#i've been trying to make a comic based on their relationship. but.

[dinomintz]

Him? He merely watches me dance on stage, every day.

[wolviensabes]

SFW Alphabet: Wolverine

a/n: yayyy I am writing a new character finally. I've been wanting to do Wolverine for a while, I just got around to doing it. Especially after D&W, I can't help myself. So like my main, I will start off with the alphabet and gradually write more into him. My characterization will be mixed based on film, show, and comic so not one specific source. I have never written this character before so the way I write him may change as I continue. This is also unedited ignore mistakes <3

A = Affection (How affectionate are they? How do they show affection?):

Logan is a fairly affectionate dude, once you get past his gruff and rugged outer layer. He will pull you close to him and let you lay on him or snuggle up close. He's very warm and makes the perfect heater since he generally likes to keep his room cold to combat his body temperature.

He enjoys cuddling, though he won't outright say it. He likes feeling you lay close and seek him out for comfort and warmth regardless of the time of day or situation. He won't ever deny you that.

He likes to ruffle your hair and he will lightly nip at you and grin when you give him a surprised look.

He's all for hugs, he likes when you hug him and try to hug as tight as you can, he's completely unfazed. Sometimes he will grab you and lift you up, and laugh when you try to do the same. His adamantium skeleton weighs him down more than you thought. He's strong as hell to be able to move so much and you realize it the moment you try that.

When you lay close he will rub your back or idly rub another part of your body. Any kind of touch he can get. His fingers are so warm, it feels especially good if you're shirtless laying on him. He really enjoys skin to skin contact.

B = Best friend (What would they be like as a best friend? How would the friendship start?):

He'd be a bit of a loner, but in the end he will always come through. He's hard to initially bond with, so be prepared for him disappearing a lot, hopefully you are a patient person.

At first he might not want to bond with anyone because his life is a roller coaster of shit, but persistence might wear him down enough to let you in his friend circle.

He's the type to drink with you, have a cigar and talk about whatever. He's down for brawling, he likes to mess around in that sense.

But Logan likes his alone time too, so balancing out social and private time is important. If you push too much I think he will back off a lot. He's had a shit life and if he cares a lot about you, he might not want it to be too obvious you are important to him. A specific mutant tends to kill off his close relationships.

*cough* Sabretooth *cough*

C = Cuddles (Do they like to cuddle? How would they cuddle?):

He does, he just won't admit it. I don't see Logan as a touchy feely guy with words, his actions mean a lot more than what he says.

Logan accepts cuddling basically anytime you want, just get close and snuggle up against him.

He might invite you to do so if he notices that you want to but are too unsure to initiate it.

D = Domestic (Do they want to settle down? How are they at cooking and cleaning?):

It's shown that Logan has settled down before. So he'd do it again with the right person.

He would rather be the type to support or provide rather than be the one to cook and clean, but he will lend a hand if necessary.

Compromise is possible. He might make a huge mess in the kitchen though.

I can see him working a grill pretty well.

E = Ending (If they had to break up with their partner, how would they do it?):

Straightforward and to the point. He'd tell you about his past and how complicated his life is, and he doesn't want you caught up in the mess of it too.

Logan might try to break things off after they get serious, worrying about what could happen to you, but if you insist, he will stay. He just doesn't want you to get hurt.

F = Fiance(e) (How do they feel about commitment? How quick would they want to get married?):

It would take a while before Logan would be ready for marriage. The life of an X-Man is complicated enough, and his especially is hard to handle. He wouldn't want to settle down for a long time.

But once you find that sweet spot, and have a long conversation and understand the concerns and dangers, he would be willing. You just have to be careful.

G = Gentle (How gentle are they, both physically and emotionally?):

Logan is naturally more rough than most, but he can be gentle when he wants to be or needs to be. He has a good heart, despite what he likes to portray himself as.

He's able to caress and hold you like a man who hasn't been through the worst Hell of his life, and he's able to understand and connect with you emotionally too. He does try his best for you, even if he isn't very good at first.

H = Hugs (Do they like hugs? How often do they do it? What are their hugs like?):

He does. He likes when you hug him. As mentioned before, he likes to lift you up and he chuckles as you try to lift him (and fail).

He throws you over his shoulder when he picks you up and he teases you as you try to squirm away.

A lot of the time your hugs turn into play fights.

I = I love you (How fast do they say the L-word?):

For Logan, saying that would take a long time. He'd be very reluctant to admit it or even begin a relationship in the first place so he doesn't want to endanger you by admitting he has such intense feelings for you.

When he does, he makes sure you two are alone and he whispers it to you either when you are being intimate together, or he admits it to you after something happens where he thought he lost you.

J = Jealousy (How jealous do they get? What do they do when they’re jealous?):

Logan doesn't necessarily get 'jealous' but I can see him being very possessive. He knows his partner wouldn't cheat and he is very comfortable and secure in his relationship with you, but sometimes he can't help but feel a twinge of jealousy.

He will come up to you and growl at the person he feels jealous of, possessively wrapping his arm around your waist and tugging you closer to him, glaring daggers at the person.

I can totally see him unsheathing his claws and asking you how they look, he claims he 'polished them' and wants you to see, but it's just a way for him to further intimidate the person in front of you.

It always works.

K = Kisses (What are their kisses like? Where do they like to kiss you? Where do they like to be kissed?):

Naturally, he's a bit messy. He likes kisses that leave you breathless, but are pretty passionate and demanding. He will kiss you until you are pulling back to breathe, and he lets you take a few breaths before diving back in for more.

He bites your lip, his tongue explores your mouth, the works. His hands are gripping onto you and holding you flush against him, his dominance fully showing when he is kissing you and you cannot complain.

L = Little ones (How are they around children?):

Logan doesn't really like being around kids, but he's surprisingly good with them. he's not mean to the kids obviously, he just prefers not to be around them. He doesn't like 'babysitting,' even though he's been forced to do so multiple times.

He has a natural instinct to protect, and he's proven time and time again that despite his attitude towards the children around the mansion, he's protected the entire mansion and the children inside with ferocity.

M = Morning (How are mornings spent with them?):

Grumpier than normal, if that's even possible. He hates mornings. He'd much rather wake up on his own and have the time to slowly wake up fully and start his day than awake to an alarm.

He has trouble sleeping at night because of nightmares, so by the time morning comes, he's fallen asleep. He wakes up late morning to mid afternoon on a good day.

N = Night (How are nights spent with them?):

Logan is more active at night due to his nightmares. He doesn't sleep well and rarely gets a good night's rest. When you came along, he asked if you could sleep in another room since he woke up swinging a lot. But gradually your presence helped and you were there for him when he woke from his nightmares.

Now, he can sleep without waking up and worrying about hurting you. Nightmares still plague him, but they're much quieter when you sleep beside him.

O = Open (When would they start revealing things about themselves? Do they say everything all at once or wait a while to reveal things slowly?):

Logan has to be open with certain things, just for your safety. You learn things with him about his past and himself, he does try to keep some of the things he's done to himself just to prevent any possible arguments from you asking too many questions. Logan doesn't like to sit and explain why he did things he had to do, especially if it's generally something considered to be bad.

P = Patience (How easily angered are they?):

To a degree, he's...somewhat patient. He can snap quickly, but he is verbal about his irritation before he acts on it.

But this can also depend on the person annoying him. Some people just make him act before he can even get the words out.

Q = Quizzes (How much would they remember about you? Do they remember every little detail you mention in passing, or do they kind of forget everything?):

He has a very good memory, I mean he remembers things from decades ago, so he can remember something simple like your favorite song or color.

He remembers little things. Your favorite things, how you enjoy specific scents or tastes, and all the meaningful stuff that warms your heart that he remembers.

R = Remember (What is their favorite moment in your relationship?):

I don't think he has one specific thing he enjoys the most. I would say maybe the first time he could actually sleep without worry of hurting you and he woke up feeling pleasantly rested, because you were by his side and he didn't have any nightmares.

S = Security (How protective are they? How would they protect you? How would they like to be protected?):

Congratulations, you have an insane attack animal on your hands.

Logan is insanely protective over you. He can't help himself. You are his, and he needs to keep you safe at all times.

It's in his nature, and sometimes he can't turn it off. He's always hovering over you, watching the people around you and making sure no one is looking at you for too long.

He's very vigilant by nature, so his head is almost constantly on a swivel despite his cool appearance.

Logan wouldn't hesitate to fuck someone up if you asked him to, or defend you at any time. He'd break someone's nose for talking bad about you.

T = Try (How much effort would they put into dates, anniversaries, gifts, everyday tasks?):

He would try as much as you liked him to, I think for him, getting you flowers or treats that you like is his default until he recognizes what means the most to you and he begins to do that.

As for planning things, he mostly leaves that for you unless you want him to plan something. He's very open to doing whatever you want, as long as you're happy.

U = Ugly (What would be some bad habits of theirs?):

At the beginning of your relationship, he disappears a lot and his communication is shit. It makes you think that he isn't very reliable, and it causes some drifts in your relationship early on. He also doesn't explain a whole lot at first, but once you progress further he gets better at communication.

V = Vanity (How concerned are they with their looks?):

Logan is a very rugged man, he doesn't spend too much on his looks, but he does enough not to be considered unhygienic. Otherwise his concern for his appearance isn't very strong. Unless you had a problem with it, he wouldn't put any more effort into his looks.

