i can confirm that i do not like jonathan sims because everytime he talks he has a very condescending voice, and he can't stop talking about martin (who seems like the sweetest guy ever) like he's an idiot and also gertrude was an idiot and also no one at the institute know how to do their damn job
athough i feel like it's completely intentional, so he's still technically not on the hate list, but he's not on the love list either
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The entire storyline involving the author and the two dudes from her high school is annoying. Both because it doesn't really add to the show and feels like a distraction from the main plot, and also because I feel like everyone's problems would be solved if the two dudes just dated each other.
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Ohh the goblet wire IS good. If you want a weird, surrealist podcast in your ears, this is IT
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can these adult women leave denji alone
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don't mind me, i'm just sitting here marinating in the fucking implication of that scene in the PILOT episode of house md where the patient is trying to understand a little better the doctor who's saving her life because he's cold and a jerk (and hasn't even bothered meeting her) but also works in an ultimately caring profession, and she picks up on the fact that wilson must be the closest thing house has to a friend the way he talks about him so confidently and asks him "is he your friend?" to which he answers "yeah" which is Already the opposite answer of which any of the other doctors in that hospital would give, and then she follows it up with "does he care about you?" to which wilson hesitates and goes with "eh i don't know. like he says, everybody lies" BUT THEN. she says, "well it's not what people say, it's what they do" and wilson thinks for a moment and fucking delivers the heaviest, most heartwarming answer that is "yeah. he cares about me" because fuck me if that doesn't establish not only the tone and the themes the entire fucking show would permiate for the next 8 seasons, but also what it would Culminate in 8 years down the road. shoot me
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okay am i crazy? someone please tell me I'm crazy, I saw the thumbnail for Xisuma's newest hermitcraft episode and was immediately reminded of the deepslate/blackstone palette and building style of all of the buildings from the Evil Empire in season 8. Clicked on the video and the introduction "Previously, on Hermitcraft" was voiced with Evil Xisuma's voice filters. I had thought Xisuma said in a recent FAQ video he had no plans to bring Evil X back into hermitcraft plot because the storytelling wasn't really his top priority, but this kind of seems like foreshadowing of some kind? Thoughts?Regardless, kind of a sickening thought for c!xisuma that Ex might just be. lurking. very cool <sweating
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The thing is that when Cas first laid a hand on Dean in hell he was lost, and not actually because "For the first time, I feel". Cas had felt before he knew Dean. We know this because we know Cas had rebelled before. Naomi tells us Cas never did as he was told—that Cas had a "Crack in the chassis straight off the line" (something Chuck later echoes in a rage).
Cas's rebellion is far older than Dean and that rebellion is a function of what he feels. Cas just doesn't get to remember feeling. Each time he does, he's stripped of the memory of it... but subconsciously he starts to understand it as something he must keep secret.
Can I tell you something if you promise not to tell another soul?
Cas is in love with humanity, and we conflate this with Dean because Dean is the narrative heart, and the subject of Cas's greatest love, and because the concept of humanity and Dean are so deeply linked they're almost one in the same. We are not at all wrong to conflate the two, but make no mistake—Cas is in love humanity.
You misunderstand me, Dean, I’m not like you think. I was praying that you would choose to save the town.
Cas calls humanity a work of art, and the camera pans to Dean sitting on the bench beside him. Dean represents humanity. Not just as precious works of art, but also because humans get to feel. Humans don't get lobotomized for feeling. Dean encourages Cas to feel. He encourages Cas to feel by asking him to—begging him to, and by feeling for others, and by existing and deserving to be loved himself.
Dean echoes free will to Cas like a call from the wild. He's the beauty of humanity. He's the liberation and beautiful terror of choice. The reason "You always have a choice" and "There is a right and there is a wrong here, and you know it" works is because Cas already feels, already hopes, already loves.
You were gonna help me once, weren't you? You were gonna warn me about all this, before they dragged you back to Bible camp. Help me -- now. Please.
The function by which Dean gets through to Cas is through Cas's own feelings and convictions. He gets through because Cas is "not a hammer, as you say". Cas has questions. Cas has doubts.
Cas is in love with humanity, and every time he remembers it, he gets packed off to Bible Camp and he forgets. But he can remember again. What it takes is a push. What it takes is a hand reached out in the darkness. The day Cas rescued Dean from hell, two people were saved. A hand clawed out toward Cas too, breaking through his own torturous prison and offering him escape. For the first time in a long time, he felt.
Dean's importance is that he touches Cas. He makes Cas remember. And he keeps making Cas remember. Through touch, through words, through the expression of his own affection for Cas and for others. Because Dean cares, Cas cares.
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