#i'm not going to unpack the implications of this

[nadas-dirthalen]

Dragon Age: the Veilguard Was Packed with Lore — But Many of Us Overlooked It

— PART TWO —

[ 1 ]

Welcome back, friends and travellers. If you've been here a while, you'll know that I wrote 30,000 words of predictions in the week and a half before DA:tV released. But here's the most surprising thing—I was right, for the most part.

I spent my first Veilguard playthrough grinning (and then sobbing) at all the lore reveals. And here's the thing: I think most of us missed a lot of them, including even me.

So let's unpack some more.

Titans and Spirits: Dark and Light, Abyss and Fade, the Eternal Hymn and its Endless Listeners (2/2)

This is your warning: This post will contain spoilers for the entirety of Dragon Age: the Veilguard, and all Dragon Age content made before Veilguard.

I've spoken a lot about the titans before. In fact, they make up the bedrock (lol) of many of my pre-Veilguard theories. While a lot of what I said a month ago has since become canon in Veilguard, there's a lot that remains as speculation.

Today, I'm going to talk about why I still stand by my theory from October: that the titans and the spirits have far, far more in common than we think, and that this is of vital importance for the next game(s).

Today's Discussion:

What Solas' Creation and Harding's Personal Quest Have in Common

Not Only Do Titans Behave as Spirits... Spirits Behave as Titans

The Dark and the Light, Sundered

Atonement Solas' Promise: He (Still) Seeks Regeneration

What Solas' Creation and Harding's Personal Quest Have in Common

Thanks to Veilguard (and the hints that came before it, if you're coming here from my previous posts), we know that Solas and Harding have far more in common than they think. Both are inexorably connected to the titans: Solas because his body was crafted from lyrium, and Harding because of how her Stone magic awoke after touching Solas' lyrium dagger.

I've theorized before that I think Solas is still connected to Isatunoll, but that the creation of the Veil altered or harmed this connection somehow. Veilguard touches on this with its implications: Solas says the blight senses his presence during the Minrathous portion of the endgame, and says during his Atonement ending that he is able to soothe the titans' anger. It also asserts, during Solas' Memory #3, that the ritual to create the Veil went wrong, wounding Solas in the process.

Both Solas and Harding, then, have to do with both the titans' past and their future. The Temple of Solasan is referenced when this codex in Trespasser mentions the titans needing to be forgotten, and we know now that Mythal and Solas would come to sunder the titans with the lyrium dagger. Solas is the reason the titans were forgotten, and is likely the source of the song "I am the One."

Harding, by contrast, is one of few dwarves whose magic has awoken. The Titan Shade in her personal quest demands that the world remember the anger and pain it has forgotten: the titans' sundering (as well as her own anger). The titans have no future without acknowledgement of their past, and so both Solas and Harding have instrumental roles to play going forward (assuming both are alive and have agreed to this).

It is evident, also, that the pain of being forgotten is traumatic to the titans. Cole mentions this several times in Inquisition, as referenced in the last post. Songs that once sang the same; titans stuck asleep, forgetting how to wake.

And here is where Solas and Harding's parallels really come to light.

This trauma forces Harding to make a choice with her Titan Shade. In every scenario, she acknowledges the Shade's pain. Her choice, then, is to embrace that pain and carry it in Compassion... or embrace the titans' anger, as well as her own. In other words, as is referenced by Stalgard...

I drew close, and the sound became something more. I could feel it, Lace Harding…. Rage, sorrow, and a vast loneliness. — Codex: Letter for Lace Harding

Rage. Harding must choose between Compassion and Rage. We've seen this before. It comes up in Down Among the Dead Men, a story in the Tevinter Nights anthology:

Following a trauma, spirits are pushed toward changing. For so long in this franchise, we called these changes "demons," and still do. But the creature itself is not different—it just exists in a different state.

Emmrich says exactly this, equating spirits and the Titan Shade.

I once communed with a soul who shared a tale of deep sorrow from his youth. "So that the truth wouldn't be lost," he said. Interestingly enough, he could only bear to recall the event after death, when the memory had lost its sting. (l cannot share the tale. A Watcher must keep the confidences of the dead.) Your experience with what you call "the Titan's Shade" brought this anecdote to mind. As you say, in the first moments of your transformation, you were unable or unwilling to confront the depth of the Titans' sorrow. But unlike my friend, this pain was never quite your own. Instead of being trapped within, it fled elsewhere. — Codex: From Emmrich, on Sorrow Denied

We see, now, that the titans do the same thing. The only difference is that Harding is connected to the titan through Isatunoll; her spirit is not, itself, inside the titan. Put through a trauma, though, the titans turn. This is something I theorized as happening to Solas' titan upon his creation, because the trauma of the elves making bodies from its lyrium caused the titan to lash out and fight back, just like Cole says in DAI.

This is why both Solas and Harding are capable of soothing the titans' anger. It doesn't matter that Harding is a dwarf and Solas is one of the elvhen: both are still connected to their titan.

But as much as Veilguard tells us about the Titans being more similar to spirits than previously thought, it does not stop there. No: if you listen closely, Veilguard whispers to you that this similarity goes both ways. Spirits are more similar to titans than we ever could have imagined.

Not Only Do Titans Behave as Spirits... Spirits Behave as Titans

Something caught my eye during my very first Veilguard playthrough, super early on. Of course, I played the whole game through the lens of my own theories, wondering if there could be a connection between titans and spirits.

Immediately I saw, on the floor of a cell in the Ossuary:

I am Nyrys I was Nyrys I we were we are Nyrys — Note: Inmate Scribbling

Immediately, I was reminded of Harding's description of Isatunoll: "It means 'I am here.' But no, not 'I.' 'I' is singular. But it isn't 'we,' either. 'We' is multiple, but also separate... Isatunoll is the eternal hymn that encompasses all time. All spaces. I am. We are. This. That. Here. There. Now. And forever."

That seems to suggest that Nyrys, an inmate who was probably turned into an abomination, might be connected to Isatunoll. The note is written almost the exact same way that Harding is speaking. "But Lore," I hear you saying, "Couldn't that just be an abomination thing, a spirit struggling to share a body?"

I thought so, too. Right up until this.

Late after— (the handwriting abruptly alters:) a PEACE cut from the ALL golden stranded weaves PROTECTION CAGE keep them OUT keep me IN (Drawn below is a decagonal diagram of perfectly even, intersecting geometric lines.) — Codex: Lucanis' Logbook, 2

Understanding that Spite is likely writing with a phonetic understanding of the common tongue, we can interpret his words as 'a PIECE, cut from the ALL.' While I cannot say for certain what the rest describes (it could be Spite's opinion on the Ossuary, a reference to the titan's sundered dreams, or anything in between)... I know that these two first lines clearly talk about a spirit who has been cut away from something larger and grander than itself. The "all."

Now that sounds like Isatunoll, to me.

If you've been here since my October posts, you know where this is going. I've got to find a way to check this idea against other sources. And the first place I go, usually? The Chant of Light, for all the Chantry's evident faults.

I'm reminded of the creation of the Maker's first and second children.

Then the Voice of the Maker rang out, The first Word, And His Word became all that might be: Dream and idea, hope and fear, Endless possibilities. And from it made his firstborn. — Threnodies 5:1

That exact phrasing—"dream and idea, hope and fear, endless possibilities"—is used both in the creation of the Maker's first and second children. The spirits and the second children's souls. It is not used anywhere else in the Chant of Light.

At last did the Maker From the living world Make men. Immutable, as the substance of the earth, With souls made of dream and idea, hope and fear, Endless possibilities. — Threnodies 5:5

I've said before that I believe that all spirits originate as thoughts—namely, the thoughts of one or more of the titans. I think that even the souls of living people apply, here, despite what some of Emmrich's codices discuss. When you consider how Solas speaks about the Inquistor's spirit in DAI, it seems apparent that (at least to Solas) spirits and souls are interchangeable terms, when they belong to a living person.

Additionally, there is a manor in the Hossberg Wetlands that features an Obsession demon locked away that Rook must kill once they get to its location. The party speculates how the demon may have gotten there, and (I believe Rook) comments on how it is possible that the person from the manor themself may have become the demon.

That would imply that their soul was capable of doing so.

Now, let's go back to how spirits (the Maker's first children) and dwarves (the Maker's second children) are in possession of the same souls, per the Chant of Light. Understanding that the Chant of Light is flawed and that I do not believe that Solas is the Maker (rather, that Solas may have come from the titan that Andraste spoke to), I want to draw attention to this verse.

Then the Maker said: "To you, My second-born, I grant this gift: In your heart shall burn An unquenchable flame All-consuming, and never satisfied. From the Fade I crafted you, And to the Fade you shall return Each night in dreams That you may always remember Me." — Threnodies 5:5

It's important to note that the Maker says to his second-born (the dwarves) that they shall return to the Fade each night in dreams. Remember: the dwarves were once able to dream. More than that, though, the Maker says that the dwarves may visit the Fade each night in dreams to be able to connect with the Maker. They were, in fact, crafted with the "flesh of the Fade," a reference made to lyrium.

That implies a direct connection between the titans and the Fade. It suggests that, once, the titans also shared the Fade with other living creatures—or, perhaps, even more. I still believe that the Fade is the collective consciousness of the titans, and that reconnecting with the Fade is part of reconnecting with the titans because of that fact.

The Dark and the Light, Sundered

In a previous post, I theorized that, because Solas created the Veil and it seemed to have sundered the titans in addition to separating the Fade from the waking world, the Fade must be the titans' shared consciousness. We know now that those were two separate acts: Solas sundered the titans and put part of their dreams into the orbs that became the Evanuris' foci. For a time, I thought that this theory must be wrong.

However, in the same series of memories, we learned one more fact: his ritual to create the Veil went wrong. In Memory #3 (Blackened Hearts), he cries out in pain during the moment the Veil is created. This not only hurt the world, but exhausted Solas. Hurt Solas.

"He broke the dreams to stop the old dreams from waking. The wolf chews its leg off to escape the trap." — Cole dialogue

This refers to the creation of the Veil. We know now that Solas created it, in part, to stop the blight from escaping—that would be the old dreams waking that Cole refers to. What's interesting is that Cole refers to this as Solas chewing off his own metaphorical leg to escape the trap. There was always a personal consequence for Solas referenced here.

But why? Why would being cut off from the Fade outside of dreams hurt him? Spirits exist on Thedas all the time. It is only the trauma of being pulled through the Veil against their will that turns them to demons.

To understand that, we must understand what the Fade even is. How it relates to the titans, and what that means going forward.

First, I want to take a look at this codex from Inquisition, which suggests that the water in the Abyss (the realm of the titans) may be the exact same thing as the emerald waters in the Fade.

It is possible—even likely—that the "emerald waters" Andraste refers to are the substance of the Fade, which began as an "ocean of dreams" (Threnodies 1:1) and was reduced to a well—bottomless but limited in scope—by the Maker's creation of our world. —Codex Entry: Here Lies the Abyss

There are other similarities between these two things that come up in Veilguard, if you're looking for them. The first, for me, is a codex.

What determines which sections of the physical world are echoed in the Fade? Is there an underlying logic, or glacial patterns past comprehension? Do our collective fears and longings craft what we see? The will of a mage is especially potent. We may learn to shape the Fade's pathways, if we are ever-mindful of the dangers this invites. — Codex entry: The Obverse of Reality

The phrasing here is very interesting. We know that Shaping is something that the titans once did. The dwarves, to this day, have the Shaperate, in charge of the Memories. To see that language applied to a mage's influence on the Fade implies that mages may exist the same power to manipulate the Fade as the titans did on the Stone, which suggests that the Fade and the Stone can be Shaped in the same ways. The similarity here does lend itself to a theory where the titans and the Fade are parts of the same being/collective.

The second is that one of the revenants—the Slaughtered Pillars, from Elvhenan's Haven—have a line of dialogue that jarred me the first time I heard it.

"Light and song, stolen."

We know that the titans being sundered took their songs away, for the dwarves (save for a few, now) do not hear the titans' songs anymore. It's the word light that gave me pause.

Three guesses as to where I looked for more instances of the word light. If you guessed the Chant of Light, the gigantic piece of lore with light in its title, you are correct!

The first mention I want to note is the very early in the Chant

Opposition in all things: For earth, sky For winter, summer For darkness, Light. — Threnodies 5:4

Note that Light is capitalized here, implying significance. Again, it appears here. Here, we're implying that capitalized Light refers directly to the Fade.

(11) Above them, a river of Light, Before them the throne of Heaven, waiting — Threnodies 8:11

And, lastly, and most prominently in Veilguard: the Lighthouse. Its name, in the elven language, is "Vhen'Theneras." Translated, though, that would mean, "core of dreams." Unless, of course, dreams and Light are the same thing.

But if the Light is indeed the Fade, and there must be opposition in all things according to the Maker, then where have we seen dark before?

We've seen it in the Abyss—aka, the Void. We've seen it in the darkspawn. Those blighted beings that emerge from the Deep Roads, aka the Abyss/Void. Remember that the blight itself is the escaped maddened dreams of the sundered titans. Darkspawn refers to the product of those escaped dreams—the ones not in the Fade/Light.

Crucially, the darkspawn behave in much the same way as anything connected to Isatunoll. They hear a Calling that, at first, belonged to the archdemons, but Antoine now says is coming from somewhere else, as well.

It's the description of Isatunoll that ties this all together for me: titans/their children and spirits, Abyss and Fade, dark and Light.

In a letter from Dagna to Harding, she describes Isatunoll — but in that description, she focuses on this idea that beings connected to a hivemind "know their purpose." Purpose is a word used by Solas all the time in DAI. Spirits have their own purpose.

Think about ants. Ants know what they are. They know their purpose, and they must understand, instinctually, how that purpose fits within the whole. But what if it doesn't end there? What if their consciousness isn't just individual? What if the nest itself knew what it was? A collective sentience of some kind. Nothing says the ants don't have a collective sentience. We just assume they don't, because they're ants. Ants. Or bees. Or darkspawn. Now, there's a thought. — Codex Entry: Thoughts on "Isatunoll"

What if consciousness itself is not individual? asks Dagna. What if the nest itself knew what it was? This explains the darkspawn, after all: the blighted beings who are all connected to the song of the Calling, and the maddened dreams the blight originates from.

The nest, except for that small trickle of escaped blight, is the Fade. The Fade, which is a place that responds to the collective wants and memories of those inside it. The Fade, whose pathways are shaped by the thoughts and wants of the people—especially mages—within it.

My theory is this: the creation of the Veil may have hurt Solas because Solas was still connected to his titan, and to Isatunoll. Some of his love of the Fade may be because he misses the titans' shared dreams—and, by extension, the shared dreams of every living person on Thedas (except the dwarves, and we know why that is).

Atonement Solas' Promise: He (Still) Seeks Regeneration

We know that the Fade is the collective consciousness of the Titans. Their shared dreams. We also know that not all titans are blighted, because the one in Descent is not. Harding's titan also is not, by the end of DA:tV. I posit that this is why much of the Fade, according to Solas in DAI, is far preferable to the Nightmare's domain that we get to see in DAI. Some of that shared consciousness is still healthy.

