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#i'm trying to just. write them and see where it takes me
itneverendshere · 1 day
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tryin' to behave, but i'm feelin' some type of way - r.c drabble.
request: rafe x bitchy!pogue reader pleaseeeee!!!! he just hates that he wants her soo fucking bad and she finds it hilarioussss
warnings: it gets steamy but no smut!; slutshaming; they both need therapy okay.
felt like writing something out of the bartender!reader universe and had this request saved up on my notes, hope you enjoy 🫂 wrote this on my phone so if there’s any typos pretend you didn’t see them 🥰🥰🥰🥰
you’re out of place here, which is exactly why you’re here, tannyhill.
fuck them. fuck him.
every high-strung kook princess with their perfectly manicured nails gives you a quick once-over, nostrils flaring when they catch the sight of your scuffed-up boots. not that you care. it’s not like you’re trying to impress anyone.
and why should you? you’re only here for the free booze, it’s not your fault this place is such a bore. always all pearls, pastels, and the scent of white wine and privilege. who the fuck drank white whine at a party? but the real reason you’re here, the whole damn reason, is staring straight at you from across the room.
rafe cameron. ugh and yum.
he’s leaning against the bar, muscles taut under that fitted navy polo like he was born to flex, with a scowl as always. it’s always that look—the one that’s aimed solely at you, every time he sees you. it’s practically a tradition by now. you show up somewhere, he glares.
there’s a tightness in his shoulders, something tells you he’s going to snap eventually, maybe it’s because you’ve been pushing buttons lately. maybe it’s because he’s got his daddy’s expectations hanging over his head like a guillotine.
or maybe it’s just because he wants you, and that little inconvenient truth pisses him off to no end.
you flash him a slow, lazy grin, shifting your hips as you grab a beer from the cooler. when you catch the way his eyes drag over you, lingering on your exposed skin, your stomach hums with satisfaction.
let him look. let him stew in it.
“country club,” you call sweetly, raising your bottle in a mock toast, the light catching on the condensation like it’s winking at him. “how’s it going?”
his jaw ticks, his lips pressing into a thin, flat line. “you shouldn’t be here.”
“and yet, here i am,” you sing-song back, taking a slow, pointed sip. you’re feeling reckless tonight. he’s dangerous, sure. but he’s also predictable. you know exactly how to make it worse.  “aww, what’s wrong?”
you know exactly this’ll go. he’ll insult you, you’ll insult him back, and then—
his eyes narrow dangerously, that vein in his temple ticking. “what the fuck are you wearing?”
you blink innocently, glancing down at yourself. “clothes, obviously. why? does it bother you?”
“yeah,” he snaps, eyes raking over you again, lingering on the swell of your chest, the sliver of skin peeking out above your waistband. “aren’t you tired of slutting yourself around?”
your lips curl into a smirk, the slow burn of satisfaction warming your chest. this is exactly what you were hoping for.
“slutting myself around?” you echo, voice teasing. “didn’t know you were keeping tabs.” you cock your head, letting your gaze linger on his flushed cheeks, the way his nostrils flare, and that slight clench of his fists by his side.
he’s seething—looks ready to burst into flames right here in front of the bar. good.
he’s always been like this with you. short fuse, especially when it comes to what you’re wearing, how you look, where you go. but you’re onto him. you know what it’s really about.
“you must really be obsessed with me,” you continue, “it’s kinda weird, don’t you think?” you take another sip, slow and deliberate, licking your lips as you meet his glare. he steps closer, crowding into your space, his chest brushing against your shoulder. you should back up, or at least pretend to care, but you just tilt your head, looking up at him with a smug little grin. “what’s wrong?” you murmur, “feeling a little tense?
“fuck off,” he grits out, stepping back like he’s burned. but it’s too late. you’ve got him now.
you cock your head, giving him a slow, taunting smile. “why? afraid you’ll get hard in front of your little friends?”
his eyes darken, jaw clenched so hard you wonder if it hurts. “i swear to god—”
“what?” you interrupt, teeth flashing. “you gonna hit me? break another one of your daddy’s toys?” you wave your hand around the pristine room, the glittering chandelier, the polished bar. “go on, then. show everyone what a psycho you are.”
“you think i won’t?” 
“yeah, i think you won’t,” you say softly, staring right into those burning blue eyes of his. “because you’re all bark and no bite.”
“you wanna see bite?” he murmurs, voice dripping venom. “i’ll show you fucking bite.”
then his hand snaps out, wrapping around your upper arm, and before you can react, he’s yanking you out of the room, down a hallway that’s all shadowed corners. you stumble, cursing under your breath, but he doesn’t stop until you’re both crashing through a side door into some empty back corridor.
“jesus, cameron, take a fucking xanax—” you start, wrenching your arm free.
for a second, you think you’ve gone too far. his whole body goes still, and something flares in his gaze—something unhinged and a little bit terrifying. but instead of snapping, instead of throwing a punch, he leans in, so close you can feel the heat of him against your skin.
you’re shoved against the wall, hard, his body caging yours in, his hands braced on either side of your head. you freeze, breath hitching. he’s close—too close—and it’s too hot and too much and—
“shut up,” he growls.
you should tell him to fuck off. you should knee him in the balls. you should do anything but feel the way you do right now—flushed, breathless, and…too horny for your own good. 
“do you always have to be so fucking dramatic?” you huff, placing your hand in chest in a futile attempt to push him away. you know he can break you in half if he wants to. 
he doesn’t move of course, just stares at you, chest heaving like he’s just run a marathon. he’s got that crazed look in his eyes that should make you run for the hills, and yet you stay put.
and then, suddenly, his mouth is on yours, demanding and angry.
it’s not a kiss—it’s a punishment. his teeth nip at your bottom lip, his tongue sliding against yours with a harshness that steals your breath. you gasp, your hands coming up to shove him away again, but somehow they get tangled in his hair instead, gripping the soft strands as he presses closer, closer— it’s a disaster. you’re a disaster. because you don’t pull away. 
you kiss him back like an idiot, just as desperate, your nails digging into his scalp as you pour all your frustration into the kiss. why does he have to be this hot? in your books, kooks aren't allowed to be hotter than a 5. unfortunately, rafe is a solid eleven.
he tastes like mint and rage, and it shouldn’t feel this good, but it does. god, it does. he breaks away, panting, glaring down at you like you’re dirt under his shoes. “you drive me fucking insane, y’ know that?”
“good,” you gasp, licking your lips. “you deserve it.”
he laughs, a low, harsh sound. “you’re such a fucking bitch.”
“and you’re a spoiled, narcissistic asshole,” you snap back, shoving at his chest. he doesn’t even flinch, just glares harder, and it sends a thrill through your entire body. you’d never seen him like this, so unguarded and it was weirdly intoxicating. 
“i should ruin you,” he murmurs, almost like he’s talking to himself. his hand comes up, fingers brushing your jaw, trailing down your throat. “make you beg.”
you keep your expression defiant. “you think you can?”
rafe smirks, slow and dangerous, and it makes something burst in your belly. “i know i can.”
his hand slides lower, fingertips brushing the hem of your top, and your breath catches. you should stop this again. you should slap him, kick him, do anything but let him keep touching you like that, but you don’t. you just stare up at him, heart racing.
“show me then.”
and then his hands are on you, yanking you forward, spinning you around. you gasp, palms slapping against the wall as he presses up behind you, his body solid against yours.
“you’re a fucking brat,” he growls, his mouth right against your ear. one of his hands comes up, fingers tangling in your hair, pulling just enough to make your back arch.
“and you’re obsessed with me,” you shoot back breathlessly, tilting your head to meet his gaze over your shoulder.
rafe’s grip tightens in your hair, hard enough to sting, and his lips brush your earlobe, “obsessed?” he repeats, like he can’t believe you had the fucking audacity to say it. “don’t flatter yourself, baby.”
but you feel the way his body presses against yours. your panties might be drenched but this man is just as hard. he’s close to you—so fucking close—you feel every ridge of him, and despite every insult he’s ever thrown your way, despite how much he claims to hate you, he’s here. the way he’s breathing tells you exactly what you need to know. 
you twist against him, pushing back just enough to test his restraint. “then why are you so worked up, huh?”
“i think you’re confusing us.”
“sure,” you laugh, even as his hands move down your sides, his fingernails digging into your hips. “that’s why you dragged me out here, right? because you’re just so indifferent?”
his chest brushes against your back with every ragged breath. he’s losing it. you’re making him lose it. and fuck, that feels good.
“i could ruin you,” he whispers again, like he’s trying to convince himself. his hand skim up your ribs, thumb grazing the underside of your tit, and your senses kicks into overdrive. “one word from me, and you’re done.”
“you’re all talk cameron,” you challenge, arching your back slightly, giving him more room to touch you.
you shouldn’t want this—you shouldn’t need this—but you can’t stop. 
his mouth is on your neck, hot and open, teeth scraping against your skin in a way that sends a shudder from your head to your toes.
“fuck you,” he growls against your throat, the words almost lost in the heat of his mouth. “i’m not playin’ your games.”
you bite back a moan, fingers curling against the cold wall. “you’re already playing.”
“you’re so fucking—” he cuts himself off, breathing harshly through his nose. “fuck, i hate you.”
“no, you don’t,” you turn your head just enough to catch his eye. his gaze is wild, and you smirk, taunting him with your lips just inches from his. “you wish you did.”
you know you’re pushing your luck, but then again, when haven’t you?
“you have no fucking clue what i wish,” he growls, each word dripping with so much frustration it makes you laugh.
it comes out like a soft, mocking sound. “ooh, i think i do. you wish i’d shut up. wish i’d disappear. but you really wish you didn’t get hard every time ’m around.”
his jaw ticks, that telltale sign that you’re getting to him. god, he hates you. you can see it in his clenched teeth, his furrowed brows. he hates that he wants a pogue and you find it hilarious.
“don’t flatter yourself pogue,” he snaps, but his voice is strained. his hands tighten on your hips, fingers biting into your skin just shy of painful.
you push back against him just a little harder again, feeling the rigid line of his cock pressed against your ass.
“yeah?” your voice turns breathy. “then why do i feel that?” you grind your hips subtly, just to punctuate the point, and the low sound that rumbles out of him is almost worth the risk of provoking him further.
“because you’re a fucking tease,” he mutters, voice harsh and low in your ear. “you show up, looking like you want it—”
“and so what if i do?”
it’s a dare. he’s holding you, like he can’t decide if he wants to strangle you or fuck you senseless, perhaps both. you know you’ve crossed some invisible line.
“you’re gonna regret this,” he murmurs.
“maybe,” you shoot back, unflinching. “but that’s the thing, rafe.” you twist, just enough to look at him over your shoulder, “i think you’re more scared of what you might regret.”
instead of shoving you away, instead of storming off, he does the one thing you didn’t expect. he laughs.
it’s that crazy sound he makes before he does something reckless every time, the kind that makes people run away. it’s such a humorless sound, it should scare the living shit out of you as he leans in, lips brushing against your neck. “don’t say i didn’t warn you.”
before you can answer, one hand slides up to cup your jaw, tilting your head back so you’re forced to meet his eyes. they’re wild, almost feral, just like you expected.
