#i'm not saying this to put people off writing i'm saying this because i'd like to read some people's thing but physically cannot

[accirax]

hey! i was wondering about eden’s emotional cg scenes with teruko at the end of ep14; if eden does happen to be the culprit, how would it affect her characterisation? personally, i can’t help but see it in a negative light, one which dampens her impact on arei, teruko and others with her ‘rational optimism’ and general kindness. if eden believed arei wanted to be friends with her, and was willing to reciprocate it, would eden really kill her in cold blood?? if her tears at the end of ep14 were genuine, would it go against her ultimately being the blackened?

tl:dr: how would you justify eden’s last moments at the end of ep14, if she were the culprit? it felt truly genuine to me, but i can’t help but notice her suspicious behaviour and inconsistencies in regards to the ch2 murder :(

(sorry, i’ve never done an ask before!! apologies if this is worded poorly.)

Can Eden Still Be the Culprit (Again)?

Haha, it figures that, even if I didn't choose to cover it in my Episode 14 Dissection, I'd still wind up analyzing what was going on in that scene anyways. Glad you're curious to hear my thoughts! (And don't worry, you phrased everything perfectly!)

The truth is, I didn't initially go over it because I wanted to post my thoughts on the day after the episode aired I, too, am somewhat confused as to how Eden could say all of that and still potentially be the blackened. However, as someone who still believes that Eden could be the blackened, it's probably a good idea if I figure out for myself what the hell this scene means in the context of DRDT at large if votes for Eden are close at hand. And potentially preempt some of the backlash that might arise if they are.

Just know that I, too, think that some of my points might be a bit of a stretch sometimes. We cool? Cool. Let's get analyzing.

SPOILERS for DRDT through Chapter 12 Episode 14, as well as Chapter 2 of THH and Chapter 1 of SDR2, and a WARNING that we will (obviously) be discussing Eden!culprit throughout this post.

For Eden's words and actions to make sense under the preconception that she is the killer, I think there are only three major roads you can take.

NUMBER ONE: EDEN IS A LYING, MANIPULATIVE, SCUMBAGGY PIECE OF SHIT

This option... is not great. Everybody agrees that it is not great. I hesitate to use the word "bad," because I think that people are way too hasty to call things "bad writing" (especially before they've even happened), but... I'm not gonna lie, it's pretty bad.

Basically, what it says on the tin. Just like David, Eden has actually been a liar and a manipulator the whole time. She doesn't actually believe anything she said about optimism or the power of friendship, and was 100% using that attitude the whole time to get everybody's guards down. A character like that would have no problem saying whatever the hell she needed to say in order to get others to pity and therefore not vote for her.

I don't like this one because it fully invalidates everything that we've seen from Eden so far. For someone like David-- or, say, Nagito-- even in the midst of their big heel turn, there are parts of their previous characterization that are still salvageable. Teruko caught David being a hater on literally Day 1, and it was easy to read into his outbursts of anger and insane nosiness to expect that his personality wasn't really as bright as his stars. Similarly, even if Hajime got along with Nagito, he was still sort of a creepy and off-putting guy, and everything about his love of hope stayed as strong as ever. For Eden to suddenly turn to the dark side would truly come out of nowhere. Other than... I don't know, liking to bake?, I don't think there are any aspects of Eden's former characterization that would remain. Not that her character would remain in the story for much longer, but, whatever.

I'm going to discount this option because I have faith in DRDTdev's writing, and I don't think he would suddenly want to abandon the Eden character he's been strongly developing over the past two chapters. Again, I refuse to call anything bad writing until the Chapter at least, if not the story as a whole, is wrapped up, but there's a reason why everyone's first instinct is to hate this idea.

NUMBER TWO: EDEN IS THE BLACKENED BUT DOESN'T KNOW IT

Basically, Eden is able to be so genuine because she either forgot or didn't know that she was the one to kill Arei, but we'll still be able to convict her in the end because all of the evidence points to her. How would this work? Well, sorastar6 came up with a theory that Eden might have killed Arei but blocked it out of her memory. It could also be something where, like, someone else put her up to it and she accidentally let go of the rope or whatever to kill Arei without realizing it. (That idea is loosely based off of a-student-out-of-time's theory of David manipulating Hu to kill J-dressed-as-Arei-- hopefully if they read this, they won't mind me using their theory as a logistical basis off of which to accuse Eden 😅)

However, I don't think either of these cases are particularly likely either. The murder method is so complicated and clearly premeditated that it would be really hard to trick someone into operating it without realizing it at all. And, if Eden killing Arei traumatized her so much that she lost multiple hours of memory then you'd think she'd just... not do it. I respect the hard work and creativity of both of these theorists, but I'll be passing on this option as well.

NUMBER THREE: EDEN FEELS REALLY, REALLY GUILTY ABOUT IT

Okay, so I maybe-sorta-lied: there are probably other ways that you could interpret Eden's emotional reactions to talking about Arei's death other than specifically her being guilty. However, given that guilt was already the justification I reached for the first Eden mini-breakdown in my Episode 13 Dissection, it may not come as a surprise that I'm staying on theme.

Before, I summarized that what Eden was saying to Levi was basically what she wanted to say or already said to herself. She knows that killing Arei was "wrong," so even though she thought it was the right thing to do, she wants to always remember Arei and acknowledge her faults as a form of penance. Also importantly, one facet of why Eden might be breaking down now is because (under the theory) she only learned that Arei truly wanted to change and be her friend in the Trial when David told her. It makes her feel extra guilty now knowing that she killed someone who wasn't just her bully, but someone who wanted to be better than that.

We're going to keep that rationale in mind as we now look through everything that Eden has to say at the end of Episode 14. The only thing of note that I will have to concede is that, even if Eden isn't a liar or a manipulator overall, any time she says anything along the lines of "I'm innocent!" or "I didn't kill Arei!", it has to be a boldface lie. Sorry, I don't like it either, but there's no way around it (outside of something like option 2). I otherwise want to claim that Eden is straight-up lying as little as possible, but this was kind of a gimme. But hey, that's why I have my doubts that any of this will turn out to be true as well.

Since this is its own post and not part of the Episode 14 Dissection, it means that I get 30 images to use on just this subject, hooray!

This is certainly a softball to start this defense off on. Eden can just be confused/upset that her efforts to evade being the blackened aren't working all of a sudden.

Similarly, this is just her rephrasing/challenging everyone's thoughts. Perhaps I should have cut out some of these beginning statements, but I'm always one for being thorough.

Don't worry, this is the last of these three. I will note, though, something that I actually only noticed on this watch-through. I was aware that Teruko and David both had shots that only showed their mouths and torsos with their eyes obscured in this episode, but apparently, Eden has one too. Of course, this could go either way: these shots could be reserved for the "major players" of this chapter-- the protagonist, killer, and someone who's clearly getting extra focus-- or, it could be more of a protag/antag/support thing. Or maybe DRDTdev just decided to start using this for highly emotional scenes.

Well, given that I'm trying to throw Eden under the bus in this post, it's clearly the first of the three. Don't listen to any clowns (<- me) who might tell you otherwise. (/j)

"Hold myself together" isn't as innocent-coded as it might seem on the surface. It seems pretty clear to me that Eden feels genuine sadness over Arei's passing no matter her role in Arei's death. However, being the blackened and having to keep a secret throughout the Trial might make coping with those emotions even more difficult. Fully breaking down in grief would be bad enough as an innocent, but as a blackened, it would basically be game over. Arei's death is the cause of her discomposure, which can still be equally true if she was the one to kill Arei.

This is quite possibly the line that I have the hardest time justifying in the context of Eden being guilty. I could obviously just say that she's lying here, but as I said at the start, I want to call what Eden says lies as minimally as possible. So, what are our other options?

Nico said earlier this episode that attempting to kill Ace was "the worst choice that [they'd] made in [their] life," so it could be fitting for both of our killers this chapter to feel the same way. After seeing what it was like to kill Arei and have everyone suspect you, Eden decides that whatever her motive for killing was wasn't worth it in the end. However, now that she's in this situation, she still has to stick with her initial plan (unless she wants to just die on the spot) because she can't go back, no matter how hard she tries--

For DRDT to enter its third chapter with the cast at their most hostile and downtrodden but also only having one killer who did so accidentally and two killers who deeply regretted it would be very interesting indeed.

Alternatively (or perhaps in combination), this could also be Eden being somewhat of a pessimist. If you're a blackened, you're generally hoping/expecting that everyone other than you will die. However, only one person's death is actually guaranteed-- your victim's. (Or two people's deaths if you kill two people, but that's not important to this case.) In theory, Eden choosing to kill Arei in particular doesn't really matter, because if she won the Class Trial, Arei would die anyways. However, now that Teruko has accused Eden, reality might be setting in for Eden as her dreams of being the one to escape flit away. In that case, she may be regretting her choice to victimize Arei-- if she's going to die for her attempt, she might at least wish that Arei got to live over some others.

I think the first option is probably the best from a thematic perspective, although both options certainly have their counterarguments.

Eden's (stellar) read on the "Why?" line definitely implies that she's frustrated, which could go either way. It's equally possible that she could be mad that people are suspecting her when she's innocent, or that she's upset that everyone is suddenly hounding her when she thought she was putting up a good front.

As for her leading question, if Eden is the killer, we've already seen her subtly mine for information at least once before. The conclusion of her last breakdown was her trying to ask David what really happened between him and Arei in the Relaxation Room. Now, asking this question might be intended to either shore up arguments she hopes to defend herself against, or force other people to "concede" that there are no reasons why Eden would have killed Arei. A bit of a dangerous gambit, but it's arguably more dangerous to have to come up with justifications about unknown arguments on the spot, especially when emotionally struggling.

Not gonna lie, though, the fact that she immediately followed up "why do you think I killed her" with "I cared about her!" also slants towards an innocent read. If you really were the culprit, I feel like you would start trying to argue against some of the solid evidence that people just presented (such as Levi bringing up the information required to write that note) with evidence of your own. Instead, Eden shoots straight for the emotional defense, even though no one was arguing that Eden never cared about Arei leading into this speech. (Arturo brings up her connection to Arei, but he never directly says it was because she didn't care.) It could speak to the fact that she was fully unprepared to be accused (because she didn't do it and had no idea about the tape).

However, Eden has always been a very emotional person, and it's possible that a big part of her intended defense was to say that she cared about Arei. Another interpretation is that Eden brought this up now because it's something she's insecure about. It sort of goes back to my idea that Eden is still desperately trying to cling to the idea that she's a "good person" despite her choice to kill. If that's true, the way that Eden is perceived as the killer might be very important to her. Like, obviously surviving the Trial itself is the most important thing, but Eden doesn't want anyone to misinterpret her as a monster on her path to the finish line.

I already explained why this line was sus as hell to me:

This distinction-- between "Arei was my friend" and "Arei could have been my friend"-- could be very telling down the line. Eden pauses mid-tear-filled rant to distinguish that Arei is not her friend, not because she's dead, but because they hadn't reached that point yet. Arei is not Eden's friend in death. What can that possibly mean other than that Eden killed Arei?

This is one of the lines that makes me most think that she is the blackened in this monologue. Because, seriously, why would she not have just said "Arei was my friend!" if there wasn't any doubt in her mind?

Alright, I think that about now is a good time for me to drop the thesis I've developed whilst reflecting on Eden's behavior and how to put all of the pieces together. Should I have said it earlier? Maybe, but where's the drama in that?

Basically, for starters, I don't think that Eden fully believed that Arei genuinely wanted to be her friend. As I've said before, Arei saving Eden from Arturo happened mere hours after Arei denounced her entire personality. It's super believable that Eden might think that Arei was just using her usual manipulative tricks to make Eden look like the fool again. However, despite all that, I don't think that Eden hated Arei, either. They were just in the exact same state that they were in before-- Arei as the bully and Eden as her target-- which Eden had never hated Arei for before. Eden wanted to help her and wanted to be friends with her, as she says in this screenshot, but that doesn't mean it could actually happen. Tragically, Eden determined that Arei wouldn't be able to change while being trapped in this killing game.

After that, Eden decides that she needs to kill to escape the school. The exact motives of which have puzzled Eden!culprit theorists for months, with current speculations still being that it may either have to do with her secret, the girl she kissed, or her family, who she told Levi she couldn't imagine living without. We've got time to cook on that in the post-Trial, if Eden is the killer. However, I also don't think that we should discount how scary the killing game has become.

Let's run through the events of Day 6 again, because it's a truly terrible day for Eden:

Eden wakes up in the morning and goes to rouse Teruko, who she has to blackmail in order to even get her to consider attending breakfast with the others. She tries to convince Teruko about the value of optimism, but Teruko only tells her that her worldview makes Teruko even less inclined to be her friend. Speaking of lack of friendship, Eden's chances at a peaceful breakfast-- which she had been hoping to use to bring everyone together-- are dashed when there are three separate shouting matches going on in the Dining Hall. Eden tries to assign her associates to break up the fights, but it goes terribly-- all she does is get Arturo and J mad at her, while Veronika only makes the situation between Ace and Nico worse.

After David's plan causes Charles (who has been making some of the most progress so far) to recall his traumatic past, Eden tries to invite Teruko and Arei to a fun event to brighten everyone's moods and right her wrongs of the past. Except that, when she does, Arei rejects her offer outright and brings up some of her biggest insecurities, causing Eden to run out of the room crying. Neither Teruko, who Eden has been trying super hard to befriend, nor David, who has (theoretically) been acting in the name of harmony and cooperation, run after her to offer her any comfort.

Despite David's lack of support, though, she still decides to support him by following his idea to let Arturo know about his secret. Trying to do so nearly costs her her life. She's just one unarmed 5'2" clockmaker against a clearly agitated 6'3" surgeon with a scalpel, and she's only saved by the bully who just said that Eden "utterly disgust[ed] her in every way." Arei now claims that she'd do anything for Eden, but is that just another setup through which Arei can make fun of her trusting nature in the future...? Eden wants to hope, but it's hard to do so when the person who just saved you was the one who told you you shouldn't.

Anyways, even despite a long afternoon of Nico being outed and a long night of being stalked by probably-Arturo, Eden is still trying to help Teruko pick up her clothes when she runs into Teruko in the Dress-Up Room. But since nothing can go right for Eden today, it's then when she and Teruko hear a loud noise, and they stumble upon Ace's body in the Gym-- the second murder attempt Eden has seen today. Nico is standing over Ace, really making it look like they killed him. Gosh, if only someone had been able to talk to the two of them this morning in a productive way, instead of making things worse. Thankfully, Ace is still alive, but less thankfully, he's now a convert to killing and wants to eliminate Nico. The day ends with Ace saying that this place is worse than death and Levi-- who Eden had just been praising for being kind and reliable-- giving up on his former friend.

Are you starting to see why Eden started planning murder and picked up the tape when she did?

Looking at it through that perspective, I don't even know if Eden needs a reason outside of the killing game to want to be the blackened and escape. If we can accept that Ace's motive would be to escape the situation in which he almost died, it feels like we should be able to acknowledge that Eden could be motivated by the exact same thing.

Obviously, it's harder to believe that Eden would kill than Ace, because Eden generally cares about everybody and Ace (other than Levi, once) didn't really like anyone. However, I, at least, don't think it would be totally narratively unsatisfying for Eden's reason for killing to be that her bandwidth for caring for others was overloaded, and with no one supporting her (and at least one party actively attacking her), her fears of the killing game got the better of her, if only just for a moment.

Getting back on track, Eden's terrible awful no good very bad day has inspired her to kill, but who does she take down as her victim? Well, as we've established before, if Eden wins, everyone will die anyways, so it's not like she's really "sparing anyone's life" by not killing them here. She's already made her peace with everyone as she knows them dying. And after that, despite the care she still has for Arei, she chooses Arei as her victim because of what Arei told her after Arturo attacked Eden. But, I'll reiterate, Eden doesn't hate Arei. Instead, Eden chooses Arei because she thinks Arei is the victim that will make her look the least suspicious.

Just because Eden doesn't believe that Arei really wanted to be her friend doesn't mean that other people won't. In fact, I think that Arturo would definitely believe that the two of them had turned over a new leaf. In this situation, Eden is aware that her best path to innocence is to play up her kindhearted personality in order to lead people to believe that she would never hurt a fly. Therefore, she decides to leave the note behind so that people will hear about the story of Arturo attacking her. In my Episode 14 dissection, I was spinning my wheels trying to figure out why Eden would possibly want anyone to find that note. However, this option would create a reason why Eden would want others to read the note. The mere fact that Arei decided to come to the Playground would serve as evidence that Arei really did care about Eden, and therefore make Eden seem more innocent. Maybe she overstepped a bit on revealing so much about Arturo's secret in the note, but given that everyone seems to believe that the killer overhearing the conversation was possible anyways, it's not a huge deal.

However, there is a contradiction here that you may have picked up on. Why would Eden count on using a note to draw Arei out to the Playground if she didn't believe that Arei would actually listen to her? I raise you a new idea: who says that note was actually real?

For those who believe that Eden isn't the killer, the thought that someone falsified writing that note isn't anything revolutionary. However, if other culprits could plant that note as a fake, who's to say that Eden didn't do the same?

I believe it was demodraws606 who recently raised the question of why Eden would even bother writing a note to Arei when she could have just gone up and knocked on her door. (Apologies, I tried to find the post in which they said that but I couldn't track it down 😔) That excellent question set off the domino chain that made me think... well, maybe she did.

Eden works through the night (14 hour shifts, baby) setting up the pieces of her murder contraption in the Playground and writing a fake note that she "sent" to Arei. However, instead of sending that note to Arei, she goes to Arei's room herself and knocks on her door at, like, 7 AM or something. Eden doesn't necessarily believe that Arei will answer, but, if she doesn't-- that's not the worst thing in the world, right? It's not like she's particularly pressed about the secrets deadline, and she left herself with enough time to put away her murder scheme if necessary. Unfortunate, but assuming that she lives another day, she can try again some other time. However, instead, Arei opens the door (because, unbeknownst to Arei, she really did want to be friends with Eden), sealing her fate.

This also opens the opportunity for the scene of knocking Arei out to be in the doorway of Arei's room, instead of in the Playground. I always wondered how the scuffs on the floor would be so contained to one area near the entrance to the Playground. Like, the whole rope setup must have been at least somewhat set up by the time Arei entered the Playground, right? If Arei saw that, why wouldn't she start running away? And, in the case of Eden as the culprit specifically, would she really be able to subdue Arei in such a small area? If Arei was knocked out in her room, we wouldn't be able to see any evidence of that happening, because no one searched her room. That also leaves open the opportunity for Eden to have tossed any items she used to knock out Arei into Arei's room, where no one would be able to find them. And, hell, let's rope the glove into this, too! If Arei was never even intending to get dressed up to the level of leaving her room, maybe she hadn't yet put on her glove when Eden taped her wrists! It's weak reasoning, but it's a reasoning, at least!

(Also, if you're wondering how the scuffs on the ground could have gotten there if Arei wasn't subdued in the Playground, sorastar6 also recently made a theory that the ground was actually scuffed up after the jugs broke and the turf became wet, and it was the killer walking through a puddle that messed up the ground.)

After that, yada yada, ropes and carousel, Arei dies, investigation, Class Trial.

Eden is trying her best to just lay low and survive the Class Trial, but a wrench is thrown her way when David reveals to her that, after she left the Playground, Arei confessed to David and Teruko that she actually wanted to change. This goes against everything that Eden thought. Part of her reason for murder was that no one was willing to work with her, and now she learns that she just killed the one person who actually was? That's terrible! It can't be! David, please tell me the rest of that story!!!

At this point, you might wonder why, if Eden feels horribly guilty about killing Arei and unsure of her former conviction that the best thing she could do would be to get out of here alive, she wouldn't just confess to the crime already. Beyond her desire to survive herself, I think it could be because she wants Arei's death to have meaning.

If Eden gives up, it means that she killed Arei for no reason. She made the huge, irreversible decision to kill Arei, and then decided to throw it away when things got tough. But she won't let herself brush away the deaths she caused just because it was inconvenient for her.

She won't let her emotions take precedence over the harm that she caused.

She has to acknowledge that Arei's death was her fault.

Which means that, just like Min did, she has to fight like a proper blackened would if she wants to prove that she cared about enough Arei to believe that her life had meaning.

And that's why Eden is so insistent that she didn't kill Arei because she hated her. She isn't someone who believed that Arei was fully incapable of change, and she still cared about Arei a lot. And so, she'll honor Arei's legacy by taking to heart what Arei said to her.

Those are my general thoughts on how to justify Eden's breakdown at the end of the episode-- although, obviously, we still have more to go. That awkward middle placement strikes again, huh? But, I do think it has its benefits, which is why I'm keeping it here. We get to balance some buildup before the point with the lens of seeing some of the dialogue after the point. Let's wrap up the rest of this a bit quicker, shall we?

Since we're a while from the start, let me just issue a refresher that this post is assuming that every time Eden says "I didn't kill Arei" she is just lying. Yes, it assumes that Eden is willing to lie in a Class Trial, but I think that any 18 year old would be capable of pulling that off if their life was at stake, no matter how sweet they may seem.

This could also be another instance of Eden assessing the situation via asking a question.

This line would be tying back to the assumption that Eden's main plan for getting away with the crime (other than possibly framing Nico with the murder method) was to pull the emotional defense that others wouldn't believe that she killed. The tears could still absolutely be borne of genuine fear, but the choice to reach for help from Teruko could be her planned fallback if things got dicey. If she is the killer, then the evidence should stack against her, meaning that "belief" is her best way out of receiving votes. This is her hail mary.

"This trial has been cruel to me" is 100% right if she is the blackened who got jumpscared by knowing that Arei cared. After she initially acted against her instincts to kill for the sake of her life, she then has to face consequences that she didn't even think were possible, all while keeping a straight face. For whoever the killer is, can you imagine how stressful it must have been to have David extend the Trial for so much longer with his nonsense? (Mondo with Byakuya vibes in Ch2, honestly. The THH parallels never rest.)

Again, we're saying "I didn't kill her" is a lie, while "I just wanted to help her" was the truth. Something more along the lines of "I just wanted to help Arei, but she seemingly rejected my every effort, so I killed her but without the knowledge that my help was actually getting through to her" is what we're aiming for here.

I decided to combine these two together because I didn't have much to say about the first one on its own. One interesting thing to note here is what thebadjoe pointed out: Eden says that friends are supposed to help each other out, yet in Chapter 2 Episode 3, she was the one telling Teruko that relationships aren't transactional. What changed between now and then?

Well, this is much more in keeping with Arei's "that's what friends do" philosophy, which could either be a further indication that she was taking Arei's words to heart (for better or for worse) or that she's just desperate enough that she needs to count on Teruko in this moment if she wants to survive (again, whether genuinely innocent or guilty). It could mean nothing, but it could also be an indication of Eden's more manipulative side, if she's making an emotional argument that goes against her own philosophy just because she knows it'll strike a chord with Teruko.

(Of course, you can basically counterbalance this "inconsistency" with the one that one post (yet ANOTHER post I cannot fucking re-find) pointed out with Ace saying "I would never commit a murder of my own" with him previously saying that he was "about to commit a murder of his own" on Nico. They can't both be the killer unless something really weird is going on, so at least one of these "inconsistencies" has to mean nothing.)

Also, while I wouldn't go so far as to say that Eden is faking her tears over Arei (because that's clearly not true) there's also room for Eden to be crying here because she feels bad about manipulating Teruko, but as established before, still feels like she has to go through with it. Her acting doesn't have to be impeccable if the crying is covering up the crying she would already be doing.

'Cause sometimes, the breaks you take in between sniffles can conceal the breaks you would be taking as you struggle to lie to Teruko's face! Hypothetically.

"Please trust me, Teruko. You're my only hope."

In this hypothetical, I think we have to assume that Eden is just genuinely surprised that the super-smart Teruko wasn't able to see through her act. It might come as a shock that the same Teruko who said that Eden's kindness made her want to stay farther away would now see Eden's pleading as a sign to protect her. (Another judgment of character that Eden made incorrectly.)

And now, for the other hardest part to justify...

With the combination of the soft music (the same music that plays during the "kindness isn't weakness" scene, mind you) and the bokeh lights and the line deliveries and everything, this does feel like pretty convincing evidence that Eden is not the killer. But, if we're talking about the world in which she is, I do think that she still feels genuinely relieved here. The hug isn't directly manipulative, it's just thanking Teruko for giving her another shot at life.

Furthermore, it's a confirmation that, in Teruko's eyes, Eden still isn't a "bad person"-- at least not yet. Eden needs to continue believing that she's a good person with good ideas if she wants to have any hopes of fighting back against the cold and cruel world she was telling Teruko about. If she's become just as cold and cruel as the rest of them, then there's no way for her to be optimistic or kind, and therefore, no way to escape the grief that's haunting her. Eden has yet to learn that a good person is not gold, so that's the only world that she sees.

And, that's Eden's last line of the episode! Before we wrap up, though, I do want to talk about how Eden being the culprit would affect the story as a whole, as you touched upon that in your ask. Mainly, I want to talk about the big problem that many people have with Eden being the killer: what would happen to Teruko if it's proven that one of her closest allies is the killer again? We don't want a repeat of Chapter 1, but how do you avoid that after that hug?

As is my M.O., I'm here to argue that there are two ways you can make the situation different: by making it better or making it worse. In terms of making it better, I think that thefandomenchantress argued for it well in this post. If Eden's gotten her most desperate moment out of the way now, she might have room to be a bit more accepting in her final moments, and be able to reassure Teruko that just because she killed doesn't mean nobody is worthy of trust. In fact, Eden is so sad now because she didn't have enough trust in Arei, and look where that landed her! We could end Eden off on at least being happy that she and Arei were both able to change in the ways that the other wanted for them (Arei becoming more helpful and Eden becoming more responsible) and her being happy that at least the other students get to live.

On the other hand, you could make it worse. Venus-is-thinking and I have discussed together before how different Min and Eden's situations are, because while Min only really tried getting close to Teruko after her crime was already committed, Eden has been trying to become Teruko's friend for ages, before the idea to murder even crossed her mind. This death would be even more personal, as it can more so be argued that Teruko's lack of trust is part of what drove Eden to kill, whereas with Min, it was just that Teruko initially trusting Min opened her more up to hurt. You might argue that this would just cause Teruko to pull away even more harshly (which is still bad), but that's not necessarily the case. Maybe her breakdown this time drives her to get in people's faces so that they'll die even faster and she can rip the bandage off. Along those lines, maybe she'd even try to get closer to those she least trusts right now (like David) because clearly, her curse will cause those who she spends the most time with to die. The circumstances around Teruko have changed, which means that we can't expect the same sort of pressure to necessarily yield the same result.

