#i've decided must happen

[bigbrotherlouis]

in a great many senses, being thoroughly and fully embedded in fanfiction for a decade has done wonders for my writing - i think the constant feedback helped me find my voice well, i've learned some of my writing weaknesses and how to mitigate those, i've been able to play with style and form and syntax in a really safe environment. i still can experiment whenever i want, i can mimic my favourite authors in a way that allows me to learn what i like while making it my own, and figure out how to make it work for me, then try something completely different the next piece. it's so valuable and i think underappreciated in the writing/fic writing communities.

however! in dipping my feet back into original fiction (and i mean original. no converting fic or using half-baked fic premises also not for a class) i have had to unlearn some bad habits. namely among them, that i can get things done in one and a half drafts. i've been increasingly frustrated with myself that this original piece does not have the worldbuilding established like it should because i am having to create the world from scratch, without anything to rest it upon. i am having to remember that the first draft is really a discovery. i am learning things about my story as i write, because the only place it exists is in my own head. and that's hard for me! it's also hard having to keep going instead of going back to fix everything, because as i discover, i leave holes where the foundation will go later.

it's a process! a frustrating process! a frustrating process that i have forgotten how to navigate a little bit because i've been happily cutting my teeth on fanfiction. but i'm having fun. ish.

[vaguely-concerned]

I was just ambushed within the turbulent halls of my own mind by some headcanons about rye ingellvar's childhood that did 15000000 points of psychic damage to me and my heart personally and also made me almost sure of how I want to play it all at the end (very very differently from how I imagined going in!). some 'oh holy fuck this changes everything' rocking my own world bullshit going on in my neurons right now I'm reeling

[lovesodeepandwideandwell]

Sick again/the same time but longer

[theartisticcrow]

not me spending eleven days writing a 30+ page essay in font size eleven on Robespierre and the French Revolution while listening to the Hamilton musical on repeat and these are the lyrics of one of the fucking songs

[theskoomacat]

M*uthwashing was good, the only things i didn't enjoy lie in the area of writing (but so do some things i enjoyed the most!) - but I expected more from it? kinda?

[triple1st]

thinking about rassilon's (lack of) characterization in gallifrey time war

[e-adlirez]

I went back to sign these before posting and holy crap I did four of these within like 24 hours--

"It's like I'm not even a person, am I?"

"No I cannot let you pass, don't you MESS with ME."

"Just keep your mouth shut and your palm open, and you may just get FILTHY, STINKIN' RICH!"

"You can't quit, Emma. The song is so simple, we'll teach it to you!"

"Who will pray for you when your body's gone? This is the consequence for what you've done!"

Oh yeah I drew four of these in 2022, the prompt for drawing these was wanting to redraw these things haha, I was surprised how long ago they were when I went back to watermark them

Edit: changed the quotes so they sounded more cohesive lmao

[servuscallidus]

Reading Stazio's Thebaid (and watching L'Odissea 1968 rai miniserie), it's terrifying how the greek gods mess with people's minds to reach their ends. Zeus wants to destroy two cities, Thebes and Argo, and instead of bringing about a forerunner Sodom and Gomorrah (or second, I'm fuzzy on the timeline), he plants the thought in Etheocles' mind that he want to keep the kingship for himself and inspires bloodlust and a desire for war in the youths of Argo. He puppets the two cities by effectively stripping their leaders of wants, thoughs and personality and puppeteering them into a war no one wanted. We don't even know if the desire to keep Thebes was always there in Etheocles or if it's all Zeus' creation.

Basically, it never matters what a mortal wants, not because a god can effortlessly overpower them, but because a god can easily make it so that they never wanted anything other than what the god desires them to want. It's horrible. You can never know if what you wish and think is truly something that comes from you or if a god planted it so that you'd do their will

[mortalityplays]

This is a dangerous sentiment for me to express, as an editor who spends most of my working life telling writers to knock it off with the 45-word sentences and the adverbs and tortured metaphors, but I do think we're living through a period of weird pragmatic puritanism in mainstream literary taste.

e.g. I keep seeing people talk about 'purple prose' when they actually mean 'the writer uses vivid and/or metaphorical descriptive language'. I've seen people who present themselves as educators offer some of the best genre writing in western canon as examples of 'purple prose' because it engages strategically in prose-poetry to evoke mood and I guess that's sheer decadence when you could instead say "it was dark and scary outside". But that's not what purple prose means. Purple means the construction of the prose itself gets in the way of conveying meaning. mid-00s horse RPers know what I'm talking about. Cerulean orbs flash'd fire as they turn'd 'pon rollforth land, yonder horizonways. <= if I had to read this when I was 12, you don't get to call Ray Bradbury's prose 'purple'.