“tell me to stop,” he whispers, his thumb brushing your lower lip, the touch so gentle it’s almost jarring. “go on, say it.”
you swallow hard, pulse hammering in your throat. you should say it. but you don’t want to.
“make me.” you know he hears you—feels you—because the corner of his mouth lifts in a slow, taunting smirk.
“yeah?” he drawls, thumb slipping from your lip to trace along your jawline, his touch featherlight and maddening. “you sure?”
“prove me wrong. or are you scared?”
“you think ’m fucking scared of you? think i can’t handle a little mouthy brat like you?”
he’s goading you, pushing you like he always does, and every word you had prepared dies on your lips 
“i’d loooove to see you try.”
“oh, you will.”
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wordsarelife · 2 days
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—i can fix him (no really i can)
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pairing: jess mariano x fem!doose!reader
summary: jess got into another fight and you're about to clean his wounds, but he has other plans, tired of always answering your questions
warnings: kissing, making out, sexual remarks, allusions to sex
note: this was so fun to write and my first jess mariano fic, so please be gentle guys!!
“you never fail to amaze me, jess mariano“ you huffed, arms crossed as your eyes fell on the boy sitting on the curb in front of the supermarket. shadows were casted over his cheeks and he looked less than happy to see you.
"it isn't what it looks like" he muttered, trying to avert his gaze, although that was kind of hard, considering the outfit you were wearing.
your brushed your skirt to the side, before you sat down beside him. "well, it looks like you got beaten up"
"you should see the other guy" jess chuckled.
you sighed, not amused by the joke, as you softly touched his cheek.
"ow!" jess pulled his head back, trying to free it from your hands, but you were relentless, turning his chin in all possible directions to get a good look at his injuries.
"we're gonna have to clean them if you don't want them to get infected"
"i don't care about that" jess shrugged and took out a cigarette from a pocket of his jacket.
"yeah, i know tough guy". you quickly snatched the cigarette from his mouth before he was able to light it. "but i do"
"what the fuck, y/n?" jess exclaimed annoyed.
you left his words unanswered as you stood up from the cold concrete and held a hand in his direction to help him up. "come on, now. we're not dating, because i care so little about you, are we?"
jess rolled his eyes, before he followed you, of course ignoring your helping hand in the process.
you laughed at his tough act as he sent you a dark look, not finding anything about this remotely funny. he knew that this was one of your usual tactics to get him to talk. you would act understanding and worried about his injuries before he would be caught in a room alone with you, with no way to escape, having to explain every little detail about the fight.
well, tonight he decided, you were going to be caught in a room with him.
a smug smile slipped onto jess' features as he followed you up the stairs. you turned around and pushed a finger against your mouth, before you took out your keys and unlocked the door.
"grandpa is sleeping" you muttered, opening the door wide enough for jess to walk through, but not wide enough to reach the creaking sound.
jess and you had met the year before at the supermarket, where you had watched him buy a ridiculous amount of industrial glue, while he was busy watching rory and dean talk.
you had guessed that he had been doing that to bother them and while rory was a friend of yours, you had to admit that it had been a little funny.
unbeknownst to you, jess had forgotten everything about rory, once his eyes fell on you behind the counter.
"are you working on the worlds longest scrapbook or are you just very passionate about glue?"
"huh?" jess had been so stunned by what you said that he lost his usual cool demeanor and found himself at a temporary loss for words. he couldn't remember a situation in which he had not been able to reply with a witty joke.
"want me to repeat that?" you asked amused as you pulled the last bottle of glue over the scanner.
"no-uh" he shook his head "i'm jess, luke's nephew"
"oh" you smiled, a sign of recognition in your eyes "that's you!"
"and you are?" he held the ten dollar note in your direction.
you took the money, taking out his change in the process. "i'm y/n, taylor doose's—"
you were interrupted when the aforementioned man stepped next to you, a frown on his face at the sight of jess. "i'm her grandfather" he finished for you. "and you're gonna stay far away from her, you hear me, mariano?" he pressed.
"grandpa!" you scolded and jess was surprised at the sudden shame that entered taylor doose's face. it seemed like he really gave a damn about your opinion, unlike he did with anyone else in this town.
"well, i'm gonna check on miss patty and her plums" taylor excused quickly and walked away, before you could question him further.
"please don't mind him" you told jess, amusement evident on your lips "i just got back and he's been a little on edge without me here"
"where have you been?" jess asked, intrigued to hear more about the mysterious and pretty girl in front of him.
"my dad's" you replied with an uneasy smile. he recognized the expression on your face, had he always worn it himself when someone had asked him about his parents.
he decided not to stir the pot any more. "well, i'll see you around, doose" jess said, took his glue and left you standing with only a faint goodbye from your lips.
jess' hands went to squeeze your waist, as you closed the door.
you were luckily able to suppress any sound at the sudden touch and you could jess' smirk in your neck.
"very funny, mariano" you whispered, freeing yourself from his grip and turning around to let him see the annoyed expression on your face.
his eyes glistened with happiness in the dark of the hallway, before his hand went behind your back, bringing you closer to him. "why don't we go to your room?" he whispered.
you had to admit that for a short, misguided, second the sweetness of his words was not far away from undermining you.
you shook your head, snapping out of whatever had gone through your head at his tempting suggestion. "nice try" you smiled sarcastically and jess sighed, letting go of you and following behind you to the bathroom.
jess was no stranger to your rejection, especially when your grandfather was home, but he was not finished trying to (respectfully) lead you into temptation.
"there are two options how we can do this" you spoke, your voice in a normal volume as soon as jess had closed the door.
before you could explain his options, he interrupted you, the smirk now basically right in your face when you turned up the light and looked at him. "want me to lock the door?"
"no" you dragged. "you know why? because we are not doing anything forbidden"
"forbidden, huh?" jess smiled "kinda like the sound of that"
"this is not a rom-com"
"oh no" jess shook his head, wearing a faked stoic expression "of course not. just two people doing non-forbidden things in the bathroom" he shrugged.
"it sounds wrong when you say it like that"
"what does it sound like?" he stepped closer to you, ready to touch your lips with his, as his eyes fell close, but you were quicker, swerving around him, before he was able to even touch you.
"nah-ah!" you scolded.
"what?" jess turned around, now crossing his arms like you had done earlier "i'm just trying to kiss my girlfriend"
"not happening" you shrugged. "so, as i was trying to tell you before: you have two options: first, the easy one: let me fix your face and we're done in no time"
"or?" he furrowed his brows, leaning against the wall.
"or" you repeated "the hard one" jess' smile got impossibly bigger and you rolled your eyes "ew, not like you think"
"fine" he sighed. "the easy one i guess, no need to tell me about your torture method"
"it's not a torture method, but thanks for thinking so poorly of me" you muttered, before you opened the drawer under the sink, taking out the first aid kink.
you climbed on top of the counter and motioned for jess to come closer and stand in between your legs.
"well, this is kind of suggestive, don't you think?" he pinched your waist. you just shook your head, taking his hand and laying it on top of your knee instead.
"keep your hands there, mister" you directed, before you grabbed a wet cotton pad and pushed up his chin, so you could gently take the unnecessary blood off his face. "for your own good, i hope that the other started throwing punches"
"of course" jess nodded, overly dutiful, before he hissed in pain as the cotton pad touched one of the scars on his nose.
"you should've thought about that before you got into an unnecessary fight, you know?" you commented, switching out the pad, before you continued cleaning the other side of his face.
"yeah, yeah" he averted his eyes, his gaze falling onto the hem of your skirt, his fingers were laying on top of. he softly raised the fabric, pushing his hands to rest on your bare thigh.
"jess" you sighed in a warning tone.
"what? it's itchy"
"it isn't" you rolled your eyes, but didn't discuss the topic further as you threw away the pad.
you tried reaching behind you to grab one of the plasters from the first aid kit, but jess was quicker, snatching the box away from you and holding it behind his back with one hand.
"wha—"
"give me a kiss first" he prompted, smirking.
"jess" you whined, not amused at his antics.
"just one kiss, come on babe"
you reluctantly nodded. jess stepped closer, taking your chin into his hand and pulling your face closer so your lips could meet his.
his lips were warm and firm against yours, his teasing grin fading as the kiss deepened. what was meant to be a quick peck quickly turned into something more. his hand, which had been holding the first aid kit out of reach, dropped it to the floor as he wrapped his arm around your waist, pulling you closer.
you could feel the intensity growing between you two, the playful resistance dissolving into a surge of unexpected desire.
jess' other hand moved to the small of your back, guiding you even closer as the kiss became more urgent, more consuming.
when you finally broke apart, breathless and flushed, he looked at you with a glint in his eye. "was that so hard?" he teased, his voice a little huskier than before.
"oh, shut up" you muttered, flustered and lips swollen as a cause of the intensity of the kiss. you gently shoved his face back. "now pick up the first aid kit you dropped"
"yes, ma'am"
you shook your head, laughing to yourself as you watched him reach for the box on the ground behind him. it had clattered open, revealing it's contents to the ground beneath it.
he threw everything back in the box before he picked it up and came back to the counter to stand in front of you.
you took a few plasters, opening them up to stick them to the cuts on his face. "you look cute" you commented as soon as you were finished.
"i'm not cute" jess exclaimed with a stoic expression.
"you're always cute" you shrugged, now being the one to take his chin into your hands. "especially when you tell me who you fought—"
he didn't even let you finish the sentence, before he pushed his lips against yours once more. even tough it was a clear tactic to avoid your questioning, you didn't mind it this time (not that you did before, but you had to at least act like it) pulling him closer by the neck and deepening the kiss.
jess moaned into your mouth, and your lips broke into a smile. his hands were now inching closer up your thighs and a soft laugh broke from your lips when you had to catch your breath.
"let's go to your room" jess muttered, lips skipping over your neck.
"grandpa is home" you reminded.
"grandpa is asleep" he pointed out, brows moving up and down suggestively.
"jess" you giggled, as he grabbed your waist, setting you down on the floor and taking your hand to leave the bathroom, before even waiting for an answer.
well, you weren't open to any more protests then, as he took you up to your room. the only thought in your head was to stay quiet.
opposite to the rest of the night, the next morning was straight hellfire, as neither you or jess had taken the time to set an alarm.
so taylor doose entered your room without the slightest thought and watched in horror as a half-naked jess mariano climbed out of your bedroom window and fell rather awkwardly on the ground in front of it. probably right into your grandpa's rose bushes.
"i think i might be having a heart attack"
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whathorselegs · 3 days
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To give an example of how many of these types of tags/replies I get, most (though not all) of these are all from one post.
