#i'm too much of a coward to put this in a real post lmao

[wavesoutbeingtossed]

.

[moonspirit]

Considering how Isayama basically never draws fanservice of the female characters in his manga (he's a much bigger fan of giving all the fanservice to the male characters, drawing them all half naked lmao). It is interesting that the only real exception is Isayama putting slight emphasis on the fact that Annie has a very nice and particularly big butt.

The female titan form spoke for itself but then the fact that Reiner literally comments on how nice it is and then post-timeskip Isayama went out of his way to draw Annie's ass fuller and rounder compared to most of the cast where he just draws a majority of them flat as pancakes. It's also especially noticeable on Annie because of how short she is 😭.

But hey I'm not complaining that Annie canonically has the best and nicest ass in the series. I love that for my girl and I'm sure Armin loves it too 😏

Hahahaha xD Everybody in the community will agree with you anon, most of all Clouds! She will tell you that Annie's ass is very very special and it's true.

Reiner's "Nice Ass" comment still manages to take me the fuck out lmao, especially because Armin was right there. As a whole Annie's construction and design is very striking in all respects, and the fact that she has a very nice butt (that MAPPA was too much of a coward to show in many scenes) is only icing on the cake.

To add to this, Aruani as a ship operates on many amazing grounds of reasoning, but the most important is undoubtedly this:

Armin "Nice Hands" 🤝 Annie "Nice Ass"

[comicaurora]

there's a tl;dr at the end if you're a coward who's too scared to read my glorious essay

wassup my name is destruktow i got in an argument with tumblr user flishthedragon (over discord) on the topic of aurora being an isekai (we were watching anime (they made me watch serial experiment lain (it was decent but i am too stupid for it)) and i brought up isekai) and i am convinced you bastards in the notes of when they posted my ramblings have no clue what an isekai is because an isekai is not defined by said isekai guy previously existing in the "real" world (despite that making up the majority of isekai stories) and let me tell you that i Have Not read past like the big robot thing (despite tumblr user flishthedragon being very adamant that i do so) so i have no clue if this still holds up to canon but as of right now we have no confirmation as to where jeffrey (canon name kendal i think but i call him jeffrey due to him looking like a jeffrey) originated from outside of "yeah jeffrey is like. this dude's empty body becoming sentient" which is bullshit so even by the bad definition everyone in the notes was pushing it's still not confirmed to not be an isekai and

*i pause to take a breath. as i breathe, you glance at my shirt. it has an image of popular comic strip character Garfield along with his adopted sibling/punching bag Odie and sugar daddy Jon Arbuckle. you appreciate said shirt*

also is space jam an isekai? it's absolutely an isekai dude lmao i love space jam that movie's great

okay back on topic so isekai originates from ancient japanese literature such as the story of Urashima Tarō, fisherman guy who saved a turtle and got to go to fishland for a week (my apologies to the urashima tarō fans out there my only exposure to this man is that they put him in battle cats and that was pretty cool, he's a decent black/angel tank that manages to not be outclassed by ramen and nono) and holy shit look at that you don't have to die to be isekai (no one was saying this but at least two of you were thinking it don't lie) and while reincarnation stories are not inherently isekai they can be viewed as isekai stories in certain contexts and those stay in the same world that's crazy

omniscient reader is also an isekai btw (if you finish it it's actually not but if you don't read like 500 chapters you can't prove me wrong and if you do i get someone to talk to about omniscient reader)

so obviously jeffrey exists (was summoned (technically)) for the purposes of getting vaush (that's not his name but it sounds like vaush and i used to be a vaush fan so we're going with it)'s soul back (has a goal given to him by a god) and he gets a companion (whether she is hot or not may depend on your taste and/or sexuality. me personally she is not hot) and he has big fucked up powers (real) BUT he keeps the memories of the previous host! wow! but screw you that's also an isekai thing i'm reading trash of the count's family and it does that (you suck stop typing stop trying to disprove me it won't work) and his existence prior, as i have mentioned, is disputable (he may or may not have existed. retaining your memories from previous life is not necessary) and his journey is fucking identical to various other isekai franchises you learn how shit works alongside him that's how isekai works you doubters in the notes

tl;dr: you can't prove it's not an isekai (author please do not confirm/deny it becomes much less funny if you do so) and it's infinitely easier to think of it as a typical isekai with all the isekai tropes so gg ez i win

[dfnkt]

So since one of these whiny cowards blocked me before replying I've gone ahead and just responded to their post here.

Blue: My source isn't "dude trust me" I'm saying something relatively uncontroversial. I would also not be willing to look up links to "prove" to you that rape fantasies don't mean you're a rapist because that is also uncontroversial. Do it yourself. Google is right there. I'm not here to impress my professor I am literally just arguing on the internet i am not doing your legwork for you lmfao. If people don't believe me about my background that's cool. Maybe I'm lying, who knows?

Teal: I make sure I'm not role-playing with a minor by using websites that requires its user base to be 18+. Further verification is not my job. Are you suggesting that you ask for the IDs of everyone you roleplay with beforehand, and that not doing so is failing in your personal responsibility? What do YOU do to make sure you're not rping with a minor?

Red: I am ensuring I am not grooming anyone by not participating in grooming activities. I don't so much as talk about the weather OOC with my rp partners most of the time. There is no environment in which grooming can occur. Do you think that shit just happens on accident?

Yellow: I am ensuring I am not assisting a pedophile by not helping anyone gain access to children? Again. What do you think an OOC conversation in a roleplay looks like? How can someone even "assist a pedophile" by roleplay? What if YOU "assist a rapist" by role-playing fictional rape with them? Do you put everyone through a brain scan first to make sure they don't like it *too* much?

