#i'm gonna get judged so hard for this i can already feel the judgement coming

[lostsowly]

Yukimiya and Nagi Barou x Tokimitsu shippers??? My random crack ship I mentioned once is backed up by canon crack content?? Official crack ship?? LMAO??? What even is happening with the additional time this season???

S2E4 Additional time spoilers in case you missed it

[punsmaster69]

5/FEB/20XX

"HERE YOU ARE, FLOWERY."

chocolate chips were mixed into the batter per his request, and it's decorated neatly with whipped cream and some fruit.

papyrus delicately set the plate of pancakes in front of flowey with a flourish of his hand and a bow.

"BEAUTIFULLY ARRANGED, PREPARED, AND PRESENTED BY YOURS TRULY!"

my brother never expects a thank you from him, but i notice flowey open his mouth for a second before changing his mind.

apparently motivated by "the prospect of an extra-sugary breakfast" according to toriel, flowey decided to stay the night rather than going home yesterday.

he's surprisingly quiet.

was complaining about a neck pain from sleeping funny and the only comment flowey had was

"You're just old."

"yeah."

after eating, he's gonna go hang out with papyrus. they're already discussing puzzles.

..well. 𝘱𝘢𝘱𝘺𝘳𝘶𝘴 is discussing, flowey is listening. (probably.)

i think frisk's coming over to bug me, judging by the poorly typed texts about some difficult level in a game.

——

they flopped over defeatedly.

"Saansss hellppp meee."

"you're giving up, huh?"

"Wh-"

that snapped something in them. fire returned to their eyes, bolting upright and re-grabbing the controller.

"No way!"

"that's the spirit. get back in there and die a hundred more times."

shushing motion.

"hey, i'll have hope. i believe in you."

putting my hand on their shoulder.

"you'll probably only die around eighty times."

sticking their tongue out at me and shrugging my hand off their shoulder, frisk focused once again.

——

so.

the hard part? they got past it, but...

are now immediately stuck on a different part.

papyrus came clamoring back into the house with flowey in his arms, grabbed something from his room, and was gone in a flash.

giving frisk a quick pat on the head, i rose from the couch and stepped into the backyard to see what the other two were doing.

"YOU COULDN'T JUST WALK?"

"uses magic."

"....FAIR POINT."

"what're you up to?"

"Updating this board game to have more traps and puzzles."

"and you're outside because...?"

"FLOWERY WANTED TO BE IN THE SUN!"

"gotta photosynthesize? i get it."

"I am NOT photosynthesizing!"

"hey, i'm not judging."

"I'm not!"

"like i said, no judgement."

"Ironically."

a gentle breeze blew through. i stopped to take in the nice weather.

"it 𝗱𝗼𝗲𝘀 feel pretty good."

"i'm bringing frisk out."

stepping back into the doorway of the house. i watched the tv screen and waited until they died again to speak.

"y'know."

a shout of surprise from frisk before they whipped around to face me.

"on days like these..."

"kids like you should definitely be outside enjoying the sun."

"c'mon."

frisk looked between the tv screen, me, and the window. they resigned with a sigh and turned the game off.

"I'll beat it some other time."

one last time, i stepped into the backyard. running, frisk appeared from around the side of the house a moment later.

——

wanting to do something more physically intensive than sit around and make puzzles for a board game, frisk invited undyne and monster kid over to play kickball.

they've only popped one ball thus far, so they're doing well.

i think papyrus'll join them before long.

——

a stray kick sent a ball flying at my skull, so papyrus now has me in a

"BOX OF BROTHERLY PROTECTION!"

of bones under the shade of a tree.

flowey would be in the box too, it's just his pot and their altered board game with me. the flower himself is roaming around the yard doing who-knows-what. stretching his roots, i suppose.

——

"You gotta go home at SOME point, punks. Can't stay here forever."

monster kid and frisk both pouted.

"Papyrus wouldn't mind!!"

"Yeah! Plus the sun's not even fully set yet."

