#i've been seeing a lot of salt on both medias

[xhanisai]

You can talk about how much you enjoyed the film without bashing the show and you can talk about how much you love the show without bashing the films.

Of course, everyone has the right to voice their opinions and express that they disliked this or that.

But you look hella stupid when you're making ignorant takes and saying stuff like "omg astruc's writing is so shit lollllll love the film" or "the film gives us what WE want unlike the show lollll"

Both are different with their own sets of restrictions and budgets and having different creative teams and direction. The show is still ongoing and has not finished whilst the film can only rely on becoming a hit so that they can continue and flesh out the story in sequels.

[artbyblastweave]

hello. I am in the middle of doing My Take on vampires and would appreciate your thoughts on Them in fiction. they don't seem to pop up more than occasionally in superhero media, but also you are pretty widely read & they have noticeable Eras/Tendencies that I can see.

I'm definitely not as much of a vampire guy as I'm a Superhero guy, so all my opinions on vampires should be taken with a grain of salt, and with the knowledge that a lot of this is stuff I've picked up through Osmosis and the occasional lit-review for that one class in college. But here goes-

One of my potentially more controversial takes about Vampires is that I think Vampires (and adjacent creatures like werewolves) are great at capturing the emotional truth of being part of a marginalized group, or sometimes just for being subaltern- the world against you, people make you feel like you're wrong for existing, that you're dangerous, etc.- and this is why they go gangbusters both on this website and in general. But the narrative often faceplants for me if it tries to portray vampires as a literal marginalized group because all of that stuff is often objectively true within the fiction in a way that it isn't true of real-life marginalized groups. It's a souped-up version of the X-men problem, because most of the X-Men aren't obligate cannibals! The result of this is that there have been several times I'm consuming something vampire-related that wants me to primarily sympathize with the vampires, and meanwhile I'm going "geez, that's a rough deal, but I think you all need to be killed on purely utilitarian grounds, sorry."

(I do also get the sense as well, right, that this is inextricably tangled up in the fact that a lot of foundational vampire literature was kind of just taking a lot of the horrible lies people tell about the scapegoat group du jour to justify their oppression and then making a guy of whom these things were objectively true. I get the impression, at a distance, that Dracula demonstrates like fourteen different flavors of "Those Depraved Easterners Are Coming For Our Women," although to truly lock in that Take I'm gonna have to read the thing instead of just absorbing it through Tumblr Osmosis whenever Dracula Daily is running.) There are ways to thread this needle, the big one of which is to just sand down the negative externalities of vampirism. Have them feed on animals or voluntary donors or make the human predation thing an in-universe slanderous fiction to begin with. Have them feed on exclusively on quote-unquote "criminals," if you have the right unexamined assumptions about the validity of the death penalty. Go the Elder Scrolls route, where drinking blood isn't necessary to survive but is necessary to maintain a human appearance, thus ensuring that the most morally conscientious vampires are the ones most likely to be identified as vampires and scapegoated by the angry mob. The issue I sometimes take with this is that the act of implementing a "fix" of any kind can sort of broadcast that you're trying to have your cake and eat it too- that you're cutting away the ideatic core of what makes vampires interesting when divorced from metaphor, taken objectively- that they're living trolley problems. As others have said, if you sand them down too much, what are you getting out of a vampire story that you couldn't get from a Tolkien Elf, or from Batman?

A fictional group which I've never really had this issue with, though, is Zombies, in the Romero tradition. When a work wants to construct Zombies as a primarily sympathetic group, it's much easier for me to get on board with that without feeling like the core Vibe has been compromised. This is because there's actually a fairly recent source text for zombies in the form of Romero's Living Dead films, and a major component of the Living Dead films is how much it sucks without recourse to become a zombie.

I was working on a post once, which I never finished, about how there are like, three-to-four vectors of horror that zombies can embody, which different works play up to different extents. While obviously one of the big straightforward ones is the fear that your entire community starts trying to kill you and eat you one day for basically no reason, a major anxiety on display in the original Living Dead trilogy- Dawn in particular- is that in the face of a weird but manageable problem human society would act as its own condemnation, totally failing to rise to the challenge-the horror is that we would let something as inept as a zombie be dangerous to us! Also present in those films? The horror of the idea that your daily routine is so rote and conformist that you wouldn't need to be sentient to continue to carry it out- that the biggest difference between you and them is that you can occasionally be evil in more interesting and evolved ways. And there's this fear of physically and mental degradation with zombies, which for a host of reasons I find extremely fucking relatable. The sense that your body is falling apart piecemeal, bits of you sloughing off when you turn the wrong way or turn your head too quickly. There's this fog over your thinking. The bone-deep knowledge that you used to be more, and are now fundamentally less capable- that there's just enough of you left to understand something is missing. (Read into my personal circumstances whatever you want from this.) Being a zombie is foundationally, fundamentally gross in a way that being a vampire isn't; when people try to do "sexy zombies" half the joke is the pairing of those two words. There's this horror comic Kieth Giffen did once called Tag which is basically entirely about the horror of being a corpse that could feel it; I think about that comic a lot. Anyway, because so much of the horror of zombism is external to whether they're actually attacking and killing people or not, you can totally sell me on zombies as an unfairly-maligned demographic in a way that's much harder for me to buy with Vampires- dropping the danger they pose to other people allows you to maintain so much more of the core of the thing than it does with Vampires, where it feels much more like you're tip-toeing around the tensions between Wanting To Have Fun and the moral horror inherent to what you're trying to have fun with.

[amber-jinx]

A bit of a controversial question

Who do you think Chloe was in love with more, Max or Rachel? And what do you like/dislike about Amberprice and Pricefield?

Boy, been so busy I left this sitting in my inbox, oops!

This is indeed controversial cuz at the end of the day we won't be completely sure of either of the ships' dynamics unless we are Chloe herself, so it's all up for people's interpretations. (*whispers* therefore I hope we can all be sensible here)

Personally I don't think love could be measured in a way, like you could be head over heels for someone you've met for only over a month, and we can't exactly say that is more or less than a long-term friendship. I think even Chloe might not be able to choose one. I view Pricefield as a deep friendship, as with Ashly Birch's take; And AmberPrice as more of a romantic dynamic, even though they weren't official girlfriends.

If we refer to the intensity and passion of Chloe's love, due to the state of her life she was in when she got closer to Rachel and the AmberPrice dynamic, I'd say it's definitely more than Pricefield. With regards to how long-lasting it is however, we see that Chloe never forgot about Max even after not getting a response from her for 5 years; this is the kind of enduring love that friendships (which I personally appreciate a lot for) usually have -- is more prominent in Pricefield. These are not mutually exclusive and so all the infighting is really unnecessary haha, why not AmberPriceField! They're both what Chloe needs in her life ^^

I got into Amberprice because of the amount of chemistry they have, the mutual attraction they have towards each other and how they always have each others' back despite being in darkness themselves -- they're each other's angel and it's definitely touching. Sharing clothes and stuff freely and crashing each others' places? Cute. Mentioning the other around other friends often? Hella cute! There are also multiple elements of surprise, like you'd think a rebel like Chloe wouldn't care for a perfect student like Rachel, who instead turned out to have a wild side, and Chloe turned out to be a softie on the inside. Stuff like these makes their chemistry much better than generic straight relationships I've seen in the media growing up. And the fact that Chloe still held the belief that Rachel wouldn't leave without her after all that she's gone through, definitely says something. Rachel was very genuine with leaving town together. Also true love on this end.

On the other side of the coin though, I really wished they had communicated better, the both of them. (It's a pity they were too young and without guidance to navigate all these) Yes Rachel I know you care about Chloe's feelings and wanna protect her, but being honest and open can go a long way. Chloe could've better regulated her emotions and how she comes across, such that she'd not come off as pushy or react as negatively e.g. give Rachel "the stinkeye"; if they worked on themselves and are actually allowed to improve, a healthier relationship would've blossomed. I also felt like there wasn't anything holding them back from them doing overboard with doing wild things together, like drugs and weed. They kinda spur each other on without the voice of reason or given the chance to mature after getting out of arcadia.

These AP shots come from Life is Strange: Rachel's story "the diner" ep, which gave me new insights on some of the nuances that could've been present in their dynamics. Pretty well-made given its constraints!

As always I can't say too much about Pricefield cuz I've not seen all their interactions, so I can only make individual comments. Take them with a pinch of salt!

On the good side Chloe's enduring love is always impressive, like remembering Max's birthday after all those years and immediately gifting her William's camera and taking her back. Moments where she emoted and expressed her appreciation with Max felt really genuine and I like how she's really supportive of Max, lifting the latter's confidence when Max was insecure, not to mention standing up for her in front of Nathan, David, Joyce etc. Very wholesome. On the other hand Chloe could've better nuance the manners of her speech, especially when she's angry -- Max is helping her so much after just reconnecting her for 5 years, it's not really an obligation and so I think she could've held back on some of her words at Max, which still comes down to emotional regulation, but I also understand that she was going through really tough times. I also didn't particularly like how she'd only change her wallpaper to Max after Max followed her wishes, even though that's not super abnormal for an 18 yo.

Max the sweetheart is honestly endearing when she doesn't hold back on positive words for Chloe, and when Chloe's off-balance she'd also be able to provide the voice of reason to put them on the right path. It's giving secure attachment style-- except the bad texter part. I just wish she'd stand up to Chloe a little more to avoid getting them into even more trouble, but that's just a personal take. My main issue with Max is her not writing to Chloe as much in those 5 years, but friends grow apart and it's only natural. As with DE, we'd have to take into the account of survivor's guilt and that nothing last forever, so if they ever separate, it is also understandable and inevitable in life.

