#i'm screaming . anyway. totally normal about this

[queenofbaws]

i will not stand here and say the quarry's writing is perfect by any means, but man. that moment. in the beginning. when chris absolutely loses his shit and you see every last one of the hacketteers freeze..............shocked, wide-eyed, so taken aback they don't move even to look at each other.............

and then, realizing what just happened, chris scrambles frantically to grab hold of the situation again. he tries to grin at ryan ("tries" being the keyword), he tosses him the keys like nothing's wrong. he tries to go back to being mr. h - he does, he tries so hard - and finally when ryan talks to him, there's what waver in his voice. that absolute lack of understanding in his eyes. ryan's not just surprised, he's not just shocked......for a second there, he is scared, and chris sees that, realizes it, and peels out of there before anyone can say anything else. just.....

JUST............

i think that moment is 100% the moment i realized UH OH I THINK I LOVE CHRIS HACKETT because that's when we see the counselors have been around this guy for two whole months (some of them even longer, possibly), and not once. not once!!!!!!!!!!! had they realized who he really was.

ugh. UGH. i LOVE IT.

[cattoru]

OH MY GODDDD I'M FINALLY AT THE 2 HOUR KAITO KID SPECIAL IS HE NOT THE ABSOLUTE SWEETEST FUCKING THINGGGG STOPPPPPPSDMKCSKCND

[running-in-the-dark]

and I'm having thoughts again

so I've been watching that John Larroquette interview that I reblogged on repeat for half an hour now and I'm just. man I am so very....... okay I'm trying not to say that I'm stupid anymore but god what else is there to say. it's making me feel like my brain just turns off and all there is is static and [insert very high frequency screaming sound].

like I would love to be able to have actual thoughts about this shit but I am not. I just love love love people who think about shit and face their issues and work on getting better. and talk about it. like it's just a thing that happened. because it is. it's not 'oh you did bad shit in your past so you're fucked forever now'. it's 'bad shit happened, I did bad things, I confronted it, I made different choices' and that's it. I just. man I'm feeling really emotional and am probably gonna have a good long cry about this now.

[thiemrossi]

alexander rossi 2023: mclaren era

[hwanghyunjinenthusiast]

all my dreamin' | hjs

all my dreamin' is only put to shame / and darlin', all my dreamin' has only been given a name / but it came easy, darlin' / as natural as another leg around you in the bed frame.

pairing: joshua hong x reader summary: your LA boyfriend wasn't built for midwest winters. ⇢ insp. by hozier's "to someone from a warm climate (uiscefhuarithe)" type: one-shot | fluff 'n smut wc: only 2.5k! au: established relationship rating: 18+ (minors do not have my consent to interact) cw: afab! and american!reader; cuddling (👀) for warmth; gropin’ and grindin’; k*ss*ng; slow, unprotected morning sex; p in v penetration. a/n: i love two (2) men — andrew hozier byrne and hong jisoo. idk what else you want me to say, lol. barely proofread (sorry!) 🔞 MINORS WHO INTERACT WITH ME AND/OR MY CONTENT WILL BE BLOCKED, WHETHER OR NOT THE CONTENT IS NSFW. I’M AN ADULT WRITING EXCLUSIVELY FOR OTHER ADULTS.

Slatted shades don’t stand much of a chance against the blinding white outside your window. It seeps through the cracks, sunshine refracting harshly off of knee-deep snow and stinging eyes that haven’t yet consented to opening fully. 

Even though that laser-focused beam of light hits you between your eyebrows, it’s not the reason you’re awake in the first place. The real reason is next to you with his head ducked under the covers, rubbing his flannel-coated legs together like he’s trying to start a fire.

“Cricket?” You mumble. 

Still heavy with sleep you didn’t get enough of, your head lolls to the side. If your boyfriend was still topside, you’d be nose to nose; but he’s not, and he doesn’t seem to hear you from inside the cocoon he’s made for himself. 

A little louder, your gravelly voice makes a second attempt. “Are you alive under there?”

“No,” comes the world’s most pitiful whimper from somewhere near your rib cage.

You don’t know what you expected.

With a muffled grunt of effort, you pull the edge of the covers away from your chin and wiggle your way down. In the half-light, you can’t make out Joshua’s face in its entirety. His sweatshirt strings are pulled tight and knotted, hiding most of his features from the air his breath has already started to make hot. All that’s left is the tip of his nose, one eye, and a single, loose wave between the two.

There’s also a hint of a frown in there somewhere when he peeps, “I’m cold.”

You shift even further until he’s within swaddling distance. Wrapping one leg over his topmost thigh, you pull him closer and allow him to nestle his face into the spot below your chin. From where he’s hiding, he can’t see you smirking. It’s for the best, really.

“Hi, Cold.”

“Don’t.”

You don’t listen. Instead, you snicker, more to yourself than him, “I’m Dad.”

Joshua lets out a long groan in reply, but that’s no surprise; you’re huddled so closely together that you felt it building in his chest. 

When it grows quiet again, and you’re no longer laughing at your own joke, the two of you each deflate against each other. Yesterday’s journey from LAX was exhausting in and of itself, and the several-hour leap in time hasn’t made things any easier since you landed. Neither has the weather surrounding your family’s cabin, although you’re faring much better than Joshua is.

His groggy voice comes out of nowhere, startling you. “I don’t know why people live here on purpose.”

From the sound of it, he’s already halfway back to sleep. His arm slips over your waist and pulls you closer, and you get the sneaking suspicion that he’d slip into the front of your sweatshirt if he thought for sure that he could fit. Frankly, you’re shocked he hasn’t tried. His clinginess increases exponentially when he’s exhausted.

“The midwest isn’t a choice; it’s a consequence,” you sigh. “I think being born here was a penance for crimes I committed in a past life.”

Without opening his eyes, Joshua mumbles, “Bleak.”

“Bleak indeed, cricket.”

The third time really must be the charm. Joshua snorts, much too tired to laugh any harder than that, and asks, “Does that mean what I think it means?”

Biting back a smile, you tilt your head backwards enough to kiss his forehead — what little you can see of it, anyway.

“That your self-warming violin legs kept me up all night?” Your amusement only grows when you peek down at him and find him glaring up at you. “Yes. Yes, it does.”

Lower lip poking out, he scrunches his eyebrows. As offended as he pretends to be, he can’t hide that ever-present twinkle in his eyes. “You could have saved me, you know,” he sniffs.

You mimic his tone with a smirk. “I turned the thermostat up as high as it goes, you know.”

The most you get out of him is a grunt acknowledging that he heard you. Normally, you’d accept this lack of retort as a demurrer, but then you feel his cold fingertips slink below the waistband of your sleep shorts, chilling the bare skin at your hip bone; and it finally hits you.

The thermostat wasn’t the remedy Joshua had been praying for.

As you untie the strings of his sweatshirt hood, you tell yourself that it’s retaliation that motivates your movements — paying him back for his freezing hands by exposing his face to equally cold air. That’s bullshit, though, and you know it. The truth is that you can’t card your fingers through hair that’s covered in thick, grey fabric.

You can’t steal kisses from hidden lips, either.

When Joshua’s mouth is finally on yours, you giggle without meaning to because he still tastes like last night’s spearmint toothpaste. You’d love to tease him for it, but your mind goes blank before you can try. He licks into your mouth, and your snark turns into a breathy little moan instead; he swallows it eagerly, smiling against your lips.

Pinch me. I’m dreaming.

The sudden snap of your elastic waistband against the small of your back makes you jolt. You pull back, lips swollen and kiss-bitten, and balk. He doesn’t give you the opportunity to scold him, however.

“You’re insane for wearing shorts when it’s this cold,” Joshua insists. When you don’t bother to justify your decision — you’re not as much of a freeze baby as he is — he nips at your bottom lip. “I’m grateful, though. They’re easier to work around.”

You’re grateful that his hands have gotten warmer, the longer they cling to you, but you don’t say as much out loud — your body responds for you. His fingers knead into the flesh of your ass, and you roll your hips forward, chasing friction. You find it easily; it’s growing thicker by the second.

“Shit, sweetheart.” He’s still so tired that his words come out slurred — adorable — yet rough around the edges, which drives you the slightest bit wild. “Please do that again.”

“You just want me to do all the work.” You nudge the tip of his nose with yours. The sharp contrast in temperature isn’t lost on you; in fact, you adore it. His sensitivity to cold is one of a million endearing things about him. “Isn’t that right, cricket?” 

The half-expectant, half-sheepish look Joshua sends you confirms that yes, he does. But he asked nicely, and this isn’t on the shortlist of things you wouldn’t do for him, so you grant his wish without complaint.

It’s more than a little bit pathetic that such a lazy motion — a fully-clothed one, at that — makes you both moan in tandem. It’s haphazard, the way your fumbling fingers reach for the knot of his waistband. Your motor skills are still asleep, it seems, making an easy task infinitely more difficult. It only gets worse, the more frustrated you get.

You snag a fingernail on the stubborn flannel and hiss, “Jesus.”

“It’s pronounced Jisoo,” he supplies unhelpfully. 

To avoid the consequences of that quip, Joshua ducks his head down to leave a smattering of lazy kisses along the length of your neck. Whatever you might’ve clapped back with is replaced with a relieved sigh when the drawstrings’ vice grip on one another finally gives. 

Tugging unsuccessfully at the waistband in your hands, you pout. “Help.”

With the way he whines, you’d think you asked him to move a mountain. 

Melodramatically, Joshua’s head drops sideways. It lands with a muffled thump against the scrunched-up comforter that still surrounds you. He doesn’t move another muscle until you open your mouth to nag him; still frowning, still uncoordinated, his hands take the place of yours. His hips lift just enough for him to shimmy his pajama pants down — just enough to provide access.

You roll your eyes at his refusal to undress any further, but before he can remind you of how cold he is, you catch him by the mouth. Successfully placated, Joshua accepts your lips on his with an appreciative hum. That sound transforms into something bordering a groan when your hand claims his length and starts stroking him slowly.

Just like that, Joshua melts under your touch, like putty molding to your frame. His leaking cock is the exception; the only part of him that seems awake enough to beg for you. He’s throbbing in your hand and — once again — you can’t help but laugh. 

Joshua’s incredulous eyes widen, silently demanding an explanation. 

“Some of you is warm,” you offer with a cheeky grin. To ease that wrinkle between his brows, you envelope the crown of his cock with your palm and roll your wrist. The gentle squeeze prompts him to grind forward into your fist, making your stomach flip. “Must be thawing out a little bit.”

“Not fair,” he says, even though he’s moaning with screwed-shut eyes. “Can’t tease me until I’m adequately caffeinated. The Keurig is a million miles away.”

It’s one room over. 

The cabin you’ve borrowed from your parents is a mere six-hundred square feet.

You digress.

The prospect of coffee makes it even harder to fight off the urge to yawn, but you manage to do so. You manage to shimmy even closer to him, too, until the only barrier left is a thin layer of damp cotton. It’s his hand that drops down now to push it aside, making you shiver; and it’s him looking at you through half-lidded eyes that stokes the fire simmering in your belly.

“C’mere, sweetheart,” Joshua whispers. 

If his words weren’t invitation enough, the come hither motion of his fingers is. The brush of his fingertips against your clit is so enticing that you decide right then and there to follow wherever he leads. 

You’re the one melting when the tip of his cock replaces his fingers, flicking over that same spot, then gliding through your slicked folds. Each pass pulls another needy sigh right out of you. He takes every little sound he can tease out of you, as if he’s collecting them. 

When the target switches to your entrance, however, you go silent. Your fingers grip the sleeve of his sweatshirt, your forehead drops to lean against his, and your gasp dies on your tongue. It comes out of Joshua’s mouth instead, spearmint breath cooling as it fans across your face.

He might never say so out loud, but this is his favorite way to fuck you — holding you close against him, holding eye contact, holding his eagerness back to slide into you slowly. When he watches your breath catch, his pupils dilate; and he licks his lips, as if he tastes the moans you can’t quite vocalize.

For what it’s worth, you love him like this, too. Him and the drag of his cock; the way it makes pleasure course through you like molasses. The way he capitalizes on the angle of your leg draped over his hip, tilting up to graze your g-spot with a dizzying precision.

As hard as you try, you can’t think of anything better than this. There’s nothing as perfect as his hand’s light hold on your ass cheek, guiding you up and down his length; so fucking deep, but in no rush at all.

Mornings were made to be spent tangled up with him.

“Do you hear that?” Joshua murmurs against your lips. You thread your fingers through his hair and nod, whimpering as you cling to him even tighter. 

How could you not? 

Your arousal floods with every languid thrust, and you know without looking that he’s completely coated in you. And if his satisfied smirk tells you anything, it’s that he can feel you dripping from his shaft down to his balls. You have no reason to doubt it; your inner thighs are a mess.

Joshua takes his hand off your ass just to hitch your leg even higher up on his side. Immediately, you see stars. You can’t even articulate how fucking incredible it feels, having him this deep, so you kiss him with more desperation than you ever have; and you hope he can guess how close you are to unraveling.

It’s impossible to say whether he can read your mind or just your body, but Joshua picks up the pace ever so slightly. As he does, there’s a subtle swirl to his hips when he thrusts into you that has every one of your synapses lighting up like a switchboard. 

“Fuck,” is your eloquent, shuddered response. 

It’s the best you can offer when you're falling apart like this, clenching tightly around him to push you both closer to the edge. No better off, Joshua seems like he’s barely surviving the way your cunt grips him. His voice sounds as shaky as you feel: 

“I l-love it when you do that.” 

To prove it, he flicks his tongue along your bottom lip and begs you to open up for him. You comply automatically, earning a pleased hum from him that tingles down your spine.

You’d kiss him like this all day if you could, but the wildfire burning through the pit of your abdomen is becoming impossible to fight. Ironic, you think, given how completely you’ve soaked through your sleep shorts and how much you’re shivering.

Involuntarily, your head tilts backwards as the pleasure blooms. Joshua traps your bottom lip between his teeth — not hard enough to hurt, but firmly enough to keep you from disappearing. You know him; you know how much he loves to watch your pupils blow when you cum all over him, and that dead-set determination is crystal clear in the way he fights to keep his heavy-lidded eyes open.

He loses that battle mere seconds after your choked gasp, when your walls flutter around him and you start trembling. He’s twitching inside of you, release spilling, and now he’s the one who starts to laugh.

“What?” You’re still floating somewhere in the stratosphere, but you manage to snort, landing a playful swat on his bare hip. He doesn’t react at all, but you massage your palm into his flesh to soothe him anyway. “What’s so funny?”

In a sudden burst of energy, Joshua’s hands fly up to grab the comforter resting over your heads. With a grunt, he flings it off of you both, thrusting your unsuspecting body into cold air. He doesn’t even notice your startled yelp.