I griped on here recently about the prepossession with fictional characters in fictional narratives behaving 'rationally' and 'realistically' as if the sole purpose of a made-up story is to convince you it could have happened. No wonder the epistolary form is having a tumblr renaissance. One million billion arguments and thought experiments about The Ones Who Walk Away From Omelas that almost all evade the point of the story: that you can't wriggle out of it. The narrator is telling you how it was, is and will be, and you must confront the dissonances it evokes and digest your discomfort. 'Realistic' begins on the author's terms, that's what gives them the power to reach into your brain and fiddle about until sparks happen. You kind of have to trust the process a little bit.

This ultra-orthodox attitude to writing shares a lot of common ground with the tight, tight commodification of art in online spaces. And I mean commodification in the truest sense - the reconstruction of the thing to maximise its capacity to interface with markets. Form and function are overwhelmingly privileged over cloudy ideas like meaning, intent and possibility, because you can apply a sliding value scale to the material aspects of a work. But you can't charge extra for 'more challenging conceptual response to the milieu' in a commission drive. So that shit becomes vestigial. It isn't valued, it isn't taught, so eventually it isn't sought out. At best it's mystified as part of a given writer/artist's 'talent', but either way it grows incumbent on the individual to care enough about that kind of skill to cultivate it.

And it's risky, because unmeasurables come with the possibility of rejection or failure. Drop in too many allegorical descriptions of the rose garden and someone will decide your prose is 'purple' and unserious. A lot of online audiences seem to be terrified of being considered pretentious in their tastes. That creates a real unwillingness to step out into discursive spaces where you 🫵 are expected to develop and explore a personal relationship with each element of a work. No guard rails, no right answers. Word of god is shit to us out here. But fear of getting that kind of analysis wrong makes people hove to work that slavishly explains itself on every page. And I'm left wondering, what's the point of art that leads every single participant to the same conclusion? See Spot run. Run, Spot, run. Down the rollforth land, yonder horizonways. I just want to read more weird stuff.

[nocherryblood]

May I add: living with chronic anything.

Sometimes people with chronic conditions do everything they can to avoid making symptoms worse, or to manage their existing pain. Creams, meds, long medical treatments, etc. Sometimes it's long and monotonous, and people are still in pain afterwards. Sometimes it's more manageable.

Sometimes, people with chronic conditions might not want to do that. Sometimes they just want to carry on as they are. Maybe it's health risks, or monetary reasons, or it's just not worth it. Sometimes people just don't want to do it, full stop.

Chronic conditions are chronic for one reason: even if they come and go in bouts, even if they're "not that bad"... they don't go away. Sometimes they remain forever, sometimes they may go away. But either way, you will have them for a significant portion of time.

Some people have cures and medicine that helps them to live as uninterrupted as possible, some don't- whether it's access to funds to get it, or because there literally just isn't something like that out there in the world, or maybe it's too risky. Sometimes you can be cured of one thing and it causes another, or it can come back, or, even if your main symptoms are gone, you may be left permanently affected by what the condition did to your body.

Some people have low pain or needs- this doesn't mean they're "overreacting" or "being too dramatic". Pain, even on a low scale, can be absolutely debilitating over a prolonged period of time. Sometimes, medical specialists can get very temperamental over this- personally, my conditions always get missed on 95% tests even if the markers to indicate I have them are there, so the specialists are very reluctant to give me help at first because they don't understand how much my pain affects my life until I prove to them that that help supports me to try to carry on as best as possible. This meme pretty much sums it up (for those who are confused, π, or, pi, is a number that never ends- the calculation for it has been going on for hundreds upon hundreds of years and we're still nowhere near the end seemingly):

On the other hand, some people experience extremely high pain levels and/or are severely affected by their chronic conditions, so much so that it limits them from doing a majority, if not all, of their daily life activities. Some can manage with a carer or assistant, some cannot. That doesn't make them "useless" or "unworthy" or "lazy". They are valuable as all humans are to each other, no matter whether or not they can work "like everyone else" to fulfill that cruel, uncaring, devaluing shitshow of modern expectations of an adult or not. Human decency and care for each other shouldn't ever be associated in the slightest with output or ability.