Green: none of that is my responsibility. I am responsible exclusively for my own actions. I make sure *i* do not harm anyone personally with my behavior on an every day basis. It's not my job to "implement systems" whatever the fuck you think that means lmao. What systems do YOU implement to make sure you're not assisting rapists if you roleplay noncon?

Black: it's normal to be against CSAM because real, actual children have been harmed. Two adults playing pretend in private isn't CSAM and suggesting they are is incredibly harmful. But you don't care about that, of course. The point for you is not harm reduction, it is to be on a moral high horse.

Peach: yeah you're right I don't check the ID of everyone I roleplay with on DB and neither do you. So what's your point?

[zosonils]

Wait, no, actually, tell me about the Scribblenauts timeline. I must be real... I like it too. I love unifying timelines where things seemingly just happen, tell us!

scribblenauts fans rise up >:] to be clear this isn't an attempt to sort out the canon timeline [although if you asked i'd guess unlimited > scribblenauts > super > unmasked based on the few splinters of plot we get] but rather taking inspiration from the scraps of story available to build something new and coherent, although at this stage 'coherent' isn't super accurate lmao it's just islands of solid ideas amidst a sea of autism nonsense

basically i'm deciding that the doppelganger's presence in 10-5 of super counts as a plot and slapping that on top of the more consistently defined world and lore of unlimited and onwards [so kind of what unmasked and the subsequent comic did but batman isn't there], with an added sprinkle of the 'scribblenauts being an actual organisation that maxwell is involved in' thing that never made it past background details in the first game. while unlimited arguably has the most iconic and/or existent plot and for sure i want lily to be a deutragonist i'm not sure how much of it i'll retain because 1. turning your daughter into stone is bad parenting 2. let her tag along and be an actual character instead of a literal rock you cowards and 3. the more super-inspired storyline i have in mind with the doppelganger is probably enough to carry the emotional intensity of a mostly lighthearted story by itself and i don't want to bog things down with too many subplots lol

i'm absolutely reading too deep into this kiddie game but i think the doppelganger as an antagonist of maxwell's own creation reflecting all his worst traits would be super interesting in an environment that puts more consistent and deliberate thought into character writing, so that's the idea i'm basing this autism-powered rehash on. i don't think it's ever actually specified but when i was a little sporelet playing scribblenauts unlimited for the first time i somehow got the impression that starites grant wishes? which is cute so i'm using that as maxwell's motivation to join the scribblenauts and seek them out, that he wants to collect enough to wish for something cool and superficial that a 12ish [?????] year old kid would want. but then after lots of adventures and character development when he's in the dramatic final confrontation with his doppelganger and has matured enough to see him as a distressed kid in uniquely terrifying circumstances rather than just an annoying knockoff he instead uses his wish on giving doppelganger the chance to be a normal kid with a normal life because he wants to make kind decisions now. then i guess they all go home and nobody dies in a scripted ufo explosion

this post is getting toooooo long so i'm gonna try and wrap it up now but god i already have so many ideas rattling around my head for an autism reawakening that could be over in a week lmao. now i'm even sadder that my computer is busted because i want to replay unlimited and refresh my lore so badly..... there's a fandom page [breezewiki sweep though] for the series which has helped refresh my memory but none of the sources are cited it's a nightmare. what do you mean maxwell and lily are twins for the love of god give me a single screenshot or manual scan that mentions this

also i didn't have a good place to insert this but even though edgar and julie having 42 kids is obviously a Silly Joke and excuse to give unlimited some unique characters i am choosing to interpret it as them being experienced foster carers. i don't care to sort through every single character and decide which if any are biologically related to each other lmao but adopted/foster families are swag as hell and there should be more of them in media! it also adds a nice layer to the doppelganger plot - maxwell is more willing to reach out to him because he's seen 'angry bitter kid who will only get better with kindness' in a lot of his brothers and maybe himself, and it gives doppelganger an easy place to go for his happy ending because maxwell's parents are experts at taking in kids like him. didn't want to end this post without mentioning this because i'm already suuuper attached to the concept

[fitzrove]

Omg hi!!!!! Glad to meet you too!!

I've actually read like ALL of your fics - I don't remember all of them too well (because I must've first read them during my early years of being a tdv fan as a teenager, in like 2017/18 - I've had several Waves of looking for tdv fic xD) so this is really cool ahhhh. I think my favourite fic from you is 'A New Perspective'!!!! It really shows in your writing how much you care about him, that's why your work is so fun for me to read :D And I like Krolock/Alfred lol, it's basically canon in the original production and should be in the other ones too but the producers are COWARDS

I don't have anything concrete yet - I always outline and research a bit too much before writing down the actual fic lol - but I've been rotating several fic ideas in my head for a few months now!! List under the cut :D

A lot of my ideas are shippy Alfred x Sarah (to varying extents), but I might end up doing shorter mood pieces that are just Alfred-centric if I come up with good ideas. I like thinking about his backstory and future and the stuff he's going through during the show, so there's a lot to draw from :D There's not nearly enough fic that's just diving deeper into the canon, you know? I mean, there is SOME - like your 'The Boy from Königsberg', I love it a lot - but I just want so much more of it xD

My actual fic ideas (that have their own word documents) right now are

A post-tdv look at Sarah and Alfred - There aren't really what-if/sequel fics that scratch my itch and end with them together in the long-term, and some really good Sarah-centric (not many of them are Alfred-centric, I think one of the ones I like is 50-50 between the two of them) tdv sequel fics are sadly unfinished. For this I have some scene/dynamic ideas but it needs more plot :DD