Easing the titans' anger, therefore, means fixing all of the Fade. Reconnecting the two might mean that the collective consciousness between all spirits could return to Thedas—and since at least elves' and dwarves' souls likely come from the same origin, it could do a lot to bring some of the people of Thedas together.

This, to me, is part of Solas' grand plan. It is not only to bring back the world from Mythal's time—it is to bring back the world before they broke so much of it, before the titans were sundered by his hand. After all: Solas seeks... regeneration. And that's something he promises us after Mythal leaves.

It's important to me, therefore, that Solas says the blight can feel his presence during the fighting in Minrathous. Not that Elgar'nan can detect Solas through the blight, but that the blight itself can feel him. Neve/Bellara, depending on who is taken, can reach out to protect Solas the very same way: by communing with the blight itself, feeling what it wants, and redirecting its course. We see, here, a hivemind in action.

We also know that Atoned!Solas promises to "soothe the titans' anger." This is something he promises to do from Fade Jail, implying that he is able to interact with the titans and their anger from the Black/Golden City. This implies that the Fade itself, as a realm, is a means of communing with the titans, not just a specific spot within it.

The Veil coming down was always going to un-sunder the titans, and that was always one of the true aims of Solas' goals. Even if it meant blighting the world at first and effectively causing the apocalypse, the titans would eventually feel soothed. The Veil is a wound inflicted on this world, Solas has said before... and we know now that it was.

This section, short as it is, is just me telling you that Solas is still able to achieve those ends from Fade Jail. Just because the Veil is now bound to Solas' life force does not mean that the titans can no longer heal.

This buys us valuable time, allowing the titans' anger to soothe before their consciousness is restored, so that the transition is gentler. It promises hope for all of Thedas going forward. It might even promise a healthier, more stable Fade, shaped by dream, idea, and hope more than fear.

But what will that mean for future games? What could the Fade have to do with what's to come?

Why is now the time that the Executors and "those across the sea" want to make their big planned move on Thedas? Why is now when the "poison fruit" has ripened?

Like many of you, I hope to figure it out—and I feel that every day, I get closer.

Stay tuned. :)

___

If you read this far, you're a hero, now and always.

Like I keep saying: I have to absorb this lore day by day! I cannot inhale the entire wiki in a day, much as I'd like to believe I could! That means that future posts can't adhere to a strict schedule, as they depend on me unearthing enough codices, notes, and connecting threads to provide a post's worth of material.

In future, I'm hoping to learn more about: the Forgotten and Forbidden ones, as well as the connections between them; the Executors, those across the sea, and the connections between THEM; the areas across the sea; the Devouring Storm and what it could mean for Thedas' existence... and maybe how Ghilan'nain was ever connected to any of it.

Stick with me on this journey, if you like. It's fun to keep theorycrafting and yelling with you all. <3

[brekkie-e]

Okay, so the more I sit with it- the more I can see the appeal of the Solavellan "happy ending." The mythological implications. The opportunity for both of them to be free of the pain that their title has caused them. Solas gets to return to the Fade in the only scenario that means he can find meaning and happiness there like he once had.

There is more going for it than I think a lot of people saw at first glance. Myself included.

The thing that still holds me back on it, though, is it feels like it works best for a Lavellan who's clan is dead and presumably removed her Vallaslin. That character is the candidate for this to be her perfect ending. She gains something from this. Where going into this scene- she has no family left and no home to speak of- she leaves with a metaphorical husband and the promise that the Fade will be their domain forever. There's some work that has to go into it first, but the two of them will make a home there.

Lavellan's who have a clan, though? Who chose to keep their Vallaslin out of love for their family/culture? They abandon their family for him. They could have been the First, and they abandon that role as well. He doesn’t even read like he wants her to reach out to him in that moment, and she throws all of it away without receiving a scrap from him.

The whole thing feels like yet another blow to me. It feels like your character is constantly being asked to sacrifice the part of herself that loves her people for Solas. Which is even more frustrating because he gives none of himself to her in return for her sacrifices. There are reasons for that, yes. I have read Weekes' explanations for why Lavellan needs to reach out to him, and I get it. I get the bigger mythological symbolism, and I appreciate it. However, just looking at it in the context of these two characters. In the context of this series as a whole- it gets under my skin a little.

Clan Lavellan is the third clan you can see whiped out in the series. It's not even acknowledged in the game. The fact that the narrative wants so badly for you to reject your characters Dalish heritage, and rewards you the most if you do so is just really disappointing. This game in some ways tries to do better than its previous counterparts with its baked in save the Dalish quest. But the whole thing is messy. There's so much to unpack with how they are still handling the elves in this game.

The thing is "ideal" routes are not new to Dragon Age, or Bioware at large for that matter. So I'm not exactly surprised that this is coming up. I am just a little disappointed that there isn't more in the story to engage with that minimizes some of the "delulu girl throws her life away for the quintessential 'if he wanted to he would (derogatory)' guy while her friends and family look on in horror" energy that it has. Because I think that comes in mostly from execution more than anything. And there are certain play throughs where it looks worse than others. "Certain" being mine and I don't like it 🤣.

[theyonapodcast]

An under-appreciated gag: when Hak doesn't know what to do with Yona, he pretends to be someone else.

[lucky-clover-gazette]

i removed the "could be platonic or romantic" tag from the adaptation fic bc these bitches are gay as hell and it's way too interesting a dynamic to ignore

[lith-myathar]

.

[ladyluscinia]

Not going to put this directly on the long discussion chain that prompted it because it's somewhat topic adjacent at best and I have no intention of derailing a discussion of fandom racism, but - while reading some of the "Izzy critical" responses that @bromelads got - I did see mention of one thing that I have both passionate feelings about and a near constant desire to elaborate some oft ignored context for. So.

One of the things mentioned as a source of discomfort in fandom for "Izzy critical" poc was posts rejecting that Edward was growing or healing in 1x09 and 1x10, suggesting that it mostly serves to empathize with Izzy over Ed and to make Izzy's actions look better at the expense of Ed's character / softness. The same person who gave this example later agreed that there's some truth in the idea that Izzy crits' misinterpretation of Izzy fan meta has something to do with the (very baffling) perception that we all don't like Ed or think he's the simplified villain of Izzy's story or something, which I just want to a) appreciate for a second because I do actually adore Edward so much, and b) mention specifically because I think the whole Ed healing debate is a great example of that.

I'm not going to argue why I am staunchly in the "Ed wasn't healing" / "Kraken was inevitable" camp because I've done it before, but I do want to point out some related thoughts around that argument that I've picked up on each time it loops back around.

I feel like a lot of the people who strongly disagree with or get mad about that take frame it as though we are minimizing or rejecting the existence of Edward's softness entirely. It's like... Ok, so there is a distinct sequence of moments where Edward is displaying emotional vulnerability or a draw toward fine things that fans noticed, and then they interpreted the pink robe Ed's "healing" as all that starting to pay off in his character development (before being interrupted by an external obstacle: Izzy). A very straightforward A -> B. Only when I push back against B and say "hold on I don't see any healing in 1x10," then I feel like people hear me rejecting that all the moments of A meant anything at all. If I see the shadow of the Kraken as an internally motivated obstacle being built in earlier episodes, then I must think that's the dark and violent payoff, and the evidence of softness was a diversion or manipulation or just not going anywhere significant in character terms.

Which is very frustrating to me because Edward is a romcom protagonist.

Yes, this is very obvious to everyone. But it matters in this debate because protagonist status comes with very significant guarantees - namely, Edward is going to grow / heal / get his happy ending, etc. We've even got Stede's S1 arc (which remember is still unfinished too) as a good example of structure and focus on internalized character flaws framed by plot hurdles. There is no version of this story arc where Edward ends as the Kraken, and I have never seen anybody suggest he's not currently on a character arc toward growth and healing and a circle of true companions in Stede's crew who love him for who he is.

So when I or anyone else says he's not there yet, it's almost exclusively because we are arguing about where he is on this character arc in 1x10. Of course the appreciation for fancy clothes and slow mornings with overly sugared tea is going to pay off! Of course he's going to become friends with the crew (I'm rooting for Frenchie S2 bonding)! Of course he's going to get to beat back that self loathing he's carried since his dad! But people get defensive and angry like you are personally targeting them and declaring their blorbo an irredeemable asshole because you suggest character development major enough to drive a character driven show probably takes more than a few weeks of easygoing vacation to reach final form. That's not what I'm saying at all!

Interpretations upsetting or offending people even when written with a complete lack of malice is nothing new, but it really seems like making up a whole army of guys to get mad at for takes is happening more and more. (And I'll admit I'm probably getting more and more guilty of this myself as my understanding of what exactly people are arguing in different fandom city states gets more and more fractured. Meta builds off of meta, and if you randomly see one post by one blog you already disagree with, you might be missing a lot of context to clarify what they actually mean vs "of course that's the awful take you would have".)

[elliewithcellie]

Protector

summary: After months working for the BAU, your harbored feelings for your boss seem unrequited until your hunt for the unsub goes awry. (hotch x fem!reader)

wc: 9.8k (oh my god)

cw: slow burn, boss/employee dynamic, age gap pairing, criminal minds level violence, mention of alcoholism, implication of father issues, hurt/comfort, reader gets hurt, fluff, angst, SMUT (18+ MDNI), oral (f receiving), p in v sex, Hotch is a professional at heart and takes work boundaries seriously

a/n: Back in the saddle with a new man to hyper-fixate on. Hotch can GET IT. Also, let me know if anyone wants the SFW version I'm working on

“Looks like we’re doubling up,” Hotch announced, a sigh escaping his lips.

Before you could even process his words, the rest of the team sounded off, choosing their roommates for the duration of the case. All that remained were you and your boss. With the team dispersing, you awkwardly shifted your duffle bag to your other shoulder and looked up at Hotch.

His stern expression didn’t change as he looked back at you. “Come on. We’re 202.”

You followed him to the elevators, still unsure what to think. This was not only your boss but someone you had garnered quite a fondness for since you joined the BAU. Of course, you had managed yourself professionally thus far, but you were sure this was going to test your limits.

You understood the immediate pairings among the rest of the team. You were still fairly new, not quite to the rapport that the team had formed with each other. But it also made you think about how no one chose Hotch. The pressure to be Unit Chief also had to be lonely.

The elevator chimed, and the two of you shuffled in. You kept to yourself, trying to maintain composure. The lift from the first floor to the second felt like an hour, the silence deafening. You couldn’t shake your nerves. The doors opened, and he stepped out. You quickly followed.

Hotch opened the door and allowed you in first. The two double beds, office chair, mini fridge, and small bathroom were all less comforting to you than normal.

“Do you mind if I take the bed by the door?” Hotch asked, his voice softer than usual.

You blinked up at him, stirred from your preoccupation. “Yeah, of course. I like the window side anyway.”

“Thank you. If you’d like, you can have the shower first. I’d like to call Jack before he heads to bed.”

“Sounds good.”

You began to unpack your belongings and sighed in dismay. You had assumed that you would have a room to yourself as usual, so your pajamas were a little more revealing than you’d prefer your boss to see. Still, a t-shirt and shorts were reasonable sleep attire, so you tried not to dwell on it. You collected your things as Hotch dialed a number on his phone.

“Hey, buddy, how was your day?”

You smiled to yourself as you entered the bathroom. His “dad” voice was more upbeat, yet calm and soothing. With Hotch distracted on the phone, you could relax in the shower. The boiling water stung your skin, just the way you needed it. As you relaxed, you realized how silly it was for you to stress over the rooming situation. Hotch was here to do his job, just like you. And other than his intelligence, his kindness, and his fierce compassion for kids, you were sure you were only infatuated with him.

You finished up your shower and towel-dried your hair once you could no longer hear his muffled voice through the door. You were desperate not to waste Hotch’s time. With your hair still wet and your large t-shirt hanging over your shorts, you timidly exited the bathroom back to your bed, on your toes as if you were sneaking around. Hotch sat on his bed, his coat jacket now on the desk chair. He flipped through channels with the remote in one hand and loosened his tie with the other.

“All yours,” you spoke, struggling to get the words out.

Hotch looked up at you and gave a small smile. “Thanks.” He gathered up his things and closed the bathroom door behind him.

Another sigh of relief left your lips. You grabbed the book from your duffle and climbed into bed. You rolled over to turn on the lamp next to you and began to read, but before you knew it, sleep overtook you.

------

“Hotchner.”

You woke up to Hotch answering his phone. The sky was still dark. The only light illuminating the room was the alarm clock. You realized that you hadn’t turned off the lamp before you fell asleep, nor did you place your book carefully on the side table with a hotel pen as the bookmark.

“Alright. Yes. Right. Understood. We’ll be right over.”

You looked up at Hotch expectantly. He looked at you, then averted his eyes as he got out of bed. “Another young girl missing. She’s only 16.” He paced the floor for a moment, a short-lived break from the stoic leader he always has to be.

“I’ll call the others,” you said sitting up. His eyes returned to yours, the strain turning into relief. He only nodded and headed for the closet, suiting up right there.

You called the others and followed suit, leaving the hotel parking lot by 3:46 am.

------

The next 18 hours were long, stressful, and only moderately successful. The team was able to work out an arrangement with the kidnapper before their 24 hours were up. The girl, Heather, was returned to her parents with only a few bruises. But the kidnapper got away, practically goading you all at the ability to remain anonymous. The team was exhausted and out of ideas.

The team drove back to the hotel without a single word exchanged. The kidnapper’s voice rang in your head. He was so confident, arrogant even. There was almost never a moment where he fumbled over his words or cracked. His ruse lasted for hours. But he got sloppy in the end, fessing up to her location just enough for Garcia to triangulate. But something wasn’t adding up to you: his willingness to run instead of killing her when he had the chance.

Hotch spoke up, stirring you from your ruminations. “We need to start from scratch. Reid, give us a rundown on what, where, and why.”

“Well, we know his victims are all young women now ranging from 16 to 23. They come from middle to upper-class families. He sends messages to the families always demanding ransom within 24 hours. Three women have been killed, and now two have survived. The strange part is whether or not he stays truthful to his word. The parents have always given him what he wants, but then it’s up to his discretion whether he follows through.”

 “Based on these girls,” Prentiss interjected, “this guy’s intelligent. He prides himself on the ability to get away with this.”

“That’s good,” Hotch said, eyes still on the road. “But why work with us sometimes and not others?

The SUV hummed as its passengers sat in silence.   

You decided to speak up. “Prentiss said he prides himself on the ability to get away with this, right?” Everyone sat still, expectant for you to continue. “We’re looking at this the wrong way. This isn’t a sadist who gets off on killing. This isn’t a psychopath with a compulsion. This is a narcissistic sociopath who has been evading capture for weeks now. This is a game to him. It’s a game he knows he can win.”

“Which is why when he’s pressured, he releases the girl.” Hotch nodded along.

“He can take a loss where he can because, to him, the ultimate win is to not get caught,” Reid agreed.

“Great work,” Hotch said, parking the car. “You guys head in and get some good sleep. I’ll fill in the other van. Be ready for a big day of planning.”

You walked up with Reid and Prentiss, a small smile refusing to leave your lips. You cracked it, you thought to yourself.