Sometimes, people's conditions are "intrusive" and/or affect other people's lives (e.g. family becoming carers or assistants, needing more support, being unable to control impulses or body functions) and whilst, yes, sometimes they can take effort to deal with by people on the outside, the person themselves is not incontrol of their condition and complaining 24/7 about it to them will just make them feel like crap. Contrary to popular belief, many people with chronic conditions are actually extremely aware of the effect of their condition on themselves and especially others, and are constantly overcompensating for it and putting so much effort into dampening it down just to make it more "palatable" for others. You don't need to tell them what they already know- if something's really affecting you, maybe come up with a realistic way to help before you ream off about how much something they're having to deal with is annoying you.

Please, don't expect someone to move mountains if you're not going to give them the rope.

And the final point I'm going to make is... please, for the love of your own compassion, sometimes there are people who are tired of having to constantly have to avoid triggers or irritants (e.g. with skin conditions), and want to allow themselves some semblance of being able to live like fully non-chronically affected (i.e. not living with a chronic condition) people for a while.

Concern is a lovely thing to have, but sometimes, people just want to have a bit of a break, y'know? I understand if there's concern about someone continually, severely harming themselves with their actions (i.e. eating an allergen they're highly allergic to, or something that could seriously harm them long-term)- of course, speak to them or try to empathise with them and then bring up your concerns, or come up with something alternative for them.

But if it's a short-term thing? Just let me have this one thing, please- my mental health needs it too. Don't judge me for wanting to have one long night out even if I'm chronically exhausted or easily get overwhelmed. Don't judge me if I have chronic skin conditions but want to have one nice perfume or pretty bath even though I'll be barely able to tolerate clothes in the morning. Don't tell someone they're dumb because they want to take a walk even if they may not be able to keep moving for long. I, and they, can regulate ourselves- we know the risk vs. the reward and sometimes you just want to do "normal" things for once.

Just... please. We're not defined by our conditions, but it doesn't mean we're not constantly affected by them too. They're a part of us, they're not always a welcome part of us, but they're there and we have to deal with them. Just please don't forget: just because we seem happy or fine, doesn't mean we can't be in pain.

when u go to write a mentally ill person in ur story you are presented two options. the first option is to write your mental illness realistically as you actually experience it with all the ups and downs and people who are like you will resonate with it and feel seen. except every person who reads instagram infographics on mental health that uses the phrase narcicisst for anyone who does anything that crosses them and unironically call themself a dark empath will call you scary and tell you that youre demonizing mentally ill people

the second option is to lie and write inspiration porn for those people to get hard to

[vaspider]

Tonight, the night before Election Day 2024 in the US, I am thinking about my stepkid.

I am thinking about the phone call they made to us earlier this year, the one where they told us they'd gone to the hospital thinking they had appendicitis and found out, instead, that a zygote - a tiny splodge of cells - had taken up residence not in their uterus but in a fallopian tube. The one where our kid said they were waiting for their partner to arrive, hoped that said partner would get there before the docs took our kid back to terminate that pregnancy, & assured us that they'd be okay.

After all, our kid lives in a state with choice measures embedded in state law. That pea-sized blot of tissue doesn't have more right to their health than they do. Nobody is standing between them and their doctors. They made a decision, and that was that.

In this tiny tragedy, the kind that plays out dozens of times a day at minimum across the country, we only had to worry about the small risk of surgery complications. We didn't have to worry about Ken Paxton threatening to charge their doctors with felonies. We didn't have to think, "What if the hospital's legal team doesn't think an ectopic pregnancy - which is never ever viable and must be terminated before it kills our kid - is really that big of a deal?" We didn't have to worry that they live in a state where ob-gyns are fleeing, leaving few experts behind, as has happened in Idaho.

We didn't have to watch our kid vomit up black blood before dying the day after their baby shower the way Neveah's mom did. We didn't have to pray in a waiting room (while doctors took our kid apart until their heart stopped because the doctors waited too long out of fear of anti-choice laws) until a doctor came to tell us we'd have to bury them the way that Amber's mom did. We aren't having to pick up our lives after fully treatable miscarriage-related sepsis took them from us the way that Josseli's husband and daughter must.

