#i'm joking and also not forcing but

[dilfsuzanneyk]

i need everyone to go watch this thanks

[mewkwota]

Today's mood was a strong need to draw cute and goofy things with Geo and Hub. I ended up doing three separate moments of said cute-goofing around. So yeah, you can bet I'll make more in the future.

[midnight-mourning]

Why has my beloved (ao3) gone to war (not working) without at least kissing me goodbye? (I have no emails about it, meaning i'm guessing this was unintentional)

[lexosaurus]

I know that was a shitpost for the latest Danny Phantom fandom meme, but I'm genuinely impressed and how authentic it sounds. How much of Dash's monologue is real advice, and how do you know all of that? Do you work out?

Yes I'm so sorry to inform my good people of Tumblr that I've secretly been a part of the gym fandom for all this time. I've only recently come out as a gymbro in this phandom via my creation of the current dp gym bro au meme that I've forced upon everyone in this good holy christian space. I mix whey protein into my overnight oats, I track my macros, and I have a closet full of Gym Girlie Outfits™️.

And just know it's a badge of honor that I carry to be able to say I've converted multiple members of the Danny Phantom phandom into regular gym goers as well 💪

[genesisvirus]

i don't trust people that say games like sonic 06 or sonic boom or the storybook games or any of the sorts are objectively bad games with no elaboration and their only evidence of this is some game grumps clip

[finalgirlsamwinchester]

john @ sam

[ct-hardcase]

one thing I have noticed in the last few years of discourse about star wars canon is the attitude from some parts of fandom, where when people go "hey, I don't like this problematic aspect of canon/I don't like that this canon significantly contradicts the other", others will respond, stating that star wars is a tapestry of stories, and that it's fine, actually, because you can just take the parts you want and/or to just cobble one's own canon together from whatever.

this isn't bad advice per se, and if that's someone's preferred way of interpreting canon or dealing with discrepancies, I'm genuinely happy they reached that solution (hell, I even do it myself sometimes—rey mind-tricking finn and poe in the tros novelization is something I absolutely choose to ignore on account of it being ooc and not in the movie), but the majority of the time, I like treating canon as a puzzle that I can put together, and when some of the pieces simply can't fit right, or if there's blatant disrespect to the other stories in the tapestry (hi, caleb in tbb), I don't think it's wrong to be pissed at that and expect the corporate entity managing the product to do better.

[moonscape]

i don't really like confessions blogs because i feel like they just fuel the fire for fandom discourse but ngl i agree with pretty much everything that's been posted on the is*t one so far so i'm okay with it for now lol 👍

[unproduciblesmackdown]

set out to create a serious, canonesque drawing with which to say "feel free to go in my lackadaisy tag and help me mystery speculate" but only got going when i made it bowling and the rarepair agenda

[shannonsketches]

like why did they change where Vegeta was when Cell announced the cell games in the anime

why did they make this vegeta starting shit with yamcha instead of chillin in the lab with his family? why did they take Bulma out of the lab? Why'd they say she was Out while Dr Brief was repairing 16? Why did they change Bulma working on advanced robotics to running in late with her baby?

it's the same scene except: - Bulma's actively at work being a scientist - Vegeta's not being rude to her (or anyone else!) - Vegeta waits for Trunks instead of leaving the room - Cell interrupted the airwaves, which means Trunks and Vegeta were just hanging out with Bulma and Dr B while they were working

Those are all Great Character Details!! That the anime rails against!!

[chittychittyyangyang]

I could be way off base, but I have been thinking about this since she said this and trying to figure out what moral? At the time, the best they could figure would be to follow Alyx’s path, but not make the mistakes she made. We now know not only was the story changed from what Jaune was there for, but Alyx wasn’t like the girl who’s in the story.

If there is some “moral” to be learned here, I did wonder if it was to respect and understand different people. Because that’s something up until this current chapter NONE of our main cast have done. RW.BY have been operating out of a story with people as a means to an end. They aren’t really people in their own right, just a way to progress forward. They never really ask anything about the Afterans, outside of asking Curious about ascension, and it’s not like they are a reliable source of information since they seem to have the ability to influence Afteran’s will and only will answer what is asked.

Jaune mentioned that Alyx was cruel and didn’t think the rules applied to her, and while they’ve not been cruel about it we’ve not seen anyone from Remnant treat the Afterans like actual people until (R)WBY listens to the Paper Pleasers. @professorspork spoke about Blake caring about the Paper Pleasers and speaking up for them, and it’s really the first time any of them think about the lives of the people there and not just getting home… Not that Jaune or Ruby agree that they are people.

Just because it’s a fairy-tale to them doesn’t mean it’s not real to the people there. It doesn’t mean they don’t have full lives, even if the visitors of Remnant don’t understand or agree with their culture. Ever After has shown Blake specifically that her culture is very important to her, and if there is some moral to be gained by Blake in this “story” is that understanding different cultures only enhances everyone and leads to greater cooperation. Almost like that’s a goal of hers...