The OG did a good job on developing Max and Chloe's bond, and it makes sense why so many ship Pricefield, which I'm not against :) hope my slightly rushed response has answered your question pal! And as always, thank you for asking <3

[two-white-butterflies]

fence | d. targaryen

Description: Daemon Targaryen meets his best friend's daughter in a Taylor Swift concert.

Genre: social media au

Rating: Teen [age gap, dad's best friend, beach au]

Author's Note: picture below is by the lovely @nyctophilic0vitnir 🥰

Daemon's smiles slowly - seeing that both of his daughters were enjoying the concert. Of course, it cost him a fortune - but anything for his twins. "If we survived the Great War!" Baela kept singing and dancing to the sound of Taylor's acoustic melody.

"Uhuh, uhuh..." she hummed while holding her sister's hand.

Daemon turns to the scene in front of him - another woman was blocking his view. You were wearing a white button down shirt, and colorful pants that were decorated with purple-pink butterflies.

"Clôture," he mumbled in French, and to his surprise you turned around. "Excusez-moi?" your eyebrows merged into each other. "Sorry," he rolled his eyes - not in the mood to get into a fight.

A frown is permanently etched on his face after that.

Annoying.

ilikesojubutsojissilent 🔐 some old asshole called me a fence in taylor's concert....like know ur place oldieee mcoldddieee

swanchiken9: didn't u call him 'lana del rey' vinyl? - ilikesojubutsojissilent: I CAN'T REMEMBER THAT

ssexretary22: 'idc if he cheats on me or something but he's kinda hot' - ilikesojubutsojissilent: THE VOICES, THE MF VOICES 🥰

Of course, fate wasn't happy with just one interaction.

Daemon saw you again - a few weeks after the concert.

"Ah, this is my daughter." Harwin smiles, pulling you closer to his body. "Last time I saw her, she was still 'this' tall." Laenor chuckled, hands pointing at his knees. Oh, does he remember seeing you - the little cunt that blocked his view during the concert.

"She's already taller than you," Harwin laughed, gaze trailing towards Daemon. "Don't remind me." Laenor rolled his eyes while taking a swig of his beer. His jaw clenches seeing you in front of him.

Plump lips that were perfect for kissing - eyes that were perfect for staring - most of all, he liked the way he hated you.

Harwin turns his head slightly in your direction. "He's Uncle Daemon - we used to be friends back in high school." Harwin explained and you extended your hand for him to shake. He clicks his tongue in distaste, but he still shakes your hand - soft and fragranced.

"It's nice to meet you," you mumble shyly - staring at the floor.

"You too." his lips settled into a thin line.

itz_y/n: the mood for today 🦋

14 comments 459 likes

helaenablackwidow: amazinggh rhae_strong: I LOVE IT 💗 - itz_y/n: thanks auntie!!

Daemon was beginning to regret staying in Harwin's house.

A groan escapes his mouth, watching you play with your food. It seems like everything you did managed to anger him. "So, Daemon? You've ever been to this part of Australia?" his friend inquires, one hand was holding a fork - and the other was around his new wife, Rhaenyra (his niece.)

"Never, actually - I've only been to Sydney." he confesses, choosing to ignore your existence. "Well, you're going to enjoy it here - it's calm and the beach isn't filled with that much wildlife." he pointed, and Daemon's gaze moves in your direction.

There was a slight tan on your face - hair slightly matted from saltwater and he could smell the salt breeze. He'd enjoy it here.

"I've heard a lot of conflicting reports," he chuckled, exchanging a knowing stare with his niece. "I got bitten by a spider once!" she defends herself, knowing that she wasn't used to Australia's fauna. "She got very lucky - it wasn't venomous." her husband grinned.

"But my daughter, not much." Harwin looked at you.

"Got bitten by a venomous one - but trust me, I wasn't the one panicking." you giggled, and Harwin smiled defeatedly. It was hard raising a child on his own - since your mother was a no show. "I had to rush her to the hospital via airlift, it was a good thing they got the antidote in time." he informed.

"Via airlift?" Daemon questioned.

"Yep, because apparently the car isn't fast enough." you rolled your eyes playfully. "The helicopter gives them a sense of urgency," Harwin shrugged, turning towards Daemon. "I'm sure you get it mate. We'd do anything for our daughters." your father looks for an ally.

Rhaenyra chuckles quietly.

"Don't let his cold exterior fool you. He once rushed Rhaena to the hospital because she got a rash - and he thought that it was sepsis." Rhaenyra rats out, and her uncle lets out a small laugh.

"I guess we are the same, Harwin."

itz_y/n: surfing weather 🌊

10 comments 829 likes

"I remember you, actually." your opened your mouth - taking a casual sip of the newly-fermented kombucha that your dad made. "You called me a fence," you pouted, and he kept staring down at you. He had a murderous glint in his eyes - one that spoke 'sex' and lust. He keeps looking at you - gaze trailing up and down from your navel to your face. "You were." he admitted, no sign of remorse on his face.

"It's not my fault that you're short," you rolled your eyes, adjusting your bikini top. "But I'm still taller than you," he yapped - amused by your sudden fieriness. What was inside that kombucha?

"It would be embarrassing if you weren't, right?" you smirked and he leaned down on your body, butt firmly pressed on your bed-bed. By this point, your hips were barely touching each other. "Shame too because you'd be handsome, if it weren't for your attitude," you mumbled - seeing how far his temper would reach.

A light scoff exits his lips, his hands were on your thigh.

"My attitude, now?" he growled - rubbing small circles on your inner leg. It made your blood pump - eyes see red. The thought that anyone could walk in on the both of you eye-fucking was exhilarating. The chase was fun - but to have this man? It was wrong, immoral, weird - and you liked that.

"You should be thankful that I find you handsome, not a lot of men are." you replied - seemingly unfazed with his seduction. "- and not a lot of women are pretty too," he answered, eyes staring deep into your soul. "When you say it - it sounds offensive," you narrowed your eyes and his hand reaches for your cheek.

"You're a pretty girl - if that eases the offensiveness," he mused. He was the pomegranate - and you were Persephone. "A little," you stared at his lips - smiling as his face moves closer.

He was just about to kiss you - but you pull away.

"It was nice chatting, Uncle Daemon." you grinned, rising to your feet and wrapping the dainty towel around your hips.

Uncle Daemon, the word seemed to stir something inside of him.

itz_y/n: late nights and early mornings down under 🦘🪖

Daemon keeps staring at your instagram post - he doesn't usually do social media but he wanted to pry deeper into your private life. It wasn't hard finding you - Harwin and Rhaenyra posted you regularly.

A low growl escapes his mouth seeing the first photo - only a sheet was covering your body.

"Daemon, we'll be gone for a few hours. Can you watch the little girl for me?" Harwin offers with a kind smile and he closes his phone immediately. His friend would kill him. "Sure," he nodded - quickly handed with a bottle of beer.

He leans on your doorframe, watching while you scrolled through social media mindlessly. "Are you always left at home?" he cleared his throat and your attention shifts to him. "I don't mind," you answer, patting the empty space beside you.

"Well, I do - it's boring here." he complained - having no issues in laying down beside you. His father always told him that his best asset was his command of everyone. Daemon took up space, he could say what he wanted to without fear of consequence. "What do you propose we do?" you place your phone on the pillow.

"Fuck?" he teased - a laugh escapes your mouth. "You're older than me - aren't you supposed to make more sense?" you joked, staring deep into his purple eyes. He was wearing a tight shirt - you could make out the small curves of his body - his abs and his nipples. "I'm making perfect sense," he shrugged - hands moving to your hips.

@nyctophilic0vitnir @watercolorskyy @bellastwd @icarusgloom @pearlstiare @areaderinlove @hc-geralt-23 @rozendiors @immyowndefender @ammo23 @xcinnamonmalfoyx @ammo23 @immyowndefender @bitchyunknownuser

[avidbeader]

So, I've been doing the Great Sheith Reblog for a while now, gradually reblogging almost everything I shared before that was tagged as Sheith. Lots of art, gifsets, fics and recs, old merch posts, and meta to go around with the occasional dash of salt because lord, dumbness about shipping brings out the salt sometimes. But most of the time it's a lovely nostalgia hit and a reminder of why I still love this ship with all my fandom heart. It's bittersweet sometimes, seeing the usernames that left with Tumblr's worst decision ever, the fellow fans who have moved on to other things, and yes, the hopes and dreams we had before Season 8.

Long blathering under the cut: musings about the persistence of anti-shippers and what queerbaiting actually means.

But occasionally what both amuses and frustrates me is how things line up because it's 2024 and we still have klantis/antis over on the former Twitter spreading the same lies about Shiro and Keith - about their ages, about how they met, about what their relationship is. Right now over there, arguing is happening again because someone put up a clout-chasing poll about which mlm ship was the most influential and included KL but not Sheith (KL beat Johnlock and then lost to Hualian, so I'm happy twice over). Side note - I think if we take "influence" as a completely neutral term, then yeah, KL has been a huge negative influence on fandoms as it was one of the places that allowed puriteen attitudes and anti behavior to grow unchecked for so long. That helped turn some ship fandoms into cults, in which you had to believe with utter certainty that your ship would be canon or you weren't a "true" fan of the ship. That put more emphasis on opposing a rival ship through wank and harassment instead of focusing on the joy and fun of creating for the ship you supposedly love.