As for your concerns about Eden's impact on Arei and genuine-seeming emotions, hopefully my main dissertation answers how I'd explain that ^_^

If you're wondering how I feel... well, despite everything that I wrote, I'm honestly kinda thinking that it's Ace at this point. Don't get me wrong, I think that the Eden read is still out there, but given how seemingly little time we have until the culprit is revealed, there may not be enough time to unpack anything close to this before the gavel comes down. Everyone keeps posting their polls about who people think is the killer, and I keep flip-flopping on whether I choose Eden or Ace as my answer. I wouldn't be surprised if either of them did it, except that--

Well, let's be honest. At this point, I'm going to be flabbergasted by whoever the culprit is, just because it's them.

Thank you for the ask, and see you on Friday!

[bloodsalted]

lil update. some medical stuff, just so ya know! (long winded. sorry!)

// soooo. now that everything is settled and fine. i just wanted to pop a message up to say thanks to everyone for being so patient with me this past month. i had a pretty big health scare that i didn't really talk about unless it was privately to a handful of people. i'm talking about four. and barely anyone offline. most of which happened about a week before the final test because i don't like people worrying about me. it was the kind where a biopsy is done and all that jazz. waiting from one test to another and the results was a mental mind fuck to put it bluntly. with my ocd and anxiety/panic disorder being triggered mainly by my health? uh. it was a wild ride. i was up and down in my moods and carrying on as normally as possible but my brain was pretty much nonstop--that.

but!!! everything is clear and non-threatening and how my gut kept telling me it'd be. ahh mental health working against you tho. it's a bitch! took me even a week or so after the good news to start getting back into my head correctly! a nurse told me it was the adrenaline built up in my kidneys and leaving my body making it so tired! this week i'm FINALLY feeling back to my normal self. with a bit more of an appreciation for my family, friends and all my loved ones. and you guys and gals and non-binary pals, too! the dash was a blessing to occupy my time with. even if i wasn't writing. reading your posts always makes me happy. so if you're on my follow list? and part of my day to day?

this is just me saying thanks. i appreciate you all more than you know. and man. don't take your health for granted. take care of yourselves. get your check ups. and do what's right for your body. cause i love ya. i'm cleaning today off and on. but i'm planning on binging some supernatural and some spooky stuff once everything's how i want it and dusting off my writing brain as i go! did a lot of video gaming to try and fill up my brain when i was being quiet, too. but it's not the most creative thing in the world! so!!! catch up is coming! much love!

ps. it took me a while to post this cause i'm so so so freaking never wanting to give peeps a reason to worry. but i really wanted you guys to know what's up and why my activity has been so sporadic/focused on a small amount of things. give ya the ol' heads up. i know none of you expect a reason or whatever. i just thought i'd share. and give ya all a reminder that you're important.

[spiders-hth-is-an-outlier]

A lot of things that seemed weird to me about the current culture of reading and writing became more clear to me when I realized that an awful lot of people are perceiving both reading and writing as tools to get at the thing they actually want, which is a good story. That's why they think it makes sense to read by skimming past dense text and only focusing on dialogue -- that's a "hack" that will get you access to The Story in a mostly comprehensible form, so why not save yourself time and work? It's why people set up speed-reading challenges, because why not consume ten stories instead of five -- that's more! And it's why people, or this type of person anyway, are excited about AI tools that outsource the labor of turning an idea (the concept of a plan, if you will...) into A Story. A Story is the goal for these people, on either the production or consumption end. Generate story, transmit story to audience, rinse, repeat. Whatever makes that process easier, more efficient, and yeah, more accessible is definitionally an improvement.

I don't think people who are this kind of reader or writer (it just took everything I had not to put "reader" and "writer" in quotation marks -- I'm really trying to be fair-minded here!) actually understand the experience the rest of us are having with reading and writing. Taking in a good story can be -- I'd say usually is -- *part* of that experience, but we're also engaging with text in other ways at the same time. We're mining it for types of meaning that extend beyond the story (all those dreaded Themes and Symbols that your mean English teacher banged on about!) We're reading those long paragraphs for the artistry of them, for the musicality, for aesthetic pleasure. We're investigating not just *what happens in the story,* but who the storyteller is and what they're revealing to us about the way they perceive the world.

When we get frustrated about people "not reading it right," we're probably being obnoxious busybodies (you can, in fact, do whatever you want forever!), but we're not doing it because of the joy we get from looking down on other people. It's more like we're watching people be served a delicious roast chicken, and then cut a couple strips of skinless breast meat off the bird, throw the rest of it in the trash, and talk about how they're such foodies. You didn't even eat it! You barely touched the thing! There's so much waste. And it's even more appalling when the chef throws most of the dish out before it even leaves the kitchen.

So obviously I'm not framing this very neutrally, but like, it *has* all become a little easier to process in my head now that I understand what kind of meat the Booktok types are actually hungry for.

[nondelphic]

nondelphic writing tips: unconventional (but super fun!) ways to work on your story when you’re not writing

hi lovelies! (｡♥‿♥｡) time for another serious post!!

i'd like to share some of my fav unconventional, but super fun, ways to deepen your plot, characters, and world-building on those off-days when you're not actively writing. because let's be real, sometimes the most creative breakthroughs happen when you’re not staring at the blank page! (ﾉ◕ヮ◕)ﾉ*:･ﾟ

♡ incorrect quotes for characters

okay, this one is my absolute favourite!! even when i'm not writing, i love coming up with totally out-of-context or incorrect quotes for my characters (think “they would say this” energy). they don’t even have to be lines you use in the story, just little snippets of dialogue that fit their personality and vibe! it’s such a fun way to get to know your characters better and explore their quirks.

bonus: it’s also super entertaining when you assign hilarious, offbeat quotes to your more serious characters (≧◡≦). trust me, it works!

♡ acting out dialogue

confession time: i suck at acting but i love to act out my character’s dialogue to myself (ಥ‿ಥ). yes i do have a problem with daydreaming BUT walking around my room and speaking the lines really helps me figure out if they sound natural and realistic! if it feels awkward to say out loud, it might need tweaking. plus, it’s a great way to channel your inner actor for a little while (〃＾▽＾〃).

♡ using ai to brainstorm ideas

i love using ai tools as a sounding board to help with world-building decisions! like if i’m stuck between two options for how something should work in my world (magic system, politics, etc.), i’ll type it into an ai and ask, “what would be more realistic, option a or b?” ai can give you that nudge in the right direction and spark ideas you didn’t think of! it’s like brainstorming with a friend, but faster (￣▽￣)ノ

i have another post on using ai responsibly for writing here !!

♡ character playlists and mood boards

this one is so fun for those “off” days when you’re not writing! create playlists or mood boards for your characters or setting. find songs that capture their personality, struggles, or even the overall tone of your world. or scroll through pinterest and make a visual mood board that reflects the vibe of your world. it’s super immersive and helps you build your story’s atmosphere without writing a single word! ♫(◕‿◕)

♡ role-playing conversations between characters

this is one i like to do when i’m really feeling stuck. it's similar to acting out dialogue but rather than focusing on how realistic it sounds, it's about the characters themselves. i’ll imagine my characters just… hanging out and chatting. not even plot-related stuff, just normal conversations they’d have in their everyday lives. how would they talk to each other when they’re relaxed, annoyed, or excited? it’s such a fun way to build chemistry and relationships between your characters! (*≧ω≦)

♡ build “what if” scenarios

sometimes, i’ll brainstorm totally unrealistic “what if” situations just to see how my characters react! what if they were stuck in a completely ridiculous situation? how would they handle it? even if these scenes never make it into the story, they give me so much insight into how my characters think and behave. plus, it’s ridiculously fun (≧◡≦).

the key to all of this is to keep it light, fun, and creative on days when you’re not in the mood to do “serious” writing. storytelling isn’t just about the words you put on the page—it’s about the world, the people, and the relationships you’re building. so don’t be afraid to play around with it in unconventional ways. ♡＼(￣▽￣)／

happy writing (and daydreaming)!

[frownyalfred]

tl;dr: what's your opinion on posting roleplay replies on ao3?

i know they are frowned upon on ao3, at least that's what i've seen so far, which i can understand... to some extend. they are allowed in the archive, yes, but they also clock tags and it's annoying to read something you don't understand without the other replies and further context. they are tolerated, but i get the sentiment.

here's the thing... i rarely write for myself. i enjoy writing with others and building something together, and sometimes i create pieces i'd love to share. like, recently i have written a reply for someone that explores two different bruce's; one that has helena wayne/the huntress as his biological daughter, one that doesn't, how she got cursed into another universe, and how one deals with losing his child, while the other tries to re-order his life in order to make her fit. it's something beautiful that works on it's own, something i am very fond and proud of, but i'm torn on wether i should post it or not.

i could've kept the fact it's from roleplay a secret, but that also feels shit, lmao. i could keep it to tumblr, but no one would read what i put out -- let's be real, tumblr works very different compared to ao3. so i thought i'd give reaching out to one of my favorite authors a chance.

sorry for the lenght, feel no need to answer.

Hmm. I guess I haven't given it a ton of thought before now. I don't usually engage in roleplay myself, but I absolutely view it as a legitimate version of creation. Just because it's created a certain way doesn't mean it doesn't belong on ao3 -- it's an archive for transformative works, not just cookie-cutter fic formats.

I would say, err on the side of caution and tag as much as you're comfortable (tagging things after the required ao3 warnings is always optional, I want to reiterate, but sometimes additional tags help readers a lot). Make sure it's clear what the structure of the work is, if possible, but don't do yourself a disservice by making roleplay a dirty word, if you use it.

I don't think you're "clogging" up the tag, any more than the person writing 139/250 50 word individual fics haha. There will always be floods of content in various tags, and people who throw shitfits about that need to grow up. Unless someone is breaking the ao3 TOS, everything else is "etiquette" and that truly is nebulous and subjective, even if people will insist it isn't.

As for the missing context and replies -- I think that's something you can get creative with, if you want. But also, if you never fill in those blanks or provide that context, that's okay too. It's an archive, not a site where you have to actively promote your fic and make it the most appealing it can be to the largest group of people.

A final note on context though: I've found that the roleplay chunks I do come across in the wild look a lot like dialogue planning I do for some fics! If you ever want to turn them into a traditional fic structure, I don't think you're very far off at all. But only if you wanted! As I said above, I think what you have is 100% legitimate and should stand on its own on ao3.

[galaxy-fleur]

What did you think of Leon and Ada's new relationship in the remakes? Meta wise

I think it's an interesting and more nuanced take on their relationship! Which I definitely like. I see no point in judging OG RE2's love story between them, no matter how cliché and nonsensical it is. It's a product of its time, and it's charming in its own cheesy way. Teenage me cried over Ada's death in there, so I do have a soft spot for it.

But the Remakes offer a fresh interpretation of what happened between them, and I'm definitely interested to see where they will take their relationship in the future (that is if they do, because I wouldn't mind them just having separate story arcs from now on).

If we're talking actual analysis, I'll put down my thoughts. I don't know if you can call it a full-on analysis per se, as it's more just me writing out my personal interpretations on things. So keep that in mind please!

Long post under the cut. I'm talking almost 4k words and way too many shitty gifs (I have no time to make them all polished). I have way too much to say. I'll basically be going over their entire relationship throughout RE2R and RE4R so... yeah.

RE2R and RE4R are two games that offer a full story for Leon's character, and that's a very awesome thing that Capcom has done. I'd even say it's one of the best things they've done with RE recently. Making RE4R feel like a direct continuation to Leon's arc in RE2R makes total sense, and it makes many scenes in RE4R that much more satisfying to play through.

While RE2R does end on a somewhat positive note (much like every RE game has to), Leon's arc in it is very much negative. He loses more than he gains, he's unable to save anyone, and his good intentions end up being used against him. Claire ends her RE2R story by saving a little girl she has come to care for. Leon ends his RE2R story by losing the G-sample, 'losing' Ada without getting much, if any, closure from her, and not saving even a single person he has encountered. Claire and Sherry don't really count in Remake-verse (which I kinda don't like) because their storylines mostly happened separately from each other.

And that's not mentioning that he gets (assumedly, and I am very much hoping we'll finally see more concrete scenes of how it all happened in Remake-verse) pretty much kidnapped and forced into a life he never wanted right after. To say that Leon can't get a break in RE2R is like saying nothing at all. Poor guy gets put through the wringer on every level.

Now, onto his relationship with Ada, and how it ties into everything... It should be said that, while he obviously grows to care about her throughout their short time spent together, he remains suspicious of her. RE2R Leon is naive, but I often feel like people make him too naive. He's not an idiot. He tries over and over again to get answers from her, and he clearly feels apprehensive with her. And I mean... that makes sense. While she does save him multiple times, she keeps her distance from him.

I'd say he starts opening up to her on an emotional level after witnessing Robert having to kill off his own daughter. He directly confronts her, demanding for answers and voicing his drive to do what's right. In a way, that's him showing his vulnerability to her. And Ada uses it against him. After all, it's a perfect opportunity to play on his (rather naive) determination to be the hero to help her achieve her own goals. Ada is also the only figure of 'authority' he has at the moment. Even if her claim of being FBI seems kinda off, she's the only one he has.

And I'll go over Ada and how I interpret her later. For now, just keep in mind that her using Leon is more of a gray area than just some horrible, disgusting thing. I'm just going over the events from Leon's viewpoint here.

So, they team up. Ada starts softening up to him. They share light banter with each other: 'A: After you. L: Gee, thanks.' She expresses concern over his safety (the alligator scene). I'd say that's the point where he starts to care for her on a more personal level from before. As you would.

Him taking a bullet for her was instinctual. I'd say it's a more pivotal moment for Ada's character here rather than Leon's. In Leon's case it's moreso her taking care of him right after that matters. He directly mentions it to her later on (at least I'm pretty sure his 'you protected me' referred to that). I'd say him waking up to find himself tucked in with her coat and his wound taken care of was the moment his 'I care because it's another person who's in this with me' turned into 'I care because I feel genuine attachment to this person'.

Was it romantic? I'd say that's left for you to interpret how you wish. I like to think of it as him just caring for her as a person. Leon is someone who cares very deeply for others, and he's always striving to be the protector to those around him. I kind of think that someone caring for him when he's weak and vulnerable is something that is very meaningful to him. Now, Ada saves him multiple times at that point. But that's the first instance of her arguably going beyond what's needed. Sure, taking care of his wound was necessary, although she could have just let him be as he was for all we know. But tucking him in on top of that? Yeah, that's an obvious 'I care' gesture.

From then on, Leon is following Ada because he wants to trust her. And I do want to ring this home. He wants to trust her. Doesn't mean he does trust her. Because even though he shows genuine care for her, it's clear that he knows she's might not be telling him everything.

He wants her to trust him, so that she'll tell him what she is keeping from him. So that he can trust her.

The kiss scene is a perfect representation of exactly that, I'd say. Honestly, I'll just link this analysis right here, because I pretty much interpret it in almost the exact same way. But I'll go over it in my own words as well.

Leon's growing frustration is in full display here. He turns around from her, he paces, he tries to appeal to her. To just trust him enough to be honest with him. It's clear that he knows Ada might not be telling everything, but he chooses to believe her regardless.

Hence the exchange that follows this:

Ada: 'Hey Leon, trust me?'

Leon, walking up to her: 'Trust me?' (Reversing her question)

Ada: 'Honestly, if I didn't, you'd probably be dead.' (A genuine answer as far as we know, but it's not one Leon wanted to hear, so he shakes his head, mutters 'Right.' and walks off.)

And I do feel like Ada knows that Leon is suspicious of her here. Her reaction once he walks off comes off as kind of panicky to me. She knows she might be losing him, and she can't have that. So, she once again appeals to what she knows is his weak spot. His drive to help others and 'save' the city. It does work. Somewhat. But he's still swaying, so she does the first thing she thinks of. She kisses him.

She, quite literally, cuts off his line of thought so he stops thinking about it. Because him thinking is dangerous for what she's really doing here.

I think it would be very disingenuous to say that that was a kiss of love or affection. It is not presented as such, nor is it addressed that way in all. It was Ada's last attempt at stopping Leon from questioning her any further. How much of it was her focusing on her goals, and how much of it was her effort to 'protect' him from potentially figuring out the truth, is left to your interpretation. But whatever intentions she had, good or bad, it was a kiss of manipulation.

It does shut Leon up, as he's visibly stunned. He doesn't even say anything at that. He just stares at her, then at her hand on his knee. Now, here's the tricky part of it all. Do I think Leon felt romantic affection/attraction to her here? On some level, I'd say yes. But it's definitely no 'love at first kiss' or anything like that. He's confused, mostly. While he spent arguably little time with Ada, it was a time full of meaning. Surviving side by side and protecting one another is no small feat. And Ada did show her care for him.

I think, he chooses to trust her in that moment, because he, once again, wants to believe in her. Even if her kiss felt out of nowhere, and so much of what she says (or rather doesn't say) makes no sense. He chooses to trust her because he wants to think that she's a good person who cares for him.

And so, we come to the pivotal bridge scene once he learns the truth. I do like how he confronts her in a blatantly emotional manner rather than logical. It's not so much about her being a mercenary itself, as it is about her using him and lying to him. That's what he's actually confronting her about, whether he realizes it or not. That's exactly why he tells her to shoot him, fully resolute as he holds her gaze. He wouldn't do that if he was just trying to apprehend a criminal like a good cop would (as he tries to present it at first).

But, he never gets that closure or resolution he was aiming for. Ada lowers her pistol. He breaths out shakily, probably wanting to continue talking, to figure this out. But he doesn't get that.

I do think Ada telling him to take care of himself as her 'last words' is a very painful thing for him. Because it leaves him with no actual closure on what happened between them. Ada chose to not harm him, and her last words to him are ones of selflessness. But she also lied to him and used his vulnerabilities to achieve her goals. And it's not like Leon knows anything about her occupation, and just how much she's involved with it on an emotional level. Maybe she's someone forced to do this against her will. Or maybe she enjoys doing such dirty jobs for all he knows.

That's the thing. Leon doesn't know. And that must be both frustrating and painful. He's basically left questioning all of his interactions with her, how much of it was genuine, whether she was honest with him at all.

And, most importantly, his time with Ada basically proves to him that his drive to protect and save, his willingness to give people the benefit of the doubt - is a flaw, and a weakness. It directly ties into his arc in RE4R. (And his relationship with Krauser, in a way, but I won't go over it here.)

He throws away her bracelet on the train, and I think that kind of shows that he chooses to believe in the pessimistic way of interpreting their time together. He throws it away because he doesn't want to hold on to something that reminds him of her. And, simultaneously, of his mistakes.

Now, let's go through the same events from Ada's POV, shall we? It's a bit more challenging, since we don't get to be in her shoes, but it's still a fun exercise.

Ada's initial interactions with Leon are ones of annoyance. She basically scolds him like a kid for always getting in danger and acts like saving him is a chore. But chooses to help him out regardless. I think it speaks of her humanity despite her line of work. It's an interesting dichotomy that follows her every single appearance pretty much, though not much is done with it (thanks Capcom). But yeah, despite her visible annoyance with him, she saves him time and time again.

She doesn't visibly soften up to him up until that same Robert scene. She's pretty observant from what we can tell, and she probably already had a good idea of Leon's righteous nature, but it's the first instance of her actively playing into it instead of making small snide comments about it ('Trying to save the world?' 'Good luck with that.'). That doesn't mean she doesn't care, though. It's subtle, but the little sighs and changes in her facial expression do show that she's at least a little bit conflicted at the prospect of lying to him on such a huge level (though you can't see most of it with her sunglasses).

It's one thing to say a passing lie about you being an FBI agent, and it's completely another to play the long game by using someone like that. But she needs to accomplish this task, and it already proved to be more difficult than she expected. Remember, Racoon City was Ada's first time dealing with anything of this sort, too. She might be a mercenary, but it's not like she had to deal with zombies and B.O.W's before that. She's out of her depth, and she has someone pretty much offering themselves to her as her assistance.

So, she takes the risk.

While she does join in some passing banter with Leon after that, she still keeps her distance. She's dry and mostly unemotional in her mannerisms. Remember how I said that Leon taking the bullet for her was more pivotal to her in the story? Let's go over that.

It would be disingenuous to say that Ada is a complex character, unfortunately. Most of the complexity she does have, we pretty much have to add on to ourselves. Hell, I'm doing it right now with this entire section! Capcom is doing a way better job with her in the Remakes, but she's still pretty flat as a character. Maybe this'll (hopefully) change in future installments. But for now, we work with what we have.

Either way, we do know that Ada is someone who's self-sufficient and chooses to work alone. She keeps her distance from everyone, and she lives by 'everyone for themselves' ideology. Basically, a total opposite of Leon's 'protector' role. All that to say... someone taking a bullet for her is definitely not something she would expect. On some level, specifically because she would never do that herself. Especially for someone she basically just met. But Leon risks his life for her. Furthermore, telling her to go ahead instead of anything else.

I think that's the moment Ada starts caring for him on a personal level. Maybe she feels like she should repay him for this. Or that she owes him a debt. Regardless, she takes care of him and tucks him in, before proceeding further.

That care only grows once they reunite. Now she's the one injured, and he takes care of her, despite her protests: 'I can do it myself'. Ada is self-sufficient, but Leon offers her his companionship time and time again. We don't know whether that's something she lacks in her life or not. We don't know enough of her as a character to say that. But she's obviously someone who's not used to getting help from others. Again, on some level, because she doesn't do that herself.

Remember, while Ada did save Leon numerous times before, she always acted visibly frustrated by it, like it was a chore she was forced into, despite her choosing to help him herself. Leon, on the other hand, is quick to offer and insist on helping out, very much eager to do that for her. She already made the choice to use him, but now she learns that he's a genuinely good person with a kind heart, and not just some stupid naive rookie.

And so, the kiss scene, again. I already said that her kiss feels like a last-ditch effort to stop Leon from questioning her any further. And I do think she acted on impulse. Thus why she follows up with a hand on his knee and the: 'I'm counting on you'. And I, personally, think she kind of regretted doing that right after. Or maybe felt extra conflicted about the whole ordeal as a whole. The way she slouches and sighs heavily once Leon leaves is very reminiscent of that. It's kind of a mix of 'Fuck, I messed that up, didn't I?' and 'What the hell am I going to do after this?'

It also should be noted that Ada never meant to tell Leon the truth. It would be convenient for both of them. Leon would feel like he did something good, and she would complete her mission with no further issues. Both sides win. But... things go haywire. And she's confronted with the consequences of her initial choice to use him.

It'll be silly to say that Ada doesn't care for Leon. If she truly was this heartless mercenary some would like her to be, she would shoot him on the spot. Her pistol being empty doesn't really matter, either. Leon was basically offering himself up to her, again. Even without any bullets on her hands, she could have easily knocked him out or something.

But, she can't bring herself to hurt him. Because Leon really is a good person that doesn't deserve that. And she knows that, and she cares for him on a personal level on top of it all. We don't know what she was going to do, before Annette shot her. Maybe I'm actually talking out of ass here, and she really was planning on knocking Leon out cold. But, we'll never truly know.

And her last words for him are to take care of himself. Because, in a way, Ada, more than anyone, knows just how selfless Leon is. On some level, it's a wordless 'I'm sorry', if you wish to interpret it that way.

Boy, was that a lengthy mess! Their first introduction to each sure was tumultuous. But we still have RE4R to go through! Though it'll be more about Ada than Leon.

Nevertheless, let's talk about Leon's interactions with Ada. I think we all know he's noticeably harsher and colder to her. It's an interesting change, and it does show that he feels resentment towards her for what happened in Racoon City. We don't know how his initial conflicted feelings morphed into this resentment, but they did.

I don't think nearly enough people mention that he's genuinely being very damn rough with her in their little sparring session. While yeah, you could make an argument that he's holding back, he's not being careful either. Ada has to put in actual effort to fight him off, which she doesn't even succeed in because he takes her off-guard with his intensity.

And he also puts the sharp end of his dagger to her throat. Just to rub more salt into the wound.

I don't think this was him wanting to hurt her or threaten her, though. It was more of a show of strength. Ada approaches him by taunting him and teasing him, like she can do whatever she wants to him. But he's not that same naive rookie anymore. And he shows her exactly that.

A kind of: 'Don't think you can play the same trick on me twice, or you might get burned' message. A message that I think Ada does get.

As for him smirking at her, I don't think that's him being 'happy' to see her or anything. I think that's just him being amused that she still thinks she can play him like that. He grows all cold and distant with her right after.

Leon obviously has a grudge that he hasn't let go of. I actually like how he's almost needlessly petty with her in RE4R. Making snide remarks, calling her heartless and dismissing her on numerous occasions. It shows that he does care. If he didn't, he would cooperate with her with no further complaints on his part. He's purposefully being cold to her to show that yes, he is still upset about what happened, and he will use every opportunity to demonstrate exactly that. It's petty and kind of childish, in a way. But it makes sense for him, and it adds extra flavor to their relationship at this point in time.

Though, he does offer an opening to her in the boat.

'Have you changed, Ada? Or are you trying to use me again?'

It's a good parallel to his: 'Trust me?' In RE2R, and both phrases are used for a similar purpose.

He gives Ada an opening to trust him and be open with him. One that she doesn't take, again: 'What do you think?'

She gives him no answer. Just like she didn't in RE2R. I think, in a way, that kind of gives Leon an answer by itself. He trusts Ada and relies on her when push comes to shove, but he doesn't give her any more openings from then on. I'd say that's his 'I think we both know this is where we go our separate ways' moment.

With Ada, things are way more complicated, in a good way. Separate Ways gave us so much to work with, and that's amazing.

Throughout Separate Ways, we see Ada bouncing back-and-forth on what she wants to do. She's initially very cold and resolute in her job, helping Leon out more like a passing convenience than anything else. She does still help him, though. She's still dealing with the dichotomy of what she presents herself as, and what she actually acts as.

I really like her confrontation with Luis in particular. She's cutthroat and blunt. Almost chillingly so. And she only relents once Luis mentions her own infection. Him telling her of Leon's infection has little effect.

'And why does that matter to me?'

I think that's a question she's asking herself just as much as Luis here. Though, she's still in her cold, self-sufficient mercenary role here. To be honest, I find her relationship with Luis in particular much more interesting in RE4R, but since we're talking about her and Leon here, I'll just say that Luis is the catalyst to her change (so to speak, Ada doesn't really change as a character per se, I'll elaborate on that later). Not Leon.