W = Whole (Would they feel incomplete without you?):

Once you get to the bonded stage, he doesn't want to be apart from you. He cares a lot about you and once he admits to loving you, he is fully committed. Nothing could keep him from you and he'd tear a rift in the world to get to you.

X = Xtra (A random headcanon for them.):

Play fighting is one of his love languages. He loves to play fight. He can win, every time, you know that. But he still likes to wrestle around and let you think you're winning...then he pins you down within seconds.

Y = Yuck (What are some things they wouldn’t like, either in general or in a partner?)

Anyone who would try to boss him around in an annoying way or try to change him. He doesn't want a partner who tries to change who he is. He wants to be accepted, he wants to be able to be himself. Playful bossing around is different, but if you genuinely try to make him do every single thing you say, you two will butt heads and you won't be compatible.

If you nag too much that would annoy him. He drinks, he smokes cigars, you either have to deal with it or say nothing. He will continue to do it regardless of your personal opinion about it.

Z = Zzz (What is a sleep habits of theirs?):

Logan tries to get as much sleep as he can, but he has chronic nightmares so sometimes it's very difficult for him to sleep fully during the night. Having you with him helps, and gradually as you sleep beside him, his nightmares calm enough for him to sleep through the night without waking up swinging or trying to stab the closest thing near him.

He generally sleeps late at night to late morning or early afternoon, he doesn't keep normal sleeping hours.

He likes having you by his side when he does sleep, he feels more secure with you tucked under his arms and snuggled into his chest. Your presence, your scent...everything, it helps relax him enough to fall asleep.

He always sleeps closest to the door so he can jump up and protect you if necessary.

Thanks for reading.

*SNIKT*

dividers by @/strangergraphics

[dceasesd]

why juni ba’s the boy wonder has my favorite jason characterization of any contemporary comic run: a needlessly in-depth analysis (pt.3)

go check out part 1 and part 2 if you'd like! this is a long one, sorry guys.

if you haven't already i'd recommend you check out pt. 1 & pt. 2 (linked above), but if you haven't checked them out i've been going over some of the main things people have been criticizing ba's characterization for: 1. the typical boiling down of jason's character to "the angry one" 2. his lack of strategy going into the fight with the demon is out-of-character 3. the neighbor's kid interaction

alright, so this last point is purely based off of one page of the entire comic: the one where the child of one of jason's neighbors is dragged inside his home when his mother see's jason coming.

first off, i love this page. it might be my favorite page in the entire issue. everything about it is great. just thought i needed to say that.

anyway, there's some people who are seeing this page and reading it as "jason protects kids! that's one of his big things! why are they scared of him?"

here's the thing, though: the kid isn't scared of jason, the mom is. the kid is literally playing dress up as the red hood-- he's not scared of jason, if anything he's trying to replicate him. little kids dress up as their heroes all the time; why is this kid any different? it doesn't really make sense for the kid to dress up of something he's scared of (not everyone is as weird bruce wayne), especially a real person that could be a real threat rather than a concept. i doubt you see many kids in gotham dressing up as the joker or something, because that's just asking for trouble.

the dress-up honestly seems like a ploy for attention to me. the kid clearly knows that red hood lives in his building (which is honestly so funny. take off the mask jason you're giving you're position away (actually this is a really good instance for analysis but i'm determined to not go on a tangent)). if the kid knows red hood lives in his building, what better way to get his attention that dressing up as him and playing pretend? if the kid was scared of him, he wouldn't want to draw that sort of attention to himself. if he had a sort of hero-worshippy thing going on like i suspect, then he would want to get jason's attention. to sum it up,

it's the mom who pulls him away when jason nears, because she either a) perceives him as a threat, b) doesn't want her kid to try and replicate him even more, or, the most likely option, both! the kid isn't scared of him, but the mother believes they should be.

once again, we come back to the whole perception vs. reality theme i talked about in part one! we've come full circle, everyone!

when looking at the neighborhood's perspective of the red hood, ba gives us a few contradictory examples. there's the kid and the mother, obviously, but there's also a slew of other citizens who interact with him at the beginning of the issue, both in fear and camaraderie.

the unhoused man and the people outside of his building clearly have a familiarity and are comfortable with him, while the shopkeeper is terrified and literally has a banned poster on his wall featuring jason (i am so curious what he did to deserve that, if he even did anything at all). from this, it appears that jason's reputation teeters between fearful and familiar-- a sentiment that also colors jason's relationship with his family.

furthermore, this concept underscores just how lonely jason is-- one of the only good relationships he had in his current life was his fucking landlord, for gods sake, and he's dead.

i think it's important to note that jason doesn't respond to the friendly greetings from the men-- he could attempt to build camaraderie, the roots are there, but he chooses not to. he could work to try and show the mother that her son is safe with him, but he chooses not to. why? jason is obviously lonely (as ba states in the panel below) and he caves pretty easily when damian asks him for help (both of them are so desperate for human interaction its tragic). so why does he distant himself from the community?

obviously it is in part due to the vigilante lifestyle, but it is also jason's perception of himself and how he believes others perceive him, especially in regards to his family (ba is literally hitting readers in the head with that theme baseball bat).

he doesn't see that the kid with the mask looks up to him, all he sees is the mother pulling him away. he sees the banned poster in the store. and, as ba narrates, "he was sure he'd been forgotten about" by his family. utrh is jason's twisted way of attempting to reach out and connect with bruce, and obviously that doesn't work-- so he chooses loneliness over rejection.

like in part one, though, damian refutes this idea by describing bruce's perspective, showing how what jason believes differs from actuality. bruce hasn't forgotten about him and doesn't hate him, as he suspected, but instead harbors guilt over the situation and desires to make it better, which jason must come to understand to be able to open the locked door and begin to move past his trauma.

so, that's what the little kid in the red hood outfit looks like to me. i actually have a lot more i'd like to say about the boy wonder, especially in regards to the whole "door to my past life" thing and what ba does with lighting and blocking in his artwork, so i may do a little post on that as well! i was gonna try and shove it into this one, but i've run out of room! i hope you guys liked my analysis, if you'd like to chat about the boy wonder or any other comics, my dms, asks, and reblogs are happily open! thanks for reading! :)) <3

pt. 1 / pt. 2

[generalsmemories]

Ginkgo leaves

✧ jing yuan x gn!reader

✧ based on the ask: Since reqs are open, you think you could write jing yuans reaction to his lover being Mara-struck? Thank you! - requested by anonymous

✧ contents: established relationship, angst, hurt/almost no comfort lmfao, implied character death, mentions of other characters, pov mostly written in jing yuan's pov, still usage of 2nd pov (referring the reader as you), mayhaps ooc because jing yuan is an emotional wreck.

✧ a/n: when i tell ya'll i legit struggled to be able to write this entire thing. there's been like 3-4 scrapped drafts because halfway through writing i would just NOT be satisfied with the result. to the anon who requested this, i'm so sorry it took this long - but i hope the upcoming trainwreck makes up for it! a trainwreck im still not actually satisfied with LMFAO. but it's better than the other 5 scrapped works. also not beta-read so fellas if u see a spelling error - no you didn't.

p.s: some mara-struck information i give here are totally fanmade for the purpose of this fic alone, as such don't take whatever i write about mara here as what actually happens canonically to characters (then again most of the playable characters have different symptoms of mara themselves).

"Benefactor, am I correct to believe you're asking me if the general has any specific interests?" Tingyun asks with a snicker, the trailblazer looking away from her prying eyes while mumbling a quiet yes.

"Some of the younger... Can I call them younger? Anyway, some of the younger Xianzhou citizens are very infatuated with the general. Seeing as I've been announced as his honory guest, they do often come and ask me various things to try and gain his favor. So yeah, anything at this point will work - so please!" the trailblazer hurriedly explained, clasping their hands together in a desperate attempt to get anything from the foxian amicassador leaning back with a quirked eyebrow.

"Ahh, love truly makes someone go blind doesn't it," she muses out loud, the trailblazers' eyebrow furrowing together in confusion over the foxian's lady choice of words, "... You're not entirerely wrong with that statement..."

"Do you want to know what his favorite flower is?" Tingyun asks, ignoring the confused question that had been uttered to her, snapping her fan open to hide the cheeky smile that spread across her lips - but anyone could still tell that her eyes were gleaming with mischief as the trailblazer nodded their head.

"He doesn't have one."

"Then why did you even-"

"But he likes ginkgo leaves."

The trailblazers' eyes widened in shock, and rightfully so because the very thing ginkgo leaves are associated with are after all...

"He had a lover once, and as far as I'm aware, his last moment with them while they still had their consciousness intact was surrounded by ginkgo leaves."

Jing Yuan whilst having forgotten almost every single moment with you, does unfortunately remember the exact details of the day that your descent into madness started. Because what he witnessed wasn't a futile struggle you had with yourself to not to destroy everything within your vicinity. Instead, he witnessed the slow process of your bright self becoming an empty shell, only capable of uttering a few words.

It's comical really, even when faced with a curse that struck everyone mad - he found out that it oddly fit your character to not go mad, but instead become the complete opposite of your gentle self. A hollow shell of the person he fell in love with all centuries ago.

Jing Yuan knew he had to end your suffering right then and there when you first started to show signs.

But he couldn't - This wasn't something that had to be immediately dealt with, his hand wasn't forced like it was back when he had to slay his own master down before she took more lives.

