#i'm just glad this will have season 2

[apparently-artless]

It's true. It didn't change anything. You heard all about me... and you were impressed? I've never gotten that reaction before. Yeah. It makes me happy, Hyouma-san.

Mononogatari Episode 6

[staying-elive]

I'm so sick of Sam being left out of What if...? (In general, and also to legitimise Peggy as cap)

Is it because they think that without Steve and the morning run meet-cute, that there's no way to recruit Sam? Be real. Ffs.

Because with the tiniest shred of imagination they could make it work.

Take Rhodey. In Iron Man 1 he's the Air Force liaison for research and development, right? He's got a background in aerospace engineering, right? So presumably he'd know about the EXO Falcon program, yeah?

So when a world crisis is underway and the good guys need a little back up, or even pararescue to help civilians, Rhodey could be the one to say 'I know a guy.. Let's call in some help'.

If these are all alternate timelines you could even bring in both Sam and Riley, cos maybe Riley never died and that's why Sam is still active and on-call. A bonus great opportunity to see more of Sam's history and wingman dynamic (which was important enough to make him quit when Riley was killed.)

Point is, if the show creators wanted to, they would.

[mikimeiko]

Our Flag Means Death Season 2 - one gif per episode (with the first gif from their first scene and the last gif from their last scene) | Izzy Hands

[rottmntrulesall]

This scene....

You can see the moment Fizz breaks and feels bad for Blitzo, realizing that he’s been hurting as well. The trauma is there but Fizz has worked passed it and living his life He’s realizing that this whole time Blitzo hasn’t and self hatred is consuming him.

The face Fizz made- "You actually wanted to see me"... his anger wasn't at getting burned... but at the thought he was "abandoned" by Blitz. It was a misunderstanding all along, and that's what kills him.

[redrocketpanda]

From the person who brought you unhinged JJK S2 fish discourse, please accept my humble new offering: me holding up images whilst screaming ferally at you: did ya see?! did ya see what they did with the colour symbolism in episode 4 and what it Means?! Well dw cause I'm here to serve you a heinously long meta-analysis regardless. This episode has completely undone me and I need to give you a blow by blow account of why

I want to go in depth about the final scene of e4 bc that's really what set the cogs whirring in my mind, but let's start with the following image bc it exemplifies everything, not just in terms of the colour symbolism but of the heartbreaking changing relationship of stsg

Throughout the previous episodes and opening/credits of S2 we have been made to associate the colour blue + lightness with Gojo and the colour red + darkness with Geto. The sparkling blue eyes and stark white hair of Gojo, his Limitless: Blue technique, the white fish, the way he is often shown standing/walking in the light, turned to face Geto versus the black hair + dark eyes of Geto, the black fish, shown standing/walking in the shadows, turned away from Gojo (etc etc)

Yet the final scene of e4 flips this on its head and what this Means is, quite frankly, soul destroying

We join Geto as he walks along a dark, narrow corridor flooded with red light until he reaches heavy doors. He's confronted with his own image, reflecting back at him, before using both hands to prise open the door. When he steps into the bright white light of a high-ceilinged room, his face falls as Gojo emerges like a messianic figure from the applauding crowd, carrying the shrouded corpse of Riko (side note: god I have a lot of thoughts on Gojo as a messianic figure but I'll save that for another time)

Gojo approaches Geto with his head bowed (whereas usually he is always looking up at Geto) and the moment Geto lays eyes on Gojo he knows something is wrong (similarly to Toji earlier in the episode). He barely seems to recognise Gojo and though Gojo's eyes still sparkle with their bright blue infinity, his expression is dull and lifeless. Geto asks disbelievingly in a way that stabs me right through the heart: "Satoru. Is that you?"

At the start of the conversation, the camera pans from Gojo on the left to Geto on the right and is shot from below in a way that emphasises the growing cavernous expanse between them

But it's what happens in the following moments that's really the killer

Gojo states that he fucked up and that everything that has happened is therefore his fault. Geto tells Gojo "let's head back" (I read this both as: let's head back home and as an indication that Geto wants things to go back to how they were). The camera then cuts to Gojo's mouth as he asks flatly - "Suguru, should we kill these guys?" - and then zooms out as he continues - "The way I feel right now, I doubt I'd feel anything about it." The camera zooms out, showing Gojo standing in front of the applauding crowd, holding Riko's body and continues to draw back, making Gojo seem as if he's getting further and further away from Geto, as well as from us, whilst his eyes glow ethereally

I want to do a separate post about what happens with Geto, Gojo + their relationship in episode 5 but I do also want to point out here: this is the scene that Geto experiences invasive flashbacks of in the following ep. It's the moment that he realizes that he's lost Gojo, that Gojo is now fundamentally different in a way that Geto doesn't recognise or understand, that Gojo is far beyond his reach

As Gojo walks past a motionless Geto, away from the light and into the darkness, we cut to Geto's downcast eyes, pupils dilating wildly as though he's in shock/about to cry (this harkens back to the fish, the way that Geto can no longer bear to look at the white fish as it swims past). We are then left with Geto standing in the bright blue-white light telling Gojo that there's "no point" in killing them, whilst Gojo replies in the darkened, red corridor "does there really need to be any point to it?"