“So hot in there,” he pants. For emphasis, he runs the back of his hand over his forehead. He wasn’t lying; there’s a faint sheen of sweat on his knuckles when he pulls them away again. “Jesus. It’s like a fucking sauna.”

You reach out to unstick a strand of hair from his slicked skin, then you let your arm flop limply back against the pillows. Grinning, you tease, “I thought it was pronounced Jisoo.”

[eric-the-disposable-demon]

Uh-

just found out my cousin (who lives in England) is in the art department of a bunch of shows??? And she worked oN DOCTOR WHO? AND HAD LUNCH WITH DAVID TENNANT???? and she just told me so casually because she's interested in the art, not the show? I mean, excuse me? She worked on SHERLOCK???? FOR A WHOLE SEASON?? She worked on Peaky Blinders and Lord of the Rings and Game of Thrones??? And probably other things because she has a shitty memory and according to her everything is a blur?? AND AT ONE POINT SHE WAS LIKE: "oh and have you ever heard of Neil Gaiman?" And I was trying not to scream, because yes, of course I've heard of Neil, he's only my favorite author, I've only read like all of his books multiple times, and if you say you worked on Good Omens or the Sandman I'm going to lose it completely. So I said "yeah I've read a couple of his books," -you know, like a liar- "what about him?" and she goes "well I worked on one of his shows and he's brilliant i just can't remember which one" and i go "w-what do you mean he's brilliant? You're.. you're talking about his writing... his writing is brilliant, right?" And she cheerfully says "oh no I don't read books, I ment he was really nice and brilliant when I talked to him" and i go "WHAT DID YOU TALK ABOUT WHAT DID YOU TALK ABOUT" and she thinks for a moment and goes "oh! BRICKS" WHAT IN THE WORLD YES NO THAT MAKES SENSE YOU GET TO WORK AND TALK WITH NEIL FUCKING GAIMAN AND YOU TALK ABOUT BRICKS? NO THAT'S TOTALLY NORMAL I'M NOT MAD ".... it was what I was designing at the time, I needed to know what vibe the bricks should have. Anyway want to see the spinning fireplace I made for doctor who" WHAT THE FUCK.

@neil-gaiman do you remember any brick conversations by any chance

[shimmeringdungeon]

*screaming into a pillow* Anyway I'm totally Normal about Them

[kawareo]

Thinking about baby Enver, and my personal headcanon is that he was a difficult baby. Loud. Screaming, all day and night (selfish creature, spiteful little demon). Difficult birth that might've left Sally unable to have more kids (he always did pull a ladder up behind him, rotten boy). Biting when she tried to feed him, which lead to her not wanting do to it, which lead to him being even rougher when she gave up and fed him to silence his constant screaming because the neighbours started complaining.

Just... Normal, totally possible difficulties that a baby might have, especially in a harsh environment, but I know from experience that sometimes parents just straight up blame the kid for it, as if it's doing it intentionally. I'm a big fan of Gortash just being handed the worst hand in life so I could totally see it starting before he was even born, a difficult pregnancy and a difficult birth and a difficult baby - killing any tiny chance that he might've had with his parents to love him, and them still holding the grudge about it

Also thinking about the start of the book Perfume in which a woman tries to get rid of her newborn but he screams so loud people show up and stop her. Idk. Made me think of him.

Under cut cause its for My durge specifically but anyway

And on the other hand! Durge, who was 'born' without a pregnancy or parents, just a baby covered in blood and silent. Normal babies cry. Durge stared. Really easygoing baby, too, once placed with mortal parents.

My point is Enver being born screaming and flailing and with noone who'd love him and then dying the same way (not counting the Brain killing him because that ending is fucking bullshit) and Durge coming to this world bloodied and silent and completely alone and leaving it the same way (if he fullfills daddy's purpose).

[hairmetal666]

Eddie Munson gets famous at fifteen, after a YouTube video goes viral.

He's the kind of famous where he can't leave his house without being mobbed; where his name is plastered across grocery store tabloids and every fifth Pop Crave post; who has to make special arrangements with stores, whose body guards have body guards, who's forgotten what it's like to be normal. He's the kind of famous with well-chronicled stints in and out of rehab

And he thinks, at thirty, why not do a reality show? Why not let everyone in the world into his life because they're there anyway?

There's this guy on the crew, beautiful as a fucking sunrise. He's all golden-tanned and chestnut-haired, with these big hazel eyes that makes Eddie stomach swoop deliciously whenever they happen to meet his.

His name is Steve.

And Eddie, well. He's learned his lesson about jumping into relationships. So, Steve is nice to look at, and that's all there is to it.

---

They're at the studio, and Eddie, he only smokes when he's recording but he's "not allowed" to do that inside. So, he steps out into the alley behind the building, eyes falling shut as he hands search his pockets for his pack of Camels and his Zippo.

"I didn't realize you smoked," a deep voice says from the darkness.

Eddie startles, eyes flying open. Steve is leaning against the brick of the building, cigarette perched between his pursed lips.

"Sorry, didn't mean to scare you. I'm Steve. With the crew."

"Eddie," he answers by instinct.

"I know," Steve chuckles. His hazel eyes are golden in the yellow streetlight.

"Oh, right." He lights his cigarette and inhales deep.

"I really like what you're doing in there." Steve nods his head towards the studio.

"You a fan?"

"Never listened to you much before. Not really a metal kinda guy, but I like it."

People aren't usually honest with Eddie. It's refreshing.

"Glad you're getting into it! How's your--uh, job going?"

Steve laughs. "First assistant camera, that's my job." Eddie's expression must read a total blank, but Steve only smiles. "I make sure everything's in focus while we film"

"Is that--hard?"

"Sometimes," Steve agrees. "How do you like being the star of a reality show?"

Eddie huffs out a breath. "It's more fun than I expected. Like, sure it's weird to have you guys follow me around, but at least I invited you, you know?"

Steve's dark eyes are fathomless in his perfect face. "You'll let me know? If anything happens that you don't like?"

Eddie nods, taken aback by the serious line of Steve's pretty mouth. Before he can respond more, the back door creaks open, Gareth's backlit shape leaning into the alley. "Eddie? They're ready for you."

"Duty calls." He smiles at Steve as he stomps out his cigarette. "See you around."

---

Eddie goes to a house party in the hills. It's just a handful of people, all of them he's known for years, no cameras in sight.

Someone asks how things are going with the band. Eddie doesn't think anything of it. Why should he, among friends? Why should he when they already know the resentment that Gareth, Jeff, and Freak have for him? Eddie got signed and not his band. The guys--they never really forgave him, think he could have tried harder.

So, he says--he says--"I wish they didn't resent me so goddamn much still. To this day! They're millionaires and they're pissed at me? Fuck that. I got them here. I got us all here."

They're filming the next day at Eddie's house. He's working on a new song, engrossed in his acoustic and his notebook.

He's so in the zone, it takes him a second to register when Gareth bursts into the house.

"Fuck you, Munson," Gareth screams. "What the fuck is this shit?" Eddie's own voice pours from Gareth's phone, and Eddie's stunned speechless for dozens of seconds as he tries to comprehend what's happening.

"I didn't--" he tires. He raises his hands placatingly, but his minds a whirlwind, thoughts a tangle, heart a mess of betrayal and hurt and fear.

"We should be fucking grateful?" Gareth yells. "You spoiled piece of shit, fuck you!" He lunges towards Eddie, but Steve darts from behind the camera, moving to block Gareth's path.

"Stop filming," Eddie shouts. He lifts his arms to block the shit. "Get out," he snaps at the crew. " Now!"

He and Gareth scuffle towards a set of double-doors, heated words low and unintelligible.

"Don't come in." He tells the crew. "Steve, I mean it. Tell them to stop."

Eddie shoves Gareth into the other room, slamming the door behind him. Still, the mics pick up the screaming fight between the two men.

Hours later, Eddie finally makes his way back to the main part of the house, finds Steve standing at the kitchen island.

"Why are you still here?" He's too exhausted from the fight to put any inflection into it.

"I was wo--I wanted to make sure everything was okay," Steve says. He relaxes against the island. "Are yo--is everything okay?"

Eddie's laugh is humorless. "Something like that."

"Do you want to talk about it?"

The tears he kept at bay with Gareth prick at his eyelids until they burn. "Not really, no."

Steve nods. "We could--you wanna watch a movie?"

This startles a laugh out of Eddie, one that has tears flooding his eyes and he has to blink fast, look down, anything so Steve doesn't notice.

"You know what I want?" he says. It's soft enough that maybe Steve, across the kitchen, wouldn't hear.

"What?"

"To have friends who won't sell me out for a couple thousand bucks." The tears start falling, his throat choked with emotion.

He wants to stop, embarrassed to be crying in front of Steve, but now that he's started, sobs shake his shoulders and he can't keep quiet.

Steve reaches for him. "Is this okay?" he whispers, hands rubbing circles against his back.

Eddie nods, cries for a while as Steve makes soothing motions against his back.

"I just wish I was normal," he mumbles when he has words again.

Steve's hold on him tightens. "I'm sorry, Eddie."

Shame hits him then, too hard to ignore, and he steps away. "I'm gonna--I'm gonna go. I--Thanks again."

He ignores the sound of Steve calling him back.

---

Eddie's playing a show. He's playing a show in a small club, something he hasn't been able to do for years, but he's doing it right now. It's electric, vibrating through his body, the crowd screaming along with every word.

So much of this is because of Steve, and Eddie can't think about it, because men like Steve aren't for guys like Eddie.

As he plays, his eyes scan the small crowd, find Steve easily. He's gazing at Eddie, lips slicked pink and parted, eyes shining. Eddie knows this look; the naked desire obvious. A heat he never lets himself feel for Steve blooms low in his abdomen, but--

He wails into his mic, forcing his thoughts away from that path. He has a show to play, one that's pumping his veins full of satisfied adrenaline. Nothing can ruin it.

When the show ends, Eddie is high, endorphins and adrenaline pounding through his bloodstream.

Eddie, the band, and the film crew make their way out the club's backdoor. There's a car idling close by, but they only get a few steps in before there's shouting; the ear-shattering click of dozens of camera shutters; overwhelming burst of flashes.

Eddie is disoriented, dizzy; the rapid shift from the best night he's had in years, to this, mobbed by paparazzi, people screaming his name, crowding their small group. He stumbles, black spots still obstructing his vision.

Arms catch around him, holding him steady. "You okay?" Steve asks.

Before he can answer, one of the paps yells, "Munson's wasted! Can't even walk!"

"C'mon, Ed, I've got you," Steve says.

"Just get into the booze, Munson, or someone had Molly too? Maybe a little coke? That used to be your thing, right? Snort a little blow and do a show?"

Eddie tenses, almost stops, but Steve keeps him going.

The crowd surges around them, more voices yelling, more flashbulbs popping, the guy saying, "He can't even stand without help! You got a real problem you know?"and he just--can't anymore. He whirls out of Steve's grasp, lunges for the guy.

"What's your fucking problem, man?" Eddie hisses. "What did I do to you, huh?"

"Real tough, Munson, huh?" The man sneers. He shoves Eddie hard, knocking him back a few steps.

Eddie's vision fuzzes out, brain buzzing. He snarls, knows he does, knows he's losing it, can't make it stop.

Strong arms wrap around his waist, pull him off his feet. He fights it until he's pressed into a wall, until cold hands cup his face.

"Baby, baby, you have to calm down," Steve murmurs. "You have to breathe, can you do that for me?"

"I want--he can't--I--"

Steve presses harder against him, bodies joined. "You're having a panic attack, yeah? Can you breathe with me, baby? Match me?"

Eddie nods, tries, wants to be good for Steve.

He calms, as much from the breathing exercise as being held by the most beautiful man he's ever seen. Pressing his face against Steve's neck he says, "why are you always around for my worst moments? I'm such a fucking mess."

"I don't think you're a mess," he says. "I think you've gotten hurt, you've gotten cornered. And your reactions are normal."

"Why do you even care?" Eddie asks.

Steve doesn't even pause. "Cause I like you, Eddie." His hold tightens for a second. "I like you a lot."

Eddie scoffs. "Yeah, you like Eddie Munson, the hot rockstar. Not the loser who cries in your arms"

Cold air hits Eddie as Steve steps away to meet Eddie's eyes. You want to know something? I didn't expect to like you at all. I admit, I bought into all the stories on the internet. But you were never anything like that, Ed. Not even once."

Steve takes a deep breath, turning away as his cheeks grow pink. "And you--you're always going out of your way for people. The day I knew I was gone for you? Three weeks into filming. There was this kid interning. You didn't know a thing about him, just some twenty-year-old, and you sat down and talked to him. Were genuinely interested in everything he said."

"Steve," Eddie's voice breaks. He has to cover his mouth, lips a wobbling mess.

"I want to give you normal, Eddie, as much as I can. If you'll let me."

The moisture tumbles free from his eyes, streaking down his cheeks. Eddie laughs. "God, Steve, you're--I like you, too."

Steve brushes the tears away. "So, you'd go on a date with me?"

"I think I would really like to go on a date with you, yeah."

Steve leans in, slow and gentle, placing a soft kiss at the corner of Eddie's mouth. It lights him up like a fresh struck match, nerve endings on fire. He thinks it's so much more than like already.

"Take me home, sweetheart," he says.

"Getting fresh with me, Munson," Steve smirks. "I won't have you using your rockstar wiles to seduce me."

Eddie's laugh echoes off the brick of the surrounding buildings. "Oh, sweetheart, my rockstar ways will destroy you."

"That a promise?"

---

Six months later, the first and only season of Welcome to Hell premieres. Instead, of chronicling a rockstar's debauched and wild lifestyle, it's a soft and charming love story. It shows Steve and Eddie growing closer, Steve working late into the night, to give Eddie the hint of normalcy he's so desperate for, to make him happy. It shows Eddie's eyes track Steve across a room, something like sadness crossing his face. It shows a concert that Steve arranged, the fight with the pap outside the venue, brief glimpses of Steve and Eddie in the aftermath, the gentle kiss.

In the last interview of the season, the producer asks Eddie if there will be a season two of Welcome to Hell.

Eddie smiles, glances off camera, which pans to find Steve in worn jeans and a Metallica hoodie, hair messy and wearing glasses. He gazes at Eddie, smiles this soft, aching thing.

"Nah, I don't think I need it anymore," Eddie answers. Throwing the camera a smile that matches Steve's.

[woahjo]

The People We Became (Bakugou x Reader)

masterlist | ao3

Pairing: Bakugou x Reader

Summary: Zombie Apocalypse Au.

The world fell apart almost a year ago and you refused to go with it. Left alone and to your own devices in a world full of monsters, where the dead come back to life, you believe that maybe surviving isn't living.

When Katsuki finds you alone in the woods and on the precipice of collapsing from exhaustion, he decides to bring you back to the house his group calls home. Against your better judgement and hesitancy to become attached, you decide to stay. In this world, everyone has lost someone. No soul is spared the violence, and you start sleeping with Bakugou Katsuki to dull the ache. Somehow, peace finds you anyway, but not without sacrifice.