Your two teammates teased each other up to the rooms, you following close behind. You weren’t the type to inject yourself into other people’s conversations, which ended up making it hard to connect with them. It was as if you had been adopted into a family that has known each other their whole lives. You were respected, sure, so there was no need to complain. You just wished that you could make jokes with them and have the levity they had during intense cases like this.

Still, even hearing your teammates laugh was enough for you tonight. You longed for a moment longer, but they said their goodnights and headed off.

You entered your room, much more relaxed than the night before. You had yourself all worked up, and for what? You gathered your things and headed to the shower, sure that Hotch wasn’t far behind and would call his son again.

As you exited the bathroom, Hotch entered the room. You jumped despite yourself.

“Sorry, I didn’t mean to scare you,” he said.

“It’s ok,” was all you said in response. You returned your things to your bag and slid into bed. You turned on the lamp and began reading while Hotch took his turn in the shower.

You were still reading when he returned, the book more interesting now than it was the night before. You glanced up only for a moment. Hotch wore striped pajama pants tonight, contrasted to the boxers you accidentally noticed earlier that morning. You looked back at your book but couldn’t read it. Your mind wandered to the message Hotch could be sending. Maybe your shorts were inappropriate. Maybe you weren’t meant to see his boxer shorts at all. Maybe he was just cold.

“Good work today,” Hotch said, interrupting your thoughts.

You smiled up at him. “It was a team effort.”

“We may have never come to the conclusion you did. Take the compliment.” Hotch’s lips raised to a subtle smirk, something you’ve only seen a handful of times and certainly never directed toward you.

“Yes, sir,” you said. “Thank you.” You couldn’t help but smile to yourself. Your eyes drifted back to your book.

“What’s your book about?”

Was Hotch trying to make conversation with you? True, it wasn’t as late as yesterday’s arrival, but in all of your months of working for the BAU, any discussion with the team had been strictly professional. Still, you blushed at the question.

“It’s a romance,” you confessed.

“I have to say,” Hotch began, “I’ve never read a romance novel. What about it appeals to you?”

You thought for a moment. “I guess it’s the suspension of disbelief. The relief to enter a reality where people love in big, romantic ways. Don’t you ever want to get swept off your feet?”

You cringed at the question, debating on whether it was appropriate to ask your superior about romance.

“I think I’d rather do the sweeping,” Hotch said thoughtfully.

You smiled at his words.

“You don’t think people love in romantic ways in this reality?” Hotch asked, looking up at the ceiling. His breaths were calm, and his face seemed to soften from serious to curious.

“I don’t know,” you said sincerely. “My sister is about to marry a real stand-up guy. He’s caring and has a good family who loves her, too. It’s one of those one-and-done fairy tale deals. Like truly made for each other. But I wouldn’t say that’s the norm. It’s not my norm, at least. So, yeah, I guess you could say I’m skeptical.”

You crossed your legs and fiddled with your thumbs. You tried not to reflect on your history, tried not to give any clue to your boss of your true beliefs. It didn’t ultimately matter to the conversation, anyway. The silence stewed as it stirred up new thoughts and old patterns, feeling yourself shut down the conversation. You didn’t mean to. You hated being seen as the one that was boring outside of work. The one that wasn’t friendly enough to get to know.

“I’m sure you don’t know,” Hotch began again, shaking you from your anxious thoughts, “but bringing up your sister reminded me that I met your dad a few years ago.”

You shot up. “You know about him?” You covered your face with your hands.

“He was nationally awarded for his work in counterterrorism. Of course, I know about him.” He laughed softly, a sound you weren’t used to but would never complain to hear it again. “I met him on a job in Bakersfield. He knew the town like the back of his hand. Is he why you joined?”

“In a roundabout way,” you sighed.

“He brought up his girls every chance he could.” Hotch smiled and turned to face you. “One was a soccer star in South Carolina on track to be a doctor. One was a track star a semester away from graduating with honors and applying to Physician Assistant programs, I believe.”

“My sisters are overachievers,” you said.

“Then it’s you he talked about the most. The musician, the future psychologist, the one who found fascination with the minute details of life.”

“My dad said all that?”

“He did. He had offered us beers when it was all over, and he shared photos of you all. You’re certainly much more grown now.” He chuckled.

Your cheeks flushed red at the comment.

“I showed him Jack playing tee-ball, and we both shared some stories before it was time to go. He had some great advice to give.”

“I’m sure he did,” you mumbled. “Sir, I don’t want you to think I got in because of him. He didn’t know until I made it to Quantico. I mean, yes, he always pushed the army and West Point like him, but I did this all on my own, Mr. Hotchner, I swear.”

“Hotch is fine,” he gently corrected. “I’m not worried about where you came from. I knew the entire time. But your qualifications are what got you on the team, not your father. Keep up the good work, and I’ll continue to remember that.”

“Yes, sir.” You thought to yourself for a moment. The candor of the conversation may have added to your bravery in this moment. “Hotch?”

He raised his eyebrows to imply he was listening.

“Umm, Is there anything that I can do to, like… never mind. I’m about to sound pathetic.” You huffed back down into your pillow. You couldn’t believe you were about to ask Hotch how to make friends.

“They’ll warm up to you, just like you’ll warm up to them. Just keep doing what you’re doing, and I’m sure they’ll see you for who you are.”

You sighed again. Of course, he knew what you were stressing about. He’s the chief profiler after all.

“I’ll let you read now,” Hotch said, getting up from bed. “I’m going to call Jack.”

You gave a small smile and nodded, and he left the room.

------

You woke up the next morning to Hotch returning to the room, two disposable coffee cups and a case file in his hands.

You jerked up from bed. “Am I late?” you asked, scared you slept through the alarm.

“No, no,” he said, walking over to you. “I’m early. Coffee?”

He held out one of the cups to you. You gently accepted.

“Thank you.” You looked over at the clock. 5:54. You rubbed your eyes. “Are you always up this early?”

“On the job, yes,” he said with no inflection. “Much to think about, and much to be done.” He sat back on his bed and reviewed the file you knew he had reviewed countless times. If he was anything like you, he was searching for some hidden puzzle piece, something that the team must have missed to solve the case once and for all. But it was never that easy. Still, maybe some fresh eyes could help.

You slid out of your bed and rested on top of his. “Can I help?”

“Be my guest.” He shifted the file your way for a better vantage point. You crossed your legs and sipped your coffee before getting to work.

You found yourself lost in thought, jotting down those thoughts in the margins. It helped to visualize your connections, even drawing physical lines to connect them. You noticed that the most recent girl didn’t fit the age range of the others, 19-23. You dug deeper, making a note to ask Garcia to run the connection between all of these girls. College? you wrote. There was a college campus within ten minutes of the hotel. One more thing struck you. All of the victims had their hair up in a high ponytail. You weren’t sure how that was associated yet, but you wrote beside each of the photos anyway.

As the early sun began to rise, you grew brutally aware of Hotch’s presence. His body leaned closer to yours, and you felt his eyes sear into your skin. You grew distracted, your mind wandering to the fact that you were wearing only a loose shirt and small shorts in Hotch’s bed. Was he noticing the same thing? Was this a breach of professionalism? Were you making him uncomfortable? Against all your will, you felt your body temperature rise in the form of a blush.

The alarm clock rang out, pulling both Hotch and your attention. You stretched over to turn it off.

“I’ll let you get ready,” Hotch said, jumping out of bed. He headed to the door, refusing to meet your gaze. “Meet me downstairs?”

“Yes, sir,” you said, slightly surprised by the questioning tone of your superior. He nodded and left the room before another word could be spoken.

-------

In the conference room of the local police station sat the team, all watching Hotch interact with the captain of the squad through the glass. You stayed facing the table with your head low. You couldn’t help the bounce of your leg. While the others inferred the conversation outside, your mind had fixated on the morning’s events. The heat of your boss’s breath had tattooed your skin, a branding to the back of your neck. The intimacy, the closeness, and then the flustered nature Hotch left in replayed in your mind. You couldn’t look at him until you could properly collect yourself.

“What’s on your mind, kiddo?” Morgan asked. Your head shot up. All eyes were on you now. You failed to hide the rouging in your cheeks.

“Nothing.” You shrugged, though you knew the contradiction in your body language.

JJ chuckled. “Nothing? You’re so tense, so distracted.”

“What’s going on in that pretty head of yours, huh?” Morgan asked again, a smile growing on his face. “Hotch keeping you up all night?”

You flinched at his name. You couldn’t help it, but you outed yourself all the same.

“No, I slept fine. I swear.”

“You flinched!” Prentiss laughed and pointed. “It is about Hotch, isn’t it?”

“Leave the poor girl alone,” Rossi said, not bothering to look up from his newspaper.

“Hon, you better tell us what happened in the next three seconds.” Derek swatted at Spencer’s chest. “Reid, help us out, here.”

“Based on the months we’ve known her, she tends to—”

 “Don’t you start profiling me, Reid.” You glared at Spencer across the table.

His arms shot up in the air as if to surrender, but a smirk remained on his face. “All I’m saying is that I know the physical signs of a crush when I see one.”

Your jaw dropped. The conference room filled with laughter.

“Leave her alone!” Garcia yelled from behind you. “She’s our sensitive little one!”

“I’m not 5,” you mumbled, crossing your arms. Penelope hugged you from behind as if to protect you from the others. The others continued to laugh, causing you to smile despite yourself. Morgan took a photo of you and Garcia, and warmth spread through you. Even with all the teasing, being here with the team felt good.

Just then Hotch rushed through the door. “Alright, let’s be seated and get to work. We have a big day ahead of us.” Garcia took her seat, but Hotch stayed standing, opting to position himself in front of the whiteboard. “After speaking with the captain and going through the case file with Y/N this morning, I determined our best attack on the situation. Though, it is rather unorthodox.”

The rest of the team stayed silent, waiting for the punchline. Hotch continued. “What do we know about our killer better than anything? His victimology. We know that he goes after girls and young women aged 16-23. They are middle to upper-class, and not the type to find themselves in trouble. Now, who do we all know who fits this very description?”

“Y/N,” Reid said.

All eyes returned to you, this time with a seriousness looming in the air.

“If we don’t want any other kidnappings, we need to give him what he wants. Going after the 16-year-old was off for him. He’s devolving. Which means we need to act fast before he kills again. This is the only way we can approach this head-on.”

“Hotch,” Emily began, “with all due respect, let me take this on. Or JJ. JJ has experience.”

“With his victimology going as low as 16 now, it should be someone who looks the part,” Reid replied.

“She’s just a kid, Hotch.” Morgan reached his hand toward your shoulder, but you gently nudged it away.

“But I’m not a kid at all,” you spoke up. “I have two degrees and the same job as the rest of you. I know I’m young and look younger, but I’m qualified. If my appearance can be used to put this guy away, then let me help. Let me do my job.” You looked up at Hotch, a sudden confidence flowing through your veins. “What do you need me to do?”

-------

For the rest of the day, the team helped you prepare for your role as a 22-year-old college student. The team strategized and planned, desperate to ensure your safety. Everyone added their two cents, but you were happy to receive all the insight you were given. You weren’t going to screw this up for them.

You, Hotch, Prentiss, and Morgan returned to the hotel to pick among your belongings to dress the part. Rossi, Reid, and JJ stayed behind with Garcia to set up intel at the station.

“The shorts you wore to bed,” Hotch began, “go put those on while we find a sweatshirt or jacket. In fact, wear the shirt you wore, too. The size could conceal the mic better.”

You nodded and grabbed your things before heading into the bathroom. It was not lost on you that your boss was thoroughly aware of your pajama situation, but due to the pivotal role you were to perform, it was easier to focus on the task at hand.

You returned from the bathroom where Emily greeted you with the mic. You lifted your arms, allowing Emily to snake the mic underneath your shirt, securing it to your sternum with sports tape. While doing so, Hotch and Morgan returned with a single sweatshirt in Morgan’s hand. It was grungy and old, not quite the goal aesthetic.

Still, Morgan handed it to you to try on. The three profilers evaluated your look.

“This isn’t gonna work,” Morgan said. Prentiss pinched her eyebrows together in dismay. Hotch stayed staring.

“Take off the sweatshirt,” Hotch ordered. “I think I have something better.”

You did as he said while he rummaged through his duffle bag. He pulled out a quarter zip of excellent quality, something he only wears on a successful plane ride home.

“Put it on.”

You didn’t hesitate to follow his instructions. It was a large fit, hanging just above the hem of your shorts and the sleeves landing at your fingertips. The three of them looked at you, then to their reference photos, then back at you. Something was missing.

“Call Reid. Maybe he can find any other similarity we’re missing,” Hotch said.

“No, I got it.” You remembered the notes you made earlier that morning. You took the hair tie from your wrist and pulled your hair up into a high ponytail. “Now, what do you think?”

“That’s it,” Morgan said.

“And just in time,” Emily noted, “We gotta get you to the college fast.”

On the ride to the school, Hotch reiterated the goals in place.

“All you need to do is walk across campus using the roads. Keep to yourself, and most importantly, do not—and I mean it—do NOT, get into the vehicle under any circumstances. Stall him, flirt with him, do anything you can to keep him in place. We’ll be right there. Got it?”

“Yes, sir. I got it.”

“We’re counting on you.”

“Good luck.” Prentiss smiled with seriousness behind her eyes.

Morgan grabbed your shoulder, turning you around. “Be smart, kiddo.”

You returned a small smile and left the van to venture on your walk.

------

You had to have walked the streets for at least an hour. The campus was massive, larger than any school you attended. You did as you were told and kept to yourself. The sun had long since set, so there was no warmth to guard you from the biting breeze. A car or two passed periodically, but none slowed down beside you. There was a peace in the solitude. One could chalk it up to the calm before the storm, but you weren’t afraid.

Another car passed, but this time it slowed down. Your heart stopped and landed in your throat.

“Excuse me,” the man called out. The voice was unforgettable. The very same voice that threatened to kill the girl over the phone. The voice that replayed in your mind for hours. You knew it was him.

You turned to face him, trying to commit every detail to memory. He was a conventionally attractive man with lighter hair and a smile that you would have swooned over under any other circumstance. He wore a white polo and jeans and drove a two-door black convertible with the top down.

“Sorry,” he said. “I’m looking for a party my buddy’s throwing, but I don’t go here.”

“I’ll say you don’t,” you chuckled as you walked closer. “Your car must cost my tuition!”

The man grinned. “You like? I could take you for a spin. But I’ll have you know; I like to go fast.”

“Mmmm, top-down, wind in my hair,”—you inched closer still, to feign some sort of interest— “but don’t you have a party you’re missing?”

“Well, if you show me where to go, maybe I’ll consider you my plus one.” He winked.

“Now, do I look like the partying type to you?” You laughed and rested your arms on his car door.

Without another word, he grabbed you by the upper arms and pulled you into the driver’s seat. You screamed at the top of your lungs. You tried to fight him from your disadvantaged position, but he was stronger, quicker. He forced you into the passenger seat as he wailed punch after punch into your jaw.

“Nice. Girls. Don’t. Scream!” he yelled. He punctuated his words with one final blow to the head. And as you drifted out of consciousness, you weren’t sure if the roof was closing above you or if the sky was turning black.

