#i'm sorry but WHAT TEAM

[emloafs]

robby: who are we?

miyagi do: MIYAGI DO!

me: WILDCATS wait-

[shotmrmiller]

oooo to be simon's partner who is fully aware of what he does, having learned all of the shit (both good and bad) he's done once things started looking like y'all were going to be more than the occasional hookup because to be with him is to always be prepared for the worst and it's best you be well informed before making it official because once you're his, he's not letting go.

you don't bring it up much, no want to know anything past if he's coming home now or in a few months time and it's all well and good until one day, you wake with your patience threadbare thin and his usual protectiveness seemed so suffocatingly overbearing that you snap if the way he keeps breathing down your fucking neck is how he treats the people they keep for interrogation and his face tightens in an instant, usual warm eyes hardened into the cold steel of a winter's night.

"you'd know if that were the case."

you hadn't been serious, of course, just pulled a stereotype out of the many military movies he likes to watch just to grunt at all the inaccuracies in it but now seeing his game face slip on so seamlessly, especially after only ever having experiencing his softer side-

heat licks up the sides of your jaw at the thought of being at the receiving end of that. he's already naturally intense, his attention usually feeling like being under a magnifying glass but what if- what if that focus became a crosshair?

a thrum courses through you, from the tips of your toes up to the crown, akin to the hum of electricity surging through power lines. would he cause you pain and lap at the tears that wet your cheeks? would he get off on it? bringing you to your knees after only ever bringing him to his?

"i can see the smoke comin' out ya ears, luv. gotta make sure this is somethin' you actually want, i can be quite thorough."

(the eggs burn on the stove after letting him fuck you on the countertop until your eyes cross and you see two of him.)

[songforten]

can anyone explain to me at what point rose tyler was "unbelievably stupid". was it when she was inventing transdimensional travel

[lonelyoleander]

CHOOSE YOUR CHAMPION

[lizzybeeee]

DATV explaining the 'Regret Prison'

A REGRET PRISON IS STUPID AND I'M TIRED OF PRETENDING THAT ITS NOT

TL;DR: a prison can serve as a metaphor but it shouldn't be entirely comprised of a metaphor.

From what I understood from what the game gave us: Solas has made a new prison to move the God's too - since bringing down the veil would free them from the Black City. This new prison is separate(?) from the fade or so far removed/contained that bringing down the veil would not compromise it...apparently. We interrupt his ritual, Solas gets sucked into the new prison he made, and the elven gods are free.

When Rook gets kicked into the fade they're physically there - which means it's a physical place in the fade, like how it was a mixture of physical/thought when we entered it in DAI. Which makes sense - the gods are real and living beings, they need to be in a place, there must be some aspect of physicality to it.

Alright, cool, it's a Black City 2.0 - I assume it's better defended to prevent people breaking in/out again?

NOPE.

We get there and it's a 'regret prison'?? It's tied to the regrets of those within it? Composed of regrets??? Solas had to wait for the right moment for Rook to be sufficiently 'full of regret' that they could switch places?

So is the prison tied to Solas's regrets? If so, how can Rook escape? The prison seems to work around the idea that it relies on the regrets of the person it's holding to work - which is how/why Rook was able to be trapped and later free themselves (along with whatever remains of the team apparently being able to do something on their end, not that we hear about it).

WHICH IS STUPID!

Are you telling me the prison intended to hold to megalomaniac elven gods was going to imprison them based on their own regrets? Is Solas assuming that Elgar'nan and Ghilan'nain are as self-pitying as he is? They'd break out quicker than Rook did! He made a time out corner for the elven gods to sit in and gave them an out if they reflected on their emotions/regrets or decided that they don't regret what they did. Elgar'nan, a spirit of tyranny, is not going to 'regret' his actions - he is going to justify them by telling himself and others that he knows what's best.

We can come across some of Solas's regrets in the prison if you run around a bit and explore:

Remnant of Failure - talking about the orb from Inquisition.

Remnant of Parting - talking about Mythal

Remnant of Reflection - more vague, talking about the Titans I believe.