No, this was a normal afternoon on what would've been another normal, mundane day in both of your lives. But everything went wrong the moment Jing Yuan heard the breaking of glass, and how there was a lone gingko leaf inside the palm of your hand - a ginkgo leaf that you were staring wide-eyed at with a trembling hand.

You were too far from the veranda to have a ginkgo leaf in your hand.

General Jing Yuan would've ended your suffering the moment you turned around to lock eyes with him, your own face twisted into one of utter fear.

General Jing Yuan would've reported you the to Ten-Lords Commissions as the law had stated. But Jing Yuan couldn't - because Jing Yuan knew that the moment he did, he would never see you again.

So he decided for once he would be selfish. Jing Yuan rarely made choices lately that was based off of his own feelings, but his time with you was cut too harshly, so once again he chooses to be selfish. Even if that meant that it would prolong your suffering just a tiny bit more. "... We can figure something out," was the only thing he could muster up the courage to say with a shaking voice. You didn't say anything, your mouth wobbling a tiny bit and your breathing getting harsher by the second.

But still you indulged him - you always did. So with an equally wobbly smile, you only nodded your head slightly, "... Sure."

That wobbly smile and expression of utter fear was the last genuine expression that truly came from yourself.

The descent to becoming fully mara-struck is usually a fast process, the curse able to completely overtake someone's mind within the same day the symptoms appears - rendering the person completely vulnerable with the only alternative to either hand themselves in to the Ten-Lords or wait for the Ten-Lords to come to them personally.

Your usual easy-going smile was gone, in its stead was eyes that kept going in and out of focus. Almost as if you were desperately trying to keep yourself grounded - a battle you both knew would end with your defeat.

Jing Yuan didn't dare to venture outside of the house. One step out and every Cloud Knight would've been on you within seconds to subdue you. He had first initially resorted to just holding you within his arms for as long as he could, to be able to remember how you felt like after your death.

But with the minimal strength you had left, you had wobbled to the garden, every step taken only making you pant heavily. But even with heavy breaths of air leaving your lips, you had refused to take Jing Yuans hand or offer to even carry you out to the garden. When you had managed to reach the ginkgo tree standing tall at the center of the garden, Jing Yuan was sure you were going to collapse in front of it, taking a quick step to catch you.

But instead you had merely reached your hands up, the falling leaves fluttering gently down onto your palms. And while you were in indescriable pain for the last couple of hours - Jing Yuan could only see a serene expression when you looked up at the ginkgo leaves that were continously falling down.

"... They're beautiful... aren't they... Jing Yuan? It's almost a pity... that these beautiful... leaves are associated with our doom," you said softly. Jing Yuan could feel his breath hitch in his throat when you uttered his name.

You're obviously struggling to convey whatever thoughts you still had to him properly, taking a moment in between words to catch your breath, eyebrows furrowed slightly as you fought against the searing pain that was spreading through every nerve in your body.

There's a sudden gust of wind which causes the pile of leaves in your hands to flutter away from your grasp. Your hand stretches out slightly, almost in an attempt to reach out for them - stumbling a bit in your step. The limp causes Jing Yuan to take a quick step forward with his arms outstretched. Perhaps seeing him in your peripheral vision causes you to stop the futile attempt to catch the escaping leaves, arms going limp against your side as you turn to face him - your once blank expression turning into a somber smile instead.

Jing Yuan thinks that it's unfair how normal you look in front of him - almost as if you haven't been becme mara-struck. Like nothing has happened to you aside from the ginkgo leaves fluttering from your lips whenever you cough. The same cough that causes the general of Luofu to flinch every time - without fail.

And perhaps you can see his inner turmoil, the way he tries to make eye contact with you, but is unable to after a few seconds. The way his hands clench too hard into fist to the point droplets of blood fall down to the grass and stains it a deep red while he bites his own lips to not say a word - lest he says something that he will regret.

And you truly wish that you could tell him everything is okay like you usually do.

But for the first time since the day he lost his friends, you can't.

"... I'm sorry," you finally say, the apology making him whip his head up to you again. Mouth opening to say something to comfort you, to tell you that it's not your fault. But the words are unable to leave his mouth when he sees your arms slightly outstretched towards him with a small smile.

And he can't hold it in anymore.

It only takes him a few wide steps to reach you from his position before he cradles you within his arms. The grip is tight, unbearably tight to the point it hurts, but you don't complain. You're limp in his hold, and if this was any day he wouldn't comment, but the fact that you're not moving a single muscle terrifies Jing Yuan to the core. "... Please," he finally manages to whisper, the rustling of ginkgo leaves around you almost drowning out his quiet plea.

"Please don't make me do this again."

He doesn't ask if the tensing of your body is caused by the pain that's rapidly increasing or if it's caused by his silent confession. He can however feel the gentle hand that rests against the lower part of his back and your head resting against the side of his own. The reassurance you try to give him does nothing to help because he's aware that it probably brought you unmeasurable pain to try to move those limbs - instead the general buries his face closer to your neck and squeezes you tighter.

"... You won't." you whisper quietly.

It takes a moment for Jing Yuan to process the meaning behind those two words.

But it's a moment too late, because before he can get his phone out to usher a command, a few resounding knocks can be heard throughout the quiet mansion.

"General Jing Yuan. This is Xueyi of the Ten-Lords commission. I've gotten information that there's currently a mara-struck within these premises."

Jing Yuan feels his blood run cold, he pulls himself away from you to stare at you properly in disbelief.

You're still staring at him with the same somber expression, however he can tell there's a small pitiful smile grazing your lips, "I'm sorry," you whisper once again.

"I asked her... personally," you start, finally letting yourself rest now that the end is near, slumping down onto Jing Yuan's chest, your ear settling itself against his heart to hear his rapid heartbeats.

Jing Yuan loathes the fact that it's at this moment, with the Ten-Lords commission outside of your door and with him completely broken do you actually look at peace - like your battle against time has finally come to its conclusion.

And naturally, the one who lost is you.

"Half a day... with you. Then she would come and bring me there. You won't have to... do this again."

You're not able to see Jing Yuan's face - and Jing Yuan wouldn't want you to see how he looked like right now. The arms around you is trembling, his mind is racing - trying to come up with anything to give him a bit more time with you.

But for once, the general that had a plan for every situation had nothing in mind.

He's lost. And the prize of the loss this time is losing you forever.

"General, I apologize for the rudeness of what I'm about to do, but this is for both of your safety," Jing Yuan hear Xueyi mutter from outside of the door, before he hears the rattling of the door frame start to slide open.

"Wait- no," it's a quiet request that gets ignored as Xueyi strides in alone, the lack of company making Jing Yuan's eyebrows furrow in confusion.

"... Their last request along with the request for my late arrival here was for the Cloud Knights to not see you like this. Naturally I won't tell anyone of what I've seen today."

Jing Yuan doesn't care about that, he could care less about his image right now, pulling you closer to him while his eyes are downcast - he makes no move to hand you over to the judge.

The puppet judge before him does not say anything - nor does she make a move. What she does however is wait, wait for the general before her that has been utterly crushed and broken by the person in his arms start to accept the harsh truth once again.

If he doesn't handle the mara-struck himself, someone else would - but the end result only serves to punish him in the end, the one left behind.

Xueyi hears a silent breath be let out by the general, her once closed eyes opening up to see the general pull slightly away from you, one hand reaching up to cradle your cheek. Your eyes have long since closed, and you're most likely not even conscious to hear what he's about to say.

"My dear... I'm sorry I couldn't do more for you. But I'm afraid you'll have to wait a bit longer before we can meet again," he whispers, bumping his forehead against your own gently, "I hope you won't fault me for that."

A long ginkgo leaf flutters right between the two of you, eventually settling down on your chest.

Jing Yuan sucks in one last deep breath, "I'm sorry I kept you here for so long - I'm sorry you had to be in pain for so long because of me," he leans in to slot his lips one last time over your own, whispering something that Xueyi can't hear before he rises up, your body limp in his arms.

"Thank you for your service Miss Xueyi, please see them off appropiately." Jing Yuan says, voice sounding eerily calm - almost like his usual self.

When he turns around to finally face her, the puppet's lifeless eyes seem to grow a bit in surprise. Before her is the general of Luofu, his usual easy-going smile present on his lips.

Like he wasn't carrying his mara-struck lover in his arms.

"As much as I would want to accompany you to see them off, I'm afraid I have some urgent matters to attend to," he informs, handing your body over to Xueyi - she doesn't comment on how his hands are still slightly trembling or how he immediately turned a bit to the side to ignore staring at her head-on.

Even though Xueyi doesn't want to ask, she still asks either way, "What are your plans from here on, general?"

Jing Yuan only gives her a close eyed smile, turning his gaze towards the large ginkgo tree with his hands behind his back. He gnaws a tiny bit at his lips, finally breathing out.

A couple of seconds passes by before he opens his mouth.

"I think I'll meditate a bit under this tree before heading back to the Seat. I can't leave Luofu without me for too long after all."

5 SCRAPPED WORKS AND I'M STILL NOT ACTUALLY THAT SATISFIED BUT IF I KEEP THIS PIECE LONGER IN THE WORKS THE MORE I'LL BUTCHER IT SO HAHA - THIS IS THE BEST WE CAN DO AFTER 3 MONTHS OF CONSTANT BACK AND FORTH FELLAS. I HOPE IT SQUEEZED YOUR HEART A TINY BIT NONETHELESS.

[auggator]

I'm a trans man and I'm having a hard time understanding one of your posts.