------

The sound of fireworks stirred you from your unconsciousness. Lights of reds and blues lit the night sky. You smiled at the serenity of the celebration. You didn’t want to go, but the strong hands beneath you lifted you away. You were much too tired to argue, his heartbeat lulling you to sleep. The faint words “stay with me” echoed in your mind, and if staying meant remaining in the comfort of the person who held you, you’d be content to stay there forever.

------

You woke up to blinding white lights. This must be heaven you assumed. You blinked through the searing lights and realized it wasn’t heaven at all. You were in a hospital. The sheets, the gown, the blinking monitors, and a small TV playing all clouded your senses. You reached up to rub your head, but someone was holding your hand.

Hotch moved with you, stirring him out of his strained slumber. He had pulled a chair to your bed, his head resting next to your knee. He lifted his head and looked up at you, an urgency deep within his eyes.

“How are you feeling?” He didn’t let go of your hand.

“I—uhhh—Hotch, what’s goin’ on?” You found your breathing quickening at the sound of your slurred speech, the confusion becoming too much to handle.

“You’re ok. You’re gonna be ok. The doctor said they want to keep you overnight, but the team’s on their way.”

“No, no.” You pulled your hand away. “They can’t see me like this. You can’t see me like this! I’m not put together. I—I feel like I'm gonna be sick. I can’t feel my arms. Are my hands shaking? I'm freaking out. I'm freaking out!”

Hotch all but jumped at your ramblings, his eyebrows raised in shock. Before he could answer you burst into tears.

“Hotch, I’m gonna be sick,” you said through your convulsions.

Hotch jumped up in search of a bucket. He grabbed the trashcan at the corner of the room and brought it to you just in time. Tears streamed down your face as you threw up into the trashcan. Hotch held your hair back and gently rubbed your back.

Your nausea subsided, but your panic remained. Hotch sat on the bed, pulling you into his chest. You gripped him with all your might, desperate for the shakes to go away.

“You're alright. You're safe, ok? I think the medicine is messing with you a little. Take some deep breaths for me. I need you to relax, ok?”

You tried to take breaths at the pace Hotch set. Hotch’s hand combed through your hair as he tried to soothe you. Eventually, you were able to cool off. Hotch gently rested you back on your pillow. “Why don’t we go back to sleep for a little, ok? I think you’ll feel better when you wake up.”

You nodded, your face still wet from the tears. You repositioned yourself and fell asleep within moments.

When you woke up again, your mind was your own. Your head was pounding, and your body ached. You allowed yourself to adjust to your environment before searching for Hotch. There he sat by your bed, talking to a nurse. You cleared your throat effortfully. Hotch stood and approached you.

“How are you?”

“Everything hurts.”

“They’re giving you ibuprofen now. It seems like you were reacting to the morphine poorly.”

“That’s embarrassing.”

“Not at all,” Hotch said seriously. “Do you remember what I told you? That they want to keep you overnight?”

“That does ring a bell,” you said as you rubbed your head. “Is the team here?”

“They are. I told them to wait outside until you were ready.”

“Oh, ok.” You thought for a moment. “Hotch?”

“Yes?”

“Can—Can you tell me what happened? Like, did we win? Is everyone ok?”

Hotch chuckled, but his eyes appeared sad. “Everyone is fine. We got him. Are you sure you want to talk about this now? Why don’t we wait until you—”

“Hotch. Please.”

Hotch sighed and took a moment to think. “Well, we knew we were looking for an expensive convertible thanks to you.” He smiled. “So, we began our search as you spoke. But then, we all heard you scream.”

You flinched at the word, your memory of the gruesome event beginning to reassemble.

“Of course, it was full speed at that point. He had you, and we weren’t going to lose you. We cornered him on a dead-end road just outside of campus. We didn’t let him get far. Prentiss shot out one of his tires, so he started running. Prentiss and Morgan ran for him, and I ran to you.”

He paused. He looked away as his bottom lip trembled. He took a deep breath in as he settled into his natural professionalism again.

“We had EMT on standby, so we were able to get here quickly.”

You nodded, realizing it was Hotch who carried you out. The fireworks, the lights, the “stay with me”, the reality of it all crashed in on you in the form of a shudder.

“It was you?” you asked.

Hotch knit his eyebrows together and tilted his head. “What do you mean?”

“You pulled me out. I felt you. I think I heard you.”

“Someone had to make sure you were ok.”

The fact that it was Hotch warmed your heart. Still, a question lingered in your mind. “Is he still alive?”

Hotch shook his head no.

“Mm,” was all you could say in response. There was no room for emotion. No time to process an opinion. You were just glad it was over. “What time is it?”

Hotch checked his watch. “It’s 2:43.”

“In the morning? Sir, with all good intentions, go to bed. Go tell the team to—”

Just behind Hotch, you caught a glimpse of Spencer in the doorway. “Is now a good time?” he asked.

You smiled and nodded. Spencer peeked his head back out and in a loud whisper said, “It’s clear! Go, go, go!”

The rest of the team hustled into the room and crowded around your bed. One by one, greetings and gentle hugs made their rounds, and your smile grew bigger and bigger.

“It’s a party now,” you said, a giggle bubbling out of your throat.

“Oh, she’s got the right idea,” JJ said as she sat close to you on the bed. She carefully moved a strand of hair from your face.

Prentiss laughed. “All we need now is some good music, a dance floor, and some drinks.”

The room filled with a few laughs and overall agreement.

“Too bad you all aren’t even supposed to be here,” Hotch said, slightly scolding the team. “It’s probably time for you all to call it a night.”

“Aw, Hotch, just a few minutes?” Garcia asked.

“We’ll be quiet!” Reid said.

Everyone looked at Hotch expectantly. You looked around at your teammates. They all were begging for a couple more minutes with you. That alone allowed your pain to subside.

Hotch sighed. “Just a couple more minutes.” A small smile formed on his face.

Everyone crowded around the bed, content murmurs and chatter filling the room again.

“Now be honest, guys. How bad do I look?” You shot them all a cheesy smile to sell it.

A few of them chuckled at your antics.

“I think you’ll be back to dating in no time,” Prentiss joked. “Guys love a badass scar.”

“Yeah, ’cause she was dating before,” JJ teased as she played with your hair.

“Shut up!” you giggled, coughing a little.

“I’ll get you water.” Hotch shot up and walked off.

“I’ll go with him,” Rossi said, sighing.

A seriousness enveloped the room. Derek was the first to speak up. “You know, you really scared us today, kiddo. Not to get all big brother on you, but it was tough seeing Hotch carrying you like that. Just limp.”

“And imagine how Hotch must have felt,” Reid said.

You looked up at him. “What do you mean?”

Just then Hotch and Rossi returned with your water.

“Drink,” he said, his arm outstretched. You grabbed the water from him, your fingers overlapping his. The memory of his hands shot through your spine. His frantic begging for you to stay with him, much more panicked than you remembered the phrase.

Imagine how Hotch must have felt.

“It’s getting late,” Rossi said.

The rest of the team grumbled and said their goodbyes. Hotch allowed the rest of the team to go, lingering in the room with you.

“If you need me to stay, I’d be happy to do so.”

“You need sleep, sir.”

“I’ll sleep on the plane,” he said as if it was nothing to him. “If you don’t think you’ll need me, I can let you be. We can be here early to pick you up.”

You thought for a moment. You didn’t want him to go, just in case. “Would you be willing to stay?”

“It’s why I offered.”

You felt your lip begin to tremble, the brave face for the rest of the team beginning to fade. “Hotch?”

“What can I do?”

“Well, I just… Can I use your phone? I think my mom should know I’m alright.”

“Of course.” He handed you his phone. “I’ll wait right outside for you.”

When the phone call was finished, Hotch returned and sat down in the chair.

“If you’re going to stay, I at least want you comfortable,” you said.

“The chair is fine,” Hotch said, taking his coat off for the first time today. “Get some sleep.”

You scooted to the side of your bed. “Here. At least sit up here where there’s some cushion.”

He didn’t respond right away. You knew you could convince him.

“I promise I’ll sleep,” you continued. “I’d be up worrying about your discomfort otherwise.”

Hotch sighed and stood up. “Only because I want you to sleep.”

He sat in the space you made for him at your feet. He stretched his legs alongside yours and rested his back against the footboard of the hospital bed.

You couldn’t help but smile to yourself as you curled up on your side. The comfort in knowing that he was there to take care of you was enough to send you off to sleep in minutes.

“Goodnight, Hotch.”

“Goodnight.”

------

You woke up to something you had never seen before. Hotch was asleep at the foot of your bed, resting his head against your shins. A hand was placed just below your knee as if he planned to protect you in his sleep. It was the most peaceful you had ever seen him. He didn’t look cross or serious. He was calm and relaxed. You smiled to yourself. You had to fight the urge to return his touch. You knew the moment he woke up he’d return to his professional senses, and you weren’t quite ready for this moment to be over.

The doctor walked in to check on you, stirring him awake, anyway.

“I’m clearing you. Take these twice a day. Your jaw is going to be sore for a couple weeks, so work up to crunchy and chewy foods. And please, no strenuous activity for at least a full week.”

“Yes, ma’am,” you said, taking the bottle of pills.

“Thank you,” Hotch said. He stood up from your bed as the doctor left. He threw his jacket on and fixed his hair in the window’s reflection.

You sat up and swung your legs off the bed. Hotch spun around and met you at your side.

“How can I help?”

You chuckled. “I think I can stand on my own.”

His eyes shared signs of concern and disbelief. Still, he took a small step back and allowed you to gather your bearings. Standing on your own, you closed the small gap between you. You began to become painstakingly aware of your attire being only a hospital gown and rubber socks.

“You got it?” Hotch asked, his arms out like you were a baby taking your first steps.

“Mmhmm,” you said. “Are my clothes here?”

“Yes, let me grab them for you.” He rushed to the corner of the room where your clothes had been neatly folded, including his sweater. He handed them all to you, his hands brushing against yours. Your heart fluttered in your chest as he stood over you. You looked up at him. His eyes returned your gaze, though you weren’t able to read him. His chest rose and fell as if his breathing was slow and deliberate.

“I’m going to call the team,” Hotch said, his voice low. “Do you—do you need help with anything before I do?”

All you could do was shake your head no on instinct, your eyes not leaving his. He stayed still. His eyes scanned you like he was contemplating something. He backed up carefully and pulled his phone from his coat pocket.

“Wait,” you said.

He froze.

You felt your face redden as you worked up the courage to continue. “Could—could you untie the top for me? My shoulder—”

“You don’t have to explain,” he said softly as he inched forward again. “Turn around.”

You did as you were told. He brushed your hair over your shoulder and began to work on the knot. His calloused fingers feathered your skin. His warm breath betrayed you as chills ran down your spine. He untied the knot, allowing cool air to reach the back of your now-open gown. Hotch turned to leave.

“Be careful,” he said at the door. “If you need me, knock on the glass.”

You nodded.

He closed the door behind him, leaving you alone.

------

The drive from the hospital to the hotel rendered the air stale. Hotch had insisted on helping you out of the hospital and into the car. But he didn’t speak. He drove while you sat in the back seat. Every once in a while, you’d catch him checking on you in the rear-view mirror, only to direct his attention back to the road.

When you returned to the hotel, Hotch stopped you from leaving the car.

“I’ll grab your things. You stay here.”

“I can get my things just fine.”

“Your bag is heavy. Doctor’s orders. No strenuous activity. Stay here.”

You huffed and sat back in your seat as Hotch closed the door for you.

The plane ride was the same: silent. Hotch sat opposite you as if he refused to allow you to leave his sight. But he kept to himself all the same. The others rested or played their card games, but you stayed put, almost waiting for Hotch to make his next move. He didn’t speak the entire flight.

Upon your return, Hotch dismissed the rest of the team.

“Thank you for the hard work this weekend. Rest up, and I will see you all Monday.”

You all headed out to leave, but Hotch stopped you. “Let me take you home,” he said.

You sighed. “Is driving a strenuous task now?”

“It’s late, and I’m not asking,” he said, returning your attitude.

You followed him to his car. He carried both his and your bag and placed them in the backseat before joining you up front.

Again, not a word was spoken between the two of you. You felt your blood boiling beneath your skin. It was as if the trip never happened, as if the distance between you never closed. The babying was the worst of all. You were sure he was seeing you as the rest of the team did now, incapable, fragile, only a child.

Hotch walked you up to your apartment. He waited for you to open your door, placing your bag directly inside.

“Well,” you began, “I guess I’ll see you Monday.”

He stood in your doorway for a moment, something on his mind. “Are you sure you’re ok? Is there anything else you think you may need before I go?”

“Hotch, what is all this?”

“I don’t know what you mean.”

You tried to maintain your sanity, but the anger had bubbled into your throat. “All this, this, this coddling! You’re treating me like I’m fragile or, or useless!”

“Do I have to remind you that you were in the hospital this morning?” Hotch asked, aggravation coating his throat.

“I don’t need this from you, too, ok? The rest of them, I can take it, but you were different! I thought you were different.”

Hotch closed the door behind him and crossed his arms. “What are you talking about?”

“Have you not noticed that all of them treat me like I’m a child? Derek literally calls me kiddo, and the girls act like I’m some innocent girl fresh out of high school. Reid and JJ are five years older than me. That’s it! Rossi, forget it. I’m like a grandchild to him at this point. But you, you never belittled me. So, what is this? Did I fail you? I’d rather you just tell me than refuse to speak to me.”

“I – you didn’t fail me. How could you think that?”

“You couldn’t even look at me after the hospital.”

Hotch’s face turned a light shade of pink, his eyes leaving yours for only a moment. “We were successful because of you. But you got hurt. I just want to make sure you’re ok. That’s all.”

You thought for a moment, still not satisfied with his answer. “Then why didn’t you talk to me? I thought we were—I thought maybe there was something—”

“Please,” Hotch interrupted, “don’t say anything you might regret.” He took a step back.

“Are you saying I’m imagining this? That I imagined this morning?”

“No, no, no. We’re not doing this.”

“The coffee, the book put away neatly,”

“I would do that for anyone.”

“What about when you stormed out yesterday? When we were going over the file on your bed.” Your voice started to shake.

“That’s when I—I realized we had to use you.” He looked down, almost ashamed.

Your heart pounded in your chest, fear that you’ve outed yourself and maybe you were more delusional than you thought.

“This morning…” you said.

“You asked for my help, and I helped you. Just like I’m happy to do for you now if you need. Look, it’s late, and you’ve gone through a lot.”

“Then what did Reid mean?”

Hotch looked back up at you. He looked nervous, something you may have never seen in his eyes before. “What do you mean?”

“He said imagine how you must have felt when you found me. What did he mean by that if it doesn’t mean you care about me?”

“Of course, I care about you!” he exclaimed, moving closer to you. “I almost lost you! And when I found you, I thought you were gone. You were lifeless. So, forgive me for wanting to be careful with you, because I refuse to let that happen again. I refuse to lose you again.”

You looked at him in shock.

He sighed. “I shouldn’t have said any of this. Listen, the only reason you’re feeling anything for me is because it’s me you woke up to. Nothing more. If Reid or Morgan found you, the same thing would happen with them.”

“Do not chalk this up to some damsel in distress situation,” you said a little too boldly. “The whole team knows I have a thing for you.”

