#i've always been like this too!!! idk why!!!

[the-oblivious-writer]

Let the Light In |8|

Tara Carpenter x Fem!Reader

Chapter Eight: Old Temptations

Summary: After hiding yourself away for weeks, Anika and Henry get you to return to the living. While you're at the party they bring you to, you run into Tara before a third-party runs into your fists.

Warning(s): Swearing, fighting - whoop whoop!! that's the sound, social interactions, and drinking (underage)

Notes: I made at least ten drafts, combined them, adjusted, and here is the final product. This is more of an R focused chapter, so you'll start to see more of the internal struggles she goes through along with a special guest start. As always, I hope you enjoy

Masterlist|Previous Part|Next Part

The incandescent lights of Henry's apartment building buzz overhead as you follow him and Anika up the concrete stairs. Your boots echo against each step, creating a hollow rhythm that matches your reluctant heartbeat. You've been dreading this party all week, but your friends had worn you down with their relentless enthusiasm and pointed comments about your "hermit tendencies."

"I still can't believe you actually agreed to come," Henry says over his shoulder, his keys jingling as he searches for the right one. "Usually getting you out after exams is like trying to coax a cat into taking a bath."

"Maybe I'm turning over a new leaf," you mutter, knowing full well it's a lie. The only reason you'd agreed was because they'd caught you in a moment of weakness—specifically, when you were coming down from a three-day study binge and your defenses were too low to properly deflect their persistent pestering.

Anika snorts, adjusting her glittering top that catches the harsh hallway light. "Right. And I'm going to start watching silent films with you."

"Charlie Chaplin’s a classic," you defend, following them into Henry's apartment. The familiar scent of his signature sandalwood candles hits you immediately. 

"Whatever you say, grandma," Henry teases, disappearing into his bedroom. You can hear him rummaging around, probably looking for whatever he plans to wear tonight.

You collapse onto his worn leather couch, the same one he'd rescued from a curb three years ago. Despite its questionable origins, it's the most comfortable piece of furniture you've ever encountered. Maybe if you sink deep enough into it, they'll forget you're here and leave without you.

Anika perches on the arm of the couch, already touching up her makeup in a compact mirror. "You know," she starts, and you recognize that tone—it's the one she uses when she's about to say something she thinks you won't like. "Tara might be there tonight."

Your stomach does an uncomfortable flip. "And why would I care about that?"

"Oh, I don't know," Anika draws out the words, applying another coat of mascara with practiced precision. "Maybe because you've been moping around ever since your little disappearing act?"

"I haven't been moping," you protest, but even you can hear how weak it sounds. "I've been studying. There's a difference."

"Right," she says, sarcasm dripping from her voice.

You open your mouth to argue, then close it again. The past few weeks have been a blur of textbooks, coffee, and a blend of mathematical formulas and historical documentations. You'd thrown yourself into exam preparation with perhaps more vigor than strictly necessary, but that was just your way of dealing with stress. 

It definitely had nothing to do with how you'd ignored her texts afterward.

Dork (3:47 pm - 2 WEEKS AGO) I can't make it tonight

Tara (3:48 pm - 2 WEEKS AGO) oh. lemme knw when u can reschedule 

Dork (3:48 pm - 2 WEEKS AGO) Tara, don't do that

Tara (3:49 pm - 2 WEEKS AGO) dont wat????

Dork (3:49 pm - 2 WEEKS AGO) I know what 'oh' means

Tara (3:50 pm - 2 WEEKS AGO) well then eblighten me cuz idk what ur ymmaring abt

Dork (3:51 pm - 2 WEEKS AGO) *Enlighten/*yammering, and never mind

Tara (3:51 pm - 2 WEEKS AGO) 🤓 is u fr 

Dork (3:52 pm - 2 WEEKS AGO) Excuse me? 

Tara (3: 52 pm - 2 WEEKS AGO) i have to explain??? but i thougt u were all knowing!

Dork (3:53 pm - 2 WEEKS AGO) *Thought. I know you know how to spell, you're just reckless with a keyboard

Tara (3:53 pm - 2 WEEKS AGO) my question is when did i ask

Dork (3:54 pm - 2 WEEKS AGO) That's an improvement

Tara (3:54 pm - 2 WEEKS AGO) stfup.

Henry emerges from his bedroom, now wearing a fitted crop-top that every guy wore in the 80’s. "Are we talking about the Tara situation?"

"There is no 'Tara situation,'" you insist, making air quotes with your fingers. "Can we please just go to this party so I can suffer through it and get back to my peaceful, drama-free existence?"

"Drama-free?" Henry laughs, grabbing his keys. "Is that what we're calling your one-person production of 'Hamlet' these last eighteen years?"

You bite your thumb at him, but there's no real heat behind it. These are your best friends, after all, and you know their teasing comes from a place of love. Even if they're being particularly annoying about it tonight.