Gojo is a broken man, a complete shell of who he once was and this scene demonstrates Gojo's transition as he turns away from Geto. The colour symbolism, though, is present throughout the earlier parts of the episode and beautifully illustrates how we arrive at this exact moment (as well lays the foundations for what comes next)

Let's return to our blue/red colour theory bc there's a lot going on here during this episode!

E4 starts on a banger: we're cruelly given a recap of Toji telling Geto that he killed Gojo and then within the space of about 7 minutes, Geto too has been killed. It's tragic and sad and none of us want to be reminded of it but I'm going to (srysrysry) because hey, check out what's going on. Notice the cool blue tint of Geto's "death" versus the vivid red of Gojo's? (a horrible eg I know but you should've heard my scream when I caught onto it)

And here's another cool example that had me ajdjsksjdk bc ofc I clocked Gojo using his red technique, but look at the blue glow around Geto's hand?! I don't recall seeing it being used for Geto before (correct me if I'm wrong) so it's interesting to see it being used here, plus us seeing Gojo using Red properly for the first time

Let's just pause here for a moment bc this is a hugely important moment for Gojo's character arc and the fight with Toji gives us an incredible colour theory moment

In the previous episodes, we've seen Gojo being able to easily use his Limitless Blue technique but remember how, in E2 Gojo tried to use Red and hilariously fucks it up announcing "I failed" and resorts to punching the bad guy instead? It isn't until this episode, after Gojo has used reverse cursed technique whilst on the verge of death to heal himself (idk if heal is the right word) that he is able to learn to use Cursed Technique Reversal: Red

We have this really beautiful animation sequence during Gojo's fight with Toji. A blue and a red droplet swirl around each other and then splash together to reveal a swirling rotation of blue and red rippling water. The colours converge, red droplet slipping into blue water, blue droplet into red. The droplets come together to form the shining purple infinity plucked between Gojo's fingers, granting him the "Hollow Purple" technique that allows him to blow a hole through Toji.

Gojo explains:

"Reverse cursed technique uses negative energy. While it can enhance the body, it can't regenerate it. Multiply that negative energy against itself to create positive energy... Take the amplified and the reversal, then smash together those two different expressions of infinity to create and push out imaginary mass."

Gojo + Geto, amplified + reversal = two different expressions of infinity -> create / push out

Toji "killing" Gojo was the moment that set Gojo on a different path, which allowed him to evolve beyond belief and causes him to ascend to, what he believes is, divinity. He takes the basics of Blue and Red (primary colours; Gojo and Geto) and mixes them together to create something new, something transcendent, something that surpasses who he (and Geto) were before. He becomes an unstoppable power that far surpasses everyone else, and this is what Geto recognizes: that Gojo has evolved without him (which we know from E5 has huge consequences for Geto's thinking)

And so now, finally, let us return to Geto at the end of E4

After Gojo asks Geto "does there really need to be any point to it?" (killing), the camera flashes quickly between the applauding audience and Geto's empty hand, which he then clenches into a tight fist. He raises his downcast eyes to look forwards (resolutely, looking into the future) and responds: "it's very important there is..."

We're left with the image of Gojo standing on a blue floor, surrounded by the clapping crowd. The floor wavers as an all consuming darkness pulses beneath him, locating Geto as it's central point as it surges out towards the crowd "...especially for a jujutsu sorcerer."

We're reminded of the conversation where Geto and Gojo almost come to blows whilst playing basketball in E1. Geto's argument that jujutsu sorcerers exist to protect non-jujutsu sorcerers whilst Gojo complains about having to protect "the weak" + patronisingly tells Geto to get off of his moral high horse.

Now we witness the extent of Gojo's apathy in action, as he pulls away from everything and everyone, and the swinging of Geto's moral compass from protection to genocide as he's left behind in the ruins of all that once was, of everything and everyone that he loved

[skayafair]

I'm watching Nancy Drew 2019 TV series and I REALLY need to talk about Ace. I'm mostly rambling about Bess because she's PRECIOUS and the scriptwriters knew it, but her friendship with Ace is a whole other topic. Making this post as a promise to write it.

[wistfulwatcher]

YELLOWJACKETS | 2.08 “It Chooses”

[reikurusu]

"When you're close to them, you don't notice how fast they grow"

November 8th 2018 - Happy 5th Birthday, Miri!

[mayhasopinions]

aight new helluva boss episode gave me a new favourite character and ship from the show god👏fucking👏bless👏

[allastoredeer]

I read the new chapter of Holy Suffering as soon as it came out and I love the way u write Lucifer. For the past few days I have been reading Radio apple fanfic and I hate how lucifer is portrayed in most of them, shy , innocent with Alastor after the fight, and kinda out of character for the both of them, cause they suddenly like each other, and I don’t see it in them. They like to piss each other off, that’s the whole ship point.