"she's right, kiddos. you really should be getting home."

flowey grumbled impatiently from papyrus' arm. i picked up his pot and offered it towards him.

"you wanna hop in there instead of coiling my brother's arm like a snake?"

"Whenever Frisk quits whining and we can go home I will."

"I'm not whining!"

"That's a hundred percent whining!"

"It's reasoning."

"It's whining."

"Shut up."

flowey used his vines to raise papyrus' arm and make him lift the middle finger.

"!?"

papyrus covered his hand and shoved his arm back down immediately.

"FLOWEY!"

"DO NOT FORCE SUCH RUDE GESTURES FROM ME!!!"

flowey's expression flickered with a look of shock for a second. he let out something like a scoff.

"FRISK, I'M SO SORRY!!"

"It's okay. I know it was that meanie head's doing."

"ok. definitely time for you to go home."

i offered my hand to frisk, and paps put flowey back in the pot.

"i know a shortcut."

undyne pat monster kid on the head.

"Come on, I'll walk you."

——

"Oh! You are home. I do not remember hearing the door-"

i waved.

"I see."

"Greetings, Sans."

with a soft smile.

" 'sup."

"Thank you for bringing them back. I hope they were not much trouble."

i glanced at flowey, who seemed to be thinking about something.

"they're good kids. shouldn't worry about 'em so much."

"I know... still, I am glad to hear that they have been behaving."

"Ah!"

"Do not let me hold you from getting home yourself."

i glanced again to where flowey was, but he and frisk went into their room.

gently, i lifted her hand to my face to replicate kissing the top of it. (with my lack of lips and all.)

" 'night, tori."

before disappearing, and flopping onto my bed.

[noteoftheturnabout]

piss-eater

ranking doubts and diatribes cases in chronological order! (+ some hot takes from my beautiful mind)

1) note of the turnabout

I don't actually have to say much about this one. kudos for not teaching us stuff we already know, but it suffers from severe first-case-mediogrity that only the lost turnabout ever really escaped... it was fun having gumshoe as our defendant and the hookup of the note as the only unused piece of evidence that everyone else fails to acknowledge was interesting, the case itself wasn't outright bad and fullfilled its role, which is why it gets a solid 5/10

2) arrival on a turnabout

LARRY BUTZ I FUCKING HATE YOU THANKS FOR GETTING US IN TROUBLE AGAIN!

also hiiii hiiiiiiii viola hi~ <3

this case immediately picked up my interest in a way that note of the turnabout unfortunately didn't. I mean, viola contacting us again?? tender lender comeback and development!! someone murdering a fucking cadaverini??? this has got to be something serious. instant intrigue!

I really appreciate using the tender lender and cadaverini to start tying into all that's going to be revealed. I mean yes! they are the small glimpse we got earlier into the same dark side this case is beginning to unravel! viola fits the vibe, makes sense to be used, is underappeciated in the fandom and I'm glad to see more of her!

viola fanboying aside, I was kinda overwhelmed by the intensity of it all at one point, when the logic thread lead us to Larry was getting accused. that's not neccessarily really a bad thing, or a flaw, but the stress did damage my enjoyment. the prosecutor was just relentless and we could make very little counterargument because of the severe lack of information, and because we were meant to lose, but I think it wasn't really Bad per se. that's when the fact that its a story first and a trial simulator second really begins to shine. I haven't decided how I feel about the fact we're actually meant to lose sometimes, it is very interesting and innovative, but sometimes it made me outright desperate.

and how could I forget! the wet kitten supreme umaru keigo and his tragic reveal! I liked that I think. despite him being a bitch as a prosecutor in this case

anyway the general score is probably gonna be... like 7/10 or 8/10, points taken off mostly for Larry and for stress.

3) turnabout judgement

HOO BOY. OH MY FUCKING GOD.