The drive to the party is a blur of street lights and the sound of Abbey Road. You're behind the wheel of your beloved '70 Ford Maverick, a car that Henry constantly ridicules. Anika claims the passenger seat, still fussing with her makeup, while Henry sprawls in the back, giving you directions that are more confusing than helpful.

"No, no, turn left at the next—wait, I meant right. My other left."

"Your other left?" you deadpan, making the turn anyway. "How many lefts do you have?"

"Don't sass the navigator," he replies primly. "Oh, there it is! The house with all the cars out front."

You pull up to the curb about half a block away, already feeling your anxiety spike at the sight of the crowded frat house. Music pulses from within, so loud you can feel it in your chest even from here. People mill about on the front lawn, red cups in hand, their laughter carrying through the night air.

"Remind me again why I agreed to this?" you ask, killing the engine but making no move to get out of the car.

Anika turns to you, her expression softening slightly. "Because Henry threatened to sing the entire soundtrack of 'Cats' outside your bedroom door if you didn't come."

"That was a low blow," you mutter, finally unbuckling your seatbelt. "You know how much I hate that musical."

"Desperate times," Henry says cheerfully, already out of the car and bouncing on his heels with excitement. "Come on, let's go find out what kinds of terrible decisions we can make tonight!"

You follow your friends up the walkway, trying to ignore the way your palms are already sweating. The last party you'd attended had been... well, it had been a week before your self-imposed exile. The night Tara had looked at you with those impossibly dark eyes and asked if you wanted to get some air, and you'd panicked and made up an excuse about needing to check on your nonexistent fish.

The front door is already open, music and voices spilling out into the night. As soon as you cross the threshold, you're hit with a wall of sensory input that makes your head spin. The air is thick with artificial fog from a machine hidden somewhere in the corner, mixed with the distinctive scent of cheap beer and various perfumes and colognes. Multi-colored lights pulse in time with the music, turning everything into a strobing dreamscape and your nightmare.

Henry guides you through the crowd with a gentle hand on your back, navigating the sea of bodies with practiced ease. You catch glimpses of familiar faces as you pass. They all blur together in the dim light, becoming a kaleidoscope of features that makes your head swim.

You end up at yet another worn leather couch that's seen better days, probably around the same era as your car. Henry gestures for you to sit, and you do, grateful for something solid beneath you. The cushions seem to want to swallow you whole, and for once, you don't fight it.

"I'll get us drinks!" Henry shouts over the music, already backing away into the crowd. "Don't move!"

Anika lingers for a moment, looking torn between staying with you and pursuing whatever—or whoever—has caught her attention across the room. You wave her off with a weak smile. "Go. I'll be fine right here, becoming one with the furniture."

She hesitates another second before grinning. "Try to have some fun, okay? And text me if you need an escape plan." Then she's gone, disappearing into the crowd with the grace of Mindy, someone who actually enjoys these sorts of gatherings.

Left alone, you let yourself sink deeper into the couch, watching the party unfold around you. A group of girls near the makeshift dance floor are attempting some sort of choreographed routine, though the alcohol in their systems is making it more comedic than coordinated. Two guys are engaged in what appears to be an intense debate about pizza toppings, their gestures becoming more animated with each passing second.

The bass line of whatever song is playing thrums through your body, making your bones vibrate in a way that's not entirely unpleasant. You find yourself timing your breathing to it, using it as an anchor in the chaos. This isn't so bad, you think. You can handle this. It's just a few hours, and then you can go home and binge-watch your comfort shows until the sun comes up.

"Y/L/N special!" Henry's voice breaks through your thoughts as he returns, thrusting a red solo cup into your hands. The liquid inside is an alarming shade of orange that definitely doesn't occur in nature.

You eye it suspiciously. "What exactly makes it a ‘Y/L/N special'?"

"The fact that it's specifically designed for the same people who despise candy unless it's 99% cacao," he explains, dropping onto the couch beside you with his own drink—something amber-colored that you assume is actually beer.

"That's... oddly thoughtful," you admit, taking a tentative sip. It tastes like water that’s had lemons and limes soak in it for months, the kick makes your tongue tingle. "And dangerous."

"Just pace yourself," he advises, watching as more people filter into the already crowded space. "Oh hey, isn't that Charlotte?"

You follow his gaze to see Charlotte, the person you ended things with through a text message. You try to hide behind the red plastic in your hand as you sip, but you nearly spill your bitter bread water all over yourself when she notices you. You can tell it caught her off guard; her eyes slightly widened and she took an uncomfortably long pause mid-sentence. This pause caused her friends to look over which only made things even more awkward—at least for you. After shooting daggers at you and one of them flipping you off, they linked elbows with Charlotte and took her to a different room.

You know you deserved it.

Henry sucked his teeth. “Ouch. Casanova strikes again,” he chuckled with amusement.

“Ugh,” you express in response to the name for you before downing the last of the liquid in your cup. “I’m out. I’m gonna get one more.”