This isn't meant to shame anyone, which is why I've cropped out usernames, so please don't take this as a personal attack if you leave these types of tags on art/writing. I'm only asking that you consider how you might feel when a whole bunch of people are tagging your work with comments about harming themselves in reaction to something you created.
I know it's meant to be a compliment but I have severe depression and anxiety and seeing so many of these comments is overwhelming and makes me actively dislike posts where I get so many of them. I stop interacting with those posts, I don't look at them and I've considered deleting posts I that I used to love.
Yes, I like writing angst and sad things. Yes, dramatic tags are fun! Even ones that are like "I'm exploding!" are fine, because that's ridiculous! "Crying, screaming, throwing up!", "I'm sobbing", "Frothing at the mouth" and many more silly/dramatic tags are absolutely fine with me! Just not ones that so blatantly involve self harm and suicide.
I'm not trying to tell anyone how they can or can't react to art/writing, but just consider that the writer/artist does see your tags, all the tags and stuff like this being repeatedly thrown someone's way can effect them mentally.
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queenoftheimps · 3 days
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Artistic Expression as a Form of Love: aka Some Meta About Interview with the Vampire
hey guess who spent all of today putting off a really boring work task
So I'm just suddenly just having a lot of feelings about how love is tied to creation in Interview with the Vampire.
Specifically, each character's artistic impulses and what they say about their relationships, and how they use their creative output as a sort of love language.
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From the very first episode, we see hints of this. Miss Lilly asks about Lestat's music box, which plays a song he wrote for Nicholas once upon a time, evidence of his love for someone who's been dead for over a century.
He later writes his own song for Louis, 'Come to Me', and Claudia makes the connection explicit while deliberately poking at him -- he wrote a song for each of his true loves, but does one signal love more strongly than the other?
She's being facetious to prod at him, but the show seems to genuinely make the point that we can track each characters' relationships through the art we see them create.
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After all, we see it with Claudia herself later -- even before there's any discussion of becoming companions, we can feel Madeleine's compatibility with Claudia in the way she makes dresses for her.
Madeleine dresses Claudia as the grown woman she wants to be seen as, as she really is, even before she fully understands the circumstances of Claudia's age. It's telling that in Madeleine's dying vision, the one that convinces Louis of her love for Claudia, that Claudia is wearing a dress that Madeleine made for her.
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By contrast, we see how Claudia is incompatible with the coven in the role that they have quite literally written for her. If Madeleine shows her love by treating Claudia as an adult, the coven shows their lack of caring by creating artwork where Claudia is forced into playing a part that diminishes her.
In turn, we can see Claudia's enthusiasm for the coven tied into her willingness to perform -- she starts off trying to smile her way through the situation, before quickly growing tired of the performance (and, relatedly, the coven itself).
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But then again, how does the coven show its real loyalties? Well, with a painting.
We don't know who painted Lestat (Armand, possibly?), but having artwork of him in a place of prominence is pretty telling. But then again, the theater's creation is itself a reflection of art as a signifier of love & bonding -- Lestat suggests a theater to a lonely Armand as a way to regain a family/coven structure, after the last one fell apart.
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Which makes particular sense for Armand, the character who most explicitly equates artistic expression with love and understanding. We see him underline it in his own telling of his backstory -- "No one has painted me in over 400 years." He associates painting with being seen and cared for by his maker --
-- and yet we, the audience, can plainly see what a warped, toxic relationship it was from the painting itself : a whitewashed version of Armand's face that doesn't truly look like him.
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Hell, we even see Armand's betrayal of Louis in the form of creative expression -- to quote Daniel, "He directed the play!"
His treason isn't just that he sold Louis & Claudia out, it's that he participated in a creation that would condemn them. Artistic expression shows us love and loyalty in this world, yes, but it can also be used as a tool of abuse or betrayal.
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Which brings us to Louis, he who has the eye for art but maybe not the skill for it, who never said 'I love you' to Lestat and wouldn't call Armand his companion, who ultimately gives up on creation in favor of becoming a collector.
It's especially interesting that his abandonment of photography is also explicitly tied to the end of his visions of Dreamstat. Even the one photo he takes that garners praise is one he tries taking of Armand & Dreamstat at the same time -- as if the closest he can get to expressing love through creation is something that blurs the lines between both men he has complicated feelings for. (Note that the scene where he develops the photo is directly after the "Show me the only way you know how to love" sequence of Louis bashing some guy's head into a wall.)
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Hell, if we want to take it even further, we can even see some of this pretense in the inclusion of the Fred Stein photos (assuming Armand actually did sneak them in). On one level, we can see it as Armand trying to build up Louis' happiness, but on the other, it's him trying to build up the image of their romance.
After all, if artistic creation is a sign of love -- especially to Armand! -- what does it mean if Louis is openly disparaging his own abilities to make anything at all?
Taking it further, what does it say that he and Armand have a collection of photos of various boys over the years and expensive artwork hanging on every wall, but Louis doesn't seem to have taken any pictures of Armand in almost eighty years?
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And hey, speaking of fascinating boys: what does it mean when Louis hasn't made anything creative of Armand since the 1940s, but he has no problem writing a book for ten hours with some guy he picked up at the bar?
Hell, writing a book where Louis spends ten hours talking about his life and hasn't even gotten up to the part with Armand yet? The supposed love of his life doesn't even garner a mention, to the point where Daniel didn't even know he existed when he arrives fifty years later.
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And what does it mean when that book you never wrote is a giant hanging thread in your life, enough to create a connection strong enough that you remember that guy fifty years later and go back to that writing it? Even over the objections of the love of your life?
Especially when find out that Daniel's entire writing career is sparked in part by inspirational words given to him by Louis -- a sign of their bond withstanding the test of time, enough to make them friends after a fifty year absence.
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That said, if we're working with the idea of artistic expression as proof of connection -- especially when it comes to Armand -- then it also makes perfect sense why Armand would insert himself into the interview once he's been revealed.
Then it's no longer about Louis & Daniel, or Louis & Lestat, it's about Louis & Armand and artistic proof of their connection! They're both now creating a story, a book that will include their entire romance! It's the first time that Armand has had the possibility of being an artistic subject in decades, so no wonder he's quick to latch onto it.
Even then, though: I think it's interesting that when Armand is talking to Daniel alone, the first story he thinks to tell him about is his relationship with Lestat. Make of that what you will.
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(Also, I've said this before, but I am very curious what Armand's feelings towards Daniel will be after having an entire book written in which he plays a starring role.)
I think that this is all very rich with subtext and possible further progression, especially since we are about to enter a season where a new book is being written by Daniel and there's going to be an entire tour's worth of music being performed, all of it ripe with potential for further relationship nuance.
And while I don't want to wander too far into book spoiler territory, I think this might even neatly factor into a potential Season 4 -- especially since book fans will know that a specific musical performance is the catalyst for a lot of what happens in The Queen of the Damned.
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dsireland86 · 14 hours
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I enjoyed reading The Fight with Folio. I was wondering if you would maybe consider writing something similar with Noah. Maybe the reader went out, ran into her ex at a club or something, he hurts her, and she calls Noah distraught and everything. He drops what he's doing and comes to pick her up. He doesn't want her to be alone so he stays with her that night to make sure that she's okay.
At first, I didn't know where this one was going to start. But once I started typing, the thoughts just flowed. @lma1986 I really hope you like it !
TAGS:
@philomenie @supersquirrel1996 @foliosgirl @angelmarie89 @fadingintothegrey @theanarchymuse95 @thisbicc @dominuslunae @shayzillaaaa @thefallenangel
Evening Promises
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"I should have listened to Noah when he told me not to go out tonight. I should have just gone to his apartment, like he asked, to hang out and watch a movie or something. I shouldn't be here. HE shouldn't be here. Why is he here?! Of all the freaking places he could be, he has to be in the same club, at the time, on the same night as me. What the hell!"
I can feel the panic rising in my chest and the bile rising in the back of my throat from the thoughts running rampant in my head. I turn around and face the counter of the bar, waving the bartender down in the hope of getting a shot or two. I can't handle what's happening right now with a sober mind.
The lady places two empty shot glasses in front of me, filling them completely, but before I can take the first shot, a familiar voice creeps up behind me, paralyzing me.
"Well, well, look who decided to leave the shelter of her apartment and join the land of the living."
Just the sound of his voice makes me cringe.
My ex leans against the bar, folding his hands together as he sits on the empty stool next to me. I refuse to look at him at first, but eventually, turn my gaze slowly towards him.
"You look good, Y/N," he says.
I sense the smugness in his voice from the slight close-lipped smile on his face.
"What? You're not happy to see me?" he asks, his sarcasm thick.
"What are you doing here?"
"Maybe I should as you the same thing considering out of the two of us, you were never the one for the social life, right?" he grins, taking a sip of his beer the bartender slides his way.
"I'm here with two of my girlfriends, if you must know."
He scoffs. "Typical," running his eyes over my body. "We were together for two years and I can't ever get you to go out with me to places like this, but the second your single this is the first place you go. What a whore." He shakes his head in disapproval. His words are a blow to my heart I should have expected.
I roll my eyes and throw back both shots before getting up to leave. He grabs my wrist, locking his hand around it tightly and I freeze, instantly. My heart starts racing and I close my eyes for a second, praying this isn't real. I need to call Noah. I need to get out of this situation and call Noah; immediately.
"Let go of me."
His grip only tightens.
"Oh, look who's feeling brave."
I wince, clenching my jaw tight. All the sound around me suddenly disappears, and the only thing I can hear is the pounding of my own heart against my chest.
God, why didn't I listen to Noah! I wouldn't be in the position if I had. I need him, I need him, I need him.
I try to focus my thoughts on Noah, knowing that if I do I might escape the panic attack coming on. His sweet face flashes across my mind: the way his eyes crinkle when he smiles and the poutiness of his lips. The freckles that dance across his perfectly thin and pointed nose and the look in his eyes each time I catch him looking at me. That look... I keep thinking about that look.
"Hey! Are you listening to me," my ex yells at me, pulling me from my thoughts. He shakes my arm to get my attention, jerking my body.
"Let go of me!" I yell at him, yanking my arm from his grasp and quickly walk away. I pull my phone out, moving further into the crowd of people, hoping I've lost my ex.
My hands are shaking as I try to hit the first number saved in my favorites. It rings, rings, and rings, and right as I'm about to hang up, a familiar voice answers.
"What happened?" Noah asks, voice anxious and tight.
How did he know something was wrong?
"Um, my ex, he's here, following me," I yell into the phone, covering my ear exposed to the loud music. "I don't know if he knew I was here or what, but he put his hands on me and..."
"Wait, what?! He put his hands on you? Y/N where are you? Tell me the name of the club; I'm on my way to get you!" Noah yells on the other end of the phone.
Out of the blue, a body flies into me, knocking into my chest and sweeping the phone out of my hand before I have the chance to give Noah the information.
"Oh my god! I'm so sorry," the guy hollers at me, before walking off.
