jumpscared by the first tag game i've interacted with in years by @softmick . Solidarity with another duckduckgo user 💪
Name: u can use like isador. wolf. i mean whatever though people have called me sasuke to my face before
Where in the World is Carmen Sandiego? (or you): TX united states
Ok, so this week we are going to snoop into your google duck duck go search. Type in each phrase and tell us what the first suggestion is that google gives you!
What is the best way to…. lose weight? it's hard to think of something i'm less interested in.
Where can I…. watch season 4 of the chosen? <-considered legitimately using this as a show rec before seeing it was about jesus.
How old is… Taylor Swift? <-getting the sense that the search suggestion algorithm is not trying very hard.
How long does it take.... to get a passport? last time i updated my passport as a teen it took like 4h in the worst government building ever. horrible horrible architecture, designed to torture people. passed the time trying to remember the lyrics to bei mir bistu sheyn (bei mir hostu khein, bei mir bistu einer oif der veld)
How many… weeks in a year? <-again like i am being stonewalled by default searches. good news for my internet safety though?
Who set the record for…. belmont stakes? <- learning what this was is now the most ive ever known about horse racing
When did…. ww2 end? depressing ass question. feels like an essay question that im supposed to subvert. like, am i supposed bring up an argument about the cold war & worldwide proxy wars as an immediate consequence? far, far, too depressing by far
What does it feel like to… get shot? dear dear friend of mine will be in some shameless type situations tbf id just ask him
Can you… name all women shit i had no idea there were that many? i never found the fucking tiktok i was looking for with this one. For the love of god if anyone has it let me know. "amelia eirhart.. ummm.. doja kat." <-thats what he said
When you… say nothing at all 🤐
Why do…n't we just dance? i have long since forgotten how😔 i probably need to relearn bc i do think it's lovely.
Is there a way… to unsend an email? if there was an obvious one id never communicate with anyone at all.
How old do you have to be… to scuba dive? this is the first time i've considered an age limit. i suppose it makes sense not to let like a 3 year old down there though. i mean like imagine the consequences.
Where do the… lakers play? ya rabb wala 7ada yahtamu 3an jadd
What is the best time to… book a flight? several months in advance, probably.
And to finish us off…. What comes up when you type in Shameless? "Shameless season 1 monica" i was trying, fruitlessly, to remember the episode number of her first appearance because i'm the rube who doesnt memorize that. anyway did we know the wiki fucking sucks for shameless. like it absolutely sucks ass
tagging: ill be SO honest no one knows me from here so this is a random assemblage of people who i don't believe will shoot me in the face for it🤗 @pomodoriyum @eviefrie No pressure though. Anemoneway
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The number of times I've seen people argue that Bruce is a decent father and that he is not abusive absolutely blows my absolute mind.
Yes, you can hc whatever version of Bruce you want. You can even blame it all on bad writers or reject canon. You can claim comic!Bruce isn't your Bruce and main a different version of him. Those are all valid.
However, you can NOT say that he has ever been justified for hitting his kids. There is no excuse for him willingly laying his hands on his kids. It doesn't matter if the person is drunk, drowning in grief, lost in emotions, whatever. Hitting kids is not okay.
Continually, the physical abuse is a very obvious sign of Bruce being a shit dad in the comics. On top of that, there is so much emotional abuse and manipulation as well. He's shitty as fuck to his kids and there's no reason this is okay. He may love those kids, but that doesn't excuse his behaviors.
Anyways, reject canon Bruce all you want. There's certain aspects of other characters I reject, and DC stands for Disregard Canon. Feel free to have whatever version of Bruce you desire.
What is NOT okay is excusing or accepting canon Bruce's actions/behaviors as acceptable.
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if you were in control of a dark shadows adaption (or, hypothetically, could alter the original; whichever you find more interesting to think about!) what does your ideal version of 1795 look like? are there things you would change? things you’d want to keep?
Let me preface this by saying I do genuinely like or appreciate a lot of the 1795 arc! When it's at its best, it's a tragedy born out of hubris and the terrible things we'll do for the people we love (or the terrible things we'll do to hold on to love. or the problem of love without respect). I'm up to episode 741, and the confrontation between Joshua and Barnabas over the latter's coffin is still one of the best scenes in the show, for my money. That said;
Broadly speaking, most of my problems with 1795 either have to do with characterization, or with historical context: that DS's unwillingness to delve into historical realities undercuts its ability to talk about monsters, and that it completely mishandles Vicki to the point of functionally ruining the nominal main character (who, to be fair, was already being pushed out).
Historical Context: DS loves the past, conceptually, but it really doesn't deal in historical conditions, and that's on full display in 1795 - witchcraft trials? zippers? claiming a house built in the early 20th century, with the attendant architectural style, was actually built in the years leading up to 1795? okay. I forgive that, because we do live, narratively, in a world with witches and vampires and curses and passenger rail service north of Portland, ME after 1965 - and in a make-believe world where the costumes are as good as a budget of a crisp single and a pb&j can make 'em. I say this mostly lovingly: DS simply is not the kind of show that cares about historical plausibility, let alone accuracy. Plus, Reverend Trask was great, and on the basis of giving Jerry Lacy scenery to chew on, the witchcraft trial plotline is excused.