And that poll prodded someone to create a Google Form for soliciting answers as to what the biggest examples of queerbaiting are in media. And of course people are saying KL and Adam/Shiro, among other things that are not at all queerbait. These are examples of people guessing wrong and getting mad about it. Queerbait requires that the producers/writers/etc. say outright that a ship is going to happen and then it doesn't, without any influences from the powers above them making changes. Not received fan "wisdom". Not marketing doing things without consulting the producers.

And I just reblogged someone's ask in which they said they felt queerbaited by Sheith solely because of the "brother" line in "The Black Paladins". The answer is excellent and worth a ready if you haven't seen it on my blog already.

Breaking it down:

KL is not queerbait. KL was never planned as a potential ship and LM/JDS said so multiple times. They said it never occurred to them as a possibility and by the time KL's popularity took off they were too far along in the writing to try and go back and make changes, because animators need time to draw. LM flat-out said she was surprised that it became a thing. If the producers are telling you over and over in no uncertain terms that a ship had never been on the table and couldn't be added to the table now, that's not a case of queerbait. And they spoke of Lance's love interests as female every single time. JDS/LM never said anything that would lead fans into thinking KL was a possibility without the deliberate and willful misinterpreting of their words.

Adam/Shiro is not queerbait. Adam is a minor character in a series with a large cast. He has two functions: to be evidence of Shiro's status as a queer man and to be a "face" for all the pilots that died in the first wave of Sendak's invasion. Some people try to claim that LM and JDS queerbaited with their answers at SDCC 2018, but they're wrong. The only thing LM said was that we would see more of Adam in S7. And we did. She did not promise we'd see more of him with Shiro. That was people inserting what they wanted to hear, just like them trying to elevate Adam's status to a fiancé when again, LM clearly stated that they were serious and considering getting engaged. Not engaged. Not married. Just a couple that was serious about each other but broke up.

I don't consider Sheith to be true queerbait. It might fall under the cryptoqueer situation explained at the end of the post linked above, but JDS and LM were mostly very careful to talk of Sheith in terms of deep friendship and devotion to one another, after the initial wave of support for fan content during S1, prior to the klanti movement taking off. The only thing that skirts the line for me is a quote, I think from JDS, saying that if Shiro had a new love interest it would be someone he has known a long time. Or maybe that was about the romances in general being developed over seasons and not Shiro-specific - I would need to research. (Yet more proof that the endcard "wedding" was not planned since we didn't see the unnamed groom until S7 and they never interacted.) And that was said before studio execs started meddling and caused the trainwreck of S8.

I do think we were supposed to have an open ending for Sheith. Klantis like to point out a storyboard artist claiming that "no one wins" this ship war as evidence that KL was supposed to happen and got changed, but that statement applies if Sheith is left open-ended and Allurance happens, even without the endcards.

When I have a chance, I'll try and dig up the links for the various quotes I mention above. Thank you for reading if you made it this far!

[allastoredeer]

I want to comment on two fics so more people can see them.

https://archiveofourown.org/works/58212211

For me this is the pinnacle of Bottom aroace neutral sex Alastor. I think that many authors fail to balance the character well even when it is the Bottom (Looks sideways at a certain week that just passed. Sorry, the autors are all wonderful but the level of OCC was painful) because writing aroace characters is sometimes difficult...even for aroace authors! In some cases it's because it's a scale but I think as aroace it's easy to see when they fall into allo/amaronormativity.

Some do it with positive sex! Alastor but I almost never see neutral representation that gets it right.

https://archiveofourown.org/works/57704275/chapters/146850943

I love this one so much because, well, I like BDSM and I think Alastor needs a little Dom/sub to feel interested.

This fic is omegaverse without saying it outright xD it has its own categories for Dom and sub and how they fit together. But the part that makes it earn the seal of approval, and that I think you'll enjoy as much as I, is that they take out the toxic dynamic of Dom/sub, in fact they discuss it within the fic! because many people seem to forget that the sub is the one who is really in control.

I think both are stories that would serve as a palate cleanser if you've encountered a lot of salt and want something spicy, IC, and with character exploration.

Thank you ༼ つ ಥ_ಥ ༽つ I think I've really been needing a palate cleanser, and both of these look insanely good!

This is very appreciated ♥♥

Also, massive agree with this:

because writing aroace characters is sometimes difficult...even for aroace authors! In some cases it's because it's a scale but I think as aroace it's easy to see when they fall into allo/amaronormativity.

It can be difficult at times, especially when you're drawing on your own experiences and trying to fit it in in a way that makes sense. There haven't been a lot of aro, ace, or aroace characters in media, most of what we grow up watching is allo/armaronormative, which is something that can be internalized. Navigating that and your own experiences and feelings can be strange and difficult.

I applaud both aspec and non-aspec individuals for exploring ace relationships 👏👏 I love to see it

[wyrdwulf]

I've been looking at Palworld discourse as I come across it because it's something that interests me in a few ways. Discussions of AI usage and of plagiarism in media affects artists, and I am a big Pokemon guy even if I am highly critical of the games and company practices rnow. I think there's a lot of valid reason not to support Palworld/studio that made it, and to criticize the game-- the dev being a huge fan of using AI in making games and Cryptobro is enough for me, tbh. But I also feel like there are some arguments and reactions being had about why the game is bad where there's like, validity to them to an extent, but that people are working on assumptions or being overly reactive in a way that muddies valid arguments that can and should be made? And I think overlooking that is. I dunno. Not helpful in trying to have conversations on what is and isn't bad form in making art.

One of the big things is the whole accusation that the monster designs in Palworld are AI generated. I will be perfectly upfront with my take-- based on comments and tweets made by the dev, (especially the one below) I really do suspect that AI could have been used to either make monster designs wholesale, or to 'help' the process along. However, there is no definitive proof of this. This has not been confirmed. But I see so many people spreading that 'fact' as if it is. And again, I really do suspect that could be the case, but like. It's not helpful to spread misinformation, even if it's for a cause that might be good. Both because misinfo is just generally harmful and because it can do so much harm to your argument when you include falsities or state conjecture as fact to people.

Side note-- I've been seeing now that there are claims that the Palworld models are either direct rips of or heavily copy Pokemon models. For that, too, I've already been seeing that the claims of them being full rips can be proven false, but that it is very arguable that there are some severe similarities between elements of certain models, etc. I'm no 3D modelling expert, so for me I really just want to take this information with a grain of salt and wait until I see definitive proof one way or another.

Another thing I've been thinking about is the claims of the monsters fully plagiarizing existing Pokemon... To start, there's a whole question of parody and what constitutes being fair parody versus just stealing which I feel could be debated here. From what I've seen, the game was kinda marketed as parody, and looking at for example the Salazzle clone, its description really seems like it's parodying Salazzle to me. But moving past that, I do really feel that some of the Palworld monster designs are blatantly ripping off Pokemon-- however, I think that it's like, WAY less than I see a lot of people asserting. I've seen some people arguing that the Palmons are legally distinct enough that none are ripoffs but like, c'mon--

I genuinely think someone who argues that this guy doesn't look like Luxray is lacking observational skills.

This is another one for me that like, yes, the silhouette and certain features are different enough to make it 'distinct', but I feel like anyone with pattern recognition should be able to see the colors and design elements being waay too similar here to be a coincidence.

Also, there are definitely designs that feel like mashups of multiple Pokemon features to me, like this guy feeling like it's got Meganium, Serperior, Lilligant, Goodra in it--

But then there are some that I see people using as examples of plagiarism where I'm just like. Brother. That's just Common JRPG Mob Design.

I'll just use this guy as my one example but like. Claims that this is just a Wooloo rip are wild to me. This looks like I can find it in like half of fantasy JRPGs. There's other examples like this where I'm just like... I get that because a good amount of these monsters ARE very likely ripoffs/inspired by existing Pokemon, people are trying to find the Pokemon 'in' each Palmon, but I feel like so many of the comparisons are stretches which can weaken genuine argument.

Also this is an aside but a very petty thing-- I'll be seeing people claim X palmon is a ripoff of Y Pokemon when there's a different Pokemon that feels like a better comparison, like this guy?

So much closer to the unreleased water starter line from gen 2 than Lapras. C'mooooon.

I guess tl;dr though, I think there are genuine issues about artistic integrity, plagiarism, possible AI use and such which should be discussed about this game, and again, the company's ties with AI and crypto are reason enough to not support them, but. I feel like when having these conversations it's best to critically think about what's proven fact and what's speculation, and to consider what's a strong argument for why it might suck and what's not.