How can trans Men be lesbian? The definition of lesbian is non-man loving non-man.

I understand he/him lesbians, because pronouns don't equal gender.

But to me calling a trans man a lesbian for liking women seems... against the whole point. Wouldn't that be against their gender identity, since lesbian is non men loving non men?

I am genuinely trying to understand this and don't mean to come off as rude. I am also in the lgbtq community, I'm bisexual and transgender. I try to get your points.

Also if I understood the entire post wrong, MB. I'm just trying to make sure i can accept everyone.

Trans men have had a connection to the lesbian community for decades. The line between butch and transmasc "non-man" lesbian and male lesbian is blurry sometimes. If you want historical evidence, Alison Bechdel has some comic strips from the 1980s and 1990s where male lesbians are present. Trans men who like women often identify as lesbians before they realize they're trans, and so they have an established connection to the lesbian community and continue to identify with it as they transition. Some also feel that their attraction to women is inherently queer and don't really feel like their attraction is "straight". Not all straight men identify as lesbians or lesboys, obviously, but it's an option for those who feel like it applies to them.

Also, "non-man" and "non-woman" just create a new binary that's exorsexist and based in racist ideology if applied generally. Not everyone fits neatly into the "non-man" or "non-woman" categories. Multigender people, for example, may be both man and woman, and don't fit into "non-man" or "non-woman" neatly. To say a multigender person who is both man and woman is "non-man" or "non-woman" erases at least half of their identity. Or demigender people who identify with a binary gender can be both not that binary gender and that binary gender. So saying a demiman is "non-man" is to erase their identity as a man and to say they're exclusively "non-man" is to erase their identity as nonbinary. This is also true for genderfluid and genderflux people who are sometimes completely binary men. To say they're exclusively "non-man" is to erase their identity as a man and to say they're exclusively "man" is to erase their identity as nonbinary.

Post by @this-is-exorsexism and @our-lesboy-experience found here

I'm white so I'm mostly going to point to this post by @moonshinedyke to explain the racism surrounding "nonman" and "nonwoman" as terms. Historically, "nonman" and "nonwoman" have been used to degender Black people and the term also degenders Two-Spirit people. As he points out in the post, it's fine to use the definitions for your own attraction, but using them to define the label as a whole is antiblack.

This isn't to like shame you or anything, just to give explanations and resources as to some things. I would recommend checking out the @/our-lesboy-experience blog to learn more about lesboys in general. This Carrd also has a good amount of information.

As for my own experiences, lesbian was the first queer identity I had. I started identifying as a lesbian since I was about 12. I realized I was trans when I was about 15. I've strayed away from the lesbian label because I felt it was "too gendered" both in definition and in the association. As I've gotten older, I've started to connect with the lesbian community again and feel comfortable identifying as a butch lesbian alongside being a trans man. My girlfriend identifies as a bi lesbian, and we consider our relationship both to be a lesbian one and to be a straight one. My attraction to women is both lesbian and straight and it fluctuates between what it is from day to day. I also identify as bigender and have some connection to lesbian identity because of my gender identity being a little funky.

A better definition of lesbian would be queer attraction to women. It includes people of all gender identities and is generally a good faith way to understand lesbianism.

[justlemmeadoreyou]

hey babes have you seen that video of a fan asking Niall out recently and like he says “oh she(Amelia) will be upset” ? Could you maybe write cut blurb based on that for Harry and y/n??

words: 1.2k

warnings: fluff, smut.

***

"Oi, Harry! You single, mate? My friend fancies you!" a voice called out from the crowd during the concert.

Harry laughed and brought the microphone up to his lips. "Sorry, sorry! I'm very much taken, lads. My girlfriend wouldn't be too pleased if I went accepting offers from admirers!"

Y/N felt a rush of giddy affection watching from the wings. Even after all these years of dating, of building a life together, hearing Harry refer to her as his girlfriend still made her heart flutter.

After the show, Harry swept her up into a tight embrace, breathing her in. "You know I'm crazy about you, right love?" he murmured against her hair.

"I know," Y/N replied, feeling warm and content in the circle of his arms. "I'm pretty crazy about you too, just in case that wasn't clear."

He pulled back with a teasing grin. "Oh, I don't know. You'll have to remind me more often. I'm getting forgetful in my old age."

She swatted him playfully. "You're ridiculous. Now c'mon, I want to get takeaway from that Thai place you like before heading home."

As they walked out to the car hand-in-hand, Harry's bodyguard Mick greeted them with a nod. "Nice show tonight, H. You too, Y/N."

"Thanks Mick," Harry said easily. He always insisted that Y/N be treated as an equal part of the team by his staff and security. From the moment they got together, he made it clear she wasn't just another fling or hanger-on.

In the calm of their flat later, settled on the couch with cartons of fragrant Thai curry, Y/N felt a swell of love for this man. This generous, humble, wildly talented man who could have anyone he wanted but chose her. Chose to keep choosing her, day after day.

Harry must have sensed her watching him, because he looked up and caught her eye with a quizzical smile. "What're you thinking about over there?"

She shook her head a little. "Just…feeling really lucky, I guess. That of all the girls who fancy you, you picked me."

His eyes softened and he set his food down, reaching over to take her hand. "Y/N, you've got it backwards, love. I'm the lucky one. You're the most amazing person I know."

A lump rose in her throat at his earnest tone. "You can't just…say stuff like that and expect me to keep it together," she protested shakily.

Harry's thumb stroked over her knuckles. "It's true though. You make me want to be better, do more with the chances I've been given. I'm in awe of you every day."

Unable to find the words, Y/N leaned in and kissed him deeply, trying to convey the depths of her feelings. Harry kissed her back with equal fervor, until a wet noodle hit the side of his face with a comical splat sound.

They broke apart, stunned for a beat, until Y/N started giggling helplessly. Soon they were both consumed by laughter, food containers forgotten as they held each other. These were the moments Y/N cherished most - the simple intimacy, the shared joy of being thoroughly themselves with each other.

She couldn't imagine her life without Harry's bright spirit, without his love and support buoying her up. They had been through so much together already - the difficult early days of dating an international superstar, the intense scrutiny and pressure from all sides, the constant travelling and time apart.

Through it all, they had remained committed to choosing each other, fighting for their relationship no matter what curveballs life threw their way.

As their laughter faded off into contented silence, Harry pulled Y/N closer until she was tucked against his side. She let out a happy sigh, feeling utterly at peace.

"You know," Harry murmured after a while. "All those fans shouting for me, acting like I'm some big prize to be won…they don't realize I'm the one who hit the jackpot, getting to be with my best friend."

Not trusting her voice, Y/N simply squeezed him tighter. She knew there would always be people trying to get between them, throwing doubts and obstacles in their path. But she also knew with so much certainty - as long as they had this, had each other, nothing else mattered.

Over the next few months, tour life resumed in earnest. Frantic dashes through airports, screaming crowds, hotel room nights blurring together, every waking moment scheduled to the max. Y/N was grateful she could be by Harry's side through the whirlwind, her familiar presence keeping him grounded and sane.

One night after a show in Los Angeles, they were lounging on the hotel room sofa, Harry's head pillowed in Y/N's lap as she carded her fingers gently through his freshly-shampooed hair that always smelt so fucking good.

"You were amazing tonight, babe," Y/N murmured. "That whole stadium was eating out of the palm of your hand."

Harry hummed contentedly at her praise, his eyes slipping closed. "Felt good up there. Like all the pieces just clicked into place once I saw your face in the crowd."

Y/N's heart squeezed at his words. "You mean that?"

"Of course." He blinked up at her solemnly. "Having you there, it's…it's like coming home, no matter where we are in the world."

Tears pricked at the corners of Y/N's eyes as she leaned down to kiss him tenderly. She loved this man so deeply it terrified her sometimes.

As the kiss deepened, Harry's hands came up to cradle her face, holding her to him almost desperately. Soon they were a tangle of roaming hands and shared breaths, shedding layers of clothing with increasing urgency until they lay skin-to-skin, hot and bothered.

Harry trailed hot, openmouthed kisses down the column of Y/N's throat as she arched beneath him with a breathy moan. "Need you," he rasped against the hollow of her neck. "Need to be with you, feel you…"

"Yes, yes Harry please," she panted, raking her nails down his back.

He shuddered at her touch and surged up to capture her lips again in a searing kiss. Then, with practiced tenderness, he sank into her welcoming heat and they both let out ragged gasps at the intensity of that joined feeling.

Moving together in a rhythm, Harry and Y/N lost themselves in each other, with moans and whimpers exchanged between the two as they chased their highs. This was their oasis, their refuge from the craziness of the world outside - just the two of them, tangled up in each other utterly.

Aftershocks still trembling through them both, Harry gathered Y/N close and pressed his lips to her damp hairline.

"I love you," he murmured thickly. "I love you so bloody much, Y/N."

She tilted her head back to gaze at him with sparkling eyes. "I know. And I love you, Harry. Always."

Smiling softly, he brushed the pad of his thumb over her swollen bottom lip. "Forever my girl?"

"Forever," she promised.