One drink turns into two, two turns into three, and somewhere during your debate with Henry over which Ninja Turtle’s the best one, you’re interrupted by a pair of familiar dark brown eyes meeting yours. Your attention always seemed to gravitate towards Tara Carpenter. 

You momentarily pause your expression of admiration for Leonardo, peeking over Henry’s shoulder to give Tara a downwards smile paired with a finger wave. She rolls her eyes and returns your finger wave in a mocking gesture. After Henry realizes what’s grabbed your attention, he makes an excuse to walk away.

You're nursing your fifth orange drink when she materializes beside you, seemingly out of thin air. "Seriously?" The word drips with exasperation. "You're actually hiding behind Henry?"

"I'm not hiding," you protest, pulling yourself up to what you hope is a dignified height. "I'm strategically positioning myself for optimal social avoidance."

Tara snorts—an inelegant sound that somehow makes her more endearing. "Is that what we're calling it?" 

The space between you crackles with a tension that's part irritation, part something else entirely. 

"I could ask you the same thing," you counter with a crack in your voice. Tara notices this and slightly raises an eyebrow while giving you a once-over. "Pretty sure you've been standing in the exact same spot for the last twenty minutes."

Her eyes narrow. "I'm observing."

"Stalking," you correct automatically.

"Strategically positioning myself," she throws your earlier words back at you, and there's a glint in her eye that makes your breath catch.

For a moment, you felt uncharacteristically at ease in such a setting—when you catch a fragment of a conversation that makes your blood run cold. 

“—Carpenter's got a mouth on her that could—"

The words slice through your alcohol-induced haze like a knife. Your head whips around so fast you almost give yourself whiplash, searching for the source of the comment. Two guys are leaning against the wall near the stairs, one of them making crude gestures as he continues to make vile comments about Tara.

The pleasant warmth in your system transforms instantly into liquid fire. You recognize one of them—Marcus Wheeler from your Calculus class, the one who always makes inappropriate comments during lectures and thinks he's God's gift to mathematics. The other is unfamiliar, but the way he's laughing and encouraging Marcus makes your skin crawl.

Your muscles tense. Tara notices immediately. "Don't," she warns, a single word packed with more meaning than should be possible.

But you're already moving, your body acting before your brain can fully process the decision. 

Your fist connects with his jaw before you even realize you've thrown the punch. There's a satisfying crack that you feel more than hear, followed by a burst of pain across your knuckles that you're too angry to properly register. The pain sends a rush through you, pushes you, tempts you for more. 

Marcus staggers back, both surprised and hurt, but recovers quickly. He lunges for you, but your muscle memory kicks in. You sidestep, using his momentum against him, and somehow you end up on top of him, getting in another solid hit before strong hands pull you away.

The world comes rushing back all at once. The music has stopped, replaced by the murmur of shocked voices and the ringing in your ears. Everyone is staring at you, their faces a blur of surprise and judgment. Marcus is on the ground, blood trickling from his split lip, and presumably broken nose, looking at you with a mixture of rage, disbelief, and fear.

Your chest feels too tight, like someone's wrapped steel bands around your ribcage and is slowly tightening them. The weight of what you've just done crashes over you like a wave, threatening to pull you under. You need to get out—now.

You shoulder your way through the crowd, ignoring Henry calling your name, ignoring the whispers that follow in your wake. Someone tries to grab your arm, but you shake them off, focused solely on reaching the door. The cool night air hits your face like a slap when you finally burst outside, but you keep walking, your hands shaking as the adrenaline starts to wear off.

The crisp winter air hits you like a slap when you stumble outside, your breath forming small clouds in the freezing night.

“Wait!”

When did she get here?

"Let me see," Tara's voice cuts through your alcohol-induced haze, her hand reaching for yours with a familiarity that makes your head spin—or maybe you've had one too many of those orange drinks.

You thrust your hand toward her dramatically, wincing as the movement sends a spike of pain through your bruised knuckles.

"I totally got that incel good," you slur, a giggle bubbling up from somewhere deep and slightly unhinged. The ice beneath your feet seems to shimmer with your triumph.

Tara's fingers hover just above your hand, not quite touching but close enough that you can feel the heat radiating from her skin. "You're going to need ice for that," she says, her tone caught between exasperation and something else—something softer.

"Ice, huh?" You look down at the ground, the irony not lost on you. 

With exaggerated precision, you bend down and scoop up a handful of snow, pressing it against your knuckles. The cold bites, but it's a welcome contrast to the burning anger and alcohol still coursing through your system.

"This works, right?" You look up at her, your eyes wide and slightly unfocused. The world tilts slightly, but Tara remains steady—an anchor in your spinning vision.

Something flickers in her eyes—amusement, maybe. "You're something else," she mutters, but there's no real bite to the words.

Emboldened by alcohol and adrenaline, you lean in closer. The words tumble out before you can stop them. "So… I never did get an answer to that proposal."

Tara goes very still. A smile begins to form, tentative and fragile as first light. 