[sugarygxodness]

i know hobie age discourse is annoying and frustrating. i've been watching from the sidelines ever since atsv came out and tiktok is being absolutely insufferable about it. i've also seen the plethora of arguments from both sides about it. but i wanted to put in my two cents about hobie's age because it has been yelling for attention inside my heart and i need an outlet for it desperately.

so here is my official warning. ⚠️ if you don't want anything to do with the hobie age discourse, please ignore this post ⚠️ (i doubt anyone is going to see this post anyway)

first of all, i ship punkflower. i respect chaipunk as well, though i do not ship it. when i was watching atsv, it never occured to me that hobie would be older than the spidergang by any more than 2 years. so it boggles my mind that people left their theatre thinking hobie was any older than 19 years old??

second, as i've mentioned, i have seen the plethora of arguments coming from both sides. i have heard (incessantly) about the director talking about early concept hobie being 19/20 years old. i always always take early concepts with a grain of salt because that is what they are - early concepts. from the conception of the spiderverse trilogy, a lot of stuff can change. we know that even though early concept hobie was 19/20 years old, his age is now "up for interpretation". all of us were not in the writing room when they came up with hobie. none of us can say for sure what hobie's age is. so let's leave it at that - hobie's age is up for interpretation. i have also seen people talking about hobie being bitten at 16 years old in the comics and in the movies he says he has been spiderman for 3 years. quick maths - that makes hobie 19? well, maybe. it is also important to note that movie adaptations of comics very often leave out or change information. they do this all the time. they even did it with miles. in the comics, miles morales gets bitten at the age of 13. but in the movies, miles get bitten when he was a freshman in visions academy, 15 years old. if they changed that fact about miles from the comics to the movie adaptation, who's to say they did not do the exact same thing to hobie or any other character? using comic book canon to apply to movie canon is always iffy. across the mcu, there are many many comic details that get changed or left out for the movies. this is just something i want everyone to keep in mind.

third, this is my main point. i'm going to talk about hobie's age from a storytelling point of view. keep in mind, i am not a writer. i do not have any experience writing or making original characters. i just like overanalysing creative aspects of media that i consume and i also briefly studied literature in school. if there is anything you would like to counter about my upcoming argument or add to it, i would love to see it.

from a storytelling point of view, hobie being old than 18 years old makes absolutely NO sense. if we look at miles' conflict during atsv, his whole thing is that he feels betrayed by the adults in his life because all of them view him as this incapable clueless kid who needs to be protected. his parents, while being unaware of his identitiy as spiderman, are too protective of him and doubt everything that he does. while they eventually start to accept the idea of letting their child grow up, they only start doing so when miles is already stuck in another universe. the adults in the spider society betray miles too. miles, upon meeting more spiderpeople, probably thought that they would understand him more than his own parents could. however, the adults in spider society still look down on him and treat him like a child. this is especially evident in peter b, who constantly emphasises that miles "doesn't know any better". miles is 16 (in atsv) and while that IS technically a child, those rules don't really apply to spiderpeople. after all, though he is technically a child, he watched his uncle aaron die right in front of his eyes, he saved the multiverse, and he saves brooklyn from crime every single day. as unfortunate as it is, miles has had to grow up a lot faster than the average kid. miles views himself as an extremely capable spiderman, but it feels like nobody else agrees with him. that is miles' conflict throughout atsv.

so it makes no sense that miles feels constantly betrayed by the adults in his life, yet one of the members of the spidergang that he is surrounded with in atsv is an adult? the whole point is that he feels he cannot depend on the adults in the spider society, so therefore it makes sense that his closest allies (gwen, pav, hobie) would be teenagers. making hobie an adult completely throws this theme out of balance.

furthermore, i hear people say hobie holds a mentor role in miles' life. i disagree. peter b held a mentor role in itsv. this was when miles was newly bitten, had no idea how to use his new powers, and had just lost the only other spiderman he knew. in atsv, miles has grown very well into his role as spiderman. he developed his own spiderman techniques, learned how to use his venom shock and invisibility in an effective way, and successfully saves brooklyn from crime every day. this miles does not need a mentor. this miles feels betrayed by the people he thought he could trust. this miles needs allies. that is what hobie is to miles in atsv.

to me, the r/s between hobie and miles in atsv is very reminiscent of the r/s between a new transfer student in highschool and an upperclassman. imagine this - miles just moved to a new unfamiliar environment and is a transfer student in a highschool where he knows nobody. hobie spots him, somehow decides to help him out, and gives him the ultimate tour of the school. not the proper "this is the gymnasium, we hold our pep rallies here" tour that the student council body would give miles. nah, his tour is more like "this is the best place to smoke weed without getting caught. this bathroom is almost exclusively for hooking up. this teacher once called me out for plagiarism, so he sucks." then he pats miles on the shoulder and tells him that he's got his back. if anyone tried to give him shit, hobie will not hesitate to make their lives hell. this is how i interpret hobie and miles' r/s in atsv. he is not a mentor!!! miles is capable enough to be spiderman without a mentor!!!

lastly, this isn't exactly my place to talk about it, but i have heard a lot of black people talk about how a lot of people place harmful stereotyping and adultification on hobie. and the infuriating tendency for people to be against poc ships rather than white ships. and that is A LOT of food for thought. that's all :)

i ended up writing a lot more than i thought i would. clearly i care too much. oh well atsv brainrot era go brrr

[ephhemeralite]

writing pattern tag game!

post the first line of your last ten posted fics and see if there's a pattern! thanks for the tag, @ful-crum !!!!!

not quite sure how i got here, real glad i've got more than ten fics posted (if only barely), excited to see how it goes

"Aziraphale bustles back into his shop with all of the energy of a raccoon holding a goodie they never expected to stumble across." – no skin like the skin you woke up in (gomens canon divergence au)

"Ed has spent the vast majority of his life as a pirate. Get as old and experienced as he’s gotten – far older and more experienced than he ever expected, mind you – and you form some opinions, about salt and the sea and the way of things." – and i feel so proud when the reckoning arrives (this is two lines so it's cheating but whatever 💚. very dumb black sails/our flag means death crossover)

"The first time Dick notices himself call for Batgirl and the wrong sibling respond, he doesn't think much of it." – no difference between the past and the ground (dick grayson thinks he's going crazy until he realizes [REDACTED])

"Tommy thinks that finding himself stuck through the Blood God’s sword – stuck through – should come as more of a shock to him than it does." – this is mostly what happens in dallas (au of my dsmp hero/villain major character death series where the major character death doesn't happen but it's still not great! hence the wtnv if he had lived title)

"Wilbur drops onto the couch with a groan and some sort of weird, histrion-type flail." – a gaze blank and pitiless as the sun (dsmp hero/villain au, companion piece to the actual mcd, probably my best piece of posted writing)

"He isn't looking for trouble today, but he isn't surprised when the blade of a sword finds him regardless." – the truth is like a sickle (it'll cut you to the middle) (dsmp hero/villain au with the mcd)

"The flickering lights of the tavern seem soft, in the late hours of the night." – drunk in a field (on dandelion wine) (unfinished 5+1 from a folk witch!jaskier universe that i got super super attached to but eventually let go of because my life kept getting more insane and the concept more intricate)

"Peter had spent a lot of time trying to psychoanalyze Neal Caffrey before his capture." – acquainted with the saint of never getting it right (white collar/batfam crossover, dick grayson is neal caffrey, my most popular fic by a chunk)

"Geralt can already tell that Jaskier plans on dragging them both out tonight, probably with quilt, to force him into a night of 'stargazing and communing with nature like we used to!'" – it could feel like an end (to have to keep going) (immortal/modern times geraskier au fic i haven't read since i wrote and posted it in a day. i think it's contemplations on mortality, helplessness, and the climate crisis?)

"Briefly, he contemplates sitting up on the couch to give himself better lung capacity for his incoming tirade, but figures that he may as well put his vigilante training to good use, and continues to lay back." – more like me (less like you) (technically the second line of an emotional conversation between dick and jason, but the first line was dialogue and it is too early for me to mess with quotation marks like that)

so, full disclaimer that i don't post a ton (no skin was last updated in august of last year and more like me was posted in july of 2021) so a lot of this writing is kind of old, but! i did notice that i've tended to open in media res, but recently i have been incorporating more exposition. i've never tried to make my first lines great hooks — i'm honestly more concerned with giving myself a good jumping-off point than anything else. it also struck me how many fandoms i've written for that i no longer engage with, basically at all. maybe i've just been really focused lately, but i don't think a few of these fandoms would hold my attention anymore! ironically, i'm talking about the more recent fandoms like dsmp/gomens/ofmd and not the older stuff like the batfam or the witcher.

this was really fun, i loved looking back through my work like this!! thank you again ful-crum for tagging me :)! i'm gonna tag @doingthewritethings, @b10000p, and @alavenderleaf !!!!!!

[unchataparis]

I gotta say, one of my most hated salt trope is when Gabriel or Audrey prefer Marinette over Adrien and Chloé. They see Marinette as the better child/the more talented/the more deserving and the entire fic's plot revolve around Adrien/Chloé's realisation and concluding devastation over that fact. :/

Salt has a questionable status in this fandom, as it does in most fandoms, but as I've come to unpleasantly realise, most people who are writing salt are, in fact, not twelve or thirteen year olds but full grown adult with jobs, career, even children of their own.

Sometimes, I see posts that are so overwhelmingly filled with hatred for certain characters, it's shocking to realise that you guys aren't being ironic, you're being for real. Your opinion is yours to have, and all of your emotions and feelings are valid. It's always good to be passionate rather than bland. I'm sure that if we were to meet on the streets, no one would be this zealous over their opinion of a children's cartoon show. But I feel like some of you are so sucked into this imaginary, badly-written, fan service-orientated world, you've forgotten your common sense and dedicated effort that this show does not deserve into defending your favourite, mistreated characters.

This show isn't well-written. It has questionable plots and characters. Thomas Astruc is a dubious man. These are all facts that no one is arguing against. But even with all these truths in the air, it still doesn't justify the sheer amount of unregulated hatred reserved for certain characters.

I'm speaking to the 'I live for salt' girlies who churns out Marinette Deserves Better wips on the daily. The people who are swearing at each other on the Internet over whether or not Chloé is a good person and deserves to be redeemed. I'm talking about those who accuse Lovesquare shippers of enabling toxic relationship and misogyny.

What are you talking about?