***

tell me if you like this <3

[impactrueno]

IS your comic a Beetlebabes art? Cause I love them so so much and I want to see it through your eyes(I think they’re adorable but we all have prefs)

thank you! it's actually not beetlebabes, but i won't stop people from seeing it that way, or the opposite, or familial, or whatever they want them to be.

i actually don't want to say much about how i see it because i don't want to influence how you guys see it, but i'm writing them platonic (this is my preference) with enough ambiguity so readers can relate and connect with it however they wish. it can be whatever the reader wants. it's a very personal comic for me, so i think the way i personally see it can get a bit too personal. judging by the comments i've been getting, it's been the same for a lot of people. people bring up their own similar experiences with all kinds of relationships and how reading their conversation has been healing for them in some way. that alone makes all the effort and opening myself up worth it haha

long story short, they're best friends, as established in the show. but there IS a bit of a shift in dynamics, since they spent decades without seeing each other, so things aren't as simple as they used to be. lydia returned with years of life experience and wisdom. she also had a lot of time to think about BJ's place in her life. BJ himself is trying to adapt to this change, but it's kind of a LOT. last he saw her she was 17, now she's a mother pushing 50, and he's still the same as ever, frozen in time. how do you even react to that if you were in his shoes?? this isn't a real life scenario one can base off of someone's experience, so you just gotta sit inside his head for a bit to figure out how something like this would affect someone. after doing that i realized that there's many different ways that could go down.

and that's where the reader can begin to theorize and come up with whatever they want.

[triforce-of-mischief]

beyond "pup and cub": analyzing twilight and wild's relationship

beloved by most, twilight and wild's relationship is one of the pillars of linked universe. the two brothers, closer than anyone else in the chain, who trust and keep each other in check. even before the events of jojo's comic, these two links knew each other from the same quest.

right? in some aspects... wrong.

(one extra note before we start, considering everything that goes through the fandom on a regular basis: this is not a trope-bash. sure, their fanon relationship isn't everyone's cup of tea (it sure isn't mine), but my goal is to share an analysis based strictly on canon, nothing but real observations and the honest truth.)

for the sake of everyone's dashes, this will be under a readmore but it's a really important read for the entire fandom so i implore you to click through.

x

it's well-established canon that wolfie was a major part of wild's journey. even though wild never knew that the wolf was a fellow link, he trusted the "blue-eyed beast" with his life.

x

on what could be twilight's deathbed, wild tells him, "you've got so much to live for". he then reminisces back to his own quest, and the wolf he knew then. there's something crucial to note there, which the fandom did spot when the comic was released;

x

during the events of botw, wolfie was old. really old. grizzled and shaggy, a rusted chain shackled to his paw that was eventually removed. compared to twilight's wolf form we see in lu, we can make the conclusion that wild is telling twilight that he needs to live for his own future.

wild knows twilight before they meet in lu. twilight does not.

by the time i finally post this, there is even more canon evidence besides these panels. justification has been a long time in the making, and i've been drafting this post since february. we'll get to the additional waves of evidence later on, but for now, let's do a major reset analysis of their relationship throughout lu so far.

twilight gives reasonable advice to wild:

x

twilight doesn't scold wild for wanting to kill for the sake of it? wild doesn't sneak off and hunt his own game? absolute blasphemy... but it's canon.

mutual praise/bonding:

x x

after trying twilight's soup recipe, wild doesn't even have any hard feelings.

everybody loves a brotherly hug :)

mutual respect/bonding:

x x x x x

notice the lack of pushed boundaries, even when the two get on each others' nerves. wild and twilight tease more openly than some of the others, but wild is good at backing off.

instead of rolling his eyes or telling everybody how "stupidly dangerous" it is to nock three arrows at once, twilight simply smiles as he watches wild demonstrate his cool technique.

twilight choosing not to scold wild:

x x

that's right, folks: twilight respects wild as a person with his own agency. it's not wild's fault that he can only scavenge weak blades, and nobody was thinking rationally during the fight with the iron knuckle.

twilight scolding wild:

x x x

that's not to say that twilight always holds back. yes, he isn't pleased with having to track him down, or taking a dangerous hit to the face, or wild's... interesting way to use his swords. wild stands up for himself, though, and twilight still respects that.

the word you've all been waiting for:

x x

yes, i know how to admit when i was wrong. the word 'protege' has been used to describe wild's relationship to twilight. but don't get so smug yet- this hasn't been said in canon, and what jojo specifically says is that wild is "unofficially" twilight's protege. it's pretty clear that their relationship isn't defined by the boundaries of mentor-protege, and even if it was, there's no sign of the unhealthy power imbalance that is found so frequently in fandom.

brotherly teasing:

x x x

this style of teasing is commonplace in lu canon. i'd be surprised if i saw this much lighthearted banter from a "mentor twilight" who thinks that wild is a feral infant, or a "protege wild" who is rightfully scared of the short-tempered twilight's every move.

backstory stuff:

x

twilight is still trying to figure out how to approach being there for wild. he doesn't know as much as wild thought he does, so he relies on relatability with his own story.

sunset + moving forward

x x

and so we return to this panel in its entirety, and additional proof of what i wanted to say all the way back in february. i think wild says it all perfectly himself; he's used to twilight guiding him from afar, letting him make his own decisions and mistakes. this may be something that both of them have to (re)learn during this adventure, but wild knows what he needs and how to communicate it.

x

i'll leave the analysis here. it's been a long time in the making and quite frankly i've forgotten any additional points i would have made. i'm a member of the patreon so i am tempted to wait yet again... but maybe, those who made it to the end of my post will look at wild and twilight with new eyes themselves.

never stop inventing headcanons, but i think it's important to take a step back and reevaluate what we've accepted as the truth every once in a while.

[fancyfade]

2009 era Damian reading

As I've been doing my 2009 era Damian reading, I'm trying to condense the good stuff and bad stuff, and things I believe are relevant for his character. These are in addition to what I assume is obvious (Batman and Robin 2009, the comic where he has a starring role).

Battle for the Cowl: this has how Damian becomes Robin. It's not necessarily good. Daniels really does not understand Damian, especially this early in his writing, but it does have some important context for things going down b/c Damian helps Squire save Tim's life, and we can see Dick viewing training Damian as something he is responsible for.

Secret Origins (2014) #4: This is a much more in character Damian becoming Robin, though fit for a condensed new 52 timeline that leaves some stuff out (like Damian's rocky intro with Bruce).

Batman #688 (Long Shadows part 1): Winick seems one of the early writers who does a Damian as he lines up with later characterization (views himself more as a professional assassin), so I think this one's good.

Batman: streets of Gotham #1-6: damian makes some minor appearances here.

Batgirl #5-7: Always take Damian's guest-starring stuff with a grain of salt, as often times writers just go with "how would an obnoxious 10 year old boy act here" without understanding he's a specific kind of obnoxious 10 year old boy... that said I do like some of his interactions with Steph, and I think it's incredibly important that we see Damian defends his competence based on his training, not on his blood.

Like he'll sometimes justify why he belongs based on his blood (which like... no one acts like they want him around), but he isn't going around saying "I'm better than you b/c I'm batman's son". he was trained intensely since birth (and that's why he should say he's better than you :P)

Batman #692-697: not a ton of Damian in this, and it is Daniel's writing, but he's a little better than he was in Battle for the Cowl. We see Dick training Damian some.

Batman: Streets of Gotham #7, #10-#11: love this plotline for him. Good show of competence and characterization.

Blackest night: batman: More focused on Tim and Dick, and Tomasi sucks at writing Babs, but at there is some Damian content that I remember enjoying.

Red Robin #11-15: as long as you read this one with your brain turned on, it's good for explaining some Tim and Damian stuff. Sadly some fans are like "woooo arrogant 10 year old gets beat up". Nicieza makes some missteps (frames Tim's thinking around Damian as coldly logical, when it is anything but and he is reacting from a place of emotion), but one can ignore those.

Batman #703: shows Damian's character pretty well in a default Batman and Robin adventure, and his relationship (or lackthereof) with Bruce and his dynamic with Dick and Alfred

Teen Titans #88-92 (including Red Robin #20 in a crossover plot): surprised by how well I liked this one. I think it portrays Damian pretty fairly, and we can see that he is trying hard, but hasn't been given a lot of support up until now (or even now, Dick kind of just drops him off with a bunch of older kids who all also have issues and are predisposed to disliking him XD). His dynamic with rose is fun and I think it is notable how quickly he does acquiesce to following Cassie's orders when she's like (at first) the only Teen Titan who is OK with him being there and assures him its not personal when she makes a comment he doesn't like.

Bruce Wayne: The Road Home: Batman and Robin: Has some nice Dick and Damian banter, showcases how they've worked together well

Batgirl #17: more damian and steph interactions.

I will probably add more (either editing this post or in a reblog) as I keep reading.