She confronts Leon face-to-face, quickly being met with the truth that he is not as easy for her to push around now. And I do think she has zero bad intentions there. She was genuinely just playing around and teasing him. Only to figure out that that approach won't work at all. It's kinda cute, honestly. So, she gives him an opening of her own instead. She tells him to leave Ashley, to prioritize his own safety over hers. Because that's what she would have done in his place. Leon is quick to shut that down. Something that Ada probably expected, as she just huffs and gives a knowing 'Right.' to that.

That's the moment Ada knows Leon hasn't changed. Not really. He might be colder, more ruthless and dangerous, but he's still that same guy, wanting to protect others, no matter what. She knows she'll have no success in swaying him at that point. Hence why she tells him exactly that on the boat later.

The next pivotal scene, I'd say, is her watching Ashley wake up and learn of Luis' death. Ada mostly treats Ashley like a nuisance, something Leon has to protect. Because that's his job. But in that moment, she sees the genuine connection they share with each other. She sees that Leon cares. And not just because Ashley is an innocent person he has to save, but because it's Ashley.

Ada's arc throughout Separate Ways is not that connected to Leon, which is a good thing. Similarly to Leon concluding his story from RE2R by saving Ashley and proving to himself (first and foremost) that he can protect someone he cares about, and that his humanity is a strength, not a weakness, Ada learns to accept herself, too. She's visibly conflicted at the start of SW, but by the end of it, she knows what she has to do, and she made peace with that. Her hesitating before going against Wesker in the facility is one of the last moments of her hesitating with her intentions.

But, again, that scene is more about her and Luis. Luis is very important to Ada's character in SW, and I think that's neat.

While the scene itself is kinda awkward, her encountering Ashley during the final battle is another arguably important one. Her watching Leon and Ashley before that was about her witnessing Leon's care for her. Now she sees that Ashley fully reciprocates that care. They are on equal ground with each other.

And so, the final scene between them. I already said that Leon settled on his answer concerning Ada before that. But Ada makes one final opening to him. It's a selfish one. After all, what exactly would happen if Leon agreed to come with? Would they just leave Ashley to die and fly off into the sunset? On some level, I think Ada knows that what she's asking is unrealistic, especially for Leon. But I think it also speaks of her progression throughout Separate Ways. Ada learns to be more genuine with herself, even if it means being selfish or asking something that she knows will be rejected.

So, she shoots her shot one last time. Leon gives his answer. Ada is not surprised by it. But she is visibly upset by it. She knew it was coming, though.

So, they do exactly that. They go their separate ways. At least for now.

[detransdamnation]

tumblr ➡/sociopolo/706709430153183232/ do you disagree or agree with this?? What do you particularky envision when you think of the term "gender abolition"?

LINK

So, I have only just recently realized that this is still in my inbox and it has been in my inbox since March lol. I remember reading this post when I originally received it and tucked it away for me to tackle later. I’ve reviewed it multiple times since realizing I never got to it and I’ll be totally honest, I’m still not sure exactly which part of this post I’m supposed to be agreeing or disagreeing with. Not sure it’s even worth responding to at all now at this point—but I will always choose to finish something embarrassingly late than to leave it hanging, so here are just some general comments on the bulk of this post:

knightingael:

I don’t think most gender enthusiasts find [gender abolition] all that attractive. [...] Speaking in general, they view aesthetic preferences (i.e. gender) to be THE central aspect of a person’s identity, and it’s very important to them that they be able to immediately communicate that to everyone they meet.

[...]

The idea of abolishing gender is terrifying to them, because without it, how would they communicate who they are? [...] Gender is a tool they use to define and communicate their identity, and without it, they would be at a loss both to connect with other people and feel in control in social contexts. What sounds like a utopia to us is an unnavigable social nightmare to them.

sociopolo:

if gender was abolished actually absolutely nothing would happen to these people because this is just a fashion style. it’s not like clothing is gonna disappear, they’re still gonna be able to dress how they want and project whatever image they want, it’s just not gonna be called their gender, but their style, which is what it is anyway

HOW can they not understand and genuinely believe in this gender thing

#also style is not inherently tied to gender

#ALSO style doesn't help you connect with people actually wtf

Style is not inherently tied to gender, that much is true. However, most people—both trans and not—do, indeed, believe this is so, even if only subconsciously. We, as a society, correlate style to gender, which reinforces the idea—to transgender people, to gender traditionalists, and even to the average layperson who doesn’t care about this topic—that gender is a viable concept that can be (and is) observed through means of appearance.

This isn’t about what is, objectively, but what is believed, collectively, the implications of those beliefs and what were to happen if those beliefs were to be challenged. The belief is, “Gender can be expressed through”—(in this case)—“one’s clothing and physical appearance.” The threat to this belief is gender abolition. It is a threat because, in a world without gender, clothing and appearance say nothing about your role in society. I don’t agree that either of these things are the “central aspect” to a person’s identity with or without gender—but they are the central aspect in emulating the gender or sex we wish to appear as. Consider that one of the first steps in most transgender people’s social transition is “crossdressing,” or dressing in the clothing stereotypical of the opposite sex. If we do not have those gendered expectations, roles, and stereotypes to conform to, how do we “pass,” prior to (or without) medical transition? We don’t. Because we can’t.

You may still reiterate that “Nothing would happen to these people because this is just a fashion style.” And it would be considered “just a fashion style” by the general public in a gender-abolished society—but as I reiterated in the first paragraph, this is not the society we live in now. Moreover, change is not black-and-white and gender abolition is a process, both aspects that I actually find are often missing in these discussions. The core reason why the vast majority of transgender people are transgender in the first place is dysphoria and gender abolition will not necessarily correlate to the eradication of the condition. Understand this means that, in a timeline where gender is being actively abolished, dysphoric youth—who may or may not have the ability to get the personal support or professional help that they need—will be watching (what they believe to be) their only solution to their emotional turmoil… vanish. The process of gender abolition quite literally ends in an entire subset of people becoming a mere part of history. I don’t think a lot of people have truly considered how significant that is and I feel that the empathy extended towards those of us who would be most affected by this change—transgender and dysphoric people—is frequently lacking, if ever there at all. In no world could this be a “nothing” change, whether you are a city-living liberal with neopronouns and green hair or some hick in the middle of nowhere who has never even heard the word “trans” to refer to a subset of people in his life.

Transgender people, as we know them today, effectively cease to exist alongside gender abolition, and even “surface level” changes such as ridding gendered stereotypes for style of dress, essentially a means to an end. It should therefore not be so difficult to see why so many transgender people are opposed to it.

If I have misunderstood anything in this post or my response reads as a garbled mess, please chalk it up to my residual COVID brain.

[thistlecrimes]

Things I've learned from getting covid for the first time in 2023

I wear an N95 in public spaces and I've managed to dodge it for a long time, but I finally got covid for the first time (to my knowledge) in mid-late November 2023. It was a weird experience especially because I feel like it used to be something everyone was talking about and sharing info on, so getting it for the first time now (when people generally seem averse to talking about covid) I found I needed to seek out a lot of info because I wasn't sure what to do. I put so much effort into prevention, I knew less about what to do when you have it. I'm experiencing a rebound right now so I'm currently isolating. So, I'm making a post in the hopes that if you get covid (it's pretty goddamn hard to avoid right now) this info will be helpful for you. It's a couple things I already knew and several things I learned. One part of it is based on my experience in Minnesota but some other states may have similar programs.

--------

The World Health Organization states you should isolate for 10 days from first having symptoms plus 3 days after the end of symptoms.

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At the time of my writing this post, in Minnesota, we have a test to treat program where you can call, report the result of your rapid test (no photo necessary) and be prescribed paxlovid over the phone to pick up from your pharmacy or have delivered to you. It is free and you do not need to have insurance. I found it by googling "Minnesota Test to Treat Covid"

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Paxlovid decreases the risk of hospitalization and death, but it's also been shown to decrease the risk of Long Covid. Long Covid can occur even from mild or asymptomatic infections.

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Covid rebound commonly occurs 2-8 days after apparent recovery. While many people associate Paxlovid with covid rebound, researchers say there is no strong evidence that Paxlovid causes covid rebound, and rebounds occur in infections that were not treated with Paxlovid as well. I knew rebounds could happen but did not know it could take 8 days. I had mine on day 7 and was completely surprised by it.

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If you start experiencing new symptoms or test positive again, the CDC states that you should start your isolation period again at day zero. Covid rebound is still contagious. Personally I'd suggest wearing a high quality respirator around folks for an additional 8-9 days after you start to test negative in case of a rebound.

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Positive results on a rapid test can be very faint, but even a very faint line is positive result. Make sure to look at your rapid test result under strong lighting. Also, false negatives are not uncommon. If you have symptoms but test negative taking multiple tests and trying different brands if you have them are not bad ideas. My ihealth tests picked up my covid, my binax now tests did not.

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EDIT: I'd highly suggest spending time with friends online if you can, I previously had a link to the NAMI warmline directory in this post but I've since been informed that NAMI is very much funded by pharmaceutical companies and lobbies for policies that take autonomy away from disabled folks, so I've taken that off of here! Sorry, I had no idea, the People's CDC listed them as a resource so I just assumed they were legit! Feel free to reply/reblog this with other warmlines/support resources if you know of them! And please reblog this version!

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I know that there is so much we can't control as individuals right now, and that's frightening. All we can do is try our best to reduce harm and to care for each other. I hope this info will be able to help folks.

[mollyrealized]

How Michael Met Neil

original direct link [MP3]

(Neil, if you see this, please feel free to grab the transcript and store on your site; I had no easy way of contacting you.)

DAVID TENNANT: Tell me about @neil-gaiman then, because he's in that category [previously: “such a profound effect on my life”] as well.

MICHAEL SHEEN: So this is what has brought us together.

DAVID: Yes.

MICHAEL: To the new love story for the 21st century.

DAVID: Exactly.

MICHAEL: So when I went to drama school, there was a guy called Gary Turner in my year. And within the first few weeks, we were doing something, having a drink or whatever. And he said to me, “Do you read comic books?”

And I said, “No.”  I mean, this is … what … '88?  '88, '89.  So it was … now I know that it was a period of time that was a big change, transformation going through comic books.  Rather than it being thought of as just superheroes and Batman and Superman, there was this whole new era of a generation of writers like Grant Morrison.

DAVID: The kids who'd grown up reading comic books were now making comic books

MICHAEL: Yeah, yeah, and starting to address different kinds of subjects through the comic book medium. So it wasn't about just superheroes, it was all kinds of stuff going on – really fascinating stuff. And I was totally unaware of this.

And so this guy Gary said to me, "Do you read them?" And I said, "No."  And he went, "Right, okay, here's The Watchman [sic] by Alan Moore. Here's Swamp Thing. Here's Hellblazer. And here's Sandman.”

And Sandman was Neil Gaiman's big series that put his name on the map. And I read all those, and, just – I was blown away by all of them, but particularly the Sandman stories, because he was drawing on mythology, which was something I was really interested in, and fairy tales, folklore, and philosophy, and Shakespeare, and all kinds of stuff were being mixed up in this story.  And I absolutely loved it.

So I became a big fan of Neil's, and started reading everything by him. And then fairly shortly after that, within six months to a year, Good Omens the book came out, which Neil wrote with Terry Pratchett. And so I got the book – because I was obviously a big fan of Neil's by this point – read it, loved it, then started reading Terry Pratchett’s stuff as well, because I didn't know his stuff before then – and then spent years and years and years just being a huge fan of both of them.

And then eventually when – I'd done films like the Underworld films and doing Twilight films. And I think it was one of the Twilight films, there was a lot of very snooty interviews that happened where people who considered themselves well above talking about things like Twilight were having to interview me … and, weirdly, coming at it from the attitude of 'clearly this is below you as well' … weirdly thinking I'm gonna go, 'Yeah, fucking Twilight.”

And I just used to go, "You know what? Some of the greatest writing of the last 50-100 years has happened in science fiction or fantasy."  Philip K Dick is one of my favorite writers of all time. In fact, the production of Hamlet I did was mainly influenced by Philip K Dick.  Ursula K. Le Guin and Asimov, and all these amazing people. And I talked about Neil as well. And so I went off on a bit of a rant in this interview.

Anyway, the interview came out about six months later, maybe.  Knock on the door, open the door, delivery of a big box. That’s interesting. Open the box, there's a card at the top of the box. I open the card.

It says, From one fan to another, Neil Gaiman.  And inside the box are first editions of Neil's stuff, and all kinds of interesting things by Neil. And he just sent this stuff.

DAVID: You'd never met him?

MICHAEL: Never met him. He'd read the interview, or someone had let him know about this interview where I'd sung his praises and stood up for him and the people who work within that sort of genre as being like …

And he just got in touch. We met up for the first time when he came to – I was in Los Angeles at the time, and he came to LA.  And he said, "I'll take you for a meal."

I said, “All right.”

He said, "Do you want to go somewhere posh, or somewhere interesting?”

I said, "Let's go somewhere interesting."

He said, "Right, I'm going to take you to this restaurant called The Hump." And it's at Santa Monica Airport. And it's a sushi restaurant.

I was like, “Right, okay.” So I had a Mini at the time. And we get in my Mini and we drive off to Santa Monica Airport. And this restaurant was right on the tarmac, like, you could sit in the restaurant (there's nobody else there when we got there, we got there quite early) and you're watching the planes landing on Santa Monica Airport. It's extraordinary. 

And the chef comes out and Neil says, "Just bring us whatever you want. Chef's choice."

So, I'd never really eaten sushi before. So we sit there; we had this incredible meal where they keep bringing these dishes out and they say, “This is [blah, blah, blah]. Just use a little bit of soy sauce or whatever.”  You know, “This is eel.  This is [blah].”

And then there was this one dish where they brought out and they didn't say what it was. It was like “mystery dish”, we had it ... delicious. Anyway, a few more people started coming into the restaurant as time went on.

And we're sort of getting near the end, and I said, "Neil, I can't eat anymore. I'm gonna have to stop now. This is great, but I can't eat–"

"Right, okay. We'll ask for the bill in a minute."

And then the door opens and some very official people come in. And it was the Feds. And the Feds came in, and we knew they were because they had jackets on that said they were part of the Federal Bureau of Whatever. And about six of them come in. Two of them go … one goes behind the counter, two go into the kitchen, one goes to the back. They've all got like guns on and stuff.

And me and Neil are like, "What on Earth is going on?"

And then eventually one guy goes, "Ladies and gentlemen, if you haven't ordered already, please leave. If you're still eating your meal, please finish up, pay your bill, leave."*

[* - delivered in a perfect American ‘serious law agent’ accent/impression]

And we were like, "Oh my God, are we poisoned? Is there some terrible thing that's happened?"  

We'd finished, so we pay our bill.  And then all the kitchen staff are brought out. And the head chef is there. The guy who's been bringing us this food. And he's in tears. And he says to Neil, "I'm so sorry." He apologizes to Neil.  And we leave. We have no idea what happened.

DAVID: But you're assuming it's the mystery dish.

MICHAEL: Well, we're assuming that we can't be going to – we can't be –  it can't be poisonous. You know what I mean? It can't be that there's terrible, terrible things.

So the next day was the Oscars, which is why Neil was in town. Because Coraline had been nominated for an Oscar. Best documentary that year was won by The Cove, which was by a team of people who had come across dolphins being killed, I think.

Turns out, what was happening at this restaurant was that they were having illegal endangered species flown in to the airport, and then being brought around the back of the restaurant into the kitchen.

We had eaten whale – endangered species whale. That was the mystery dish that they didn't say what it was.

And the team behind The Cove were behind this sting, and they took them down that night whilst we were there.

DAVID: That’s extraordinary.

MICHAEL: And we didn't find this out for months.  So for months, me and Neil were like, "Have you worked anything out yet? Have you heard anything?"

"No, I haven't heard anything."

And then we heard that it was something to do with The Cove, and then we eventually found out that that restaurant, they were all arrested. The restaurant was shut down. And it was because of that. And we'd eaten whale that night.

DAVID: And that was your first meeting with Neil Gaiman.

MICHAEL: That was my first meeting. And also in the drive home that night from that restaurant, he said, and we were in my Mini, he said, "Have you found the secret compartment?"

I said, "What are you talking about?" It's such a Neil Gaiman thing to say.

DAVID: Isn't it?

MICHAEL: The secret compartment? Yeah. Each Mini has got a secret compartment. I said, "I had no idea." It's secret. And he pressed a little button and a thing opened up. And it was a secret compartment in my own car that Neil Gaiman showed me.

DAVID: Was there anything inside it?

MICHAEL: Yeah, there was a little man. And he jumped out and went, "Hello!" No, there was nothing in there. There was afterwards because I started putting...

DAVID: Sure. That's a very Neil Gaiman story. All of that is such a Neil Gaiman story.

MICHAEL: That's how it began. Yeah.

DAVID: And then he came to offer you the part in Good Omens.

MICHAEL: Yeah. Well, we became friends and we would whenever he was in town, we would meet up and yeah, and then eventually he started, he said, "You know, I'm working on an adaptation of Good Omens." And I can remember at one point Terry Gilliam was going to maybe make a film of it. And I remember being there with Neil and Terry when they were talking about it. And...

DAVID: Were you involved at that point?

MICHAEL: No, no, I wasn't involved. I just happened to have met up with Neil that day.

DAVID: Right.

MICHAEL: And then Terry Gilliam came along and they were chatting, that was the day they were talking about that or whatever.

And then eventually he sent me one of the scripts for an early draft of like the first episode of Good Omens. And he said – and we started talking about me being involved in it, doing it – he said, “Would you be interested?” I was like, "Yeah, of course."  I went, "Oh my God." And he said, "Well, I'll send you the scripts when they come," and I would read them, and we'd talk about them a little bit. And so I was involved.

But it was always at that point with the idea, because he'd always said about playing Crowley in it. And so, as time went on, as I was reading the scripts, I was thinking, "I don't think I can play Crowley. I don't think I'm going to be able to do it." And I started to get a bit nervous because I thought, “I don't want to tell Neil that I don't think I can do this.”  But I just felt like I don't think I can play Crowley.

DAVID: Of course you can [play Crowley?].

MICHAEL: Well, I just on a sort of, on a gut level, sometimes you have it on a gut level.

DAVID: Sure, sure.

MICHAEL: I can do this.

DAVID: Yeah.

MICHAEL: Or I can't do this. And I just thought, “You know what, this is not the part for me. The other part is better for me, I think. I think I can do that, I don't think I could do that.”

But I was scared to tell Neil because I thought, "Well, he wants me to play Crowley" – and then it turned out he had been feeling the same way as well.  And he hadn't wanted to mention it to me, but he was like, "I think Michael should really play Aziraphale."

And neither of us would bring it up.  And then eventually we did. And it was one of those things where you go, "Oh, thank God you said that. I feel exactly the same way." And then I think within a fairly short space of time, he said, “I think we've got … David Tennant … for Crowley.” And we both got very excited about that.

And then all these extraordinary people started to join in. And then, and then off we went.

DAVID: That's the other thing about Neil, he collects people, doesn't he? So he'll just go, “Oh, yeah, I've phoned up Frances McDormand, she's up for it.” Yeah. You're, what?

MICHAEL: “I emailed Jon Hamm.”

DAVID: Yeah.

MICHAEL: And yeah, and you realize how beloved he is and how beloved his work is. And I think we would both recognise that Good Omens is one of the most beloved of all of Neil's stuff.

DAVID: Yes.

MICHAEL: And had never been turned into anything.

DAVID: Yeah.

MICHAEL: And so the kind of responsibility of that, I mean, for me, for someone who has been a fan of him and a fan of the book for so long, I can empathize with all the fans out there who are like, “Oh, they better not fuck this up.”

DAVID: Yes.

MICHAEL: “And this had better be good.” And I have that part of me. But then, of course, the other part of me is like, “But I'm the one who might be fucking it up.”

DAVID: Yeah.

MICHAEL: So I feel that responsibility as well.

DAVID: But we have Neil on site.

MICHAEL: Yes. Well, Neil being the showrunner …

DAVID: Yeah. I think it takes the curse off.

MICHAEL: … I think it made a massive difference, didn't it? Yeah. You feel like you're in safe hands.

DAVID: Well, we think. Not that the world has seen it yet.

MICHAEL (grimly): No, I know.

DAVID: But it was a -- it's been a -- it's been a joy to work with you on it. I can't wait for the world to see it.

MICHAEL: Oh my God.  Oh, well, I mean, it's the only, I've done a few things where there are two people, it's a bit of a double act, like Frost-Nixon and The Queen, I suppose, in some ways. But, and I've done it, Amadeus or whatever.

This is the only thing I've done where I really don't think of it as “my character” or “my performance as that character”.  I think of it totally as us.

DAVID: Yeah.

MICHAEL: The two of us.

DAVID: Yes.

MICHAEL: Like they, what I do is defined by what you do.

DAVID: Yeah.

MICHAEL: And that was such a joy to have that experience. And it made it so much easier in a way as well, I found, because you don't feel like you're on your own in it. Like it's totally us together doing this and the two characters totally complement each other. And the experience of doing it was just a real joy.

DAVID: Yeah.  Well, I hope the world is as excited to see it as we are to talk about it, frankly.

MICHAEL: You know, there's, having talked about T.S. Eliot earlier, there's another bit from The Wasteland where there's a line which goes, These fragments I have shored against my ruin.

And this is how I think about life now. There is so much in life, no matter what your circumstances, no matter what, where you've got, what you've done, how much money you got, all that. Life's hard.  I mean, you can, it can take you down at any point.

You have to find this stuff. You have to like find things that will, these fragments that you hold to yourself, they become like a liferaft, and especially as time goes on, I think, as I've got older, I've realized it is a thin line between surviving this life and going under.

And the things that keep you afloat are these fragments, these things that are meaningful to you and what's meaningful to you will be not-meaningful to someone else, you know. But whatever it is that matters to you, it doesn't matter what it was you were into when you were a teenager, a kid, it doesn't matter what it is. Go and find them, and find some way to hold them close to you. 

Make it, go and get it. Because those are the things that keep you afloat. They really are. Like doing that with him or whatever it is, these are the fragments that have shored against my ruin. Absolutely.

DAVID: That's lovely. Michael, thank you so much.

MICHAEL: Thank you.

DAVID: For talking today and for being here.

MICHAEL: Oh, it's a pleasure. Thank you.

[jarofstyles]

Appetency

Okay so we've got a bit of a long one. Kinda enemies to lovers if you blink, fuckboyrry turned softrry, dedication galore, hesitant Y/N and confident H, you're gonna love it. This is the first half- the other half is already up on Patreon and will be here later on 💕

Check out our Patreon for early access to the second half and 200+ exclusive writings

Warnings- slight angst, mentions of anxiety, alcohol, cocky h turned into a loverboy... nothing too crazy in this part.

WC- 8.5k

“Why are you every-fucking-where.” Y/N stopped short, glaring at the man across from her. The entire party, she had been trying to avoid him- but he wasn’t letting that be at all possible.

Harry grinned widely at that, the most obnoxious and infuriatingly pretty smile with those stupid dimples. Leaning against the wall as he studied her for a good moment, there was no hiding the not so casual enjoyment he got out of flustering her. 

Finally, he broke the silence, standing up from his casually cool stance on the wall. She knew he was going to say something that annoyed her and it was proven as he opened his mouth. "C’mon, don’t be like that. Perhaps you just can't keep me off your mind, baby girl. Can’t stop thinking about me, seeing me everywhere…"

“Ew. Do not call me that.” She wrinkled her nose in disgust for the nickname, walking past him. He followed, of course, because he always did. “Just because we have a few similar friends doesn’t mean you need to be at every social event. I’d love a break from your smug face.”

"You can't possibly be getting tired of this handsome face already…" He protested as he followed behind, his words purposely trying to rile her up. Getting a rise out of her seemed to make his whole day, and usually she would laugh it off but this time… things were different. Finding a spot in the kitchen, he watched as she puttered around trying not to look at him. 

His eyes danced with amusement as he added in some more. "Or are you just mad that I always seem to steal the show, love? Not my fault that I'm effortlessly charming and captivating, darling."

“Humble, too.” She snorted, grabbing a drink from the cooler. Buzzballs were not the thing she’d want to choose when she was thinking about the next morning, but they were exactly what she needed when it came to trying to mentally escape right now. “You’re insufferable. Really.” His eyes were on her as she used her nail to pop open the cap. 

“So are you going to leave me alone, or follow me around all night?”

Harry chuckled in amusement at her sarcasm, enjoying the way she rolled your eyes at him. "Leave you alone when you look this lovely? Not a chance in hell, darling." He hummed, tapping his own bottle against the counter. He paid no mind to the new people who entered the space, eyes glued on the girl he was talking to. "But as much as I'd love to keep annoying you, I have a much better way we could spend time. Don't you remember, love?" He purred. “I certainly do. It’s hard to forget the way it feels when you moan-” The interruption was instant, her hand gripping onto him. 

“Harry…” she hissed, tugging his arm further down the dark hallway and into a bedroom. Who’s? She didn’t know. All she knew was that she had seen where this was going, and she didn’t want him to say it too loudly. Everyone was so god damn nosy and respectfully, she didn’t want to deal with any of that. Not after all she had said.

“Listen.” Putting her hands on her hips, she tilted her head up at him as he stood a little too close. “We hooked up, it was a mistake. You know it.” Though it didn’t seem like he thought so considering how he trailed her ever since. “We… we were a little drunk and I was lonely and you were there.” 

Y/N knew she was slightly lying, but she was trying to fool herself. If she said it enough times, maybe she’d believe it. They’d always had chemistry. It was intensity that burned between them, her disdain and his addiction to getting a rise out of her. It was only a matter of time that they’d give into some sort of blow out- but she hadn’t expected it to be as good as it was. It couldn’t happen again. 

Harry had that knowing smirk on his face as she tried to deny it all, knowing exactly where this was headed. The thrill of chasing her, of getting under her skin was intoxicating, addicting. He loved making her growl and huff and glare at him, because it meant getting her undivided attention.

"Was it really a mistake?" He asked as he leaned against the door, finally giving her some breathing room.  "Or have you just been avoiding me because you couldn't stop thinking about it?"

The truth was that he had been thinking about that night ever since. Multiple times. Before he went to sleep, when he was in the shower.. It was hard not to. 

Her jaw clenched, placing her bottle down and crossing her arms. “Look. You’re hot, Harry. You don’t need me to tell you that. You’ve got plenty big of an ego. But I’ve been avoiding you because it can not happen again.” 