I don't think any of you truly believe that Miraculous is bad for children or that it's upholding the patriarchy, you're simply grasping onto whimsical straws of social justice in order to advance your own egocentric agenda.

Fandoms are meant to be a safe place to discuss your interests and find like-minded friends who aren't available in your local area. Not a feedback loop of aggrandising, disproportionate speculation.

If you hate the show so much, you're not even watching it anymore and following other people's social media AUs instead – nothing wrong with that, but you do realise that means you have no idea what you're talking about, right? If the show is so terrible and you don't even care about XXX or YYY, why not just leave? Place your time and effort into something that wouldn't make you so angry and dissatisfied?

I've been watching Miraculous for about six years now, and this show has a lot of impact on my artistic and internal psyche and it means a lot to me and I can see both the good and the faults in it. But at the end of the day, the characters of Miraculous are literally just characters. They're not real, they don't have opinions of their own, and they do what they do at the behest of the people writing them. You can't let yourself be consumed by their fictional plights.

Take this statement with a grain of salt and know that there is fluctuations to the fact of it, there are always exceptions, but: fandom arguments are ultimately pointless. There's better, more worthwhile things to do. There's always going to be annoying, infuriating people, you don't want to add yourself to the mix. Think about it, what's your endgame? That everyone will apologise to you and admit that you were right and follow all your opinions? That the writers of the show will change the story and rewrite everything according to your suggestions and 'corrections'? You're bitterly giving all your energy to something that will never reward you.

[beatcroc]

Do u think u could elaborate a lil about btb and pizza tower lore?? Thank u

oh god i'm not the most well-read on either BUT uh. spoilers for both medias i guess.....i need to stress that these should NOT be seen as like dramatic edgy series because of what's going on under the hood though, that's not the point of them or what they focus on, and it'd be a huge disservice to think of them as 'taking themselves too seriously' type things for this, haha.

EDIT: it's been a bit since i made this post and in looking around since then i've discovered i might've gotten the wrong impression about some of the pizza tower stuff. i intended to only mention what was fact/hard canon here, but some might be extrapolated anyway, so take it with a pinch of salt.

---

bigtop burger is, for all intents and purposes, a chill and lighthearted series of animated shorts about a bunch of college kids who work at a clown-themed food truck. their clown boss is more than a little strange and suspicious but they're content to let it slide because he's generally friendly and well-meaning; and again, the series is only really About the kids and their day to day lives, and the wacky cartoon antics that may occasionally come with that. such as, say, watching their boss slice a truck in two with a katana. it's a little weird for sure but we don't question it.

they have a rival burger truck, zomburger, which is zombie themed, and led by a guy who is defintiely totally not actually undead. the kids this guy employs are pretty into the whole gimmick [because theyre theater majors and "get paid like thousands of dollars per hour" <-presented as the most bizzare thing that's happened], and so have no issue doing things like firing cannons at our clown-thmed protags during a highway chase. their boss has some kind of serious beef with the clown boss, but that's their problem. the kids are chill with eachother.

what they're Not telling you is that the clowns and undead have some kind of ancient feud [possibly even a war???] going on, and zombie guy was apparently[?] only using the food truck thing as a ruse to get at clown guy. both types of guys are insanely powerful and it's heavily implied that neither of them should be mingling with normal humans in the first place, which is why the food trucks and the other employees have their respective gimmicks as cover. also magic of some kind seems to be real, with illusory and portal-type stuff seen so far.

there is a possible implication that clowns are Actually Dangerous and the zombie guy's hunting them is like warranted, but given this unrelated short by the creator apparently set in the same universe, i'd like to more confidently say that it's just zombie guy being an asshole assassin type and they're both high-ranking freaks duking it out in public which is like the worst place possible given their general disinterest in hurting anyone else.

aside: bigtop's lore is a lot more plainly-presented and actually meaningful to the series and the character dynamics, but as it is currently it's nothing more than a backdrop for The Hijinx to play off of so they still never really say anything too direct about it or have characters respond to it. [that said, the most recent episode could easily be considered a turning point so we'll see how things go from here]

----

pizza tower is, for all intents and purposes, just a funny 2d platformer game where lots of silly things happen to its really excitable protagonist and you get tons of endlessly amusing expressions and animation out of it. it feels somewhat like a playable 90's cartoon, and this is its primary charm. again, you aren't supposed to really question the framing of everything. that'd be like asking why bowser is a fire-breathing turtle. because he is. that's just how it works who gives a shit. pizza tower has you kill a big pillar guy halfway through a given level and then you have to get the hell out on a timer before it all collapses, and there's a funny little janitor guy you can get as a bonus pickup to help you out in each level. each floor of the tower has a different Theme for its set of levels. traditional game stuff. you get to the top of the pizza tower and beat up the jackass pizza guy that threatened to blow up your own pizzeria. [there's more to the gameplay than that but this is just what's lore-relevant]

what the game slides under the radar with its completely-dialogue-less style is that the big pillar guy more or less IS the tower, pillar and janitor were the original residents of the tower before it got turned into the pizza tower [yeah.], and the little janitor guy, who is pillar's brother, is generally fine with helping you destroy the place because for the past [amount of time] he's been fighting a losing battle of helping keep his bro intact in the wake of it being taken over by the jackass pizza guy, who has pretty much defiled it beyond repair for his own amusement since finding it. pizza guy cloned pillar guy a bunch of times and split his consciousness between the duplicates and made them all keep all the portals to the pocket dimensions in the tower [the levels] open. pillar guy's original body has since become derelict and horribly overgrown with.,....pizza..., and it's the last one you destroy to bring the whole thing down. he gives you a tired-looking thumbs up as you blast him off the screen.

none of this has anything to do with the protagonist, who doesn't know about any of it and is Exclusively there to beat pizza guy's ass for threatening his business. and if he has to bring down pizza guy's whole tacky-ass establishment to do that then SO BE IT.

you might notice in the larger background screenshot that the protag guy is Also being cloned in that facility. you do fight a clone of him as the 4th boss and encounter more of them in the level that background is for, but there seems to be very little concrete canon for what exactly pizza guy's intention with protag and his clones was.

aside: this isn't even touching on the other side to this, which is the weird amount of actual character depth that mr. funny cartoon protag man himself seems to have. i am not going to get into that on this post because it will make me really abnormal but oh my god dude.

[rubberduckyrye]

You don’t need to post this, but thanks for caring about antisemitism on a deeper level beyond that whole Kokichi’s hat thing. Just saw a different post that really bummed me out so seeing you being thoughtful about it cheered me up (which is funny bc Gonta’s backstory never personally bothered me, probably bc my standards are low and at least the reptites portrayed as nice there & a video game reference lol)

NGL Anon I'm morbidly curious about the post you saw, but aside from that--

I actually want to give @jacksmusesdrv3 credit here, because for the longest time I did not want to really engage with the antisemitic stuff at all--which while my intentions were good (as in I wanted to just kind of erase them from my rewrite), it made me blind to other antisemitic notions in the narrative, a lot of them being philosenitism, which in this case, is a very specific breed of antisemitism that idolizes the stereotypes instead of condemning them/using them to fear monger.

I knew that the hat was likely a reference to WWII Germany (I still can't believe military officers wore hats with SKULLS ON THEM like how can I take you seriously you are LITERALLY being supervillans in a cartoon I cannot--) and I knew the Reptites were suspiciously similar to the "lizard people" thing, but there's quite a few a bit of philosenitism in it--things I plan on trying to remove if possible.

I also have been discussing the ableism (pardon the extra salt for the post with the links, this one's personal) and racism in the narrative of V3, both of which I also plan to either address or reassess.

I am very neurodivergant (AuADHD), so the ableism is something I face first hand in my daily life--but the racism and antisemitism aren't things I experience, which is why I want to learn about them and rework the story of Twins AU to be rid of them, if possible. Especially since the ableism is baked into the character interactions and Gonta's character arc so that's hard to remove, but the racism in Angie's writing is mostly backstory related so that can easily be reworked and changed. (Namely, I'm stuck on if I should keep the deities she refers to as the Atua, since I'm not sure if that's interchangeable with the Kupua, which is specifically Native Hawaiian, where as Atua refer to deities that aren't so specific.)

For the antisemitism and antisemitic-philosentism, I'll need to do more research on. I know there is something with Kirumi's last name being a reference to a prime minister of Japan, which has something to do with philosentism/antisemitism, but I don't 100% recall it atm.

Still!

I try to be very, very mindful of these sorts of things in fiction, as I want to create a story that isn't going to perpetuate stereotypes or harmful rhetoric, which will isolate readers of those groups from my work. I never have fun seeing ableist shit in media, in fanfic, so I apply that same logic to everything. A Native Hawaiian won't like seeing Angie's narrative racism. A Jewish individual would feel uncomfortable seeing antisemitic characteristics, even if they are being glorified. So I try to eliminate those things from my own rewrite.

And TBH, I am a little ashamed of myself for wanting to shut down any discussion about the antisemitism/philosentism in the past, because I didn't realize it was making me ignorant. I thought I recognized all of it and that was arrogant of me. I have a lot to learn, and I will always be learning! So I've been slowly working myself up into discussing it and understanding what about V3 has the antisemitism and the antisemitic-philosentism, so I can rework that in my own story.

But yeah--sorry for the long response, I just kinda started rambling a bit.

[not-a-puzzle]

Why the "pick-me" insult is sexist and transphobic, and why it needs to stop being tossed around like rice at a wedding.

I can't hide it; I've hated this insult ever since I first heard it come out of a snobby teenage girl's mouth. Something about it fired up my instincts, it got under my skin like salt on a snail's underbelly where it scratched and burned until I had to get myself to address why I hate it so much.