Chapter Content Warnings:  fem!reader, gender neutral pronouns, strangers to lovers, violence typical of zombies, blood, gore, romance, slow-ish burn (for the emotional stuff), angst, kissin', questions of identity, loss, grief, graphic depictions of death and/or violence, mentions and descriptions of starvation/exhaustion typical of an apocalypse setting, very slight implications of possible sexual violence typical of an apocalypse setting, derealization, depersonalization, weapons (guns, blades, and traps), loss of identity

All content warnings can be found on ao3 with the rest of the series.

Word Count: 14.4k — 53k total on ao3

A/N: it's finally done... i'm sweating. i screamed. i cried. i bled. you know the drill. i am posting this a little differently than my other fics and series. only the first chapter will be posted here on tumblr (this post), with the rest of it broken up into chapters and posted on ao3.. purely because it was originally meant as a one shot and i don't like posting chapters on tumblr. it's not built for that and im tired. anyway, im nervous this is my new baby and im pretty sure my soul is somewhere in here. if u read this, pls come tell me what you think.. it fuels me. enjoy, cry, sweat, or whatever else you do when you read. as always, thank you and i love you.

Two hundred and seventy six. It’s been two hundred and seventy six days since the world completely went to shit. You don’t really count the initial outbreak. The initial outbreak was relatively contained once people found out about it. You quarantined. You stayed inside. All it really took were a handful of idiots. Someone selfish. Someone who panicked and ran instead of facing the world honorably, and that was it. It only took days to lose almost every semblance of a normal life and a week to lose everything else. 

The light of your fire is dim, embers burning low as you sit in a foldable chair beside it. The chair is from a friend, someone you’re not with anymore and who went somewhere you couldn’t follow, and you've got a metal spatula in your hand. You're not sure why you grabbed it when you fled, but panic does weird things to the mind. You absentmindedly wonder why you’ve brought it along with you all this time. There’s no logical reason for you to tote the thing around. A friend had told you how strange it was that you thought to toss it into your bag and continue carrying it. This, along with a few other oddities, are all you managed to take from your house when the world fell to ruin. Everything else are things scavenged along the way or from people you'd met, joined, and lost. 

Maybe it’s because the spatula is somewhat normal, like somehow when you cook the game on your makeshift tin over your shitty fire, you can pretend you’re in your kitchen. A smash burger sounds good right now, with grilled onions on a brioche bun like the ones from the place by your apartment. 

The night is near silent and trees creak and crack like the hulls of great ships under heavy pressure, but the birds don't sing and nothing in the crowded wood you're taking shelter in makes a sound. Well, except for you and the gentle crackle of your fire. 

It’s easy to miss the noise that used to irritate you when the world goes quiet. You used to hate the sounds and lights of passing trucks when they’d cross on the street below your apartment window. Now, you’d do anything for the familiar comfort. The world is so dark and quiet, like it’s holding its breath and waiting for this to be over. The silence is almost too much, so loud that it hurts your ears. You huddle closer to the fire, craving its quiet sound. Focusing on it lessens the anxiety of the other noises. The ones you don’t want to hear. 

Your head is on a swivel. It has been for months. Ever since the outbreak, ever since the dead rose and began consuming and infecting the living, you've kept watch. A paranoid, never ending cycle that you suppose—if left on your own—will burn itself out. You swallow thick and return your attention to the fire, watching the tree line just in front of you for any hint of movement or monsters. 

A branch cracks just behind you. A swift sound, followed by rapid footsteps. You stand, quickly turning your head, only to see a figure a few feet away from you. They move quickly and the dancing light of the fire obscures their features from view. Their eyes, most importantly. You can always tell if someone is dead or alive based on their eyes and the sounds that their joints make. In this light, should this stranger have that milky white film over them, you wouldn't be able to tell. 

You make a small noise, something between a whimper and a shout, as the person comes to a stop in front of you and holds a flashlight directly into your face. You squint, panic in your veins as your eyes adjust as best they can to the sudden assault. It takes you a moment to realize that there is a gun pointed directly at your forehead. The living. This person is alive. You're not sure yet if encountering one of the dead would have been worse. 

"Shut up and drop your weapon," he says in a hurried voice. It's aggressive and threatening. It comes from deep in his chest, like somehow fear has gripped and mutilated it into something violent. 

You raise your shaky hands to your head quickly at the order, screwing your eyes shut in the beam of the flashlight. 

"It's not a weapon!" you shout, voice cracking. "It's a spatula. It's a spatula." 

The words are rushed and heavy, fear seizing your chest as you look down the barrel of the gun. The flashlight turns off, sending you back into the dark. Your eyes fight to adjust, catching the firelight that glints off of the barrel, and you begin to makeout the man’s features. He's big, blonde under the grime, you think. A man, not the best thing to encounter alone at night in times like these. 

You see him hesitate for a moment, eyes darting between you and the silver kitchen item in your hand. You drop it quickly, hoping to appeal to his humanity. 

"Do you have a weapon on you?" he questions, voice a little less urgent. 

You shake your head in response and then shakily look beside the chair, choking out the word “ground”. There's a knife there and a pistol with no bullets. You're a poor shot and you had run out of ammo the previous week. He glances at it, the gun still raised at you, and sidesteps to grab the two items. When he does, he cautiously lowers the weapon and you start to lower your trembling hands. 

Then, as if struck by some realization, the man stomps towards the fire and you jump as he does.

"The fuck are you doing lighting a fire this late?" he says angrily, opening the clip of your pistol. "And with no fucking bullets. Those things may be dead, but they can still fuckin' see. That's a good way to get yourself killed." 

He stomps out the fire as he talks, urgently stamping out what's left of the low-burning logs. 

"I didn't think there were many in the area," you justify, furrowing your eyebrows as you step away from him. 

"And that's a risk you want to take?" he says indignantly. You wonder briefly what business he has worrying about you. 

"What do you want?" you snap, "My food? Weapons? Life? What is it?" 

The man scoffs, "Jesus, none of that. I don’t want your shit." 

You narrow your eyes and take a step back. One thing this world has done is remove trust from every chance encounter, and that was already hard enough when the place was sane. 

"Not all people who camp out in the woods are good," he says. "But I sure as shit didn't expect to find someone like you alone lighting a damn fire. Stupid." 

"There were others," you say indignantly, like somehow that makes it better. "Force of habit, I guess." 

The man pauses for a moment as understanding passes between the two of you. It's a relatable feeling. Everyone has lost someone now. 

"Got a name?" he asks. 

You hesitate in giving it to him and the pause causes him to roll his eyes. “You want me to call you Idiot-with-no-bullets instead?” 

You give him your name and the man nods as if he likes the sound of it, turning it over in his head before inhaling. 

"I'm Katsuki," he furrows his eyebrows. "You're alone?" 

You nod, swallowing down the grief that pushes at your throat. 

"Wasn't always," you respond, "but yeah. Now, I am." 

He nods his understanding. 

"Come with me." 

"Where?" you say instinctively, a defensive edge to your voice. Katsuki looks at you as if you’re stupid, or maybe it's pity, like you're a wounded animal. Probably both. 

"Where the fuck do you think?" he retorts. "We've got a camp a little ways from here. I saw your fire from the watch post we have stationed." 

You look at him like he's a little crazy for even thinking to bring you. Kindness, especially the selfless type, is so rare now and you find it difficult to believe that he’s willing to take you there at no cost. 

He scoffs and rolls his head over his shoulder. "Look, we've got men and women," then he pauses. "Used to have children. We're not gonna hurt you. World's gone to shit, do you really wanna keep at it alone?" 

He's probably right. You've been alone for weeks now, exhausted for longer, and though your common sense tells you not to go off with a strange man in this kind of world, the promise of rest is far too tempting. You nod and glance back to your camp. A measly collection of supplies haphazardly put together. You suppose that it doesn’t look so promising. 

"We'll come back for it when it's light," he says. "I don't know about you, but I'd rather not spend longer in these dark ass woods than I have to." 

"Okay," you say. The presence of another person both sets you on edge and makes you feel the press of fatigue even more. A gun's barrel on your nose followed by the promise of safety and you're going with him? You must be stupider than a horror movie protagonist. "Do you take in a lot of strays?" 

Katsuki looks over his shoulder and you think you see him smile a little at the phrase. 

"If that's what you want to call it," he says begrudgingly. Then, with a softer tone of voice, barely noticeable with the quiet whisper you both have been speaking at. "I'm sure the others won't mind one more."

You nod a little and follow him through the wood, stepping over obstacles. Your eyes have adjusted to the dark, but you feel unsteady on your feet. Everything you’ve ever learned about this world tells you that maybe you shouldn’t go with him. What if they’re dangerous? It’s easy to lie about women and children, about a community that doesn’t exist. Or worse, it’s easy to fool yourself that where you are is good, but you don’t know yet if he’s the type to delude himself. He doesn’t seem it. 

The two of you walk for what feels like forever, even if it is only a little over half a mile. Your feet have been aching for days and every step you take feels like a blade into the heel. Katsuki seems steady, his gun secured at his hip and a large knife in his dominant hand. He doesn’t have the flashlight out, but he seems sure-footed and takes every step in stride, as if he’s too heavy to be swayed by any missed step. 

As you move, you can barely make out his back in the white tank top he wears. You use it as a landmark, following the glowing white as it catches the light from the moon. Like chasing a ghost through the trees. 

Then, the wood eases up. The trees grow sparse and the suffocating humidity of the forest eases into a more breathable, open-air breeze. Katsuki steps out into a clearing. It’s relatively small, for how large the world is, but it’s some of the most open space you’ve seen in a while. The feeling of stepping out into the tall grass, where you’re both visible to any wandering thing, sends a rush of fear through you. 

By the edge of the clearing, there’s a small house with a short steeple. It almost looks like a Christian church, but you get the sense that it’s likely a barn. That must be the watchtower and you wonder just how good the view of the forest is from up there if Katsuki managed to see the light of your fire. How many other people had seen your fires over the weeks and not made it out to confront you? How close had you come before to safety or annihilation? 

"Hey!" a girl's voice calls. "He's back!" 

In the near distance, you can see a large and dimly lit house. It looks a little worn down, but soft and hardly noticeable light emanates from it in a way that makes it seem inviting.You can’t make out its exact silhouette and night blurs just how broken-down it is, but you can tell that people live there in the same way you can tell when someone has just left a room. 

Someone runs across the field to you both. It looks like a man and a woman, maybe around Katsuki's age. They move quickly through the tall grass and for a moment, the urgency that they move with frightens you. You worry that your presence will ignite some protective sort of panic. You linger back, letting Katsuki grow a little farther from you as they call out to him. 

“Yeah, yeah," he half-shouts, no longer seeming to care about keeping quiet. Guess that's what happens when there's a group. "I found the fire I mentioned." 

The two come to a stop in front of him, resting their hands on their hips as they catch the breath they lost. 

"We started to get a little worried," says the girl. She's pretty, with big eyes and curly hair that looks like it probably used to be dyed. "You've been gone for a while." 

"Well, I'm back," he says. 

"And you brought a friend," the other man says, sounding shocked. His tone is noticeably kind. The boisterous type of kind and when he smiles, you can see that he has sharp canines. His hair is straight, sticking out in different directions, and tinged with red in this light.

"More like an acquaintance," Katsuki says. “I found them in the woods with a fire and an empty clip. Felt like their blood would be on my hands if I didn’t bring them back.” The red-haired man gives him a telling look and Katsuki scoffs in response and turns to the girl. "Get them settled, Mina, will you?" The girl called Mina nods and Katsuki takes off toward the house without another word. 

"You're lucky," she says, pausing when you flinch as she steps closer. "You're gettin' the last solo room in the place. Kirishima, is it set up?" 

Kirishima shrugs his shoulders. "You'd have to ask Izuku. He'd know all about that, but I can go check." 

Mina shakes her head and turns her attention to you, giving you a quick once over with her eyebrows pulled together.

"You must be tired.” 

When you nod, she gives you an empathetic smile and motions for you to come with her. "We'll fix that. You hungry?" 

"What do you think?" you manage, saliva pooling in your mouth. "Do you have food?" 

"Plenty," she smiles. "not quite enough for leftovers just yet though, don’t tell anyone." 

You smile awkwardly. Who on earth would you tell? 

"Sounds like a good deal," you say. 

You follow Mina up to the house. Around it, there are a few parked cars. They look like they could pull out at any moment, and through the dust covered windows, you can just make out supplies in the back seats as you pass. In the distance, you can see the fuzzy silhouette of the barn you’d assumed was a watchtower in the dark of the field and you figure that maybe it used to be a place to keep livestock. 

Mina doesn't say much to you as you pass through the field, and when you walk into the door, the first thing you notice is a large group of people seated at a dining table. They all look up at you when you enter and it's with a bit of shock that you register their faces as healthy. Well, healthier. These people live well. Something stirs in your chest, both anxiety and excitement at the thought of possibly having found somewhere safe. They blink at you for a moment, exchanging looks that all end up landing on Katsuki. 

"This is the group. Well, most of us," Mina says pleasantly and with a light huff. "That's Izuku, Denki, Ochako, Sero, and you already know the handsome guy on the end there. Kiri's probably checking to see if the room is half decent.." They all greet you with a glad murmur. "Group, this is..." 

She looks at you expectantly. When you tell them your name, you can't help but look at Katsuki who already knows it. He raises his eyebrows unconsciously and turns his attention to the glass in front of him. 

There’s an awkward pause as you stand in the doorway, suddenly conscious of just how dirty you must look. Remnants of an older world, you suppose. No one really worries about things like that anymore.

“Uhm…” you search for something to say, but your people skills seem to have left you. 

“You’re okay,” Mina says lightly. “Plenty of time to get to know you when you’ve rested and had something to eat.” 

Mina sits you down at a chair that she pulls in from the other room. It doesn't match the other ones in the dining room, but you suppose no one is really thinking of the decor in their house anymore. It's only now that you realize the house has electricity.

"You have power?" you say incredulously, looking at the center light in the dining room on its low setting. 

"Mhm," Mina hums as she sits down next to you and spoons a helping of vegetables onto your plate. "It's got a generator. We got lucky finding this place. I don't think many of us would be alive if we hadn't." 

Those listening in the group nod their affirmation. 

"It draws from well water too," she adds. "With the right care, the place practically runs on its own. Hard work but what isn't nowadays?" 

“Like you do any of the heavy lifting," Sero scoffs across from her.

"That's not fair," Katsuki adds with a slick smirk, "you know damn well none of our vegetables would be so well socialized if she didn't use them like a damn diary all day." 

The group laughs a little and Mina rolls her eyes and sits back in the chair. You avoid looking at anyone, shoveling the food into your mouth. You’re salivating an almost embarrassing amount, struggling to eat at a normal pace. There’s something about food cooked inside, about the way food tastes when you can smell it wafting in from the kitchen. 