"Seriously!" I yell after him, pissed that I can't find my phone on the floor beneath the sea of people. I scan the gray concrete quickly to find it, hoping Noah's still on the other end when I do. I see it and immediately dive in after it.
"Hello! Noah, are you still there?"
"Y/N! CAN YOU HEAR ME? HELLO?"
"Noah, I'm here."
"Holy shit, you scared me. What's going on, Y/N?"
"I know I'm sorry. Some drunk guy knocked into me and made me drop my phone. But listen, the club I'm at,"
But my words are once again cut off as my ex walks by, yanking my phone out of my hand.
"What the...,"
"Who were you talking to, beautiful?"
"Don't call me that. And give me back my phone, you jerk!"
I lunge towards him as he takes a step back, taunting me with a suspicious glint in his eyes. I've seen that deranged look before, many times actually, and it never leads to anything good. My hands shaking as my heart races and fear keeps me planted where I stand.
"I think you and I should get out of here," he says, moving in close and suggesting against my ear. His tone sends shivers up my spine. Tears run down my cheeks and all I can think about is how badly I want Noah to be here right now; I need him to be.
Noah said he would come get me! But I didn't tell him where I am! Oh god this is horrible. He can't help me now.
My ex throws me against the side of the building, causing me to scrap my knee along the red brick, and instantly I feel the blood trickle down my leg. I hiss in pain as he grabs my arm, yanking me around and shoving me up against the wall.
"So tell me, baby, who's been sleeping between your legs since you left me, huh? Who did you leave me for?"
"I didn't leave you for anyone. I just left you because I was sick of how you treat me like this," I bark, glaring right into his eyes.
"I was good to you! I gave you everything you wanted!"
"Yeah, except you! You gave it to every other girl who walked into your office!"
The blow to my face comes unexpectedly, right across the right side of my face, blurring my vision. The pain is instant, causing me to grimace and cry out in agony. The hands that were once holding me against the building suddenly vanish and I hear lots of yelling. When I'm finally able to see, the bodies of two men are tangled up, throwing and swinging their arms profusely.
I study them for a moment, trying to make sense of what's happening and that's when I notice the hoodie.
"Noah! Stop!"
I rush over to him, right as he's about to slam his fist down again, catching his arm at the right time.
"Noah, don't!" I beg, breathlessly.
Noah's chest rises and falls over and over. His brown almond shaped eyes are wide with rage and adrenaline as he grips the front of my ex's shirt with his giant tattooed hand. I reach up and wipe the corner of his mouth, ridding it of the tiny trickle of blood.
"Don't, Noah. He's not worth it," I tell him, shaking my head and releasing his arm.
His nostrils flare, as he looks from me to my ex, immediately letting him go and standing up straight.
"Come near her again, and I'll break your fucking neck."
I don't have a chance to say or do anything. Noah takes my hand and leads us away from the scene as my ex is left to watch with a swollen eye and busted lip.
We drive home in silence with Noah barely moving. His lip is still bleeding, but I'm too scared to say anything. He looks pretty pissed. After a short while, we arrive at my apartment. I get out to leave, but Noah surprises me by turning the car off and reaching into the back seat to retrieve a duffle bag.
"What?" he asks, looking at me staring at him in confusion.
"I'm not letting you be alone tonight. What if that nut job shows up?"
I simply grin, without saying anything. I'm not complaining at all. In fact I'm relieved I didn't have to ask him. But before I get out, I reach over and finally wipe away the blood that's started to dry. His eyes never leave mine and the warmth that flows from them is enough to set my heart ablaze.
I unlock my apartment and Noah closes the door behind us, taking the time to make sure everything is bolted and locked.
"I'll take the couch," he offers, tossing his duffle bag on the floor.
I nod to let him know that it's alright with me. But I can't bring myself to say anything to him. No amount of words will ever be enough to explain or express the gratitude I have towards him for what he’s done for me tonight. Maybe tomorrow. I turn to leave, but am stopped by the pull of Noah's hand around my wrist that slowly slips into my hand. I turn around quickly to face him, and seeing the way he’s looking at me makes my knees weak. He's fighting something; an urge, a thought, words to say. He's confused, lost maybe in the caverns of his mind where he's known to compile everything until he can no longer make it make sense.
"Noah, what's wrong?" I ask quietly.
His eyes meet mine. Without a word he longingly pulls me into him, wrapping one arm around my waist while the other grips my chin and caresses my cheek and lays his forehead against mine. His eyes are glossy, telling me he's fighting back tears. He squeezes his eyes shut, forehead creasing, inhaling deeply and exhaling slowly.
"I'm scared of losing you," he whispers slowly. "I'm terrified of just the thought of losing you."
Noah swallows hard. I'm speechless, unable to process what he's just said.
"And this is probably going to ruin everything between us, but I can't keep it a secret any more. Tonight made me realize that."
Noah's hand runs down the side of my face, over my collar bone and around the back of my neck. The feeling of his hand touching me the way it is, gently and lovingly, is electrifying. I snake my hands around his waist, pulling him a little closer to me, making his breath hitch.
"Made you realize what, Noah?" I ask, quietly, looking up into his face. The tip of his nose and his lips graze my face, making me weaker by the second.
"I'm in love with you," he whispers again, searching my eyes. He looks troubled, even a little scared, but hopeful just the same. "You're the love that came without any warning. And before I could even figure out what was happening, you had my heart before I could say no. I love you and I can't stop."
A single tear trickles down Noah's face, and I brush it away immediately. He captures my hand and brings my fingers to his lips, gently kissing my fingertips. I sigh, closing my eyes and relishing the feeling that I've been aching to feel for so long; adoration.
"The truth is, Noah, I stopped liking you a long time ago."
"What?"
Panic over takes the soft look in his eyes, making me chuckle. I placed my spare hand on his chest, feeling his heart pounding against his chest.
"Because, I realized I loved you then. I'm in love with you too, Noah. Now more than ever. You came for me! How, I don't know,"
"I tracked your phone," he admits with a sly smile.
"Oh. Well that's certainly not alarming!"
"Hey now," he laughs, poking me in my side.
"Oh which by the way," excitedly pulling my phone from his pocket.
I gasp in great surprise, looking up at him.
"It fell out of his pocket the first time he hit the ground."
Noah looks away, but I pull his face back towards me. His warm breath lingers on my face, making me melt and fall into his embrace as he takes one of my arms and wraps it around his neck. God, the feeling of his skin beneath my fingers feels so good.
“Noah, how did you know something happened when I called you?”
He looks down, almost as if he’s embarrassed.
“I just had that feeling. I got worried when you first told me you were going out to a club. But I knew that if something happened, you’d call me. I guess you can call it intuition.”
“You were really worried?” 
“Well, yeah,” he replies as if it’s no secret. 
“I worry about you all the time when we’re not together.” 
He leans down and kisses my forehead, making my heart flutter.
“Well you can stop worrying.”
“Yeah, I can? Why’s that?”
“Cause we’re always going to be together,” I tell him, confidently.
“Oh, really! Is that a fact?” he says, grinning.
“One hundred percent.”
Noah just stares at me, smiling. His lips look so delicious, so enticing that I can't take it any more. I want to feel him, all of him, but first I want to feel his lips.
"Kiss me, Noah, please," I beg, staring straight into his eyes.
Not a moment later his lips are one mine, capturing me in a heated, passion filled kiss. His soft lips dance over mine, inhaling the very breath from my lungs, making me light headed and even a little dizzy. His tongue begs for entrance into my mouth which I gladly give him, and the second our tongues touch, he groans and I sigh and it's the moment when we both know that this is exactly what the other wants.
"You can't have the couch," I tell him, pulling him towards my bedroom. Noah smiles against my lips, willingly being led by my arms around his waist.
"Good, cause I wouldn't fit anyway," he chuckles, removing his hoodie and tossing it onto the chair in my bedroom.
"And I'm keeping your hoodie."
"Why does that not surprise me," he laughs, kissing me again right before he closes the bedroom door.
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hello :D i'm so in love with your writing i actually came up with a request for the first ever time *ever* since i joined like 5 years ago lmao
-reader gets into trouble with the chain for self endangering, reckless behavior, reprimanding/arguing ensues, maybe with reader not valuing themselves all that highly in comparison to the others? preferably with some rather rough lovin' as an escalation, just to get it through reader's thick skull that they're wanted and important
-i'd love to see Time, Warriors or Sky with this, but if you think someone else fits better that's perfectly reasonable too
-feel free to switch up any details you can't really work around (but no degradation please)
Absolutely!! I love this idea so much, so thank you for gracing me with it! I was also really inspired by this ask so it's going to be about 3-4 chapters long <3
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The Bluest Eyes
Pairing: Warriors x Reader
Warning(s): A whole lot of smut and a few scenes of Reader suffering from PTSD. Reader is requested to be female.
Notes: Set in the same AU as Burning Love, where Reader is a retired war medic from Warriors' Hyrule. Also, a "night rail" is a type of nightgown :)
Main Masterlist | Fic Masterlist | Next Chapter
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"Get down right now!" Hyrule's shout rang through the clearing, unusually annoyed for the typically patient traveler. Warriors lifted his head, blanching when he caught sight of you sitting atop the thick branches of one of the nearby trees, feet swinging down as you yelled back. 
"No! Go heal Wind!"
"Wind has a scrape on his arm," the traveler stressed, gesturing to the snoozing hero as the others began to gather under the tree, expressions ranging from concerned to downright shocked. "You've been stabbed, (Y/n)."
"I'm fucking fine," you hissed back as blood dripped onto the ground from the wound in your shoulder, and Warriors was caught between terror at your condition to complete bafflement at how you managed to climb the tree in such a state. "Leave me alone!"
"Not until you let me heal you," Hyrule ground out with a stormy expression, hands twitching as if he intended to make you come down with sheer force of will alone. 
"(Y/n)," Time tried in a soft tone, ever the voice of reason. "Denying yourself care will only hurt you further."
"Then I'll be hurting and Wind will be alive," you snarled, snapping your legs up when Wild took a running jump for them. More blood splattered from your shoulder, staining the sleeve of your tunic beyond repair, and Warriors finally noticed the unaltered fear in your expression. 
You were afraid, and he had an idea why. Being a medic during the War of Eras, there was no doubt in Warriors' mind that you had seen terrible things–death, disease, perhaps even betrayal--and the way your eyes nervously shifted to study each of them only confirmed his theory. You were trying to sacrifice yourself for them, though he couldn't fathom why; they had more than enough health potions to go around, and Hyrule had hardly even used his magic when tending to Wind. 
There was no reason for you to be acting this way, yet he knew exactly what you were. There was a faraway gleam in your eyes, like you were looking at something that didn't exist anymore. 
Warrior's stomach churned as he couldn't help but wonder how long it had been since you felt truly safe. 
"(Y/n), please..." Legend's voice was uncharacteristically soft, eyes wide with worry, an expression they all shared. "It was only a lizalfos attack, no one else got hurt."