[sl-walker]

Booster's Queer af

Something I wrote on Reddit on a thread asking 'what's your DC hot take??', because if you're gonna kick a hornet's nest, kick it with your best steel-toed boots and then smile:

Booster's queer. That man hasn't come across as straight-- ever. Like even when I started reading DC in 2003, he came across as queer to me, pretty much from his inception. Seriously. He comes across like someone closeted and decidedly not-straight who just stays in the closet initially because it was a very bad time to be anything other than heterosexual when he landed in the past and later because it's habit and expected of him. I don't think he's gay, I think he probably leans pretty pansexual or maybe even demisexual, but any which way, you'll never convince me he's not at least a little bit queer. He's had one in-universe romance that hasn't been retconned (Firehawk) in his entire time existing and one that was a joke and maybe not even real canon (Gladys). After almost four decades. His thing with Firehawk lasted, I think, like less than a year, too. I'm pretty sure you can count his on-panel kisses on one hand, but not more than two. He's never had a 'morning after' scene. The one seriously emotionally intimate relationship he has is with another guy. When he does flirt or attempt to, it comes off as being awkward and a bit desperate and a bit like a man who is kinda using it as cover. And like-- that really makes way more sense for him than anything otherwise. I'd sincerely hope by the 25th century that we'd stop giving a damn who loves or wants whomever else based on gender presentation. It also makes for a pretty compelling tale, a guy getting dropped into the middle of the AIDS epidemic learning a very quick and ugly lesson about what happens to queer folk in this time period. I dunno how hot a take this is, though, because at least some people up top agree (he's canonically hooked up with Ted in Teen Titans Go! and like-- any time Tom Taylor writes them, he all but says it aloud), but if TPTB were brave, they'd finally confirm it mainline. Like you don't even have to ship him with Ted (though that's my preference), just confirm he's queer. Here's my essay. What's my grade? LOL!

--

Since it's relevant, tho, here's a few pieces I wrote from a long email back and forth (since us old people still do that) with another very long-time fan of his a couple weeks ago:

But anyway, to me, he acts about like how a kid who got dropped into the 80s during the height of the AIDS panic and rampant homophobia and the wholesale death of gay men might, especially if he were queer himself. I'd probably try to straight-wash myself, too, in his boots. (I remember that time period, if distantly. I didn't realize I was queer myself until I was well into my 20s, despite falling in very desperate and intense love with another girl when I was 12. I do remember being in high school when a boy was murdered for being queer by being tortured and left tied to a fence to die, though. It was that kind of world back then for people like us. In some places, it still is.) Still, where Booster fails at any hetero romance (oh god does he), he's so devoted to Ted that a big part of his second solo was dedicated to him either trying to save the man or actively mourning him. It's heartbreaking and amazing and really actually quite good stuff, from a literary POV. Whether DC meant it or not, somehow they managed to write one of the greatest love stories I've ever seen in a comic across most of twenty years, no kidding, and I've read a lot across a lot of companies, even back when I was a twelve year old girl and ridiculed for it. And not just a great queer love story, it's a great love story period. A person can make a credible argument for it being a one-sided -- romantic and therefore non-platonic -- love, but it's pretty hard to argue it's not a very intense one regardless.

And

I guess what I'm trying to say is: This is another read on him. And I think also a very valid one. He's one hell of an amazing character, I wish DC had handled him half as well post-Flashpoint than they did pre-Flashpoint, and I don't think a queer reading of him detracts anything from how amazing he is. If anything, I think it makes the older stuff several shades deeper (and so, so relatable, god), and I think if they decided to write him as explicitly queer now, not too many people would actually be all that surprised. With or without Ted. I can't really identify with Alan Scott, love him though I do, even though I can acknowledge that a generation of gay men likely could quite strongly. But I can identify with Booster Gold, who grew up poor and wrecked his future in part for love of family, who clawed his way out of poverty and fell back into it, who has brilliant and shining moments of courage and heart, and moments where he lands on his face, who was tough enough to survive a lot of shit but devastatingly vulnerable to exploitation, and who looks like a fellow queer kid who might've fallen for his best friend, but was surrounded by homophobia and hate and terror and buried that part of himself because the alternative might have been getting beaten and left tied to a fence to die.

[horse-girl-anthy]

this is gonna be an off the cuff ramble/vent so don't read if that doesn't interest you.

I am thinking I'm going to back away from Ikuhara fandom in the next six months (coinciding with when I finish the rewatches I'm doing in my server). I feel like I've exhausted what I have to say about his shows, and I've also developed a very specific way of understanding them which clashes with others. I'm torn between feeling like it's worth trying to delineate my own understanding and feeling that I'm just being territorial, pedantic, or close minded. at a certain point, even if I could be proved "right" on my interpretations, I'm losing the enjoyment I should have in the stories by caring what other people think about them. at the moment, I'm thinking I want to flesh a couple more ideas and then let it rest. I'll always be grateful to Ikuhara and happy I put time into this blog, but nothing lasts forever.

so all of that to say... I was on the fence about writing what I'm about to write. I recommend people who don't want to read someone objecting to common RGU fan interpretations to just check out now. I'm not trying to start anything. but after reflecting on it, I decided it to share my thoughts on this topic; I think it's worth saying, even if it makes me look contrarian or problematic.

---

I watched RGU in 2014, right as the western fandom was experiencing a shift in how it approached the show. I won't detail all that went on during that time--today I'm specifically interested in two characters: Nanami and Miki.

before, I'd say the fandom was overall less critical. things were taken more at face value. for instance, Nanami was not always taken seriously, while characters like Miki, just because they were "nice," were seen as "good guys." however as time's wore on, there's been a backlash to that way of approaching the show. the characters most likely to have received misogynistic hate in the past (Anthy, Shiori, Nanami, and Kozue, mainly) were reinterpreted, while "good guy" characters were increasingly scrutinized.

that was a good thing, as it was a counterbalance to the previous attitude. however, it's been more than a decade since I joined the fandom, and I still see people talking like it's 2014. the way that people have reinterpreted the anime has, often, not resulted in interesting readings. this is because people are still applying an ideological lens to the story, rather than engaging with how it presents itself.

I specifically want to highlight Nanami in this regard. I check the RGU tag almost every single day, and I have seen scores of posts which are nigh-identical to each other. it's always people talking about how she's a "calf to the slaughter," she's actually a victim, etc. and I just... don't get anything out of it.

I think a lot of this shift began with this essay series called Palace Perspective. it's been a long time since I read it--actually before my Utena renaissance--but I didn't like it at the time. it was written in this very self-serious style, and all I remember it arguing was "Nanami is a victim, Touga is a bad guy." I'd loved the Touga/Nanami relationship since I first watched RGU, and that was never how I felt about it. Touga certainly harms Nanami, but based on the series itself, it seemed to me that in large part, Touga was the victim, and Nanami was harmed by his victimization.

anyway, since around the time that essay series came out, people have had this attitude of "actually Nanami is a very deep character, you guys," as if it needs to be repeated over and over. and there's a denial that Nanami is a comic relief character--"actually her being funny is just a ruse because the show is camouflaging that she's a victim!" okay, yes, they do lure you in to Nanami's story slowly; she's initially silly, but all along hiding under that was some serious shit. I'm not denying that. but I'm also not buying that line entirely.

the Shadow Girls do an entire play about how Nanami's comedic suffering is the result of her own actions (they call it "divine justice"). take episode 16 specifically. yes, we have Nanami dreaming about being a calf for the slaughter. that is a great scene and indicative of the unhealthy relationship between her and Touga. but isn't the crux of the episode that Nanami is making a fool of herself??? she tries to one-up Juri at a party. her failure to realize what the cowbell is highlights her ignorance. the show is absolutely poking fun at her. you can go into why Nanami ended up this way, but I don't understand how we've gotten to the point where people are so over-serious about Nanami--and RGU in general--that they can't laugh at it.

I'll take a detour here to talk about Miki. it's become increasingly popular to frame him as a sexist--I've even seen him termed a "raging misogynist." he gets blamed for his strained relationship with his sister and written off as "just as bad as the other male characters." that's another case where I really don't see it. or at least, I feel like people have lost track of degrees in these things. Miki seems unsure of what he believes, sometimes expressing progressive views but other times regressive ones, and he does act within a patriarchal system. but does he comport himself that badly? or is he just a normal 13-year-old boy who falls into temptation?

I want to make a comparison between him and Nanami here. I think you could make a very real case that Nanami has far more sexist beliefs than Miki. she treats every female character as competition, as a hussy out to steal her brother. when she finds out the truth about Anthy and Akio, she immediately jumps to victim blaming Anthy. and another thing: Nanami plays princess.

the fact that so many people write about Nanami but this aspect of her character is rarely commented on is mind boggling. it's like, her whole thing. Nanami wants to be the center of the universe; Touga is her everything and she wants to possess Touga. she constantly acts the victim and tries to manipulate things so her enemies look like the villain.

I'm not saying this to shit on Nanami! I love Nanami, she's one of my favorite characters of all time! but I've found it alienating to be in a fandom where whitewashing is framed as appreciation. even her backstory: people make post after post about how it wasn't Nanami's fault she killed the cat, because she's a victim. here's the problem with that: why are we engaging with the story on the level of blame? I recently read an essay on methods of analysis that placed "vilification and heroization" as the lowest form of engagement with fiction. I understand why someone would want to defend a character from attack, but aside from like, youtube comments or old forum posts, who exactly is attacking Nanami? and also, how is saying "actually she's a victim so that explains everything" accomplishing anything?

I am being unfair here, because some people do engage with the work enough to say more than that. people will point to the neglect Nanami experienced as the cause of her behavior. that's there, it's certainly there. I'm not objecting to serious attempts to explain character motivation in reaction to vilifiction, but more to the impulse to try to paint characters as morally pure. isn't Nanami so great because she's so complicated? when people approach the story with the drive to whitewash, so much of the nuance and feeling of the work goes unnoticed. episode 31 and 32 do portray Nanami as a victim (of Touga and of her parents and of Akio). however, they also portray Nanami's motivations, and not all of them are pretty. over the course of the arc, you watch her entire worldview fall apart. it doesn't matter whether it's "her fault" she has that worldview--the process is painful and humiliating either way.

all of this carries through to how people react to both Nanami's final scene in the show and her comic relief section in the film. the comic relief scene is bad because it doesn't take Nanami seriously enough, while her final scene is bad because it shows her waiting on Touga and Saionji, which is sexist because she's partaking in traditional gender roles. the only way I can understand those reactions is that people didn't actually pay attention to how she was portrayed in the show, as a comic relief character or as a serious character. I'd understand the objection if Anthy's final scene involved her waiting on Akio, but Anthy and Nanami are different characters (I also don't get much out of the endless Anthy/Nanami posts because of how they are flattened in comparisons). unlike Anthy, Nanami spent the entire show demanding to be waited on, but when we see her for the last time, she's contentedly serving others. that is called character development.