She chuckles at your remark before shaking her head and scoffing to herself. "Sometimes I just don't get you," she says with a smile still etched on her face, but there's more complexity in those words than simple dismissal as she stares back into your eyes.

Confusion must show on your face because she looks away, the streetlight catching the curve of her cheek, the set of her jaw. You didn’t know what else to say so you just said the first thing that came to mind. 

“Merry birthday, Tar,” you said. 

She’s taken aback by this. She didn’t know what to say, yet still opened her mouth to respond. Maybe something would come to her, but before anything did—

"There you are!" Anika's voice cuts through the moment like a knife. Your car pulls up to the curb, engine running warm against the freezing air. "We need to get out of here before that guy calls the cops."

The moment dissolves. Tara takes a step back, creating distance that feels more emotional than physical. You're left standing there, snow melting between your fingers, the taste of unresolved everything burning at the back of your throat.

As you climb into the passenger seat, you catch one last glimpse of her in the side mirror—a silhouette, perfectly still and impossibly distant.

—

The drive home is mostly silent, broken only by the occasional sigh from Anika and the gentle humming of your car's engine. Your knuckles throb in time with your heartbeat, a steady reminder of your momentary loss of control. The adrenaline is wearing off now, replaced by a mixture of embarrassment and alcohol-induced wooziness that makes you slouch lower in your seat.

"You know," Anika finally says as she pulls into your shared apartment complex, "when I said you needed to be more social, starting another fight wasn't exactly what I had in mind."

You grunt in response, too busy focusing on the way the world is tilting slightly to form actual words. The drinks are hitting harder now that the excitement is over, making everything feel soft around the edges.

"Use your words," she chides, killing the engine. 

"Words are for people who don't punch assholes at parties," you mumble, fumbling with your seatbelt. The simple mechanism seems impossibly complex right now.

Anika reaches over to help you, her movements gentle despite her exasperated tone. "Come on, Rocky Balboa. Let's get you inside."

Getting up the stairs to your second-floor apartment proves to be an adventure. You insist you can do it yourself, but after the third time you miss a step, Anika wraps an arm around your waist and practically drags you up.

"I can walk," you protest, even as you lean heavily against her.

"Sure you can. Just like you can make rational decisions at parties, right?" 

You attempt to glare at her, but the effect is somewhat ruined when you stumble over your own feet. "He deserved it."

"Oh, I'm not arguing that point," Anika says, fishing her keys out of her purse while still supporting most of your weight. "Marcus Wheeler is definitely in the running for Biggest Douchebag of the Year. But maybe next time we could handle it without violence? You know, like adults?"

"Adulting is overrated," you declare as she manages to get the door open. "If I was a kid, I could just pull Tara's pigtails or something."

Anika steers you toward the kitchen, depositing you none too gently into one of the mismatched chairs around your small table. "Okay, first of all, that's not the approach to crushing on someone that you think it is. Second, stay put while I get the first aid kit."

You slump forward, resting your forehead against the cool surface of the table. "Not crushing," you mumble into the wood. "Just... emotionally compromised."

"Right," Anika calls from the bathroom, where you can hear her rummaging through cabinets. "And I'm just 'casually interested' in my hot girlfriend."

"That's different," you argue, lifting your head slightly. "You two are together. You’re attached to the hip—you don’t hide from each other."

"Ha! So you admit you were hiding!"

You let your head thunk back down onto the table. "I admit nothing. I was studying. Very intensely. In locations where certain people were statistically unlikely to appear."

Anika returns with the first aid kit and a bag of frozen peas, setting both on the table. "Sit up, you disaster. Let me see your hand."

You comply with a dramatic sigh, straightening in your chair and holding out your injured hand. Your knuckles are already starting to bruise, spots of purple blooming across the skin. There are a few small cuts, probably from where you caught Marcus's teeth.

"This might sting," Anika warns before dabbing at the cuts with an alcohol wipe. You hiss through your teeth but don't pull away. "So," she continues, her tone deceptively casual, "want to talk about what really happened back there?"

"Not particularly," you mutter, watching as she carefully cleans each cut. "Can we just chalk it up to temporary insanity and move on?"

"You punched a guy for talking shit about Tara." She applies antibiotic ointment with practiced efficiency. "That's not temporary insanity. That's feelings."

You try to pull your hand away, but she holds firm. "It's not— I just— He was being gross!"

"Mhmm." She wraps your knuckles in gauze with precise movements. "And the fact that it was about Tara specifically had nothing to do with your reaction?"

"I would have done the same for anyone," you insist, even though you both know it's a lie. "It's about basic human decency."

"Right. Basic human decency. That's why you've been moping around our apartment for two weeks, taking different routes, and muttering under your breath when you think I can't hear you."

Before you can form a suitably indignant response, your phone buzzes. Henry's face appears on the screen, caught mid-laugh at some long-ago hangout.

You put the call on speaker, feeling too exhausted to hold the phone. Henry's excited voice crackles through, bursting with energy.