An idea I got while thinking about what kind of professor Abronsius is - a post-tdv fic that's them staying at the castle, and basically my argument for why them staying at the castle is a Bad Ending. (It's really common in the fandom and I get why, but I don't personally think it's in keeping with the themes of the work). My take is basically that the ball, being yearly, is nothing too special for the vampires, and whoever they catch for it and manage to turn into a vampire is put away in the graveyard with the others... If Sarah and Alfred hadn't managed to run away, this would've happened to them too. The fic's about them coping with that and trying to get their dreams back. Also Alfred is (used to be?) a med student and really good at sewing (both of these facts influence each other, as well as the plot xD)

Lesbian sarahfred XD It's just tdv but Alfred is a girl. This is very self-indulgent... I'm not yet sure what I want to put in there but I just like the concept because I'm gay. I mean, it's technically not lesbian (unless I end up also genderbending Krolock??? I will see if I want to do that) but bisexual, but canon tdv is already bisexual, so I can't call it bi sarahfred in a way that would distinguish it from the existing canonical bi sarahfred. Anyway yess I will write this at some point lmao

I really want to write all of them and also come up with little oneshot fics :D I'm going to study at a German university this autumn (it's 100% because of tdv...... I wanted to be Alfred irl... I can't believe I actually did that for real XD) so hopefully I can draw inspiration from my new hometown LMAO

I really, really, really love Alfred and it saddens me to see how rare are other pairings with him that aren’t Herbert/Alfred.

Alfred/Sarah, Krolock/Alfred, Alfred/Magda…

My boy deserves so much love!

[rebeccadumaurier]

just finished wednesday!! my opinions:

no comprehensive review im too lazy + i binged all 8 eps in one go and now its 430 am LMAO. i highly recommend it though, great show and stunning performance from jenna ortega

my (spoilery) notes

disappointed that the tyler reveal was fleshed out so little 😭😭 like after being the most boring man alive for 7 eps he is FINALLY interesting and also plausibly a little bit attractive (what is a hotter quality than being evil and devious and planning betrayal all along <3 yes i was attracted to the darkling when i was 15.) and then he's taken out of the equation near immediately

actually unsure about the most boring man alive superlative cause he has some competition in xavier. bianca wasted her time on THAT boy? she's a supermodel mermaid regina george and she's hung up on HIM? i cant compute this. i kept mixing him up with every other male nevermore student who wasn't eugene because his face was so unmemorable and also his jaw is a triangle

seriously the love interests in this show are so lame and bad like . just put wednesday with enid you COWARDS. theyre both white men and theyre not good looking and they are so bad to wednesday while enid is such a good best friend like

bianca has such good eyeliner looks wtf. her actress is killing it

called the thornhill reveal pretty soon after kinbott died because there were literally no other women whose profile matched laurel's, so uh, it was not a hard thing to guess

apparently i'm just a useless nerd but disappointed i didn't learn anything about the actual classes or teachers at the school...when i was in school i cared so much about this ok

on a thematic level i feel very weird about the fact that the whole plot hinges on fantasy racism deeply intertwined with real life racism / american colonialism, but again, two white men love interests, white best friend, major white characters galore including the "oppressed" class and the outcasts' savior was a pasty blonde white girl etc ... do you see where i'm going here. i am just tired of fantasy racism that does nothing to address actual real life racism and is instead like. its a Metaphor

also i just hate blood magic systems (without critique of said system at least) its probably post-harry potter trauma but like. summoning your 400 years dead pilgrim ancestor and your family being obsessed with him is some PEAK traditionalist white people racism right there like i definitely do not know anything about my ancestors from 4 centuries ago. like not casual everyday white people racism. like confederate statues kkk white people racism. and do they really address this...no lol. it's so ridiculous

great show overall!! not perfect but really fun, wednesday's a great character, excellent gothic vibes

[scolopendress-tag]

I said I'd make a post detailing my kid Asra working for Lucio theory in this post so here it is! 

So Let's get STARDED.

So! To start off, how it began. We do know when Asra and Muriel were kids, Lucio came to them each seperately with a deal.

Essentially: work for me, or I'll hurt your friend.

This was the sentiment he repeated for both of them. So, not wanting the other to be harmed, they both agree - unaware of the other's deal.

For Muriel, it was playing heel/excecutioner at the coleseium. For Asra, it was doing... Well, we never know, aside from he worked under Lucio. But that's what we are here to discuss in any case.

Continued under the read more, for the sake of people's dashes.

Now presumably, if I got my timeline right, Asra at this time would've been around 12 or 13. We don't know much about how Asra was when he was younger, other than that he has certainly changed.

It's also worth noting that it's not amiss to say they were both also still homeless at the time, and the hut hadn't come into the play until after.

Asra was still living on the streets.

This all isn't overly important for any of my claims later, but perhaps someone else could make something of it. It does provide us with some framing for the situation as a whole, though.

Now onto Asra's time under Lucio. I don't know that we have any indication of how long it was, but presumably at least a year if not more.

We do also know that Lucio knew who Asra was. Both in that he knew Aisha and Salim had a kid, and that he knew Asra was said kid.

This is bring this up because we know Aisha and Salim were incredibly talented, and likely incredibly powerful. Lucio wouldn't settle for any run of the mill magician or alchemist for the work he needed. So he must've had some idea that Asra may take after that power as well.