I could go on for far, far too long.

Listen. If you are a single-issue non-voter and have already decided that "both parties are the same" or whatever other thing you've told yourself so you can sleep at night, smug and secure, then I can't reach you and I can't help you. But if you genuinely think that your votes don't matter, if you're just suffering from a bout of overwhelm or apathy, if you're too young to remember the 2000 election and can't see that Dobbs is a direct result of that election and every one that's followed, please, I am fucking begging you.

I didn't really talk about this when it happened. I mentioned something briefly, maybe. The posts I've started writing about it are still in my drafts. It was too fresh, too frightening. It's not any less frightening now, honestly - because if this week doesn't end with President Kamala Harris, we're headed for a national abortion ban, at the minimum - but it's not about how fucking frightened I was or how sad and bewildered I was to realize that my kid was going through this crisis in a nation more hostile to them than when I needed a D&C for an abortion at 21, in 1998.

It's about stopping this chapter of this fucking bullshit and at least finding some new fucking bullshit.

Vote, dammit.

Do the other work on Wednesday. Tomorrow, the work is to vote.

[c0rpsedemon]

these ppl are annoying love and light

[vaguely-concerned]

blue getting zero an arm (+ helmet and body armor??? a sword?????) made out of beskar to give him an edge fighting against force users/lightsabers..........

(cortosis weave might be more doable, honestly, but it lacks that edge of delicious cultural specificity blue normally dodges so ably haha. giving your partner beskar for their armor sounds like some traditional mando wedding gift bullshit and that's exactly the kind of unhinged romantic I suspect blue could be once unleashed. beskar seems to have been extremely tightly regulated and restricted by the empire during the time this would be relevant, but also blue works there, has no principles, and knows hacking better than any of his comparatively boomer colleagues... I believe in him I think he could've pulled off this completely bonkers move of a romantic gesture if inspiration struck him. also very funny way of him losing his job and having to join the rebels if he gets caught)

sorry. sorry I can't hear anything or anyone over the mental image of zero in full splendid knight gear. terrifying loyal right hand man knight (who's a DJ and space mario kart champion in his spare time), standing next to his Little Dude/bitch-boy-liege-lord-but-only-in-a-kinky-sense/partner, who looks like nature set out, through trial and error and millions of years of evolution, to produce a being optimally shaped to be shoved into lockers. (and you could certainly try but also: aforementioned loyal right hand ruthless killer & karter currently chuckling over funny cat videos.) I am so right for this I think

[oveliagirlhaditright]

I feel like--so far--I'm already screwing things up so that I'm going to get the date with Aerith instead of Tifa. LOL.

But, hey: if that does happen, I'll take that over how I messed up in Remake and didn't get either the Tifa or Aerith resolution scene, but rather the Barret one! (I guess because I was being nice to both Tifa and Aerith--because even though I wanted to romance Tifa, I just couldn't bear being mean to Aerith--and even though I chose Tifa in moments like the sewer scene, I guess the game still thought I was being indifferent to both of them [in being kind to both and not choosing to really favor one over the other too much, I guess?]... You know, so far I'm doing the "being nice to both of them again" thing. I hope I don't make the same mistake. XD).

[selfinflictedgunshotwound]

literally all i have been doing the past two weeks is Wanting. they call me the wanter the way i'm wanting things i can never have

[honey-tongued-devil]

↞[arcane preference] founding out you were injured in crossfire↠

Since I've created a Bluesky profile and wrote my thesis on Arcane, I'll be posting both old and new drawings there as soon as the time comes. I'm taking advantage of this little space to promote my other social account. honey-tongued.bsky.social Also, I've received both comments and requests, but Tumblr decided I couldn’t post for a week (my internet connection is terrible). I want to let you know that I appreciate them, and I'll get to everything as soon as I can. So, feel free to leave comments, feedback, or requests!

Jayce: 

- This is the worst news he could receive: he's a scholar, he has no idea how to handle these situations, and, most of all, he's forced to confront his pride.  

- Not only was he unable to protect you now, but what if it happens again? Even if he's there, he wouldn't know what to do.  

- What if there's a next time? What if it doesn't turn out as well next time?  