"Don't worry," she turns to you, as if you’re at all concerned with the implication that she doesn’t do much work, "they know we’d hardly have vegetables at all if it weren't my job to tend them. I used to garden quite a bit before all of this." 

Sero tosses her a sideways glance and you get the sense that maybe it isn’t just her doing it. 

"Mina does a lot of the garden stuff," Ochako pitches in, her voice hesitant. "We all sort of just do what we can." 

You can’t really keep up with the conversation and instead just blink at her for a moment before turning back to your food. Maybe that’s rude, but you don’t have the energy to consider it. There’s food in front of you. Food that doesn’t taste like it’s been poorly slaughtered or rotting in a cabinet for months. 

The group at the table with you shifts back into what you feel is their normal conversation and you watch them through your peripheral. You can’t relax yet, maybe you never will. Always on watch with your guard up. 

They pass the dishes around the table, plates going from hand to hand over mismatched sets of silverware. The action feels strange to you. Your chest squeezes at the thought. Just a few weeks ago, you’d done this around a fire with the people you loved. You’d passed a too-hot-to-touch pot around a circle of friends, laughing quietly at the little moments of joy you could find. It feels far away now and jealousy rouses beside hope as you sit. 

“So, where did you come from?” Izuku at the end of the table asks. 

It takes you a moment to realize that he’s talking to you and there’s an edge to his voice that has everyone at the table sitting up with curiosity. You stare at him for a moment, exhausted and defeated and unable to muster the words. 

“Leave them be,” Katsuki says, looking up from his plate. “They just got here. They’re probably freaked out.” 

The table goes a little quiet, a hush falling over it. You look around as glances are exchanged before Mina stands up quickly and quietly claps her hands together. 

“I think,” she says with an awkward laugh, “it may be time for bed.” 

Mina turns to you. “I’ll show you where you can sleep.” 

You nod, standing up and turning to the group with furrowed eyebrows. You want to thank them, to tell them that you’re grateful for the meal and their kindness, but the words don’t come. Instead, you meet Katsuki’s gaze, grateful for the intervention, but suspicious at such forthcoming kindness. He scoffs a little and turns away. 

—

“It’s just up here,” Mina says as she guides you through the house.

You pass rooms with their doors ajar. They are lived in, with unmade beds and glasses of clean water on nightstands. It’s like something out of a life gone by, with a few less amenities. You can imagine a family moving through this house. Girls in school uniforms calling through the halls about a stolen hair clip. Now, you picture these people doing that. Living and not just surviving.

“The bathroom is across the hall,” she says. “You can take a shower if you want. I’ll leave a towel and some clothes in there just in case.”  

You nod. 

“No worries if you don’t,” Mina adds in a whisper. “When I first met everyone, I didn’t undress to bathe for days so… take your time. We won’t be offended.” 

She shuts the door behind her when she leaves and you stumble back onto the bed, shocked by just how soft it feels after spending weeks on the floor. It’s not much, but it’s nicer than anything you’ve experienced in the last nine months, and there's a working shower. You haven’t had a shower since everything fell apart and the layer of grime on your skin is so thick that you can feel it. You haven’t felt safe enough to properly wash since you’d lost the rest of your group, only stopping to rinse your body in streams you pass if the thought occurred to you. The idea of running water and a shower is near euphoric. 

You probably shouldn’t. It may not be wise to shower tonight. You still don’t know these people or what they’re capable of, but the temptation of being clean is too great and as soon as you hear Mina close the bathroom door and walk away, you hurry across the hall on the balls of your feet. 

The bathroom looks old and the sink is white porcelain, eggshell now with a lack of care. The shower has a bathtub in it and though it’s cloudy, there’s a mirror over the sink where you catch the first clear glimpse you’ve had of yourself in weeks. 

You don’t know who you’re looking at. The person in the mirror is nearly unrecognizable. Their eyes are wide and frightened, wild like an animal’s, and their face is covered in a layer of grime that looks like it can never be washed out. Their hair is unruly, sticking out in some areas and matted down with blood in others. This is a person you’ve never seen or met before. Someone you would have avoided only a year ago if you’d ever encountered them. 

You reach up to touch your face, running your hand over the dried blood that has made a home on the underside of your jaw. How long has it been there? Have you always looked so unwell? So sick in mind and body? The promise of a shower grows unbearably pleasant. 

The knob squeaks when you turn it, screeching as the pipes hum and clang to life. Water spits out in a few bursts before raining down from the faucet and hitting the back of the tub in a steady thrum. It sounds a little bit like music to you, constant and heavy, and it gives the impression of normalcy as you begin undressing. 

The fabric of your clothes sticks to your skin, peeling from your body in an unbearable and disgusting way. You don’t look at your body in the mirror. In fact, you avoid it entirely. Not recognizing your face was enough, but your body—a part of yourself you never really recognized—would drive you over the edge. 

Then, you pull the shower curtain back and stick your hand under the water, stepping into it fully with a deep sigh. The water is lukewarm. They probably turned off the heater to conserve power and allow the main generator to function for longer. That’s fine. Beggars can’t be choosers and everyone is a beggar nowadays. Besides, it’s warm enough outside that the water isn’t too cold as it is. In the winter, you probably wouldn’t be able to shower and the pipes might freeze entirely until the following spring. 

There’s a normalcy that you settle into as you wash your body. You return to muscle memory, running your hands over your skin and scrubbing the grime out. It’s simultaneously like the first shower of your life and as if you’ve been doing it every day. You return to a state of pleasant, familiar humanity as you wash away dirt that has built up for weeks. You feel as it pours off of you, see it run down your body onto the porcelain of the tub and swirl down the drain. It’s dirt and dried blood that has been caked onto your skin. You worry that even after washing, it will leave a permanent mark. 

The person in the mirror when you get out of the shower is in stark contrast to the person who went into it. They’re someone that you recognize. You could almost convince yourself that nothing ever changed. Your water-soaked skin is so familiar to you, that you could be getting out of the shower and dressing to go to work. If it weren’t for the look in your eyes, you could have fooled yourself. Something undefinable has changed in you, something that you will carry with you forever. You glance at yourself in the foggy mirror and think that there is no going back. 

The house is quiet when you dry yourself and open the bathroom door. You step across the hall on the balls of your feet, careful not to make any noise, and when you push the bedroom door open, you do a visual sweep to make sure that it’s safe out of habit. 

Your body is exhausted. You are so thoroughly tired that you think you could collapse at any moment, but when you sit down on the bed in your fresh clothes, you find yourself restless. This place is new to you and you’re unsure if the safe feeling is your mind playing desperate tricks on you or the real thing. The lamp by your bed is on, casting a yellow glow across the bedsheets and the dark wood furniture. Come to think of it, you didn’t get a good look at the house when you came in and the thought starts to bother you as you stare at the closed door to the hallway. 

Someone could be behind it. They could be waiting for you to lay down, to sleep, before doing something awful. You almost feel guilty for thinking this way about them. They’ve fed you, given you a shower, given you fresh clothes. Luxuries you weren’t sure even existed anymore, yet you’re sitting here doubting them, wishing you had your pistol or knife.

The bedroom door creaks as you open it. You wince, nervous that you’ve disturbed the quiet peace of the house and that everything will come crashing down as quickly as it seemed to come together. The hallway is dark, save for some light coming from under two doors at the end of the hall. One of them turns out as you creep past it to the stairs, and you hear the distinct sound of box springs squeaking as someone crawls into bed. You let go of the breath you’d been holding, straightening up as you relax into the late-night environment. 

The house looks old even from the inside. It gives the impression of having once been dirty and in near disrepair. There are dust stains and dull spots that no amount of scrubbing could get out. You can almost picture how this place may have looked when they found it and it’s entirely possible that it had been abandoned before the actual outbreak. Someone run out of their home for lack of money. What a trivial thing now. 

The stairs are sturdy, probably held together so well by the foundation of the house, and they’re made of dark wood. They’re steep too, the kind that a baby or old person might trip over, and you hold the railing to calm the shaking of your legs as you slowly feel your way down. You can see the light on in the kitchen from around the corner, spreading out onto the floor of the old fashioned drawing room. Dishes clink in the kitchen, like someone is washing them, and you jump a little at the noise as you creep around the corner. 

Kirishima is standing at the sink with his back to you, whispering something to someone beside him. The expanse of his back is broad, moving every time he goes to run his hand over the dish in front of him. Then, he turns to look at you and you see Mina pop her head around the corner. 

“Oh,” Kiri says, “did you need something?” 

You shake your head. “Not really, I just couldn’t sleep.” 

Kiri nods sympathetically as if he knows the feeling. “Well, you look like you feel a little better at least.” 

You pad over to where he’s doing the dishes and Mina offers you a soft smile and a knowing look. It all seems so normal. Doing the dishes, whispering quietly as they do. Something about it screams a kind of humanity you haven’t experienced in a long while, even with your last group. 

“Are you sure we can’t get you something?” Mina says, furrowing her brows. 

“Why are you all being so nice to me?” You ask. “You don’t know the first thing about me.” 

“Is there some reason why we shouldn’t be nice to you?” Kiri says over his shoulder. 

“No,” you shake your head. “I just think it’s reckless, that’s all. I could have been anyone.” 

Kirishima and Mina exchange a look. They glance at each other, like they’re debating on saying something, and then Kiri turns and rests his palms on the back of the sink. He looks at Mina. 

“We don’t usually decide to do this so quickly,” she admits. “We’re friendly, but nobody’s that friendly anymore.” 

Kiri nods his agreement and you listen quietly, trying to determine if they plan to toss you back out into the woods in the morning. 

“But, Katsuki doesn’t usually bring people in,” she continues. 

“He’s a little more closed off than the rest of us,” Kirishima adds. “He’s a good guy, just takes a while to warm up, is all.” 

“Mhm,” Mina says. 

“What does that have to do with me?” you ask. “This is nice and all, but I’m sure you get why I’m wary.” 

“He’s a good judge of character,” Kiri adds earnestly. “He doesn’t bring people in often, but when he does, he’s usually right.” 

You nod, not quite understanding. Sure, you don’t plan to do anything terrible. In fact, you’re content to accept their kindness and stay, if they’d let you. Anything is better than being alone, but their blind trust in one man’s judgment of character makes you uneasy. 

“He was alone for a really long time,” Mina adds. “A lot of us were. I got lucky meeting Kirishima early on, but Katsuki’s luck was a little less fortuitous.” 

“So you all just�� happened upon each other by chance?” You ask. 

“Yeah, pretty much,” Mina says. “It was me and Kiri for a long time. Just the two of us. We’d found Izuku and Katsuki together a while later, but they didn’t seem to like each other all that much. We still haven’t really figured that out, especially because they’re so close now. Ochako and Sero ended up cornered together by accident. We found them just before we found this place, and Denki just sort of showed up here one day and promised to fix the generator in exchange for safety. That was months ago. We’ve been like this since.”

“So you’re all strays,” you say and Mina laughs a little and looks at Kiri. 

“Sure,” she says. “We’re all strays. There were others too. Shoji. Jirou. She was Denki’s girlfriend.” 

“I’m sorry,” you say with a frown. It feels pointless to apologize for the dead, if you get caught up in it, you’d be apologizing forever. 

“Don’t be,” Kiri adds. “But best not to bring her up. It was pretty recent and Denki’s only just started to get over it.” 

You swallow thick and nod a little. 

“Anyway,” Mina says, “we can’t really explain it. We just trust him. We trust Katsuki. That’s all.” 

“Hm,” you hum, understanding that to a degree. 

You trusted the people in your group. If they believed in someone, you were willing to as well, so you suppose you can understand a little where they’re coming from. 

“What are you talking about,” Katsuki rounds the corner, walking into the kitchen and putting his water bottle under the sink. 

“Nothing really,” Mina says. 

Katsuki furrows his eyebrows and then looks at you. He gives you a once over, taking in your new clothing before scoffing lightly. 

“Don’t you look cozy,” he says. “You get settled?” 

“When can I go get my stuff?” You ask. 

“Someone’s eager,” he says through lightly gritted teeth. “Didn’t I tell ya we could go in the morning? Besides, what’s there really to miss in that lot of junk?” 

“Katsuki!” Mina quietly chides. 

“I have things I care about there,” you say. “Things I’m not ready to lose.” 

Katsuki blinks at you for a second before swearing under his breath. “We’ll leave when you get up in the morning.” 

“You don’t have to come with me,” you say, frowning a bit at his sour attitude. 

“Like hell,” he scoffs. “What if the dead are waiting back there for you?” 

“I made it this far on my own,” you respond. 

Katsuki nods for a second. “I’m going. Come find me in the morning.” 

He walks off and around the corner. You hear him go up the stairs, followed by the distinct click of a bedroom door shutting. 

“Don’t pay too much attention to that,” Mina says. “It’s past his bedtime.” 

“You’ll get used to him,” Kiri adds. 

“Right,” you say, swallowing down your frustration in favor of trying to be appreciative of the help. You sway on your feet a little and then steady yourself. “I’m going to go to sleep. Thank you for the meal and the bed.” 

Mina and Kiri nod, but you don’t stick around to hear a response. Fatigue creeps up on you. It ambushes your senses and you go from feeling dream-like to delusional in a matter of moments. You make your way up the stairs, your body feeling heavy as lead, and wobble your way into the bedroom they’re letting you stay in. 

When your head hits the pillow, you’re out. The world around you fades to dark and just before you sleep, you swear that you can hear the sounds of cars passing on the highway. A busy night, Saturday maybe, and people go about their daily lives outside of the window the way that they always have. They live, never the wiser to just how quickly things fall apart and how little it takes for our humanity to leave us. 

— 

Mornings in this place are boisterous. The sun coming through the lone window in your room wakes you up and you can hear the calls of busy people getting to work outside. There are voices from the porch out front that your window looks over and though you can’t see them, you get the sense that they’re having a pleasant conversation. 

As you rouse, you come to the realization of just how exhausted you’d really been. They probably saved your life by bringing you to this place, feeding you, and offering you a bed. In hindsight, it’s easy to see just how little you had left in you. You get the sense now that you’d been running on an empty tank for days, slowly coming to an inglorious, gruesome, sputtering stop. 

Things seem a little clearer, like the sunlight is somehow less bleak than it had been the days previous and you feel a little bit like you have a new lease on life. There are no big emotions, no swells of hope or humanity just yet, and you dread the moment you are rested enough to let grief consume you. Right now, you can’t feel it, but there is a fear in you that as you get to know these people who live relatively beautifully in an ugly world, it will weigh you down so much that you’ll never be able to outrun it. 