To top it off, he also interacted and talked with the dock kids he also used, (two of which would actually later become palace guards,) and seeing as this is seemingly how he learned of Muriel, it's not off to think that this is also how he heard of Asra again to start. The kids knew of Asra's magic, and roughly where he was, and could've even continued talking about both Muriel and Asra to Lucio for unknown amounts of time.

So now Lucio knows that the kid of his two powerful practitioners of magic is not only still around, but taking after them as well.

If Muriel's intimidating size and physical power are what drew Lucio to him, why wouldn't Asra's considerable metaphysical power and talents draw Lucio in as well?

We know how much Lucio loves power, and that he has an interest in magic because of it, as mentioned in the main story. (no ss sorry... If you have one send so I can add. )

Plus, homeless kid in a vulnerable spot. Easy pickings.

That's what I think this whole thing was about, really. It's all power. Though Asra likely didn't have the full scope of power he does in the current game, he was probably still considerably talented, and was only getting better.

What Lucio specifically probably wanted from Asra then was either to be taught how to use that power, to use Asra for things that required it, and/or use his power for entertainment akin to how he used Muriel.

I think out of these however, using him for his power was most likely. Why? (And teaching him now, more on that further down)

(Sorry for bad quality lmao it's a small image. Also thanks to @8-bit-space for showing these to me like months ago. As you can see I can't stop thinking abt it)

These are screenshots from the old prologue. While they're not canon any more, there's reason to believe they still hold merit as to how Lucio feels about Asra.

Two things to me are major here. First is the "powerful potent magic," and how it's the "real deal," equating to a large part of how he views Asra yet again tying back to a heavy interest in his power. Now, you could argue this relates to using his powers in the palace during the plague, but the second point stands out even more to me.

"The one who broke him for me?"

What this implies to me is that Lucio could never quite get all the way through to Asra or control him when he was younger, and he's been dying to do so. He wanted Asra broken, presumably so that he'll become essentially a tool for him to use for his skill and not put up a fight- something Asra likely did as a child.

Because it seems that Lucio for the most part relied on control through fear when it came to Asra, threatening to hurt Muriel, lying to him about how he executed his parents, likely other things as well. But things seem to point to that never quite working like he had hoped.

This could allude to this as well. Though "impossible" is something Asra's been called a few times, namely also by Julian, there's no reason to assume Lucio wasn't also including his work with him as a kid in "always". Impossible to hate could be his draw to Asra for his power, his talent, his skills, the prospect of which I'm sure Lucio found practically mouthwatering. Impossible to love could be his stubbornness or reluctance to do what Lucio wants, always pushing against him or being hard to deal with, both as a kid and during the plague.

And lines like this, where he calls him a coward. I find it hard to relate this to the plague ritual as he was for the most part willingly helping with that, so it could be resenment for when Asra eventually ran off as a kid, unwilling to put up with him any longer, or his reluctance to do certain things for him then in general.

We know, and it has even been mentioned by a character within the canon, that Asra can be incredibly stubborn, to back that up. Plus, he could've been even harder to work with then both being a kid and as I mentioned earlier he has changed from how he was then, so he could've had more spunk to him or such.

This also easily means that what Lucio was trying to get Asra to do then was something Asra was quite obviously opposed to. Being used for his power is already degrading enough, but there could be more to it.

You'll notice in the post that was linked at the top (the reason I'm writing this) I mentioned pushing Asra to his physical limits and magical extremes. This could be one of the reasons for a push back.

If Lucio was having Asra do things for him involving magic, it's not out of pocket to assume he'd practically run him into the ground- I'm sure he really wouldve loved testing the limits of what Asra could REALLY do.

Wether it be huge expendure of power all at once, or tons of smaller things one after the other, it would absolutely take it's toll. We are shown a few times that using magic can exhaust someone, and I don't remember if this is shown in canon ever (tell me if so!) but pushing it even further could definitely lead to other things such as passing out, (Or nosebleeds, for the aesthetic,) alongside likely being incredibly painful and draining, both mentally and physically.

Basically, abusing his powers and the body that commanded them. It's also possible that the stubborness to work with Lucio could also be partially percieved because of this- Lucio taking Asra's literal physical inability to continue as defiance.

Another reason for push back from Asra would be making him do morally compromising things. This is a little more vague, but intimidation is a common headcanon I see for what Lucio made Asra do, and that could tie in here. Other things could be meddling in things and business he shouldn't, but again, it's a vague thing. Make of it what you will. Fucked up stuff all around.

[EDIT - TEACHING LUCIO]

(THANK YOU @tea-tye for showing me these, and credits to @hangedman-magician for the video they came from!!!!!!!)

...I cannot BELIEVE I forgot this, I KNEW I was missing something. Especially when I was fairly certain I remember Lucio being obsessed with the idea of magic. SO, MOVING ON,

There's not terribly much to pick apart here as it's rather direct- Asra saying he has in fact tried to teach Lucio magic. So in my eyes this solidifies that this was a component of Asra's time under Lucio. I still think my points about Lucio treatment (pushing Asra to his limits) stand, as well.

This can also tie in the stubborness mentioned as, well, can you imagine teaching Lucio? Asra backs this up by saying nothing he has ever said stuck with Lucio, and you know how Lucio gets when things don't go his way. He would've blamed his inability to learn on Asra, likely.

Looking to other quotes mentioned: the 'broke him' line still rings to me like he was trying to use Asra in other ways, and the 'coward' line could go either way from refusing to teach Lucio certain things, or refusing to do certain things for Lucio when he was merely being used. The "impossible" line could also go for others, as trying to teach someone like Lucio would've undoubtedly caused some head butting.