More seriously and damningly, I do think it's a glaring omission on a show being made and aired in the late 1960s to have three characters said to be from the (fictional) wealthiest family of planters and enslavers on Martinique and have that go unexamined and unpacked, especially when commentary on class in Collinsport has been a constant undercurrent (sometimes more of an under-trickle, or under-vague-breeze) since episode one - and because Joshua Collins is very explicit about how beneficial the connection between the two families will be for the Collinses, who always need cargo for their ships. [Since David Ford's here, you'll forgive the reference to 1776: "Molasses to Rum" playing vaguely in the background] But that's the problem with Post-Barnabas DS. Since there's a Collins running around befanged and literally drinking the blood of others, the show's lost interest in discussing how, exactly, the Collinses became wealthy and powerful, beyond the odd occasional reference to the fishing fleet and cannery or, in 1795, the shipyards. We've got a real vampire, what do we need all that metaphorical monstrosity and class/race/gender analysis for?
As a choice the show's made, I think it fundamentally undercuts one of the show's most reliable and interesting points of commentary: how charming and human some monsters are, or that humanity and monstrosity are not entirely mutually exclusive conditions.
also speaking of monstrosity. the show excuses Barnabas for so much outright evil because he preys on sex workers, primarily, and other assorted poor men and women of Collinsport, who the show ... doesn't really see as people. but that's a separate but not unrelated rant.
Characterization: really, this is about Vicki. So much of what I dislike about 1795 has to do with Vicki's characterization changing for the worse (granted, I think this problem starts much earlier, but see digression a below) once she hits the ground in 1795, AND that the 1795 arc continuously insulates her from the important parts of DS's narrative. If the whole point of Vicki landing in the past was to explain how it all began (whether that's Barnabas's vampirism, or the opening of the great house at Collinwood - Sarah's ghostly goals are unclear here), she's party to neither: Vicki spends very little time in Collinwood, and is kept completely apart from even a hint of knowledge that Barnabas is a vampire. In effect: Vicki, as nominal main character, gets sent into the past, but not as a character - she's just a windowpane, or a magic mirror as far as her importance to the narrative goes. Which is unfortunate for her, because as a character taking up space, she's given screen-time without agency, intelligence, or inner life. The only change that being dragged by her puppet strings through 1795 effects in Vicki Winters is a rope-burn from a failed hanging, an infected gunshot wound, and a I-wish-he-were-more-permanently-dead rebound boyfriend whose response to Vicki panicking about being hanged was to slap her for being hysterical.
Forgive me for being unimpressed.
As far as fixing it goes - there's where I've been striking out. She's fatally passive in 1795 as written. Why doesn't Vicki try to figure out how to get back to her present? (and if she doesn't, perhaps ... gesture at why Vicki might feel like there's not a lot to return to in the present? She nearly jumped from Widows' Hill about 10 episodes before 1795 started.) Why does Vicki persist in making herself suspicious, when she was introduced as a character hampered more by inexperience than true ignorance? In the idea 1795 that lives in my head, why wouldn't Vicki try to figure out who the real witch was, because - given her experiences with the supernatural! - surely a witch might be any help in getting her out of the 18th century and back into the present? End of day, she needs a real plot which doesn't end with her in prison unconnected to the Collinses. Whether that's searching for an escape hatch back to the Swinging Sixties, or Sarah's ghost giving her clear instructions - some kind of a goal! - Vicki either shouldn't exist in 1795 (recycle Moltke as another Collins sibling? that would add a wrinkle to the question of Vicki's antecedents) or she has to be given something to do.
&, finally ...
Digression A: In fairness to the 1795 arc, I think the arc was only following a pattern of characterization and plot involvement that started with Barnabas's arrival: first, that Vicki initially wasn't really involved in the Barnabas plot because she was more involved with the Liz & Jason plot, and, unfortunately for Vicki, everyone still talks about Barnabas, where no one (alas for Patrick and Bennett!) talks up the blackmail thing; second, I think, that the one-two punch of the definitive end of the era of metaphorical monsters & the Burke recast meant that a lot of the dramatic tension that Vicki was carrying either got dismissed or dissipated. We're not playing Jane Eyre any more, we're doing Dracula: Vicki's relationship with Roger and David no longer bears any dramatic weight. We've completely sidelined the question of Vicki's origins, so whether or not Liz is her mother doesn't matter (and the revelation and dismissal of Liz's not-actually-monstrous conduct sort of defangs that relationship, too? oh, Liz isn't actually a murderer? so mother or not, there's no strain on her relationship with the conspicuously virtuous Vicki.). Burke's no longer threatening to burn down Collinsport for revenge, and all of his various relationships with the Collinses or Collinsport denizens have gotten abruptly normalized, so there's no tension to his relationship with Vicki any more: he's rich (don't ask where the money came from), he's in love with her, and now he's chummy with all her friends/stand-in family members. He doesn't even have conversations that are totally just about pens or guns with Roger, for god's sake. The show kicked out all the pillars Victoria Winters as a character had been built on, and it only gets worse after 1795. No wonder Moltke left.
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