Y/N knew that Nina was into Harry and she really didn’t want to start any drama. Not that he even seemed remotely into her, but because she acted like he was someone she had dibs on. As gross as it was, she tended to start shit with anyone Harry pursued and she just wasn’t in the season for drama. There were other things to worry about other than start a feud over a man. 

He had known about Nina's crush on him, but he didn't care about her. He never had, and he never would. As fucked up as it was, what they had, in his mind, was just a harmless flirtation, nothing more. Y/N knew that, but Nina didn’t. He couldn't have been more clear he had no interest in her, but some people took delusion to heart. 

It didn’t matter how good Harry gave it to her last time, how hard her legs shook, how sore she was in the best way. Didn’t matter if his tongue was hot and through and how he’d cleaned her up with it. It couldn’t be repeated.

Harry's smirk only widened as she openly admitted he was attractive, his ego inflating even more. But when she mentioned avoiding him, his smile faltered slightly.

"Why can't it happen again?" He asked, moving closer to her, his eyes darkened. Too close, making her take a deep breath. If there was one thing he would give him, his presence was commanding. Felt. Her body was very familiar with his now, wanting to lean into him, but she fought it.

“Because.” She sighed tiredly. “I really can’t deal with any drama. I’m exhausted, and the last thing I need is that she-devil going after me because she thinks I’m ‘stealing her man.’ “

The man let out a laugh, amused by the comment. Yeah, he knew exactly who she was referring to and found it funny. He knew she could be a drama queen, and he definitely didn't care for her possessive tendencies, but he had told her that they had nothing going on between them and never would.

He stepped closer to her, his greedy hands reaching out to touch her hips, his touch firm. "You're not stealing me, love. She never had me, and she's delusional if she thinks she does." His eyes gleamed with desire as he looked at her, his touch becoming a bit more possessive in his own way. "And I want you, not her."

“Harry, you don’t actually want me.” She groaned in frustration, trying to ignore how her tummy dropped as he pulled her into him, his other hand curling around her jaw. Stupid body, stupid hormones, stupid muscle memory.  “You think you do because you like a chase. You don’t actually like me or anything, you like how I fuck.” She said bluntly, glancing up at him.

Harry's smug expression faltered as she protested. He could feel the annoyance, but he also noticed the way her body responded to his touch. There was no denying that. "Is that what you really think?" He asked, his grip on her jaw tightening slightly as he looked down at her. "That I'm just chasing you only for the thrill of the chase, for the sex?"

His eyes darkened, his other hand moving lower on her hip, pulling her flush against him. He could feel her body against his, the softness, the warmth, and he wanted it all back. There had been no way she could tell him that she hadn’t enjoyed it, considering he’d made her cum 3 times, made her gush all over his cock. She’d clung to him, held onto him, whimpered his name. But he’d taken care of her, he had gotten her some pomegranate juice and a snack, helped her tie her hair up, driven her home. When the contact had been nonexistent, he was hoping she was just making him work for it- but that wasn’t all this was to him.

“Yeah.” She furrowed her brows. “Is it not?” Harry wasn’t the relationship type, not usually. Everyone knew that. Y/N had constantly reminded herself that when they’d first met and she had a bit of a crush on him, only to see that he liked to fuck em’ and leave ‘em. It lost the appeal and she had resented him a bit for it. 

Was it fair? No. She knew that. But their dynamic had been built on that resentment. 

Harry's jaw clenched at her response, frustration and something else flickering in his face. He loosened his grip on her slightly, his gaze searching her eyes, trying to convey something she obviously wasn’t picking up on.

"And what if I told you that you were wrong?" He asked, his voice low. "What if I told you that there's more to me than just chase and sex?" He tilted his face closer to hers, his hand on her hip keeping her snug. He hadn't realized it himself just how touch deprived for her he actually was. Did she really think it was all just… a game? Had he not proven himself to her that night? Granted, he had maybe fucked up in how he communicated after but… the ball had been put in her court. 

He could tell that she was skeptical, but he was determined to make her believe him.

"I want you." He said firmly, his hand on her jaw moving to wrap around the back of her neck, his fingers tangling in her hair. "I want everything. Your body, your mind, your heart." His hand on her hip moved lower, his touch a little needy. "And the fact that I can't have you is driving me insane. Want you to believe me."

“But why?” She sputtered. “All we do is argue. All I do is blow you off and all you do is follow me around to piss me off.” 

She had no idea he had his own fascination with her. How he’d silently watched her, observed, saw how she was with other people and wanted that chance to feel that. To have one of those smiles for himself.

Harry shook his head with a light laugh, his grip on her flexing slightly as he stared down at the girl he had been playing cat and mouse with. "Because I'll take the arguing, the blowoffs, all of it, just to be near you. I don't know when it truly started, but you've gotten under my skin, love." He pushed her back against the door, his body pressed against hers, trapping the girl. Looking down at her, his eyes were dark with desire, with honesty. It was a little unsettling.

“Harry.” She swallowed, eyes fluttering as his fingers stroked over her jaw and down over her throat, tenderness tinging the touches. “It’s not funny if this is a joke. It’s not.”

Harry's let out a tired breath, his touch gentle as he stroked her delicate skin, taking advantage of every touch. He could see that vulnerability in her eyes, and it only made him more determined to prove himself. "M’not joking. " He said firmly. "This is serious, I want you, and m’not giving up until I have you."

“Then you’re gonna have to work for it.” She exhaled sharply, pushing out of his hold and escaping back towards the party.

Y/N was almost fooled into giving in again- but she could give in without a real, true idea of what he was dedicated to. Maybe it was cruel of her to try and write him off as a bit of a slut trying his luck, but she’d never been awarded the chance to get to know him outside of their usual dynamic. 

That was why, the next day, seeing him on her front porch had her gasping in surprise. “Shit!” She yelped, keys falling to the wood below her. 

He looked good. The night of sleep seemed to refresh him, he’d showered, and he was bright eyed this morning. Determined. Why? She didn’t know. But this was not at all what she had expected when opening her front door. “ You scared the fuck out of me. What are you doing here?”

"Good morning, love." He greeted her. “Nice to see you this mornin’. You look gorgeous.” That cheeky fucking grin, as usual, tilted on his mouth. 

She crossed her arms, raising an eyebrow in question. "You didn't answer my question. What are you doing here?"

Harry flashed her a grin, completely unfazed by her skepticism.  "I'm here to see you, of course." He said, as if it was obvious. “Silly thing.”

“Why?” She didn’t want to get too huffy with him but he was nearly speaking in riddles and she didn’t have the patience for that. “Are you alright?”

Of course he was amused at how frustrated she looked, finding her impatience obviously endearing. Maybe it was just her, though. Y/N was a bit of a weakness of his, he found. Pushing himself up the final step, he grabbed her keys and handed them back to her, making no effort to pull his hands away from her own. 

"I'm fine, love." He hummed casually. "I just wanted to see you." Holding her hands in his, his thumbs rubbing soft circles on the skin. Casual intimacy that slightly caught her off guard.

The girl merely looked at him in confusion.  The plan for today had been to go to the grocery shop and do stuff around the house, not entertain the man who had admitted to wanting her last night- but she knew if he was here, it meant he was determined to get his way.

Aka, spending time with her. 

“Okay.. So now you saw me.” She said lowly. “Do you want to go home now?”

The sight of her looking so flustered and on edge fueling his determination, he shook his head.  "Not yet." He said, his voice low and firm. "M’not leaving until I get some of your time."

Y/N closed her eyes, taking a deep inhale through her nose and exhaling through her mouth. Meditative breathing did wonders, it seemed. Usually. She knew Harry well enough to know that he wasn’t going to let this go. He was going to keep prodding until he understood that he probably had no actual intention of being around her long term. He was looking at her with metaphorical sex goggles on. Yeah, she was good in bed, but that was only a tiny portion of her. 

He’d learn eventually.

“Well, I have to go to the store. So…”

Harry watched you closely as she opened her eyes from the attempting to calm herself. It was a little unnerving to know she needed to calm down from such a simple interaction but then again, he had been coming on a little strong. It was his nature, but he tried to relax his stance a bit. No way was he going to let an opportunity to spend time with her be wasted. He was dedicated now, wanting to win her over.  "You're going to the store?" He leaned in closer. “Looks like I'll just have to come with you, then."

Y/N sputtered as he took her handbag and totes from her, tucking them under his arm as the other held her hand. 

“C’mon.” He said smugly, pulling her towards his car. She followed, confused at how he had just agreed to go grocery shopping with her. Willingly. It wasn’t something he liked doing and she knew that- she somehow had found out one night that he had his delivered- but he seemed eager to do this with her. 

The last thing she expected was for him to open the passenger door and help her inside, but he did. Like it was second nature, opening it up and taking her hand to aid her into sitting sound, placing her bags on her lap.

Harry's smirk widened as he scooped up her handbag and totes, his grip on your hand firm as he guided her towards his car. He snickered under her breath at her sputtered protest, enjoying her disbelief that he was actually willing to go grocery shopping with her. Like it was some sort of hardship.

Once he had settled her in, he leaned in closer, the smell of cinnamon gum filling her senses. Keeping his stance, his eyes locked on her, his gaze intense. He could see the confusion in her eyes, and it only fueled his determination to make it second nature to her, to expect this sort of thing from him. . 

"You look cute this morning." He said, his voice low and smooth. "Did you get much sleep last night?" He reached up and tucked a strand of hair behind her ear, his touch gentle.

Her cheeks felt hot as he tenderly touched her, the softness of it all surprising her. “Um… I did.” The compliment had flustered her too. It wasn’t something she was used to from him. Their usual dynamic was tense on her end and being a pain in the ass with a stupid smirk on his. This sort of treatment was new to her. 

“Thanks. You look….” It felt unnatural to compliment him, but she meant it. Strangely enough. All of this was so new to her.  “Nice.”

Harry chuckled at the slight hesitation in her words, enjoying the way she was thrown off by his tenderness. One day she was going to accept it.  He smiled at her attempt at a compliment, narrowing his gaze at her. "Just nice?" He teased, raising an eyebrow.  He placed a light hand on her knee, his thumb stroking her skin in small circles, his touch gentle and comforting.

“Well, handsome? I dunno.” She grumbled. “Just so you know, you’re carrying all the grocery bags. If you insist on coming along you need to be useful.”

"Oh, I can be very useful, love. You jus’ need to find out what else I can off s’all." He said, his hand continuing its caressing on her knee, his touch sending a little jolt through her body "And don’t worry, I’ll carry all the bags. You just worry about picking out what you need."

Harry could see the doubt in her eyes as he reassured her about carrying the bags, and he knew he had to prove it. Not just that, but the whole thing. He hadn’t won her over quite yet, but he would. 

Removing his hand from her knee, he ignored how much he missed the touch and stood up straight, standing tall and strong next to the car. 

"You don’t believe me?" He asked, raising an eyebrow. "Just watch, sweetheart. Gonna shock the shit out of you."

——-

Y/N was suspicious. 

Harry was… behaving. More than, actually. He was being sweet and polite, borderline charming. Standing beside her as she pushed the cart, grabbing the items at the top shelves, not rushing her at all. He was flirty, sure, but nothing insane that truly made her roll her eyes at him. His voice was soft spoken and held only a tiny bit of the arrogance it usually did… and she liked it.

Who the fuck was this? And what had they done with the normal Harry? 

“You’re freaking me out a little.” She mumbled, checking off another thing on her list. “Like, you’re being pleasant. That’s not normal for you.”

"What, I can't be pleasant sometimes?" He teased, giving her a look. 

He couldn't help but grin as he watched her check off another item on the grocery list, his eyes roaming freely over her focused expression. He was enjoying this, he realized, enjoying the chance to be close to her more than he would have ever expected. "Maybe I’m just in a good mood today." He said, leaning against the cart.

“It’s just suspicious.” She glanced at him from the side of her eye. “You’re always following me around and trying to get me to snap at you. So excuse me for being a little confused when you’re acting so normal and nice.”

Harry liked working her up and getting reactions out of her, but he liked her. Y/N gave him the tummy butterflies, the excitement, the hot cheeks, all of it. She just didn’t know that- or was heavily in denial. It was his fault, he knew, from never expressing how serious the desires were and expecting her to read between the lines. But fuck, could she blame him? Y/N was a spitfire.

“Can you- fuck.” She groaned. “This can not get any worse.” 

Across the aisle, she saw her. Nina. Glaring at the scene of Harry standing a little too close to Y/N, doing a domestic activity like shopping together… It looked like they were way more than friends. This wasn’t something he liked doing and of course, the other girl would know that… So the situation didn’t look too good.

Harry could feel the shift in her mood as she spotted Nina across the aisle, and he tensed up slightly, ready for the inevitable confrontation.  Fuck, and they’d been doing so good. Of course, someone had to throw him a curveball. 

Good thing he was willing to work for this. 

"Relax." He said quietly, his hand squeezing her shoulder reassuringly, thumbing over the fabric. "I'll handle it."

Harry could feel the tension in her body as he held onto her, knowing that she was on edge. He knew Nina could be a handful, and he didn't want her to add to the stress of the situation. Especially after Y/N was seemingly warming up to him.

He took a deep breath and turned to her, his expression neutral but firm. 

"Nina." He said, his voice calm and steady- almost bored. "Why are you glaring at us like that?”

Nina’s eyes flicked between the pair, her expression hardening as she spoke. “What are you two doing?” She asked, her voice dripping with disdain. 

Harry kept his expression neutral, his hand on Y/N unmoving as he spoke to her. “We’re shopping. Is that a crime?” He replied, his tone cool.

Nina’s lip curled up in a sneer, her eyes narrowing. "Shopping? Is that all?" She asked, her voice dripping with sarcasm. “Awfully domestic, isn’t it?”

Harry chuckled, unruffled by her attitude. "Yes, Nina. We’re just picking up some groceries. Is that so hard to believe?" he challenged, letting her try and intimidate him. It wasn’t going to work. 

The girl’s jaw clenched as Harry responded to her, clearly annoyed at the lack of reaction she was getting from him. 

She took a step closer, sizing Y/N up with an unpleasant expression. She really needed to not make that face- it was unflattering.  “Is this a date or something?” She snapped, her eyes flickering over to Harry.

Harry chuckled at Nina’s question, finding her assumption humorous. 

He looked over at the girl he wished would say yes, his eyes filled with amusement. "What do you think, love?” He taunted.  Maybe it wasn’t the nicest thing to do, but he didn’t particularly care. 

Y/N rolled her eyes. This wasn’t what she wanted out of this interaction. Hell- she never wanted his interaction at all. “We’re shopping.” She said lowly. “And we have to go.”

Nina pursed her lips as her response, clearly unsatisfied with the answer she was given. She never could leave well enough alone. Harry could see her gearing up for another snarky comment, so he quickly interjected. 

"She’s right." He said, his tone firm. “We do have to go. Bye."  There was no hint of remorse on his face as he motioned for her to get out of the way. 

With that, he guided Y/N forward, steering both her and the cart towards the checkout area.

“Christ.” Y/N rubbed her temples. “She’s gonna try and burn my house down. I know it.” She sulked.

Harry chuckled at the outburst. He continued steering the cart towards the checkout area as she went back over the list, a small smile on his lips. 

"Don't be so overdramatic." He teased. "She's not gonna burn down your house. She's just jealous."

“Harry, she’s scared like, 4 women away from hanging out anywhere near you completely.” Y/N sighed. “I know you don’t see it as much, but she’s tenacious. I don’t know what’s going to get her to stop, but you need to actually have a conversation with her to tell her you’re not interested. Or whoever ends up being your girlfriend is going to have to deal with her crawling around.”

Harry’s smile faded slightly as she mentioned Nina’s past behavior. He knew she could be intense and possessive, but he didn’t realize the extent of her actions. Considering he hadn’t even slept with her, it seemed like a massive overreaction. Of course there had been natural curiosity over some of the women in their friend circle had gone, but now that question had been answered. 

He bit his lip, mulling over the words as he helped her load the groceries onto the checkout belt. "You’re right." He said finally, his voice serious as it broke up the beeping of the items being scanned. "I guess I didn’t realize it was that serious. M’sorry. I don't particularly want to have that conversation, but it needs to be had. I’ll talk to her."

Harry continued helping you with the groceries, lost in thought for a moment before speaking again. "I’ll talk to her soon, make sure she knows for sure me and her are never going to be a thing and if she wants to try and scare off anyone I talk to, she won’t be invited to anything else." He said firmly, his eyes serious. 

"But first," he added, breaking the tense air as his tone turned playful again, "We have to get these groceries home. I’m starving."

—

It was safe to say that she was even more confused than she had started off being. 

Harry helped her bring the groceries into her place. He helped her unpack. He even fed her cat while she washed the fruit so she could put it away. Helping himself to her house like he had a right to be there, a comfortability that had her a little spooked. 

It was hard to accept the thought of Harry actually liking her. First, she hadn’t ever seen him with a serious girlfriend. All she had been exposed to was seeing him fucking around with different people. Secondly, he was always so playful and unserious that internally, the most insecure part of her felt like maybe it was a trick, and it made her more apprehensive of him. 

It wasn’t fair of her to be so judgmental when she was not a virgin mary herself; she knew that she wasn’t giving him a proper shot, but it was scary. He was scary, in a way.  Maybe it was the idea of how far feelings could go if she gave in, but it felt hard to stop those original emotions she had towards him from coming back. 

“Thank you.” She said awkwardly as Harry sat at her breakfast bar. “Um, for helping put away the stuff and bringing it inside. That was really nice of you.”

Harry, who was lounging in a chair at the breakfast bar, chuckled at the awkward gratitude.  "S’no big deal." He said, his tone casual. "I’m happy to help." 

He leaned back in the chair, his eyes roaming over her face, his favorite thing to do. Watching her was the best part of being around her.  He could see the tension in her shoulders and the uncertainty in her expression, and it made him wonder what was going on in that head of hers. Why she was so apprehensive. Yeah, he knew he had a weird dynamic with her before, but no one thought of him as a bad guy.

The longer he looked, the longer Harry could tell that there was something bothering her, and he wanted to find out what. Call it morbid curiosity, but it was needed. He leaned forward a bit, his eyes locked on her pretty face.

"You seem a little tense." He said, his voice soft. "Is everything okay? You've been quiet since we got back."

She hadn’t expected him to call her out on it, but she should have. Harry was as blunt as they came, and she could have laughed at it if she didn’t feel a little anxious. 

“I’m okay.” She wrapped her arms around herself, looking at her feet for a moment the soft green ladybug socks he had given her a laugh over. “I’m a little anxious, I guess. This new dynamic kind of… put me off kilter.” The confession hung in the air before she continued.  “I’m used to you being annoying and… I dunno. It’s unfair of me, but I keep getting nervous that this is some joke to you and you’re gonna go back to being obnoxious once I let my guard down.” She winced. “And I’m sorry. That isn’t fair to you when I know I haven’t been the nicest to you either. But I guess you intimidate me a little.”

Harry listened intently as she spoke, his expression softening as she revealed the source of the troubled look on her face. He knew that he had been a bit of an arse in the past too, and he could understand why his sudden change in behavior had thrown her off. 

He leaned forward on his hands, his gaze still fixed on the girl’s tense stance, lips rolled into her mouth. "I get it." He said quietly. "And I’m sorry if I intimidated you or made you uncomfortable. That’s the last thing I wanted to do."  He ran a hand through his hair, sighing softly. "And as for this being a joke... it’s not. Not in the slightest. Trust me."

“I guess I’m a little confused too.” She admitted. “Where all of this is coming from. I know we hooked up a few weeks ago, but you didn’t call me or anything after. I wasn’t expecting you to, don’t get me wrong, but then I felt awkward seeing you at all the events and stuff and you were acting normal. I never let you get alone with me on purpose because I didn’t want to hear you tease me for giving into you.”

Harry’s expression soured a bit as she brought up the hook-up. He knew he hadn’t done anything to dispel her doubts about his intentions, and he felt a pang of regret.  He paused for a moment, gathering his thoughts. How could he explain it without sounding as stupid as he felt? “I know I didn’t call you after, and I should have. I was an idiot… I just… I thought maybe you wanted me to chase a bit, that the ball had been left in your court after I dropped you off at home and… and I didn’t think, honestly.”  He ran a hand through his hair, a frustrated sigh escaping his lips. 

“You have to understand why I’m a little uneasy.” With arms wrapped around herself, she let herself look back up at him. There was no trace of joking on his features and it did make her feel a tad bit better.  “It’s not that I didn’t like… what we did.” It was the best she’d ever had. “But I think I’m not cut out for just hooking up. I don’t regret it, even if I acted like I did.” She decided to give him a tiny bit of her vulnerability to see what he did with it. “I just know that hooking up, for me, never ends well. And I don’t know you really well, Harry.” She fiddled with the hem of her shirt, nerves shot. The last thing she wanted to do was seem desperate about locking him down or something, but she couldn’t lie to him or herself.

“I’m not trying to make you feel any sort of pressure to want to date me or anything. I’m just trying to lay down a boundary that for me, I think I’m one of those people that really needs an intimate connection and trust with someone. For some reason I trusted you that night, and I know you wouldn’t harm me in that way, but sobered up and standing in front of you, I feel a little apprehensive. Like, I don’t want you to feel any sort of pressure from me, but in order to have me in the way you said you want… it has to have some level of commitment is basically what I’m trying to say.”

Harry listened intently as she laid down the boundaries, his expression thoughtful. He could see the vulnerability in her eyes and in the way she fidgeted with her shirt, and it tugged at his heart in a way he hasn't felt before.  The last thing he wanted was for her to feel any sort of regret and he was glad she hadn’t so far, but he had to appreciate her laying out the law here. It gave him direction on where to go. When she finished speaking, he took a moment to process the words before responding. He can feel the seriousness of the conversation, and it's clear that she wasn’t making demands lightly.

He took a deep breath, his own vulnerability on display in his honest gaze. It was imperative to him that she understood how much he got it. How dedicated he would be to it if given the chance. "I understand." He said quietly, licking over his bottom lip. "I understand that you need a committed relationship, darling. I also understand that you need trust and intimacy in order to get there." he added, his voice soft. 

He took a moment to organize his thoughts, then continued speaking. It should be laid out in front of her. “You know, I’ve been thinking about this a lot lately… about us, I mean.”

“What do you mean?” She asked quietly, taking the moment to look him in the eye. It was the most serious she had ever seen him. Usually he had that smirk on his face, so smug or teasing, he’d be poking and prodding at her to get a reaction- but nothing about this interaction was insincere. It was almost off putting to see him this way.

Harry's gaze met hers, his eyes intense. "I mean that I've been thinking about us in a more serious way." he admitted.  He took a deep breath, his expression tentative. "I know I've been kind of hot and cold with you… and I know that I've played games in the past. But after we hooked up… I really couldn’t stop thinking about you. How different we were like that… How good it felt. So I want you to know that... I don’t want to play games with you. I want t’be serious about this."

Y/N hadn’t expected that answer. In all honesty she thought he’d reject her, say he wasn’t into it and keep it moving. That was what she was prepared for- not this. That sort of confession had her realizing that maybe she really didn’t know him at all. She knew some parts, sure, but seeing him like this was brand new. This man in front of her was a familiar stranger, at least this new side.

“I’d have to get to know you better.” She brushed her hair behind her ear, giving him a tentative look. “And it would be a little slow. I think I could give you a chance, though. I’ve been unfair to you, I think. I feel like we… kind of got off on the wrong foot.”

Harry lets out a small sigh of relief, a hint of a smile playing on his lips. “I’m okay with slow.” he says, his voice sincere. “I’m willing to work for it.”

He leaned back a bit, giving her a little more space as a hint of his usual playfulness returned to his features.. “And I think you’re right… we got off on the wrong foot. But I’m glad we’re taking the time to get to know each other now.”

——-

—— 

Harry was coming over again. 

It was strange. Since they’d agreed to explore something romantic, seriously, he had changed. Not completely, not to the point where she wondered who he was before, but enough to make her soften up. Hints of him being a pain in the ass we’re still there. But he was… sweet. Genuine. A little silly in a cute way that she hadn’t allowed herself to enjoy before. 

One of the biggest shocks of all, was the fact that he was so gentle with her. He handled her with care, even if he was a little overly touchy. She was getting used to it because she found herself liking it, but he was the first guy to really be a bit of a clinger. 

That was the last thing she had ever expected from him.

His touches were soft and sweet and he looked at her with this little twinkle in his eye that she knew he couldn’t genuinely fake it. He liked her- liked her , liked her. 

She was still a bit shy with him, but it was slowly melting away each time they saw each other. Now the nerves were barely there, being overtaken by anticipation and excitement. It wasn’t something she’d ever thought would happen- being excited and antsy to see Harry, wanting him back in her house. 

He was coming over tonight and she had been prepping for a bit, primping and priming herself even though she wanted to look casual. There was never once so far that he hadn’t told her she looked gorgeous, and it had started becoming part of her daily routine. She wanted to impress him, make him say it again and mean it.

Her tummy twisted as she heard his car door slam shut, smiling to herself as she adjusted her cropped top and went towards the door. 

He was beautiful. Really, gorgeous as she opened the door to reveal him in the early evening light. He looked a little tired from work,slight bags under his eyes, but his smile melted her a little as he walked right into the house, dropping his bag in the foyer with little care for its well-being and picked her up in a big hug. Her feet dangled as she squealed, strong arms wrapped around her waist as he lifted her effortlessly. 

“Hi.” She beamed shyly, feeling him set her down on the floor.

Harry couldn’t help but grin as he placed her down, his strong arms wrapping around her waist lazily.. He loved how delicate she felt in his arms, and he loved the way she squealed with surprise as he lifted her up a bit. Really, he loved most things that had to do with her. Taking a moment to admire her cozy appearance, his gaze lingered on her cropped top. “Hi.” He replied, his voice soft and warm. “You look beautiful.”

Like clockwork.

Before she could respond, Harry was pulling her back into a hug, burying his face in her shoulder as he held her, rocking slightly. A prime example of how touchy he was, unable to stop himself. He nuzzled her neck, letting his cool nose brush against the hot skin. “I missed you.” he mumbled, his voice muffled against her, leaving a little shiver in it’s wake..

When he said things like that it made her want to giggle madly, but also melt into a puddle. He truly meant it, was the thing, and she had a hard time understanding how this had happened. How he had gone from her little enemy to the person she looked toward to seeing the most. 