I wanted to highlight Miki and Nanami because I feel they point to a major problem of the fandom: the maintenance of the prince and the princess, just with new definitions. the prince is bad, masculine, harmful, and needs to be rejected. the princess is good, feminine, eternally victimized, and above question. I find this sad because I thought we were supposed to be transcending the gender binary. I know saying this makes me sound anti-feminist, but I'm not. I'm not saying "oh we need to transcend the gender binary by never criticizing men or ignoring how women are victimized"; that would be stupid. but my vision of feminism is vigilantly critical of all things, evaluates each situation on an individual basis, and avoids self-flattery and self-deception.

[thorias]

So I know I've been fixated on this, but the more I think about it, the more signs are pointing to the timeline getting reset. Upon rewatch, there are just so many things about the events of ep5 that simply don't add up if this was meant to be permanent.

First, there was that weird psychic blast that hit Madelyne/Jean right before the attack. What was that about? Could it have been Cable? Possibly. But it seems awkward when it happens right before he shows up in the flesh anyway, so my guess is it had to do with someone else. But who?

It might be a stretch, but given what happened in ep6 with Xavier on his way back to Earth now, I could see it being Charles trying to warn them from the future via time travel tech. I might be way off base on that one, but we've certainly seen weirder things happen.

Also, Rogue wearing a version of her famous first-date-with-Remy dress in the comics only to dance with Magneto while Remy dies without knowing that she'd chosen him is a detail that stands out like a sore thumb. That didn't happen by accident. This was a very deliberate choice by the writers and unless the point of it was to just be intentionally cruel to Gambit AND Romy fans, (and I kind of doubt it was) this is going to come back somehow. These writers have been very reverential to the comics and they had to have known how fans would react to that. If those events aren't going to change so Rogue dances with Gambit instead, (paying off that line in ep1 about suffering her hand for a dance) then why do it this way? To heartbreakingly end one of the most iconic and popular relationships from X-MEN TAS, which was built up over 5 seasons, with no payoff at all? How is that an ending that would satisfy anybody?

Maybe I've got my tinfoil hat on a little too tight right now, but I just don't see any way that this is going to stick. I don't know if the attack will be prevented entirely, (probably not, tbh) but something about that night is going to be changed. You don't establish that the whole reason Cable's here is to stop the attack and then have him completely fail at stopping it.

Maybe Cable, Xavier and Forge put their heads together, get Cable's tech working properly and manage to warn everyone in time to make a difference.

In fact, I read a brilliant theory the other day that Xavier would use Madelyne/Jean as psychic conduits to make the X-men and everyone at the gala remember what happened before the attack starts, giving them enough of a heads up to save themselves. And ep5 was literally titled 'Remember It'; I mean, it could be more perfect.

AND since Sinister was behind the attack, how fitting would it be for Cable (the product of Sinister's machinations) to be the one who thwarts him?

What if Cable and Xavier manage to warn everyone in time, all the mutants of Genosha band together with the X-men to take the Wild Sentinel down and then afterward the gala happens, but with Rogue dancing with Remy this time?

I don't know... that's probably wrapping things up too neatly (and the teases of Remy becoming Death are piling up fast, so we can't rule that out) and I'm sure there are going to be consequences to the Sentinel attack that stick even if they do reset things, but narratively, this would make a lot of sense, not to mention finish the story in a way that doesn't leave Gambit/Romy fans utterly depressed and miserable.

[yanderes-galore]

Hi Panther,

Transformers ask? May I please make make a romantic yandere request for a oneshot with Yan!Tarn with a Neutral!Bot reader and propmts 2, 30, and 46. I was thinking of the idea in fannon where Deceptacon culture dictates the dominant con claws or bites a nasty wound that scars as a mark as “Mine” usually as a mate.

Sure, I'm not well versed in Transformers fanon as I try to keep it as canon as possible. Yet the concept seems pretty basic so I'll try.

Still relatively new to the comics and I'm not that far so if information is off, that's why.

Energon is depicted as pink in this as the comics usually use this as the color from what I've seen.

Yandere! Tarn Prompts 2, 30, 46

"It's an honor for someone such as me to take you in and love you!"

"Those lasting marks are signs of our love!"

"Even monsters can love, can't they...?"

Pairing: Romantic

Possible Trigger Warnings: Gender-Neutral Darling, Obsession, Kidnapping, Marking/Injury, Delusional behavior, Forced relationship, Possessive behavior, Not much plot... mostly just a kidnapping scene/plot, Transformer fanon HCs as a plot point, Mentions of "Mate", Cybertronian/Cybertronian, Bleeding, Vague implication of stalking, Graphic scene (?).

"You'll tire eventually, that's fine, I can wait."

Tarn's calm and patient when pursuing what he wants. Patience is something he's had to learn in his line of work. That and loyalty.

Tarn knew eventually he'd have you in his claws. Honestly, he couldn't wait for it. He had been eying you for a long time as a potential partner for himself.

You're a neutral party... something that can easily be changed once he has you. Part of him originally wanted to take you in to convert you. Now it seems he has... ulterior motives.

Tarn has never considered a Conjunx Endura. He had loyally followed Megatron's teachings and that's where most of his life has gone. Then he saw you... Decepticon potential in his eyes.

That and Conjunx Endura potential.

Even as you run from him in a pitiful display, Tarn indulges in the chase. It's a little game to entertain himself before he claims you. He'll allow you to think you have a choice in the matter.

Oh, naive bot... you never had a choice the moment he picked you.

"You're making this harder than it has to be. Your spark is safe with me. All you need to do is surrender!"

At this point he's taunting you. Tarn is already plotting how to corner you. Each movement he does is calculated, predicting your every move.

Right... until... you're right where he wants you.

Tarn feels excitement swell within him when he finally manages to corner you. He sees you run into a dead end and realize you're trapped. You stare at him with many emotions swimming in your optics.

Tarn sees confusion... fear... and aggression. Fear is the strongest emotion that clouds your vision. Tarn can tell you have a vague sense of who he is.

Pride fills him while he steps closer.

"Game's over, my little Conjunx Endura. I do believe you've worked us both up enough."

Tarn's voice is teasing... while barely concealing a deep hunger within. You stare up at him with more confusion and disgust than fear for a moment. The looks you give him drive him crazy.

Oh... he picked well.

"Now... will you come with me willingly..." Tarn drawls, trapping you between him and the wall.

"Or will I have to get the D.J.D involved?"

Reluctantly, as he expected, you agree to come with him to his base of operations.

To him, that's already a good sign you'll be a behaved partner once he marks you.

---

Sounds of metal on metal echoed through the room. Pain coursed through you and it was all you could even think about. Even with the red eyes glaring down at you in possessive aggression... your mind only thought of the pain.

"I took you in for a reason..." The Decepticon hisses out. You hear your own metal creak as he digs his claws into you. You swore you felt Energon trickle down. "I chose you to be mine... my mate... I think I've waited long enough to mark you."

Tarn then pulls your chin to make you focus on him.

"Haven't I been nice and patient enough with you?"

You shudder against him, trying to break eye contact to see the damage. Tarn doesn't allow you to look and brings your eyes back to him. For a brief moment you see the look in his eyes soften.

"Those lasting marks are signs of our love." Tarn hums, sitting you up. You see him pull his claws out of the wound and catch a glimpse of vibrant pink liquid dribble down them. You feel ill and the pain throbs... you decide not to focus on his claws.

"It's an honor for someone such as me to take you in and love you." Tarn praises you, eying the Energon on his hands. "A mark as deep as this will show every Decepticon I claim you."

"Am I going to die?" You heave.

"I'd never let you." Tarn replies, already preparing to call over Nickel to stop the bleeding. "You'll live... and have a pretty scar to remind everyone of what has happened."

Tarn then leans over you to brush his other hand across the side of your face. His eyes hold what appears to be adoration... but it's wrong. Anyone who really loved you wouldn't gouge a hole into your side so you spilled Energon on the ground.

"After this you're no longer a neutral party... you're a Decepticon." Tarn continues, gaze never leaving you. "I've claimed you, I've marked you, and I plan to brand you when you heal."

Tarn's tone sounds confident and pleased. You narrow your eyes at him and try to push him away. He doesn't budge.

"You're a monster... get away from me...." You hiss. Tarn makes a displeased scoff before leaning away from you. You'd take time to convert.

He'll just have to find more patience it seems....

"Even monsters can love, can't they...?" Tarn muses. "Eventually you'll understand."

Tarn presses his mask to your forehead and you flinch back. It was meant to be a comforting kiss. To you... it's anything but.

"Nickel will nurse you back to health." Tarn tells you, picking you up to transport you. His grasp his tight... Energon still dripping from his claws. As he walks with you, his gaze meets yours again.