Now Hotch was in shock. He shook his head. “It’s not me you want.”

“You don’t know what I want.”

“I know you’re desperate for romance in your life because you either don’t make time for it in real life or were burned so bad in the past, that you gave it up entirely.”

“Hotch, don’t you dare profile me right now.”

“I know you have a rocky relationship with men in general, rooted in your relationship with your father.”

“Stop it, now.”

“You refuse to associate with him in any way. You don’t even allow us to call you by your last name. He views you differently from your sisters for some reason, and you hate him for it.”

“Hotch, I swear to god—”

“You mocked him for giving good advice, and you flinched when I brought up getting beers with him. He’s an alcoholic, isn’t he?”

“So, what, honestly? Literally who cares if he drinks? He gets mean, so what? What gives you the right to tell me what I can and cannot have?”

“But he’s not just mean, is he?”

The air in your lungs got caught in your throat.

“That’s it, isn’t it? That’s how he treats you differently.”

“That’s enough,” you said, your voice cold.

Hotch stepped closer, grabbing your shoulders with both hands. You shuddered in his grasp. “You don’t want me, ok? I can’t fix what you’ve gone through. I can’t even protect you at work. Do you know the guilt I feel for what happened to you? I’m the one who got you hurt. And now I have to live with that. What makes you think that I can be what you need if I can’t even keep you safe here?”

You closed what little space was left between you. You looked up at him, your face only inches from his. “Stop telling me what I want. I’m an adult. I can make my own choices. You’re not going to push me away like this.”

Hotch’s breath hitched in his throat. His chest heaved up and down, and his eyes darkened. “This is wrong. I’m your superior. This isn’t appropriate.”

“If you truly don’t want me, I’ll stop. We’ll go back to how things were. But you have to say you don’t want me.”

His grip on your shoulders strengthened, his touch burning into your skin. His now wild eyes scanned you as if he couldn’t have fathomed this happening. A lump formed in your throat as you waited for him to find the words. Instead, he pulled you flush against him and pressed his lips against yours. His kiss was raw and desperate, rougher than your healing jaw could take, but you couldn’t care less. He wrapped his arms around your back and gripped your hair as if it was instinctual. Your breathing hitched, causing you to moan into his mouth.

He pulled away, slightly out of breath. “I need you to tell me this is ok.”

“This is ok,” you said, breathless.

“Good,” Hotch said, “because I don’t want to stop.”

A smirk formed on your face. You grabbed a hold of his tie and pulled him closer to you. “Then I think you need to take this off.”

You dropped the tie and kissed him as he took his coat off. Your mouth wandered to his jaw. Hotch let out a groan.

“Your room. Now.”

His words sent chills down your spine. You took his hand and led him to your room. You turned around and watched Hotch remove his tie, sliding it through his collar. His eyes stayed on yours, his already dark eyes now almost black with desire. The moment his tie came off, he was back on you, kissing you like his life depended on it. His hands wandered to your ass and lifted you up, his lips never leaving your skin. You wrapped your legs around him as he carried you to your bed.

Hotch laid you down, now hovering over you. His lips drifted from yours down to your neck.

“Seeing you in this had me thinking horrible things,” Hotch confessed, slightly pulling on the quarter zip you were still wearing.

You blushed. “Really?” you asked, a smug smile growing on your face. “Is that why you were avoiding me?”

“Was it really that obvious?” Hotch asked, his large hands finding their way under your shirt.

You couldn’t even answer as his hands ventured up to your chest. His hands pulled a moan from your mouth.

“Take this off,” Hotch said as he pulled the hem of your shirt.

“You, first.”

Hotch’s eyebrows raised as if surprised by your reply. He sat up and unbuttoned his shirt. You practically drooled at the sight of him shirtless. You could only assume he was fit when he rolled up his sleeves or manhandled unsubs, but this was all the confirmation you needed.

“Your turn,” he said.

You did as you were told, revealing yourself to him.

“God, you’re perfect,” he sighed as he kissed your chest.

You fought off a moan. You couldn’t believe this was happening. This was only something you pictured in your wildest dreams, and here he was in the flesh.

“I wanted this for so long,” you found yourself saying out loud.

“Me, too,” he agreed. “You have no idea how much I thought about this.”

Your cheeks flushed red. He began leaving marks past your breasts, down your stomach to the hem of your shorts.

“Can I take these off?” Hotch asked.

You nodded.

“Use your words, honey.”

Your stomach did a flip hearing the phrase. “Yes, sir. Take them off.”

He all but growled in response. He pulled at your shorts, taking them off in a swift motion.

“So much for no strenuous activities,” you joked.

“I can be gentle,” Hotch said as he settled in between your legs. “Let me take care of you.”

Your head fell back onto your pillow. You knew you were in for it.

Hotch spread your legs apart, the stretch enough for you to arch into his touch.

A smirk graced his lips, and without another word, he licked into your core. His mouth against you was like a gift from God, something you had only hoped could feel so good. You couldn’t help but squirm against him, grabbing his hair to pull him closer, if at all possible. He placed a hand on your stomach to keep you still. You could feel him smile against you, turning you on even more.

“Hotch,” you breathed out. You were close faster than you had ever been.

“Say my name,” he said as he placed a finger inside you.

“A-Aaron,” you choked out, the new sensation too much to handle. He filled you with another finger, his hitting the spot your fingers never could.

“Fuck, Aaron, don’t stop. Please.” Your breathing quickened, and as he pumped his fingers in and out, you felt the coil in your stomach snap, expletives and his name leaving your lips. Hotch continued to pump you as you rode your high, a daze overtaking you.

When you caught your breath, you pulled Hotch back up for a kiss, your hands finding their way to his belt.

Hotch’s hands stopped yours. You looked up at him, confused.

“Are you sure you want this?” He asked, genuine concern lacing his voice.

“I want this if you do. Do you?” you asked.

“I really do,” he said. “I need to feel you.”  

You couldn’t help but smile at his words. “Then please let me help you.”

He released your hands and kissed your forehead as you unbuckled his belt. The moment felt ironically wholesome until you pulled at his dress pants. You couldn’t help but gawk at his cock springing free. You were suddenly nervous, not quite sure it would fit after all this time practically revirginizing. If your jaw weren’t so sore, you’d have him in your mouth without a second thought.

“I’ll be gentle, I promise,” he said as if he could hear your thoughts. “I don’t want to hurt you.” Hotch hovered over you and kissed your lips softly. You returned the kiss and nodded.

Hotch lined himself up with your entrance and carefully pushed in. He and you both groaned at the sensation, the stretch of him filling you something you hadn’t experienced in years.

“Jesus Christ. You’re so, this isn’t your first time, is it?”

“No, no,” you said, slightly embarrassed. “It’s just been a while. Just, just go slow, ok?”

Hotch nodded and started to move. He rested his forehead on yours, sighs and pants escaping both of your lips.

“Can I kiss you?” Hotch asked.

You chuckled at his question. “We’re a little past that, aren’t we?”

Hotch smiled as he placed his lips on yours, much more tender than before. He moved a stray hair from your face and cupped your cheek with the utmost gentility. The urgency was gone, replaced by something deeper. Everything had culminated to this moment, and neither of you wanted to waste it.

Still, the need for more overtook you. “Aaron,” you said, your hips bucking up into his.

“What do you need? I need you to tell me.”

“Faster, please,” you said.

His pace quickened, one hand still around you. He used the other to stabilize himself, allowing you to view the tension in his muscles. You bit back a moan as the pressure inside you built.

“Don’t hold back,” Hotch said. “Let me hear you.”

He slammed into you, a smirk growing on his face as your breath caught in your throat.

“Just like that!” you blurted out.

He did just that, slamming into you again and again.

“Fuck. I don’t know how much longer I can last,” Hotch said, his voice almost shaking.

“I’m close, too. Please don’t stop,” you begged.

He pounded into you harder and faster, no longer a rhythm but a motive, a goal to achieve.

“Come for me, honey. I’ve got you. Just come for me.”

You clenched around him as you came, all but screaming his name. His pace didn’t let up as you rode your orgasm, your legs trembling around him.

“Oh, god. I’m gonna, where do I—”

“Chest!”

He pulled out and came on your chest, making the most attractive groans you had ever heard in your life. You watched in awe, absolute shock overtaking you. Never in your wildest dreams did you picture this. And for the love of god, you hoped this wasn’t the last time this happened.

Hotch crawled over you, still catching his breath, and captured your lips in a kiss.

“How are you feeling?” Hotch asked. “Is your head ok?”

“I’m good,” you said smiling at his return to his overprotective self. “I’m really good. I promise.”

Hotch rested his forehead on yours then kissed you, the tenderness returning.

“I like when you do that,” you said, your cheeks reddening.

“Me, too,” he said. “Come on. Let’s get you cleaned up.”

“You don’t have to help, if you don’t want to.”

“What, and miss showering with you?” Hotch smiled. “Just lead the way.”

In the shower, the two of you washed up, and you couldn’t knock the smile from your face if you tried, until you thought about showing up to work Monday morning.

“What are you thinking about?” Hotch asked.

“The team’s gonna know,” you said.

Hotch thought for a moment. “We’ll cross that bridge when we get there. For now, well, I wouldn’t have done it in this order, but would you like to join me for dinner tomorrow evening?”

You blushed, despite the state you were both in. “Are you asking me on a date?”

Hotch smiled. “I’m asking you on a date, yes. I have to be honest, though, I’m out of practice.”

“If tonight was you out of practice, I think tomorrow will go just fine.”

Hotch laughed and kissed you again, something you hoped would never fade in your memory.

************

ForeversTaglist:

@lizziedizzie3 @heavennleeee-blog @hunterswearingplaid @thisismysecrethappyplace @geekinator9 @ronnie248-blog @oliolioxiclean @phonegalhelp @because-you-never-know-when @roonyxx @keithseabrook27 @ericaprice2008 @heythereamigodude

[ratpoizonz]

ok!!!! my discoveries so far with the new spooky month episode!!!!!!!!!

first off, there's a qr code in one of the shots (i did what anyone presented with a mystery qr code would do and scanned it)

it leads to an imgur page with this image

there's quite a few things here, but mainly more stuff about bob, the cult, dexter, etc. my main point of interest is the three imgur links at the bottom, the fill-in-the-blanks for an imgur page, the morse code, and the symbols page

the three imgur links lead to these images (in order from left to right)

i'm not sure what the first image means or implies?? i think, for now at least, it might be a teaser for a future episode

i don't think there's anything super deep or lore heavy going on with the second one, just jack, patty, john, and the aftermath of moloch's destruction

now the third image is what interests me the most because ignacio has all these things (except for the image of john and his daughter, that's in the police car) in his house.

i don't think i could start to even try and unpack what the fuck the implication of something like this being in ignacio's house is. i think it's best to put a pin in this revelation for now.

moving on to the morse code, i translated it and it turns out as this???

this is the point where i'm at a dead end and i think this has to become more of a community effort, instead of just me. i KNOW this has to do with the symbols page and that what it translates to is to fill out the missing letters and numbers in the middle of the first image, but i honestly just can't understand it at all

any help with uncovering this is appreciated, genuinely!!

[libraryofgage]

Good Vibrations Four

One | Two | Three

It has been a hot minute since I updated Good Vibrations hfjdksl thanks everyone for being patient with me, I just couldn't get this part written the way I wanted to for the loooongest time

There's a meme at the very end for anyone who sticks around!

As always, if you see any typos, no you didn't ;P

------

Of all the ways for Eddie's free period to go, getting cornered in the boy's bathroom by Robin Buckley was pretty damn low on the list. It's not even Robin's presence in the boy's bathroom that's throwing him off; it's the way her arms are crossed and she's glaring at Eddie like he's just bragged about kicking her puppy down the street.

Eddie pauses just inside the stall, holding the door open as the toilet struggles to flush behind him. A few seconds pass before Eddie forces himself to walk over to the sinks and wash his hands. "Buckley," he says, "to what do I owe the pleasure?"

"We need to talk, Munson," Robin says, her eyes narrowing as Eddie shuts off the faucet, grabs a few paper towels, and dries his hands. "What's your game?"

"D&D, mostly," Eddie replies, dropping the paper towels in the trash and giving Robin his full attention. He notes, briefly, that she's locked the door to the bathroom, ensuring nobody is walking in on them.

"With Steve, asshole."

Oh.

Eddie pauses, shoves his hands into his pockets, and tilts his head at her. "Still not sure what you mean," he says. He's starting to get an inkling, though.

Robin frowns, seeming to argue with herself before shoving her hands into her hair to push it out of her face. She just leaves it even frizzier and messier as she takes a deep breath. "Do you think Steve is just, like, your entertainment of the week?" she asks, placing her hands on her hips as she levels that same glare from before at him.

"What? Shit, no, of course, not," Eddie says, sliding back a step at the implication. "What the fuck, Buckley?"

She grits her teeth, takes a deep breath, and marches up to Eddie. "Listen, Munson. I know you. I know all about your little Munson Doctrine. I agreed with it once. And because of that, I know you might be thinking of getting to know all about how former King Steve is a...a...a deaf idiot so you can tell the whole fucking world about it," she hisses. "And I'm here to cut that shit off before it even starts. So, if that's your angle, Munson, I suggest you waltz your flat ass out of Steve's life before I bury you in the football field."

There's a lot to unpack there, and Eddie is going to start opening suitcases soon, but first he can't help saying, "My ass isn't flat, Buckley." Robin raises an eyebrow at him and pointedly looks in the mirror. Eddie doesn't follow her gaze, deciding he'd like to spare himself that tragedy.

When she looks back, Eddie clears his throat. "Besides, that's not...that isn't what I'm doing."

"Then what are you doing?"

Eddie looks away, squirming slightly under her gaze. If this were anyone else, if this were someone who hadn't endured the most awkward seven minutes of his life with him, Eddie wouldn't admit a thing. But because it's Robin, because he knows she'll understand even if she doesn't agree, he finds himself blurting, "I think he's cute!"

"Oh? Oh! Oooohhhh."

He can see Robin going on a whole journey over the course of one word repeated three times, and Eddie almost immediately regrets admitting anything. "You can't tell him," Eddie says, moving forward without thinking and grabbing Robin's shoulders. "I'm serious, Buckley, you can't tell Steve."

She blinks, studying his expression for a moment before humming softly. "What do you want me to do? Lie? I tell Steve everything. He'll know if I'm not telling him something," she says.

"Just say it's not your secret to tell! Because it isn't! It very much is not your secret to be sharing around."

Robin huffs and shrugs Eddie's hands off her shoulders. She leans against the sink, head tilted. "So," she says, her tone implying they're changing the subject now, "when did this little crush of yours start?"

"What do you care?"

"If I'm going to help you, Munson, I need to know."

"You're gonna help me?"

Robin grins at him. "This is my entertainment of the week."

Eddie huffs and looks away, pacing a few times from one end of the bathroom to the other before finally stopping. "Okay," he says, more psyching himself up than anything else. "Steve has always been, you know, hot. It made me so fucking angry when I realized in sophomore year since he was a jock and all. But now...now he's...more. And I'm burning up, man, I've gotta know everything. What's his music collection look like? Do the kids know he's deaf? How does he interact with people when he can't hear them? Is he comfortable closing his eyes when he kisses? Does he feel everything more because he can't hear? Wou--"

"Okay, I'm stopping you there," Robin says, her face twisted in disgust as she levels a judgmental look at Eddie. "I don't want to hear your questions about Steve and kissing or whatever else your dirty little brain is thinking of."