- His self-sabotage leads him to distance himself from you for a few days, not because he doesn't want to be near you while you're hurting, but because he's ashamed of not being able to protect the person he loves.  

- On the bright side, for even just a second, he remembers the original purpose of his research: making the city safe, helping people.  

- But on the negative side, with no one to blame, more than ever, the people of Zaun appear to him as beasts, second-class humans who can't be redeemed in any way.  

- When he finally gathers the courage to see you again, he tries to make amends for everything: for not protecting you, for not being able to, for allowing someone to hurt you, and for not being there during your recovery.  

- He'll literally do anything to be forgiven: every morning you'll find breakfast in bed, if it's cold at night he'll prepare a warmer for your feet, and despite his squeamishness, he'll personally tend to your wounds, even if it makes him feel queasy.

Viktor:

- He tries to help you in every way possible, even ignoring his own pain.  

- He feels sadness, regrets that you went out alone and ended up in such a situation. He can't help but imagine the fear you must have felt, the confusion, and the loneliness when the guards intervened, and you woke up alone in the hospital.  

- He may be a scholar, but first and foremost he's a man with a moral code, and secondly, he's from Zaun: if he has any work, appointments, or lectures, he'll skip them all, maybe muttering a few insults in his thick accent at the most insistent people, and make up for it at night.  

- Plans, ideas, codes, anything – but he won't leave you alone unless you ask him to.  

- He takes care of you meticulously, respecting schedules, bringing you meals in bed, changing your bandages until your skin heals, and you're able to stand on your own again.  

- He doesn't mind helping you – as a chronically ill person who refuses others' help, he's learned to do everything on his own, and he's almost happy that his skills can be useful to someone else.

Ekko:

- Is it something totally normal in the lanes? Yes.  

- Does this stop Ekko from panicking? No.  

- He's the one who finds you and brings you to the others, but he doesn't want, nor can he afford, to be seen panicking. So, he swallows his despair and tries to act as normal as possible while ten other people rush to help you.  

- His face remains expressionless as the most skilled remove debris, clean the wound, stitch your torn flesh, and bandage you, but his foot keeps tapping the floor with force and speed, revealing his anxiety.  

- When the others insist that it's best you stay in the makeshift infirmary, he tries not to protest, but suddenly every moment of the day becomes an excuse to pass by: to bring you stolen sweets from Piltover, to tell you about some expedition, maybe even steal a kiss or fall asleep leaning against your mattress.  

- It's an overwhelming fear, but the fear of losing you makes him unable to think rationally, and all he feels is how much he misses you, even while you're right there with him.

Vander:

- A crossfire from the other side of the river was already a big enough provocation to alert him and prepare to defend the city or, if absolutely necessary, to strike back.  

- But you, as an accidental victim, are a huge problem.  

- He doesn’t have the heart to pull away from you, and when he does, he can’t help but feel frustrated, angry at himself, knowing he hasn’t been able to keep his city under control like he promised—to you, to Piltover, to everyone.  

- He’ll ask for your forgiveness by kissing the scarred skin every day, even if you insist it’s not his fault, and if you remember even one of the faces, he’ll go and handle the problem.  

- Not with violence, unless necessary, but it’s not about personal justice; rather, it’s about protecting the other citizens of the alleys too.  

- Even after you’ve healed, he’ll insist it’s absolutely necessary to carry you everywhere you need to go, claiming a very good doctor told him so.  

- And the memory of the scar will be tiny compared to all the marks Vander has left on you.  

Silco:

- Private justice is absolutely the first option, even though you were an accidental victim.  

- He’ll call all his goons and associates for a meeting while you’re still bedridden, to see if they’ve heard, seen, or been involved in any armed conflict, and if he doesn’t get a face or a name from them, he’ll turn to the brothel, the house of all information,  

- Until he finds who hurt you and makes sure they can’t do it again.  

- Silco isn’t fazed by blood or open wounds, but despite having enough experience to handle it himself, at least on the first day, he’ll take you to Singed to make sure you’re in the best condition.  

- In the following days, he’ll take care of you himself, but he has pride, a façade, and little emotional communication skills, so he won’t openly show how worried he is, relying entirely on the fact that you don’t know about the murder of your assailant and remember nothing of the visit to Singed.  

- But the only reason you heal so well and so quickly is that, even if he doesn’t know how to express it, all the love he feels is poured into the care he gives you.  