"Until you're well rested... I'll be waiting, Conjunx Endura."

[iluvylalevu]

hiii, good day! just dropping by to let yoy know we looove your toh art, especially your collector, titans, and archivist drawings!! they're all super cool and you draw a really soft cute collector that is one of our favorites. we love rereading your comics cause the collector growing up with the titans is just so sweet. ToT <3 and we especially especially love the archivists you designed, we are obsessed with the archivists as a type of being(?) ourselves so we love seeing when others come up with ideas about them and, well, yours is one of our favorites. (⁠ᵔ⁠ᴥ⁠ᵔ⁠) the themes of what they collect are super interesting and give us much to think about... crawlies's design also makes us /⁠╲⁠/⁠\⁠╭⁠(⁠•⁠‿⁠•⁠)⁠╮⁠/⁠\⁠╱⁠\ (that's a smiling spider emoticon). we're wondering if you might have any more info on your archivists to share? we'd love to learn more about them... \⁠(⁠๑⁠╹⁠◡⁠╹⁠๑⁠)⁠ﾉ⁠♬ no problem if not, hehe, just thanks and hope you do well!!

Oh man, my Archivists, it's been a while since I've visited them, let me see what I remember/saved So first off, my Archivists designs are overall based on the paintings we saw in the show, particularly this one

I used the hats to pick what each of them would be designed after, with Extravaganza's design taking after a sun since suns are stars, just to make him more unique/separate from the other star character, which ended up being Crawlies

This is more a really good coincidence, but I only found these paintings after I'd designed Extravaganza and Blind Spot (all's well that ends well I suppose haha)

The Archivists, despite being siblings, are very detached from each another. Their relationship is more of a co-worker type of thing than anything. They don't hate one another, but they wouldn't really care if one got stranded (cough cough)

Here's some little trivia about them individually (with a couple doodles to boot)

Extravaganza (sun guy):

-Extravaganza was the first one I designed, so one of his "fun facts" is that his nose always faces right. This kinda ended up not being unique to him since it also happened with Blind Spot (moon gal)

-He gets jealous easily. He wants to hoard all that's "unique", so whenever his siblings get something he likes he'll try to get it out of their hands very aggressively. This jealousy sometimes extends to things that are inherent to his siblings like Prevalent's rings

-Because he tends to reject normalcy, he can kinda be like Crawlies in the sense he might move creepily or weirdly. Even in human form, he tends to rotate his head the same way he does in his "abstract" form

-He loves being the center of attention. When the titan war happened, he took on the biggest and brightest form he could, making a spectacle of himself (and continuously getting injured by Titans like an idiot)

Blind Spot (moon gal)

-Her hair was made to resemble a waterfall in abstract form and a cloud in human form. I could argue this is because the sound of water and the cotton-like sensation we picture clouds having fit with her collection's theme but if I'm being honest I just thought it looked neat

-The reason she keeps her eyes closed is because she thinks the comfort that comes from an object/creature is "ruined" if you know what it looks like, since now that you know its appearance, it is all you will think about when you touch it or hear it instead of fully focusing on the sensations

-She has a very calm demeanor, but she's easy to anger. Her coldness makes it easy for her to approach other creatures and evaluate whether she wants them in her collection or not

-She's one of the more dangerous Archivists. If something she finds is not to her liking, she is more prone to opening her eyes. Once she's seen something, she WILL deem it as worthless and destroy it unless one of her siblings has already claimed they want it

-When the Titan war happened, she had her eyes open the entire time

Crawlies (red star guy)

-I decided to base him on a cold star, hence why he's almost completely red (that day I learned the colder the star the warmer the color. Wack)

-Very sneaky guy. Able to slip through undetected almost all the time

-The way I designed his face is so he can have "two noses" and you never really know which is the actual nose, if he has any. This unfortunately didn't translate to his human form

Prevalent (Ringed Planet/Saturn guy)

-They're the only Archivist that went through different names before I could land on one. These names were Pebbles, Commonplace, Trivial and Stamps. Pebbles and Stamps were considered because rocks and stamps are some of the most common collections people tend to make

-Actually on that note they absolutely have a rock collection

-Their eyes look Like That because of being based on a ringed planet. The triangles on their left are also surrogate eyelashes for their left eye, but I couldn't figure out how to translate it to their human form

-They usually get to decide where to go next once they're done with whatever planet they're visiting at the moment

And finally, not an Archivist but

The Collector

-Baby

-Healing the damage his siblings caused one best friend at a time

[littledesertfox]

Historical Fiction Recommendation

A bit of an unusual post, but I recently learned about the existence of the Desert Peach comic series created by Donna Barr and I need more people to know about it because it's a true gem. A big shoutout goes to @darksideoftwenty who introduced me to this comic, otherwise I may have never even knew that it existed!

To put it simple, the story is about Rommel's fictional gay younger brother called Pfirsich (sidenote, this is literally just the German word for peach and not actually used as a name, but it's still cute😅). He is the leader of a small support unit of the Afrika Korps, which consists mostly of people that are considered "misfits" in other parts of the army. The individual stories consist of all sorts of adventures and shenanigans but also have overarching plot points.

I think it's important to not let yourself fool by the potential first impression with this comic. At first glance, Pfirsich may seem like the absolute stereotype of the effeminate gay man, but there's actually so much more to him. This applies to the other characters too, as the story goes on and we get to know more about them, their personalities just become more and more well-rounded. At least since issue 3 I've been absolutely hooked.

For a comic that was written in the 80s and 90s, I was also extremely impressed how delicately it touches on and handles topics that are still relevant today, and manages to balance chaos and silliness with more serious and darker moments. Of course, not everything may be politically correct by today's standards and you should keep that in mind, but honestly I think there are pieces of media that are far more recent and still did things like this much worse.

The comic is available entirely for free on Webtoon, so if WW2 fiction is something you're into you should definitely give it a try. Apparently there was also a musical made back in the 90s that was based on the comics, but I could barely find anything related to it, I wish there existed recordings😭 Please note that although there aren't really depictions of sensitive content - injuries and (partial) nudity may occur but are usually quite simplified thanks to the art style - but due to the subject matter, it is targeted at adult audiences.

I'm currently at issue 18 and can't wait to continue reading! Here's just one small excerpt showing Pfirsich and Erwin (dancing together and I love how small it makes Erwin look xD), their brother relationship is hilarious and just absolutely adorable <3

[welcometogrouchland]

Batman #149 by chip zdarsky is mostly unremarkable, but I'm really fascinated by how it makes a great case for 'good' endings not saving 'bad' stories*. Because there's a lot of interesting concepts in this issue (bruce having to deal with his rapidly aging and decaying clone making him think about his own life, re-establishing a 'nest' so to speak for his family after pushing them away, etc) but bc of the OOC slog that came before it, almost every moment w/ the batfamily comes off as unearned and disingenuous imo.

Like, everything with Damian is the perfect example in this. Because in isolation it's...fine. admittedly it's a missed opportunity to not go deeper into how Damian would feel about a clone of his dad who tried to kill considering Damian's relationships with clones of himself (the heretic rejects and respawn) or with former enemies who wanted him dead but who were manipulated and/or brainwashed (like suren and maya).

Zdarsky doesn't go into any of this but you could maybe excuse it as the issue not being about Damian. However, coupled with the previous bizarre characterizations of Damian in 147 and 148, it ends up not being fine- instead it starts to feel...icky how Damian (who, despite often being drawn and written as white, will never have his connection to the non-white al ghuls forgotten and will always be effected by racism even when not portrayed as a poc) is constantly written as overly violent, uncaring and narrow minded in this run. Coupled w/ trying to recanonize the morrison origin for Damian it's like. OH this is badly written and laden with subtle bigotry, sick**

That's me going into detail on it with Damian but it's applicable to other things in this issue- the way Cass, Steph and Duke have all been ignored or turned into jobbers makes their inclusion in the 'family' here feel hollow instead of satisfying. Bruce proclaiming that Zur was still a part of him and he needs to accept responsibility for his actions (when it means taking in clone son) wrings hollow when just last issue zdarsky was bending over backwards to separate Bruce and Zur bc otherwise the Jason thing would get really awkward. Ends are achieved through means that feel hollow or strange. I'm at my destination but damn why'd the bus have to do all that???

I only really have opinions on this latest arc of zdarskys Batman bc it's the one I've read the closest (bc I'm a hater, masochist and avid follower of even the bad damian storylines) but it's not saying great things.

Bc zdarsky can do one thing good in this book, and it's write Bruce and Tim. And yet this entire story, whether of his own volition or editorial mandate, includes other characters who aren't Bruce and Tim, the fabric starts to unravel in very telling ways.

(p.s, I think pennyworth manor is an interesting idea but I feel like in execution it's just gonna be 'bruce living in a house haunted by the memory of the people he couldn't save' but with a different dead guy this time. Illusion of change and whatnot)

*whether or not the ending is good is up to you ofc, as is your opinion on the proceeding arc! I saw some ppl complain that the ending was too "WFA" for them, which I get even if I dont think it'll literally be the same premise. If anything it's probably a lead into the new tec run. Likewise many ppl who aren't in the weeds of Damian and Jason characterization liked the previous arc! But I have my opinions and rest my case before the bench

**disclaimer, I'm white and portrayals of bigotry in comics are complicated and subjective, but I am basing my point here off what other poc comic fans on socmed have been saying about 149. Also the "sick" is sarcasm incase that wasn't obvious