#i'm sure everyone does

[sapsolais]

.

[cuddlytogas]

So I accidentally almost got into an argument on Twitter, and now I'm thinking about bad historical costuming tropes. Specifically, Action Hero Leather Pants.

See, I was light-heartedly pointing out the inaccuracies of the costumes in Black Sails, and someone came out of the woodwork to defend the show. The misunderstanding was that they thought I was dismissing the show just for its costumes, which I wasn't - I was simply pointing out that it can't entirely care about material history (meaning specifically physical objects/culture) if it treats its clothes like that.

But this person was slightly offended on behalf of their show - especially, quote, "And from a fan of OFMD, no less!" Which got me thinking - it's true! I can abide a lot more historical costuming inaccuracy from Our Flag than I can Black Sails or Vikings. And I don't think it's just because one has my blorbos in it. But really, when it comes down to it...

What is the difference between this and this?

Here's the thing. Leather pants in period dramas isn't new. You've got your Vikings, Tudors, Outlander, Pirates of the Caribbean, Once Upon a Time, Will, The Musketeers, even Shakespeare in Love - they love to shove people in leather and call it a day. But where does this come from?

Obviously we have the modern connotations. Modern leather clothes developed in a few subcultures: cowboys drew on Native American clothing. (Allegedly. This is a little beyond my purview, I haven't seen any solid evidence, and it sounds like the kind of fact that people repeat a lot but is based on an assumption. I wouldn't know, though.) Leather was used in some WWI and II uniforms.

But the big boom came in the mid-C20th in motorcycle, punk/goth, and gay subcultures, all intertwined with each other and the above. Motorcyclists wear leather as practical protective gear, and it gets picked up by rock and punk artists as a symbol of counterculture, and transferred to movie designs. It gets wrapped up in gay and kink communities, with even more countercultural and taboo meanings. By the late C20th, leather has entered mainstream fashion, but it still carries those references to goths, punks, BDSM, and motorbike gangs, to James Dean, Marlon Brando, and Mick Jagger. This is whence we get our Spikes and Dave Listers in 1980s/90s media, bad boys and working-class punks.

And some of the above "historical" design choices clearly build on these meanings. William Shakespeare is dressed in a black leather doublet to evoke the swaggering bad boy artist heartthrob, probably down on his luck. So is Kit Marlowe.

But the associations get a little fuzzier after that. Hook, with his eyeliner and jewellery, sure. King Henry, yeah, I see it. It's hideously ahistorical, but sure. But what about Jamie and Will and Ragnar, in their browns and shabby, battle-ready chic? Well, here we get the other strain of Bad Period Drama Leather.

See, designers like to point to history, but it's just not true. Leather armour, especially in the western/European world, is very, very rare, and not just because it decays faster than metal. (Yes, even in ancient Greece/Rome, despite many articles claiming that as the start of the leather armour trend!) It simply wasn't used a lot, because it's frankly useless at defending the body compared to metal. Leather was used as a backing for some splint armour pieces, and for belts, sheathes, and buckles, but it simply wasn't worn like the costumes above. It's heavy, uncomfortable, and hard to repair - it's simply not practical for a garment when you have perfectly comfortable, insulating, and widely available linen, wool, and cotton!

As far as I can see, the real influence on leather in period dramas is fantasy. Fantasy media has proliferated the idea of leather armour as the lightweight choice for rangers, elves, and rogues, a natural, quiet, flexible material, less flashy or restrictive than metal. And it is cheaper for a costume department to make, and easier for an actor to wear on set. It's in Dungeons and Dragons and Lord of the Rings, King Arthur, Runescape, and World of Warcraft.

And I think this is how we get to characters like Ragnar and Vane. This idea of leather as practical gear and light armour, it's fantasy, but it has this lineage, behind which sits cowboy chaps and bomber/flight jackets. It's usually brown compared to the punk bad boy's black, less shiny, and more often piecemeal or decorated. In fact, there's a great distinction between the two Period Leather Modes within the same piece of media: Robin Hood (2006)! Compare the brooding, fascist-coded villain Guy of Gisborne with the shabby, bow-wielding, forest-dwelling Robin:

So, back to the original question: What's the difference between Charles Vane in Black Sails, and Edward Teach in Our Flag Means Death?