Well first off was the way I first heard it used, in a snobby, holier than thou tone said in a very mean girl type way, y'all know what I'm talking about. The Blaire White type tone. Judgmental, derogatory, like the way Fundamentalist Christians say slurs against trans people.

And that brings me to my next point, the term is undeniably transphobic, or at least, regressive to non-binary expressions of gender. Ya'll might think it's an insult used towards a certain attitude or behavior, but alas, I've seen this term used against tomboys or any girl who doesn't express herself in a hyperfeminine way enough times to know it's really sexism fueling the sheer amount we hear this term flung about now. (And I suspect there's actually a right-wing element to this.)

But on top of that, it runs under the assumption that any thing girls do is soley to catch the attention of men. Wear a crop top? You're doing that for men? Showing your shoulders, OH YOU WHORE! So by assuming a girl is a tomboy or likes video games or whatever that they're just screaming, "OMG BOYZ PICK ME OMG!!" you are making a judgement based off fucking nothing, often by people who do nothing but yell the second they turn on a camera, or want a reason to bully someone, cause a guess life is too boring for y'all if you're not harassing someone at least once a day?

What makes it worse is that most girls aren't super feminine. Lots of girls like things boys like too and vice versa, and yet our society is still so segregated based on gender that we STILL gender things from color to hobbies to clothing. Isn't that so old-fashioned you can smell the rancidity??

My point is, GOD FORBID WOMEN DO ANYTHING!

And do you ever consider if she's trying to not be like other girls, maybe it has nothing to do with her not liking girls, but with the rapid capitalist fueled consumerism and shallowness and unwritten social rules girls are being brainwashed with. (I mean, look at the 10- and 11-year-olds making a mess of Sephora and tell me that's how girls are meant to act naturally. No, they've been brainwashed by social media, and sadly, they want to grow up far too quickly and don't value their childhood, but rant for another day.)

And to round out this rant, I will say a lot of tomboys are girls on the autism spectrum, thus they may find it easier to befriend guys than girls (at least when they're all young) because guys generally (note I say generally here) are less prone to enforcing unwritten social rules and confusing figurative language than girls are. And guess what? A hallmark autism is a more literal mindset than a social one.

And besides, in the situation that a girl takes on a new way of expressing herself to attract guys, what's actually wrong with that? Don't you know how often I've seen girls dress up and fake act like a guy's jokes are so funny so they can start a relationship? Because someone wants to loved or horny or both. (Which there's nothing wrong with.) So, why is it wrong to use the technique of wanting to attract someone by being interested in things they're interested in? Or worse yet, not running around shouting about how "all men are pigs." So, oh dear, pick me isn't just sexist against women, it's sexist against men, because I also often see it used against women who don't hate all men.

Or say it's an incel type situation, JUST FUCKING CALL HER AN INCEL? WTF is up with gendering our insults. Why do guys and girls need different terms if it's actually the case for showing the same behaviors? Call women simps, call them incels, stop reserving insults for guys until you want to assume a girl is just doing something for guy's attention for which you want to shame her for that aspect. (Because it's wrong to be horny all the sudden? This not only pisses me off, but it also confuses the hell out of me.) But hey, you judgmental bitches out there, maybe she, a girl a woman, LIKES SOMETHING!! OH NO!! How dare she, she's a femiod! (Do I need to point out the last few sentences are sarcasm?)

And remember girls, pick-me is not an insult against loser-type, blaming everyone else for their mistake's behavior like incel is, it's a direct insult against a girl DARING to go against pre-established gender roles. Who are the people actually putting boys and girls in boxes, affirming established gender roles by implying other types of behavior is against the norm? Is it the simple tomboy, or the jerks who continue using this insult without realizing it's an insult created specifically to force traditional femininity upon women instead of letting them be who they are.

(A lot of these "dreaded pick-me's" are probably non-binary too folks.)

Don't get me wrong, this gif goes both ways. Obviously when girls have been boxed in all their lives, they're gonna get obnoxious about it when they aren't inside the box anymore. Yet, those who fling around the pick-me insult are calling attention to the breaking of gender roles all the more, and in the way that actually enforces them rather than the thing I think "pick-me's" actually do, and that's desperately trying to build a unique personality and find themselves in a world that still limits women so much. Can you blame someone for trying to fight against something, even if they are doing so in a sloppy way?

Well, I'll leave off this long rant post with saying this was inspired when the Misery Machine posted a video of a woman who fucking murdered people, but instead of actually focusing on the crime, they focus on the aspect of her being a pick-me. Why? She was goth. Yup. I bet you're pissed too now. Her being a pick me had nothing to do with being a murderer, so why even bring it up?

I'm not trying to language police, I'm just trying to call out attention to quite frankly might just be a new slur, which people will look back on in shame. There's so much hatred against a lot of today's slang, so why isn't the worst slang getting more hatred than words like gyatt or fantom tax, which are harmless at the end of the day.

My main point, LET PEOPLE ENJOY THINGS and MIND YOUR OWN BUISNESS!!!! Let's be aware of all the little things designed to degrade people and bring them down while the corporations profit off our insecurities they created in us, and we can start by not using insults coined by Grey's Anatomy of all things.

[chaotic-on-main]

☆\\ Where I'd take AoT characters on a date IRL HCs:

(may or may not have based these off of places I’ve been to before and things I've done. also every one of these are to be assumed to be over the age of 21)

↓ Marco, Armin, Sasha, Eren, Levi, & Hange ↓

➳ Marco

➤ I’d take him bowling

➤ he’d be very adamant to pay for everything

➤ he'd spend a lot of time trying to find the perfect ball

➤ offers to help me after my 5th gutter ball in a row, even though he’s not very good at it either

➤ with his help, I'm able to hit the pins at least and when I look back at him with a big smile after knocking down 2 pins, “Marco!! Did you see that?! You helped me do that!!” - he would get so nervous and bashful

➤ when he ends up getting an accidental strike, I’d give him a very enthusiastic kiss on the cheek

➤ His face is beet red for the rest of the night. (just imagine those freckles, I'm crying)

➤ neither of us break 100 points but we laugh about it anyways and applaud each other for trying

➤ we'd spend some time in the attached arcade after our lane time is up

➤ he's not very fond of the violent games but he did indulge me with one Mortal Kombat game in which I won purely by being the better button masher

➤ he has a lot of fun with the strategic games though, and even ends up winning enough tickets to get that massive plushy hanging off the wall behind the prize counter that I've been staring at the whole time

➤ afterwards we'd go get greasy food and milkshakes at the diner in town, 90s grunge music plays in the background

➤ I sneak my debit card to the waitress to pay when he's not looking

➳ Armin

➤ I'd take him to an aquarium

➤ he absolutely info dumps on every creature we see

➤ he refuses to let go of my hand the whole time as we walk

➤ at one point he just wants to sit at a bench and stare up at one of the largeest tanks in the building, and we do in comfortable silence

➤ he laughs at my enthusiastic behavior when it’s time to see the sharks and penguins

➤ a kid comes bounding up next to us and starts blabbering about how pretty the fishies are and Armin will lean down and start pointing to specific ones and informs the very wide-eyed child of what they are

➤ I'd watch him with heart eyes the whole time he spoke

➤ I buy him a little stuffed octopus from the gift shop (that his bed is never seen without after this)

➤ he gifts me a small necklace with a little silver conch shell, his face is SO pink

➤ “I-I got you s-something too.”

➤ we’d take a walk down in the park next to the aquarium which just so happens to be by a river

➤ the sun is just starting to set so oranges and pinks are dusting the sky and reflecting off the calm water

➤ we get an ice cream cone from a vendor off the path

➤ I’d get cotton candy whereas Armin finds delight in sea salted caramel

➤ still holding hands of course, and if I pull away for anything, even to get a napkin out of my purse, he whines

➤ the night ends with some stargazing on the dewy grass of the park, both of our arms pointed to the sky as we talk about the stars, our hopes, our dreams, and everything in between

➳ Sasha

➤ I'd take her out to a Brazilian Steakhouse

➤ she'd never heard of them before so the moment I told her the concept of the restaurant, she already had drool down her face

➤ she makes the cost absolutely worth it because she packs away so much meat

➤ We would laugh the whole meal because we'd talk about our favorite weekly memes that popped up on our social medias

➤ we’d go axe throwing after dinner to blow off some steam, which is just a short walk from the restaurant since we’re downtown

➤ she’s getting a couple bullseyes (not a lot though, they’re mainly accidental) and doesn’t hold back her laughter when I utterly fail at even getting the axe to stick

➤ when I do manage to hit the wood and it sticks, she’s screaming so loudly in praise that the people next to us are eyeing us with dirty looks

➤ on the way back to the car, we run across one of those city fountains that spray water straight up from the ground (like for kids but more elegant) and out of pure mischief I shove her straight into a water stream getting her soaked

➤ she pulls me in and then we’re chasing each other through the water while screaming in laughter

➤ we’re dripping wet by the time we make it back to the car but luckily, I come prepared for anything

➤ it’s 11pm by the time we end up finishing our shenanigans

➤ “Taco Bell??” “Fuck yeah.”

➤ our stomachs are so sore from laughing so much

➳ Eren

➤ I’d take him to a rage room

➤ I’m not surprised to see how much pent-up aggression he needed to let out, but he is surprised by mine

➤ everything in the room has no mercy between the two of us

➤ once he’s over the initial shock of “smol but angy”, we’re both cackling like maniacs as we beat the shit out of the car sitting in the center of the room

➤ “Is that all you got!?” “Not in the slightest, Jaeger, watch this!!”