"Holy shit! Are you okay? That was the most badass thing I've ever seen in my life!"

"I'm fine," you mutter, wincing as Anika presses a bag of frozen peas against your bruised knuckles. "Ow! Except for my so-called best friend trying to give me frostbite."

Anika's tone is no-nonsense. "Keep the ice on, or your hand will swell up like a balloon."

Henry can barely contain his excitement. "You should have seen Marcus's face after you left. He was completely shaken. I don't think anyone's ever stood up to him like that before."

You groan, tilting your head back. "Great. Now I'll be known as the crazy chick who starts fights at parties. That'll look amazing on my resume."

"Are you kidding? You're going to be a legend!" Henry starts, then suddenly there's a scuffle in the background.

"Am I on speaker?" you ask, suspicion rising in your voice.

"No!" Henry says simultaneously with another voice declaring, "Yes!"

You recognize the second voice immediately. "Henry James Martinez," you say, using his full name—knowing how much he hates it—"Are you and Tony back together?"

"No!" Henry protests. "His place flooded, and he needed a place to stay!"

"Sure thing, Hef," you chuckle, catching Anika's amused smile.

Tony's cheerful voice joins the conversation. "Hey, heard you knocked some douche on his ass for talking shit about your girlfriend. Nicely done."

"She's not my girlfriend," you respond quickly.

Henry can't resist. "Define girlfriend."

You're ready with a comeback. "Define sharing a living space with—"

"Uh oh, bad connection," Henry interrupts, and suddenly the line goes dead. Anika bursts into laughter.

“I’m gonna get you some aspirin,” Anika offered, patting your shoulder as she passed. “But just so you know that whole ‘emotionally compromised’ thing? Yeah, that’s basically the definition of crushing.”

You make an incoherent noise of protest into the table. 

"Oh, and by the way," Anika calls from the kitchen, "you're totally teaching me that right hook tomorrow. After your hangover wears off, of course."

You lift your head just enough to deadpan at her. 

"Love you too, champ. Now take your aspirin and go to bed before you fall asleep on the table. Again."

Not long after she went to her room, you stumble into the bathroom, hand throbbing and head spinning—the former a reminder of the night’s events. The light is harsh against your alcohol-fogged brain. The tile floor is cold beneath your bare feet as you stumble to the sink, turning on the water and splashing your face.

When you look up, he's there.

Your Uncle's bloody corpse stands behind you in the reflection, that familiar crooked smile that's always been more predatory than comforting. His appearance is exactly as you remember from old photographs—that slightly manic glint in his eye, the way he holds himself like violence is always just beneath the surface.

"Killer punch," he says, leaning against the bathroom wall. No greeting, no preamble. Just direct observation.

You don't jump but roll your eyes. "Go away," you mutter, gripping the sink's edge.

He chuckles—a sound that's more bark than laugh. "I saw myself in you tonight. That rage? That precise moment of calculated violence? Pure genetics that chose you."

"I'm nothing like you," you snap, turning to face him directly. The bathroom suddenly feels smaller.

He takes a step closer. "Oh, but you are. That moment when you heard those guys talking about your girl? That split second before the punch? That wasn't just anger. That was hunting instinct."

You close your eyes, trying to block him out. "I'm not a killer. I'm not you."

"Not yet," he says, and there's something almost proud in his voice. "But you've got the potential. I saw how you moved. How you calculated. How you knew exactly where to hit to cause maximum impact."

"My dad’s a professional pig," you counter. "It’s not like I attended murder school."

His laugh is sharp, brittle. "Call it what you want. But we both know there's something inside you. Something sharp. Something waiting."

The argument feels familiar—like every nightmare, every family gathering where his memory haunted the edges of conversation, their fear of the parallels you both held. You're tired of it. Tired of him.

"I'm going to bed," you declare, pushing past his spectral form.

He doesn't disappear immediately. Instead, his voice follows you. "We're not so different, you and me."

You pause at the doorway, not turning around, as your hand tightly grips the edges of the doorframe. "We're nothing alike." 

The silence that follows is answer enough.

As you crawl back into bed, the room feels normal again—just another night, just another internal argument with a ghost who refuses to stay buried.

But somewhere in the darkness, you can still feel him watching. Waiting.