Ur Lucifer is so sassy, Hits all the Good Characterization checks in my brain, he’s such a delight to read, same for Alastor. U had me going speechless most of the time Alastor spoke, cause I honestly didn’t know what he was gonna say next. Writing Alastor it’s probably hard, cause he is misterious and always hides his emotions but You totally nailed it. Right now he is probably angry at Lucifer cause he ratted him out lol

Al be like the audacity of this man after he forced him to do this.🙄

Anywhizzle I just wanted to ask, for the overload meeting, is Charlie gonna send Lucifer with Alastor? Maybe as a snake or something, to make sure is he okay. Cause she really sounded mortified that she didn’t notice that Alastor was suffering and man Al definitely didn’t like that, but it’s not like he can say no to Charlie so

A nd is there like a schedule for next updates? I am really invested in this story and I honestly can’t wait to read more of it.

Thank you ʕ•ᴥ•ʔ Hahah Lucifer's got bite to him, for sure. He doesn't come off as the shy type to me. Awkward as hell, certainly. In the throes of depression, absolutely. And he cares about Charlie's opinion of him to a fault. But when it comes to someone throwing their weight around--or, more accurately, getting involved with Charlie (cough Alastor helping Charlie with the hotel, couch Adam fighting/hurting Charlie cough) he isn't afraid of getting his hands dirty.

Alastor is hard to write ಥ_ಥ I love him so much, but sometimes, I want to cut open his head and properly study his brain because f;knslnjsbj out of all the characters, he's the hardest for me to pin down, in terms of both dialogue and actions. He has such a way of talking, and such a distinct voice (his radio filter) that it's simultaneously easy to imagine his voice, but hard to put it to dialogue. So, I really appreciate hearing that I nailed it (;´༎ຶД༎ຶ`) Seriously, it's so appreciated to hear.

Nah, Alastor is going to be going to that one alone :3 It's going to be set in his POV, so we'll get some insight in his thoughts on the whole thing, and how he's handling his current affliction. I'm both excited to and nervous to get into it, because writing him in someone else's POV is hard, so writing him in his OWN POV is a little intimidating, but I'm mostly excited. I have a lot of thoughts for this series, and it's gonna be fun to explore them.

As for a schedule, I used to try to keep myself to one, and I've found that I have both a love/hate relationship with it. One the one hand, keeping a writing schedule is nice because it gives me a clear view of what I want to work on and an goal date to get it done, which is very nice for my ADHD brain.

BUT, on the other hand, when I start putting that pressure on myself to get it down, and I fail to actually reach that goal, it hits me pretty hard and it can take away my motivation and joy in writing the fic. It starts to feel more like a chore than a fun hobby I can do in my downtime.

Thankfully, I am DEEP in Hazbin Hotel hyperfixation, and the amazing feedback I've gotten from my fic's is certainly fueling my motivation. So thanks to everyone leaving kudos and comments! It's seriously so helpful and I cherish ever single one of them.

If I had to give an estimate for when the next installment of the series will drop, I'd say either at the end of this week, or the beginning/middle of next week. I have an unrelated AppleRadio one-shot I want to bust out before I work on the next installment, and that one I'm going to try and post by Thursday or Friday.

To quote out favorite Radio Demon,

~Stay Tuned

[icewindandboringhorror]

Recent images I suppose ~

[adaume]

Mobgle what does it mean when your friend whom you have just known for a few days keep saying stuff like "I'm glad to have you around" and “You hold hope” to me?? Anyway I think Shou has a habit of showing genuine appreciation and love for Ritsu that leaves him confused every time about what it means <3 (I rambled more about this in the tag if you are curious hshhs)

Thank you Bones for giving them opposite torn sleeves so they can make a completed set when they are together 🙏

[kalcat]

Not done with episode 1 yet but it's fun to notice all the characters and threads that are definitely going to come into play later

Also the memorial scene was a lovely reminder that I'm not the best at handling suspense and tension

[hydenine]

I'm gonna be frank, I thought OFMD had already been cancelled (or at least everyone who made it finished this season without the expectation of anything more) solely based on the way the last few episodes of season 2 RUSHED to wrap everything up. It felt like they THOUGHT they were getting more at some point, but then they got to the last third and realized 'oh shit, we only have a couple episodes left to deal with everything we set up' so hearing the official announcement just doesn't surprise me.

[mikimeiko]

Shrinking | Season 1 (2023), Bill Lawrence, Jason Segel and Brett Goldstein

[navree]

you know what, it's been a good weekend for content. i got malevolent yesterday where john's spouting off about how much he loves arthur left and right, i got MAWS today with significant screentime for my favorite boy ever, anime prince slade wilson, and i don't know what the fuck else happened in HOTD but i DID watch the rhaenicent reunion on twitter and it fucking ate