You wonder if they’ll let you stay. They very well may not, even with the way they were talking last night. Strangers are more dangerous than they’ve ever been and if they ask you whether or not you’ve killed someone, you refuse to lie to them. Sitting up on the bed, you mull over the very real possibility that you could be back out there on your own again in a matter of days and you don’t even have that many good acts under your belt to plead your case. You’re just a person and you’ve done what you needed to in order to survive. Now, you’re not sure if that’s enough. 

You swallow thick, wandering over to the mirror on the dresser. It’s fogged, though less than the bathroom mirror, and you can make out your features a little better than you could last night. You feel a bit more sane, though you still don’t recognize the frightful and distrustful look in your eyes. Like a wounded animal. Inside your head, you acknowledge that you are completely different from the person you were two hundred and seventy seven days ago. 

The voices grow louder as you climb down the stairs, more secure on your feet than you felt last night. You can hear them talking about the generator, as well as a name you don’t recognize. 

“He should be back by now,” a woman says. “Shoto’s never gone longer than a day or two, max.” 

“We shouldn’t jump to conclusions,” another woman says with a worried bite in her voice. Mina, maybe? “We’re only a few hours into the day. He probably got holed up somewhere.” 

“Someone needs to go look for him,” a man says.

“And what? Risk getting yourself killed?” the first woman says. “No, it doesn’t make sense. We need you here.” 

“You’d rather we leave him to die on his own?” 

“No one’s fuckin’ dying.” 

You recognize Katsuki’s voice. 

“He’s perfectly capable of going on a gasoline run,” he continues. “He’s done it before.” 

“I should have gone with him,” says the same woman. 

“On that leg? You wouldn’t have made it halfway to town, let alone there and back,” his voice raises a little. “Don’t be stupid. He’ll be back.” 

You clear your throat and step around the corner. The group turns to face you quickly at the sound, their eyes wide for a moment before relaxing. You can’t sneak up on anyone nowadays. 

“Sorry,” you say, “I didn’t mean to eavesdrop. Is everything okay?” 

It’s not your business, but you ask anyway, wondering for yourself about the safety of Shoto. 

“Fine,” Izuku says, shaking his head. You recognize him to be the one who'd vouched for going after their friend. Katsuki takes a step away from the broad man as he says this. “Nothing for you to worry about. Did you rest?” 

Izuku smiles gently at you, his chest inflating a little at the question. The movement broadens his shoulders and you realize that he stands almost a head taller than Katsuki. You look briefly between the two of them before nodding. 

“I did,” you say. “Thank you.” 

“Nothing wrong with a little hospitality now and then,” he smiles and you can’t help but furrow your eyebrows at the distinct hesitance in his voice. 

“I don’t think we’ve met,” the woman standing across from Izuku says. “I’m Momo. Sorry I wasn’t there to meet you last night. I’ve been a little under the weather.” 

You introduce yourself to her and glance down at her leg. Her ankle is swollen and wrapped in a bandage. Her sneaker laces are untied at the top to make room for the swelling and you can see that she’s guarding that side of her leg. 

“Is it…?” you grimace, taking an instinctive step away from her. You almost feel bad for it, but sometimes good people make bad decisions when loved ones get bit. 

“No,” she says quickly, “no, it isn’t. Caught an edge in an old chain link fence on the property a couple days back.” 

Momo smiles slightly at you as if to reassure you. She’s really beautiful, with thick dark hair pulled back into a somewhat messy ponytail. Her eyes are bright, like she’s engaged in lively conversation, and you find yourself feeling a little sad for her. She’ll need medicine soon, if they can get it. Infections set in easily these days and you get the sense that even she knows that she may not have long without it. Maybe that’s something else their friend Shoto set out to find. 

“I assume you’ll be wanting to go get your supplies?” Katsuki says, cutting the conversation short. Maybe he could sense the sour turn of thoughts. 

“Ready when you are,” you respond with a nod. 

Katsuki glances at Izuku, who gives him a slightly disapproving look. 

“Someone get them something to eat,” Katsuki says. “...I’ll get my shit ready.” 

“Fig jam…” Mina mumbles as she motions for you to follow her to the kitchen. 

You oblige her, not exactly jumping to turn down a meal. She walks you into the kitchen and opens up a cabinet, where she pulls out a jar filled with a dark and seed filled paste. It’s a jam, sealed in a jar that looks older than what’s inside of it. The seal breaks open with a pleasant pop. 

“This stuff is so good,” she says to you over her shoulder, pulling out a package of crackers that have likely gone stale. “You won’t believe it.” 

She spreads the jam on a few crackers and sets it in front of you on a plate, pushing it across the counter towards you. 

“It’s fig jam,” she says with a smile. “Homemade.” 

You look down at the plate, your mouth watering at the prospect of something sweet like this. It’s been so long since you've had fresh jam. It could be as long as 10 years. You don’t think you’ve had it since you were a kid, when jam came easily and you preferred the processed brands at the supermarket to the ones your mom used to make sometimes. 

You raise the cracker to your mouth and stuff it in with little grace. The sweetness spreads across your tongue as soon as you bite into the stale cracker. It fizzes and pops almost, the sugar melting across your tongue as the seeds crack softly between your teeth. The smile that hits your face is completely involuntary and though you know that nine months ago, this jam wouldn’t have been much, today it is something extraordinary. 

Mina nods a kind of girlish agreement, like the way people used to when they had their friend try something at their favorite restaurant. 

“We got here in the fall. I want to say late October or early November?” she offers. “We were starving and there wasn’t enough food to feed all of us. By that time there were like… nine of us.” 

You listen as you eat your crackers. 

“This place was in such an awful state,” she laughs. “I mean, really terrible. But, it was big and there was a fig tree in the back. A little thing, probably only a few years old and it had fruit on it. We ate so many of them that if the world were normal, we’d have sworn off of them forever. When we realized that the house actually had some old food in it,” she interrupts herself “-nothing good, canned stuff mostly- we decided to jar up the rest of the figs so that they didn’t rot.” 

She smiles at you like it’s a pleasant memory, but you can only think about how hungry they must have been. Your stomach growls as you eat. 

“I know it doesn’t sound like much,” she says, “but for some reason it’s a really nice memory. Honestly, we’re lucky we didn’t die.” 

Mina laughs a little. 

“I mean,” she continues, “we didn’t even clear the area before we started pulling at the figs and throwing them into our mouths.” 

You tilt your head at her and furrow your eyebrows with a small smile. 

“You’re really forthcoming with information.” 

“You just seem a little hesitant, is all,” she answers. 

“Can you blame me?” 

Mina shrugs her shoulders but doesn’t really offer an answer. You assume it’s because she can’t, because Mina has the same doubts everyone carries with them in this world. All of the what ifs people would think about before they slept have become more prevalent than anyone would have ever liked. 

“The jam is good,” you say, trying to be friendly in the same way she is. “Even if it is months old.” 

“Things keep well in jars,” Mina defends softly, smiling a little as she gets another out of you. 

This place feels like a little slice of paradise. A blessing from whoever lived here before and kept a garden stocked with vegetables. From someone who lived in an old house with stables and well-water, who kept canned food past its expiration date. It feels almost too good to be true, like these people live in a bubble bound to pop. 

“You ready?” Katsuki thuds into the kitchen with an empty backpack slung over his shoulder. 

You turn, startled by his sudden appearance and nod as you quickly finish chewing the last cracker. Katsuki furrows his eyebrows as he watches the way you scarf it down. 

When you stand from the table, Katsuki turns on his heel to make for the front door and you follow with a light step. Mina says something about staying safe, but you don’t respond, glancing once over your shoulder at the girl. 

It’s strange, the world has made you wishy-washy and uncommitted. You never used to be like that, never so distrusting as to second guess someone’s kindness the moment your back is turned to them, and you’re certainly not the type to be friendly one moment and closed off the next. Now though, you find that doubt creeps in easily through cracks and any foundation that didn’t exist before, seems to be swallowed before you can finish building it. 

Katsuki leads you back across the small clearing you’d come through the night before. It looks different in the day, almost romantic, and it lacks any of the ominous feeling it had the previous evening. He steps over mounds in the dirt from moles and gophers that have made lawns their new home and you try to mimic his steps, sinking occasionally into a particularly soft patch of dirt. Every now and then, Katsuki glances behind him to check that you’re still there and you offer him a forced smile that he never returns.

You catch up to him when you hit the trees, sticking close at his side like something will come and take you away if you’re not. It’s unintentional, but you don’t have a weapon on you. Your knife is back at your makeshift camp, along with the unloaded pistol and your trusty spatula. 

“How do you know where we’re going?” You ask in a whisper. 

Katsuki tosses a look at you over his shoulder. “I’m good with directions.” 

His tone is clipped, like he’s pissed about something, and your expression sours at it. Sure, you get it but it irritates you to some small degree. You hadn’t asked him to come along. In fact, you’d have been fine getting back here to collect your stuff on your own. You’d have asked for a knife and set out without a second thought, if only because being alone in the woods with some guy was less preferable than doing it by yourself. Of course, some guy also probably saved your life, but you’re not quite ready to relinquish your trust completely. 

“Thanks for coming,” you decide. A peace offering. 

Katsuki doesn’t answer and you furrow your brows a little bit. You wonder if he’s always been like this or if the end of the world brought on the loss of his manners. 

Then, he stops, taking you by the arm and pulling you down beside a bush. You gasp and he puts his hand over your mouth to silence you. There’s the urge to bite him, to catch the fleshy bit connecting his thumb and pointer finger between your teeth and bite down till he bleeds, but you stop when you catch what he’s looking at. 

Two of the living dead crouch by a tree, clicking their tongues as they eat something just out of sight. You furrow your eyebrows, eyes widening at the horror of it. For some reason, seeing them always brings about a round of momentary shock. You’ve yet to let go of the hounding thought that they used to be people and sometimes have to reorient yourself to the world you’re in now. 

You catch Katsuki’s eye behind you, his calloused hand still clasped over your mouth, and nod your head. It’s a silent communication that you’ve seen what he has and he removes his palm from your face to grab a knife tucked into his belt, passing it to you quickly. 

The two infected haven’t noticed the two of you yet, but they will soon, if only by the smell of your flesh which has yet to rot. You hear Katsuki let out a breath, as if to calm his heart, and do the same. There’s time to look at them like this and you’re struck by how human you can pretend they are in your head. Well, you suppose they were human once, now they’re a disease using someone’s skin as a mask. 

Infected people aren’t quick, that’s one thing to be grateful for. Back when the outbreak first started, the CDC had released information on what to look out for in those who might have contracted the virus. The first was obviously a bite wound from another infected person, but you can tell from other symptoms. Early symptoms are average. Body aches, fever, lethargy, and delirium. All things you might see with a nasty flu. Then, infection of the wound site, twitching, foggy eyes—like low-grade cataracts—that develop within a matter of hours or days, severe disorientation, aversion to food, insomnia, with the final symptom being a coma that no one ever wakes up as themselves from. 

These are the symptoms that people are conscious for. The ones they feel. The sickness that people tried to nurse others back from. There is no coming back though, not alive at the very least. The virus attacks the nerves throughout the brain and body, that’s what causes the twitching and convulsions. It’s what ultimately kills us, and it's what they think causes the bodies to come back. 

Most infected will crack when they move. It’s the cartilage breaking down as the bones grind together and crack as they’re weakened from the marrow out. They twitch like rabid animals, unable to keep masterful control of their bodies because they are run like puppets from the brain stem. You don’t know if they think. If somehow the people they used to be are still in there, unable to stop themselves from consuming and spreading the virus to others. All you really know is that they twitch and click, functions of the brain that still remain. Tiny impulses sent through the synapses. You imagine it to be like the way you twitch when you sleep, an arm here or a leg there, the way someone might call out with their voice to a room with no one in it. 

Maybe the infected think they’re dreaming. A nightmare that they never wake up from, like those of us who have to put them down. You could see it as a mercy from that perspective. You have an easier time rationalizing putting a knife in someone’s skull if you convince yourself that they’re silently begging for it. 

Katsuki shifts his weight and looks at you. He mouths the words no guns and you nod, briefly wondering where the fuck he thinks you could have gotten a gun from. 

Then, you kick off and run with Katsuki towards the infected. They don’t really have time to begin moving towards you both. You’re faster than them, but you hear the crack of their legs as they stand from their crouched positions, pulled in at the idea of their next meal.

Katsuki takes the farther one, sinking the knife into the soft spot of its temple with relative ease. You switch yourself off and take the one closest only a few moments later, sending your blade through the top of its skull. That happens to you when you have to do this. You turn yourself off for a bit, just so that you don’t have to remember the way it feels to hit the soft part of someone’s brain. You didn’t used to do that, only starting when you realized that there’s no going through this world anymore without it. 

Katsuki wipes the blood on his pants. It’s brown, no longer oxygenated, and the area around you begins to reek. You notice, but for some reason the smell of decomposition doesn’t register in your brain and you continue on behind him. 

There are a few beats of silence, save for twigs breaking under your feet, before Katsuki speaks up. 

“You okay?” It’s barely above a whisper and you wouldn’t have caught it were you not listening for the distinctive crack of human bones. 

“Yeah,” you say, continuing forward. 

The campsite rounds into view and in this light, with your full night’s sleep under your belt, you can see just how pitiful it looks. A tent that you’d hastily put up before nightfall, the remains of your stamped out fire, the folding chair which has since been knocked over, and your weapons on the floor covered by a few leaves disturbed by the wind. 

You snatch them up and move to grab your backpack out of the tent. The inside is shitty too and your torn sleeping bag hadn’t even been rolled out yet. You pick up the bag, returning to the folding chair as Katsuki begins to take down the tent. The polyester and nylon blend zips together as he makes quick work of folding it. Then, he kicks some dry brush over the remains of the fire, like he’s covering your tracks. 

“The next person that comes through here might not be alone,” he says plainly. “And they may have more bullets than you did.” 

“Right,” you respond. Your voice sounds a little far off and you settle your backpack on your shoulder in one quick motion. 

“Got everything?” 

You nod, following him as he heads out in the direction you both came from. The two of you pass the bodies of the infected you’d killed. The smell has permeated the air, lingering like how it does in cities, only less pungent. Their fogged eyes stare blankly at nothing, expressions plain and unreadable. You pass and try not to think much about it. 

Katsuki is a few feet ahead of you and he doesn’t glance back to make sure you’re following. You could leave now and never get attached to these people. You could head off in another direction and never have to think twice about it. No more worrying about who you could lose, about who’s next to become one of the sick masses. Just you by yourself. Then, when you finally kick the can, someone else can put you down the way you did to those strangers. 

Is there really a point to it anymore? To community or living in general. No one is as they once were. Does that make it fantasy to live in their beautiful bubble? Could you even find it in yourself to pretend again, to make nice and play house in that place? They saved your life, sure. They fed you, clothed you, bathed you, but for what point? Tomorrow, you could end up back in the woods, lighting fires with twigs you found in the brush, paranoid that someone would find you or the fire would spread. 