This is certainly really exciting and interesting to me as it gives a more complete picture on the exact situation at hand here. I still stay by my reasoning for Lucio simply using Asra as well on top of being taught because it seems highly likely that Lucio would've been too impatient to learn to do certain things himself, and like I said as well, I don't doubt he also just wanted to see what Asra was REALLY capable of. Something he could've saw as a tantalizing insight into the kind of power he could aquire of this kid would just... work with him.

NOW we have a MUCH clearer answer as to what exactly Asra was likely doing under Lucio, or at this point, almost certainly doing. It's a sad picture for Asra of course, but with this you can draw some interesting points as to how he could've been affected by this, as I'm sure it would've left some kind of imprint on him.

Sure it may not have been as traumatic as what Muriel went through, but when you look at it, it's hard to say it DIDN'T leave it's scars. If we consider all the points presented in this post truth we have:

A 12/13 yo homeless child, threatened with his friend's life to work for the Count that he knew was the one responsible for orphaning him and making him homeless in the first place.

Said child believing his parents are still alive, and as we see in Travel at Night, could very likely still be trying to find them. In a situation like Asra's that glimmer of hope probably was a big deal in helping him push on. This may also be a reason he agreed on top of Muriel's safety.

While working under the count, he is told that his parents were executed, no doubt devastating. The manner in which this was mentioned is up for debate, and could affect exactly how it was taken. Options could be Lucio joking or bragging about it (treating it as trivial or an accomplishment), or using it to threaten Asra, (as in I killed your parents, I'll kill you too,) both would work when it comes to controlling by fear.

It is also mentioned that Lucio told him the reason for his parents execution is that they messed up his gold arm, so Asra also has the knowledge that his parents were killed over something so unbelievably trivial.

Being used as a source of power and nothing else, both for teaching and pure work/entertainment, all for the man who killed his parents, day after day.

Being pushed to physically painful and mentally draining limits, expending so much energy that he completely exhausts himself, day after day.

Likely taking all sorts of verbal abuse from Lucio, day after day.

Like mentioned earlier, it seems clear that Lucio wanted to break Asra, so some other form of trying to chip away at his psyche to make him more convenient for Lucio is likely as well.

Those points alone, to yet again a CHILD no less, seem more than enough to cause some traumatic impact, and depending on certain specifics of what exactly went on during that time, it could be worse. I may make a post looking into the long lasting effects of this on Asra, I may not. It would mostly be headcanon regardless. If you want to add your hc relating to this situation though, I'll gladly reblog it!

And now that we are closing out, it's time to revise my summary. So, without further ado, THIS is what I think was going on during this time.

Lucio knows of Asras existence and parentage.

Lucio learns Asra is around and that he's got power.

Lucio LOVES power, so he threatens Asra into working for him.

Lucio uses Asra for his power and to be taught how to use it for himself.

While using Asra for his knowledge and power, runs him into the ground by pushing his limits to physical and magical degrees, possibly even moral.

Asra pushes back against a lot of this, or is at least percieved to, frustrating Lucio.

Lucio does what he can to try and control Asra even more, primarily via fear, but can't seem to crack him.

Eventually it's too much, and Asra leaves. Likely when the plague hit like Muriel, but it's possible it could've been somewhat sooner. Lucio is PISSED, because he wanted that magical power all to himself.

Less related, I can see Lucio trying to brush it off and pretending to be fine with it, excuse being "he was too difficult to work with, anyways," or something.

...And then... years later, as far as Lucio sees it, Asra comes crawling back- and he's tamed down to a degree! He's actually working with him. Lucio might not know what or who did it, but Asra is finally broke for him, and I'm sure he was absolutely ecstatic to have that power back in his hands- and more than ever before.

Think of all of this as you would like!

At the end this is all still speculative, so definitely feel free to make your own points or say if you feel any different abt anything- expansions or counters on this theory/headcanon welcome!

And if you also have any other screenshots or info not here that could add to the theory or change the outlook of certain things definitely add them!!! I feel like I'm missing stuff for sure, and my memory has probably muddled some things (hopefully I didn't get anything wrong, though.)

And @asrascherry thanks for the offer in helping word my hcs also! I forgot to say that. This one is just so long I wouldve felt bad bringing it all to you 😔 it's probably still messy as a result but I tried lmao (worried it's repetitive or unclear 😬)

Uh yeah! That's mostly it for NOW.

+All the love to Asra for going through so much I'm so sorry bb,,

Thanks for reading!

[ouyangzizhensdad]

Hey, feel free to ignore this, but I'd love to hear your grievances against Bridgerton? I saw some of the fashion posts you rbed, but I'm especially intrigued by the "fails on all aspects" parts? Thanks!

Hi there,

There is honestly so much that could be said and analysed in finer points but the short version of it is just that it is a bad story wrapped in the glitz of high production value but surprisingly little good technical execution despite all the money shoveled at it. Bridgerton is the type of show where the petty, mean side of me would delight in a detailed and cutthroat list of all of its flaws but for which I do not care enough to be actually invested in hating it. It’s just a thing to be puzzled and petty about: people think Bridgerton is good. Wild.

