#i'm so sorry gifmakers

[teencopandthesourwolf]

it is the year 2024, 7 whole years since teen wolf ended, and yet i still could never EVER reblog a gifset that has k*te fucking argent in it *spits on the ground*

[flimsy-spine]

prettiest boys in all the land <3

[overtake]

All Access | Daniel Ricciardo

[diaz911]

This is such an underrated moment for me. It's one of the first Buddie scenes after the will reveal and on first glance it's just like Buck being Buck. He worries about people, he's a fixer, that's Buck, but this is more intense than general concern.

The hard emphasis Buck puts on need says so much here. Because Buck thinks Eddie had a heart attack at this point, he thinks something is seriously, medically wrong with his friend, and if he is dying that means Buck might be responsible for Christopher soon and he's taking that so seriously. He is all in immediately about being Christopher's guardian and demands that Eddie keep him informed on what's happening with their family and it just, it means a lot to me that Buck pushes to be a part of their lives and that Eddie's words actually had an impact. Buck believes he's not expendable anymore, that Eddie and Chris need him, and he's accepted that responsibility with everything he has, and I just think that's love your honor.

[cassowariess]

[mystery-star]

Russell Crowe as Ben Wade in 3:10 to Yuma (2007)

[homielander]

You called me "Squirt," silly. Remember why? [No.] Oh, Marty— okay. But you do remember, though, that I used to be left in there for hours, days on end. Completely alone, right? Only — I was never really alone, was I? Big Brother was always watching. You were always watching, weren't you, Marty? Huh? But... growing boys have certain... needs, shall we say.

THE BOYS 4.04 | Wisdom of the Ages

[cephalog0d]

Doing my eight billionth background rewatch of Leverage and noticing the difference in Eliot's reaction to being asked for an autograph as baseball player Roy Chapel vs. country singer Kenneth Crane.

Like, someone asking for his autograph because of an athletic ability? A little surprising, but mostly just fun! Eliot has made a whole career out of his physical abilities, getting recognition for that isn't especially weird.

Someone asking for his autograph because of his singing? Utter bafflement. Why the hell would you want that. I mean, sure, I guess, but that's weird.

[robo-dino-puppy]

horizontober 2023 | 3: recognize

greetings, dr. sobeck. you are clear to proceed.

[hearts-hunger]

help what do i do if he's the cutest ever

[backslashdelta]

How To Gif: Glass Shatter Effect

By popular demand (ie, 7 people who voted in this poll), here is a tutorial on how to do the glass shatter effect I used to create the first gif in this set.

I use Photoshop CC 2015 (yes I know it's old) for my gifmaking, but you should be able to apply everything to newer versions of Photoshop. For this tutorial I'll be assuming you know the gifmaking basics, but if not, I would recommend this tutorial, which is the process I use to make gifs. Note that this particular process involves saving all of the frames, importing those frames into Photoshop, and then using an action to convert to a smart object.

Keep reading below the cut to learn how to do this effect!

Before I could start making this gif, I needed three things; the two scenes that I wanted to use, and a video of the glass shattering effect. I already knew the scenes I wanted, so then I took to YouTube to find a video which I can't for the life of me find again (edit: thanks to add1ctedt0you in the replies for linking this video!), but it looked like this:

Something like this is what you want. Ideally the green part would be entirely white, but as long as there are two clearly different colours you can usually work with it.

This looks a lot slower than the gif that I made, but that's not because of the frame rate - which is exactly the same above as in the final gif - it's just because there are extra frames in this slower one that I cut out. In the video I used, the glass shattering happened very slowly. I didn't want that, so I ended up skipping several frames when I loaded the frames into Photoshop before using my gifmaking action. I just did this by manually selecting one frame, skipping the next several before selecting another frame, and repeating this until I had selected 60 frames.

After using my gif action, I had a smart object of the glass shatter effect that looked like this:

That's a much better speed! It still wasn't quite where I needed it to be though. I needed this in black and white, so I slapped a hue/saturation adjustment on the smart object and set the saturation all the way down to -100.