You watch Katsuki’s back as he moves, shoulders shifting with each step. His shirt is stained, white turned eggshell from the wear and tear of time. It seems so off to you that he looks relatively clean, like he lives well. 

Fear strikes you as you realize that your rambling thoughts have merit. Anything you fear now has become real and loss is so tangible to you that you can squeeze it in your hand. They could turn you out. Tomorrow night you could begin the starve and step all over again, moving from place to place, talking to yourself, filling your hours with paranoid thoughts like these that plague you when you’re alone. Is that worse than loss? If you’re alone long enough, you’d probably forget what you’re missing. Losing anyone else could make the wound fresh. For now, the hunger wins out. 

Katsuki jogs ahead of you to get to the house. Momo is on the porch waving him in and he hurries up the steps and bursts through the front door. As you approach, you can hear voices, some of which are relieved, others hurried. When you enter the room, you find a man standing there whom you’ve never seen before, Shoto maybe. 

“A plus one,” the man looks up, tilting his head at you in an odd way. 

“Katsuki’s,” Kiri says with a low smirk. 

Shoto’s eyes widen as he peers at his friend, clutching what looks like an injured shoulder. Katsuki just huffs his irritation. 

“Well, that’s rare,” Shoto says. 

“What’s rare?” Katsuki spits. “They were in the woods with a fire. What was I supposed to do? Let ‘em die?” 

“Maybe,” Shoto says, a light smile creeping onto his features. Then, he turns to you. “What’s your name?” 

You give it to him and he nods his head, tilting it at you again. 

“How long are you staying?”

You’re not sure how to answer that question. In fact, no one is, and it feels like more of a test than it does a genuine inquiry. Kiri and Mina exchange a glance and Katsuki tosses a somewhat dirty look towards Shoto. Ochako gives Shoto a knowing glance and Sero and Denki shift uncomfortably on their feet. Then, Momo clears her throat, spurring Izuku to say something. 

“Shoto,” he says. “You’re probably hungry, you should eat something and lay down. Ochako? Could you take a look at his shoulder?” 

“Sure,” the girl says softly, giving a closed mouth smile to Shoto as she takes him by the arm. 

She glances at you as she passes, almost like she’s too embarrassed to look at you fully in the face. You suppose this is what happens when people are forced to think about whether or not they will potentially leave someone else to die. It’s like the trolley cart question and though in this case there is always the possibility of a better outcome, it’s not likely in this world. 

“Just until I’m rested,” you add with a small tilt of your head. “A few days.” 

Shoto looks at you over his shoulder and gives you a small smile. It’s funny, you can see kindness there. His actions aren’t kind, but you can feel that he has kindness in him, though his rudeness stems from something different than Katsuki’s, you think. Like he’s strange in some way. 

“I’ll start on dinner,” Sero says. “Kiri, give me a hand.” 

The group disperses and you head upstairs without speaking to anyone else. A few days to rest and then cut the first people you’ve spoken to in weeks loose. What sort of idiot gives up something like this to avoid a little awkwardness? Not that you necessarily had your mind made up. You wonder briefly if you’ve just sealed your own tomb. 

—

After dinner, you go upstairs to sleep after eating as much as they would offer you. Your stomach has ceased its constant growling and the shakiness that comes with hunger has receded almost entirely into the background. The bed is soft, with a slight dent in it from whoever slept in here before. The thought unsettles you that they’re probably dead now, but you try to push it from your mind as you steel yourself for what comes within the next few days. 

You had volunteered yourself to leave. To what? Save yourself the embarrassment of pleading? Did you even want to plead? Why are you regretting not asking to stay? These people don’t know you, what trust can you have built with them in only a few days? Your skin crawls at the expanse of possibilities in front of you after so many weeks without any. 

You think that if you let yourself walk away, you’ll probably die. You’re out of bullets and don’t know where to find any food except by luck. You can try to catch prey, but prey hides whenever infected are around, and they’re everywhere nowadays. It’s spring, water wouldn’t be a problem, but running water has its clear comforts. Then, there’s the possibility of loss. You’d come to care for these people if you stayed, you know it. 

You furrow your eyebrows and look at the ceiling. There’s really no choice to be made. You’ll let them make it for you, even if you don’t know them. It’s their house and you won’t walk in uninvited or try to take it. You’re not about to become a monster just because the world is full of them now.

The darkness grows and your eyes drift to the dim light wandering in under the crack of the door. Hushed voices whisper in the living room, you can hear them. It’s a heated discussion, lively, but deliberately quiet. It’s been hours since everyone went to bed, yet you get the impression that many people are chiming in. You’re too nosey to leave it be. 

You open the bedroom door silently, turning the cool knob with a wince as it clicks out of place. When you peer into the hallway, every upstairs bedroom door is open with the room empty. The light is coming from down stairs and around the corner, and you can see shadows move as you inch closer to the source. 

You pause at the top of the stairs, knowing that they creak, and crouch by the bannister to listen. You’re out of sight. The only way they’d know you’re listening is if you made a sound, but you won’t. You’re good at being quiet. 

“We don’t even know them,” someone says in a rushed whisper. “We don’t know what they’ve done before.” 

“Everyone’s done things they’re not proud of now, Shoto,” a woman adds. It’s Mina. She’s spoken enough to you that you recognize her voice. 

“I agree with Shoto,” says another woman, her voice higher pitched. She sounds guilty and her voice is tight as she speaks “We have no clue who they are. They could be dangerous.” 

“You mean like me, Ochako?” A man adds. “I could have been dangerous.” 

The group grows quiet for a moment. 

“No,” Momo says. You recognize the cadence of her voice. “Shoto might be right, Denki. It’s been nearly six months since you got here and the world has changed a lot. We don’t- we can’t know for sure.”

“Can we really know anything for sure?” Another man adds, Kiri.

“What about you guys?” Shoto says, presumably to the rest of the group. 

“I don’t know.”

“I’m hesitant, but I don’t know either.”  

“Jesus,” another man with a baritone voice, harsher than the rest. That’s Katsuki, the first voice you’d heard of the group. “You guys make me a little sick.” 

“That’s not fair,” Ochako says. 

“No,” he interrupts. “It is fair. You guys want to… what? Send them back out there to die?” 

“It’s not like that,” Shoto says.  

“It is like that,” he says, raising his voice and then lowering it back to a whisper. “You didn’t see them when they got here, Shoto. They- they didn’t look… shit. The rest of you, you saw them. You really want to send them back out there to fuckin’ waste away? I don’t know about you all, but I won’t do that to a person.” 

There’s a pregnant pause.

“Katsuki’s right,” Izuku says with a bit of conviction, like he’s finally made up his mind. “Sending someone out there alone is a death sentence. How does doing that make us any better than the people we’re trying to protect ourselves from?” 

“What if there are more of them?” Ochako says quietly. “What if they’re not alone?” 

“Trust me,” Katsuki says, “They were alone.” 

“But what if they’re not?” She insists at a whisper, a bit of shame creeping into her voice. “What if people come for us?” 

“See?” Shoto says gently. “There are so many what-ifs.” 

“That works the other way too,” Mina adds. 

You don’t listen to hear the rest of their conversation. They’re going to run themselves in circles debating about you. They’ll go around and around and land on whichever argument ends with the most votes. They’ll convince each other of one thing and it will happen totally out of your control. 

The bedroom door shuts with a low click that makes you wince again. You think about the people who went to bat for you and the people who didn’t. You don’t blame those who opposed. You’d have probably reacted similarly if your old group were still alive and you understand very clearly why they do it. One person’s stupid reaction can be catastrophic and they don’t know enough about you to be certain that you’re not one of those stupid people. It’s how the world went to shit in the first place and though nine months ago you’d have surely condemned someone for making the same decision, you know that fear has warped humanity beyond comprehension. You didn’t get it until you lived it. 

Still, Katsuki’s humanity feels intact somehow, more so than yours at least. His response is something you probably never would have said under the same conditions and you can’t help but feel some sort of fondness bloom in you for him. Call it connection, gratefulness for his willingness to stick his neck out for you, a trauma response. You still feel it. Mina and Kiri had said that Katsuki was a good judge of character and that’s why they were willing to back him. You wonder briefly if maybe Katsuki sees something in you that you don’t recognize in yourself anymore, or maybe something you don’t expect other people to recognize. What is it that he wants so badly to protect? 

Someone stomps down the hallway, heavy boots against the old creaky floors. You hear the steps recede down the hallway, maybe a door or two down, before it shuts quickly. The sound makes you wince and you listen as the house grows quiet and then hums quietly with the sound of others coming upstairs a few moments later. Someone pads to the end of the hall, pushing the door open. 

You hear a woman’s voice, so muffled that you can’t make out what she’s saying. Then, you hear the sound of a man’s affirmation before the bedroom door shuts and the visitor moves back down the hall to a separate bedroom. Information passing through the house. 

Someone is moving around in a room below you and you figure that there are probably bedrooms downstairs as well. From the outside, you’d never guess that the place could house ten people. Inside though, the bedrooms are small. That’s probably why so many can fit. You’d guess that the place used to have multiple generations living in it, or maybe even rented out rooms to people for a few months. It sort of has a boarding house feel to it, like many people have come and gone even before people stopped staying in one place. 

That’s a good thing to call it, the boarding house. It certainly has that sort of feel to it, many of its spaces undeniably communal. 

You turn over in the bed, facing the bedroom door. The lights have gone out completely now and the house is quiet save for the occasional creak or thud from someone preparing to sleep. It’s been a long while since the sounds of living have been so prevalent near you. You’re eased by the sounds of the house settling, a familiar reminder of what living used to be. Your group had been on the road long before you lost them and the comforts of an interior are almost overwhelmingly nostalgic. You’re better rested to notice it now and shutting your eyes, you savor the feeling. 

—

“Need some help?” You say. 

Denki turns around, grease smeared across his nose where he likely wiped it with his dirty hands. He’s holding a wrench in a glove so tattered that it hardly counts as a glove anymore. He looks startled, amber eyes widening before he uses his forearm to brush stray hairs out of his face. The rest of it is pulled up into a messy ponytail, revealing the moist back of his neck. 

“Oh, sure,” he says, a bit surprised. “Do you know how generators work?” 

He crouches back over the machine and you step up behind him. 

The machine is rusted near the bottom and between the exposed winding pipes. Its paint has chipped away, leaving the weather-damaged metal open for you to see. On the side, a fan-like piece spins slowly in circles and the machine whirs and sputters softly as it… generates power, probably. 

“Not quite, but an extra pair of hands is always helpful,” you say softly, passing him a tool he’d been reaching for. “Did it break?” 

“No,” Denki says, “but it’s probably on its last legs. The thing’s almost as old as we are, probably older, so it’s good to tune it up a bunch.” 

You hum your agreement, tilting your head as you stand and watch him work. 

You’re not necessarily comfortable with Denki, but he feels like a safe person for some reason. Maybe it’s because he’s got a sort of ditzy, non-threatening vibe to him. You can almost distinctly picture him tripping over his own feet and something about that makes you feel considerably safer than someone who wouldn’t. That and he was the first person you’ve come across this morning who you don’t think distrusts you too badly. 

“Are you dodging something?” Denki smirks up at you from his crouch. 

“Who on earth would I be dodging?” you snort a bit defensively. 

“Shoto,” he says with a light smile. “He put you in a tight spot the other day.” 

“Yeah, well,” you say, glancing over your shoulder. “It wasn’t anything he didn’t have a right to ask.” 

“Right, but it sure was rude, huh?” 

Denki laughs to himself a little and you’re surprised by how easygoing he is. You subconsciously begin to categorize him with Mina and Kiri. The dichotomy of this group baffles you a bit, but you can certainly see all nine of them as a collective. Tightly knit and well acquainted with the habits of others. 

“Oh!” He exclaims, “I have something you can do for me.” 

You tilt your head. 

“There’s a bucket over there,” he says, pointing absentmindedly to a shitty plastic bucket against the side of the house. “We use the water from the creek as coolant. It’s not factory grade, but it does the trick. You wanna go fill it up and bring it back for when I’m done tuning this thing up?” 

You furrow your eyebrows, not sure where the creek he’s talking about is. 

“The creek is just over there,” he points behind the house to the edge of the treeline. “I know you can’t see it from here, but if you walk in a straight line, you’ll hit it. Katsuki should be down there too, so you can use him as a landmark.” 

When you don’t immediately answer, Denki whines a little. 

“I mean,” he says, “I’d go myself, but-” 

“I’ll do it,” you laugh a little and Denki seems surprised that you do. 

“Really?” 

“Yeah,” you shrug. “I’d like to pull some weight at least while I’m here. Plus, I offered.” 

Denki mumbles his pleasure and you walk to the bucket without another word and set off in the direction Denki pointed. You’re much more willing to go out to the treeline now that you have a knife back at your side. 

The walk to the trees is longer than it looks, like how sometimes the horizon looks like something you could reach out and climb up onto. The walk stretches with each step you take and you become a little more understanding of why Denki didn’t want to do it himself. But the walk is actually pleasant, the warmth of mid May collecting evenly on your skin as the humidity grows more intense with the sun. 

You wonder what Katsuki would be doing by the creek. Maybe he’s fishing, or crouched over himself sharpening an arsenal of knives that you think he might keep in a roll attached to his belt sometimes. You’re not sure why, but Katsuki sort of has that expression to him. He’s handsome, but the scowl projects something hostile that makes him seem unapproachable. 

As you cross through the middle of the clearing, you could almost imagine that this is a normal day. Humidity collects on your skin, making you sweat a little as you dodge gopher holes and soft spots of dirt. It almost feels like summer camp, if it weren’t for the looming idea that you’re contributing to something you may not be a part of. Denki’s attitude though, has you hoping for a more favorable outcome, if you want to call it that. 

You’re only a few steps into the line of trees when the earth dips into a sand-lined ravine. The trees leave room for the sun to beat down on warmed rocks, making the area seem brighter with their subtle reflection of the light. The noise of the creek drowns out the sound of your footsteps and you shuffle toward where the earth flattens just before the water starts. A little ways to your right, you can see Katsuki sitting on a rock in the sun, his hands dipped into a large bucket. You narrow your eyes as he pulls what looks like a cloth out of the water, rubbing the fabric together before dipping it in the cool water of the creek.

As you approach, you realize what it is that he’s doing. It’s laundry. On the other side of him, you can see a bin of what look like dirty clothes and water-soaked clean ones. Talk about misjudged character. 

“Katsuki,” you say as you approach him, the bucket still empty in your hand.

He squints up at you, shifting his face so that it's in your shadow. 

“You’re still here,” he says plainly, returning to his task. 

“Clearly,” you respond, watching as he runs his fingers over the next piece of clothing in the bucket. 

“Why are you down here? Did Denki pawn the generator water onto you?” He says, like he’s somewhat frustrated. “He does that shit to anyone he can.” 

You shrug your shoulders and continue to stare at him. 

“Are you just gonna stand there?” He huffs out. 