➤ Eren pays for another 30 minutes us because we’re just having so much fun

➤ the room is a chaotic mess by the end of it

➤ when we’re done with that, we’d grab dinner at a pub just down the street

➤ drinks will be had, him a beer and me a fancy ass cocktail that’s stronger than his by a landslide

➤ we’d be having loud drunken conversations about something stupid, probably work related

➤ his cheeks are just so flushed as he stares at me rambling about something going on in the world

➤ “What are you looking at?” “Nothing of importance.” He smirks. “Fuck you.”

➤ he plays the loudest death metal I have ever heard on the way home

➳ Levi

gif by @tatakaeeren ↑

➤ I'd take him home (hear me out)

➤ we'd make a home cooked meal together, something cozy and comforting

➤ maybe it's a recipe that his mom loved to make for him

➤ there’s soft lo-fi jazz playing in the background and the sun is setting just outside the kitchen window

➤ he loves to cook, like me, so we'd work well in the kitchen together.

➤ it takes longer than the recipe states because I'm slow as fuck when it comes to moving around in the kitchen but he would be so patient with me (not without his dry retorts though and me shooting daggers at him, all in light fun)

➤ “Those potatoes could peel themselves faster than you.” “Shut up.”

➤ When chopping onions, I'd be a puffy-eyed mess but he wouldn't even bat an eye

➤ matter of fact, his knife work is impeccable, and I’d have him on cutting duty

➤ eating together consists of comfortable silence and meaningful stares

➤ after dinner, he'd demand that I go sit while he handwashes all of the dishes as well as wipe down all of the counters (which I do without complaints though I still ask “Are you sure you don’t want help?”)

➤ when he's done, he'll come over with some dessert tea and we'll watch a movie or show together snuggled up on the couch

➤ sleepy forehead kisses as I nod off and he stays up half paying attention to the movie

➳ Hange

➤ I'd take them to a science museum center

➤ it's one of those interactive museums with the water features and outdoor activities

➤ Hange gets so giddy at the chemistry section

➤ they’d spend an ungodly amount of time at the physics station

➤ the system they made with the gears and tools provided is way too complex for me to understand but I am proud of them nonetheless

➤ even though most of the science discovery museums are catered to children, they are the most excited and happy one there

➤ there was a moment where they almost pushed a kid aside to gawk at something, but I grabbed their arm in time

➤ I’d have to physically stop them from buying everything at the giftshop

➤ we’d get pizza for lunch (a little Unspoken Words might have made its way in this)

➤ Hange is rambling on about some sort of experiment they would have made had the science center had the resources, a wicked gleam in their eyes as they talk

➤ “I’m just saying, if they ditched the construction paper and used real, raw materials, it would be even better.” “Hange, that’s not safe for kids.” “Who said it would be for the kids?”

➤ we’d go for a drive around town for a while with the windows down and music is cranked as high as possible as the sun sets in the rearview mirror

➤ the shared playlist we made makes no fucking sense

[chaos0pikachu]

Hi Chaos,

I keep seeing people post about x director and their thematic parallels and storytelling, and I can't help but think that it's the writer who does all those things!!! And it's so frustrating seeing the director get the credit for the screenwriters' work. I am also in the TVDU fandom, and to this day, I've never seen the director get the credit for what is clearly a writer's work. We praise, and we curse at the writers every time. We know their names by heart. Even in kdrama fandoms, I've seen the writer get the credit they deserve. So I'm just baffled by why the director is being credited with 'making' or 'writing' a show in the eyes of the public. I understand that they are more visible than the writers, but its only a matter of looking it up on MDL. (And the only writer who gets full credit for her work, MAME, is also cursed/called names by a lot of people). ( Can't forgive the fact that MAME did not write the TT show. What's the difference, you ask? I point you to Big Dragon, Kinnporsche (positive), Step by Step (negative). ) (Sorry, I feel very passionately about this.)

Lol nah I love this chaotic passion and I love how folks are so open about how Mame is treated in fandom is weird, actually yes spill those feelings to me it's safe here

I've written and rewritten this answer like five different times b/c it got so long but fuck it under a read more cut for other stuff but here's my general gist on this: I think it comes down to a few factors - visibility, apathy, ignorance and probably other stuff but I'm not a behavior scientists I'm just a bitch with a blog. As always y'all take what I say with some season salt mix

So, visibility.

It's really easy to credit whichever person is the most visible on a project with a majority of the work. We understand, as people, that many many folks work on these shows, but it's much easier to attribute the bulk of the project with a few individuals.

Actors used to be at the forefront of this, in recent years as social media has chipped away at the fourth wall, writers and directors have also risen in prominence in the discussions of film. But like, producers can and do have a huge impact on the way I project takes form and shapes yet you hardly ever see fans talking about x, y, z producers' influence on a project.

I think the only times I see a producer come up in discussions of a project is Kevin Feige (almost universally positive) and Kathleen Kennedy (almost universally negative). And that's really b/c both of these ppl are visible - they're a part of the promotional tours, they're walking the premiere carpets, they're giving interviews, etc. But it's all very bias b/c fans look at a singular body of work - Feige's case Marvel films, Kennedy's case Star Wars - of both of these producers and b/c they made either things they liked or hated.

But like, a quick bit of research and you'd see Kennedy has been a producer on some amazing and even classic projects: Gremlins, Back to the Future I & II, The Goonies, Who Framed Roger Rabbit, Schindler's List, ET, The Color Purple, Hook, Jurassic Park, The Sixth Sense.

She's even been a producer on the Star Wars things people did like: The Mandalorian, Obi-Wan Kenobi, Andor, and The Acolyte. She's been a longtime collaborator of Steven Spielberg and George Lucas and has eight Oscar nominations as a producer but she was a producer for some mid Star Wars films and she's the devil incarnate. I don't even care that much about Kennedy or Star Wars shit but I'm not gonna pretend there's not bias in her case that's similar to how fandom views and treats Mame.

And on the flipside she's been a producer on shit or mid projects - like the Star Wars films and Signs, the Flintstones - which is just typical. You work long enough in the industry and you'll make or work on mid to bad projects. See Ridley Scott's career of epic highs & epic lows.

[It's interesting to me that Jon Favreau and Dave Filoni get all the credit for shows like The Mandalorian but Kennedy gets no credit whilst on the flipside JJ Abrams gets like no blame for how mid to bad Force Awakens & Rise of Skywalker were but Kennedy did get blame. And I'm speaking broad strokes here, yes I'm sure JJ did get some cranky posts about his part in RoS but in general Kennedy got more.]

Which leads me to the next factor, ignorance.

I think ppl are gonna like take offensive to that word but I'm using it super neutrally ignorance is just a lack of knowledge.

We're all ignorant about stuff like fuck don't ask me about how sales tax works I don't know. Lacking knowledge is just a fact of life we can't be experts on every single facet of the world, life, etc it's impossible and that's fine. Just own up to the fact you don't know and if you want to know do some research because learning can actually be really cool and fun and shit. Except sales tax I'm not learning all that.

But from my general observations of BL fandom well a lot of people are ignorant on how film making works. Hell a lot of ppl outside of BL fandom are ignorant about how film making works - the implosion in the 911 fandom is showing out re: this lmao literally right now - and again, that's fine. It's really Not A Big Deal. I'm no by-the-by expert either. I think the grind comes when folks try to be Breadtubers and others take said posts as gospel knowledge when by my observations it's a lot of opinion and/or misinformation.

[idk what yaoi framing is but it isn't a real film making thing; comics and film are two different mediums y'all]

I saw this a lot in the BBC Sherlock fandom ppl with very strong voices claiming x, y, z is how television works and, well it wasn't lol like this very consistent argument I see in migratory conspiracy shipping circles is actors and showrunners just be lying in interviews to "hide the big romantic plot twist" for said MCS and that's just not true. It's not trueeeeee that's not how PR and marketing works. So many MCS fandoms pull out the "we were baited b/c they posted The Ship on twitter" and harass the showrunners who have nothing to do with the official twitter. That's an entirely different department of the show/film. Marketing is a different department from the film crew.

But most people don't know this or don't consider this b/c a lot of folks don't know the inner workings of film, or publishing.

Like whoever runs the Seven Seas social media is in a totally different department from who's acquiring licenses for titles and who's editing the books themselves. Likewise yelling at a showrunner b/c the trailer for an episode advertised a scene you were excited about and then the scene wasn't in the episode? Not the showrunners fault they don't cut the promos that's a different department entirely.

I'm not knocking ppl for not knowing stuff like this, it's not like it's inherently common knowledge. Like hell if I know how the education hierarchy works I don't work in education. The issue - if it can be called that - comes in when people make assumptions is all and spreading misinformation.

In the case of Mame you're right she didn't write Tharnype on MDL she isn't even listed as a producer (idk if she is and it's listed elsewhere personally I find MDL very unreliable since it's fan edited) the show is just based on her novel but she's the one who gets all the hyper focused critique not the actual screenwriter nor director. Similar for any other Me Mind Y show. They're all just considered "Mame's work" and not like, a group project (which is what film making is lol).

Now, I'm no expert on how the Thai film industry works. I imagine the hierarchy aspects are, if not the same, at least similar to American film hierarchy. Meaning producers, and directors have a lot of power in terms of what gets put on screen.