Simply put, it's intention. There is nothing intentional about Vane's leather in Black Sails. It's not the only leather in the show, and it only says what all shabby period leather says, relying on the same tropes as fantasy armour: he's a bad boy and a fighter in workaday leather, poor, flexible, and practical. None of these connotations are based in reality or history, and they've been done countless times before. It's boring design, neither historically accurate nor particularly creative, but much the same as all the other shabby chic fighters on our screens. He has a broad lineage in Lord of the Rings and Pirates of the Caribbean and such, but that's it.

In Our Flag, however, the lineage is much, much more intentional. Ed is a direct homage to Mad Max, the costuming in which is both practical (Max is an ex-cop and road warrior), and draws on punk and kink designs to evoke a counterculture gone mad to the point of social breakdown, exploiting the thrill of the taboo to frighten and titillate the audience.

In particular, Ed is styled after Max in the second movie, having lost his family, been badly injured, and watched the world turn into an apocalypse. He's a broken man, withdrawn, violent, and deliberately cutting himself off from others to avoid getting hurt again. The plot of Mad Max 2 is him learning to open up and help others, making himself vulnerable to more loss, but more human in the process.

This ties directly into the themes of Our Flag - it's a deliberate intertext. Ed's emotional journey is also one from isolation and pain to vulnerability, community, and love. Mad Max (intentionally and unintentionally) explores themes of masculinity, violence, and power, while Max has become simplified in the popular imagination as a stoic, badass action hero rather than the more complex character he is, struggling with loss and humanity. Similarly, Our Flag explores masculinity, both textually (Stede is trying to build a less abusive pirate culture) and metatextually (the show champions complex, banal, and tender masculinities, especially when we're used to only seeing pirates in either gritty action movies or childish comedies).

Our Flag also draws on the specific countercultures of motorcycles, rockers, and gay/BDSM culture in its design and themes. Naturally, in such a queer show, one can't help but make the connection between leather pirates and leather daddies, and the design certainly nods at this, with its vests and studs. I always think about this guy, with his flat cap so reminiscient of gay leather fashions.

More overtly, though, Blackbeard and his crew are styled as both violent gangsters and countercultural rockstars. They rove the seas like a bikie gang, free and violent, and are seen as icons, bad boys and celebrities. Other pirates revere Blackbeard and wish they could be on his crew, while civilians are awed by his reputation, desperate for juicy, gory details.

This isn't all of why I like the costuming in Our Flag Means Death (especially season 1). Stede's outfits are by no means accurate, but they're a lot more accurate than most pirate media, and they're bright and colourful, with accurate and delightful silks, lace, velvets, and brocades, and lovely, puffy skirts on his jackets. Many of the Revenge crew wear recognisable sailor's trousers, and practical but bright, varied gear that easily conveys personality and flair. There is a surprising dedication to little details, like changing Ed's trousers to fall-fronts for a historical feel, Izzy's puffy sleeves, the handmade fringe on Lucius's red jacket, or the increasing absurdity of navy uniform cuffs between Nigel and Chauncey.

A really big one is the fact that they don't shy away from historical footwear! In almost every example above, we see the period drama's obsession with putting men in skinny jeans and bucket-top boots, but not only does Stede wear his little red-heeled shoes with stockings, but most of his crew, and the ordinary people of Barbados, wear low boots or pumps, and even rough, masculine characters like Pete wear knee breeches and bright colours. It's inaccurate, but at least it's a new kind of inaccuracy, that builds much more on actual historical fashions, and eschews the shortcuts of other, grittier period dramas in favour of colour and personality.

But also. At least it fucking says something with its leather.

[hopefulsapphic]

i'm an early seasons steve harrington apologist. sorry. he was not a bad person he was not a bad boyfriend he was literally just 17

[notmoreflippingelves]

Actually going insane over the implications of Jason asking Dick to be the Robin to his Batman in Battle for the Cowl.

Like I initially took it at the purely surface-level of Jason wanting a partner in the general sense. Which made sense, it's a huge responsibility and a lonely one so an assistant/sidekick/partner seems a no-brainer if you can get one.

But then I really thought about it, because Jason is not asking Dick to be his partner in the general sense; he's not even asking Dick to be his Nightwing. He's asking Dick to be his Robin.