Now let me first say that I have no inherent problems with anachronistic creative choices, or the idea of a contemporary take on period dramas. After all, all period dramas are inevitably told through a contemporary lens, to different degrees. It’s also not like they were the first big production to do it either: has everyone just forgot about The Great Gatsby? or tumblr’s favourite Hamilton? I honestly think this kind of mixing already has so many cool outcomes when it comes to music (like this, this or this and this), I do believe we could get something really interesting out of creative anachronism in mainstream visual media. I’m also more forgiving with newer forms of experimentation, because sometimes new ideas need to be worked out before they reach their full potential. But the way Bridgerton does it.... so clearly lacks a clear creative vision and dedication to the concept imo that it makes it harder to excuse the ways it fails since the failures seem to originate from that lack of vision and dedication to storytelling. For instance, there is seemingly no logic as to when the diegetic music will be an instrumental cover of a contemporary song or not--which does not even broach the topic of how bad those ‘classical music’ arrangements for modern songs were? Honestly embarrassing how lazy those arrangements were: hire a good composer (or any at all), you cowards. And then the costumes... once again, a lack of internal logic seems to permeate the choices presented in addition to a lack of care in its execution: so many of the dresses are ill-fitted, the characterisation through the outfits were all over the place (like the mom who wore a silhouette that no one else wore and had no basis in any fashion of the era) and so many of the fabrics/jewellery looked the opposite of expensive (kind of looked like a lot of it was polyester and plastic tbh), which is sort of a problem when you are trying to sell the fantasy of "The lives of the rich and famous but make it regency” imo although I suppose a portion of the audience just doesn’t notice lmao. Honestly I find that a lot of ‘costume historians’ who made video essays on Bridgerton were too nice with the show, perhaps in order not to come off as seeming to hate the costumes on the basis of them not being historically accurate, and as a result were way too forgiving imo. And this lack of real creative vision is also something we see in the cinematography and direction which.... seems often confused about the way it wants to make things feel fantastical and ends up dropping the ball on the execution of these meant-to-be extravagant or over-the-top shots.

But, again, the cinematography is just... middling at best, made only worse by the editing which is just plain bad. I guess you’ll have to just take me on my word on this because I am not willing to do an autopsy of all I find off about it, but lord jesus mary and joseph it was painful to watch at certain moments.

Bridgerton is not the first show to do colourblind casting, although I’d say it deserves recognition for fucking it up for no reason at all. Like, sure there are criticisms to be had about how it remains still a very white story that falls into certain tropes wrt darker skin characters or the glaring lack of south asian representation considering what the contemporary UK looks like, etc. but what I’m gesturing at is the totally unnecessary but mind-boggling “royal love solved racism” twist we get in the, what, fourth episode? (Broey Deschannel covered the topic quite well imo) The audience would have accepted that there were no in-world explanation for the colourblind version of the already-made fantastical regency that had them dancing to Ariana Grande songs. The colourblindness, racism-free society would have just been another aspirational aspect. They literally did not need to do this.

Honestly I don’t feel like I need to get into why the story itself is not very good or well-executed since it feels very obvious. I won’t begrudge on principle the show for using well-worn tropes and common-to-the-point-of-farce character archetypes, but I have to object to the way it uses them and in the service of what story. And not to make myself in a plot-hole-ding kind of person-who-has-thoughts-about-media, but this is not a story that holds up well to scrutiny or logic, let’s say. And any type of social or political commentary it tried to include was dumb to the point of farce: the Feminist Character Who Wants to Read not Go Dance was just.... a masterclass in bad, embarrassing writing. I am surprised at how unlikeable and boring the vast majority of the characters were, but perhaps less surprised at how a series that planned on having multiple seasons already sold the twist of Lady Whistleblow’s identity at the end of the first season, for what seemed to be no narrative reason at all. That being said, I have to give credit where it’s due and acknowledge that there is a skill in being able to produce stories that get extremely popular and well-loved.

(Do I need to mention the performances? So many underwhelming or embarrassing performances. It’s hard to tell sometimes whether it’s the actors themselves or the directing that’s the issue, or a mixture of both, but.... oof).

I guess in the end Bridgerton’s biggest transgression is it sits for me in the uncomfortable middle where it is neither trashy or campy fun nor is it an interesting work of fiction. Differently put, it is simply neither good nor fun.

[ariyadaivaris]

two questions: 1) why is kenny a bad person? be specific if you can, I honestly want to understand. 2) what's the better lgbt+ representation you mentioned in your post? Not trying to be mean I'm really and truly ignorant about these things and you seem like you know something. Help me understand so I don't support bad people/content.

uhhh kenny isn’t GREAT, i know that that varies from person to person but i personally don’t think he’s a good dude. back when he first won the iwgp heavyweight championship off of kazu, he had an interview where he said that the “local” (japanese) talent were complacent and lazy and the gaijin wrestlers (the only ones he mentioned being white, ofc) were just hungrier and wanted it more and people like naito and evil were very rightfully pissed off. (also kazu and misu had a match like a week later in the middle of a monsoon while kenneth was off who KNOWS where so like #Whatever) 

he also booked a convicted sex offender/p*do for an event? on the preshow? i think he also used his ring and then claimed he didn’t know abt the dude when he’d associated with him before and also when people were pissed about it he responded VERY sanctimoniously bemoaning how cruel people were to judge him for this lmao. (the dude’s name is chasyn rance if you wanna...go verify stuff i really dont wanna delve into. all that on here its a sensitive topic) he’s also best buds with michael elgin whos an abuser so thats neat

also like a few weeks ago tanahashi criticized kenneth on a podcast and said that his matches were all flash and no substance and you could just as easily skip to the last five minutes because thats where ALL the story is, which, i mean, disclaimer i agree with! kenneth heard this and freaked OUT, which is WEIRD because tana has a history of giving his coworkers constructive criticism and advice bc he’s a veteran and its like he’s trying to help people improve and not be complacent??? weird! anyway kenneth started insulting everything from tana’s hair to his wrestling and its just generally REALLY poor form and behavior

idk it varies depending on who you ask and im not...the best memory? sammy hiromutakahashl and ava purplesandgolds both do INCREDIBLY valid work pointing and laughing at kenny and if you delve into their archives you could probably find more in-depth and like, credible criticism of him? but tldr he can eat a pile of dirty socks