I will say from what I've seen folks do wear multiple hats on Thai productions so like the director might also be the screenwriter, or the screenwriter might also be a producer, etc so that could also add to some of the overlap in credits.

I don't use the term "apathy" as a negative here. Fandom is first and foremost a hobby and a hobbyist space. I do not research every single show or film I watch either. Hell I struggle with watching as many BLs as other people who are just straight up powerhouses with how much they can watch.

Not being interesting in the deep ins and outs of How A Thing Is Made isn't a bad thing, focusing on only "the faces" of the project isn't something I'm gonna hold against people either.

I do think if you're going to be giving a Roger Ebert style critique or go for a more academic reading of a piece of media then yeah, you might have more of a burden to do some research if only to not spread misinformation. Or at least, to properly give credit where credit is due.

Personally, I'm of the mind fandom - in general not just BL fandom or whatever - is to concerned with like, "being right" about the media they watch and being seen as pseudo authority figures at times. That Big Name Fan aspect of it all, the social clout that comes with it - saw this with a lot of bbc sherlock wank - and genuinely, bro who fucking cares?

It bothers me when fans feel guilty for liking a thing big voices in fandom claim are Bad, Wrong, in a breadtube voice like who caaaaaares there's so many shows I could break down via film techniques for why I dislike them but like I'm so lazy bro it's not that real if you like 2gether I'm so happy for you light up like a firework baby

[unless you like star trek into darkness and then your wrong pikachu has spoken es lo que es]

anyway idk where I'm going with but yeah those are my general thoughts I guess on why ppl might attribute or heavily focus on the director vs the screenwriter of a project

[redheadgleek]

Books Read April-June

I read a lot these last few months. A bunch of them were on the shorter side, but also because I've been reading more, I'm reading faster.

I've stretched my goal to read 120 books this year (10 books per month). We'll see if I make it.

April (10 books):

Sister Outsider: Essays and Speeches by Audre Lorde. I really struggle with reading nonfiction, so this took me several months to get through (I do much better with audiobooks for nonfiction). The first work I've read of hers, I'm really interested in seeing her poetry.

Frogs In A Pot: How one woman mentally and physically abused five men in her life - and her own daughter - to satisfy her narcissistic needs by K.D. Kinz. I already ranted about this one.

An Absolutely Remarkable Thing by Hank Green. Sci-fi meets social media culture. Ended on a cliffhanger, not sure when I'll get to the sequel.

The Rose That Grew from Concrete by Tupac Shakur. He had some really lovely thoughts. Gone way too soon.

Spell Bound by F.T. Lukens. Not quite as good as their other books (Monster of the Week and Ever After are fantastic), but still enjoyable.

The Bandit Queens by Parini Shroff. Recommended by @ckerouac. I loved it until around the last 30 pages. It just felt rushed of an ending.

Solutions and Other Problems by Allie Brosh - this was much more heavy than Hyperbole, in both content and weight (the book was a workout).

*In the Lives of Puppets by TJ Klune. A retelling of sorts of Pinocchio (reminded me a lot of A.I. which I loved even though the critics did not). It's weird and lovely and while not exactly happy, it's wistfully hopeful.

O Lady, Speak Again by Dayna Patterson - a collection of poetry using Shakespeare's female characters as the voices. I would love an audio version.

Bryony and Roses by T. Kingfisher. A dark, little more adult, Beauty and the Beast retelling. Very imaginative.

May (13 books):

Madison by Ngozi Ukazu. I'm not sure I should really count this, but it was a delightful little comic to close out the Check Please universe.

The Ten Thousand Doors of January by Alix Harrow. I struggled with the beginning, but there were some great little twists towards the middle.

Assassin of Reality by Marina and Sergey Dyachenko. The sequel to Vita Nostra which I haven't stopped thinking about since I read it earlier this year. It was still off-balance and haunting, and I'm still left with questions. Sergey died this year, so it's uncertain if there will be another book to finish.

The Sleeper and the Spindle by Neil Gaiman. A Sleeping Beauty/Snow White retelling with some absolutely gorgeous illustrations. Lots of twists in this short story.

*The Raven and The Reindeer by T. Kingfisher. Retelling of the Snow Queen. I really liked this one - I felt cold through the whole thing.

The Hollow Places by T. Kingfisher. Very creepy in world building and the horror was a slow drawn-out dawning, but it sort of fell flat in the end.

Tastes Like War: A Memoir by Grace Cho. A half Korean woman recalls the relationship with her mother, who is diagnosed with schizophrenia. This was a "Everybody Reads" book club book from my library. I found the writing quite engrossing. There's a lot of controversy with it, with her brother calling the author a liar - but as he and his wife spend every moment of their free time replying to anybody who says anything positive about the book and they also have this "there isn't any racism any more!" attitudes, I've had heaps of salt with their perspective.

*Spinning Silver by Naomi Novik - a Rumpelstiltskin retelling, but it weaves in several other fairy tales. This one is unique because there's about a dozen 1st person perspectives (who aren't identified, you figure them out from the context) who tell the story. Makes me want to read more of her books.

This Is How You Lose the Time War by Max Gladstone and Amal El-Mohtar. I wanted to love this because everybody else is. And I didn't. It was okay, it just wasn't fantastic.

*Simon Sort of Says by Erin Bow. Middle school novel about a kid who is the only survivor of a school shooter and then moves to the middle of nowhere to escape it all. The friendships were the best and it made me feel all the emotions.

The Crane Husband by Kelly Barnhill. Yes, May was my month of reading fairy tale retellings, this one of the Crane Wife. Weird and short. I'm looking forward to reading When Women Were Dragons.

The Remarkable Retirement of Edna Fisher by E.M. Anderson. This was a book based on that tumblr post circulating around about the chosen one being an old woman instead of a teenager. It was enjoyable, mostly, but did feel like it was trying to check off all of the diversity boxes, and the ending was rushed.

The Ruthless Lady's Guide to Wizardry by C.M. Waggoner. Apparently it's sort of a sequel to another book. Knowing that would have helped. The undead mouse character was the best.

June: It's Pride Month! (12 books)

Queerly Beloved by Susie Dumond. Once a bridesmaid, forever a fake bridesmaid? Some fun characters in this one.

The Thirteenth Tale by Diane Setterfield. Read as part of my friends-recommendation challenge - I own this book and my sister has been trying to get me to read it for years. I still haven't quite decided how I feel about it. The atmosphere was deliciously Gothic.

Imogen, Obviously by Becky Albertalli. I related a lot to this book, of figuring out who you are, and how boxes and definitions may not fit you. I wish that Becky would start writing books about college students instead of high schoolers though.

Kiss & Tell by Adib Khorram. A quick read.

Loveless by Alice Oseman. I was really disappointed by this book. The characters and plot weren't well fleshed out.

*Jonathan Strange & Mr Norrell by Susanne Clarke, audiobook. Shortly after this book came out (nearly 20 years ago), I started reading it and got about half way through before getting distracted and I never finished it. I started listening to this at the beginning of March. It was 32 hours long. It's such a slow developing, meandering story, and I absolutely loved it. I felt completely immersed in the world.

Kiss Her Once For Me by Alison Cochrun. "A Charmed Offensive" was better but it was a nice twist on the fake dating trope. Although for taking place in Portland, very little of it actually took place in Portland.

Lily and the Octopus by Steve Rowley. I loved "The Guncle" so much that I bought this when it went on sale and put away all of my other books to read it. It was ... weird. I think part of it is that I don't have a pet, but also the voice of his dog kept changing? It's magical realism, part The Life with Pi and part Moby Dick.

Scythe by Neil Shusterman. Friend-recommendation. A dark utopia and a sort of fascinating exploration about death. I'm on the waiting list for the other books of the trilogy.

*What My Bones Know: A Memoir of Healing from Complex Trauma. Audiobook. Friend recommendation. An Asian woman explores the relationship of her abusive mother and her recovery from complex PTSD. I listened to the audiobook, and while I don't have PTSD or a history of abuse, it surprised me how much I related to her. The last chapters about love and connection were really healing to listen to.

*Above Ground by Clint Smith. Audiobook. His poetry about about parenting, but also about racism and connecting to the past. Really powerful and lyrical.

*The Song of Achilles by Madeline Miller. I do love a Greek tragedy and this one was so good.

Currently reading:

The House Witch by Delemhach. The writing kinda sucks, but I like the idea and plot?

The Grace of Wild Things by Heather Fawcett. It's an Anne of Green Gables-inspired book about a young orphan witch who seeks out a reclusive woman as her mentor. It's utterly delightful.

The Celebrants by Steve Rowley. "The Guncle" may have been a one hit wonder for his writing for me, because I'm a couple of chapters in and I'm already annoyed.

A Taste of Gold and Iron by Alexandra Rowland. I've heard lots of good things about this one.

The Girl Who Fell Beneath the Sea by Axie Oh. Audiobook. I'm loving the narrator - for a while, I thought it was the actress who plays La'an on SNW as they have very similar cadences.

Next up: Book Lovers, When Women were Dragons, The Invisible Life of Addie LaRue, Thunderhead, and A House of Good Bones. Still on my "friend recommendations for 2023" to-read list: The School for Good Mothers by Jessamine Chan, Kaikeyi by Vaishnavi Patel, Tomorrow and Tomorrow and Tomorrow by Gabrielle Zavin, Anxious People by Fredrik Backman, The Emperor's Soul by Brandon Sanderson, Sweet Like Jasmine by Bonnie Gray, Remarkably Bright Creatures by Shelby Van Pelt, Dinners with Ruth by Nina Totenberg.