So maybe he altered it - maybe he intended the prison to be 'locked' with his own regrets because after a millennia of having a pity party he still can't bring himself to self-reflect and look to the future. But what if Solas died? Or if his guilt lessened - would it diminish the strength of the regret prison?

We already have pre-established lore (though DATV has shown they don't really give a crap tbh) that once the being that has claimed/altered an area of the fade is slain, it's influence diminishes both in and outside of the fade. So if the prison was tied to his regrets then it would require Solas to basically live forever to keep it stable - especially if he brought down the veil and removed the one barrier that kept the world and the fade apart.

Rook and Solas needed some assistance to exit - but it doesn't seem like it was much! Solas used his dagger and Rook just...got out through a fade tear? This is Solas's 'more secure' second prison? It has a worse track record than the Black City! If Rook - who is not an elven god - managed to escape the regret prison what is to stop anyone else from breaking in and out of the prison?

And what did Solas intend to do with the blight - the bulk of which is apparently in the black city?? If bringing down the Veil would free the gods in the black city doesn't that mean that the blight would also be released?! Did he have a plan? Why does he go fully ahead with bringing down the veil at the end if the black city is still there and filled with blight?!

I get it: the 'regret prison' is a metaphor for how Solas holds onto the past and how Rook can move past their regrets and grow. He's trapped by the past - it's a prison. Cool. But this prison is supposed to by a physical place to contain the gods - not just to solely contain Solas. The mission is literally called 'A Cage for Gods'.

The Black City is an actual place that's so far out of reach of anywhere else in the fade that no mage can ever reach it while in dreams - let alone physically, which was only done once and took tremendous effort/blood sacrifices. It made sense - it was cool to see floating in the sky in DAO!

Though it's not said specifically, it's strongly implied that Arlathan is the Black City. You can see in the concept art that floating elven city is exactly the same as the black city in DAO! It's this foreboding thing just lurking in the sky - a constant reminder of the sin that led to the horrors of the blights and darkspawn. A real place with lore and history that also serves as a metaphor for the hubris and destruction of those who call themselves gods and act as tyrants -> for both the evanuris and the magisters.

I WANT TO UNDERSTAND THIS BIOWARE!

WHAT IS THIS KINGDOM HEARTS NONSENSE???!!

[ghostgirl-ward]

requested

[canisxx]

this picture gives me chills.

also I want to see more TF2 silly pics pls gimme

[strawberry-eden]

violence solves (most) problems — danny johnson x reader

↪ summary — you're relatively new in the fog, having been here just long enough to get a hold on the working order of this place when you catch the unfortunate eye of the most obsessive man on the planet, who decides that you're going to be his newest plaything.

or, your first encounter with the notorious ghostface killer goes very poorly.

↪ tags — canon typical violence, swearing, crack treated seriously, blood & injury, obsession at first sight, gender neutral pronouns/description for reader, no use of y/n, and danny's weird way of flirting

↪ word count — 2.4k

a/n: i wrote this originally way back in february but i found it again and figured i would share with the class. inspired by a cool piece of art i saw on twitter that ended up spiraling from there. enjoy!

The cold air of Mount Ormond ski resort bites angrily at your bare face, your shallow breaths manifesting in puffs of white fog as you fight to keep giant spidery talons from spearing through your torso. A low, guttural growl sounds from all around you and nowhere all at once, your arms shaking from effort as a particularly hard shove from the entity forces your hooked shoulder to shift, sending a ripple of white-hot agony through your body. “Fuck!”

This is your first match of the day. Not a single generator has been done and none of your teammates have been hooked yet. If anybody is coming for you, you can’t see through the cage the entity’s talons have created around you, itching to close in and take you back the campfire. You’re half tempted to let her do it.

You barely register the second pair of hands that appears and bats her away until they’re gently pulling you down from the hook by your armpits, holding you up until you’re steady on your feet. You blink away a few stray tears to look up at the face of your savior. “No offense, kiddo, but you look like shit,” says Bill.

You almost shrug instinctively but stop yourself last second. “A little bit taken. I feel like shit,” you mutter. He shoots a cautious glance over his shoulder, then takes you by the arm and leads you away from the hook towards a safer spot to patch you up. You can’t help but flit your gaze all around the area, searching for that haunting white mask or floating strips of leather, wondering if you’re being watched from somewhere.