-----------

A/N:

gobble, gobble

[iwantmochisoup]

mochi soup's sappy happy crying session

i'm so sorry, please bear with me, but i really need to be super sappy rq. (it's gonna be a long one, so imma add the read more here)

i just recently hit 10k likes and lost my shit over it qwq;; i was overthinking a lot, i wanted to run away, and it kinda hit me because honestly, i don't think i deserve all this ;; like i'm just being silly on here and having fun ;;

but that aside, i have been thinking how to properly say thank you, since words are really hard for me (wow big shocker ikr lmao) but i realized it's thanks giving, despite me not being from america i saw all the love today and i thought maybe i can try, this time, to put it to words. (i'm sorry if i don't make sense at all, and honestly don't mind me honestly, i've always been super scared of talking on here but i need to ramble)

so, idk how to start this, i honestly quit art for good like 4 years ago, won't comment on it but this year i tried to pick it back up. i am so scared of people, especially online but i thought why not, so i made a lil acc on here, i wanna say i'm so lucky to have met you all and seeing people like my art, seriously it's what keeps me going. (that sounds so sappy but for what feels like the first time in my life i am genuinely being myself and i am so happy idk what to do) this is way too long of an intro...

i'm gonna start off my twin of course, it feels fitting hehe ;; so, @saltedbiscuiit you know how shit i am at words, and you know how thankful i am for you, and we talked so much about it already so i'll try to keep this short ;; i am genuinely so happy to have met you, kinda feels like it changed my life back then, it honestly hasn't been that long really, since the art trade back in july, i honestly feel like i found my other half (that's so sappy pls don't cry but i'm being honest) thank you so much for everything, you do so much for me, even if you don't know it and i am honestly so so grateful and happy. thank you so much <3 hehe, salty soup salted mochi

the next one is @cryptid-juzou we just recently met, but i fell in love with your writing, almost instantly!! you're such a great friend, and it's sm fun talking and playing games with you!! and i'm so happy and grateful to have met you!! Really, thank you so much for all you did for me and for accepting the collab! To be working with you on our thing (i won't go into detail, yk big surprise and all) honestly, i'm so so happy and i can't wait to finish it!!

next!! @k-aez !! you've been haunting me in dreams, scolding me and i still think about that raw chicken art you did. okay jokes aside, i'm so happy to have met you and i feel the need to thank you like forever for creating the server and everything you've done. you've been supporting me and pushing me to get out of my ass and kept encouraging me sm. i can't put it into words, but i will be forever grateful for everything!

big big thanks to @ohhcinnybuns, @anticidic and @ediblepandas ya'll have been feeding my brain so many good ideas and enabled some brainrot i will thank you forever for. cinny, you know how much i love your fics and your massive brain in general, i'm so happy i was brave enough back then, and did some art of your ideas, idk if i would even tried to join the server if i didn't see your reblog. rosie, you know how much i love your fics, i'm not about to fangirl in public but i'm truly thankful, you've inspired me so so much, i love with your writing, your kitsunezai au and your scream in phasmo still is the best scream ever! pandas, hehe yk i need to thank you here too! your yapping about dresses and in general talking to you is so much fun! i love your brain sm! thank you so so much for enabling me so much, and please send me more dresses, i love them all!

and, ofc i have to give big thanks the chaos trio too @thatghostinyourbog @spccts & @msshinylemon !! yes, i'm calling you that, that name is fitting, shovel fight if you disagree, losers >:3 i have to thank you three a lot, ya'll are so fun to hang around and play games with, i seriously love what you all do, be it drawing, writing or just the way ya'll yap nonstop! it's sm fun hanging out and i love how we bounce off each other so well and ya'll inspire me so much!! also tysm @nolongerforthetainted for babysitting them!! i really love your writing sm and it's always sm fun yapping with you, and also pls make more coleslaw beds!! i need them! but honestly, thank you so much, i am so happy to have met ya'll and i always look forward to talking and hang out with ya'll!!

WAAAAA THAT IS SO LONG OMG BUT!!! I also need to thank each one of you, all my moots and everyone that just takes their time to look at my art, leave a like, reblog, comment what ever really, i appreciate each and every one of you so so much! thank you all so much, from the bottom of my heart, i can't explain how much it means to me! i also want to give a lil thanks to @noakiie @nevertheblood @altruistic-meme @artsyaudience @konbupie @jellyphink & @lethargyinafishbowl i wanted to tag more but i'm so sorry but i'm too scared, really ;;;

idk how to end this, honestly, i feel like i wrote too much and rambled way too much. i guess i'm just gonna-- *runs*

WITH MUCH LOVE AND A BIG HOP STEP JUMP -mochi soup

[rook2ii]

dude, why does accidentally messing up on RYM feel scarier that accidentally messing up on MusicBrainz :[

[sunbloomdew]

i can't stop thinking about the constant mentions of fall and summer in regard to baxter and mc, in the dlc.

i find the emphasis put on the seasons very interesting. unlike other potential love interests - cove and derek - baxter is not from the sunny state of california, but a town in oregon, surrounded by forests and mountains. in fact, baxter is the only character from the cast of olba that is not associated with summer, but with autumn instead, so it makes perfect sense to draw attention to that dissimilarity.

following that fact, just by acknowledging it we can see how different baxter is from other characters from sunset bird at his core. and since most of his time is spent with mc, that means the focus will be drawn to how different are these two specifically.

on a side note, this might be a complete overreach, but i consider it interesting how baxter uses the phrase 'suitor for a season' to describe himself in step 3. the use of the word 'season' in my opinion drives home the idea that their time together will inevitably come to an end, just like summer will end eventually, and there is simply no other outcome for this relationship.

when we consider the seasons theme even more, a thing that stood out to me is that summer and fall aren't opposites, like i'd say summer and winter are. they are next to each other (like california and oregon) and in some ways they intertwine. still they are different enough, to be regarded as separate seasons.

just like baxter and mc, no matter how alike, feel so different from each other, and they are aware of that.

i really love the monologue in the sightseeing moment, that mc has about them and baxter being different in that way.