“I missed you too.” She admitted, fingers tracing down his back. It was an attempt to get more open about her feelings. Harry was being candid about his own, so she felt like she could extend him the same grace. Even if it was slightly terrifying, she had no reason to hold back anymore.

Harry pulled back slightly to look at her, a soft smile on his lips at her shy admission. "I like it when you say that." he teased, his voice low.  He brought his hands up to rest on her hips, his thumbs tracing small circles on the bare skin. He loved the way the cropped top revealed just enough to make him want more, and he found himself struggling to focus on anything but the feel of her body under his hands.

Harry wanted her, and there was obvious desire for her there. In all honesty, there was a lot of desire for her in general that he had done his best to keep under wraps  He’d been so good, trying so hard to prove himself- but that didn’t mean he was a saint. He was beyond attracted to her in every sense of the word, and it was hard to ignore that..

“Excuse me.” She let her smile grow, her tone playful. “My eyes are up here.” 

Y/N knew Harry wanted her in all of the ways, and he’d been exceedingly patient. He knew she was trying to build their connection before getting intimate with him again, and she appreciated it- but that didn’t mean she didn’t enjoy knowing he desired her. 

Or that she didn’t have those same urges.

Harry's gaze flicked back up to meet hers, a cheeky grin on his face. "I know where your eyes are. I look at them plenty, do I not?" He replied smoothly, his hands still resting on her waist, giving a gentle squeeze.  He couldn't help but let out a small laugh as she shot him a look, his eyes sparkling with mirth. "But you can't expect me to ignore the rest of you when you're wearing something as distracting as that." Testing the waters, he was seeing how far his flirtation could go.

“It’s loungewear, you freak.” She scoffed, a hint of a smile turning up her lips. Leggings and a cropped top were a bit of a reward for him, though. She figured if he had been so patient with her then he could at least get to look at her. “But I’m glad you like it.” 

Taking his hand in her smaller one, she led him towards the kitchen to show him the pizza boxes and salad she had made to pair with it, feeling weirdly shy about it. That was the theme of today, considering she had come to a conclusion in her head- but he didn’t need to know about it quite yet. “I knew you’d be hungry when you got off work, so I ordered ahead.”

Harry's eyes lit up as he saw the food, warmth spreading through him. No one had been thoughtful like that to him before, but of course she would be. This sort of thing was why he had liked her. He’d seen it time and time again with their other friends and secretly wished for some of it for himself, that sort of care… and now that he got it, he felt that yearning for her get a little bit stronger. He let out a low whistle. "You knew exactly what I needed." he murmured, a grateful smile on his lips. 

Pulling her into him, his arms wrapping around her waist from behind. He nuzzled her neck again, his breath warm on her skin. "You're too good to me." he murmured, his voice showing just how grateful he was.

Y/N shivered slightly as he spoke against her skin, large arms wrapping around her and making her feel that same brand of delicacy that only Harry had been able to accomplish. His arms were just… beautiful. Built and muscular, covered in those tattoos, she loved every single thing about them. Looking at them, feeling them, how he used them… she couldn’t admit it out loud yet, but being in his arms was one of her new favorite places. 

“You texted and said you didn’t sleep well and you had a rougher day at work and… I dunno. I thought maybe you’d like something ready when you came over. I would have cooked myself but I had a workshop.” She rambled on a little bit, feeling the need to overexplain herself.

Harry squeezed her tighter, his chin resting on her shoulder. He inhaled her scent, his nose buried in hair as she spoke. 

"Mmm. " He hummed, his voice low and gravelly. He ran his nose over her throat, lips brushing against the sensitive skin. "You didn't have to do all this, you know." He moved his hands down over her hips, his thumbs tracing soft circles on the exposed skin there. "But I'm really grateful you did." He was quiet for a moment before speaking again, his grip on her tightening slightly. "Can I ask you somethin’?"

“Hm?” She replied. It was hard to focus. Sure, it would be awkward if anyone else say them just standing in her kitchen with the large man wrapped around her body, but no one else was there to judge her for indulging both herself and him in this sort of cuddle. 

Harry's body was pressed against her, a small smile on his lips. He really did enjoy this moment of quiet intimacy just as much as he enjoyed the more energetic moments where they’d go out or he’d help her take care of her garden.

"Can I stay over tonight?"

It should have been a scarier question to her, all things considered, but the answer came out of her mouth naturally. 

“Sure.” She nodded. There was no second guessing it either. “Is that what that bag was?” She realized he had brought in a bigger duffle than his usual work one, but she had thought it was maybe just to change from his work clothes.

Harry's smile grew as she agreed so easily. "Mhmm." he hummed, his voice low. His hands moved up her sides, tracing the curve of her waist. "I wanted to be prepared just in case you said yes." Presumptuous? He’d prefer the terms hopeful, even confident. They’d been doing so well, he had to at least ask.

He pulled back slightly, looking down at her with a hint of a smirk on his face. "So... where can I sleep?"

He turned her in his grip, letting her look up at his face now with narrowed eyes. Her heartbeat quickened though she tried to calm it down. He was teasing her a little bit, but he did genuinely want to know. 

“If you promise no extreme funny business… you can sleep in my bed.” She placed her hand on his bicep, squeezing a little. It was her own reward. “But remember, Harry. No sex. Okay?” Gliding her other hand up to cuff over the back of his neck, she decided it was finally time to tease him back a bit. “However… If you’re really, really nice to me… I may let you kiss me again.”

Harry's smile widened, his eyes sparkling with a hint of challenge. He leaned down, bringing his face closer to the girl’s.  "You're being bold, darling." he teased, his voice low and playful. "Are you trying to tempt me?"

“A little.” She hummed. “I like when you’re sweet to me. So if you keep it up, I’ll let you kiss me as long as you’d like tonight. I know I’ve been holding all of that intimacy hostage…” 

It had been driving him wild. Near kisses and her letting him brush his hand over the curve of her ass a few times before putting them back up to her hips, he’d tested the waters but got rejected. Now, she was loosening up a bit. 

“So.” She blinked up at him. “Are you gonna be nice to me tonight so you can kiss me?”

Harry's eyes glinted with a mixture of desire and playful mischief. He loved it when she teased him just as much as he loved it when she got all shy and flustered. Which one he likes more, he couldn’t tell. "Oh, I'll be so nice to you tonight you won't be able to stand it." he purred, his voice low and husky. 

He wrapped his arms around her waist, drawing her closer until their bodies were flush against each other. "But I have one condition, little miss."

“What is that?” She questioned, unsure what it could be. With him, it could be anything.

"You have to promise me that if I'm being too... forward, you'll tell me to back off. I don't want to overstep. Even though I want to kiss you until you can't think straight. So promise me you'll speak up if I get too much." 

Her smile widened, nodding in agreement. He’d just earned himself quite a few points. Never had she expected him to be as respectful as he was, but she utterly adored it.  “I will. I promise, I’ll tell you.” She agreed, leaning up to kiss the curve of his jaw. “But it’s time for you to eat. I can feel your tummy grumbling.”

Harry let out a low chuckle, his eyes flickering over her pretty face. He loved the way her smile widened, and the feeling of her plump lips against his jaw send a shiver down his spine. More. He wanted more, and more, until their mouths were tingling and numb. Until she looked drunk on the kisses, clinging to him like he could only hope.

"Mmm. Okay, fine." he grumbled. "I'll eat. But only if you feed me, since you were so kind as to order ahead for me." He gave her a puppy-dog look, his lower lip jutted out in a mock-pout. It was good, she’s give him that- but not good enough.

“Absolutely not.” She snorted. “Nice try.”

[luveline]

hiiii jade!!!! could i please request something with peter with reader who’s maybe put on some weight recently and is insecure about it?? (totally not self indulgent at all) i totally get it if you’re not comfortable writing that stuff though so no pressure

hi lovely! ty for requesting. fem, 1k

cw for negative weight talk/ weight gain

Everybody gains weight during the holidays, you think, tracing your figure in the mirror. Though it's not strictly holiday season yet, it's edging toward the end of the year. Maybe my new year's resolution should be losing a few pounds. 

There's a thunk of the bedroom window being yanked open and footsteps across the floor. You tense until your hear Peter panting for breath, likely having swung to you at high speed, or fresh from a fight with an usurped criminal. 

You rush back into your t-shirt, knowing exactly what path he'll walk. He barrels into the bathroom, sees you at the mirror and smiles so wide his cheeks look fit to burst. "Hey," he says, peeling the suit off and exposing his boxers to you without shame, "hey hey hey. Can I persuade you in with me?" He nods toward the shower. 

"Not this time, Pete." 

"Too bad," he laments. 

You look away as he strips out of his underwear. The shower turns on and he takes you by the hips to move you out of his way with a murmured apology, near lost to the drum of the spray. Peter has moments where he doesn't know his own strength, but the majority of the time he treats you like you're something precious. 

"Stay in here!" he demands as he pulls the curtain shut. 

"I'm not going anywhere." You close the toilet and sit on the lid. "Tough day protecting the people?" 

"Apart from tripping into a deceptively large pothole, it was fine. Why won't you come in here with me? I wanna rub your shoulders." 

"You want me to wash your hair." 

"Exactly. So get naked and get in here. Don't make me beg." 

You really don't want to, and you're not going to, but it's not a big problem. Peter doesn't truly mind, he just loves you. "What do you mean, deceptively big? Like, knee height? Higher?" 

"Mid thigh, I'd say. The people of New York are never gonna let me live it down. One guy was recording me and said he was gonna put it on YouTube for the ad money." 

"Anything else?" 

He gives you the rundown, describing what perps he faced and an older man he helped use an ATM machine. You hum distractedly, pinching at the fat where it spreads on your thigh, sitting down as you are. 

He sticks his face through the curtain gap, hair slicked to his cheeks. "What're you doing?" 

"You told me to stay, so I'm staying." 

He's nervous for a split second, glancing back into the shower as though there's an answer there waiting for him before angling himself toward you fully, his naked chest dripping and shining in the bathroom light. "Okay, fine, we need to talk about something. But I want you to know that you forced my hand here. Okay?" 

"Okay." You nibble the inside of your lip, used to his theatrics. "What have I done?" 

"It's not something you've done. It's something you are. I can't even say it. I," —he pulls the curtain in front of his face, moves it aside again– "just need to tell you. Lately it's like you don't even realise how beautiful you are and I'm tired of it. You're radiant. Like, glowing." 

Your recent internal debate must show on your face, that doubt, because he gives you a steadying smile. "Really, really beautiful," he says more seriously.

It's easy to smile at him. "Thank you, Pete." You scoop his suit off of the floor. "I'll go scrub the tetanus out of this in the kitchen sink." 

"Wait–" 

He can't just get out with suds in his hair, giving you the perfect escape plan. You have ten minutes to yourself filling the sink with soapy water and steeping the fabric before he's out of the bedroom in pyjamas, trousers tucked into his socks and hair damp from ferocious towel scrubbing. "You're such a– such a– thing," he decides. "I'm telling you you're beautiful and you walk off so you don't have to hear it? What's wrong with you?" His voice slips into a kinder register. "You do know you're pretty, right? I'm not just saying it to say it." 

"I'm just feeling icky," you confide. 

"About what?" 

You want to tell him, you find. "You know how I've gained weight?" 

He doesn't need any more explanation. Peter knows you've gained weight, you've mentioned it to him, and it's visual, and he can likely tell whenever he decides to flex his strength. "What, and you think that makes you less pretty?" He puts a damp hand behind your neck to bring you forward. "Seriously?"

"Yeah, a little." 

He kisses you. His nose bumps your nose, his lips crushed to your as he holds you in place. Despite this, it isn't an overly rough connection. It's definitely not shy. "You're beautiful," he says in the space between your lips. 

"It doesn't suit me–" 

"It does. It really fucking suits you. Have you seen yourself? You couldn't look better." 

"Even when I was thinner?" 

"You look just as perfect then as you did now." His intensity fades and he encourages you back enough to see your face, his thumb rubbing a short line into your neck. His brows are furrowed, dark eyes darker for it. "Weight isn't a factor." 

"No, but you have to say that." 

"I don't. Not really. I'm sure there are a thousand shitty guys who'd tell you something different, but I'm not– I love you, the whole you. I like you like this." He grins. "Which should be obvious." 

You tsk at him, to his delight, his laughter boyish as he buries his face in your neck with a hug, kissing a messy circle up and into the soft line of your jaw. You trap him there without thinking, chin hooked down, squirming as he blows hot air into your skin. 

"I've been putting it on too," he says. "It's happy weight." 

"It's not happy weight for you, Pete, it's just more muscle." 

"It makes you happy, doesn't it?" he jokes, smiling and kissing and hugging you all at once. "Just like it does on you for me."

[accirax]

Danganronpa: Despair Time Chapter 2 Episode 15 Dissection

FINALLY, I have a Friday night with few enough plans that I can watch and give my initial thoughts on the episode on the day that it aired >:D

... why am I celebrating being all alone on a Friday night? (/j)

Dissection time! This will be a Part 1 because I finally actually ran out of images. Please check the reblogs to see my further thoughts on the episode!

SPOILERS for Danganronpa: Despair Time Chapter 2 Episode 14. Brief mentions of eating disorders and suicide.

Of course, it's also the first week where I probably won't have as much to say, not because there isn't stuff to comment on about the episode, but because the main thing that ate up my time/word count was assessing all of the evidence to talk about who the killer might be. Now that the killer has seemingly been revealed, there isn't really any "Chapter 2 murder" left to theorize about... that's insane.

Starting the episode off with Teruko saying that accusing Ace was her "judgment" was wild. She made it very clear that it wasn't just that she was humoring Eden or haphazardly starting with Ace first, but that she thought it over and decided that Ace was the more-likely-to-be-guilty party because of seeing Eden break down like that. She paid attention to Eden's emotions and let Eden into her heart! That's awesome!!!

(Not to say that you couldn't pay attention to Eden's emotions and still think that she was the culprit-- I'd be a pretty big hypocrite if I tried to argue that. And I just don't think that it's true.)

This is a really random point to bring up, but I remember from drawing my J-to-Xander secret santa exchange that one of J's main complaints about Xander was also that he was loud. I guess J just really hates loud people.

... David, put down the megaphone--

Now this surprised me. It really made sense to me that Arturo would be the one stalking Eden, given that we first heard about the stalking on the day that Arturo and Eden had their chat!

Although, it also makes sense that it wasn't, given that the Arturo/Eden conversation probably happened after the event where J pulled Teruko into that closet (just based on Arturo's vibes). That event was the last thing that Teruko did before the nighttime announcement rang. Thus, Eden talking to Arturo probably happened pretty late in the afternoon, not giving Arturo much time to have been following Eden. To be fair, I deemed that it could still very well be Arturo anyways, because it's not like Eden said anything such as "you've been following me all day" that truly indicated a time period. But it does make sense.

Seems like everyone who thought that the culprit could have been tailing Eden was correct! A round of applause for everyone who put those pieces together 👏 (/gen)

Now, this one, I don't believe I saw ANYONE speculate. Therefore, as an idea I'd never even heard tossed around, this really took me out. It makes sense, though: Eden is small and semi-canonically the weakest character in the killing game. Therefore, if you're looking for someone who you can near-guaranteed overpower, it makes sense if you were to target her.

On one hand, thinking down this line of logic makes me worried for Eden's survival prospects beyond Chapter 2. On the other, now that this has been directly addressed in canon, I find it less likely that someone will use that again down the line. The best place to do so would be at the next Class Trial, so that the logic can be "well, looks like someone tried to execute on Ace's original plan" when it's at its most relevant because Ace's crime would be at its most recent. However, I don't really think that Eden will be a victim at the next Class Trial, so I'm leaning towards saying that she wouldn't become a victim for that reason.

(It feels so unnatural to write out "Ace's crime" and be, like 95% certain that it's canon. This case is just one of the unsolved mysteries of history, the fuck??? (/j))

This was ALSO insane to me. I know that thebadjoe cited Ace claiming to have been in the Gym the day after he nearly died in there as a reason why Ace might have been lying about what day he overheard Arei and David on (the logic is probably somewhere in here), but I think I and many others just figured that he didn't want everyone to think he was a coward, or that his eating disorder would compel him to go back to the Gym anyways.

However, going back to the Gym to sus out how exactly Nico's contraption works makes perfect sense! J was right, if Ace was suffering through being killed when he awoke, he shouldn't have had the presence of mind to figure out the crime then and there. However, if he could combine the flashes he got of what happened while he was swinging from the fan, whatever he was able to make out when he ran out of the room to chase Nico, and being able to inspect the Gym after the fact, I think it's totally reasonable that he could have figured out what happened with enough clarity that he could replicate its essential elements elsewhere.

As it turns out, despite my crack at trying to figure out what happened, the Gym murder method wasn't actually all that complex.

Teruko: One. Given that you were stalking Eden before the Nico incident, you were already planning a murder beforehand. You entered the Gym with the pre-existing intent to take the tape for some different, unspecified murder plan, and changed your mind on the details later. Two. You were pretending to be unconscious for longer than we thought. And three. You took the tape for first aid.

Dammit, fellow "but it wouldn't have made sense for Ace to take the tape right after the attempt" truthers... I think she may have cooked us. (/j)

But hey, we love to see Teruko representing the "let me explain out various theoretical options by listing and discussing them numerically" crowd! It's always great to see yourself represented in media ;P Even if I never came up with any of these theoretical options.

My guess is probably that, of the options, the first is the most likely. I also think that Teruko probably agrees with that, given that it was what she went to first and it had the longest explanation. It's not really important, though, and I don't think there's any way to truly know, so I don't have much else to say about it.

Teruko noooooooooo :(

Whit FINALLY gets a new sprite and THIS is the expression and context?????? I love him.

Speaking of, I think that, thus far, the characters to have received new sprites in Chapter 2 Part 2 are Teruko, Ace, Arei, Hu, David, Veronika, Whit, and Nico? I'm not certain about whether Eden, Levi, or Rose had any, but I don't think they did. If true, I can't believe that Eden got through such a major role in the story without picking up any new sprites. It's probably because she already had a bunch to begin with, but, still.

Oh hey, he got one too. Protag/antag/support/chapter killer, boom.

Teruko: That's why Arei's wrists were bound-- because you didn't want her to wake up mid-murder to claw at her neck.

Definitely not what I was expecting from this piece of evidence, but I guess it tracks? My only question is why it would have been a problem if Arei had scratched at her neck. Like, it's not like both of them having neck scratches would have implicated Ace as the killer, right?

I guess maybe he was afraid that Arei would be able to escape his murder contraption much like he broke Nico's, even though the rope is probably much more sturdy than the wire. Or, maybe he was worried that it would work against the idea to stage it as a suicide? Either way, it's also convenient for just restraining Arei in general, so it's not like the evidence doesn't make any sense at all.

Nico, in audio: (Sorry.)

SO creative to contrast the voice lines and the spoken dialogue to really imply that Nico is saying it under their breath, or so quietly that nobody can hear.

However, let's not forget about the actual content of what Nico says whilst focusing on the cool media-specific presentation. Nico actually apologized to Ace after traumatizing him! Nico is very much characterized as a straight-shooter (or at least, when they're not trying to avoid conflict by saying whatever they think will help accomplish that), so I believe that when they said that they wouldn't say sorry to Ace because they didn't feel sorry for Ace, they meant it. However, that means that at some point between when Nico said that and now, something changed that made Nico feel genuine remorse towards Ace.

I think it's probably just seeing how much of an effect attempting to kill Ace truly had on his psyche and decisions. I don't know at what point Nico started fully believing that Ace was the one to kill Arei, but it's possible that it was around here. Obviously, at least at one point, Nico had no qualms with the idea of Ace dying, so it's not like seeing that their actions will actually manage to kill Ace would probably be that missing piece.

However, making Ace into a blackened is different than Ace just straight up dying as a victim, a difference which Ace acknowledges later in the episode. If Ace had died as the victim, Veronika wouldn't be toying around with him right now and making him humiliate himself. Nico might see that Ace is being bullied, and therefore, have more of a reason to feel sorry for him. Furthermore, Nico was forced to truly grapple with the reality of how hard it must be for the blackened to survive the Class Trial earlier in the chapter. Knowing now that they essentially passed the mantle on to Ace might make them feel bad.

Basically, I think that, for the first time, Nico might actually see a bit of themself in Ace, and that made it easier for Nico to sympathize with his plight.

Speaking of seeing yourself in Ace, Miss Near-Victim-to-Accused-of-Killing Pipeline...

KING

Okay, I do kinda take issue with this line of reasoning, not because Ace isn't strong-- or at least stronger than Eden-- because he absolutely is, but because Arei is also one of the nation's top performing athletes in her sport of choice? I mean, jockeying feels like more of a full-body sport than bowling, so it probably requires more strength training, but looping her in with Eden and Nico feels unfair. Justice for Arei... 's muscles. Anyways, carry on.

I THOUGHT SOMETHING LIKE THIS MIGHT BE POSSIBLE!!! I just never said it because, given that Arturo said that it seemed like there wasn't any other damage to the body, it didn't feel like it was supported by the facts. (Although, obviously, this Trial has proven that Arturo's autopsies are not infallible.)

I've researched before that punching someone in the jaw seems to be the most trustworthy way to knock someone out and have a low chance of killing them then and there. However, that would likely leave a bruise, so I didn't think it would happen. Strangling someone to the point of unconsciousness, however, is possible (it just might be harder/more likely to be lethal), so this totally makes sense!

Yup, unless Eden was trying to frame Ace by "framing" Nico, it really makes much more sense that Ace would have the incentive to copy Nico's crime down so closely.

I mean... this certainly makes it sound like Nico wouldn't attempt to be a blackened ever again...

It's always good to have a frame plan set for your frame plan. Nico wouldn't just do it without thinking about anyone else to blame, so you can't just blame Nico without establishing who Nico would have blamed!

Then again, this plan does require people to think that Nico didn't think about the rules enough to realize that they could easily rule out suicide as a bait. Then again x2, they already said that they didn't think too much about the reality of going to a Class Trial when they initially tried to kill Ace, so it's not so much of a reach as it would have been for other people.

I can't tell if this is somehow suspicious or just an indication that Eden is nice and thinks about others over herself. Ugh, now I have to decide whether I'm being suspicious of Eden as a mastermind candidate or not, and people are going to get mad at me for continuing to suspect her of foul play...! (/lh)

Shoutout to SomniaVA here for doing an excellent job of voicing Veronika. The line read on "too weak, too stupid, and too incompetent" especially was phenomenal. We stan Veronika in this household.

Man, I feel so bad for Ace in this part. Also shoutout to Seth Raffield for voicing Ace this entire time; if you ever read this, you 100% made Ace who he is and overall have some of my favorite voice acting in DRDT. Not being to hear any more voice lines from Ace will honestly be one of the parts of his upcoming death that'll make me the saddest. We haven't heard the very end of it yet, but thanks for all your hard work :)

(Dude I am NOT going to cry before the execution even happens--)

Charles, internally: (FUCK i made Whit sad BACKTRACK BACKTRACK BACKTRACK--)

I love them :,)

Levi: Charles is right. It really is no simple task to control a horse going over 40 miles per hour on a regular basis. It requires physical strength and endurance. Intense training 6 days a week is standard. And the physical tests that jockeys have to go through are grueling, to say the least.

How the fuck do you two know this

Charles: Not what it's called.

Thanks to Charles' comment, I was easily able to determine that this was a reference to the Dunning-Kruger Effect, which Wikipedia describes as "a cognitive bias in which people with limited competence in a particular domain overestimate their abilities." Or, in simpler terms, believing that something is easier than it is either because you don't know enough about the field to know about its intricacies, or because you don't know enough about being talented to realize that there's an entire world of skill above your personal ceiling (ouch).

Sorry if others already explained it or if people just knew this already, but I didn't, so I thought I'd share!

Also, Whit definitely has an interest in science/psychology or something. Or he just gets really, really bored.

Notably, we now know that this is something that DRDTdev will take into account when planning a murder going forward. Therefore, unless the culprit is one of our more athletic folks (of which there are a dwindling number-- mostly just Levi at this point), crimes in the future likely won't require any impressive feats of strength to accomplish. Much to think about.

See, the tragic thing here is that I don't actually think that Levi was trying to say anything ill of Ace by pointing out that he was the more likely of him and Eden to commit murder. After all, he doesn't give a damn about any of the murders he's committed. The worst Ace is probably getting is now being considered as a "bad person" on Levi's list (because "good people" don't kill people), but I don't think that this is the declaration of malice that Ace is taking it as.

Acevi doomed yaoi :,(

DRDTdev never fails to get silly with it and I appreciate that so much.

Just in case anyone is confused about what Teruko's talking about, I actually learned more about clothing starch since I started theorizing about the Chapter 2 murder case, because I worked at a dry cleaner for, like, a week. Suffice it to say, that now makes me an expert B) (/j)

Starch can be added to laundry when it's being washed to make it stiffer and less likely to wrinkle when it comes out to dry. It also makes them easier to iron, and easier to remove stains from. It's often used on dress clothes, just because those are the ones that people more often care about whether they're wrinkled or not. Seemingly, it can come in solid, pre-made liquid, or spray forms. All that is to say, this is absolutely something that could reasonably have been stored in the Dress-Up Room.

And this "evidence" was alluded to ahead of time-- not super far ahead of time, but when Teruko first touches the ball, she says something like, "is that starch?" I think DRDTdev probably included that line so that we wouldn't have to theorize about what could have possibly kept the ball together, but since apparently none of us theorizing last summer (or at least no one I remember talking to) dressed fancily enough to know what clothing starch was, it didn't help out much. As Arturo would say, "how disgusting." (/j)

... DAMMIT!!!

I thought about including the fitness band as a piece of evidence on my A Piece of Evidence That Lines Up With Them Only section, I really did. I just thought that including a minor detail from early in the Daily Life that would clearly only apply if the killer was Ace would be unfair territory, much like if I said, "well, we know that Eden is good at sneaking around because of how she snuck up on Teruko; that could be a killing blow so point to Eden." However, given that the killer is only Ace, it was totally within fair grounds for it to be used as the final piece. Mannnnnn :,(

Fun that he's literally riding a dark horse though. I know he was certainly a dark horse candidate for many of us.

Oh no. 30 images. I'll be back to finish my thoughts in a reblog either later tonight (in my timezone) or tomorrow. Hopefully later tonight. Until then!