Bill catches your paranoid expression and frowns. “Christ, what’d you do to him?”

Unable to hide your frustration, you round on Bill with an exasperated cry, “I don’t know! He just—” You make a vague gesture. “Set his eyes on me and decided he wanted me dead! I haven’t even touched a gen yet, for fuck’s sake.”

Bill pulls you behind a boulder secluded somewhere in a corner of the resort. You squint at the shape of the killer shack some ways away, trying to get your bearings. Bill whistles lowly. “Maybe he’s just trying to get an easy win, then. Lord knows it’s working. The rest of us are struggling to keep up.”

You collapse into a bloody pile into the snow, leaning against the rock and pressing a hand against your wounded shoulder while he pops open his medkit. “Yeah, well. I’m still pissed about it.”

“Oh, we all are,” he replies. “Nobody likes being down a teammate this early on. You got anything to help you out?”

Your face scrunches in confusion. “What?”

He raises a grayed eyebrow. “You know, like that trick David pulls to endure pain, or how that girl Laurie hides glass in her sleeves. They teach you any of that?”

“Uhh… No?”

Bill curses under his breath. “You’re kidding, right?” He curses again, louder this time when you shake your head. He digs into one of his many pockets, pulling out something that he clutches tightly in his palm, then motions for you to extend your hand. He places something smooth and warm into it, closing your fingers around the object. “Hide it well, okay? If he sees it, it’s game over. And make sure you don’t. Miss. That was my second chance, and I’m giving it up so you a better shot. If you end up fumbling, I’m never gonna let you live it down.”

Bill holds your gaze until you give a slow nod, retracting his hands as he returns to rustling around the supplies in his medkit. When you open up your fingers, you are greeted by your own reflection looking back at you from a small, sharp piece of glass. It’s almost shaped like a knife if you turn it right. “What do I do with it?” You ask curiously.

Bill wheezes out a laugh. “Stab him with it, obviously.” You bite back a painful hiss when he begins stitching your wounds back together, which he apologizes for under his breath. “But don’t just swing it around all willy-nilly, you gotta wait until he isn’t expecting it—like when he’s got you slung over his shoulder like a sack of meat thinking you’re gonna be an easy kill. Then, you take your opportunity to prove him wrong and stab it right into his shoulder. Always shocks ‘em so bad they drop you then and there. Gives 'em a taste of their own medicine, which they don’t like too much, y’know?”

You stare thoughtfully at the shard. If it’s such an effective tactic, then why in the world hasn’t anybody told you about it? You can’t help but feel a bit betrayed.

“Doesn’t always work, though,” he says, pulling the question straight from your mind. “After a while, they start to expect it, which means you gotta change it up. Start playing stealthier, like Zarina or Jake—the guy’s got an iron will. Real impressive. I have no idea he’s even hurt until I realize he’s left a streak of blood halfway across the map.”

This is all too much information to ingest when you feel about five seconds away from dying via blood loss. “Got it,” you mumble breathlessly.

Bill blanks at you. “You didn’t retain a thing I just said.”

"I got all the important parts."

“Sure you did,” he huffs. He starts opening up some gauze, when all of a sudden, his head shoots up and his whole body goes rigid. Bill’s wide eyes find your alarmed ones, and all that he’s able to get out before all hell breaks loose is, “Run.”

There’s an almost imperceptible rustle of clothing that doesn’t reach your ears. You’re frozen in place, barely given enough time to register the command as you watch him jump to his feet. “What?”

“God damnit, kid, I said run—!”

“There you are,” a third voice purrs, and you barely get a glimpse of the knife that glints maliciously at you just before it’s buried in Bill’s back. The hoarse scream that’s torn from the older man’s throat echoes hauntingly in your ears as it digs in deeper, forcing him against the ground. Dark red splatters across the snow when Ghostface violently wrenches it out of him.

Your shoulder cries out as you feebly scramble backwards, every little cut and bruise on your body flaring in pain as you awkwardly clamber back to your feet. Ghostface steps clean over Bill, who groans in pain on the ground, and the shard in your sweaty hand suddenly feels a thousand times heavier.