And they both know exactly what Jason means: "Be the light to my darkness. Be the smile to my scowl. Be the hope to my fear. "

He's saying "Be 'Robin'; be the embodiment of Love and Justice and Goodness. Be the exceptional person that you have always been. Be the slightly-less exceptional person that I was when I wore your colors. Be the person that I was in the process of becoming and might have been (or might still be), if only Joker hadn't clipped my wings."

He's saying "I am prepared to become vengeance, become the Night. And I will go further than Bruce ever dared to, because it is what is needed. I will be the necessary evil. But you don't have to be. If Batman is Gotham's curse, Robin has always been its blessing. I will be the brutal punishment to our world, and I am asking you to be its incandescent gift."

He's saying, "Be for me, what we were for Him. Be my anchor, my comfort, my hope. Remind me what it's all for, why it's all worth it. And remind yourself as well."

He's saying "Be 'Robin' again--for both of our sakes."

[internetegoist]

Actually a friend pointed this out to me but most of the time, Shidou's eyes are pretty dull in the artstyle. The only time we ever see his eyes shine is when he's with Sae. This is how his eyes are like normally:

While this is how they are when he was playing with Sae, or just generally when he feels genuine happiness playing football:

It might be simply because of the artstyle or because he's possibly wearing contacts (he's a gyaruo after all, right?), but it's a pretty huge mystery to me why the second most optimistic character in Blue Lock has so dullish looking irises. Hell, even RIN out of everyone has more light in his eyes than Shidou.

Is there something you'd like to tell the class, Shidou?

[bixels]

While I do think anon was rude, I do think it's pretty shitty to set up all this stuff you were going to add the au and then just drop it. It's disappointing. Definitely unfollowing.

Bye.

[clfixationstation]

idk if this is a hot take but I don't think Armin is friendly. I think people find him generally off-putting. Like, people think he looks sweet, but also find him strange; for the topics that interest him, the way he didn't stray far from Eren (& Mikasa) socially, and his general demeanor.

I think that as Armin established himself more as he grew up, he developed better interpersonal skills that compliment his rhetorical prowess. I think he's the type of person who sees value in life and in minimizing harm. He offers kindness to his friends and understanding to all. But I don't see him as particularly "friendly"

[aquanutart]

She is offering water to any lost travelers! However, it's so hot that the water has become tea, so she's adjusted accordingly!

[rockethorse]

The basegame wedding dress has a pregnancy morph??

[starryjoy]

"Trans" is merely one of the many adjectives that describe me but in the eyes of so many people so many things I do will immediately be tied to that adjective.

So many things I feel weird talking about because everyone assumes I am like this because of my transness.

Me being openly very sexual in nature while being a woman? Well, I am a trans woman, need to remember that!

And the thing is so many people don't do this maliciously. So many people have simply internalized the misogynistic idea that women have to be one certain way and when they see a woman who isn't that way... well, if she's cis, she's a weirdo, but if she's trans... well of course, that explains everything doesn't it!

And the people who are seen as cis women in this equation also suffer please don't get me wrong. They get shunned and talked about with intrigue and wonder like they're some sort of mythical beast.

But to the people who are seen as trans women then a part of the observer so often will go "makes sense" as if they discovered the one single key to read humanity.

I am also curious how other people under the trans umbrella feel to this stuff. My idea is that we probably have similar but different relations to having the adjective "trans" heavily influence how people see us, and I would like hearing them out.

Also absolutely necessary disclaimer that it's great if to you personally the adjective is so important that it defines parts of your personality! I won't yuck someone's yum and stuff. I'm just tired personally of feeling like so many people will immediately think of me as trans before they think of me as anything else, but I get the idea of that being something someone could like.

[prince-liest]

It's kind of a weird (not sure if good or bad or just neutral!) experience to realize that a lot of the personal headcanons I've written into my own writing have become well-known enough that they're treated as general fanon with a lot of people using them and not realizing that they, like, originated from a specific place rather than just being ambiently popular. Every once in a while I come across a fic where there's an AN that says something to the tune of, "Oh, I saw this popular headcanon that [insert something really specific from 666: Live On Air!] and wanted to[...]" without attributing it to me - or, most likely, even realizing that it came from me!

It's an interesting feeling! I think the times that actually bother me are when it's people that know they got the headcanon directly from me and choose not to credit me (or in one weird instance, credit me, then edit their stuff to bury the credit to be really hard to find for some reason - y'all, I do notice these things even when I don't comment on them).