"He did," you spat, pointing to Wind, and Warriors couldn't take it anymore. 
"That's it, we're coming up."
You gasped as the captain took a running start, leaping up and just barely latching on to the branch below your feet. "Get down right now, you're going to hurt yourself!"
"We're just trying to help you," Sky took a less physical approach, moving to stand beneath the branch with a look of barely disguised regret. 
"I'm fine," you repeated in a weak voice, and Warriors knew he had to act fast. 
"You're bleeding out," he grunted as he heaved himself over the branch, ignoring the blood dripping down onto his scarf; it wasn't like he couldn't wash it later. 
"It's just blood," you said, and he could have laughed at how disappointed you looked in yourself when the words sunk in. 
"Just blood?" Warriors pulled himself onto the branch, settling next to you, hand reaching around your waist to stabilize your swaying form. Your hands valiantly tried to bat him away, but you were far too weak to do any real damage. 
"Please," his heart ached at the beginning of tears forming in the corner of your eyes. "Get down."
"Not without you," he countered quietly. 
"You're hurt," you whimpered, and it was as if all the air had been sucked from the space. Your gaze was worryingly unfocused as you turned your head to look at him, and Warriors could only imagine what you were seeing. "I can't heal you."
"I'm not hurt," he replied gently, not wanting to scare you even more than you already were. "It's all yours."
"Oh," you blinked slowly, as if you were struggling to comprehend his very words. "I'm sorry."
There was a knot in Warriors' throat. He tried to gulp it down, but it bounced back with more force than he expected. "Don't be sorry, just let Hyrule heal you."
Your gaze flicked slowly to the heroes waiting below, a protective glint in your slowly-focusing eyes. "...What about them?"
"They'll be okay," Warriors promised, and you nodded weakly, head lolling to the right to rest against his shoulder, pressing your wound to his chest with nary a hiss. 
"Okay," you whispered in the most broken tone he had heard from you. 
Warriors was sure he hadn't moved quicker in his life, carefully gathering your limp form in his arms and dropping back to solid ground. He remained silent as Hyrule dashed over, hands already glowing with green magic. 
"Lay her down," the traveler said in a wavering voice, and Warriors did as instructed, placing you on the ground as if one wrong move would shatter you, and it was then that he truly noticed the ashy pallor your face had taken on, eyes squeezed shut as Hyrule worked his magic above you. 
Slowly but surely, the exposed wound on your shoulder closed, your skin knitting together under the traveler's hands, leaving behind a wide rip in the blood-soaked sleeve of your tunic. The fitful expression on your face softened some, but he could still see the slight frown tugging at the corners of your mouth. 
Warriors' hand found your uninjured shoulder, shaking it softly as Wild plopped down beside you, face twisted with worry. "How are you feeling?"
There was no response, and his heart could have damn near stopped when he registered the tell-tale softness your breathing had taken on. Nearly shoving Hyrule aside, he pressed two fingers to the side of your neck, fearing the worst. 
"Is she dead?!" Four exclaimed in absolute, unadulterated horror, and the others began to murmur in fear. Warriors' pressed harder, motions unusually desperate as he fought to find a pulse. No, his mind whispered, a cacophony of dread as his fearful thoughts soared, cursing himself for not acting sooner. He shouldn't have waited, and now you were paying the price for his stupidity--
The very notion of time seemed to skid to a standstill when you wheezed suddenly, throat bobbing harshly against his prodding fingers. 
"She's alive!" Hyrule exclaimed in palpable relief, and the tension in the air began to dissipate. Warriors took several breaths to calm his racing heartbeat, removing his hand from your neck as you coughed, turning your head to the side, groaning softly. "Fuck," you said, and the captain was torn between crying and laughing. 
"Are you alright?" Sky was quick to help you into a sitting position. You winced, rubbing at your healed shoulder with your free hand. 
"Yeah," you mumbled, looking around with mounting apprehension. "...Where's Wind?"
"Here!" called the sailor, having just woken up from his nap, and you gave him an exhausted half-grin. 
"Good," you tried to stand, only to be pushed down by Hyrule. 
"Not a chance, (Y/n)," the traveler chided, obviously still shaken from your initial refusal of help. "You're staying right there."
"I'm okay--"
"No," Hyrule said in a tone that brokered no argument. "You are– you are going to sit there and get better, or Hylia help me I will tie you down until you do."
You opened your mouth to respond, but Warriors noted how quickly you reconsidered the idea when Hyrule fixed you with a dark glare, crossing his arms over his chest in a manner that screamed 'try me and die'. 
"...Fine," you relented, slumping backward, and the captain had a distinct urge to ruffle your hair. Your cheeks pinked and you all but hissed: "Stop that."
"Nope," said Warriors, laughing softly when you fixed him with one of your practiced stares, though even a fool could see that there was no heat whatsoever in your gaze. He rose to his feet, deftly dusting the tops of his pants. "Time, do you–"
"Um, guys?" Wind's voice interrupted, filled with apprehension. Warriors turned to face the sailor... only to blanch. 
A portal had opened in the center of the clearing--pure white mixed with swirling hints of gold. The air around it crackled softly, charged with an explicably dangerous energy that had the hair on the back of his neck standing on end. 
"Is that...?" You trailed off, letting the situation speak for itself. 
"Time," Warriors drew his sword, stalking over to put himself between you and the portal. "Do we have another–"
"No," the oldest hero cut him off, tone unusually icy. "This isn't anything I recognize."
"We'll have to go through it, then," said Wild, already advancing forward. Warriors gazed back at Twilight and Legend, who both nodded, unsheathing their swords while the captain re-sheathed his, bending over to gather you in his arms. 
"I can walk," you half snapped, though you made no real move to prove that point. 
"No, you can't," Warriors responded, turning to face the portal as Time and Twilight entered it, disappearing in a flash of light. The others followed swiftly, and he could only hope they'd be able to survive what awaited them on the other side.
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You recognized the castle gates as soon as you saw them. 
You had long since wrapped your arms around Warriors' neck, holding on for dear life despite the fact that you knew he wouldn't drop you, deftly studying the bustling streets as the group stepped into Castle Town. 
It was undoubtedly your Hyrule, and there was a certain comfort in being home again. You remained silent as the others chatted, half because you were nearly asleep and half because you couldn't fathom what to say to any of them at this point. Embarrassment coursed through you as you recalled their terrified expressions when you scaled the tree, too lost in your thoughts to realize what was going on. 
You liked to think you kept decent control of your emotions, but now...
"Hey," you felt the words rumbling from Warriors' chest before you heard them. "What's on your mind?"
"Nothing," you said quickly. Perhaps too quickly, from the way he cocked an eyebrow down at you in response. "I'm fine."
"You keep saying that," the hero paused, then continued in a far quieter tone. "But I don't think I believe you anymore."
"Maybe because it's none of your business," you hissed... and immediately regretted it. "I'm sorry, I just–"
"I understand," said Warriors. The hand on your ribcage tightened as he hefted you tighter against him. "I really do."
You didn't doubt that, you really didn't, but a thick ball formed in your throat and you didn't trust yourself not to start bawling in the middle of the street. With a shaky huff, you tucked your head against the broad expanse of Warriors' chest, letting familiar darkness consume you. 
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You couldn't sleep. 
The bedroom Queen Zelda had so graciously gifted you was too cold, yet your pillow felt hot enough to burn a hole through metal. You flipped onto your stomach, gripping the pillow as you buried your face into it. Every time you closed your eyes, memories of the War would pop into your mind's eye like flies, only dropping when you awoke, panting like you had run a lap around the castle itself. 
"Fuck..." you whispered to the empty room. Warriors had passed you off to Twilight and Hyrule as soon as his boots crossed the foyer, declaring that he had a meeting with Zelda, only returning with a grim expression and ten keys. The Queen had heard reports of a black lizalfos roaming the land, but they were largely unreliable, leaving everyone with no choice but to stay in the castle for the night. 
While you were grateful for the unexpected privacy, there was something to be said about sleeping in the open with what you now considered to be some of your closest friends. The room, decked out in purple tapestries, was terribly lonely, as four-poster beds typically weren't the chattiest of company. 
The bed creaked as you shifted onto your back, staring up at the stone ceiling, hands fisted in the soft fabric of the creme night rail you wore. You tried not to think of how Wind had almost been slashed, or how close Time had gotten to being bisected by a moblin, but they kept popping up the harder you willed them away. 
It was hopeless, you realized. Completely, utterly hopeless. 
You swung your legs off the side of the bed, kicking your slippers on and shuffling to the nightstand, where a lone candle sat. With trembling hands, you lit it. A fierce orange glow illuminated the room, and you used it to guide you to the door, peering outside at the empty hallway. 
You were no stranger to the castle, which is why you stepped out for a short walk, shoes scuffing gently on the polished floor. 
Aimlessly, you wandered, uncaring of where you ended up. Dark shadows stretched and spun before you, quickly vanquished by the light of the candle. You walked beneath one of the many arches, entering a hallway you didn't recognize. A large portrait hung on the very back wall, a stunning caricature of Queen Zelda and... Warriors. 
You approached the portrait, holding up your candle for a better view. Their faces were relaxed–not too relaxed, of course–and could be vaguely described as peaceful. Warriors himself looked younger, like the burden of being a hero had not yet hit, with a small grin that made the corners of your lips quirk up. 
"...(Y/n)?"
You nearly dropped the candle as you spun around, heart nearly leaping from your chest. 
"Wars?!"
And there he was, in all his blonde-haired, bleary-eyed glory, dressed in nothing but a pair of pants. You tried not to look at his chest, mostly because it was highly inappropriate and partially because you were supposed to be upset, and looking at that glorious abdomen made you feel anything but sad. 
"You're not asleep," he observed in a matter-of-fact tone. "Why was I expecting this?"
You crossed your arms over your chest. "I could say the same about you."
"I know," his gaze flicked to the portrait, then back to you. "Do you want to talk?"
"Not really."
"Liar."
You bristled. "Excuse me?"
"You're unexcused," Warriors shot back, and you became distinctly aware of just how close a two-foot distance was when you were alone. "Tell me the truth."
"And that is?"
The captain fixed you with a half-hearted, largely exhausted glare. "Gee, (Y/n), maybe when you climbed a tree to avoid medical attention?"
"That's diff–"
"Or perhaps when you refused to let Hyrule heal you until we climbed the tree?"
"That's not–"
"Or should I mention that time you attempted to give Wild a healing potion after he stubbed his toe?"
"You–"
"I'm not done," Warriors cut you off, running a hand down his face. "Do you have any idea how worried we were? How worried I was?"
There was silence, because you didn't trust yourself to speak without breaking down. 
"Well?" the captain prompted. "Don't you have anything to say for yourself?"
You stared at him. This was pointless; you didn't want to talk, you wanted...
A knot formed in your stomach. What did you want? It had been so long since you considered something so... well, you felt it was rather mundane, but that didn't excuse that you had no idea what you wanted. 