“You’re doing laundry.” 

“Yeah?” he furrows his eyebrows and looks at you. “So?” 

“Nothing,” you say. “I just didn’t expect that.” 

“Yeah well,” he stops for a moment like he’s struggling to find the words. “It needed to be done. Figured I might as well.” 

“How progressive of you,” you joke with a straight face. 

He looks at you out of the corner of his eyes and sighs, not justifying your comment with a response. You find yourself smiling a little bit. 

“If you’re going to linger, sit down and do it,” he says. “You’re creeping me out.” 

You oblige him and sit down on a rock next to him, far enough that you’re not touching, but near enough to hear him if you speak in a low voice. For some reason, you feel a sort of kinship with Katsuki. You’d thought longer than you’d like to admit about his willingness to vouch for you and find that you want to live up to his expectation of your goodness, even if it’s not what you believe yourself to be anymore. Maybe it’s because you’ve slept well the past few nights and feel more like yourself, but there’s a certain casualness to conversing with him that you enjoy. He’s not looking at what you could be, but rather what you’re showing him that you are. His lack of doubt in that is something you find relatively attractive. 

You watch his arms out of the corner of your eye in between gazing at the treeline and the sky. Your field of vision catches on them, his sleeves cut short to expose his biceps, a bit muddied near the elbows where the mud has begun to stick. 

Katsuki doesn’t seem all that bothered by your presence, but now and then you’ll catch the sideways glance he gives you, almost like he’s trying to figure out exactly why you’re lingering. 

“How long have you been with them?” You ask, more as a way to fill the silence. 

Katsuki’s hands pause as he thinks about answering, then, they continue their steady pace. 

“A decent amount of time,” he says. “I met Izuku first, probably in November just before Mina and Kiri. The rest came later.” 

You furrow your eyebrows. 

“No offense,” you start, “but you don’t really seem like the group type.” 

“And you don’t seem like the type who’d be alone,” he retorts, like your statement was stupid. 

You press your lips into a tight line, not really knowing how to respond. 

“Sorry,” he says, shaking his head a little. 

“Were you?” 

“What? Was I sorry?” He furrows his eyebrows at you. 

“No,” you shake your head. “Were you alone? Before Izuku.” 

He goes silent. You’ll take that as a yes, but you regret asking a little. It had just slipped out. If someone were to ask you something like that, you’d probably react the same way. That’s just as well, you don’t really need to know him like that anyway. 

You wonder briefly if anyone does. He seems closed off, but Mina and Kiri spoke about him a few days prior like they knew him well. Well enough at least to allude to a history you’ll likely never be privy to. Then there’s Momo, who whispers little things to him that he answers in kind. Curiosity gets the better of you, if only to tease. 

“Do you have a girlfriend?” you ask and Katsuki’s response is to rest his elbows on his knees and let out a dry laugh. 

He turns his head and looks at you from the side. “And what the fuck are you asking me that for?” 

“Just curious,” you say. “Is it Momo?” 

“Momo?” He makes a sour face at you. “Yeah, right.” 

“She’s pretty,” you say. 

“Sure is,” he responds dryly. “If you’re into the mom type.” 

“What? You’re not into moms?” You grin a little and Katsuki furrows his eyebrows at you. 

“So you do have a personality,” he scoffs a little. 

There’s a pause. You haven’t felt this in a while. The feeling of bonding with someone new, compatibility on the human level that feels nearly instant. 

“I’m kinda serious though,” you say, tilting your head down to catch his eye. “Do you?” 

You’re leaning a little closer to him now.

“You seen any nice restaurants to take a person out to these days?” he questions, clearly a little frustrated with you in the way someone gets when they’re a bit amused. 

“You don’t have to take someone out to a restaurant to fuck them, you know?” You laugh a little. 

Katsuki’s lips part and he swallows like his mouth has gone dry. 

“Yeah, well,” he starts, looking away from you. “I’m a romantic. Sue me.” 

He’s just full of surprises, isn’t he? You find that you’re captivated by this feeling, this humanity, that exists in him. It’s something alive between you both, something left behind from the old world, and you crave it the same way you crave food. 

Katsuki continues scrubbing the clothes, rubbing the fabric together and then dunking it in the bucket before plunging it into the freshwater creek. You’re not sure why you do it, but the next time he looks at you, you kiss him. 

It’s not as if you like him, but it’s something to feel. Some remnant of the butterflies you used to feel on dates and the kiss makes you feel like you could be close to human again. You pull away almost as soon as you put his lips to yours and you can tell that the expression on your face is one of surprise.

Katsuki blinks for a second, looking at you with his brows knitted together. The expression doesn’t leave him as he places a wet hand on the side of your face to kiss you again. It’s an anxious kiss, confused and slow but—like someone riding a bike for the first time in years—it quickly becomes something familiar. Muscle memory that you both let yourselves sink into. 

You can feel his expression as he kisses you, something between confusion and desire, like his own actions are perplexing. You feel the same way, hesitant, but reaching in the dark for the promise of some sort of normalcy. You want to feel like a person again. You haven’t felt it in so long and you push yourself against him as the ache swells in you. 

The two of you continue like this for a moment, Katsuki’s fingers pressing lightly into the skin of your neck. You moan softly as his tongue slips into your mouth, taking a sharp inhale at the sensation of skin on skin. The sound of the creek drowns out the clicking of your mouths, but you can feel the way he hums into your mouth. They’re little sounds, involuntary ones driven by the nervous, desirous feelings inside of you both. 

Then, Katsuki pulls away, swallowing thick as he takes his bottom lip between his teeth for a moment. You appreciate the way they look. They’re swollen, anxious to continue and keep forgetting where you really are. He drops his hand from your face with a sigh and almost seems like he comes back to himself. You do the same, moving back into an upright position. 

“Denki will want that water soon,” he clears his throat and motions to the empty bucket by your feet. 

“Oh,” you say, laughing a little. “Right.” 

You stand, dusting off the back of your pants and dunking the bucket into the water. It sloshes, the liquid hitting the back of the plastic with a satisfying elastic sound. You begin to walk away without another word, heading down the way you came to climb up the gentler part of the slope. 

“Hey,” Katsuki calls softly. “You should stay. We talked it over last night. You can if you want to.” 

The last part, he says facing the wash, his hands moving as if he hadn’t said anything at all. You don’t respond, knowing that the obvious answer is already yes. 

Dread settles in your stomach. It’s an icky, swirling feeling that threatens to make you double over. You climb up the bank, the water in the bucket sloshing as you move through the trees and enter the clearing. The feeling doesn’t dissipate, growing as you leave the cover of the trees. You probably wouldn’t have kissed him if he’d asked you that earlier. 

The boarding house comes into view and you can see Denki sitting beside the generator, conversing with who appears to be Shoto. They turn and Denki waves you down, Shoto turning away and starting around for the front of the house. 

Denki jogs to meet you, taking the bucket from your hand. You flex your fingers as the weight is removed, wincing a little at how stiff they feel. 

“Jeez, what took you so long?” Denki laughs and with your new information, you understand his willingness to be friendly with you a little better. 

“I asked Katsuki for his life story,” you respond dryly, following him back to the generator. 

Denki looks over his shoulder and laughs at you. “Did he tell you?” 

You pause for a moment, watching as Denki unscrews something and pours the water in. 

“Nope,” you say. “Not a thing.”

Click Here to go to the second chapter and find the rest of the series on ao3. The remainder will not be posted on tumlbr, but please feel free to reblog!

[midnight1nk]

So, this week's episode...

[Spoilers below cut]

Past Ink: Guys, it's fine. This isn't a serious episode, it would be too soon for another arc. It's just gonna be another silly Saturday.

Current Ink: ....

(the following is my live reaction:)

[*unholy screaming*] FOUR NOOOOOOOOOOOO

WOW WHAT A GREAT START TO THIS EPISODE, SCRATCH EVERYTHING THAT I SAID ABOUT THIS BEING A "NORMAL" EPISODE

NOPE I NEED TO PAUSE, I NEED TO TAKE A WALK BC I'M NOT GONNA GET OVER IT, DO YOU KNOW WHAT THIS COULD LEAD

they're not gonna do it in this episode BUT the fact that goop!4 is being acknowledged in every way possible, we might just have a sequel in our hands

NO NO NO CUT THE INTRO, I HAVEN'T EVEN FINISHED THE EPISODE YET AND YOU WANT ME TO MAKE A THEORY ON IT ALREADY? HOLD YOUR FUCKIN HORSES, I'LL GET THERE GEEZ

anyway, we have to press play...

I'm pretty sure someone already has done a pirate au (no I'm not over what I just watched) and anyway, artists: here's pirate SMG4

Four, you should've read the file name before downloading it [*shakes head*]

Wait, is this going to be a parody of computer buddies? That's actually pretty fun..... OH NO NO NO

Ah, so we are doing computer buddies

Actually, yeah, can we have Mario as president please

love how it says "no one even compares to mario. especially smg4 who sucks booty cheeks [or ass] and mario doesn't"

Observe as the SMG4 fandom gets terrified of the word "perfect" [*screams*]

MARIO MARIO NO NO NO HE DIDN'T SAVE

I felt that in my core omg

as a graphic designer, this hurts

apparently, there's a whole new dimension in our computers, Only in the SMG4 Universe [*cheesy thumbs up*]

We really are getting all the computer buddies, huh? I wonder if KinitoPET will appear

[*silver the hedgehog voice*] It's no use!

BRITISH SMG3

wow what a funny bit... WAIT HOLD UP WAIT A MINUTE, LOOK AT THE MEDIA BOX

the eyes....

w̷̹̓e̷̼̽ ̸̯́n̴̩͆e̵̝̓v̴̼͑ë̵̤r̴͓͛ ̷̭͝l̵̦̎e̴̞͗f̵͉̐ṯ̴͗

and the left eye too... oh god, the EYE OF RA— [*gets shot*]

honestly, Four, you improved your aim ever since Western Spaghetti (ik you also did for PV but that's not the point)

I knew they were gonna bring in buff Luigi again

I'M SCREAMING

THERE IS NO WAY THE TEAM JUST DROPPED THAT ON US, THIS CAN'T BE REAL

ok first off, the fact that Four has a folder labeled "Super SECRET Spicy Memes" is giving "totally homework" folder energy (and I don't want to even think more about that)

hey, Four did say that Three brings some spice into his life (yeah, "rosemary to my bread" and all that jazz)

SECOND, the fact he has an image of SMG3 with him saying "whats the matter smg4 kun?"

THEN the "I know what you are" audio clip...

Four, buddy, you're down bad aren't you?

like "woah smg4's bisexual, I didn't know that", the closet is out of GLASS so we been knew but I DID NOT expect this

having Three be a tsundere is one thing, but FOUR....

🫵🏳️‍🌈⁉️

"they're dating behind the scenes" at this point, yeah

we have to keep going... [*secretly puts this clip on the fridge*]

I hate this so much /silly

[*chaos ensues*] [*sips my coffee*] just another tuesday saturday

GOTTA GO FAST GOTTA GO FAST— [*gets tazed*] i can never catch a break c'mon man

oh hey Swag!

four dollars is four dollars, you got yourself a deal

ok, I'm gonna need everyone to see Four's cute little hops here:

look at him go, my silly little goober :) oh, now you have? then let's keep going

holy shit, this fight scene is so well animated!!! LET'S GOOOO

never thought I'd see the day of seeing biblically accurate bonzi in an SMG4 episode and yet here we are.

SCREAMING CRYING THROWING UP

THIS IS THE MOST BEAUTIFUL THING I'VE SEEN IN MY LIFE, I'M ASCENDING

"...but they hugged before" NO YOU DON'T UNDERSTAND

A normal hug, where two people cross each other and are unable to see the other's face since it's over their shoulder, is just as it is: a normal hug. It can be seen as platonic and/or romantic.

THIS is a lot more intimate. 3 and 4's heads touch while they hold each other by the hand. This type of hug is reserved more for romantic partners when the situation leads them to a devasting end, where they face each other to look at and remember what their partner looked like, one last time before they die.

In this case, it makes sense as the computer is collapsing within itself.

"It's not actually them tho." Yes, they're digital copies of 3 and 4 but that's the thing: they're COPIES, acting on what 3 and 4 would actually do

SMG34 shippers, we are eating GOOD today yum yum

but then, that begs the question: would there be a moment where 3 and 4 would reveal their feelings for each other at the worst possible time?

(you guys are not going to be ready for my next episode concepts) What, who said that?

uh anyway them 💙💜 gotta put it on the fridge

I feel for you, Four, but I have a horrible feeling about this

...

Foreshadowing is a literary device—

no seriously, I feel like this could be part of a future arc where a past villain would ruin everything Four has and would offer up a deal when Four would be the most desperate. There's always a catch. Hmm, why does that seem familiar...?

Your life's work or your friends, it's your call, SMG4

:)

HELL YEAH FOUR, THROW IT AWAY (omg just like how he chose Three over the USB, I'm crying dude)

also congrats to Ourstor08954957 for the lovely art in the end credits 🎉 such cute doodles ❤️

.・-: ✧ :--: ✧ :-・.

Oh boy, what an episode. I feel like I'm in another plane of existence right now. Everything was absolutely incredible, great job Team!!

Everyone, say THANK YOU to whoever put the SMG34 crumbs in there, we shall treasure it for the rest of our lives. I'm gonna put those moments on my fridge. OH I would love to see the artists draw the SMG34 hug or pirate Four!

Love the fighting scene right by the end and the little details they have added in there. I guess it's "Torture Ink with the Idea that Goop!4 May Happen" day but hey, I'm so normal about it (no I'm not). I've been a bit stressed since finals are coming up so I'm thankful for anything this episode for me.

(If anyone is curious, the WOTFI website is still up and yes, I am logging its status just in case.)

I'm sure everyone is going crazy over this...

"They gay fr :3" [BenJoJoGV, Twitter]

🧍

BEN YOU CAN'T JUST SAY THESE THINGS—

[south-sea]

shadow gets knocked out for three (3) days due to injury/exhaustion. metal has been at his bedside the entire time, sat on the floor, and has not moved once. and when he finally wakes up, metal waits exactly five minutes for the doctors to conclude their checkup before he's out of patience and decides it's his turn for shadow's attention.

he returns his emerald. then lays his head in shadow's lap and holds onto him from the side without leaving the floor. shadow lays a hand on his head and absently smooths over some of the dents and chipped paint spots metal's accumulated. he does this for fifteen solid minutes without even realizing it as he speaks with everyone else.

it's second nature. he's just woken up, but he's seen all the dents; he's worried, like he always is.

not love, but a secret third thing

metal, about shadow: that is my charge. my responsibility. if anything happened to him i would kill everyone in this room and then self-destruct. i am not even capable of self-destructing, but i would Learn. then i would have my caretaker repair me so i can track them down and do it all over again. he is everything. he is my purpose.

shadow, about metal: this is my prickly friend(?). i'm not sure if we're actually friends. he just decided one day that he lives here too. it's like having a very intimidating, very heavy cat.

