoted on the back cover of my copy (emphasis mine):

"A poet himself, Davis brings to his translation a nuanced awareness of Ferdowsi's subtle rhythms and cadences. His "Shahnameh" is rendered in an exquisite blend of poetry and prose, with none of the antiquated flourishes that so often mar translations of epic poetry." (Reza Aslan, The New York Times Book Review) "Thanks to Davis's magnificent translation, Ferdowsi and the Shahnameh live again in English.” (Michael Dirda, Washington Post) "A magnificent accomplishment . . . [Davis’s translation] is not only the fullest representation of Ferdowsi’s masterpiece in English but the best." (The New York Sun)

[reachartwork]

PLEASE JUST LET ME EXPLAIN REDUX

AI {STILL} ISN'T AN AUTOMATIC COLLAGE MACHINE

I'm not judging anyone for thinking so. The reality is difficult to explain and requires a cursory understanding of complex mathematical concepts - but there's still no plagiarism involved. Find the original thread on twitter here; https://x.com/reachartwork/status/1809333885056217532

A longpost!

This is a reimagining of the legendary "Please Just Let Me Explain Pt 1" - much like Marvel, I can do nothing but regurgitate my own ideas.

You can read that thread, which covers slightly different ground and is much wordier, here; https://x.com/reachartwork/status/1564878372185989120

This longpost will; Give you an approximately ELI13 level understanding of how it works Provide mostly appropriate side reading for people who want to learn Look like a corporate presentation

This longpost won't; Debate the ethics of image scraping Valorize NFTs or Cryptocurrency, which are the devil Suck your dick

WHERE DID THIS ALL COME FROM?

The very short, very pithy version of *modern multimodal AI* (that means AI that can turn text into images - multimodal means basically "it can operate on more than one -type- of information") is that we ran an image captioner in reverse.

The process of creating a "model" (the term for the AI's ""brain"", the mathematical representation where the information lives, it's not sentient though!) is necessarily destructive - information about original pictures is not preserved through the training process.

The following is a more in-depth explanation of how exactly the training process works. The entire thing operates off of turning all the images put in it into mush! There's nothing left for it to "memorize". Even if you started with the exact same noise pattern you'd get different results.

SO IF IT'S NOT MEMORIZING, WHAT IS IT DOING?

Great question! It's constructing something called "latent space", which is an internal representation of every concept you can think of and many you can't, and how they all connect to each other both conceptually and visually.

CAN'T IT ONLY MAKE THINGS IT'S SEEN?

Actually, only being able to make things it's seen is sign of a really bad AI! The desired end-goal is a model capable of producing "novel information" (novel meaning "new").

Let's talk about monkey butts and cigarettes again.

BUT I SAW IT DUPLICATE THE MONA LISA!

This is called overfitting, and like I said in the last slide, this is a sign of a bad, poorly trained AI, or one with *too little* data. You especially don't want overfitting in a production model!

To quote myself - "basically there are so so so many versions of the mona lisa/starry night/girl with the pearl earring in the dataset that they didn't deduplicate (intentionally or not) that it goes "too far" in that direction when you try to "drive there" in the latent vector and gets stranded."

Anyway, like I said, this is not a technical overview but a primer for people who are concerned about the AI "cutting and pasting bits of other people's artworks". All the information about how it trains is public knowledge, and it definitely Doesn't Do That.

There are probably some minor inaccuracies and oversimplifications in this thread for the purpose of explaining to people with no background in math, coding, or machine learning. But, generally, I've tried to keep it digestible. I'm now going to eat lunch.

Post Script: This is not a discussion about capitalists using AI to steal your job. You won't find me disagreeing that doing so is evil and to be avoided. I think corporate HQs worldwide should spontaneously be filled with dangerous animals.

Cheers!

[prlssprfctn]

What do you think about this?

I thought it...

Jason is emotionally adopted by every rogue, villain and enemy of Batman and the BatFam with the exception of the Clown

Like he can just annoy Tim by requesting Ra's to please give him Tim's spleen jar and show it to Tim before giving it back to Ra's.