Jinx:

- Flashbacks. So many. Too many.  

- At some point, she’ll even convince herself that she’s the one who shot you, leading to a complete breakdown.  

- She punches her head, scratches herself without realizing it, her nose bleeds, and her eyes are bloodshot.  

- It takes her a while to convince herself that she wasn’t the one who shot you, even though the hallucinations overlap images of you with memories of her armed, creating waking nightmares that feel increasingly real.  

- As much as she’d like to ask her father for help, even just to give you a cleaner room, she feels responsible and is too scared that if she stays away from you, you’ll forget her. That’s why she sets up a little space for you and takes care of you herself, though not always painlessly.  

- She’s pulled bullets out of her own body more times than not after missions; what might seem like dangerous, delicate work to someone else is almost routine for her by now.  

- Once she has a suspicion of who might have done it, she’ll make sure they learn their lesson. 

 

Vi:

- Anger.  

- Why were you out alone? Why didn’t you leave as soon as you saw the crowd getting too big? Why were you in that area?  

- But her anger is just panic pouring out like a flood, the fear of not being able to protect the one she loves twists her stomach, making her feel like she might throw up, like she’s dying inside.  

- None of those questions mean she blames you, but she doesn’t know how to feel, what to think, or even what to do.  

- She’ll do everything to help you��bandaging you, cleaning your wounds, staying silent and giving her full attention to make up for not being there when you needed her, even though that’s not true.  

- And when the scar forms, she’ll kiss it every single day, every single night, like a little ritual between the two of you.  

Caitlyn:

- Safety first.  

- She’ll be the one to assess how bad the injury is, and if there are any foreign objects in your body, there’s a good chance she’ll try to handle it herself, even though at first it might seem a bit barbaric.  

- She’ll give you the guest room and call the family doctor to make sure you’re okay, that you don’t need anything else, and she’ll take care of what’s necessary, even teasing you a bit to hide her worry.  

- "A bullet in the leg from being caught in crossfire? Very vintage, I must say."  

- What you won’t know is that she’ll quietly increase security, not in an oppressive way, but just enough to make both you and the other citizens feel safer.  

- Her family won’t get involved directly, but they won’t stop her either. Sometimes Cassandra herself will make sure her daughter finds the tray to bring up to you, though she’ll never be too open about it.  

- The perfect rehabilitation? Long walks in the villa’s garden, so you can stop for some cookies or tea when you get tired.  

Mel:

- Flashbacks, but less personal than Jinx’s.  

- Her mother would call her weak if she knew how it kills her to see someone barely scratched by crossfire, and that realization soon turns into frustration, which then becomes anger.  

- She tries to stay calm, but her voice sounds like she’s scolding you, and then like she’s scolding the servants, or anyone else who crosses her path.  

- Two hours of lecture if you’re lucky—why you shouldn’t go out without a guard, why you shouldn’t put yourself in dangerous situations, why the enforcers are utterly useless and can’t find anyone responsible, even though the fight was so intense.  

- She’ll focus entirely on the bureaucratic side because little Mel was never taught how to deal with strong emotions, and she’s definitely feeling them now but can’t afford that vulnerability, even though she knows you’re safe.  

- She won’t take care of you herself, but she’ll always stay in the room. Not because she doesn’t want to, to be clear, but because she wants you to have the best care possible and prefers to leave it to a top professional rather than her inexperienced hands.  

- In return, she’ll triple the amount of affection and caresses—more to calm herself than you, but you won’t be the one to complain.  

Sevika:

- She needs a moment.  

- She knows she has to report to Silco that there was a firefight, that someone is threatening the people, but part of her just wants to grab those responsible and crush their heads with her bare hands, doing both you and her boss a favor. Yet, another part of her doesn’t want to leave you alone or take you with her.  

- She knows how to handle these things; she’s lost an arm, and Silco’s goons often come back in worse shape, which is why she’ll take care of you herself, in complete silence.  

- She’ll wait until you’re asleep to place a water bottle, a glass, some painkillers, and some bread on the nightstand next to your bed. And when she’s sure you’re fully asleep, she’ll leave a soft kiss on your forehead before putting on her cloak and heading out to the Last Drop.  

- There, she’ll release her anger in a brawl or two, talk to her boss, and search for the reason why she feels so awful at the bottom of her third glass of whiskey.