[gffa]

With the confirmation of The Acolyte not getting a second season, I can't say I'm surprised, the numbers for that show were really bad given what its budgets was, like I kept an eye on The Acolyte's numbers and they were really, really down across the board (Ahsoka's numbers aren't super great either but that's getting its second season because it's Filoni's pet show, I suspect), like set aside all the other complicated stuff, whether it was good or bad, how much of the fandom's reaction was pretty heinous and racist, it just was not getting the numbers it needed and it's making me wonder about how all of these shows are not doing well. Mando is doing all right, OWK did all right, Andor's doing okay, but none of these shows are setting anything on fire anymore (ratings-wise, that is), what would it take to create something that takes off again?

I strongly suspect that The Mandalorian only took off because of Favreau, who really does know how to make something really good and fun in the beginning. Filoni gets a lot of credit for that show, but I'd be willing to put ten dollars on the table that Favreau was driving the vast majority of the success of that series. And that makes me wonder about the future of these shows, because I don't think Filoni is strong enough to really carry a show on his own, most of his best work is when he has a strong partner actively working with him or when he was working under Lucas.

And the creators they bring in to create these shows aren't setting anything on fire, either. Yeah, the sequels made a billion dollars for each movie, but I think it's pretty telling that we're not getting comics or books or games about those characters anymore, the way we did for the prequels characters for more than a decade after they came out. Yeah, Tony Gilroy and Deborah Chow had shows that did solidly well, but they're not anything that Star Wars can build future content off of, they're already backstories for other movies themselves. And I don't think Skeleton Crew is going to light anything on fire, either.

Lucasfilm just doesn't seem to know what to do with Star Wars TV and movies. They had some really good early success with their projects, but almost everything ultimately fizzled out after a few years or ended really badly, and it feels like the only thing that's really hitting with audiences are more Clone Wars-era content and The High Republic novels and maybe still The Mandalorian.

Honestly, if I were Lucasfilm, I'd cut out the live action shows and go back to animation and think long and hard about setting up a new movie series. I think, with the right creative team (and not just who they think is a big name to write/direct), they could have a great trilogy with The Old Republic era stuff, because they have got to expand beyond the PT/OT and the Skywalkers, especially since the sequels put a bad taste in a lot of people's mouths about how Luke, Leia, and Han's stories ended.

(I mean, in my ideal world, we'd get an animated series set in between TPM and AOTC or set like 30 years pre-TPM and getting to see the backstories for characters like Mace and Plo and Shaak and Luminara and Yarael, but I'm not holding my breath on that one.)

[i-cant-sing]

Time Traveller AU part 12

Part 1 is here. Part 2 is here. Part 3 is here. Part 4 is here. Part 5 is here. Part 6 is here. Part 7 is here. Part 8 is here. Part 9 is here. Part 10 is here. Part 11 is here. Time Traveller au masterlist is here. Check out my MASTERLIST for more!

You and Silas stared at each other.

"What do you mean "okay"?"

You nod. "Okay, I'll marry you."

He looked at you suspiciously. "Why?"

"Why not?"

"That is not an answer." He frowned, making you sigh as you turned your body to face him completely. "Look, you're going to pay me anyways right?" He nodded. "So, I need the money, and well... lets just say I have nothing else left to lose. Maybe I'm just bored."

Bored? More like pissed at the universe and I will not let it beat me to the ground anymore. I wont go out without causing chaos and maybe if someone tries to kill me again, I will perhaps consider disrupting the historical timeline to make the universe itself combust and unravel. If I'm suffering, I'm taking the universe along!

Silas gave you an incredulous look, before shrugging in defeat. "Very well, then."

"Wait-" You stop him from getting up. "Why did you choose me? Actually, why do you need a wife?"

He rolled his eyes, standing up, you following along. "Come on, Silas. Tell me. Is it cause I'm pretty? Smart-"

"You dressed as a man."

What?

"What?"

He looked down at you. "What? You didnt think I'd spot you in that poor disguise at the newspaper office that day?"

Silas saw me that day? He recognised me?

"How did you even-" He scoffed. "I'm intelligent. And I have eyes. I notice everyone and everything." He turned around and began walking away.

"Wait!" You ran after him. "That still doesnt answer my question! You're marrying me because I dressed like a man? What- you're attracted by that-"

"Stop talking." Silas cut you off abruptly. "I chose you because you work at the newspaper, not because you're a man."

"Oh. So you need someone to write out articles singing your praises?Cant you just pay someone to do that?"

He rolled his eyes. "No. I dont need someone to sing my praises. I need you to be the mole there. I want you to report everything that happens at the paper, specifically about the murders thats been on going these days."

Murders? Murders-

"The White Chapel murders?" He nodded. "I need the papers to focus on them, not on me or who I am marrying. I need them to put the pressure on the cops to catch that sick bastard! Not idolise him with that stupid alias-"

"Jack the Ripper." You finish for him. He breathes heavily, anger radiating off him. "Yes, that. Because its only causing people to either admire him for killing off those prostitutes or fear him, letting the idea of them terrorise them!"

"I see. But... why do you need to get married to me for that? I mean, if you pay me, I could just report to you everything from there, including his letters."

Silas looked at you in slight annoyance, as if mad that you couldnt figure out his motives.

"The papers are focusing on me and my marriage. If I get married, the news will only run for a week or two before diverting their attention to the papers. And before you ask why I'm marrying you specifically instead of someone much better suited to my tastes-" okay, not gonna take that insult to heart. "- I told you, you work at the paper, which means you'll report everything to me. And if I were to marry someone more influential, the papers will continue to write about us for longer. But you? You're a nobody- believe me, I checked. You have no family, dont come from nobility, so no one will talk about you. "

Great. "Wow, you do know how to flatter a woman."

Silas smirked. "Trust me, "a woman" would be flattered-" You shot him a glare before he could finish off his joke.

-

Silas and you got married later that night. He arranged an out-of-town priest, some official documents, and two witnesses for the vows, which were his butler Cadbury and his wife, Erin, who acted as the best man and maid-of-honor. It was obvious that Silas wanted to keep this ceremony a secret, and he told you that the time will come to break the news.

When the priest asked him to kiss you, SIias pulled a face and said to skip over that part because you had bad breath. You did not. Jerk.

But you were glad you didnt had to kiss him, so you didnt bother kicking his shin. Maybe nearly dying so many times has made you grow a pair, or maybe its the fact that you dont actually consider this a real marriage because a Nikkah (an Islamic wedding) ceremony did not happen, so technically, you're still single, but you're surprised at how... calmly you've come to terms with everything.

Silas let you go back to you house, because the marriage was the still a secret so there's no use keeping you around at his place. Besides, he needs you to continue working on the murders.

Honestly, you do kind of want to find out who Jack the Ripper is. Any historian worth his salt, dreams of this very opportunity you've been given- to find out the man behind all the horrendous, gut wrenching murders.

Colin watched you get up from your desk and go to the corner office where Will was working on the murders. Poor Will. Colin pitied the lad- he had to deal with the gruesome details of the murders, write out the articles in details that are just pallatable enough for the readers, only to be rejected by the editor who wanted the front page news to be about Silas FitzGeorge.

What were you doing there? Colin didnt think it was best for you to go in there, after the depressing weeks you'd barely pulled yourself through. Grisly details of a killing spree might not be what you need at the moment.

"Hey Will!" You walk in his office, changing your voice to that of a man.

"Holmes." He acknowledged you briefly, his hair a mess as well his desk. If anyone knew how giddy you were everytime someone in the office called you Sherlock Holmes, you'd be labelled a loser for sure.

"Still working on those murders, eh?" You walk closer to his desk. "Any leads on who the mystery man might be?"

"No." He glared at you. "I would, if the coppers were to do their job and the editor published my work, but noooo. God forbid we miss any details on that FitzGeorge fella and his tragic life. Cry me a fucking river-" Ah, a fellow Silas hater. You can work with that.

"Let me help you." You offer him. Will raises his brow, before scoffing. "Unless you can somehow have the editor publish my articles, I dont think you can help me. Besides, I dont need an amateur disturbing me because he's just wants to see a dead body."

Amateur? Pfft, I'll have you know I was a minor celebrity on Wattpad at just age 11 when I wrote Sherlock Holmes fanfics-

"How about this? If I can convince the editor to post your work, will you let me help?"

Will stares at you, studying you for a moment.

"Fine."

You walk out of his office and go to your desk where Colin is already waiting for you.

"Hey, Colin." You greet him, sitting down as you pull a blank sheet of paper from your drawer and start writing on it.

"Hey... Sherlock. What were you doing in-" He leans down to read what you're writing. "Jack The Ripper- why are you writing about him?"

You shrug. "Why not? He's an important figure to talk about and needs to be caught. If the papers bring enough attention to him, it'll put pressure on the authorities to work harder to catch him."

"I get that, but- I mean, you already have the FitzGeorges to write about and what about other douches in high society?" Colin tried to persuade you.

"I'll write about them too, in fact. Dont worry about it. I'm going to bring you some real dirt soon." You tell him before picking up the pen again, but Colin grasps your wrist, stopping you.

"Y/n, I just dont think that you should be working on this right now-"

"Colin." You cut him off, freeing your wrist. "I'm grateful for your concern for my well being, but I assure you- I am not made of glass. I can handle my business. Besides, this is something that has intrigued me. Let me work on it, please." You say before returning to writing down your points on the homicidal maniac.

-

After work, you changed out of your disguise and went to the antique store on Regent street, or what was left of it.

You knew there was no chance, but something inside you hoped that your time machine had survived.

The store was burnt down, and since the interior was mainly made of wood, most of the antiques had burnt to ashes or at least, damaged beyond repair and could not be sold.

You stood outside the ruins off the store, the property was sealed off and guards stood outside it, not letting you in.

"Please, I just need to-"

"Like I said, miss. We were given specific instructions not to let anyone in." The guard cut you off, annoyed by your insistence.

Before you could argue again, someone walked up behind you.

"Y/n." Henry looked at you. He was dressed well, his hair combed and face shaved, well kept as he usually was but his eyes.... he had bags under his eyes. Like he hadnt slept in days.

"What are you doing here?"

"Oh, um- I just wanted to see if my stuff is still there."

He nodded at his guards to step aside, leading you inside the shop.

"Look around. See if you can find it." Henry's tone was flat, as if he already knew.

Still, you looked around. You searched the whole place, not even finding the remains off your machine. And how could you? It was made of mostly plastic and very cheap metal, its not like you had funds to make it indestructible.

Or incombustible.

"Satisfied?" He asked you when you finally stopped looking for it.

You huff. "If you'd just given it to me before-"

"Y/n." He cut you off. "I lost my store. I lost my employee who was working in here, who was blasted to pieces. I lost more money than you can ever imagine and you have the nerve to stand there and try to blame it on me? After I'd given you the courtesy to look through my property to put your mind to ease?"

He admonished you, all while barely letting his rage slip through his voice. He was holding back from blowing up on you, but it did not help because you still felt small.

Because he is right. He lost an employee. He lost money. He lost too, and yet you have the audacity to complain to him like he was somehow at fault.

And he wasnt. Its not like he bombed his store.

"Do you know who did it?" You ask, diverting your eyes to avoid his piercing gaze.

"No one "did" it. It was an accident." Henry looked at the floorboard. "Apparently, there was gunpowder in some of the artefacts that came from China that day. The employee probably didnt check it when he put it on the table, next to a candle. Then one got lit up and it set off all the others, blowing up the whole store."

That... sounds like a big coincidence.

"Henry, are you sure someone wasnt behind this-"

"Y/n, I dont have time to entertain your wild theories right now. I have to deal with insurance and other things. Please leave." He cut you off abruptly.

Without giving him another moment to bruise your self esteem, you stormed out of his store. By the time you reached home, it was dark, which wasnt the best idea with a murderer on the loose- as the boys made it clear.

"Do you have any idea what he's capable of?! Have you seen the crime scenes?!" Liam yelled at you.

"No. But its not like I'm a prostitute, so he wont hurt me." You answer from your seat between Benjamin's legs, who insisted on brushing the knots out of your hair and placing some essential oils in your hair.

Liam looked at you like you'd grown two heads. "How would he know that?!"

You leaned forward, frowning. "Okay if you're saying that you cant the difference between a prostitute and me, then thats just insulting to me and to you as a police officer!"

Shepherd suppressed a chuckle as he handed a drink to Liam to calm him down. As they continued to joke around, you mind went to your time machine.

Sure, you could try making it from scratch again. It'll be difficult, and not just because there isnt enough technology to make the whole thing by yourself, but also because the mere idea of building a time machine could have you lobotomised.

So yes, one of the reasons why you agreed to marry Silas was because of his money that would not only let you buy expensive raw materials but also allow you to have a space to make the machine in secret.

Suddenly there was a knock on the door. Colin left to see who it was, returning moments later with a huge box in his hand.

"Its for you." He set the box down and handed you the letter that came with it. You read the letter while the boys opened the box-

"Tomorrow. 7:30 pm sharp.

Dont be late, missus."

The "missus" part gave away that it was from Silas. What was he planning? Were you supposed to go to his place or was he going to pick you up? What was going to happen tomorrow?

"Woah! Who is this from?" Shepherd asked as he looked at the fancy dress in the box. He pulled it out of the box, the gown flowing down effortlessly. "It looks expensive- this is expensive, right? Its expensive." He stated before repeating his question to you. "Who is it from, Y/n?"

You folded the letter as you saw them all looking at you. "I... I might have a date-"

"With who?" Benjamin asked sharply.

"I-" You sigh. "I'll let you know after the date. Lets see how it goes first."

"Oh, come on! Just tell us!" Liam probed, but you took the dress from him, putting it back in the box and taking it to your room, not noticing how silent Colin had went.

-

You stood in front of the mirror, looking at your reflection while Ben did your hair. Wearing the black velvet gown that had a white blouse and long skirt underneath, puffy regency era sleeves and a belt at the bust, you looked elegant.

Seeing as you had no jewellery to pair the outfit with, Ben styled your hair down, curling the locks and putting a dainty black silk bow on the back, trimming the front of your hair so that they framed your face.

"There's a carriage waiting for you!" Shepherd informed you before going back to gushing about the rich fella you'd managed to bag.

You turned around for Ben for the finishing touches. He smiled softly at you, taking your hands in his and squeezed them gently.

"Dont force yourself to do anything you're not comfortable with, hm? Just because he gave you this dress doesnt mean he can do anything he wishes." You nodded, returning his smile. "And remember, you have me and the boys to beat anyone who upsets you, Y/n." He winked making you giggle.

Standing outside the carriage, you looked up and waved to the 3 boys standing in the window before getting inside.

"Ah, I hope she knows how to use that knife I gave her." Liam mumbled, making Shepherd yell at him.

"You gave her a knife?!"

"What? She needs to protect herself when there's a murderer on the lose-"

As the two continued to bicker, Benjamin went to his room and packed some scissors and razors in a small bag, before leaving the room.

"Where are you going?" Colin asked, finally speaking for the first time that evening. Sitting on the sofa chair, he'd been nursing on a drink the entire time you were getting ready for your drink. He kept quiet, pretending to be to engrossed with reading the paper to notice you getting dressed for your date night.

"I... have a client." Ben said, putting on his top hat and leather gloves before wearing his coat.

"This late?" Colin raised a brow.

Ben gave a nod.

"He... he needs a haircut urgently."

Colin stared at him before sighing, picking up his drink.

"Alright. Be careful. Its foggy out there."

-

Sitting inside the carriage alone, you wondered where the buttler was taking you. Since Silas isnt here with you, then its likely that you're being taken to him at the FitzGeorge estate.

You take a deep breath, fiddling with the velvet of your dress. So tonight will be the night he announces his marriage to you. Or maybe not. I mean, if he did plan on doing that then perhaps he'd be giving you some pointers on how to win over his family? To get their approval? It was a big thing for high society, if not for someone who is loosely attached to royalty.

Maybe thats why he called you over tonight. To soft launch you to his family, something like- "hey, this is Y/n, a girl I fancy. I think she might be the one." so that it seems a lot more believable when he does introduce himself as your husband, probably a few weeks or a month from now.

Yes. Silas doesnt seem like the type to just spring up the union on his family out of nowhere. He is English, he is noble, he wouldnt be one to cause a scene.

The carriage stopped after sometime, and you could hear people chattering outside. Your door suddenly opened, but before you could step out, someone stepped in.

It was Silas.

He sat across from you, wearing a formal dress black suit, his hair styled properly. If your dressing didnt give it away, then his did- it was definitely a black-tie event.

He gave you a nod of acknowledgement, looking you up and down.

"Here, wear this." He handed you a velvet lined box. Opening it, you saw a beautiful pearl necklace and matching tear drop earrings.

"Oh, this is... beautiful." You said in awe. "You could've sent this along with the dress, I would've worn my hair differently-"

"No, I didnt want to risk you running off with it." Silas casually insulted you as he began opening the door. "Wear this and dont talk to me or approach me in there."

"Wait, what?" You looked at him confusion.

Silas huffed in irritation. "I'm going to go back inside. You'll walk in after five minutes, and when you do, you will not talk to me, or approach me or do anything that gives away that you know me."

"Silas-" But he left before you could question what he was on about.

So... he wasnt planning on announcing his marriage to you tonight? Wearing the jewellery, you followed his instructions and exited the carriage exactly five minutes later.

But instead of seeing the FitzGeorge house, you were standing in front of a... palace.

A palace you're seen quite a few times.

Buckingham palace.

"What am I...?" You whispered to yourself before composing yourself as other guests began walking past you.

As you ascended the stairs to the entrance where guards stood, you wondered if they'd let you in. Surely, without Silas by your side or an official invitation, they wouldnt let you in. You watched a few guests holding an envelope with a royal seal, an invitation they showed to the guards before being let in.

Heart pounding as you feared the embarrassment you're about to face, you reached the guards who looked at you for a few moments, trying to recognise you before their eyes fell on your necklace and they let you pass.

Ah, so thats why he gave you the jewellery. If you looked like you belonged there, then you probably did.

Why am I here though?

You looked around and saw many people inside, all belonging from high society. This definitely wasnt the place where Silas was going to announce his marriage. So why did he invite you here?

Maybe he wants me to use this as an opportunity to get dirt on high society?

Yes, perhaps, but how would this serve him? Is there a specific person he wants me to get dirt on? Someone I need to write about in the papers?

Silas, what game are you playing?

You spotted him standing in the corner, talking with his cousins and uncles, though you noticed many girls looking at him. Of course, he still is the "most eligible bachelor" to them. If they knew how rude he was, maybe they'd change their opinion.

Walking through the crowd, you began listening on conversations, trying to pick up on interesting bits. It was the usual obnoxious bragging about their wealth, some scandals here and there, disturbing comments about women, etc. Nothing particularly interesting.

Fortunately, you werent bored for long as the royal butler announced the arrival of the hosts. It hadnt truly hit you where you were standing until you heard her name-

"Her Majesty, Queen Victoria-"

Queen Victoria. The Queen Victoria.

You could feel goosebumps raising on your skin, your eyes widening as you realised you're looking at one of the most iconic figures in history. Alive. She's alive and she's walking right in front of you-

She's short. They were right about that. Standing next to her husband, Prince Albert, she looked even shorter. But she looked incredibly happy, full of youth as she stood next to him, unlike all the paintings who depicted her as this angry old widow.

She looked absolutely beautiful.

Her children stood behind her in order, all smiling at their mother. Her daughters, you recognised them all, looked just as beautiful. You recognised her eldest, Edward VII, a 20-something old boy who would end up being hated by his mother and blamed for his father's death. He looked nervous, standing beside her and you could see he was just itching to leave her side and avoid any more scrutiny.

The Queen began speaking.

"Thank you everyone for joining us on this pleasent occasion." She looked around. "Tonight, we are going to welcome a member to our family, even though he has always been a part of us. But now, we will make things official."

"Silas FitzGeorge." She called suddenly. You saw Silas step forward in front of the queen, bowing his head curtly before looking at her confidently.

"You're my cousin Georgie's grandson, and I have no doubt when I say that if he were here tonight, he'd be just as proud of the young man you've become as I am. Our families may have had some issues in the past, but I have always accepted you as a part of me. Over the years, you've only proven me right with how capable you've become on your own, without seeking a helping hand in your adversities. You have made us all immensely proud, as well as your predecessors for being the first man in our family to attend Oxford university. Watching you start businesses and expand your empire, I have no doubt that you will only continue to make the royal family and Britian proud. Therefore, I would like to offer my support and make good on my promise that I made to you when you were a child."

She turned around and a servant handed her a document.

"I hereby make Silas FitzGeorge, the Duke of Westminster."

Oh. Ohhhhh. Ohhhhhhhhhhhhh-

This was Silas's dukedom ceremony. Why is this a huge deal? Because his grandfather, Prince George was once estranged from the royal family and stripped off his royal duties and benefits when he married Sarah Fairbrother, which meant their descendents were all illegitimate and not recognised by the crown.

But tonight, with Silas becoming a duke, its like a welcome back to the family. That too, by the same woman who had in essence- ostracised his family.

And with Dukedom comes other benefits, money, property, influence. Not to mention that Silas has become the duke of Westminster, as in THE WESTMINSTER! One of the wealthiest dukedoms to get, and also where Westminster palace is, the place which is the meeting place for the Parliament of United Kingdom. It'll allows Silas to have a say and play around with politics.

This is a huge gesture by the queen, and if Silas wasnt the most eligible bachelor before, then he definitely is one.

You watched the queen sign the documents first, before giving it to Silas who signed it. Everyone cheered and clapped for the young duke before stopping as Victoria began speaking again.

"Now, I would like to share more good news." She smiled at Silas, who stood beside her now. "I would like to announce the new duke's betrothal to my daughter, Helena."

What?

The guests clapped again as you saw Silas looking ahead, purposely avoiding your gaze. The queen beamed as she looked back at Helena, who was blushing.

So this is why Silas didnt want you to talking to him. He knew he was going to marry Helena, and he didnt want anyone to even doubt that he's associated with you in any way. Is this his way of telling you that the sham marriage between you two has ended?

Victoria encouraged Silas to say a few words.

Silas looked down briefly, a small smile playing on his lips. "Oh, wow. I am grateful that her majesty has awarded me dukedom. I dont have enough words to express how thankful I am to you." He looked up and you saw a mischievous glint in his eyes. "However, I was only informed of this ceremony and not of my betrothal beforehand."

The queen's head snapped in his direction, as did all of the royals, but Silas continued speaking unfazed.

"I wish I had been told about this earlier to avoid this awkward situation uhhh..." he chuckled nervously, but you could see he was anything but nervous. "I am honoured to be even considered for the princess's hand, your majesty, but I'm afraid I am already married." He announced, looking straight at you.

The hall interrupted into gasps and whispers before they parted the way to let Silas make his walk to you.

With a charming smile, a dimple on his left cheek, he approached you, pulling you into his arms as he leaned down to press a kiss to your temple.

"Hi, sweetheart." He whispered loud enough for the onlookers to hear. Your eyes widened, your face flushed at the feeling of everyone's eyes and at his word.

"Si-" The words died down your throat as he placed an arm around your back and pulled you close to his side, showing you off.

"This is Y/n, my darling wife."

With Silas's announcement, the hall went silent once again. Your throat went dry at being put in the spotlight, and your eyes flickered from one guest to another, until finally falling on the queen's, who looked... pissed.

Finally, it was Prince Albert who broke the silence and announced dinner had been served. As the guests began walking out of the hall, Silas lead you out of the palace and to the carriage where his grandmother was waiting for you.

"Go home, now. I'll see you soon." Was all Silas said to you before whispering something to his grandmother, who beamed and nodded, patting his cheek.

"Come on, Y/n. Its getting late, now." Sarah said as she lead you into the carriage, taking her seat next to you, completely unaware of the eyes that had been following you since the moment you'd left home.

-

Silas returned inside, seeing his uncles smirking with pride at the game he'd just played but instead of going to them to celebrate his victory, he went to Prince Albert and Queen Victoria who seemed to be arguing in a low tone in the corner while the guests were being seated in the dining hall.

Clearing his throat, he got their attention.

"Your majesties, I am so sorry for not informing you about my union with Y/n. Its just my wife is terribly shy and we wanted to keep this marriage a secret. But I understand how this creates an embarrassing situation for the crown, and I would like to humbly turn down my dukedom-"

"No." The queen cut him off, her eyes void of any emotion. "The dukedom was awarded to you for your achievements, not because you were asked to marry my daughter. Helena is not something to pawn off to just anyone."

Silas offered a sympathetic smile. "Of course, your majesty. I'm sure you'll find a better suitor for the princess." He took his bow before turning around to enter the dining hall while Victoria stared at his back.

"Are you really still going to keep him as the duke of Westminster?" Albert asked his wife.

She was fuming. But only Albert could tell.

"What choice did I have?" Victoria asked, still glaring at the young boy who dared to play her. "If I took the dukedom away after announcing it publicly, it would've been a far more embarrassment for the crown. They would call us "cheap"."

"We cant let him get away with it." Albert whispered. "Its Westminster. We may rule it, but the duke will still be able to influence the government."

"You think I'm not aware he wants to play politics?" Victoria snapped, before softening her tone. "I wont let him get away with it, Albert. He's just a boy. I am a queen. I wont let him or anyone humiliate us."

Silas sat down besides his cousins as his uncles raised their glasses to him. He sipped his drink, a satisfied grin resting on his face. He knew exactly what he did. Even though no one actually told him that the dukedom came with marriage to the princess, because how callous would it be to ask him to marry her when no one would give up the opportunity of becoming the queen's son-in-law, Silas knew he was expected to marry Helena.

But no one said it. No one asked him. Its the English, they never say what they mean outright, choosing to read between the lines and do what is expected of them, because its more artful, more honourable this way.

Not that Silas could care about traditions. Why would he, when he planned on exacting his revenge?

The queen only came to offer her support when he became successful enough on his own. Where was she when his parents died and his sister was left to take care of him? Sure, Victoria attended the funeral and "promised" to take care of him. But she also said she'd only do that if he proved himself. His grandmother and his sister, Daisy were the ones who raised him.

And now, years later when he got into Oxford without using his family name, without saying "I am related to the queen", when he used his skills to create a powerful business empire that has the potential to influence the British industries, she wants him?

Sure, Westminster has its benefits, but Silas doesnt need Westminster. Westminster needs Silas. He could topple over the government and even shut down Britain herself with just his influence alone. Being a duke just has given him a public platform, an acknowledgement and most importantly, backing from the crown.

And you? Marrying you wasnt just because you happened to be around. Oh no. Silas has plans for you, plans to use you and further his revenge. This is just the beginning.

-

Sarah dropped you back at your place after you insisted that you needed to inform your flatmates of your departure. She gave you a disapproving look when she found out you were living with 4 men and was very determined to have you move in with her and Silas at the FitzGeorge estate, but you were able to persuade her to let you stay the night at home one last time.