AS FOR OTHER WRESTLERS YOU CAN SUPPORT!!!!!!!!

charlie morgan is a british wrestler and a lesbian and she’s very very butch and very very cool!!!!!!! she’s the current ace of pro wrestling eve and its rightfully earned, she also wrestles in progress and she has like, THE most incredible moonsault. also this which kicks ASS

ddtpro (and tokyo joshi pro) is at the very least friendly to The Gays!! one of the co-founders, dino danshoko, is a gay man and his gimmick is HMMMM A LITTLE FLAMBOYANT AND UNCOMFY TO WATCH AT TIMES but coming from a man who is very explicitly incorporating his gayness into his wrestling and yknow what...thats valid. also i think he became champ recently FUCK yeah dude gay RIGHTS

a wrestler named asuka has wrestled for ddtpro to boot, but she mainly works in wave, and she’s trans! you can find an interview she did with lgbter over here! also she and daisuke sasaki had a very cute romance arc for a bit it was excellent

dragon gate has the ICONIC tribe vanguard, and i know they’ve got several queer wrestlers in their ranks that i unfortunately don’t know TOO well bc i dont watch dragon gate, but i DO know yosuke santa maria is VERY cool and i love her and she jumps real good

CANDY LEE!!!!!!!! SHE’S THE CURRENT IPW WOMEN’S CHAMPION AND I WOULD LAY IT ALL ON THE LINE FOR HER her twitter is very very good go look at it and love her and support her

progress wrestling in general is usually PRETTY good re: Ze Gays!! besides charlie morgan, killer kelly and laura di matteo also wrestle there (UGH we love iconic lesbians), and so does KNOWN light of my life and yours too probably jack sexsmith, THE pansexual phenomenon. sexy starr is canonically a thing. we LOVE romance and we love queer romances being the heart of goodness and honesty and bravery. PLEASE support my boys. i love them so much

ive got a bad memory and also limited knowledge of things but randy myers? i believe? is very cool and weird and talented and he sings sometimes and yknow what that is? valid

sadly i don’t know many lgbtq+ luchadors off the top of my head because im a fool and a coward tumblr user luchagoth might have more valuable input on that than i do!!! ^^;

i know this is long and winding and poorly worded but i hope this can be like, at least an...introduction? an IDEA of where to go? there are so many more spaces that don’t throw you just table scraps or suggestions of support, there’s the A Matter Of Pride events that you can find on full in youtube, there are so many promotions and wrestlers out there that are good and i hope you can find folks you like and wanna support!!!

im sorry this is a weird bad post i hope i could help even a bit, thank you for being patient with me and for being curious in the first place, whatever you decide to do from here is your choice but whatever choice that is i hope you find happiness and peace in it!!

[vodka-aunt-coran]

archaeology au???? i'm currently writing a shallura fantasy au in which shiro meets allura because he's an arch nerd so I'm listening

oh boy oh boy oK LISTEN

(ok sorry i’m adding a readmore. this got long. beware y’all this is ENTIRELY self-indulgent, like, 100%, and i don’t expect anyone else to enjoy it.)

this begins in college but it’ll extend to post-graduation

i’ll start with shiro, a poor, tired grad student who took a few years after his masters to split his time between CRM and projects whenever he got the chance, but now he’s back to fight for a PhD

his focus is on…hmmm…for now i’m going to go with historical archaeology, mainly focusing on the cultural interactions between china and japan?

shiro is also a TA! and each semester, whatever class he’s teaching, he like. straight-up adopts the undergrads in his section. there are four undergrads in particular who keep popping up. they are his children now.

matt is also a PhD student! he got 2 majors and 2 minors in undergrad, completed his masters really quickly, and then tried to go for a PhD immediately but burned out :x he’s back now! just under heavy supervision from shiro.

matt specializes in reconstructing paleoenvironment. this is done through paleoethnobotany (looking at old seeds n shit), sometimes geoarchaeology (looking at dirt n shit), AND getting climate information………………from ice cores.

(and lake cores but i know what the people really want to hear)

allura is like…everyone’s goals. she took her time getting her degrees (coughcoughmatt) and had a 4.0 probably, she’s worked on a frankly astounding number of projects, and people can hardly believe she doesn’t have a PhD yet.

i’m not 100% sure what allura’s specializing in. i feel like she wouldn’t either? like, she’s worked on such a variety of projects that she took a while to figure out what she really wanted to stick with. my guess is that, like matt, she decides to focus on technical rather than area so she gets to work all over the place. i’ll go with…osteoarchaeology. aka. bones n shit.

that’s right allura’s the badass who gets to work with burials and is probably cursed 93% of the time

her dream job is working on the domuztepe death pit

(don’t look up the death pit if you’re squeamish and also bc the information won’t be as good as if you dm me for the deets update: i made a post concerning The Deets, but proceed with caution, because it is about horrific deaths)

allura and matt are TAs too but matt is not super helpful if it’s not about his own field? and allura is rly intimidating. so people generally just go to shiro for help.