[lgbtlunaverse]

Payment for surrogacy gets really complicated because on one hand paying for it means most surrogates will end up being lower class women who need the money and will be easier to exploit, something which is rife in the current implementation of surrogacy, but on the other hand being pregnant is genuinely like body horror to me and I think that if you go through that for someone else you should get a billion dollars.

[the-magpie-archives]

My friend's started listening to TMA and they've been texting me their thoughts, needless to say they're a fan of Martin!

[arttsuka]

Friendly reminder that if you don't like something just, scroll away or block the individual who posted it. No need to be snarky and mean spirited in the comments, being rude is just, no, don't. Also statements like 'I'm retracting my like', ok? You're not doing me a favor by leaving a like (also did someone force you to like the post in the first place? Why would you leave a like if you didn't like what you were seeing?).

Be kind, if you have something to say please do so but don't be a jerk about it.

Also use your brain.

Thank you.

[sparksflys]

I wish I lived in London so baaaaaad rn

[randomnameless]

tbh, I stopped caring about houses that much when I found out that it's an otome/dating sim game with srpg gameplay sprinkled on top. In other FE games, you either gather supports by pair ups or by having units standing against one another. And mechanics like cooking in Fates were done to get some more stat boosts. And even if the avatarization of the game started with New Mystery, Robin and Corrin feel more like customizable characters than an avatar for the player.

In houses, Byleth is like every typical dating sim protag, that does not speak and the few times they do is by having the player choose options that may raise heart points with a character or lower them, you have to find lost items and when you give them back you gain heart points, you have to give them gifts to gain heart points and cooking now doesn't give you any beneficts in battle and only works for, you've guessed it, getting heart points. And let's not kid ourselves, tea time is like the "dates" in otome games, in which you can spam gifts till you raise the affection to the max. The only thing that distincts those points from the otome ones, is that those are necessary for proficency and for unit classes.

Heck, we even have a ring to give to the chosen blorbo in order to get a special custom made cutscene, when in pasts games getting an S support gave you a broken unit to deploy and a little blurb of text during the credits. And of course, calendar/day systems are also common in these tipes of games too.

People complained about awakening and fates for turning the franchise into a dating sim, but 3Houses is literally one in and of itself, and yet is praised as peack FE experience and as peack srpg.

(I could also argue that is because of this otome nature why the characters are "tell don't show" with their given trauma, unlike in pasts games when it was "show don't tell" (Nino, Reison, Camilla, Leif, Soren...))

Well,

When you put it like that, it becomes obvious that the other games (FEH, Engage) mentionning Fodlan are stuck on the uwu monastery part of the part 1 and not the, y'know, events happening that will lead to part 2 because as you said, the SRPG aspect is just "sprinkled on top" lol

However, the "pair up your units and build their relationships!" has been a non gameplay mechanics for decades now (FE4's was a gameplay mechanic, it had no support convos - FE6 added the support convos and gave a small gameplay boost but it didn't commit and we had no endings, FE7/8 had endings, FE9 had convos but FE10 removed them and yet had endings depending on the pairs, etc etc) even without avatars.

Then we entered the avatar era and if it added the "my waifu and my bae" shenanigans, FE13/14 were still more centered on the story aspect that on the "dating sim" aspect, as in, even if you could raise affinity with a character by doing X or Y, it wasn't really coded in a minigame - came FE16 which you analysed perfectly : tea time, gifts, eating, S-support CG, etc etc.

That being said, FE is a RPG, meaning it has characters : you play FE for the solid gameplay but you also build characters, and imo the best way to develop and write characters is to interconnect them with other characters, and/or with the plot/lore.

Sure, Arden functions as a wall/tank. But through the 5 lines he has, you learn that he is part of a group of knights, has friends who often tease him but is relied upon by those people and takes pride in that, he'd also like to find a wife someday and has self-esteem issues.

Is he as developped as, say, Xillia's Alvin? Hell no! But they're characters from two different genres, Arden has those 5 lines that puts him above any "generic" armor.

(I find it interesting how UO and in a way, FE11, gives you the opportunity to play with generics instead of playing with named characters, in UO generics will turn out to be better since you can change their growths, but they're generics. Do you want the RPG of the Tactics/Strategy aspect?)

So, I'd say that support conversations are important, I love Saias and Ralf to bits, but I'm sure I'd love them more if they had more lines. And since support through battle can be a chore (hello FE GBA and trying to get Bartre and Karla's supports when she joins 2 chapters before the end!), I initially welcome any way to grind those supports faster lol.

However, it can quickly spiral in, well, the otome mechanics we have in FE16 - if you want to build support then why not have an entire mini-game for that, and meals and chorals and whatever else?

It's all about finding balance between developping your characters without turning your game in a dating sim or what I'd call "playing the sims and pairing those dolls with those other dolls you like".

Still, let's not kid ourselves, nowadays the "dating sim" aspect of the series is, while decried by some, very popular - and FE is first and foremost, a series that has to sell.

3H is not peak SRPG not peak gaming experience or even in FE gameplay that'd be FE5 but I can't ignore the fact that its dating sim aspects might be part of the reason why it's still very popular.