"There's something I need to tell you guys." You fiddled with your thumbs as they all sat down in front of you.

"I um... I'm married."

"What?" Shepherd asked. "And you still went on a date?"

"I went on a date with my husband-"

"And who is that?"

You took a deep breath.

"Silas FitzGeorge."

Everyone except for Benjamin broke into laughter.

"Yeah, good one. Seriously, who is it?"

You frowned. "Seriously. Its Silas FitzGeorge."

As you began explaining your situation, even showing them the jewellery that you definitely werent wearing before you left, they started to believe you.

"Y/n- you cant- you cant marry Silas. You cant just marry someone you barely know!" Colin argued.

"What? Havent you heard of "love at first sight"?" You ask but he was unamused. Sighing, you shrugged. "Look, its a marriage that will benefit us both mutually. He gets people nagging him to get married off his back and I get to use his money and influence to get dirt on high society! Besides, I can leave him anytime I want."

"Then leave him now, before its too late." Ben said, standing up as he approached you. He took your shoulders and gave them a firm squeeze. "If its money you're worried about, I'll help you. I can provide for you, Y/n. Dont get into bed with these rich bastards, you dont know how selfish they can be. I- I- dont want you to get hurt-"

"I wont, Benny." You grab his arms, assuring him. "Silas and I are working together. If I go down, so will he. He wont hurt me, he cant. Its too risky for him now, you know? He announced our marriage tonight in front of the queen!"

As you began telling him about how you met the queen and all, Colin quietly left the living room to pour himself another drink, something to knock his brain out so he doesnt have to think about you and Silas.

-

Next day, before the sun even rose, you had packed up a few of your things to go live with the FitzGeorges. All the boys were awake at that time, though Colin's eyes were bloodshot from apparently drinking the wrong liqour, so he sat quietly on the sofa, watching you.

Liam and Shepherd took your bags to put it in the carriage waiting outside, while Ben pulled you in for a hug.

"I'm just moving out, Benny! I'll still see you guys." You laugh, patting his back.

Ben kissed the crown of your head before tucking it under his chin, arms tightening around you. "Just know that you will always have a home here, with us. Dont hesitate to reach out for help. And if Silas or anyone every hurts you, I dont care how rich they are, Y/n. I will take care of them. You just- just come back to us, hm?"

You pulled away from him, wiping a lone tear from your eye. "You're the best, Benny." You whisper before going to Colin, who just stared at you with red eyes.

Leaning down, you poked his cheek. "Kinda wish you werent drunk when I said goodbye, but I guess it makes it easier." Colin continued to stare at you. You grabbed his hand, smiling gratefully at him. "Thank you for everything, Colin. You saved me. Truly." You gave his hand a firm squeeze before leaving, missing him mumble something under his breath.

The carriage took you to the FitzGeorge estate and you were a little disappointed to see only Sarah waiting to welcome you. Its not like you wanted Silas to make a grand gesture to welcome his bride, but you were kinda hoping he was going to ease you into his world while explaining the events of the previous night.

Sarah showed you around the house before leading you to Silas bedroom.

"Cadbury has already placed your bags in there." She turned to you. "This will be your space too, so do make changes to the place as you please."

You smiled shyly at her. Honestly, you dont know whether Sarah knows that Silas only married you for personal agenda, but she wasnt surprised when Silas announced you were his wife.

Sarah looked at you and she placed a hand on her chest, touched.

"Oh, I am so glad you're Silas's girl."

Silas's girl?

"When Silas told me he married you, I was only mad that he did it behind my back! But I suppose it is understandable... these FitzGeorge men always liked to make a statement when it came to love." Sarah said, fondly remembering her late husband.

Sarah continued to gush about you enough for you to know that you dont need to kiss her ass. You have her approval.

When she left, you looked around the large bedroom, Victorian and dark academia was the aesthetic. Wooden panels lined the room, the shelves were stocked with thick books, a study table in one corner, an ottoman chest seat in front of the bed. The entire room was illuminated by the large windows that opened into the balcony, overlooking the large gardens and the cold air of London.

Standing at his balcony, you couldnt help but wonder...

Silas definitely has to HAVE a mega douchebag personality if this was where he was raised.

I mean who wouldnt have an ego trip if they woke up to a view like this, a butler named CADBURY who probably brings him his bland tea and tells him about all the proposals he had, and Silas would just wave a hand in dismissal, telling his butler to reject them all on his behalf.

Silas lived like a king. Or at the very least, lived like the 1% of Britain.

Returning back into the room, you looked at the interior before a grin formed on your face.

Time to snoop around, Y/n. You made your way to his desk.

Lets see what secrets you're hiding, husband.

-

Silas walked in on you folding your clothes and placing them in his closet.

"What do you think you're doing?" He huffed, loosening his tie. He was still in his clothes from last night, having just returned home after celebrating with his uncles and cousins.

You turned to him, faking enthusiasm. "Hello to you too."

Silas rolled his eyes, sitting on his bed. "Dont touch my things." He began untying his shoes.

"Why? You worried my poverty would taint them?"

He looked you dead in the eyes.

"Yes."

"Haha." You close the closet and turn to him. "We need to talk."

He looked at you miserably. "Cant it wait-" "No."

"Fine, then. Go on, I'm listening." He leaned against the headboard while you took your place on the foot of the bed.

"Why didn't you tell me last night that we were going to the palace? Or that you were going to announce our marriage?"

Tired eyes looked at you. "I didnt want to risk you getting cold feet."

Okay. Fair enough.

You gave him a nod. "Fine. Still would've liked a heads-up." "I'll keep that in mind for next time. Good night-" He began closing his eyes when you spoke again.

"No. We still need to talk about our situation." You looked at your lap, smoothing your dress before looking at him again, only to find his tired eyes studying you.

"Silas, who knows that our marriage is not... real?"

"It is a real marriage. We signed proper documents and all." He told you. "What you mean to ask is who knows our marriage is like mutually beneficial business deal? The answer is- no one, except for my butler and his wife, who wont say a word. And I want it to stay that way."

You raised a brow. "So... what exactly is the image you're trying to sell to the world? That we're a young couple, madly in love?"

He shrugged. "Sure."

"Silas." Your tone turned serious. "If you want people to believe this fairytale you're creating, then you need to get your stories straight. And involve me in it too!"

He tilted his head at you before sighing. "Fine. Lets say... we met two months ago."

"Where?"

He grinned. "Ballet theatre. Near Oxford university."

"Ballet theatre- are you trying to use your grandparents story?"

He shrugged. "So what if I am? Besides, people will love it."

You glared at him, but he continued on with his story. "So we met at the ballet theatre, you fell madly in love with me the first time you saw me. Your exact words were- "Jesus Christ and Heavenly Father, have I died and went to heaven to witness the utter beauty of an angel-"

"I have seen rodents looking better than you." You cut him off.

"You're ruining my story." He scolded you. "Fine, we can say that after you were mesmerised by my beauty, you stalked me for a few weeks until I finally said yes out of pity-"

"Silas."

He raised his hands in surrender. "Alright, alright. I'll leave the details to you, just remember- we met at the theatre. Thats the most important part of the story."

"Okay, I'll add my version of the events, which you can read in the papers in a day or two." You stood up, walking over to the vanity. "I will be going to work from tomorrow. I'll tell your grandmother I'm going to visit some friends, and you'll drop me off at my old place where I'll change my clothes and then I'll go to the office."

"Very well." He turned his head to look at you. "But after you're done writing about us, continue working on the White Chapel murders."

You hummed, turning around. "Dont worry, I should be able to get access to the letters in a few days. Wait- Silas, didnt you say your friend owned the paper I worked for?" He nodded. "Well, can you ask him if he could let me, I mean- assign Sherlock Holmes to work on the case? You could bribe him with giving an exclusive interview about your marriage for the papers, in return, he has to let me work the murder story."

"Consider it done." Silas said, putting his arm over his eyes.

"Um, Silas?"

"What?" He asked, annoyed.

"Where am I to sleep?" With Sarah in the house, its not like you can occupy another room. It'll raise suspicion.

Silas removed his arm to look at you, before looking at his large bed.

You shake your head. "I am not sleeping in the same bed with you-"

"I wouldnt want that either." He said, grabbing a pillow. Your heart warmed at the gesture. He really was going to leave his bed for you, like the true gentleman-

Thud.

You looked at the pillow he'd thrown on the floor.

"There." He pointed before returning to bed.

"You want me to sleep on the floor?"

With his eyes closed, he replied. "You say that like you expected me to sleep on the floor."

"Well-"

"Its my room, my bed. Why would I sleep on the floor?"

"I dont know, whats the word- chivalry?!" You huffed, grabbing the pillow and walking near the closed balcony window. It was cold but you'd rather sleep with a pretty view than to wake up to Silas feet landing on your face.

Muttering curses under your breath, you soon fell asleep with your back turned to Silas. A few minutes later, he got off the bed and dropped a blanket on your sleeping body.

And they say chivalry is dead. He thought to himself, returning to his bed.

-

The next day, while dropping you off to work, you brought up the previous day's convo.

"I need something." Silas's gaze flickered from the window of the carriage to you. "What do you know about Henry Blackwood?"

Silas' looked bored again. "He's a fellow businessman, invests in people rather than companies, likes to keep his operations in the dark, which means he has secrets. His shop blew up some time ago, allegedly a "technical failure" but... I think someone did it."

"You think so too?" You asked, hopeful. "Do you know who?"

Silas shook his head. "No. His enemies, like his operations are secret. All I know is someone did it to send a message to him, blew up the shop deliberately while he was out."

A message?

"I want to get dirt on him." You watch Silas raise a brow at you. "Just... get me close to him, or to his people. I saw him talking to your uncles, maybe they know something?"

Silas shakes his head again. "My uncles talk to anyone who has money. Henry wouldnt ever invest in them, they couldnt manage a business for the life of them."

"And you? Would Henry invest in you?"

Silas nodded. "He's tried. I wasnt interested." He cut you off before you could even suggest the idea. "And I'm still not interested. But I'll get you close to him."

"Thank you." You settled back in your seat before remembering another request. "Silas?"

"What now?"

"Can I have some money?"

"Here's a pound-" You glared at him, making him sigh. "How much?"

"Mmhm, oh I dont know... just enough to buy a small house-"

"And why do you need a house?"

You looked at him dumbfounded. "Well, when our marriage goes to the sewers, I would like to have a roof over my head."

"And what if I say I dont intend on ending this marriage?" Your blood ran cold at his words.

"What?"

Silas tilted his head at you before chuckling. "Why have you turned pale? If anyone should be horrified at the prospect of staying married in this mismatch, completely unbalanced relationship, it should be me. Struck down, caught out of the lake in his prime, of both beauty and brain-"

"Oh God, please stop talking before blood starts pouring out of my ears."

"So you agree your voice is irritating enough to do that?" Silas remarked smirking.

"Shut up." You flared your nostrils at him. Why does he have to ruin my mood this early in the day?

He chuckled victoriously, looking out the window. "I'll get you the house. You dont need money for it." He looked at you, already knowing you'd be confused. He grinned, pointing to himself. "Duke of Westminster-" he then points at you. "Duchess of Westminster."

Of course. Now that you're married to the duke, you have a whole lot of land in your hands. You really can have a house anywhere you'd like.

The carriage stopped. "Off you go now, wife."

Entering the office, you were first greeted by Will, the man in charge on working on the White Chapel murders.

"Holmes! How did you do it?" He shook you by the shoulder gleefully. "How did you convince the boss to post my story next?!"

I married his friend. "Oh, I just... promised him an article. Once I give him that, we can work together on the murder story."

He nodded, ushering you to finish off your article first before helping him.

Making your way to your desk, you spotted Colin. "Hey, Colin-" But he walked right past you, as if he didnt hear you.

Maybe he didnt. You shrugged, sitting down at your desk as you began writing down the news about you and Silas.

-

"Oh, Mr Holmes has definitely written most accurately about you Y/n!" Sarah said as she read the papers at the breakfast table. "He calls you the "fairest maiden in town" and "beauty with brains"- oh, I couldnt agree more!"

You smiled, sipping your tea sheepishly while Silas rolled his eyes. Its been 3 days since you wrote an article announcing your marriage to the world, and the editor decided to post it on Sunday, when you and most of London had off from work, all tuning in to read "how the most eligible bachelor bagged the fairest maiden in town."

Sarah ate some of the dishes you'd prepared today. "These are absolutely delicious, Y/n! Silas, your wife-" A maid came in to inform her that there's someone at the door to meet her. As Sarah excused herself, you got up from your seat to serve Silas the food you'd made on Sarah's request.

Silas picked up his fork and took a bite, a smile forming on his lips.

"Have I ever told you how good of a cook you are?"

You blushed, looking down. "No-"

"Then why do you keep cooking?" He dropped his fork on the plate, pushing it aside. "Stop using my kitchen." He smirked as he drank his tea, watching rage take over your face.

"Listen you twat-"

Sarah came back rushing in, a worried look on her face. Silas immediately sat up. "What is it, nana?"

"The- there was someone here from the palace." She gulped. "They sent flowers and a letter congratulating you two on the marriage. They... they said they'd like to meet Y/n and- and welcome the new couple officially."

Silas understood Sarah's worry. The palace never writes to them. In fact, the last time they did, it was years ago when his parents had died.

Getting up from his seat, Silas wiped his face with a napkin before dropping it on the table. "Then we'll let them. We shall host the Queen."

"Si-" But he took her by the shoulders, easing Sarah's worry.

"Dont worry. This is our home, nana." We have the advantage.

Silas left to start making arrangements for hosting the queen at the estate, while Sarah ran around the house with the staff to prepare for the event that is a week from now. Seeing as you couldnt be of use there and everyone was too busy to give you any pointers on what to say or act when the queen arrives, you left the estate to explore the town. Or more specifically, return to the blown up vintage store.

Yep, you're still hoping your time machine survived.

When you arrived on Regent street, you saw the same men still guarding the store, so they probably still wouldn't have let you in. But you also saw Henry, who was leaving the store and in his carriage.

Deciding to follow him, you sneaked into the back of someone's carriage and rode it before jumping off it when it got near Henry's carriage. Fortunately, you didnt have to follow him for long as he got off on Piccadilly street soon and strolled into a place called "The Gentlemen's Club" and from the looks of the daunting bouncers standing outside, you knew you couldnt just stroll in like Henry.

You watched the people who seemed to walk into the club, mostly men, all dressed formally and looked like they were a part of the high society. You saw some women too, though most of them dressed scandalously, so you assume they were there to provide entertainment.

As the sun began setting, more and more people started entering the club and just when you were about to leave, you saw Henry walk out of the club, a frown settled on his face. You werent expecting him to leave the club so soon, not when more people had started going in there, to rave or whatever. If Henry was here for pleasure, then he came out too early. If he was here for business, then most of the club goers have just begun entering, which means that whoever he wanted to conduct business with was already in there. Someone who works at the club... maybe even owns it?

As you turned to leave, you felt someone bump into you.

"Watch where you're going!" The blonde haired woman shrieked at you before crossing the street to go to the club.

You huffed. Everyone's got a giant stick up their-

You whipped your head around, feeling someone watching you. And thats when you spot it- a shadowy figure of a man, standing in the window of the club, on the second floor. Henry? No, he left. Then...?

The shadow didnt move, staring at you until it creeped you enough to make you leave.

-

Silas finally sat down after working all day. Cadbury brought him his evening tea.

"How are the preparations coming along?" He asked his butler. Cadbury informed him of the arrangements he's made and the guest list he's written down that needs his approval before he sends out the invitations.

"And the seamstress will come tomorrow to make a gown for Miss Y/n-"

Silas cut him off. "No need. Send the seamstress to me first. I'll let her know what kind of clothes need to be made for the event, then she can take Y/n's measurements."

"As you wish, sir." Cadbury said, but Silas could see something troubling the young butler. They werent that apart in age, and both of them had practically grown together, each reading the other person well.

"What's the matter, Cadbury?" Silas set his teacup down.

Cadbury took a deep breath. "Its just- I dont understand why the palace is suddenly coming to visit you, after what happened at the dukedom ceremony. It was certainly... humiliating for them, so why would they be coming to welcome Miss Y/n into the family?"

Silas grinned. "They're coming to see who I replaced the princess with." He picked up his cup. "They couldnt break me down, so they're going to try their luck with the missus. There's another reason why the queen is coming, but you let me worry about that."

Cadbury looked concerned. "Then we should prepare Miss Y/n to make no mistakes."

"Dont worry, she wont." Silas smiled, making his butler even more confused. "Speaking of, did you observe her when she was cooking in the kitchen today?"

Cadbury nodded. "Yes. And as you'd said, she didnt touch, let alone cook with bacon or wine despite my insistence that its your favourite. She replaced the meats, and didnt use any alcohol at all!"

Silas chuckled, his eyes gleaming with intent. "Perfect. Just as I'd suspected." He looked at Cadbury again. "Are there any leftovers from the food she'd made?"

"Yes. I was about to throw it out-"

"No. Bring them to me. I'll eat them. If Y/n asks, tell her you fed it to the dogs and then they got violently sick." Cadbury was confused as he left to bring him the food. He thought that Silas didnt like your cooking, at least from what he'd heard him say to you.

Oh. Maybe the young duke just doesnt want to acknowledge that he enjoyed your food.

-

A week passed by quickly and the day of the royal dinner came. You were freaking out because Silas had barely spoken two words to you about how to act or what to say, just telling you to act as yourself and he'll take care of the rest.

"What the hell...?" You muttered, watching your reflection in the mirror. Okay, you're not a conservative, but even you knew that this plunging neckline was a little too much skin for this time period, especially in front of the queen!

You were wearing a white satin and lace gown- wedding gown, if you were being honest. All that was missing was a veil, but you guess that would be a little too much on the nose. The dress was beautiful, no doubt, but it was missing a whole lot of cloth around the neckline, the tight corset making your chest puff out slightly more with a snatched waist. Your collar bones looked prominent, but you would credit that to the bland food served in London. Seriously, why do they act like vampires when it comes to adding garlic?

"Your husband had this dress designed specifically for you, madame!" The seamstress told you as she added her finishing touches. "He must love you a lot!" You resisted the urge to roll your eyes as you wore the jewellery he'd sent for you.

Yes. Thats why I sleep on the floor while he sleeps in his bed. Hope he suffocates under those plush sheets. My backache is the sign of our true love.

"Oh, who did that to your hair?" You heard a voice behind you and you turned around quickly.

"Benny!" You squealed, watching Ben, Liam, Shepherd and Colin enter your room. "Ah, I'm so glad you all came."

"Of course we did. There's free booze-" Shepherd smacked Liam on the back of his head. "We're here because we're happy for you."

"And because they wanted to see the queen." Colin said, rolling his eyes, making the other two bicker with him.

"How's Silas treating you? Are you happy?" Ben asked in a low tone as he fixes your hair.

Oh Ben. He reminds you so much of Qasim. "Yes, Benny. Silas is very good to me. I couldnt be happier."

Ben had a sad smile on his face as he nodded.

Just a few minutes later, Silas entered your room. "Y/n. Gentlemen." He nodded to them, before pulling you aside. "I need to talk to you."

You looked at him surprised. Silas was concerned. He was nervous about something. You've never seen him break a sweat.

"What is it, Silas?"

"The queen is onto us."

"What?"

Silas looked at you exasperated. "She knows about our sham marriage." He casted a look to the boys, who were pretending like they werent trying to hear what he was whispering to you. Silas pulled you close by your elbow to whisper. "I have a source telling me that the queen knows you... you're not a Christian. That you're a Muslim."

You pull back to look at him wide eyed. "How- how did she- how did you-?"

"I suspected, you confirmed it now. But she knows. And she's coming here tonight to expose us. If she tells everyone tonight, then she'll be able to take away my dukedom and she will make our lives hell!"

Your throat went dry. "What- what do we do?"

"There's a way." Silas grip on your arm tightened. "We get married for real."

You tilted your head in confusion before shaking your head at what he was implying. "Silas, no-"

"We get a Nikkah."

A Nikkah? If... if you get a Nikkah with him, an Islamic wedding ceremony, then you'll be married to him for real. No- no, the only reason you'd agreed to his proposal was because you knew it was a fake marriage, it didnt really affect your conscious because it was a sham! But-

"No. Silas-"

"Y/n, please." Silas pleaded. "Dont make me beg. If the queen finds out, everything I've worked so hard for, it'll be for naught. She'll take it all away. Dont you- dont you want to help catch the lunatic behind those murders? Dont you want to make a difference by writing? If you dont do this, if you dont stand by me, we'll both be done for!"

You looked at him conflicted, your resolve starting to break as he continued to talk. "My sister, my parents, my grandfather... my family... they need me, Y/n. They need me to pull this off, for me to reinstate our honour, for me to remove the stain and stigma from my family's name. Please, I'm asking you to do this for me... for my family." He swallowed thickly, his eyes boring into you with intensity. "You once told me you lost everything. I'm telling you now that I'll lose everything if we dont do this. Will you let me lose everything, Y/n?"

Lose everything? Everything?

You shake your head. "No, Silas. I... I wont let you lose everything."

10 minutes later, there was an imam in your room. Silas had somehow managed to find an imam in London to marry you two off. But you suppose when you're so rich and well connected, you can find anyone.

This is happening. This is really happening.

With Ben, Colin, Liam and Shepherd as your witnesses and Cadbury and his wife as Silas's witnesses, the imam began the Nikkah ceremony.

Am I really getting married?

You watched the imam ask Silas some questions, and you tuned them out except for one.

"Are you a Muslim?"

You looked up. A flicker of hope! Yes! If Silas isnt a Muslim, he cant marry you! The Nikkah wont happen, or at the very least wont be real because he's not Muslim! He cant marry you, this will still be a sham marriage, a paper marriage and your conscious will be clear and you wont feel like throwing up-

"Yes. I converted an hour ago." Silas informed the imam. "I took my shahada, in sound mind and state, of my own will without any pressure or coercion."

No. Oh no-

"Do you take Y/n to be your wife?"

"I do."

"Do you take Y/n to be your wife?" The imam repeated.

"I do."

"Do you take Y/n to be your wife?" He asked again.

"I do." And with that, Silas signed the Nikkah contract. The officiant then turned to you.

"With the agreed mahr, do you take Silas to be your husband?"

"Mahr?" You whisper in a daze. The officiant looks confused. "Do you not know what your mahr is?"

Mahr is a gift to the bride given by the groom. It is a symbol of the groom's promise to care and provide for the bride. You're more surprised that Silas even knew what Mahr is.

"It must've slipped my mind to tell you." Silas looked at Cadbury, who handed him a document. "For your Mahr, I give you Westminster palace." You looked at the document, he really had signed it over to you!

"Silas..." You say in disbelief, your hands trembling a bit. He smiled reassuringly at you. "You wanted a house. Here's one."

House? He gave me a palace!

"Do you take Silas to be your husband?" The imam asked you. You stared at Silas, at his content face. He didnt have to sign over a whole palace to you, much less one which he'd just gotten from the queen!

And he looked perfectly content with his decision. Not a shadow of doubt. He... he trusts you? Trusts that you'll maintain this union? Wont run out on him- wont betray him?

"I do."

Does he believe that this marriage will last?

"I do."

Does he trust you?

"I do."

You signed the papers, your eyes still in a daze as Silas smiles charmingly at you before pulling you close to hug you. You hear everyone clap around you as he leans down to whisper in your ear.

"Thank you."

-

Silas escorted you to the dining room where all the guests were waiting. You were still quiet and in a trance as you walked by him, with your hand around his arm.

He's surprised it didnt make you suspicious with how quickly he'd found an imam. Truthfully speaking, Silas knew you were a Muslim when he first proposed to you. He had his doubts, which were confirmed by his observations especially with your aversion to foods that were forbidden for Muslims. And yes, the queen had also found out about you being a Muslim, but only because he spread the rumour to them.

The Nikkah documents, the ceremony, the Mahr, he had already planned it the moment he found out that the queen was coming over. And the reason why he waited until the last minute to spring this out on you was so that you would be pressured into saying yes. He just couldnt risk you taking time to think this through.

You may still be under the impression that Silas chose you because it was circumstantial or whatever, but he chose you to be his wife precisely because you were a Muslim. Oh he has plans to use you.

You're everything the English monarchy hates, what it stands for. You're not prim and proper, despite your best attempts. You work, that too disguised as a man, and you're far too strong willed and determined to prove yourself unlike the British high society women.

He knows the crown wont be happy to have Muslim bride in the family, much less a Muslim duke who just so happily signed off Westminster palace to his wife.

A Cheshire grin graced his lips, which people mistook for glee for being with his blushing bride. He's going to have fun ruffling the queen's feathers. He's going to tilt the palace upside down.

Curtsying to the queen, Silas immediately noticed and took great pleasure in the queen's displeasure at your dress. Yes, he specifically chose a wedding gown that showed too much skin for the conservative monarch.

"Your majesty, this is Y/n, my sweetheart." Silas introduced you so lovingly, you couldnt help but be flustered as you avert your eyes to the ground.

"Its an honour to meet you, your majesty." You manage to say without throwing up.

Victoria casted one unamused look to you. "Very interesting choice for clothing."

Oh shit. Shit. Shit. She hates it. I knew it-

Silas's hand gently grasped yours. "Thank you, your majesty. I chose it for her after being inspired by a painting my love gifted me. Ah, let me show it to you."

You already knew it was the stupid portrait he was talking about, and you wanted to hide away into a corner as you saw the disapproval on the queen's face- God, she doesnt mask any emotion, does she?

The queen turned to Silas. "I have heard a rumour and I would like you to address it now." She said, glancing at you.

Silas nodded, leaning down to press a kiss to your temple. "Why dont you go and help nana with the guests? I'll be right with you."

Sarah was introducing to the guests, but your head was preoccupied with Silas and the queen. They are definitely talking about me-

"Y/n, this is Mr Blackwood." You stared at the familiar face. "Oh please, Sarah. No need to be formal with me." He smiled charmingly. "Besides, miss Y/n and I have met before."

"Well, thats wonderful! You two talk- I have to find my troublesome grandsons before they embarrass me!" Sarah left you with Henry.

"Congratulations on your wedding." He said with exaggerated joy, though his eyes expressed anything but that. "I'm sure he offered you a lot of money for putting up a show. I just wish you'd told me about it before."

"Excuse me?" You frowned. "I'm not putting up a show."