Each bat kid has one rogue that is connected to them and Jason becomes the favorite of all Robins because... 1 is to be petty and 2 he broke down the enemies defenses and made himself their favorite.

Jason is petty like that.

i actually love this! funnily enough, i think Jason accidentally befriended a few of them even as Robin (an interesting detail: as Robin Jason was very inclined to believe that rogues of Gotham can actually change, while Bruce brushed him off; in one of comics, he really wanted to believe that Penguin had changed their ways, and, of course, he turned out to be wrong, and Bruce explained him that people like him don't change, but isn't it just *so* curious and feels like unintentional foreshadowing? especially, considering that Bruce pushes the "this kid would end up a criminal [or dead] if not for me" from the very beginning of Jason's arc?)

but back to the point, i absolutely love this headcanon. i don't think he will tolerate *all* of them (definitely not Penguin and Crane, I think; Harley, depending on how triggered he is just by Joker association), but the most? for sure. putting my bet that Selina and Pamela might be his favourite, actually.

the funniest part most of them are, like, nerds with PHD. that's exactly a type of people that will welcome his rants about books and law, politics and economy, and— you get it.

and then, there is Ra's. they are very annoying to each other, but they collaborate when they know that their ideas and duo will annoy others. Bruce is getting grey hair every time he knows Jason is at LoA again? Ra's announce that Jason is his grandson as well. Dick is getting a tick because Al Ghul's family is his least favourite family in the world? Jason *accidentally* mixes up chats and sends Dick his selfie with Ra's instead of Talia. bonus points: Dick hates that his chat is somewhere next to Talia, too.

do he also help rogues on occasions when he wants to annoy Bruce? sure.

Batman, trying to catch Selina after she stole something from city hall again:

Jason, calling him in the middle of the chase: Sos, emergency

Batman, pausing: Son? What's wrong?

Jason: I am stuck resolving Riddler's shit, and I really need help with the last one.

Batman: What is it?????

Jason: What cat says when Bat fails again?

Batman: Uh—

Jason, before hanging up dramatically: Don't be mean to your second son.

Batman: Excuse me—

Selina, hopping on a suspiciously familiar bike with a suspiciously familiar vigilante driving it: Muah!

Batman: Shit.

Dick, barging inside the Cave, furious: Had you managed to fight with Jason again?

Bruce: ...How did you know?

Dick: I've spent thirteen hours trying to resolve all Riddler's trials. Some of them were required to quote Jane Austin and fill blanks in Edgar Allan Poe's poems. HOW DO I KNOW?!? GO AND APOLOGISE, YOU STUPUD OLD MAN.

Bruce: ^_^

Red Hood and Riddler on the other side of town: (collective evil giggles)

Tim, sighing, because police asked Red Robin to regulate Poison's Ivy rally in front of CGDP building: Man, it is Sunday...

Tim, squinting at a familiar figure in leather jacket: Jason? What the fuck you are doing here? Are you under Ivy's pollen influence, too?

Jason, holding a big ass poster: Nah, man, just helping my girl Pam

Tim: ...Honestly. Whatever. I'll leave the territory to you.

[ashtonwithdislexia]

DC x DP fanfic idea I've had for a while and started writing but I need someone to encourage me that its a good idea

The basic idea is simple:

You know all those fanfic's where Danny and Damien are twins or whatever, and I don't dislike them, but what if Danny was actually Bruce's age...

And after he officially dies in Amity Park as Danny Fenton at 17 he decides to leave and ends up somewhere he doesn't know...