I've been straight up plagiarized many times before. It's ranged from friends in RP groups stealing my characters because I wasn't using them often anymore, to more recently someone ripping out chunks of one of my Hazbin Hotel fics and rewriting it as their own. It's a uniquely horrible feeling, and I think it makes me sensitive to feeling uncredited as a result even when plagiarism isn't occuring. On the other hand, this is literally how headcanons evolve and I'm actually so fucking happy that specific things that I was outright nervous to post because I thought people would (and in a few cases, people did) react very poorly to them are now, like...fairly common fanon.

Anyway, I don't think it's wrong for people to carry forward headcanons to the point where they don't even know where they came from. I also think most likely some concepts became convergently popular when more than one person had the same thought! It's how fandoms work and I know for a fact I've done the same... but it does very much give me the warm and fuzzies when people that use my ideas do give a nod in my direction for where they got the inspiration! In return, I try to make a point to do the same.

[lgbtlunaverse]

Thinking of the Nie disciple that told Nie Mingjue it was Meng Yao who stayed behind to clean up corpses on the battlefield today.

Nie Mingjue didn't just randomly stumble upon poor lil meowyao eating bread in the novel, he was already looking for him to thank and reward him for his work.

That's what makes it so fun that nieyao's first conflict will end up being about someone else taking credit for Meng Yao's work.

And I'm sure that Nie Mingjue's actual opinions on plagiarism are a lot more nuanced, all we really get from him in this scene is "well you shouldn't kill someone over it!" which leaves a lot of room for what punishments he thinks are appropiate. But I bet that it isn't occuring to him in this moment that the only reason he knows Meng Yao at all, the only reason he got such a capable deputy, is that he noticed someone was taking care of the dead and cared enough to want to know their name. And then the Nie disciples didn't lie to him. The disciple he asked could have said "it was me, Zongzhu" to rise in the ranks himself, but he didn't. He went and asked others, who all also could have taken the credit, but they didn't. Someone saw Meng Yao working and decided to be honest about it and that simple decision is the catalyst for Meng Yao becoming Nie Mingjue's deputy.

Meng Yao can't just work hard to get results, others have to acknowledge that work. If they don't, it's as if he didn't do anything at all.

[khickuwa]

Il faut être deux pour valser.

[windmills123]

my whole life i assumed too-ticky was a man... today i found out she is actually a beautiful butch woman. the world is so awesome

[thecultoflove]

𝘣𝘰𝘯 𝘢𝘱𝘱é𝘵𝘪𝘵! 𝘤𝘰𝘮𝘦 𝘰𝘯, 𝘪𝘵'𝘴 𝘨𝘳𝘦𝘢𝘵𝘦𝘳 𝘵𝘩𝘢𝘯 𝘵𝘩𝘦 𝘴𝘵𝘢𝘳𝘴 𝘵𝘩𝘦𝘳𝘦’𝘴 𝘵𝘩𝘰𝘶𝘴𝘢𝘯𝘥𝘴 𝘰𝘧 𝘵𝘳𝘦𝘢𝘵𝘴 𝘢𝘭𝘭 𝘭𝘢𝘪𝘥 𝘢𝘤𝘳𝘰𝘴𝘴 𝘪𝘯 𝘢 𝘭𝘪𝘯𝘦 𝘳𝘦𝘢𝘥𝘺 𝘵𝘰 𝘥𝘪𝘯𝘦 𝘢𝘯𝘥 𝘢𝘭𝘭 𝘵𝘩𝘦 𝘵𝘦𝘳𝘳𝘰𝘳𝘴 𝘰𝘧 𝘵𝘩𝘦 𝘸𝘰𝘳𝘭𝘥 𝘢𝘳𝘦 𝘣𝘶𝘳𝘯𝘪𝘯𝘨 𝘢𝘭𝘪𝘷𝘦

𝘣𝘶𝘵 𝘩𝘦𝘺, 𝘺𝘰𝘶'𝘳𝘦 𝘩𝘦𝘳𝘦 𝘧𝘰𝘳 𝘵𝘩𝘦 𝘸𝘪𝘯𝘦!

[zellk]

Forgot to share here.... old doodles of when I finally came around to finding a design I like for Qalaari's mom !!