You didn't realize you had begun to cry until Warriors' hand swiped gently at your face with a gentleness you didn't know he possessed. For you, at least. 
"It's going to be alright," he said, and, before you knew it, you were bawling, thick sobs shaking your shoulders. Wars wordlessly pulled you to his chest, wrapping his arms around your trembling form. 
"I can't do it," you whispered against his clavicle, arms encircling his bare back. "If I can't help him, how am I to help the rest of you?"
"You don't have to," the captain responded softly, hugging you a bit tighter. "You've helped enough-- no, more than enough."
"I know, b-but," you hated how your voice wavered noticeably when you spoke the last word. "I can't lose you."
"You won't."
"How can you promise that?" you hiccuped, pressing yourself closer, heavy tears blurring your vision. "Wars..."
"We're strong, (Y/n), we'll always be here," he responded slowly. Carefully. "Always."
“Promise me,” you whispered, unable to force any other words out. You needed to hear him say it, and the anticipation was tearing you from the inside out. 
“I promise,” said Warriors. He sounded genuine, but, then again, he always did. 
“Good,” you sniffed, feeling slightly sheepish for crying on him in the middle of the night. “I’m sorry, I just…”
You froze when Warriors put a finger over your lips, shushing you softly. “You have nothing to be sorry for,” he said, holding you like he would never let go. “Don’t apologize for things that aren’t your fault, okay?”
That… that was new. You had always liked Warriors; he was kind and reliable, not to mention an excellent strategist. Butterflies fluttered in your stomach, but you willed them away, hoping the night was dark enough to conceal the burning flush on your cheeks. 
“...Okay,” you agreed, distinctly aware of the flexing muscles lying just beneath your fingertips. Warriors was strong–they all were–and you felt as much anxiety over it as you did comfort. “Why… Why were you up?”
“Couldn’t sleep,” he responded quickly, and you couldn’t help but chuckle half-heartedly. “What is it?”
The words slipped from you like a knife through butter, like the softest silk and the quietest breeze. “We’re both hopeless.”
Warriors hummed and turned his sparkling cerulean gaze to you. “Maybe,” he whispered to the night. “Helplessness can be helped.”
“You think?” You were almost afraid to ask, but you could have done anything to hear his voice again. 
“I think it’s time for bed.”
You laughed before you could stop yourself. Warriors released you when you pushed lightly on his chest, arms hanging loosely by his bare sides. “Isn’t that Sky’s line?”
“...I won’t tell if you don’t.”
“Deal.”
With slightly-lifted spirits, you peered outside, studying the star-spangled sky with mild interest. The moon was bright, bathing the hallway in a milky sheen that made it all the more eternal, and you wondered why you hadn’t taken the time to study it before. “It’s so–… I never noticed…”
“Beauty comes in many forms,” Warriors intoned softly with a glance in your direction. “There are people who go their whole lives without appreciating the little things.”
“And you are?”
The captain hesitated, shoulders slumping slightly, making you wonder if he would appreciate a hug. “I’m still working on it,” he admitted softly, and made the executive decision not to pry.
“So am I,” you shot an exhausted grin his way. “...How mad do you think Hyrule will be if I don’t sleep?”
Warriors ran a hand down his face, and only a fool would miss the very obvious, very large smile he was attempting to conceal. Until it shifted to a grin, then a smirk. 
“If I have to sleep, you do too.”
“Actually–”
“Hush,” you blinked dumbly when his hand extended, palm up, toward you. A few seconds passed, and Warriors let out a small huff. “(Y/n)–”
“Present.”
“...Just take my hand.”
You did.
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First chapter done! This is the second ask that has activated me like this, and I'm excitedly-terrified of the other wonderful ideas y'all might send me in the future!
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maelancoli · 2 days
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PADDING OUT DIALOGUE SCENES
in another round of very unprompted writing advice i thought i figured i'd share my two cents when it comes to the topic of struggling to fill out conservational scenes. another thing i see a LOT of lately is a general fretting among writers who find that dialogue comes easily to them but the rest is a struggle. for me it's often been the opposite, i had to work at honing the talking part but description? i've always done a little too much tbqh. but funny enough the solution for both is not disconnected.
a lot of it will come down to knowing your character. what are their ticks? what are their filler words? are they bold and expressive when they're speaking? or are they withdrawn and shy? deciding the behavioral quirks of your character will improve your instincts when trying to be more descriptive. do they fidget with their clothes? do they pick up objects and toy with them? do they fold their arms around themselves or have other defensive posture? where do their eyes go when they speak? do they look around a lot? do they have an intense, unwavering gaze? do they zone out to look at other objects? what are they looking at when they do look away to think or listen? (this is also where having a faceclaim to build characteristics and mannerisms around can be helpful, not just in rp settings but any kind of fiction.)
"i guess...i don't really know how i'm supposed to feel about it," he admitted.
okay so we already have information here to expound on. the character is uncertain and conflicted. how would that effect their demeanor outwardly?
"i guess..." he trailed off with a sigh. he shook his head and his gaze grew unfocused, wandering away from his companion to stare blankly at a clock on the mantelpiece. his index finger tapped lightly at his knee. "i don't know how i'm supposed to feel about it, ya' know?" amir admitted with a shrug. he finally looked at the other man again, but there was a vulnerability which brought a sheepish shadow to his tumultuous gaze.
we've shown he is pensive with a wandering eye and that he's a little uncomfortable with his nervous tick of tapping. the next step is to consider the inner workings of their PoV. what does the scene itself call for them to be doing and thinking between lines? what does the emotion and tension of the scene—or even the comfort and familiarity of it—reflect inside them?
"you don't have to know right now," malik pointed out. he lifted his hands from where they had rested on the surface of the table to turn his palms outward, leaning in closer. "it's okay not to know." they held one another's gaze for a silent moment. amir's lips pressed together and he swallowed down the lump which had formed in his throat. he was not an emotional man. he had always prided himself on his restraint. but it was all beginning to be too much and the empathy in his friend's eyes was only another weight upon his already bowed shoulders. "...maybe you're right," he mumbled thoughtfully.
here we have shown his friend's gesture, adding more presence to the environment around them. and then we have given a little space for the character to feel. we have given a little information about who he is, or at least how he thinks about himself. by bringing his eyes back to his companion we have shown he is opening up, he is actually leaning into the intimacy of comfort and listening. but the mumble shows he is still not confident in admitting the need for help. it shows he has not even accepted fully the grace he's being given.
it isn't just what a character is saying, it's how they're saying it. it's how they're carrying themselves. it's how they're receiving the other characters' words. and showing how they're carrying themselves along with their inner feelings will also help show what is driving their dialogue. it will create a contrast if they're not being a reliable narrator, if they're contradicting or if they're withholding etc.
taking time and being patient with yourself to expound upon these things and to develop your character will make them more real. the more you practice and get to know them, the more instinctive and natural it will become!
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senualothbrok · 2 days
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So there’s that interaction with the Drow Twins where, if you are romancing Gale and you choose the male Drow to have ‘boring sex’ with, one of the dialogue options is: ‘If I want to have sex like that I can just ask Gale.” (as mentioned in this post)
Putting aside how most Galemancers find that whole interaction distasteful (myself included) it got me thinking about how the game insults Gale by implying that he would ever give you ‘boring sex’. Gale. The guy who fucks you like a God in 8 dimensions in the sky if you let him. That guy. Boring sex? Well. I don’t see it, but if that’d what the game says, it must be true!
So since you are an excellent writer of Gale smut, I thought maybe you could help us envision this a bit better? Maybe give us a fic about how ‘boring’ sex with Gale can be. And if we have to accept it, we have to accept it.
So I’m thinking that for this boring scenario, it won’t involve the Astral sky, or magic, or even his practiced tongue. It’s just regular ol’ bed sex with regular ol’ Gale Dekarios. But maybe something really boring happens like Gale has a vivid nightmare that Tav dies, and he wakes up in a cold sweat and his adrenaline at maximum only to find his beloved alive and well, sleeping peacefully next to him. Then maybe it gets even more boring because Tav wakes up, sees his distress and puts their hands on his face, and at their touch Gale just snaps.
I’m thinking about how snore-inducing it is when he rolls his whole body onto Tav’s, reveling in the fact that they are HERE, they are ALIVE, they are WHOLE, and Tav can feel how rock hard he is as he grinds desperately into their leg. How boring it is as Gale’s hot breath mingles with theirs, as he devours their mouth over and over, as the only word his practiced tongue can form is a breathless ‘please’ as his grinding grows more desperate.
Then I can only imagine how Tav must be bored to tears as they eagerly consent, and Gale doesn’t just slide into them but pounds into them, as if the only thing keeping his orb from exploding is him sheathing himself as deeply as possible in Tav over and over and over. And how Tav must be practically out of their mind with boredom as they run their nails down Gale’s back, biting back a scream of pure disinterest. Gods! Can you imagine how dull this would be??
So, if you please—if you could use your incredible talents to craft a boring scenario and go into every excruciatingly boring detail of Gale sex, we would be most appreciative! Even if we do just have to accept it!!
Please, my friend—BORE US TO DEATH 🫠🫠🫠
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My friend, you are trying to kill me 🫠
I do not want to deprive the world of this masterpiece of smut that you have already written 🫠 And I'm not sure how long it will take me to write this piece so I couldn't hold onto this ask selfishly for a moment longer 🫠
I would absolutely LOVE to write some good old fashioned bed sex with Gale. Right now I'm thinking exhausted horny or sleepy horny 🫡
I apologise in advance if this takes me absolutely ages 🤦🏻‍♀️🙏🏻 thank you for your patience and this amazing brainworm and for the treat that your actual ask was 💜🫂
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Would you ever do a lesson on raceswapping characters in fandom? I think prioritizing original and canon Black characters is more important of course, and tbh most of your lessons already apply when writing ANY Black character...I'm just tired of the constant influx of antiBlackness from the pro- and anti-raceswapping people. People who hate it are usually racists who don't want the sanctity of their whiteness challenged, but I've noticed in fandoms that embrace raceswapping more liberally (usually also by white people who think they're progressive for drawing a canon white character with a paint bucket tan and then claim they're a part of some unnamed diaspora in their headcanon) can get very racist very quickly. Ever notice how in some fandoms a white ship will race swap a character to be ambiguously brown and of ambiguous ethnicity, only to make them physically bigger, aggressive, flirty, dominant than they are even in canon? I've seen it happen to characters that are actively characterized as shy/quiet in canon, as soon as you slap on the digital blackface, the whole personality changes in fandom. And even then, people are allergic to specifically BLACK headcanons. So I debate with myself if raceswapping should even be entertained in fandom, especially by white people. At the same time, I've carved spaces for myself with my Black headcanons for characters I know are ambiguously white in canon/race not named but implicitly defaulted to white. This was in a time where there were less Black characters in general, but even now that we have a handful of great stories, they are still talked about so much less, with less content, and even shafted within the canon they come from. I think telling people to just find/create canon Black characters to love is only part of the solution and feels dismissive sometimes (this is not targeted at you), though I agree that it is important to do that also. Most important, even. Sorry for the length of the ask, just something been on my mind and wondered your opinion.