He raised a brow. "Really? You expect me to believe that a FitzGeorge wants to marry you? Out of the blue?" He throws a look to your gown. "That this wedding dress wasnt him trying to just convince the world that you're his wife?"

Your jaw ticked. "You're right. This dress is Silas's way telling everyone we're married. Because we were married on paper before, but I have an imam, 4 witnesses and a Nikkah document stating that Silas and I are married, both in the eyes of the law and God." You watched Henry's face fall. What use was it lying when he already heard of the rumours. Rolling your eyes, you turned to leave, only for him to reach out and grab your arm.

"Why are you doing this?" Henry asked you, looking for any signs of you lying. He didnt find any. "You know you dont belong with him-"

"Oh? I dont?" You snapped. "Who do I belong with? No, go on. Tell me."

He pulled you close, looking into your eyes. "Me. You belong to me. You know it, you felt it- we have something. We have-" He lowered his voice. "I can give you everything you want. Whatever you'd lost in my shop, I'll find it again. I'll travel the world for it, just- come to me. Leave Silas."

"That is the most pathetic thing I've heard come out of a man's mouth." You yanked your hand out of his grasp, walking away from him. The next time you saw him, he was busy talking with Victoria's heir- Prince Edward VII.

"Sweetheart, there you are!" Silas grabbed you, pulling you along. "I was just telling her majesty about how we met. You remember, love?" He shot you a knowing look.

You nodded, remembering what you two had practised. "Yes. We met at the ballet theatre near Oxford. It was love at first sight-"

"Ballet theatre?" Victoria's voice was sharp. Your heart dropped as you tried to follow up on your lie. See, this is why you two should've discussed this because its hard to lie on the spot!

"She's an amazing ballerina! Ah! I was immediately charmed by her art! She bewitched me!" Silas said cheekily and you wanted to smack him for saying "bewitched" because this is still Victorian era and sure, they dont have witch trials anymore, but why would he risk even the accusation when it is literally the queen's ancestors who had a major part in burning up "witches" in the 1600s!

Look, people back then were dumb and evil, which is a really bad combination.

"Is she now?" Victoria looked at you now, with those piercing eyes. "I would love to attend a show of yours. See what these FitzGeorges fancy so much."

Oh she knows. You can see it, hear it in her monotonous voice that she knows Silas is lying.

And yet this dumbass continues to lie. "Of course! We'll host you for... Christmas eve?"

As Victoria left, you glared at Silas. "Why would you say that?! I'm not a ballerina and you invited her to watch me dance? Do you want to get caught?!"

Silas tutted at you. "You worry too much. Its not that hard, you know. Besides, you have my grandmother to teach you. Ah yes, nana will love it-"

"Silas!" You stopped him. "I cant learn ballet in a month!"

"Not with that attitude-"

"We will get caught. You will be caught, and I will be embarrassed and- and- I wont let anyone make a fool out of me, Silas!" He pulled you into his chest, shushing you.

"I wont let anyone make a fool out of you either, Y/n." He pulled your head back to look at you with those deceptively charming eyes. "You carry my name next to yours now. You're my wife now, and by association, your dignity is my dignity now. I wont let anyone make a mockery of us, Y/n."

You looked up at him and you believed him. How could you not, when lying comes so easily to Silas?

He watched Sarah console you, promising to help you learn. Silas his his smile as he picked up his glass, enjoying his plan falling into place.

Ah, it would be a pity to see your heart break when the entire theatre laughs at you.

Thoughts????

[theflowerrooms]

i have a request (hopefully for some smut) 🙈 youve met Eddie because he was your exs dealer! You want to cop on your own but your shy and don’t know what your doing!

you lost your V card to your ex, and he was a selfish asshole to you, and Eddie could always tell

PLEASEEE and thank You 🥰

{to request} {Eddie’s masterlist} {main masterlist}

Treat you right

Eddie Munson x inexperienced!reader

Summary: you buy weed and smoke it with Eddie for the first time, he doesn’t know you but he knows your ex. He knows how bad he was and he knows how good he could be for you.

wordcount:

Warnings: drug use, smut, cursing, pet names, penetrative sex, oral (f receiving), praise, Eddie’s super sweet but also super cocky, dacryphilia, marking, slight dubcon? they’re both high

Thank you so much for requesting baby <3 I loved writing this sm

You exhaled shakily. Phone in one hand and a piece of paper with a number and Eddie’s last name written sloppily across it. You got lucky, your boyfriend- ex boyfriend Andrew left his dealer’s number on your bedside table. You’d met Eddie on multiple occasions, you really liked him. He was sweet, funny, respectful, incredibly charming. You reminded yourself that as you nervously dialled his number.

“Hello? Munson residence.” You heard his boyish voice from the other side of the line and already you were smiling to yourself.

“Hey Eddie, um, this is-” He cut you off. “I know who this is doll, I could never forget a voice as sweet as yours. What can I do for you?” He chimed and you giggled, blushing.

Andrew really sucked, he never spoke to you so sweet.

You chewed your lip as you tried to form a sentence in your head that wouldn't embarrass yourself. "Um- I'm not really sure what I'm supposed to say. I'd really like to buy from you, please." You spoke, careful with your words so you wouldn't sound like a complete idiot.

"Awe- y'calling for Andrew?" He asked, as if it wasn't obvious enough that you didn't know what you were doing.

"No- no, um, we broke up a little while ago he uh..." You trailed off, you didn't wanna over share and annoy Eddie. "He left your number at my house and I figured, y'know, I wanna buy some weed- please." You tried and failed to hold in your nervous giggle, you couldn't hear him smiling on the other side of the line at how cute he found you.

"Alright doll, tell you what. Since it's your first time buying from me I'll give you a pretty big discount, just let me know when you're free... and you can meet me, hm?" He offered, voice grainy through the phone.

You nodded, "Sure! I'm free whenever, um, where do you want me to meet you?"

✽-

  The air was chillier than you'd expected, you suddenly regretted forgoing a jacket, and wearing a skirt. You tapped your nails softly against the picnic table where Eddie had asked to meet. You were a bit early, but you didn't mind waiting, and you definitely didn't want to leave him waiting, so you didn't mind sitting there.

  You shivered, and then startled, squeaking as Eddie came up behind you, quiet as ever, and placed his jacket over your shoulders. You blushed and he grinned, rounding the table to sit across from you.

  "Fancy seeing you here, sorry for spookin' you doll." His smile didn't leave his face. The metal of his lunchbox clanged as he put it between you two on the table before opening it. "So. Do you just want what I usually gave to you guys?" He asked, eyes kind and welcoming. You never understood the things you heard people say about Eddie, the things Andrew said about him behind his back.

  "Um..." You trailed off, blushing again. Of course because you always went with your ex to buy weed from Eddie, he'd assumed you smoked it with Andrew. "How- how much did Andrew get usually?"

  You tilted your head and he tilted his in return. "You didn't smoke with him?" He asked and you shook your head. "Have you smoked ever?" You shook your head again.

  "Andrew never let me smoke his stuff. Told me if I wanted to smoke with him I had to find my own dealer, get my own weed." You chewed your lip anxiously as you explained. "And the only people I knew who sell it are you and Tommy Hagan. I don't trust Tommy so..." Eddie nodded, following along as you spoke.

  "And you trust me?" He asked, a lilt of surprise in his tone. You nodded and he smiled. "Well. My van is parked just down that trail over there, let's get out of the cold, hm?"

✽-

  You laughed loudly as Eddie tried, and failed to blow rings with the smoke he exhaled from his joint. You'd never been high before now, and you were loving it. Eddie coached you through it, showed you how to take a hit off of the joint, held it to your lips as you took your first inhale, then rubbing your back through the coughing fit it induced. He even let you drink his water when your throat grew dry.

  Now you sat across from him in the back of his van leaning against the cool metal wall. Your laugh triggered Eddie's laugh and you both doubled over in an intense fit of giggles.

  "I never understood why Andrew laughed so much when he got high." You giggled through your words, you understood now.

  Eddie laughed in response. He coughed and reached out grabbing your ankle, "What uh- what happened with Andrew? Not that it's any of my business but uh- I don't know. I'm nosey." He laughed, straightening himself as he awaited your response.

  You chuckled bitterly under your breath at the thought of your break up. "He sucked at sharing his weed but um, he was great at sharing his time, and his attention... his dick." You snickered and grimaced, watching Eddie's face match yours.

  He scoffed and leaned his head against his shoulder. "That's awful. I'm sorry- what an idiot." He squeezed your ankle in his hand. "I don't see how he could ever hurt you like that... take you for granted like that." He sighed.

  His words had you blushing. "Yeah well, it's okay, I'm mostly over it.  I know that there are other guys out there- better guys." You made eye contact with Eddie for the first time that night, and suddenly the energy of the whole night changed.

  He nodded slowly, mouth just slightly agape. You'd noticed how pretty Eddie was long before you and Andrew broke up. It was silent for a moment, Eddie's hand moved from your ankle to your calf, long fingers wrapping around the underside of it, thumb stroking your skin. "Yeah... there are plenty of guys out there who'll treat you better. You deserve to be treated right." He proclaimed, tongue darting out to wet his bottom lip. Your throat went dry.

  Your legs relaxed, inching apart, calf resting fully in his hand. "I wanna be treated right." Your voice sounded so small and shy. You'd blame it on the weed.

  Eddie's eyebrows rose slightly his pupils wide and eyes glossy. "Let me treat you right." His voice was both domineering and pleading all in one and it filled you with a blooming heat.

  You couldn't find your words, just nodding eagerly, desperately. He didn't hesitate to move onto his knees, leaning over you and gently pulling you to meet his lips by your chin. His lips were warm against yours, you basked in it.

  His tongue glided over your bottom lip, waiting for you to part your lips before he entered them. It was a beautiful contrast compared to how Andrew would just shove his tongue in your mouth before you were ready, or willing.

One of your hands rested on the back of Eddie's neck lightly, holding him close to you while your other hand gently stroked his jaw. His hands found refuge on your thighs, holding the backs of them gently as he maneuvered his way between them. He didn't grind against you or anything, just kissed you, with his thumbs dragging tenderly against the goosebump ridden skin of your legs that were pressing against his hips. He was only willing to go at your pace, which you appreciated.

  He kissed you until your hips bucked up slightly, panty-covered clit bumping against the bulge in his jeans. The whimper you let out encouraged him to push his hips down to meet yours, he could feel your heat through the denim between you two.

  With the feeling of him rubbing against you, your let your head fall back as you whined softly. The sweet sounds you let out had his cock throbbing, and he soon found himself mouthing at the sensitive skin at your neck. "It okay if I leave marks?" He asked, his voice was dark but his words were kind, and you knew he'd listen if you said no. You also knew that you'd let him do anything to you if he kept making you feel good like this.

  "Yes-" and like that, you could feel him pull the skin below your pulse point past his lips, sucking there softly until he released your skin from his mouth and peppered kisses around it.

  You sighed at the cool air on your slick skin, you sighed as he continued kissing down your neck, sucking another mark just above the collar of your shirt. You looked forward to seeing the bruises he'd leave behind.

  You could feel his breath against your collarbone, his hands moving from your thighs to your waist, thumb playing with the hem of your shirt. Before he could even ask you to, you pulled back from him and pulled your shirt off.

He let out a heavy exhale as his eyes fell on your chest, his fingers twitching beside you. “You can take it off.” You spoke shyly, referring to your lace bralette. Your cheeks burned as you felt Eddie’s hand glide up your back, it only took a few seconds before you felt the clasp open and he was helping you remove your bra.

As your bralette fell to the floor of floor of his van next to your shirt, you heard Eddie’s breath hitch. “You are so damn beautiful.” Your heart was racing at his words, racing at how sincere he sounded. You weren’t used to this kind of attention and you were thriving from it

Quickly, Eddie’s tongue found your chest, flicking over your right nipple before he closed his lips around it, sucking softly. His fingers found your other nipple, gently pinching and rolling it until it hardened. The new sensation had your back arching, pushing yourself against him more. Eddie loved the noises you were making because of him, for him.

Eddie’s mouth left a trail of kisses from your breast and down your stomach. His bottom lip pressed against the band of your skirt and he held the fabric between his fingers. “Can I take this off of you darling?” He asked as he tugged lightly. You nodded your head but he didn’t move, “Words, baby.” He encouraged you to speak.

“Yes, please.” Your voice wavered with both nervousness and excitement. The eager smile on his face before he pulled your skirt down had your heart racing and your cunt throbbing.

When he pulled your skirt down, your panties came unexpectedly with them, you weren’t sure if it was intentional or not but neither you nor Eddie were complaining. What you really didn’t expect, was the audible moan Eddie let out at the sight of your naked body.

You began to sit up slightly, assuming Eddie would want you to ride him, but before you could get up all the way, Eddie was already laying between your legs, hands on your thighs. “What are you doing?” You asked softly and he tilted his head in confusion, tearing his eyes away from your cunt to meet your gaze.

He pressed a sweet kiss to your thigh. “I wanna taste you, that okay?” He asked, his eyes were blown out with lust, cheeks flushed red from arousal; still you knew he wouldn’t go any further if you told him it wasn’t okay.

“Taste me?” You asked, you weren’t sure what he meant. He smirked kindly, another kiss to your thigh. You were grateful he didn’t make you feel embarrassed for not knowing what that meant.

He inched closer to you, you could feel his breath against your opening and it made you dizzy. “I wanna taste your sweet pussy darling, make you feel good. I want you to cum on my mouth sweetheart.” He rasped, laying his head against your thigh. “What? Andrew never use his mouth on you pretty girl?” He was joking, but was both disappointed and pleased when you nodded your head, confirming his statement. He was disappointed that a gorgeous girl like you hasn’t experienced that before, but he was beyond pleased that he would be the first one to get to taste you. If he played his cards right, he’d be the only one.

You spread your legs for Eddie and relaxed back, his large palm squeezed your thighs as he held them open and immediately caught your clit in his mouth, sucking it gently, flicking his tongue over it, forcing moan after moan from your lips.

Andrew had never gone down on you before, despite the fact that you’d gone down on him every time he’d ask or even just every time you felt like making him feel good. He’d never return the favour however. You didn’t spend much time thinking about that- or any time at all. All you we’re capable of focusing on was Eddie and how good he made you feel.

Eddie thrusted his hips against the ground, sucking harder on your clit and moaning against it. Your thighs shook against your hand and you couldn’t speak. You wanted to tell him how good you felt, you wanted to let him know how good he was doing, but all you could manage was to moan and whine as you felt your stomach get tight.

He moved his hand off of your thigh and pushed two fingers inside of you slowly. There was a small stretch, but it didn’t hurt, if anything it felt fantastic.

He wanted to fuck you tonight, and so he’d make sure you were ready to take him, he didn’t want you hurting. Simultaneously, he sucked on your clit and pushed his fingers repeatedly against your g-spot. He revelled in the sensation of you clenching down on his fingers. He looked up at you from between your legs, your stomach flexing and your eyebrows pinched together as you moaned, his cock leaked precum into his boxers.

“Eddie-” you yelped his name, hips jumping and pressing down against his mouth. You could feel an impending orgasm, and you anticipated it with excitement. You’d never had an orgasm given to you by someone else.

He could feel you getting closer, he moaned loudly against your clit and you moaned even louder than him, yelling his name as you came. Your thighs shook and your hands found purchase in his hair, tugging lightly as your eyes teared up from searing hot pleasure.

Eddie rubbed your clit slowly as you came down from your orgasm. He moved up, peppering kisses over your cheeks until you came back to yourself, giggling. “I wanna see you, please.” You whispered, tugging lightly at his shirt.

He nodded, “Anything for you.” He had a sing-song tone that made you smile, and you watched hungrily as he pulled his shirt off. You didn’t have much time to admire his toned body, pretty tattoos, you were distracted almost immediately by the sound of his belt buckle.

Soon, you and Eddie were both naked in the back of his van, the windows of which were already growing steamy.

He leaned back over you and kissed you sloppily, hips slotting between your legs once again, only this time no clothes were separating you. “You gonna let me take care of you baby? Show you what it’s like to get fucked by someone who knows how to make a girl feel as good as she deserves?” He nudged his nose against yours, you were growing dizzy with lust and need for him.

You threw your head back as you felt the weight of Eddie’s cock slide against your soaking wet cunt. “Yes, please- please fuck me Eddie.” He loved the way your voice shook.

Within seconds, his balls were pressed flush against you, cock deep inside, you swore you could feel him in your stomach. He was both thicker and longer than Andrew, not by much, but still the difference was enough to have you sputtering.

“Oh god-” You moaned loudly, nails digging into Eddie’s shoulders as he began to fuck you.

He only laughed softly, “Close, it’s actually Eddie.” He teased, kissing your jaw as he hiked your legs up to rest on his hips as he fucked you harder, perfectly hitting your g-spot with every thrust.

You reached down to rub your clit but Eddie knocked your hand away with his own, rubbing it for you. He grinned wickedly at your broken moan, cock throbbing inside you at the sight of the thick tears pouring down your face. “Poor girl, so sweet and messy. Ever been fucked like this before? Andrew fuck you this good?” He asked.

You could only shake your head and cry for a moment before you found your words. “Never- never been fucked this good. You’re- you’re so g-good, Eddie.” You moaned, cunt clamping down on his cock.

Each of you were both growing closer, your hands and legs shaking, Eddie’s hips stuttered and his thrusts grew sloppy. His head fell down to your shoulder and you rested your cheek against his hair. “Cum inside me, p-please.” You whimpered.

He moaned in response, his orgasm hitting him like a freight train. The feeling of him cumming inside you and playing with your clit had you arching your back and screaming his name.

You both rested in the back of his van for a while, just holding each other. Heavy breathing, sweat slicked skin, and gentle kisses. “Thank you.” You whispered.

“Thank you.” He answered immediately. “I’m sorry he didn’t take care of you the way you deserve.” He kissed you again.

After you both got dressed again, you grew shy, and Eddie only found it endearing pulling the smile from you that he desperately wanted to see. “I’ll give you a ride home doll, ‘n when you need, or want anything, you give me a call.”

Of course you agreed, thanked him. And as he drove you home and you stared at him with hearts in his eyes, you were so grateful for Andrew. Grateful for him leaving Eddie’s number at your house.

[bunnys-kisses]

can I pretty please get nanaimo bars,english muffin with the side of milkshake, frozen latte with Charles Leclerc 🥹🫶

bakery menu

the bakery is open and accepting orders! we're cooking up smiles every day! submit your own order! reblogs & comments are appreciated! thank you lovely anon for submitting this, it was something very different to write that i loved. size kink with charles is super interesting given how many people see him. but sometimes i forget he is close to six feet tall and built like someone who does f1. he may look sweet as honey, but there's probably something more sinister (sexually) going on in that brain of his, haha.

nanaimo bars ("who's my pretty girl? c'mon say it.") + english muffins ("aw, is someone crying?") + milkshake (size kink) + frozen latte (dumbification) served by charles leclerc (formula one)!!

cw: smut/pwp, size difference/kink, dumbification, teasing/dirty talk, crying kink, cry baby!reader, oral sex (charles receives), deepthroating, facials & cock slapping, safe words/signals, hair pulling

"mon cœur"

"la douleur dans ma poitrine."

"mon amor..."

"ma salope."

charles liked to make you cry. he loved when his mean words would curl up into your brain and make that waterworks come out. he was the prince of ferrari and of his home country. it's pride and joy. he was seen as effortlessly cool and could entice anyone. that smile, those green eyes. but even with all he had been afforded, nothing turned him on more than seeing his precious girlfriend's bottom lip wobble her eyes grow cloudy with tears.

he was running on high after monza, it was like everything was barking in the back of his head. even out of his driving suit and away from the track for the night, he could still feel the adrenaline. and while many would go for a run or spend the night with a drink in hand. he yearned for something different.

and when he saw you in his lavish hotel room, in one of his shirts and what appeared nothing else underneath. he knew that he was in for a treat tonight. with his bag down and his shoes off, he entered further into the room. he ended up by you on the couch and took you by the chin.

he smiled, "most take off the make up before they get comfortable." his thumb trailed under your left eye.

you replied, "i took everything off earlier and put on the mascara that runs easily." it was from a cheap brand at the pharmacy. perfect for what charles liked.

he chuckled, "you are just full of surprises, my love. you're going to be good for me tonight, right?" it was moments like these that you realized just how much bigger charles was. most painted him as short and frail.

he was just under six foot but built in a way to withstand the strain of racing. with large hands and thighs that could kill. his hand could easily fit around your neck as easily as his cock did to the back of your throat. there was a flicker in the greens of his eyes, the noble prince had stripped away into a hungry animal that yearned for you.

you swallowed, "i always am. always for you."

he tapped your cheek six times and you tapped his wrist once in response. even if these sick games where you cried and grew stupid on his cock, there were limits everyone had. charles didn't want to break your little world apart because he took it too far. he got on the couch next to you and undid his belt. your delicate hands helped him and dropped the leather to the floor.

charles held you face to look at him. he remarked, "you really are pathetic, so eager. i'm surprised you didn't stalk the halls looking for something to fuck your throat while i was out."

you frowned a little bit, "i'd never, honey."

he pinched your cheek a little harder than normal and leaned in, "right, right. because you're a good girl, my pretty girl. who's my pretty girl? c'mon say it." his words were enticing and it made your stomach flip.

"i am."

"you are pretty, my love." he said, "god blessed you with good looks because he knew you'd be stupid. add a dash of being a cock hungry whore and sometimes i get worried. i've never wanted to kill a man, but if another sank his teeth into you." his words were low and they made you curl in your gut.

if you wanted out, as a last resort. tap once then six times in rapid succession. charles liked to make your bottom lip wobble, but he wasn't a monster. he pulled you in for another searing kiss, his hand in between your legs. he felt panties as he rubbed his hand up.

he knew it was going to be a long night tonight. but first, he had his eyes on your pretty throat. after all his marks had faded over the week. while there would be press photos soon, they didn't mean he couldn't mess up the inside of your throat. even if you couldn't talk for the week, he was more than happy to do all the talking for both of you.

"stupid thing." he said, "you know that? i feel sorry for whatever school gave you your diploma." he acted like he wasn't at your graduation, "i bet you paid them off. or worse, sucked them off. little whore on campus, too stupid to actually learn anything except be on her knees and breath through her nose." he made a small noise of disappointment.

and charles got excited at the sight of you. that bottom lip was going, he could see the shudder in your shoulders. that struck a nerve, post-secondary was hard for you. you felt like people called you dumb without actually saying it. and charles' toxic words only added the fuel to the fire of doubt.

"aw, is someone crying? don't cry." he said, faking sympathy, "if you start crying then you won't suck my cock properly." he rubbed the back of your head as he watched the tears come down your cheek. he sighed once more, "silly thing."

soon your head was between his legs. he could feel your hot tears against the base of his cock as they streamed down your face. they weren't a rush of tears, but a slow trickle as charles' words clouded your head.

you started to work his cock and he felt the excitement in his body. it took a good while but eventually you learned how to deep throat him. he hissed and held onto the back of your head. you were both still clothed (or at least partially for you).

charles had a habit of running his mouth when your mouth was on him. and he rocked the blunt end of his cock up against the back of your throat, occasionally making you choke, he started talking. "i should throw you to the rest of ferrari. let them ruin you. then maybe you'll stop being so greedy for cock when you've had enough for a lifetime. i see how they look at you, my logo across your pretty breasts as you look so cute down at the paddock. if i waved my hand and told them to have their way with you, you wouldn't be getting far." he tugged on your hair a little and forced you up and down his cock faster.

you choked a little bit and sputtered, trying to catch your breath through your nose. it all was a deep throb in your head as you tried to cram as much of his cock into your throat.

"i'd say they'd make your ass ferrari red. but i think it would be closer to mercedes black. you wouldn't be able to sit right for months. maybe i'd be generous and let the other drivers have a chance too. crying on their cocks."

you sniffled, tears welled up in your eyes some more. while most despised having 'raccoon eyes', charles found it endearing. the poor little thing can't help but cry because she knows that he's right. you knew in your gut that you were at least a little cock hungry at all times. he watched you squirm in your seat at times while you let your imagination run wild.

he continued to use you to his liking. you were perfect. trained you from the ground up to be perfect on his cock. he caught glimpses of your face and your red eyes. poor thing, crying to much making a big mess.

so dumb, so small, so stupid.

he took his cock out of your mouth and rubbed it up against your cheek roughly. spit and pre-cum caught across your right eyelashes. his cock pushed your top lip up and he groaned at the sight. your tongue licked a bit of pre-cum that was dangerously close to your face.

"so small, i'm surprised you could take all this. i remember when i couldn't put it in without prepping you. then you spent all season training your cunt for when i got home. now you take me in every way perfectly." he licked his lips, "you know where you belong."

his words excited you as you put your mouth back on his cock. you whimpered as you felt it hit the back of your throat once more. he was big in a way that it made you squirm.

you continued up and down his cock, putting all your brain power (what little you had left) into taking him well. you coughed and panted, air felt in short supply as you got him to the base. your nose in his groomed pubic hair.

a picture perfect beauty, all for charles to devour.

he knew he was close. he could feel it in his bones and in the tension of his muscles. he then tensed up further with his hand in your hair and pulled your mouth off his cock (as much as it pained him to do that). with his other hand he stroked himself off quickly to the sight of your quivering, overheated body. you panted heavily and he finished all over your face. he streaked your skin white with cum up to your forehead. it dripped down your face as you coughed a little.

the debauched sight made him get a few more ropes up cum on your face before he settled down. he pulled your head back to look at you, you could barely have your eyes open. he wished he could take a picture. the white of cum and the mascara mixed tears created a sight that made charles run hot.

"now you look like a slut." he said as he got his jeans off. he rubbed his cock up against your soft lips before he slapped his still hard cock against your face, only making the mess on your cheeks more intense.

"charles." your throat felt raw from it. you looked at him and panted heavily, your tongue stuck out a little bit. and charles knew the night was far over. he fucked you stupid without stimulating your poor pussy. he wanted to see how stupid he could make you.

"we're not done yet." he said.

you tilted your head to the side, almost innocently as if your face wasn't a mess. you asked, "what?" your brain not capturing all the words properly.

he held onto you for a moment and said, "ten seconds to clean up your face. then i want you naked on the bed, or i'll fuck you on the bathroom floor." then let go of you and watched you scramble to clean yourself up. those words stuck in your blissed out brain even though you almost tripped over yourself.

charles chuckled and leaned further back onto the couch, his cock at full attention. even though the mascara was going to be gone, it was okay. you still looked just as pretty with just those tears streaming down your face. <3