"You asked."

"And now I'm telling you to stop," Robin replies. She runs her fingers through her hair again, frowning slightly. "Okay, I think the most important thing here is etiquette."

"Etiquette? What, am I too rough for Steve's delicate sensibilities?"

"Oh, I'm sorry, I thought you'd like to avoid offending him the way you did the last time you spoke."

Okay. Fair. Eddie grimaces at the reminder, the image of Steve's frown and the sound of his closed-off voice forcing themselves to the front of his mind. His shoulders slump and he nods. "Yeah, I would," he says.

Robin nods once, pushes herself off the sink, and places her hands on her hips. "Let's start with some basics," she says, taking a deep breath, and Eddie finds himself wondering if he's about to get overwhelmed by these basics. "Don't talk when Steve isn't looking at you. Don't have anything in or covering your mouth when you speak. Talk a little slower and make sure you enunciate, but if you talk slow like Steve is stupid, I will punch you. If Steve asks you to repeat something, repeat it word-for-word, no matter how many times he asks. If someone addresses Steve and he doesn't notice, give him a subtle nudge. Never sneak up on Steve when he's alone. Even if it means more walking or whatever, move to a spot where he'll notice you approaching. Be expressive when you speak. Steve can't hear things like tone, so he doesn't always know when something is a joke or sarcastic. And never, ever, call Steve or anything about him bullshit."

"That last one...," Eddie says, trailing off as he frowns slightly.

"Is the most important. I'm serious, Munson."

"Okay," Eddie says, nodding once and figuring he'll leave it at that.

"Oh, and ask Steve to teach you sign language. It'll give you an excuse to see each other more often."

-----

Robin has been acting weird since she started her shift, and Steve barely manages to wait until he's 95% sure the store is empty to turn around and ask, "What's wrong?"

Her hands falter, nearly dropping the tape she's busy rewinding. She catches herself, though, and looks at Steve. "What do you mean?"

"You're not telling me something. You tell me everything. What's wrong?"

She hesitates, looking away and biting her bottom lip before sighing and looking back. "I learned a secret today, so it's not mine to tell."

"Oh," Steve says, his shoulders relaxing some. "I thought you were hiding something actually important from me."

He doesn't hear her scoff, but he sees the way her head jerks and her eyes roll when she does. "Why would I bother hiding anything from you, dingus?"

Before Steve can answer, Robin stiffens slightly as she looks over Steve's shoulder. He braces himself for the customer interaction he's about to endure, slaps on a fake smile, and turns around. "Welcome to Family Video. How ca--Eddie?" His smile softens into something genuine at seeing Eddie on the other side of the counter. "Hey, man, what's up?"

Eddie flashes a smile in return, glancing at Robin over Steve's shoulder before focusing back on him. "Hey. Just, uh, kinda had a favor to ask you," he says.

Several possibilities run through Steve's mind, all of them related to the kids, since he can't think of any other reason for Eddie to need a favor from him. "Oh," Steve says, frowning slightly in confusion. "What's the favor."

Instead of answering right away, Eddie shifts awkwardly. He looks away, tugging on a few strands of his hair like he's nervous. He starts to use them to cover his mouth, making Steve dread his inevitable request for Eddie to repeat himself, when he stops. Eddie literally freezes, his fingers twitching before he drops the strands of hair and places his hands on the counter like he needs to keep them in sight.

He takes a deep breath, and Steve is starting to get really concerned now. "Hey, Eddie, whatever it is, just ask. I won't get, like, angry or anything," he says, hoping that makes things easier.

"No, I know you won't," Eddie says, huffing softly before nodding once, more to himself than anything else. "I was, uh, thinking. I read once that sign language is, like, a thing. So, if you teach me some sign language, I'll write you a song that's all noise and vibrations."

Steve doesn't get it all at first, concentrating on Eddie's mouth and getting distracted halfway through by the thought of dragging his thumb across Eddie's bottom lip. "Could you repeat that?" he asks, steeling himself to actually pay attention this time.

Eddie doesn't complain. He just nods and repeats himself. Steve got more of it, enough to know what Eddie is asking for, but he finds himself pausing when he meets Eddie's eyes again. There's no annoyance or frustration at being asked to repeat himself. All Steve can see is patience and nervousness. Without thinking, he asks again, "Sorry, one more time please?"

And Eddie says everything again. He repeats himself word-for-word, still lacking any negative reaction to saying the same thing three times. Steve feels something warm settle behind his ribs, and he nervously licks his lips, catching the way Eddie glances down to follow the motion. He shoves his hands into his pockets, balling them into fists so he doesn't do something stupid like grab Eddie's hand. "One more time," Steve says, the words feeling breathy and soft as they brush past his lips, and he hopes he wasn't too quiet.

Eddie blinks, tilting his head slightly and glancing over Steve's shoulder again. Steve hasn't forgotten about Robin being behind him, but he figures he can just play it off as fucking with Eddie at this point. Eddie doesn't complain or ask if Steve is serious, though. He just...repeats himself, and Steve suddenly knows that Eddie would keep repeating himself until Steve got tired of asking.

"Thanks," Steve says, deciding to spare them both from continuing the loop. "I got it that time. What do you want to learn sign for?"

"A D&D campaign. Thinking of using it in the plot."

"Oh. Uh, yeah, I could teach you. Are you doing anything on Sunday?"

"Nope. Totally free. Nothing planned at all."

Steve can't help a slight grin, and he tells himself it's just because he's excited by the prospect of Eddie writing a whole song catered to how he experiences music. "Cool. Come by my place around noon."

Eddie nods once, exhaling like he's forgotten to breathe the entire time they were talking. His hands tap against the counter, drawing Steve's attention downward, and he suddenly wonders what Eddie's rings feel like. Steve forces himself to look back up before that thought can go too far.

"Will do," Eddie says once Steve is looking at him again. He flashes a smile and adds, "See you then, sweetheart."

With that, he turns on his heel and leaves, waving over his shoulder like Steve isn't trying to figure out if he read his words correctly. He watches Eddie leave, waiting for the door to close behind him before whirling around to find Robin still rewinding tapes like nothing happened. "Did he call me sweetheart?" Steve asks, needing to know if he's misunderstanding.

Robin looks up, eyebrows raised. "Don't know, dingus. I wasn't listening."

Steve barks out a laugh. "You're always listening," he points out.

She grins at him, her expression screaming trouble and that she knows something he doesn't. "Well, not that time," she replies, her grin widening as she adds, "But if I was, I'd say he did, yeah."

"He did," Steve murmurs, looking away from Robin and letting her confirmation sink in.

----------

Tag List (the tag list is completely filled up! There definitely wasn't enough room for everyone who requested a tag orz

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The meme for those who stuck around:

[delightfullyquirkydoodles]

Okay, buckle up, friends and neighbours, because it's time for:

THE DOOPLISS DISSERTATION

(Obviously, you should take all of this with a HUGE chunk of salt, since I'm not only an internet-poisoned fandom blogger, but also a former English major with a penchant for over-reading.

Still, I spent a long time writing this, so I'd appreciate it if you gave it a read.)

So before we talk about Doopliss himself, I feel like we should talk about Creepy Steeple, since a lot of the topics I'm going to be touching on relate to the actual building.

Neither the original Gamecube version nor the Switch remake really bothers to explain what Creepy Steeple actually is.

None of Goombella's tattles say anything about the building's intended purpose. The name vaguely implies that it's a church of some kind -- in Japanese, it's called Odoron Jiin, or "Astonishing Temple" -- but that's still not very helpful.

Still, for the purposes of this analysis, I'm going to assume that it's meant to be a church.

This brings me to the Steeple's stained glass window, which shows a scary-looking Doopliss standing over some piranha plants.

From a design standpoint, I'm guessing that this detail was added to give the location a spooky vibe, but from an in-universe perspective, the implications are wild.

Like, who designed this? How long ago? And why? What the heck is it supposed to represent?

Unsurprisingly, the game offers no real answers, but I have a couple of theories.

The first is that the people of Twilight Town (or their ancestors, or something) created the window in Doopliss's honor.

Stained glass windows often depict saints or angels, so maybe the Twilighters used to worship him? Like, maybe Creepy Steeple was once dedicated to him and then, for whatever reason, the worshippers decided to leave?

It's not super likely, but I didn't want to rule out any possibilities. This is a weird freaking temple. Literally anything is possible, as far as I'm concerned.

My second theory is that Doopliss designed the window himself. He seems like a guy with a lot of spare time, so it's not too much of a stretch to say that he came up with the idea and then spent weeks building it by hand.

He could have also bullied the Boos into constructing it for him. I dunno. I just have this mental image of him pulling pranks on them and generally being a nuisance until they caved.

The bottom line is someone wanted to Doopliss's face to be front and center. And if that someone is Doopliss himself, then hoo boy, there is a lot to unpack here.

Maybe I'm projecting, but it feels like Doopliss is wrestling with some major self-esteem issues.

Despite being an incredibly powerful shapeshifter who somehow cursed an entire town, he seems very childish. He spends all his time watching TV and coming up with new jokes. He throws tantrums when he loses. He wears a party hat, of all things.

Based on that, I'd say that he's probably starved for attention. He's probably pretty lonely living in Creepy Steeple all by himself (doubly so if my theory about the Twilighters is correct).

I'd even go so far as to say that his scheme to turn the Twilighters into pigs is motivated by this need for attention. I mean, what better way to get people to notice you than to cause a town-wide panic?

I feel like the disguises he uses over the course of the main story also support this theory.

Though Mario, Zip Toad and Professor Frankly are quite different from one another, they all have one important thing in common: they're famous. Mario's a world-renowned adventurer, Zip Toad is a well-known actor and Frankly is a tenured professor whose students love him.

Doopliss even alludes to this after stealing Mario's body, telling him, "You're so popular around here! I just love being you!"

By transforming into beloved figures, Doopliss can get the attention he craves.

I also think that this is why he joined the Shadow Sirens. Sure, Beldam abuses him almost as badly as she abused Vivian, but at least she notices him. That's better than nothing.

The most conclusive piece of textual evidence is found in the epilogue. In her letter to Mario, Goombella explains that Doopliss has joined Flurrie on-stage in her production of "Paper Mario".

Obviously his shapeshifting abilities make the play a lot more realistic, but why would he bother participating in it at all? This guy was a villain for most of the game. Why would he suddenly decide to join up with one of his enemies?

Because, as far as I can tell, he's not a villain. Just a guy who's sick of being ignored.

I dunno. Doopliss's motivations have never been super clear, but I feel like there's more to him than meets the eye.

If you have any thoughts or ideas of your own, feel free to comment. I'd love to hear your thoughts on this.

[itsmarsss]

Scandalous (Blitzø x Fem!Succubus!Reader x Stolas) [Helluva Boss] pt. 4 - Immediate Murder Professionals

How the mighty do fall. (Getting into a weird three-way situation with an imp and a succubus isn't exactly considered classy, Stolas)

Blitzø just might be stupid.

pt. 1 | pt. 2 | pt. 3 | pt. 4 | pt. 5 | 1st bonus | pt. 6 | pt. 7 | pt. 8 | pt. 9 | 2nd bonus

Word Count: 2,340

Warnings: eh, mentions of sex only i think. also stolas is newly separated so he's trying this new thing called flirting. yes i'm a firm believer that stolas is naturally so weirdly flirty he could make a succubus flustered no questions asked.

“...and then I yelled ‘sorry I fucked your husband’ and just kinda… left.” 

Everyone was gathered around the big table in the meeting room at I.M.P., per Blitzø’s request. Well, he didn’t request it, per se- it was something more along the lines of yelling “Anyone who’s not a whiny bitch follow me, I got something to show you” and everyone just sort of complying. 

He had been on and on in excruciating detail about how he’d up and stolen whatever it was he wanted to show you. He had yet to show you a thing.

“Oh wow. You are an idiot,” you state.

“And why is that, witch bitch?”

“You stole from a Goetia prince?”

“Yeah I did. And I looked sexy doing it.”

“What did you even wanna steal so bad?” Millie asks.

“Oh-ho-ho. You’re not even fuckin’ ready. None of you are even fucking ready.” He slams a big, heavy book on the desk. You inspect it, trying to figure out why he would go out of his way, in a borderline suicidal quest, to steal a book. Your eyes widen when you realize you know exactly what it is. 

“You stole from STOLAS?” He had to be fucking- wait. “Wait, you fucked Stolas?” 

“What how’d you know it was him?”

“It’s- it’s his Grimoire. That’s what this is isn’t it?”

“Yup. And with this,” he explains to the others, since apparently you already knew of it, “we’ll be able to go up to the living world and kill any human we’re paid to kill.”

“That- that’s- Blitzø this is insane. And I don’t mean good insane. I mean batshit crazy insane.”

“How do you even know what this is?”

“I- I used to see him a lot. You know. Ozzie stuff. They’re always in meetings. I didn’t- I’m really having trouble believing he acted like that-”

“What, like a needy bitch in heat?” Blitzø cuts you off.

You feel yourself get flustered at the implication, not managing to finish whatever you had been about to say. 

“Oh my fucking Satan, Blitz,” Loona lets out a groan, frustrated at what she was hearing, which is fair. It’s enough to prompt her to leave the room entirely, assumingly to her seat at the front desk. 

“Sir, you need to give this back.” Moxxie pushes the book across the table back to him.

“What? After everything I had to go through to get it? No way!”

“No, Mox is right. Stolas is nice, but he’s still, like, one of the most powerful demons down here, dude. And this is- this is next level doing him wrong. You didn’t just steal from him, you played with his feelings too. That’s so much worse.”

“Feelings? Come on! So we’re all ganging up on Blitzo now, are we?” You all cringed a bit whenever he used his own given name. It felt weird and just totally… wrong, considering how adamant he always was about correcting everyone else when it came to it, but, to be fair, he didn’t really seem to notice when he did it. He just happened to absentmindedly call himself that sometimes when he was feeling criticized, which… well, you weren’t sure if you wanted to unpack whatever that meant. He keeps on. “I’m sorry I worry about us having jobs and money to pay rent and food to feed ourselves!”

“Blitz that’s not-” Millie starts, but gets cut off by Loona, who walks back into the room. “Guys, there’s an… owl… guy… thing… looking for Blitz out there.”

Oh, shit.

“We’re gonna die,” Moxxie mutters under his breath, starting to chant it over and over again, eyes almost popping out of his head. Millie puts her arms around his shoulders and brings his head to her lap to try and calm him down, sending a death glare- much like yourself- towards Blitzø, who now looked like a deer in headlights, caught red-handed, apparently not expecting to be found that soon. 

“Uuuhhh, tell him I’m not here!”

“Already did, he said some weird shit about being able to smell you or whatever the fuck that was about. That guy’s a fucking freak.” Huh. Maybe Blitzø wasn’t lying.

“Uhhh fuck fuck fuck fuck, gotta think, gotta think,” Blitzø begins pacing in circles around the room.

“Well? What the fuck did you expect?”