I got a little overwhelmed by the writing of this question, so I'm going to try to break it down to see if I'm understanding you:
What it sounds like you're saying is that when people headcanon a character as Black, they tend to still be racist about it? And this is specifically based on how they make the characters they've headcanoned stereotypical traits, such as aggressive and overly sexual?
And then, you're unsure if you even want characters to undergo this change, specifically by white fans, due to this racism?
I'm a little confused by the end, but it might help me by asking this: what is your solution to the rest of the problem? Like what do you think is the rest of the solution, since you said it's only part of it?
To be honest, I'm not going to take the pleasure of the melanin beam away from myself just because nonblack people can't not be racist. I don't think that's fair to me that I shouldn't experience something I like just bc they can't act right about my existence as a human being. That's a THEM problem! But that's me 🙌🏾 I can understand if there are people that don't do it.
As for what you've said here about the racism itself, you are right. It's part of how Black people are perceived, that they do this. Part of me feels like I already addressed some of these things in all three of the stereotype lessons, just bc people need to see what pre-existing biases- whether they mean them or not- they have in order to know why they're treating these characters this way. How no one can be normal about a Black character being normal lol.
However, I can understand how there could be a more overt, to the point illustration of how the change happens. So that change from their canon characteristics to "aggressive". I'm not sure if it would require an entire lesson on the topic, but I could make a mini lesson on what's occurring. I'd probably just use a visual like I did for the latest lesson (which also addressed the brown bucket character).
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whiteraven90 · 22 hours
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hello, I hope you're having a good day <33 I saw your recent post on my dash and I was STUNNED at the animated scene! It's insane to me I get to see your characters animated. Feeling blessed to be alive to see it, I am not exaggerating. You know, one of these times where you wake up and things are a little bumpy in your life but there's one thing that shines brightly you didn't know it could give you so much excitement? Yeah, that kind of thing ((:
I took my time for the past hour to reminisce over your blog again. It is one of the places I really love scrolling through and reading your writing. I had a question, if you don't mind me. The way you have improved is truly admirable. I know this might not be an easy ask to say "hey, how did you learn how to paint", so I'll ask this instead: I don't know how long you've been working full-time in art, but when do you make time for studies / drawing for fun? If it's not too much to respond to, how do *you* study? I remembered your posts with your redlines and wanted to ask how do you go about those, or if you switch your routines based on your needs (sketches vs speed painting backgrounds etc). The notes there were very interesting, seeing the mental exercise.
Pretty sure you have a fKTON of stuff on your plate, so please don't feel obligated to respond quickly or even at all. Thank you in advance for taking the time to read my message and for all the time you take to respond in general. Love reading your responses <3
Take care, ok? <3
I'm glad the animation made you feel better! I'll put the answer under the Keep Reading thingy.
I'm not entirely sure... I think I don't study as much as I should/could. I mostly learn as I go. Standalone studies are helpful, I'm just drawn to doing things that are more fun/satisfying to me or things that actively progress my creative goals. Imperfect illustrations for my stories, and incomplete research for worldbuilding! Many people learn faster than I, and those people do a lot more studies than I, but I have no info on whether they have more fun than I. Dopamine is rocket fuel, so it's important. :)
I'm always on the lookout for reference pictures, but I study almost only when I have a practical goal in mind, I guess. Studying is part of my job too, I think? As an indie concept artist I'm supposed to build a hoard of references and pull several new/sensible things out of them, and I think part of this process is understanding the material, and revisiting even what I already know. Illustration is similar. If I'm commissioned to draw an anthro alligator, it's time to study gators. It's not separate from work.
I mean, straightforward version: I wake up at 03:30, make coffee, and start working for myself until the paying work starts, lol. Brain is fresh before noon, and tired late in the evening just like everyone else's. It also helps that the city more or less shuts up at 4am.
The studies with the redlines... I do them when I fancy drawing characters or creatures but feel out of shape. I can get discouraged, feel like I forgot how to draw. I sketch if I plan to sketch, and paint if I plan to paint or want to study colors Drawing live models helps. Studying videos of people and things in motion. Hopping down rabbit holes about how/why things work (e.g. flintlock, Davy lamp, mansard roof). Drawing from refs. Hoarding refs. Trying different mediums (e.g. charcoal, 3D, etching). Small screenshot of one of my ref boards for the animation; I'd say I studied it a lot. How clothes move, what are good clothes, how do good clothes move, lion/tiger + human + eagle anatomy (from specific angles during specific motions if/when possible), how to dive roll, proper sprinting form, how to survive falling from a great height, spearfighting, pole vaulting, poledancing, lighting, colors, environment, kicked-up sand in motion, spear types, emu/cassowary/griffon vulture feet, etc. I didn't draw studies, unless you count the animation itself (I would).
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t00thpasteface · 2 days
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i very deeply respect your mashposting and even though im not as enthusiastic about hawkahy as you are i think the content you make for them us delightful and some of the best mashposting on this godforsaken website. that being said, i wanted to know ur takes on the hawkeye & trapper dynamic, and the hawkeye & bj dynamic. Not in a shippy way, just in the World of Hawkahy what role do trapper and bj play in their relationships with hawkeye :3 this because i love that one comic u did where hawkeye is spunchbop and bj is Patrick its one of my fave pieces of mash fanart lol
(⁠๑˘❥⁠⁠ ˘๑⁠) first off, THANK YOU!! i'm soooo crazy about hawkahy and i really enjoy contributing to my fellow shippers, but i'm glad my art can also still appeal to people who are less interested the ship itself.
second, VERY fun question!! i wish i had definitive answers for yall, but you know me... i love to go "well idk it could go either way" ^_^;; really, it depends on what kind of tone and theme i'm looking for. i don't really write heavier stuff (because i have so much fun writing funny fic) so that kind of narrows my options, but there's a lot of potential i'd love to explore— or see someone else explore, if they're so inclined!
TRAP:
generally the trapper reading i typically default to is that he and hawkeye have a pretty casual FWB thing going on. trapper considers hawkeye a very close friend and hooks up with him at an intersection of bicuriosity and deep platonic affection, but hawkeye catches baddddd feelings and ends up genuinely heartbroken to find out their thing was lopsided. in this case, hawkahy would happen only after trapper leaves— mulcahy has a tough time trying to get noticed before that point :( but at the same time, i don't think mulcahy would pounce at the first opportunity, because i don't think an immediate rebound would be good for hawkeye nor mulcahy... but it could happen for dramaaaaa...
another version of the hawkeye-trapper rapport that i love playing with in my fics is trapper being generally very supportive but nonetheless slightly grossed out. i think there's a lotttt of comedy potential with hawkeye thinking it's okay to fuck a priest but NOT a married woman, and meanwhile trapper is pro-infidelity but anti-priestfucking (for whatever reason), and they squabble and tease each other about it the whole time.
it's also funny to think about is trapper trying to figure out whether mulcahy now gets the "one of the bros" back-slapping beer-chugging dude treatment, or if instead he's now slotted into the "go easy on 'em trap" category that protects hawkeye's ladyfriends from hearing trapper's bawdiest jokes and comments when hawkeye brings them along as a plus-one to the swamp.
trapper seems like he's pretty likely to sniff out that hawkeye and mulcahy are seeing each other even if they try their damnedest to keep it secret. i like to think hawkeye trusts trapper enough that he would go ahead and divulge it it up front pretty soon after it's official. trapper could probably even pick up hawkeye's crush beforehand... maybe even before hawkeye knows about it!
i don't see trapper as being too jealous of hawkeye spending a lot of time with mulcahy, even if it means hawkeye is now exclusive and not sleeping with trapper anymore. if anything i think he'd be pretty stoked that he's got one less guy to compete with for the nurses' attention. pretty sweet deal as far as he's concerned.
i do think there'd be some tricky navigating between how hawkeye acts with trapper and the STARK difference with how he acts around mulcahy, which you can see clear as day in the s1 finale, where hawkeye gets soooo soft and careful while talking to mulcahy. i don't think either one is disingenuous; i think hawkeye contains multitudes. hawkeye's not the type to fake sincerity. and to that end, i really don't think hawkahy should hinge on hawkeye totally giving up all the cruder parts of his personality (especially since mulcahy is really no saint either), so it could be pretty interesting to see that manifest in whether/how he's still maintaining a close friendship with trapper now that he's been seeing mulcahy regularly and trying to make a good impression.
BEEJ:
the direction bj goes in depends on whether hawkahy are already an item before he gets there. he does form that almost instantaneous trauma-bond with hawkeye on his first day, but i think if hawkeye admitted "yeah by the way the chaplain is my boyfriend" as soon it seemed safe, bj would be able to take it in stride as another weird little quirk of the mash he has to get used to. he's too hung up on dealing with all the gore to worry about who's banging who.
by contrast, i think he could potentially get pretty upset/jealous if hawkeye and mulcahy paired up a little while later. i can see him feeling really betrayed, like, "what do you normally do when i'm gone?" "wait for you to get back!!"
if bj still doesn't feel like he's really enmeshed himself into the unit— which i think on some level, he never wants to, because he's banking on dropping everything like a hot potato the second he can— then i can totally picture him just feeling completely lost and isolated when hawkeye is suddenly forgoing their boys-nite boozathons in favor of getting some priest pipe. like, at least trapper could always go find his own cuddle buddy to pass the time and had nurses lining up to volunteer; bj has basically nobody and doesn't seem inclined nor equipped to fix that. hawkeye is his liason to the rest of the camp, and bj isn't so great with people without having hawkeye there to help as both teleprompter and safety net.
basically i think bj wants to keep hawkeye within a very specific arm's-length radius— not too close, but not too far either, and hawkeye having so much private time with someone else could really get under his skin.
you could also have bj think the priestfucking is gross/bad on sheer principle like trapper did, even without the jealousy angle, and it'd probably hold a little more water coming from bj than trapper. however, it'd be funny if he's insisting it's definitely not a jealousy thing and he's being fully objective about it, but you can totally tell he's just jealous. x)
i admit i kinda love seeing bj get tormented, because he's got such obvious buttons to press and yet sternly insists that they don't even exist, similar to houlihan and frank. like, you can't just set that up and not expect me to rub my hands together and SLAM those buttons as hard as i can. ergo, bj getting jealous about hawkahy is supremely funny to me. i'm not too proud to admit that!
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the-kr8tor · 17 hours
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I saw someone else on here talking about medusa Hobie and I'm just on the floor sobbing because there're so many cute (and angsty) ideas running in my brain for it.