You can hear the simper in his voice when he says, “You didn’t forget about little old me, did you?” He wraps his gloved fingers around the bloody knife, wiping it clean with one swipe. “Oh, darling, I’m hurt.”

You’re running before you even know it. The cold air stings your lungs with each intake, your muscles burning with every step. You don't have a clue where you’re headed until you’re tearing through the killer shack, narrowly avoiding crashing into the generator that sits in the middle. You don’t need to look to know that he’s right behind you if the sounds of crunching snow and throaty laughter are anything to go by, and when your bare fingers find the splintered slab of wood sitting against the doorway, you waste no time throwing it down behind you.

You stop and turn to shout obscenities towards your assailant, but he’s nowhere to be found. You blink, and a knife is suddenly jammed between your ribs. “You should really look behind you sometimes,” Ghostface says coolly, pressing the blade deeper in emphasis and relishing in the way you whimper in pain. “Maybe you would have actually seen me go around the side of shack. Kind of embarrassing to fall for that, you know.”

“Fuck you.”

He tsks, ripping the knife out of your side and effectively taking away the only thing keeping you upright, letting you fall to the ground in a bloody heap. You look up at him through hazy eyes, looking like a dark mist against the pale gray sky, the screaming white mask being the only thing to come into focus. “You know, I don’t usually do this—”

You watch as one of his hands dives underneath his cloak, searching around for something for a solid five seconds until he pulls out a small handheld camera with a muted A-ha!

“—but I like you, so I’m willing to make an exception.”

“An exception?" You spit out a wad of blood and saliva. "What the hell are you—”

The air is unceremoniously knocked out of your lungs when he plops himself down on your stomach, knees caging you in and pinning your hands against the snow. You flinch when the glass shard hidden in your sleeve pinches the skin of your wrist.

Gloved fingers firmly grip your jaw and force you to turn toward the camera lens as he leans in close, the scent of cheap cologne assaulting your senses and filling up your head. You swear the smell alone would kill you before he ever could.

“Smile,” he breathes into your ear, and you’re blinded by the flash that goes off when he clicks the camera. You’re busy recoiling in the aftermath while he gazes quietly at the picture in the viewfinder, blinking away the green and purple splotches in your vision. Still gripping your jaw, he forcefully turns your head to show it to you.

The picture looks about exactly how you’d expect it to turn out. You're staring wide-eyed at the camera in shock and fear, blood seeping from your various wounds and soaking into your clothes. His mask takes up the entire left side of the photo, but if you look hard enough, you think you can spot a pair of dark eyes staring into the lens—they’re squinted at the edges, like he’s actually smiling underneath it as he casually holds up a peace sign.

"Say, you weren't a model or anything before this, were you? 'Cause damn." He lets out a low whistle. "This one’s definitely going in my collection.”

He takes one last, long look at the picture before tucking the camera back into his coat and stands, allowing the blood to resume flowing through the veins in both of your arms again as they’re overcome by that numb, prickly feeling. Too hurt and exhausted to resist, you limply allow him to maneuver you into a sitting position, his arms wrapping tightly around your waist as he effortlessly hauls you up onto his shoulder.

"Alright, playtime's over," he huffs. "Duty calls, blah blah blah, you know how it is. Ain't no rest for the wicked."

Something smooth and sharp slides into your palm from the depths of your sleeve. Catching a glimpse of your reflection in it’s surface, you let out a gasp that Ghostface assumes must be from the sight of the giant meat hook that appears at the corner of the shack, because he gently pats the backs of your thighs in what you assume is meant to be reassurance.

"Now, don't you worry, sweet-pea," he says, “the next time you and I get matched up, I promise I’ll play nice. Maybe if you’re good, I’ll even let you escape, yeah?” He laughs, and you can feel it vibrating through your ribcage. “After I kill your friends, of course.”

You grip the glass so tight in your palm, it digs into your fingers, drawing blood. You see your own eyes staring back at you through a thin stream of red, wild and angry and terrified, Bill’s words bouncing around in your skull as you raise the shard and slam it hard into the back of his shoulder, digging in viciously and twisting.