“I didn’t think that far ahead, alright? Sue me.”

“Oh really? I could have sworn you had everything figured out!” 

His head shoots up and he points at you, completely ignoring your sarcasm. “You go talk to him!” 

“Me? This is your problem!”

“Our problem! You work here don’t you?”

“Blitz I swear to Satan.”

“Pleeeaaaase?” He tries making puppy eyes at you. It’s kind of bizarre, but not entirely useless. “You said you know him, he’ll probably be nicer to you. Maybe you can soften the blow. Ha. Blow.”

“If it doesn’t work I’m ratting you out and I’m not gonna feel bad about it.”

“Thank you thank you thank you, I’ll owe you one, now go!”

You let out a groan, making sure he hears it. You could not believe you were about to do this. Sure, let’s confront pissed-off demon royalty about something of theirs that you definitely have in your possession just in the next room. Nothing could possibly go wrong with that. “Can you tell him to go to your dad’s office, Loons?”

“Yeah whatever.”

You make your way out of the meeting room and into Blitzø’s office, which is… a sight to behold. There were horse drawings scattered everywhere around the room, figurines of Millie, Moxxie, and yourself on top of his desk (you didn’t even want to know), guns you knew definitely didn’t have their safety locks on just laying on various different surfaces. Yeah, it was all very on-brand. 

You sit down on his chair, getting barely a few seconds to prepare yourself for your talk with Stolas before he walks into the room.

Well, no, he doesn’t exactly walk in. He leans against the door frame, pulling a leg up and running a hand up it as he starts speaking, yet to take a look into the room. “For someone so remarkably sexy you are so hard to find, Bli- oh my!” He’s visibly startled when he finally makew eye contact with you, evidently having expected Blitzø to be the one in your place. Almost tripping over himself, he tries to pull himself together, fixing his posture and wiping non-existent dust off of his clothes as if to pretend he hadn’t just made a fool of himself. Stolas had always kept his composure around you whenever he went over to meet with Ozzie, so this behavior… it was definitely new. 

He clears his throat. “I’m sorry. I thought you were-”

You decide to save him the embarrassment. Or, well,  further embarrassment. “Your Highness! Hi.”

“Y/n.” He remembers your name. What, of course he remembers your name, dumbass! That’s completely normal. “You… Do you not work for Asmodeus anymore?”

“Not really. I’d been working there a long time. Wanted to try something new.”

“So you chose to work… here?” He motions around, and you couldn’t blame him. It didn’t look like the best place in Hell. And you supposed it did seem like an odd change in occupation. 

“We’re a work in progress.”

“Well, do you and Asmodeus still keep in touch? I recall you were quite good friends.”

“Yes! We still are. We still are. How have you been, uh, doing, your highness?” You ask, carefully. 

“Please, there is still no need to call me that.” Your interactions always went like this- you called him by his title, he insisted you call him by his name, and you always refused to. Strangely enough, you called him by his name when referring to him in conversation with Ozzie. 

But you don’t feel the need for all of that now. “Right, I’m sorry. Stolas.” 

“Well, I haven’t been doing quite so great, actually. I’m sure you’re aware why.”

You shut your eyes, taking a deep breath before opening them up again and forcing yourself to make eye contact with him, trying to stay collected. Play it cool. “I… might have an idea, yes.”

“You see, you have worked with Asmodeus for a long time. You’ve been around myself plenty, haven’t you, darling?”

Had he ever called you darling before? You’re positive he’s never, ever done that. 

Chill, dumbass! It’s just a fancy people thing. No big deal. “Yes.”

“Yes, so you know how crucial my Grimoire is for my purpose in the Ars Goetia, don’t you?” He speaks to you in an almost condescending manner. You almost feel insulted. Did his voice always sound like that?

“Yes.”

“Perfect. So I suppose you understand why I would be very upset when I came to find out your friend, Blitzy, stole such a sacred artifact from me.”

“I understand.”

“My Grimoire contains spells that are meant for mine and, in the future, my daughter’s use only, and it would simply be a scandal if it fell into the hands of itty bitty imps such as yourselves.” Okay, he was definitely being condescending now. Why was it kind of hot? It was definitely hot. 

What the fuck.

“Uhhhhh-”

“It makes things so much worse that he simply hurt my feelings! After a night of such passionate fornication, you could only imagine my surprise when I came to find out the book had been missing! Had I not known better I would have sworn it had been deceiving work of someone like yourself.”

“Like myself?”

“You are a succubus, aren’t you, dear?” He tilts his head to the side as if what he meant had been obvious. And it probably had- you’d just read too much into it. Was what Blitzø had told you about what happened getting to your head or something?

“Ooookay. Uh. I’m really- I’m really sorry about… all of that. Uh. Wow. Uh that really is a lot huh? I’m just gonna… I’m just gonna go call Blitz now and you guys can talk it out maybe. That fine for you? Fantastic. Good talk, Stolas!”

You slip past him and out of the office, catching your breath before going back into the meeting room to call Blitzø and let him handle the situation. What the actual fuck was that?

[. . .]

“So?” Millie questions Blitzø as he enters the meeting room again after a good half hour. Everyone follows, looking at him expectantly. 

He pauses, for dramatic effect. “Guess who just founded the first human-killing business in Hell?”

“What?” You ask, incredulous.

“I’m sorry sir are you saying the Prince is letting us use his spell book?”

“You heard it, Mox.”

“H-how?”

“Well I’m gonna have to dick him down every full moon but I guess that’s a good trade.”

The room goes silent. 

Moxie breaks the silence first. “Uhh, what?”

“What?”

“What’s that about the full moon?”

“Oh well. Well, apparently I’m a fantastic fucking lay, just unforgettable. So all I gotta do to have the book is give it back to him every full moon and then fuck him into oblivion and we’re good to go.”

“And you’re sure you’re fine with that?” You ask him, carefully. 

“Well yeah? It’s fucking great! We get the book AND I get to fuck a Prince into submission every once in a while? Couldn’t be better.”

You’re not that sure about it, but what was the point in arguing with him? You shrug. “If you say so.”

“And he’s just… fine with that?” Moxxie questions, not buying it.

“What, you think I’d lie?”

“Yeah,” everyone replies, without hesitation.

“Well I’m not!”

“Well shit. Your dick must be good.” Well, that wasn’t supposed to come out.

He grins. “Ya wanna find out?”

You stare at him, unamused, for a second, locking eyes with Moxxie soon after. 

“You deserved that,” Moxxie points out.

“Yeah I regretted it as soon I said it.”

“You really should have seen it coming,” Blitzø himself adds.He grabs the Grimoire, bringing everyone’s attention to it. “So. Aren’t y’all curious? I know I wanna know what the human realm is like.”

“It’s really not that different from here,” you tell him.

“Oh yeah, I forget you’ve been there before. What do you guys even do there?”

“Uuuhhh.”

“They fuck people to death, Mills, ain’t that cool?”

“Oh shut up you know that hardly ever happens anymore.”

“But’cha could.”

You sigh, knowing he just wanted to hear that he was right. You give him a little smile. “But I could.” 

“Hell yeah!” It was always weirdly nice that he thought that part of what you were was cool rather than being disgusted by it.  “Should we go take a look?”

“How’d ya even work this thing?” Millie asks, examining the book in Blitzø’s hands.

“Fuck if I know.”

“You didn’t ask him?” Loona asks.

“Not really.”

“I’m not even-” she rolls her eyes. “Gimme that” Snatching the book from him and going through the pages for a bit, she stops in a particular one, attempting a few times to read some words from it. Fair enough, a portal leading… somewhere… appears. You’d have to put a pin on that for later and ask her how she knew what to do, but right now everyone was too excited.

“Let’s go fuck some humans to death!” Blitzø exclaims.

“No.” You say sternly.

“Let’s go fuck some humans?” He tries again.

“Sir! No!” Moxxie yells, disgusted.

“Let’s go kill some humans!”

“Hell yeah!” Millie finally agrees,

“Yeah! Wait why am I even listening to you guys, I’m the boss here!” 

“Sure thing Blitz.” You assure him, getting your foot through the portal. “You coming?”

Blitzø turns around. “Looney? You’re not killing anyone there. Got it? It’s too dangerous.”

“But that’s no fun!”

“Looney.”

“Fine.”

“Let’s go kill some humans then!” He shoves you into the portal, jumping through right after you. Jackass.

A/N: i did a lot of things different than i said id do lmao and i toned down the flirting from stolas to leave it for a different chapter hope this is fun it aint gonna be fun for v long luv yall

[nadas-dirthalen]

I Saw Solas's Origin in an Achievement Icon and It Opened My Eyes on 15 Years of Lore

— PART TWO: if you haven't read previous parts, do it now! —

[ 1 ] [ 3 ] [ 4 ] [ 5 ] [ 6 ] [ 7 ] [ 8 ] [ 9 ] [ 10 ]

Welcome, friends and travelers! I wanted to get some thoughts recorded before Veilguard's release so I could see if I am right about an absolute BOATLOAD of theories I have.

In short: I saw the achievement list when it was released. I have seen the backstory hints for Solas included in said list. AND MY MIND WAS BLOWN.

You have been warned: THIS COLLECTION OF THEORIES INCLUDES SPOILERS FOR EVERY DRAGON AGE GAME AND ALL PROMOTIONAL MATERIAL UP TO AND INCLUDING OCTOBER 18, 2024.

Come sit down with me. Make a nice cup of tea (and hide it from Solas). We've got a lot of unpacking to do.

(this photo isn't the spoiler, I just like it.)

Today's Docket: (Almost) Every Hint the Elvhen Language Gave Us Along the Way

Today we will be reviewing:

The Lullaby from the Deep Roads in Trespasser

Elven phrase: Ar dirthan'as ir elgara, ma sula e'var vhenan.

Lullaby: "Suledin (Endure)"

A breakdown of the word Suledin

Lullaby: "Where Willows Wail"

Song: "I Am the One"

Decoding the word (Indecipherable) from the Temple of Solasan

The Lullaby from the Deep Roads in Trespasser

I wish I'd posted here this summer, but finding this lullaby during a Trespasser replay and actually going out of my way to translate it was the first inkling I had that Solas might be Titan-wrought.

We know that Mythal mined Titans. But this lullaby is the first concrete indication that I had that she made Solas from lyrium, too.

For our purposes, I am not pasting the incorrect translation given by the codex. Just the elvish.

Ir sa tel'nal, Mythal las ma theneras. Ir san'a emma. Him solas evanuris. Da'durgen'lin, Banal malas elgara. Bellanaris, bellanaris.

It took me a long time to translate, and there are some parts I'm not even sure that I have correct. But they came together for me once I saw Solas's achievement icon, and I will explain some of the new pieces later on in this post.

Since the dwarven word for lyrium is Isana, I am making the guess that Ir san'a translates the same way.

I am one, not [nal] [anymore] Mythal gives me dreams Lyrium within Becomes Solas evanuris Little stone boy Never grants me elgara (the Domain, the Titan—more on that soon) Forever, forever

Da'durgen'lin has been ringing in my mind for months. Plural months. Seeing the achievement icon, that was the first word that came to me. Mythal's da'durgen'lin — her little stone boy.

He was once a part of more than one, and now is alone. Just one. Mythal gave him dreams—dreams that called him. He became Solas, evanuris. Little stone boy.

And now, he will never be of elgara, a spirit of the Titan, ever ever again.

Forever, forever.

"Ar dirthan'as ir elgara, ma sula e'var vhenan" — What does e'var mean, and what in the world does it have to do with Sera?

Second big "Solas might be Titan-related???" thought this summer: hearing Vows & Vengeance episode 1 and hearing a phrase that had eaten my brain since I first heard it used. Ar dirthan'as ir elgara, ma sula e'var vhenan. Something Solas says, a little flippantly, to Sera—and something he sighs at, when she does not understand it.

But in V&V, when he says it to the Eye of Kethisca, its lyrium song... quiets.

So what does it mean? Well, some of the words had poked at me for a while. But with the achievement icon, I believe I understand them, when I think about their Titan implications.

Ar dirthan'as ir elgara, ma sula e'var vhenan.

Ar: The elvish page on the DA wiki says this is the word for "I" or "me." We're sticking with that.

dirthan'as: This one gave me pause. We know dirth as "knowledge" or "wisdom," but also as "tell" or "speak." To understand it, I looked at the suffixes, the TWO suffixes. The "--an" suffix we recognize mostly from place names (vir abelasan, Solasan). But the "--as" suffix? I recognize i from "vhenas:" "home". So for this one, I am taking "place-home" to mean "domain." Domain of wisdom.

ir: Wiki says "I am," and I'm sticking with that.

elgara: We know "elgar" is elvish for spirit. But why the extra A? It puzzled me, until I realized Solas's Titan connection. I think the extra A comes from lyrium spirit. (And from the previous song, I think elgara is referring to that connection back to the lyrium, Solas's place in the Titan's choir.)

ma sula: In Elvish, the placement of the "ma" determines the subject/object of the sentence. When you see "ma" before a verb, it means, "you do the verb." Since "sula" is likely "sing," this means, "you sing" — or, "sing to me."

e'var: THIS one blew my brain wide open. "Var," we know from the Wiki, is "our." But why the E? Well, think about "Our" in the context of a Titan. Who is our? This refers to the Many.

vhenan: Heart. We know that one.

Taken together?

Ar dirthanas ir elgara, ma sula e'var vhenan. I am a lyrium spirit of the [Titan/Domain] of Wisdom, sing to me in the song of All Our heart.

Think about Sera. Think about small painted boxes, and go watch one of the many theory videos equating Sera with Andruil. Think about why Solas might have been trying to speak to her with those words, in the same way he spoke to the Eye of Kethisca.

Then hope for a Sera cameo in Veilguard. Cross your fingers and light your candles with me.

"Suledin (Endure)"

This is another one of those ones where I won't be posting the (incorrect) translation. My translation here is spotty, with a lot of my guesses or unknowns going into [these brackets]. But even with many guesses, I think this says enough to let us know one thing: this is about Solas, and possibly even written by him.

Melava inan enansal ir su aravel tu elvaral u na emma abelas in elgar sa vir mana in tu setheneran din emma na lath sulevin lath araval ena arla ven tu vir mahvir melana ‘nehn enasal ir sa lethalin

Time was once a blessing I am a song-journey [with no way forward] Eternal are sorrows within In spirit, no longer "we" The land of waking dreams no longer exists Love is purpose Love is the journey of [joy/victory/blessing] A way out of the trap between [my speech and the Many] Time of singing again Triumph over loss, lyrium elvhen man

Ask me, one day, how all these mentions of Love might relate to Lucanis. To Spite. To the climax of Veilguard itself.

I hope I'm right.

A quick breakdown of the word Suledin...

It is very possible that it is, in fact, three words made into one. Sul • e • din.

Sul: possibly shortform for Sing

e: possibly referring to the Many, as in e'var

din: end, or the dead.

Suledin: Sing our dead. As in, go on living, remembering the lost. Go on being, breathing, and carrying the memory of the forgotten. Not strictly endure, but outlive.

Var lath vir suledin, then, might mean: our love will outlive this.

Crying yet?

(Banter source: Varric/Solas after the first memory in the Jaws of Hakkon DLC.)