Okay great, I could start putting the gif together now.

First, I made a copy of the glass shatter smart object, because I'll need that later. Then, I pulled in frames from the scene that I wanted to appear in the hole after the glass shatters, and I used those to create a new smart object with my gif action (we'll call it Scene-bg). I pulled Scene-bg into the same window as the glass shatter objects. Then I created a new smart object by combining one of the glass shatter objects with Scene-bg, which I did by selecting both layers right clicking, and selecting "Convert to Smart Object".

I renamed this smart object to Shatter-fg. I opened it by clicking on the little icon next to the layer name in the layers window here:

The most important thing here is that the shatter effect object should be the top layer, and I set the mode to "lighten". This will make sure that the lightest colour of either this layer and the layer behind it is displayed; that means that anywhere that's white in our shatter animation will still show up, but anywhere that's black we'll see what's in the layer(s) behind it.

Then I threw some adjustment layers between them to get the colouring I wanted. I used a curves layer, a hue/saturation layer, and I also added text with an outer glow layer effect. Here's what the layer order looked like and the settings I used for each layer:

After this process, Shatter-fg looked like this:

Okay nice, this is starting to look like something! I saved this and went back to the main file with the other glass shatter object.

I needed to invert that other glass shatter object. There's a weird quirk with the version of Photoshop that I use where it doesn't like it when I apply specifically an invert adjustment to a smart object (it appears correctly when editing, but not on export) so I did this by creating a new smart object which included a separate invert layer, but if you have a newer version of Photoshop you can probably just apply the invert adjustment directly. Just note that you'll need to do one of these options; it won't work if you add a separate adjustment layer in the main file, it needs to be applied specifically to the smart object (which we'll now be calling Shatter-bg). It looked like this after I inverted it:

Once that's done, I made sure Shatter-fg was the layer directly above Shatter-bg, and set the mode of Shatter-fg to "darken" and Shatter-bg to "lighten". Since Shatter-fg is set to darken, it will be visible only when it is darker than the layer behind it. By setting Shatter-bg to lighten, I've guaranteed that the layer behind it will always be lighter (ie, white) in the places we want Shatter-fg to be visible, and will be black otherwise. Once I update those settings, this is what the gif looked like:

This is all there is to the glass shatter effect itself. Next I pulled in frames from the second scene to fill in the black areas. This layer needed to go below both glass shatter layers, so that it only shows through where the black. Then I added adjustment layers and some text. I used curves, hue/saturation, and vibrance adjustment layers, and I also added the "archer" text below the glass shatter layers so that it would be hidden to reveal the "prey" text. The other text I added above all of the layers, since I wanted this to be visible all the time. Here is the layer order and all of the settings I used for each of the layers:

I also grouped Shatter-bg and Shatter-fg and shifted them on the timeline so there would be some time to see the background gif before the shatter effect starts.

And that's all! Then it''s just a matter of exporting the finished product:

This is the first gifmaking tutorial I've ever made, so I hope I was able to be reasonably coherent and helpful! I'd love to hear if you make anything by following these steps, or even if you just feel like you've learned something reading through this. And if you have any outstanding questions, feel free to reply or send me an ask and I'd be happy to answer!

[wistfulwatcher]

YELLOWJACKETS | 2.06 “Qui”

[joanna-lannister]

why do people feel the need to tell a gifmaker they dislike the movie or the show they giffed under their gifset? WHY? why can't you just keep your mouth shut and not reblog something you hate?

[toppdogg-thebeat]

'GOTCHA' BEHIND

minje

[sheathnknife]

the vampire diaries 8.16 // louise gluck, crossroads

“and damon, like the voiceover tell us, he was worried he would never see stefan again. it was just elena assuring him that there would be peace. that we’ve dealt with this other side of darkness for several seasons, but there’s also light out there and there’s peace, and damon will find it. if you search for it, you will find it. and we wanted to get that last moment to see that [...] damon found it too, and it looked just like his brother.” — kevin williamson

[look-a-ghost]