1. Reader is blind and cannot turn into stone. (But the potential angst of reader calling out for him, their beautiful loving partner as they desperately walk the forest ground alone before finding themselves hitting a new statue. Wondering what happened for Hobie to make another statue as they feel at the face of the carved human like stone, immediately feeling the dips of his face. Feeling and seeing him as they cry, not understanding why their lover is now one of the many other statues that haunt his forest.)
2. Reader is blessed by the gods! (Plot armour I know) But imagine it means they're chased around by despicable suitors only to find themselves in the safety of the one person who terrifies them. Now safe in their little lives as the village believes whatever wicked tale they've invented about your disappearance.
3. Reader is a demigod? Mainly just an interesting take but I'm unsure how Hobie would rock with that.
4. You're an everyday person, just a villager promised to him as a "sacrifice". Sacrifice he did NOT ask for so he practically just asks you to go back or something and reader has to explain to him how they would mock them for being a coward and not doing their job.
-🪦
AHHH YEESS I LOVED THAT AU!! (And dare I say perfect for octobie Halloween 😉)
OMFG THE FIRST ONE WIZNQLKZNW THE ANGST THE ANGST POTENTIAL IS THROUGH THE ROOF
Gasp is Hobie R's saviour? If so that's chef's kiss right there
I give you pjo au where R is a forbidden demigod of one of the big three and Hobie's the son of Dionysus or apollo who's desperately trying to save his love from the deadly prophecy you were given and were tasked to do alone
YOOO I love love that trope!!! It's like r is a stray cat who Hobie didn't want at first but got too attached to lol
I would kill to read a fic of either one of these! I'd write them but my wips would beat the shit out of me 🤣
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aroaceleovaldez · 2 months
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i would like to say my ideal PJO adaptation (if i was being physically forced against my will to have to pick a live action adaptation over an animated one for some reason) would be a combo like writing of the musical + casting of the show + visuals of the movies
BUT the show actually does have the playwright for the musical as one of the major writers for like three episodes and that did nothing for it. so...
#pjo#riordanverse#pjo tv crit#i do love the casting for the musical lots and lots though#it was really good#i do also have some nitpicks for show casting but they're largely inconsequential#like majority i very much enjoy and think are cast well#i only have one i'd say im actually disappointed with and that's Poseidon. idk he just feels. bland??? does that make sense?#like idk maybe it's the costuming but im not getting Sea God *or* Fishing Dad from him#like i think i kinda see what they were going for and i saw some gifs of him in another show where he plays a pirate and its like#okay. *little* bit better. but idk im just not getting Poseidon from it#in general most of the immortals in the show dont feel very Immortal(tm) but thats definitely mostly just the writing/show itself#not any reflection of the casting#my only other two are i would have liked plus sized Clarisse. i am VERY sad we didnt get that#Dior is a VERY good Clarisse though so i'm not too upset about it. i like her Clarisse energy. the yelling is fantastic.#my most controversial pjo tv take is im still meh on Walker. like he's fine. but like he's kind of Just Fine to me so far#its probably mostly the writing being bad but he hasnt grown on me as Percy yet. i can tell he has the energy though in interviews n stuff#and the main trio dynamic in interviews and stuff is *very* good. i just wish the show writing was better#because the casting IS very good but they have so little to work with. you can really tell theyre trying their best#i like to joke the show would be better if they just set the cast loose in the woods doing in-character improv#like its clear basically all of them know their characters SUPER well. id watch 8 episodes of in the woods pjo cosplay improv.
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cluescorner · 5 months
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I cannot imagine being a Damian stan right now. You've got both Zdarsky's bullshit (where he clearly doesn't give a shit about your boy) and The Boy Wonder (where Juni Ba clearly gives so many shits about your boy) coming out on the same day. The whiplash must be insane. I hope y'all get some nice warm soup for your efforts jfc
#damian wayne#damian al ghul#damian al ghul wayne#batman#batfamily#for all of the issues that come with having Steph as your fave having too much wild shit happening at once is never one of them#btw I quite like The Boy Wonder Issue 1. wow shocker an artist and writer who I have liked everything they've ever done#has once again written something that I am enjoying with art that makes me want to be part of its world.#it's almost like Juni Ba is really freaking talented or something#like I have some problems with it but it seems like many of those are part of the point. Damian is learning that his siblings are more#three-dimensional than he realized and that is part of this 'coming of age' story merged with fairytale#so I can't be mad at the oversimplistic defining of Dick and Jason and Tim until the conclusion of the series. that might be the point.#I hope that the series will address Steph as a Robin but if not then frankly it's not an issue unique to this series.#I'll be annoyed and disappointed but ultimately roll with it like I am with Babsgirl being here. There's too much good stuff here to get#hung up on shit that seems to be almost an editorial mandate at this point. at least that's where I'm at.#I am also very sorry that Chip Zdarsky is massacring your boy. he has 'X (Tim for him) is the best Robin so everyone else must suck' diseas#where a writer really likes one specific Robin and in trying to uplift them demeans all of the other Robins. instead of like...just writing#for that one character only or alternatively not demeaning the other characters in order to make his blorbo look good#it's wild because I actually think his writing for Tim is pretty solid. but he's not writing a Tim series. he's writing a Batman series.#and if you are going to write a Batman series and include other Batfamily members you need to actually write them well.#instead of assigning them like 2 personality traits while Tim gets to be a whole character#I accept that behavior in fanfic where I have lesser standards because it's fucking free. not a comic run that wants me to pay#tens of dollars in order to understand what the fuck is going on. he's been going for a while now it's gotta be a lot of money.#I can buy Steelworks with that money. I can see John Henry and Natasha Irons in a trade. Fuck you Chip.#it's why it takes such a special person to write a good ensemble story/a good Batfamily story. you have to be good at writing a LOT#of different characters. which I don't think most people are. I sure as hell am not. I can write maybe 3 at a time confidently well.#and you also have to give all of them at least SOME love or else people will be upset that you aren't focusing on their fave#and also the writing as a whole will suffer. Chip Zdarsky is a pretty good Tim writer. I'd maybe read a Tim solo written by him.#I would not read a story focusing on multiple characters that I like written by Chip Zdarsky. because every character who isn't Tim#is at least a bit weak/inconsistent/out of character INCLUDING FUCKING BATMAN. THE NO. 1 GUY MOST ARE HERE FOR
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Lineup of all of the characters that appear long enough to need a visual representation of them in the game lol
#I added a few people that you can randomly run into around town (like at the inn or in the forest or etc) and have very short conversations#with just to kind of flesh out the world a little more in a more natural-ish seeming way. Like nobody in the main cast would really#have much reason to talk about the actual city you're in or anything. Since most of them havent lived there that long anyway.#But if there's a ''city inspector'' that you can run into whilst he's writing up notes examining the local inn. then maybe there could be a#few dialogue options with him where you can ask about things like that. since he would know more about the area as an offical Government#Worker or etc. Optional of course. since I have to be so wary of my natural inclination to lore dump lol and am trying extra hard to make i#all stuff thats easily avoided/skipped. But for the people like ME who deliberately choose to exhaust every possible optional dialogue#option and explore every single inch of the world and try to collect as much information as possible - then there are a few extra places to#do that. Though obviously not all of them just give exposition for like 15 paragraphs blandly. Some you don't really learn anything from#and it's kind of just.. random flavor to make the non-shop map locations more ''lived in'' feeling. Like the random#little girl you can talk to in the park doesn't bizarrely start reading out the wikipedia description of some War that happened 10 years ag#or whatever. she's just complains about school a little and asks if you've tried the nearby ice cream cart treats and etc lol#ANYWAY..#some of the art is so so evil but I'm not going to spend 800 years trying to clean it up and update it. whatever the hell mess I sketched#out in 2018 or whatever is just what I'm keeping lol... it is what it is#One of the many trials of the whole 'briefly work a few months on something and then abandon it almost entirely only to pick up work#on it literally like 4 - 5 yrs later and now you must contend with trying to decipher whatever weird shit you did years ago' experience lol#Also given the population breakdowns of the world in general I think there's an unrealistic amount of jhevona in this lineup since#they're a much rarer species to just see out and about anywhere but.. it IS a global trading center type area. and the game#takes place in the north (the country of Asen. near the coast. for the maybe 2 or less people who actually keep up with my worldbuilding#enough to know where that is lol (the same continent as Navyete (where the avirre'thel live)) and there's a decent concentration#of nothern jhevona only a short ways away so... tee hee..I shall pretend it makes sense and not merely me just wanting#to represent more of that species because I think their lore is interesting lol#I MEAN also realistically there would NOT be a human here because humans are extremely isolated species that don't even know the rest#of the world exists really and human territories are extremely protected from the outside world but... of course it's like.. well we need#at least One of them to be there for the Optional Lore. Same with the Ythrili. But at least those are like.. PLAUSIBLE.. not nonsensically#outlandish. If I had a Verrucalt or something in there THEN that would be truly lore-breaking almost lol#ANYWAY.. rambling that only means anything to me because nobody else knows what I'm even referencing but hbjh#also I think my character designs are so funny in the sense that I really do just love to do the same thing over and over again ghbjh#wow... random asymmetry and belts and arm straps and high collars where the neck is completely covered?? you dont say..how novel
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aroaessidhe · 10 months
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2023 reads / storygraph
The Poisons We Drink
YA urban fantasy
a girl who brews powerful potions is coerced into making potions to interfere with D.C.’s most influential politicians in an attempt to stop a dangerous Witcher Registration Act from passing, and will do anything to protect her sister after their mother is killed
bi MC, nonbinary love interest
arc from netgalley
#The Poisons We Drink#aroaessidhe 2023 reads#this is…….a lot of cool ideas but also so many elements and high stakes that i kinda lost track of them#the pacing is weird. the worldbuilding is random?#why is brewing SO overpowered & risky for her but the other powers seem to have pretty normal low-scale risks?#it’s definitely ambitious and has some cool ideas and also some great characters just. didn’t execute as well as I’d like#as much as we’re told the main threat is the government trying to put through a Registration Act#most of the actual antagonism we see is from other Witchers?#like the systemic discrimination got a bit lost in the witcher family drama and murder politics#important things to say about oppression and police violence but like....idk#she has this ‘deviation’- essentially evil sentient magic inside her head (and you KNOW I love that trope)#but it’s barely explained and very underutilised? other than helping her get out of bad situations you could take it out & would barely#change anything#also it’s explained at the start that she’s an empath but other than the very occasional mention I kept forgetting#will also note that I bumped this up my tbr because I saw the author talking/promoting it as the MCs sister being aroace but no mention#maybe it’ll come up in a sequel (there weren’t really any places where it would have made sense to bring it up here) but idk#(just the way the author was asking for advice on how to write an ace character and stuff you’d assume that they’d….put that in the book?)#not really a critique of the book itself but anyway. I really wanted to like this but the way it was put together just did not vibe with me#edit: I saw the author say on twitter that the version used for ARCs was before ace stuff was added and that there's other signif changes?#so perhaps that will be there! i'm not sure if I want to read it again but might skim just to see what that's about
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