[floofanflurr]

dyou have opinions on Mom Papyrus

LET! THE! MAN! BE! A! MOM!!!!!

HE'S A GREAT MOM!!!

I don't know if this is a teasing question, but I'M ANSWERING IT SERIOUSLY ANYWAY! :D

On a less silly note! I feel that Papyrus would just as happily be called Mom as he would Papa. Meaning that this is equivalent exchange in my books - mom Papyrus and dad Papyrus are the same thing and I ADORE BOTH! Rabid over them, tbh. (This line of dialogue is actually what sent me into my obsession.)

I WANT ALL THE MOM PAPYRUS CONTENT PLEASE AND THANK YOU. Especially if it's with Frisk. Please, the game has a child who needs a family and a character that says he would be a great mom, let him haVE THE KID PLEASE PLEASE PLEASE PLEASE-

Ahem. I mean. I'm totally normal about the concept of Papyrus being a mother and/or father to Frisk and any rabid screaming you hear is Just The Sounds Of The City.

[sitepathos]

I just found your story 'from gold to mold' and I did read all these chapters, one after another. I ate it all like I was fasting all day!! Your writing is so good I'm in love. I even got my sibling to it just so I can have someone to talk to about it!!! (Sorry, English is not my first language)

I do actually have a question and a suggestion:

1| Y/N had a scar because of Damian but he lost it after chapter 3. But it seems Alfred didn't notice it, it was not even mentioned that he noticed it was gone. It made me want to see his mind. Does he know who is Y/N?

2| About Y/N who was in like a coma state. From what I know his muscles will be so weak he will have a hard time to even sit up and every move with his head will make him dizzy because of blood circulation being slower than normal because he is sitting in one place most of the time. So just thinking of him coming out of his mind, having a hard time to even move, feeling super dizzy and just after seeing Alfred, Bruce walk in and call him "my baby doy!" If I'm Y/N I'll cring so hard ma butt checks will clap. (⁠ノ⁠ಠ⁠益⁠ಠ⁠)⁠ノ

I don't think he will be capable of screaming much because he didn't raise his voice for a month (and didn't talk much as well). His trout muscles will be weeker and he will probably hurt it from screaming.

If we combine all of this the amount of rage, hate and pain, helplessness and stress Y/N have will be royal! emotions affect the body more than we think! this amount of negative emotions will be distractive to Y/N's health. (⁠ノ⁠｀⁠Д⁠´⁠)⁠ノ⁠彡⁠┻⁠━⁠┻

Anyway please take care of yourself and stay healthy, I hope you the best. ⊂⁠(⁠・⁠▽⁠・⁠⊂⁠)

Yeah, that’s a bit of an oversight by me, sorry! I actually had it on my mind to include in Chapter 5, but it slipped my mind. That man knows everything about everyone in the Wayne Family and knows when something is wrong, so he’d totally know something happened if he saw your scar missing.

But, it was a small scar, easy to miss if you didn’t know any better, but every time you looked in a mirror, it was the first thing you noticed about your reflection. Maybe he thought you found some product to conceal it because he knew how much you hated it and Damian for giving it to you. Plus, he noticed your behavior changed and that’s what he was mostly focused on.

Well, that and trying to get your “family” to notice you.

Also, about the scenario about you coming out of your coma: they might have moved your limbs to prevent atrophy, but not being able to move them at all still takes a toll on them. So, you’re not gonna be running any marathons or lifting heavy weights any time soon.

But, your rage burns bright and your hate for them is so great, you don’t care about your body’s condition and willing to make your condition worse just to say how you feel about them.

To see you hurting yourself just to call them every name in the book really opens their eyes to how they’ve wronged you.

It may take some time, but eventually you’ll calm down and when you do, they’ll swoop in and bring you back into the family.

They capture criminals and lock them up only for them to escape and do it all again, they have the patience of saints (despite being the farthest thing from it).

[plantyberry]

Cloudcuckoolander Tally Part 1: Prologue + Chapter 1: 'My little poltergeist can't sound this sexy!'

Helloooo Internet. Seeing as I have nothing better to do with my time, and that people asked about it, but never actually asked for it, I have taken it upon myself to do some weird… Cuckoolander thing.

Now then, let's get ⭐🌟✨~Fabulous~✨🌟⭐

Prologue

Nothing, but Reach Out for Arthur anyway for that +2 Relationship bonus or choose to Wake Up for that +1 Will.

Chapter 1

Some of the choices there lead to you picking the 'real' option next while giving you points. For example, in your Job Choice options, you have:

Fairy Princess (with requisite singing!) (Cuckoo +1): If picked, you get a second choice with the 'actual' job pick. For the sake of not having to repeat this every time, every such choice will have (++) added to them to signify that they work similarly.

Run screaming through your apartment. That's definitely going to be helpful. Cuckoo +1 (Note: Not picking the floor lamp means you're not picking that +5 physical) Charge around your apartment while screaming epithets. You don't know if it'll help anything, but it sure will make you feel better. Cuckoo +1 (Note: This one increases you potty mouth score, which interferes with your purity score, so if you're aiming for Percy, keep that in mind)

Reptilian Eyes.(++) Cuckoo +1 (Note: Does not actually give you reptilian eyes. Or does it? * Side eyes changeling MCs *)

I whip open the closet door with a sudden movement: Doesn't give cuckoo points, but gives access to Cuckoo options. ===…it's been ransacked! Your clothes and shoes are strewn everywhere and- oh, wait, that's how your closet normally looks. Cuckoo +1 ===…there's a great hulking monster inside and it smells like- wait no, that's just your raincoat. Cuckoo +1

I whip open the closet door with a sudden movement. I also yell "HIYAA!" and strike a martial arts pose for the added effect. Cuckoo +1 ===…I said I was going to yell "HIYAA!" and I keep my promises. Cuckoo +1

Clothes:

Depending on your club picks and your character settings, you may get some cuckoo points out of them, though if you follow some restrictions like, say, a mute run, or are achievement hunting, then some combinations may be preferable even if they give less points.

Birthday Suit.(++): Cuckoo +1

Other clothing options also give cuckoo rating during the talk with Adrian before clubtime. The pick that gives the most points here, that I can see, is the Vampire cape (up to +3 points), but here is a list of the other picks and the points they give with the right club options:

Riding club:

Red Cape + Frame = 3 or height = tall: -"Little?" I wonder if Adrian has suddenly gone blind. --"Aye, Aye, fairy godmother." +1 Cuckoo

Vampire Cape: +1 Cuckoo -Strike a stereorypical vampire pose . +1 Cuckoo --"No promises" +1 Cuckoo

Tuxedo: -"Actually, I was planning to wear these clothes during practice." --"It will totally be worth it to see everyone's reaction to me riding around in a tux." +1 Cuckoo

Spandex Tracksuit: -"It's a tracksuit, Adrian. Why would I change my clothes again?" I ask 'innocently'. -- I say nothing, I merely start dancing the Tango de la Muerte. +1 Cuckoo (and the Keikaku achievement)

Fencing Club:

Vampire Cape: +1 Cuckoo -Strike a stereorypical vampire pose . +1 Cuckoo --"I never bite and tell." +1 Cuckoo --"Lies and Slander!" +1 Cuckoo

Spandex Tracksuit: -I say nothing, I merely start dancing the Tango de la Muerte. +1 Cuckoo -"I was thinking about wearing this instead of my uniform today." --"If we switched to plastic swords we could totally do naked fencing!" +1 Cuckoo

Favorite Drink:

The fresh blood of virgins. (++) Cuckoo +1 (Note: You can't pick the option if you picked 'Blood' as a fear)

When watching the TV:

If Wildlife Biologist: He was obviously eaten by a giant mutated bear. Case closed. I'm a genius. Cuckoo +1 If NOT a Wildlife Biologist: He was obviously eaten by werewolves. Case closed. I'm a genius. Cuckoo +1

Hobby:

Gadgetry gives the option to gain +1 Cuckoo point if at least Friendly with Adrian (pick 'I asked the magical 8-ball' option when remembering about your first meeting)

Once the phone pick is done, open your status page, scroll down, and select 'Magical grimoire (Phone)' bank-mobile-alert-666: Pick the overly-long reply. You'll know which one it is. Cuckoo +1 Work: Talk about your Theory (Mutant / werewolf / Zombie / Thousand eyes in their throat). Cuckoo +1

Jump up and charge at the glass doors. Cuckoo +1 (Note: You can't pick the option if you picked 'Fear' as a fear)

After the Sin choice:

I whip out a nearby Bible and try to exorcise the monitor with its words. Cuckoo +1

Mask Choice:

Jason Voorhees Pandemic Mask (ie Hockey Mask Style) Cuckoo +1 Plague Doctor Mask. Cuckoo +1

Final notes:

While character generation isn't overly-long, it's an excellent way to farm cuckoo points (If you pick the right followup options in club and with Adrien, up to +17 to cuckoo score from this section alone). Two picks in particular stand out here in my personal opinion. The Spandex tracksuit, as it's easy to move in, increases your interpretative dance score with the right picks, and gives you an achievement. The other is the Bible Exorcism which, while incompatible with mute, also gives you +1 Will, and those points are quite a bit harder to farm.

[just-some-random-blogger]

Found the inbox, i think😅 could you please make a shortstory with aegon/tom the actor? Where yn is a co actress playing a servant/love interest for aegon, and they are supposed to kinda film a feisty makeout scene (on aegons bed🙄) . Anyway it’s kinda awkward so ofc Tom is gonna be a crackhead and try make yn laugh as well as being fliirtyyy (and dirtyminded). That’s it that’s all I’ve got. If this made some sense at all and you would be so kind to use your time and talent on this, I will be blushing and screaming for a week!!

A Total Babe

Tom Glynn-Carney x Actress!Reader

Summary: Aegon is yucky but Tom is baby (confirmed.)

Word Count: >800

Warnings: fem!reader, tom being super cutie and annoying T_T, set shenanigans, i have never actually been on set so im making stuff up as I go, fluff, typos, etc.

A/N: hello lovie im giving you an express pass (even though its not as express but trust me it's express lololol) because youre new here and im sure youre super panicked that i havent replied yet lol i btw combined your req with another one (i actually thought you were the anon that sent that) because they're quite similar. btw nonnie, i didn;t want to redo the matt smith fic, so i changed it up a bit <3 i hope you both like it <3 Tagging: @pinksirensong @deniixlovezelda

"Cut!" the director calls.

Tom, who was hovering atop me from the bed we were laid upon, pulls back, pressings his lips into a line, and rolls off, landing on his back.

I, who had been making out him for about 30 minutes, prop myself up on my elbows and eventually sit up. I suck in a breath, willing the haze that comes in the aftermath of kissing. I catch sight of the incoming stylists, ready to retouch our makeup and readjust our wardrobe.

I straighten up as the makeup artist redoes my foundation with her brush. I turn to the artist that goes up to Tom and I point a bit worriedly, "I think I accidentally messed with his wig."

Tom, who's stylist immediately check on his platinum hairpiece, turns to me, chuckle, "her fingers were two inches away from snatching it off."

They all laugh at his sentiment. I, in particular, snort and frown playfully, "fake news. You're such a drama enticer."

"What?" Tom chuckles, "I'm not kink shaming," he raises his hands, "but you can't just snatch my wig, baby."

I scoff, rolling my eyes, holding back my grin. I turn to the the stylists, absolutely humored and enamored by Tom's English drawl and smooth talking, "he's such a dweeb."

Tom pulls his upper lip up in faux annoyance, "I'm offended you think so little of me."

Once our makeup was retouched and ready, Tom and I go back to our spots on the other side of the set. He extends a hand out to help me up, although I didn't need it, and I take his hand, allowing him to lead us back to our marks. Totally normal. Totally no butterflies in my stomach.

Tom and I face each other, waiting for our queue. We absentmindedly look around the set. There are distant voices of crew members conversing behind the camera.

It turn to Tom when he pushes back hair behind my ear.

I give him a look and he gives me a narrow eyed smirk, as if nonverbally saying he did that just to mess with me. I ignore him and the tightening of my chest.

The next moment, the intimacy coordinator walks up to us with the director, the latter of the two says, "great shot guys, but I'm thinking wilder."

"Are we ok with that?" the intimacy coordinator asks, looking between us as she raises a thumb up with her questioning gaze.

Tom and I turn to each other, nodding softly as we purse our lips and mutter agreements.

"Ok," the director points, motioning over to the bed, "I think in this part, where you push up her skirt, you have to make sure the camera can see your hand on her thigh, Aegon."

Aegon's actor nods as we walk over to bed.

"Should we practice it?" I apprehensively offer.

"We can," Tom says, turning between the three of us, raising his hand out to me. I grab his hand and place it on my hip, hiking my skirt, placing up the bunched up fabric in Tom's hand. Much like a while ago, I place my hands on Tom's shoulders, leaning back a bit. His hand goes to my waist, and I huff, ignoring the washing machine turns in my stomach.

"Are we good?" the intimacy coordinator asks again, coming near us, placing a hand on our shoulders. Both Tom and I turn to her and agree. She smiles and nods, stepping back, "okie dokie.

The director steps forward, adjusting our form, turning over her shoulder, "how are we looking?"

One of the assistants calls, "looking hot!"

"Nice," the director grins, turning back to us. She turns to me, "you're good with whining out his name?"

"Tom?" I catch myself, "I- I mean-" but it's too late.

Tom, the director, the intimacy coordinator, and everyone else who catches my questioning tone, breaks into a giggle.

I bare my teeth in a tight grin, straightening myself up, pulling my hands away from Tom, "I meant Aegon," I weakly say.

Tom chortles, loosening his grip on me as he looks off to the camera, "for the record, she did not."

The director chuckles, slapping Tom's shoulder playfully as she turns to me, correcting, "Aegon!"

"Aegon," I nod my head.

"Aegon," Tom grins, as he says my character's name sequentially.

I roll my eyes at him, "yes but Aegon keeps forgetting her name."

"Fine," Tom says, continuing with my name as he throws a lopsided smile.

"Enough," our director, chastised lightly tapping Tom's nose, "if you two screw this up I'm making you do 600 push ups."

Tom gasps, pulling his hands away from me altogether, to hover his them by either side of his cheeks, "not corporal punishment."

I cross my arms, scoffing in amusement, turning to the director, "please actually make him do 600 pushups if he messes up."

Tom laughs loudly, "aha," he tilts his head, "and what should I do to you for calling out my name on," he raises his two fingers and wiggles them " 'accident', sweetheart?"

"Quit being annoying," I raise my brows at him, pursing my lips.

"That means you find me distracting," he retorts victoriously, wiggling his eyebrows next.

"Alright," the director raises her hands in front of both our faces, "that's enough flirting. On your marks."