Anyway he nearly dies in the mountains but is saved by one 17 year old Bruce Wayne who brings him to the league of Assassins, now at first Danny thinks Bruce is some kind of clone of him but soon realizes that wasn't the case

Anyway because Bruce saved Danny's life Danny basically now owns Bruce a life deed or some bullshit like that (sorry English isn't my first language I have no idea if this is the right lingo) so they are always together until there is an opportunity for danny to repay Bruce

In the end on a mission they were sent together Bruce is seriously injured and tells Danny that the only way for him to repay Bruce now is not to let Bruce die and in order to do that Danny becomes Bruce and claims that Danny was the one that died (because they basically look identical it actually works)

So Danny 'returns' to Gotham as Bruce, of course he can't fool Alfred and he tells him everything that happened to Bruce and together they start the batman crusade

So now years later 'bruce' is tired of his kids (Damien and Jason) complaining about the no killing rule (of course the joker is involved) and then Danny snaps and explained to them the reason for the no killing rule is because he is scared that the joker and or other villains will become ghosts and bla bla bla

And the kids are like: ghosts are real????

Bruce/Danny: yes and I'm one

His kids: WHAT?

Bruce/Danny: I died when I was 14, then when I was 17 and later one again when I was 20 (the OG Bruce's death) also I'm technically not Bruce Wayne...

His kids: hold on you're not Bruce Wayne????

Danny: nope my name is actually Danny, but Bruce asked me when he died to pretend to be him and I quote (in batman voice) 'gotham needs Bruce Wayne!' soooo....

Jason: wait does that mean Damien isn't a Wayne?????

Danny: uhhh... Idk?

Alfred (coming out of the shadows from nowhere): master Danny now that you have told them maybe you should tell them about the king situation as well

The kids: KING SITUATION?????

Danny: oh yeah I'm a king! Completely forgot about that ... Ups

Yeah that's the basic idea... Idk if it's good or I'm just coming up with bullshit...

What do you guys think??

Edit: just reached 69 likes... Hehe... 69... God I'm so immature...

Edit:

I published the first chapter already btw, you can find it on my account in a reblog of this

[luxthestrange]

KNY Incorrect quotes#136 Family tree

So I made it clear that I've been reading Kimetsu Gakuen, so I had a devilish idea...Y/n Ubuyashiki family line...They Grew up along Kagaya and Muzan, You're related to the two and just exist to revel in their spats...and being the youngest of the three...You're on Kagaya's side, but you mostly hang around Muzan's place just to be a menace...Which leads to a lot of fun times for you-

------------------------------------------------------------------------------

You three are getting ready to dine out for your weekly family dinner...

Muzan: The clock is ticking! We don't have time for this asinine tomfoolery! Ubuyashiki!Y/n: This unmitigated poppycock? Kagaya: Extravagant hogwash~ Muzan: Okay, stop.

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Y/n: ARE YOU- Kagaya: Fucking. Y/n: KIDDING ME?! YOU- Kagaya: Fucking. Y/n: IDIOT! Muzan: …What was that? Kagaya: Kokushibo banned Y/n from swearing, so I’m helping them out~

------------------------------------------------------------------------------

Muzan: You’re a loose cannon,Y/n!? Ubuyashiki!Y/n: No, I’m not. I’m a cannon, maybe, but a loose cannon? Is that what you think of me? Kokushibo: I think you play by your own rules. Doma: No way, they think rules were made to be broken. Muzan: Those are all attributes of a loose cannon. Ubuyashiki!Y/n: No, I’m just a reckless renegade. Akaza is a loose cannon. Akaza*smashes a chair* Aah! You shut your trap,Y/n! Doma: I’d say Akaza’s more of a cop on the edge with nothing to lose. That’s an entirely different thing. Kokushibo: Now I’m just confused. Is Y/n a loose cannon or not? Doma:  All right, put on a pot of coffee. We’re gonna get to the bottom of this. Muzan*groans* Akaza: Aw, man...

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Ubuyashiki!Y/n: My goal is not to be the best, but to inspire someone enough to one day surpass me. Muzan: YOU CAN'T JUST SAY THAT EVERY TIME YOU BEAT ME AT CONNECT FOUR!

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Ubuyashiki!Y/n: Hey, Kagaya? Can I get some dating advice? Kagaya: Just because I'm with Amane doesn't mean I know how I did it~