Lullaby: "Where Willows Wail"

Tel’enara bellana bana’vhenadahl, Sethen’a ir san’shiral, mala tel’halani Ir sa’vir te’suledin var bana’vallaslin, Vora’nadas san banal’him emma abel revas. Ir tela’ena glandival, vir amin tel’hanin. Ir tela las ir Fen halam, vir am’tela’elvahen.

My translation:

Nothing is eternal, the tree of the People is forever [ruined/blighted] I walk the path here in the land of waking dreams, I give you no help I am [one of The All], [but I cannot endure because of] our [bad/ruined/blighted] vallaslin [Vora] inevitable [here] becomes nothing within the sorrow of freedom I am not [good/holy] [belief], the path the one of no glory. I did not give myself the name Wolf, we [are not called the elvahen.]

I'll let you cry with me. Solas is alone. He can't help you. He is stuck.

The tree of the People... might be the branches of the We. The lyrium, connecting him to the Titan. The blood of the We that makes up all that Solas is.

It is forever ruined. He is cut off. He is one of the All, but he has no ability to find strength in that pain, because of the vallaslin—the one he burned off his face, leaving a scar.

Y'know. The vallaslin in the shape of lyrium branches. The ones in the shape of his body. The ones that so many of us were wearing for 10 long years.

The sorrow of freedom.

Let that ring in your mind, as I have.

"I Am the One" — and now, we're beginning understand the Forgotten Ones, aren't we?

No translation needed. Let me bold what I want to focus on.

I feel sun Through the ashes in the sky. Where's the one Who'll guide us into the night? What's begun Is the war that will Force this divide. What's to come Is fire and the end of time. I am the one Who can recount What we've lost. I am the one Who will live on. I have run Through the fields Of pain and sighs. I have fought To see the other side. I am the one Who can recount What we've lost. I am the one Who will live on.

Solas is the one who can remember what was lost. Cool, elvhen empire, right?

But he says I have fought to see the other side. This song crops up in Origins. Why would it say that, when Solas hadn't actually physically been back to the Fade by then?

Because that's the wrong other side. The original other side was any life outside of his Titan.

The divide isn't between us and the Fade. It's between the Fade/Evanuris and the Titans of the real/waking world.

And with all Titans being forgotten, with them forgetting how to wake up... isn't it peculiar that Solas is the sole one who can remember?

What does it mean, then, that Solas is the one who will live on?

And was any of this why the elven version of this song was what they used for Solas ans Elio's chanting in Vows & Vengeance episode 1? Because something about that song prompted them to use it, even though the elvish is not BioWare canon because it was written by someone else.

For whatever reason, they wanted us to know Solas was singing these lyrics. That this was his message, when dealing with a lyrium orb.

Trust me, I'm still going. If "Titans = Forgotten Ones" isn't clicking yet, it will by the time I'm through with these posts.

The (Indecipherable) from the Temple of Solasan Codex tells us everything we need to know. But what does it mean?

This one's long, but I'll break down this codex bit by bit.

Faintly carved into the stone is a figurebound in chains. Two other figures haveturned their gaze from the central image.The script below the image is ancient,though Solas is able to provide a partialtranslation: Pride in our accomplishments and in our hearts. That same pride became (a word meaning corrupted or altered) within him, he sought to claim (indecipherable), cast from favor and so he was bound. Hidden from mortal eyes, death lies within.

Here goes.

Faintly carved into the stone is a figure bound in chains. Two other figures have turned their gaze from the central image.

I believe this means: two worlds that don't accept Solas as their own. Or, the "We" that turned away from him.

The script below the image is ancient,though Solas is able to provide a partialtranslation: Pride in our accomplishments and in our hearts

The use of our here is insane. Because I don't think it's our in the regular way, I think it's Our in the capitalized way. If I were to translate back to Elvish, I'd write it like: Solas in e'var enasalin la e'var vhenan.

I think it meant to say: the Titans harbored pride. Pride in themselves and the We; but Pride that turned their focus away from the We.

Ambition.

That same pride became (a word meaning corrupted or altered) within him,

That same pride was preyed upon and altered. By whom? Well, who filled him with dreams?

(This needs a LOT OF CONTEXT from the Blackened Hearts memory in DA:tv, Memory #3, before I can definitively say more!)

he sought to claim (indecipherable), cast from favor and so he was bound.

Ah, (indecipherable). He sought to claim a new life. He sought to claim love. He sought to claim independence. And the Stone struck him out of it. Separated him. Cut him off from the whole like a rotting limb. And so... he was bound, because he was untethered. Mythal bound him to her, and (probably) made his vallaslin in the shape of the body he'd just had. (Lemme cry about that a whole other time oh my god)

Hidden from mortal eyes, death lies within.

BECAUSE THE WORLD FORGOT THE TITANS.

The Titans are hidden from mortal eyes. The TItans are starting to exhibit their blighted selves with the emergence of red lyrium.

The Titans, perhaps, are doomed — unless Solas fixes them by tearing down the Veil? Unless the lyrium that grows in the Fade is also needed by the Titans in the waking world?

ANYWAY: if you're still here reading, thank you. Truly. I'm hoping Part 3 will come soon, but I truly don't know yet! Busy week, chronic pain, etc.

Next up: The Titans' Magic and Lyrium.

[majorproblems77]

Linked maze updated which means I'm back! :D

Hello Linked Maze fans! :D

Linked Maze returns with scent pt10, which means I am back to ramble about the small details in the comic because I enjoy it!

If you dont know what Linked Maze is, It's a links meet comic. About the links in a maze.... Self-explanatory really, but trust me it's amazing and I love it. It's great! But also for more mature audiences, so do take care and heed the creator's warnings before going in!

Importantly - Linked Maze and all the art belongs to @linked-maze and its artist @frulleboi, this chapter also had a guest artist, so the second page's art is done by @marenwithanm. And thanks again for the permission to do this! I really enjoy making them!

With that out of the way, My timer is set, grab some snacks and a drink of your choice! And lets get started! :D

We begin with the small bean

He looks so happy, okay, I love him

Aww four, just wanted his sword back. Also here to straight up appreciate the detail with the little ticktacktoe on the scabbard of his sword i love him dearly.

Wolfie looks both Done and worried at the same time.

Also, them discovering Sky's sailcloth! I'm so excited about this okay I want these two groups to find each other so bad.

Also, I was interested cause I dont think we've seen the sailcloth in the story yet. So it's fascinating that it's here. I blame Angel, she has shenanigans that I think work for this. Like imagine when we see Sky and he's like the fuck why do you have my sailcloth I've not seen it since I got here, type thing.

Wind taking charge as he should be.

There's a bunch to unpack here, so just give me a moment.

That's not Sky's sword.

That's Twilight's sword.

The wrappings on the blade and the markings we see on it later match Twilight's sword. (From the character reference sheets.)

Do you have any idea how excited I was when I saw this? Then saw Wolfie's face like

Why the fuck is that there?

I think this tells us two things.

Twilight/wolfie is now able to be armed. So he's got the capability to fight without the wolf form now. So he might transform soon!

Angel/ djævel are using the hero items to bring the groups together for some reason.

But now im considering the implications of having these specific items here. Like, Thats an item from a character from some of the major groups that we know off right now.

Twilight's sword(Twilight, wind) / Sky's sailcloth (Sky,wild,Time) / Four's sword (four, warrior)

Was the idea for them to find it, or for just one of the groups to find it so that they could find the others.

Something to think about.

Moving on!

Me too four... me too

Yes it does. He's sat about five feet from you

Look at his guilty face, he know's but he can't say and he's sad about it.

Warrior looks worried, you think he's thinking of war stuff right now?

A sword planted into the ground with an important item beside it... a sword who they dont know its owner. Its owner who to them could be dead?

Twilight is the only one who know's his sword after all.

Good call Mr. Captain Warrior sir!

Again with the sad wolfie ears, they give me life okay I love him.

Good on Wind for being the one to lead the charge, we need a good vibe like Wind to get us through the shenanigans that I'm sure are going to ensue.

Again Twilight is looking towards his sword. When you think he would be looking towards Wind at this point. But his eyes appear to be looking towards the markings on the sword.

I love his shocked face. He's like

I can't track myself...

Totally not me going to be using this reaction when someone asks me to do something.

Wolfie is the real MVP of this chapter let me tell you right now.

I love this lot they are wonderful

Yes, you look to your sword and think about what you've done.

Sniff sniff out the cinnamon roll wolfie, find him!

Oh man, this update was fun, I got so unbelievably excited about the sword like it's great to basically have a confirmation about something that's been rotating around in my brain since we saw it before.

Thanks again for listening to me ramble my way through another comic update! :D

And thank you again @linked-maze for letting me do this, i will be continuing them (as long as you let me:) ) cause this was so much fun!

Thats me done for this update tho, so I'll be headed out!

Have a great night! :D

[touringtanuki]

Holy FUCK that Upd8 was good.

Rose kept Yiffy a secret because she wanted to make Kanaya mad in 15 years? So that she could feel catharsis after her inevitable foreseen death? That is INSANE, and re-contextualizes everything. Though I wonder: Did her motive to make Kanaya hate her come before or after her inability to care about what's happening on this seemingly pointless timeline? Is this just her way of justifying her apathy regarding the actions she felt the need to take? At this point, I'd say that the Yiffy plotline is somehow almost fully acceptable.

Jade & Rose's conversation. Their dynamic is so interesting. Jade sitting there claiming that she wants to face her mistakes while trying to desperately hide them. Rose choosing to ignore everything that's gone wrong because she's too disconnected from this reality to fully care, while still having to fight the last hints of her feelings on the inside. Pretty similar to what another light player has been feeling for a long while.

And... oogh. That's not a good sign.

Awesome panel btw. I wonder, is it intentional that the dead Rose (whom Kanaya is supposed to despise) is the same color as rage?

Jane & Jake. Yeah. 'Nuff said. Raw, hype, whatever. You see what's in front of you.

Also. A lot to unpack here. That button has the crockertier insignia, serving as some further implication that her childhood mind control is part of her acting this way. And look at that picture. That's Tavvy wearing a red sweater. He normally wears a purple sweater. Thus implying that he wears the color of whichever guardian he's closest to… And that you can visibly see him growing apart from Jane with age… Also. The flash. Considering the 'we want to hit one of the funny numbers' and the 'this is unfortunately going to get delayed' I'm betting it was planned for 4/13 and may be pushed to 6/12. I was going to say 10/25, but then I realized how close that is. Man, does time fly.

P.S. I KNEW IT WOULD BE A 10/8 UPD8 FUCK YEAH I WAS RIGHT

[machiroads]

Don't look, i'm about to overthink this panel

Long post under the cut.

Notwithstanding that I can't figure out what's going on with Aizawa's legs here because he's twisted around or something—it's a good panel. Look at them, they're adorable. 11/10 no notes.

Actually that's not true I have so many notes.

Will someone also please get this man a blanket for god's sake

I'm going to unpack the implications here from two perspectives: Aizawa telling Eri he got hit by a truck, and Eri trying (and failing) to save Aizawa.

Tis But A Flesh Wound

Aizawa tells Eri he got hit by a truck, and a common interpretation I've seen of this is that nobody told her what happened to him. I don't necessarily think this is true, because:

A) She rewound Mirio the day before the raid

B) She was watching the fight on TV with All Might.

Canonically, she is at least tangentially aware of what happened. Aizawa also knows that she's at least somewhat aware of what happened, vis-a-vis excerpt A.

I've also seen the interpretation that Aizawa is trying to obfuscate the truth about his injuries from her (presumably because the quirk-deleting bullets were created from her blood), but again, she was watching the fight on TV.

The most rational (hah) explanation is that he's just back on his bullshit, lying to children for his own amusement.

which is. hysterical.

Anyways, onto item 2!

The Deus Ex Machina

As we saw above, Eri rewound Mirio the day before the raid. I am not a scholar of the BNHA timeline, but I did do some research while I was writing Nine Lives. My understanding is as follows:

The Shie Hassaikai raid is sometime in September

The Jaku raid is at the end of March

Mirio corroborates these two points when he arrives at Jaku, noting that he's been out of the game for about 6 months

Post-Jaku is where the timeline gets weird.

Tartarus is breached the night of the raid on Jaku and Gunga

Midoriya is brought back to UA about a month after that

The Star & Stripe fight happens the day after that

The day after that, All Might reveals they have at least a week to prepare for the final battle. Aoyama is revealed to be the traitor on the same day.

In summary, the final battle happens somewhere in the ballpark of a month and a half to two months after Jaku / Gunga.

With the timeline sort of squared away, let's move on to the interpretation I've seen some readers make, which is that Eri didn't have enough energy to rewind Aizawa. The translation of Ectoplasm's dialogue has varied between the original leaks, the fan scanlation, and the official release, leading to some ambiguity of interpretation here, but there are a few different reasons that this doesn't make any sense:

Based on the timeline outlined above, where Eri successfully sends Mirio back 6 months on the day before the raid, it doesn't really make sense that 0 to 2 months later, she couldn't hypothetically rewind Aizawa by 0 to 2 months after he loses his leg and eye. Eri's power is wishy washy at best, but this seems like it's entirely within the realm of plausibility if Aizawa wanted to be rewound.

From a storytelling standpoint, what's the point of rewinding Aizawa to de-nerf him for the final battle if him and Monoma are ultimately removed from the fight via Sad Man's Parade anyway?

My interpretation is that this doesn't actually have anything to do with Eri trying and failing to rewind Aizawa, but rather she's trying to go rescue Midoriya and help him the same way that she did during the Shie Hassaikai raid.

The inference Ectoplasm is making is that it's too late for that, because she's at home watching the fight on TV rather than already being on the battlefield. This was also the case at Jaku, where she was canonically watching the fight on TV with All Might. She must have seen Aizawa go down and wanted to go save him, but it was already too late for her to try to help.

There's an entire separate essay worth of discussion on why Aizawa continues to live with one leg and one eye (both from a canon and a meta perspective), but I won't get into that here.

In conclusion:

This panel is fucking adorable

Aizawa continues to lie to children for fun and profit

Eri is baby and is physically perfectly capable of controlling her power at this juncture, she's just geographically removed from the action because she's like seven years old

Thanks for coming to my TED Talk

[more-mara]

Take Me As I Am - Oscar Piastri/Lando Norris - 4.5k - E

COMPLETE

"I'm not going anywhere," Lando joked, leaning towards Oscar to whisper in his ear. Oscar couldn't help the chills that erupted all over his body at the closeness. 

"What do you mean?" Oscar asked, turning towards Lando, not realising how close their faces actually were. 

"You're gripping me like I'm your hostage, mate." He replied with a small laugh. 

Oscar let his hand slip from Landos waist, pulling away slightly. If Oscar knew any better, he would say that Lando almost looked disappointed, but that was a ridiculous thought. 

"Don't look so frightened, Osc, I'm only joking, you can touch me however you want," Lando said, and boy was there a lot to unpack from that sentence. 

Osc? 

Oscar could feel his heart rate increase at the nickname. Osc, no one ever called him Osc. Secondly, Oscar didn't even want to think about the implications behind Lando giving him permission to touch him however he wanted. Oscar just gave Lando a shy smile. 

Read on AO3!