"More and more, you felt as though Sunset Bird formed a vital part of your emotional core. Happiness to you was the sound of waves on the shore, the feeling of warm sand between your toes. [...] Maybe you'd forever be seeing the world through sea glass. But Baxter was another person entirely. For him, perhaps the world was monochrome, or maybe it was golden, but with color of leaves instead of sand. Talking with him made it impossible to ignore just how different your lives had been up until now. How separate your worlds were. All up until that moment, when he showed up on your street. Now your lives were intertwined, however briefly, the forests and the seafoam commingling. Though you knew his love was in the trees and the fall air, you couldn't help but feel happy that he'd wandered his way down to the shore. To you."

i find it so beautiful. everytime i read it i get a little choked up, you know? in my opinion, the summer/fall parallel is the perfect way to portray their relationship. the brainrot gets so intense every time i remember about this,,,

the same seasons theme returns in step 4 when the two reunite. to be precise, it comes back during mc's internal monologue preceding a confession. i was unable to recall if it appears somewhere else in the dialogue as well, but if you happen to find some more, feel free to reblog with this post!

"He tore himself away from you like an autumn storm bringing down a sapling/He fell away from you as naturally as a leaf fluttered off its branch in the fall. There was no holding on to your suitor for a season. Yet the affection you'd nurtured never died out. It had gone dormant for a long winter, ready to burst back to life if the cold passed. Seasons were meant to come and go, but there was no guarantee summer would come again for you and him."

(i'm pretty sure the dialogue here changes based on how you decided the break up went, cause i found two versions of the same confession monologue. still, both of them have a comparison to autumn!)

seasons can be used in art with a lot of different symbolism and meanings behind them. the cycle of the seasons is usually used to portray the passage of time, how the nature but also people change.

in this part of the monologue we see the usage of changing of the seasons to show how despite the time that passed ('winter'), mc still had feelings for baxter, that were ready to return ('spring'). the words "seasons were meant to come and go" bring our attention to how wrong things were between the two, to have something inevitable like the seasons cycle stop.

each season on its own also has its own meanings, and can be used to enhance certain themes or emotions in the text.

in case of baxter and mc, summer is the season in which they met time and time again. not only did their relationship start during summer but it developed in that season as well. as such, for them summer is inextricably a time of growth for their relationship.

outside of their relationship, individually their characters' are connected to summer and fall respectively. as mc referred to it, their emotional cores were influenced by their hometowns - one a summer tourist spot and the other a picturesque autumn town.

to bring back one more thing from mc's monologue in step 3, they wonder if baxter sees the world in gold, but in the colour of the leaves and not sand. well, i noticed, how when they make up after the wedding, the whole place is bathed in gold. you could view it as the summer gold and autumn gold merging together, as those two finally reconcile. or you could see it as a summer gold, as this season is important for their relationship. i like both options.

aside from that monologue, there are several instances of baxter's appearance being compared to things associated with autumn or nature, like descriptions of his eyes as "brown rich like the earth" (i love this one sm it lives in my head rent free) and "oak brown eyes". i think it's a great characterization to have baxter be a 'woodsy person', despite most of us (me for sure) thinking he would be a 'city boy' kind of character at first glance.

i think the reason there is such strong focus on the fact that mc and baxter embody different seasons, is to make the differences between them even more pronounced. when they ultimately reunite and overcome their struggles to mend their bonds, it's even more impressive to witness.

either way, i cannot stop thinking of summer/fall parallel and how genius i think it is. the vibes! the emotional turmoil!! the art potential!!! it's incredible. especially if you try to implement it more into your mc, which is what i'm trying to do.

i'll leave you with this screenshot, that is kinda making my stomach go funny, because of the whole summer/fall parring thing,, i am so unwell in the best of ways

because like if you think about it way too deeply which i of course had, he's saying that summer/fall combination is beautiful, like he's not saying anything besides that BUT when you remember that mc is summer and baxter is fall, then you know?????

i hope you had fun reading this spontanous post! i've been thinking about the summer/fall thing since my first playthrough, so i'm happy to finally gush about it <3

i should not be here, it's 4am and i'm leaving in three hours,,, my time management skills never fail me. toodle-oo~

[anghraine]

One of the more peculiar things about my current academic existence is that it's like—

me (to my best friend): It feels kind of strange that I've always had so many ties to people who are much more literary than me. There are all these people I know who keep ending up at "I discovered True Art and now I'm too good for Star Wars" and I'm just thinking, "damn, couldn't be me."