The Children are just undergrads BUT what they end up specializing in:

keith: warfare lmao boy loves his weapon artifacts. he’s like. A1 at identifying them too, show him an old sword and he’ll be like “oh yeah that looks like a viking design from the early 8th century”

lance: he rly…rly likes working on sites near water…like every time he gets to work on a shipwreck or anything underwater his soul grows brighter. that being said, i wanna say his specialty is in preservation and possibly curation? so during important digs he’s on site and nagging everyone to be as careful as possible

hunk: does a lot of lab work! he’s like. the king of the lab. need that sample carbon dated? hunk’s got you. need to know the composition of that ceramic? hunk’s your guy. need lipid analysis? bring it to hunk. he can even get the ancient XRD machine to work, even though no one else can figure it out. he’s a legend.

pidge: …i want to make a her a paleoethnobotanist so bad. but like. i know she wouldn’t simply bc matt’s already doing that and the independent will of second children is strong.fcuk it, she’s a paleoethnobotanist. she’s ridiculously good at identifying samples, and usually ends up helping matt with it. she’s also really into reconstructing diets and stuff and gets excited when she gets to work with stable isotope data.

bonus! shay is a geoarchaeologist who asks for hunk’s help mayyybe more often than is strictly necessary. then again, hunk will sometimes ask her opinion on samples when she’s pretty sure he’s already interpreted it perfectly. a modern romance

ok some more nonsense about them follows in no particular order

all of them are rly passionate about combating looting, collecting, and other destruction of sites. keith almost dropped a collector at a convention once. shiro held him back, but they still got kicked out bc while his back was turned allura and lance were cursing out a rly skeezy (but rich) curator.

shiro: hunk, why didn’t you stop them?hunk: [writing a paper about the museum’s poorly provenienced polynesian artifacts] what?

shiro is more careful about who he brings along to his academic conventions.

i mean. obv he also wrecks these garbage people. but with heavily researched papers n shit.

[while in undergrad]professor holt: ok class today we’re going to watch a documentary on the excavation of this famous site in the 60s!whole class: [cringing at the poor methodology]professor holt: i know, i know, we’ll roast our predecessors after the video is over

keith and pidge are huge conspiracy theorists right. like. aliens are real and out there, you know? so you’d think they’re all about those aliens built the pyramids stuff

some loser: hey you know how the aliens built the pyramids right?keith: ok listen math and astronomy existed before greece there is so much evidence showing that the egyptians themselves built their pyramids and there’s a clear progression from stepped pyramids to perfect ones and the fact that stepped pyramids appear around the world doesn’t mean anything more than making it obvious what the easiest way to build a large structure is and while we’re at it let’s talk about the nasca lines–

basically they call out Certain Theories for what they are bc…like…bro didn’t u notice that u only claim aliens abt incredible achievements when the people aren’t white

shiro: so, wait. if you don’t believe that aliens interacted with prehistoric peoples, why do you believe in them at all?pidge: because they infiltrated european politics beginning with ancient rome and have currently shifted their focus towards controlling american governmentkeith: [pulling out a Conspiracy Board] do you want to see our research, we think it could be our thesis project

like how pidge and keith are into aliens, lance deeply believes in ghosts. he’s convinced that allura has a million curses on her and the fact that she’s still perfect is evidence that she is A Goddess.

allura: lance, there’s no such thing as ghosts. you won’t be haunted or cursed if you help me handle this burial.lance: …alright, fine. only for you.[three days later]allura: [picks up phone] hello lance. how are you?lance: A TREE FELL ON MY CAR YOU LIAR

[at a historical site w shiro]lance: so uh. how many ghosts do you think are in here.shiro: oh my god, you’re just as bad as the other two.pidge: don’t group me in with that! i know ghosts aren’t real.keith: eh, they might belance: you work with violent deaths, how could you sleep at night believing in ghosts?keith: i’m not a coward like some peoplelance: !! i am not a coward!![door slams down the hall]lance and keith: [sprinting back outside]

lance gets on everybody’s case abt what they should and shouldn’t touch, and how to bag things, etc

when anyone wants a lipid or dna sample run, hunk makes sure that lance is there to make sure they properly handle the artifact sharon if you don’t wear gloves and the facemask all your research won’t count for shit

keith is The Worst at bagging and labelling his shit like. lance sometimes just makes a point of coming to his digs for the express purpose of labelling all the stuff for him.

lance: keith are you really going to make me waste shelf space on all these soil sampleskeith: [softly] lance i don’t know why the fuck we even take soil samples this isn’t my job

lance made the mistake of going to pick up boxes of artifacts from the holts on april fools day. when matt ‘tripped’ and dropped the box, it didn’t matter that it was really empty, because lance was already in tears. shiro had A Word with them. pidge and matt had to be a lot nicer to lance after that.

allura and keith work together pretty often bc. y’know. war stuff and remains tend to overlap. they’re besties with a sense of morbid humor to rival shiro’s.

allura: keith you’ll never guess what happened to this femur!keith: it looks…bad?allura: yes. the individual was killed by a boiling tar poured over the nearby wall!keith: i guess he didn’t get a heads up?allura: haha!! exactly!! or else he would’ve suffocated horribly!!both: [laughing]shiro: [hunched over faded old documents] god i wish that were me

pidge: hey lance, i was sieving through dirt from the hearth area for seeds, but i think i just found a tooth?lance: oh god ok put that back i’ll call allurapidge: dude it’s just a tooth, it might not even be human. i think we can handle it.lance: what if it is!! where do you think teeth come from pidge!!pidge: look, someone just happened to drop a tooth in the fireplace!!keith: hey guys i think i just found a skull in the hearthpidge: DAMN ITlance: AHA!!keith: not the reactions i was expecting but,

hunk: keith, i need to break off a piece of it if you want composition. you know how this works.keith: [cradling knife to his chest] but i love her

(update: here are a few bonus additions to this, since this is more or less the main post and this is main stuff)