He inhales sharply, hands immediately losing their grip on you as he drops down to one knee, letting you slide off of his shoulder and land face-first in the snow. You push yourself up to your hands and knees, then to your feet, and glance nervously over your shoulder.

You meet those same eyes that had peered gleefully at you in the picture, no longer hiding behind that wretched mask as it lays by your feet in the snow, but they’re not squinting like they were before. They’re wide, pupils shrunken into tiny pinpricks as they bore into you, nostrils flaring and lips curling into a grimace as he reaches behind him and rips out the glass. Blood sprays from the wound in an arc, a fury so deep and animalistic roiling in his guttural tone as he ...

... Laughs.

Something dangerous glitters within his irises as he turns to face you. What catches you most off-guard, though, is that he's actually handsome underneath the mask—he's younger than you thought, with long lashes and full lips. A tiny scar marks the corner of his mouth, and it stretches slightly as he bares his teeth in a wide, manic grin.

"You're just full of surprises, aren't you?" He drops the glass shard and stands, and you're screaming at your body to move, but you can't. You just watch as he slowly reaches out to collect his mask and knife, refusing to take his eyes off of you even once. It's like it's just his gaze keeping you pinned. "The gift that keeps on giving?"

A loud buzzer sounds from somewhere in the distance. You flick your gaze away for just a moment to check which direction it came from, and by the time you look back, he's already secured the mask back in place.

"I'll tell you what," he begins, tilting his head at you curiously. "Let's make a bet. If you can last until your friends get alll the gens done, I'll let you go."

You swallow thickly. "And if I can't?"

Silence. You don't need to see his face to know that he's smiling. "You wanna find out?"

Strangely enough, a part of you almost does.

He lunges then, but you’re already on the move, adrenaline as well as an odd cocktail blend of terror and exhilaration pushing your body past its limits in a last-ditch effort at escaping this trial with your life.

You probably won’t, but you’re definitely gonna give him a run for his money—you figure that you've earned at least that much.

[hyacinthsdiamonds]

I know we joke Lawrence Stroll is basically a bond villain, but my god, I have to take off my hat to him. Man joined this sport purely to support his son's career and dreams, and has seemingly just managed (not officially confirmed as yet) to nab the key to achieving those dreams in certified freaking car genius Adrian Newey, the man behind car designs that won 6 constructors' championships, 7 drivers championships, and earned 120 podiums to date for red bull alone. He's won 12 constructors' championships in total with 3 different Formula One teams (red bull, williams & mclaren). And now, he's apparently chasing Max too. I have to admire this man's sheer commitment, I now need him to win (sign newey & Max when the time comes) so badly now to see him rub the entire paddocks nose in it lmao.

[wardingshout]

Family for day 6 of SpeSilverWeek! Edition uuh found biological and crime I guess...

[litafan4ever]

Raphael (Teenage Mutant Ninja Turtles): In Animation (1987 - Present)

[egophiliac]

HOW WE FEELING ABOUT THE UPCOMING NEWSS 👹👹👹

man, it's a good thing they stopped doing the episode 7 SSRs, because I'm really low on keys and gems right now and --

OH NO

[cloysterbell]

'Cause that's what us, we mere mortals, do. We die. And sometimes it's not pretty. It's ugly and it's messy and it's painful.

[tritoch]

the realization that rielle is like probably 17-19 (per her comment about being due for the elezen growth spurt) puts an entirely new spin on that line of quests lmao particularly every time she's like sidurgu dude i am not your surrogate daughter. imagine constantly being treated like an orphaned waif child by a 26 year old man with depression and it's literally just because you're a short teenager and he met your mom one time. remarkable stuff.

[aerowolf]

blu hair, blu tie, hiding in your wifi

say kon'nichiwa to spiku everyone

[hurtcomforted]

imagine that, in the first avenger, before pre-serum steve's training montage, we get a flashback with sarah rogers to explain his perseverance. imagine that when he goes to save bucky and after losing him, we get flashbacks to them as kids.

imagine that, in civil war, instead of (or along with if that's what it takes) more of tony's daddy issues we also get to see little steve with sarah to also understand him better.

imagine we get more of steve's backstory.