best friend: ...you have a PhD in literature.

me: True, but not their kind of literature!

best friend: It's still a PhD in literature. Do these people have that?

me: Well, hmm, maybe not, technically. But I've never been all that interested in major experiments with form and style—doing that stuff myself or reading the kind of literature that focuses on pushing those boundaries. I've always cared more about popular literature that prioritizes immersion and world building and just getting people to care a lot about characters and plot and such, not the really prestigious stuff.

best friend: You literally teach Shakespeare.

me: Well, I decided not to study the things I love most so they didn't get tainted by academia. And anyway, I still focused on popular literature from my eras. The seventeenth-century stuff I was writing about made a lot of the late Victorians very angry because they thought it was crude and cravenly appealing to unrefined common tastes instead of True Art. The novel in Austen's lifetime was even more of a low-prestige popular form at the time, especially the female-dominated genres, which were most of them, and she took care to identify herself as a woman.

best friend: I know you did get into academia through Tolkien and then didn't study anything close to that.

me: I couldn't let them ruin him for me! And besides, I know that Shakespeare and Austen are about as prestigious as it gets now, but for me they've still got that pop culture media energy, you know? Though sometimes when people make sweeping pronouncements about artistry and literature that don't make sense for anything in English published before 1700, I have to fight the temptation to be ... that person.

best friend, laughing: You mean pulling a well akshually? At least you have the credentials. You could even do it like "well actually, *obnoxious cough* as someone with a PhD in this subject..." now. You spent years earning this! Tell a few people Well Actually as a treat and then go watch Star Wars.

[coollyinterferes]

The unmistakable sound of footsteps approaching begins to fill the air. Whoever is coming seems to have brought some company along…

They are getting closer… and closer… and closer…

…and closer…

……until..................

"Goooooood evenin'!!" Comes the loud greeting from a certain blond man. A big smile on his face and all.

"We beg your pardon for our prolonged absence. It was completely beyond our control..." Then adds the gentleman standing by his side, apologizing on behalf of both, offering a genuine smile along with the apology.

"...BUT! We're back!" And hopefully for good this time…

[moe-broey]

Amateur Hour but I gotta outsource this. Aromantics. Heed my call. What is "romantic" love to a non-believer?

Bonus Round if you're not entirely ace -- does experiencing any amount of sexual attraction influence your answer? Also acknowledging that both aro/ace identities exist on a spectrum. Believe me. I am deeply familiar... with so many kinds of spectrums........... 🧍

Also if this breaches containment It's Not That Serious........... just a personal question. For a friend. Me 🙂‍↕️

[viiinz]

everyday I think about him (Ippolit Terentyev)

[gobblinhours]

am i normal for not being able to sleep while my roommate plays warzone (no volume except for xbox controller clicking which sounds rlly loud for some reason) 10 feet away from my head until 3 am or am i a pwissy wittwe baby who can't handle a little bit of flashing lights and talking. leaning towards the latter

figured it out sleep on side with headphones to block noise they might break so that's ba but worth it

never mind talking now pillow on head not enough

[sundial-bee-scribbles]

"my education is my highest priority" everything returns to vocaloid

[longagoitwastuesday]

Jacob Elordi and Margot Robbie as Heathcliff and Cathy seems like out of The Onion

[icewindandboringhorror]

There's always a slight yearning in the back of my mind wishing I had been born in the right place, time, family situation, income level, etc. to have just lived in one single house for my entire life. Imagine being born in a place that still suits you, even through all of your personal evolutions and etc. The idea of deep familiarity with an area because you've lived and explored it for 40+ years, being encased in a web of memories and connections. Being able to clean out your old childhood bedroom and find personal artifacts, to dig in the yard and remember. I know those lives can still be plenty imperfect, but there's just something so seemingly solid and stable and Grounding about it that I sometimes wish I could have.. (At least from my outside perspective as someone who's moved around a bit geographically and even within the same area, never lives in the same house/ apartment /etc. for more than a few years usually.) Like... having a place that is printed upon, fully your own, rather than chronically a visitor, every thought of a space always tempered with the notion that one day soon you'll have to pack it all up again, etc. There's something peaceful about the permanence.

[hyunjinz]

.

[risingsunresistance]

twitter is entering their "rts > likes" phase now that likes are private after they spent years calling us ungrateful for being demotivated by ratios lmao

[novantinuum]

self care is unfollowing people who spread negativity on ur dash!! like Damn! yeah i theoretically Agree with your crit but i really Don't wanna see it either bc i want to Celebrate content instead of hyperfixating on the stuff i didn't like about it! yeet!!!

[faunandfloraas]

No but actually coming from someone with fine wavy/curly hair who had some hair loss and lots of issue I really and truly wish I could sit down and talk with Chan because he really needs someone who understands curly hair to get him some products and show him what to do and he also needs to stop using heat. Like no straightening. No hair drying. Or at least very sparsely.