I'm gonna shove my "the judge actually IS corrupt" agenda in the closet for now because in this case he's not guilty. AND GOD DAMN IT WAS SCARY FINDING OUT THE PERSON I NEED TO GET MY FRIEND OUT OF TROUBLE, THE PERSON WHO WAS RELIABLY ALWAYS THERE, THE PERSON WHO YOU THOUGHT IS GLUED TO HIS JUDGE CHAIR IS BEING DETAINED AND INVESTIGATED RIGHT NOW. remember how I praised arrival on the turnabout for being gripping? forget that! turnabout judgement scared me shitless within the first few minutes. it's getting at least five points for that instantly.

I don't really understand people who say that hanma is supposed to be innocent, sweet and umsuspectable, like dahlia. because.... no she's not. she's scary, shady and an asshole right from the start, – then we just get to learn more and more and more about her motivation and about her doings. which I enjoy very much! I think she's a great character. at least two points to this case for having her in it.

BUT MY FAVORITE PART ABOUT THIS CASE ISN'T HER! its her sus as fuck pet judge, aka the specialest most unique judge ever, aka my perfect man yasuhiro tomioka!!!! omfg can we get a shoutout for yasuhiro tomioka I barely ever even see fanart of him Please. this case gets three points on the spot for having this man in it.

but here comes the final evaluation time, and just when it seemed like this case has effortlessly reached victory....

I fucking hate the evidence in this case and the case itself. the evidence is so flimsy and hard to work with I barely pulled myself to the end of the trial, constantly making mistakes because I was just trying to be logical, and lost a couple times which in other cases never happens to me.

(and yes there is a variant of loss that's not meant to happen, not the guilty verdict which is.) oh my fucking god I wish I could score it higher but beating the case shaved at least a few years off my lifespan, so I'm shaving off four points off this case. 6/10

(upd I realized that only started doing points math in this part of the ranking but its too late to go back and edit the rest now isn't it) (it isn't I just dont want to)

4) turnabout chase

9/10, 0.8 points taken off for pressure and loss stress, good god there's a lot of stress in this, 0.2 points off for lang's brother because I didn't case about him.

otherwise... no words.

(please read the additional materials, THERE ARE LANGWORTH LETTERS YOU GUYS and the cooking competetion was cute and really helped take off the tension!)

5) turnabout obsession

is it fine that I was actually thinking edgeworth did it..?

that's mostly because I was concerned about his moral compass tilt during "revengeworth" arc and I genuinely didn't know what to expect of him next.

the evidence pointing towards him was flimsy and I didn't have that much of a hard time poking holes in it, but I was still doubting edgeworth the whole time.

which I shouldn't have because that's exactly what that detective bitch wanted.

I didn't really care about basil bonerat until this case but after playing this one... I love him actually! yes I obviously hate him for what he did but hes so fucked in the head its incredibly interesting. luke atmey type of shit except arguably worse. also very revolutionary of him to be the first detective culprit!

8/10 with 1 point off for killing off hanma and 1 point off for a couple of things here and there that didn't really make sense, which im usually able to ignore with ace attorney, but wasn't able this time because of the grip the story had on me. gripping concepts is what the developers really poored their heartussy into and it shows.

and a bonus ranking of a case I was on the fence about including because its unclear whether it belongs with everything else or not (and also because I dont like it that much):

6) turnabout by the shore

kudos for sebastian and the lesbianism, but the culprit was very obvious the whole time and unfortunately I really fail to believe in sean and hanma's relationship. if they were given more time or moments or anything I probably would've cared way more than I did but unfortunately. still dont get this part of the fandom that writes 120k fics about sea sapphics and meta posts about how they both know so little about each other (duh that's the problem), but im built different I guess. unfortunately this gets 4/10 or even 3/10. probably 4 though out of respect for nonbinary lesbians

[racheljoyscott]

Hey i love your blog<3

Do you know how to make friends , i got bullied in 8th grade by my group of friends because i defended a girl from being body shamed and i lost all my confidence to talk to people and making friends im a freshman going into sophomore year and i want to make friends this upcoming school year<3 i’ve been inspired by rachel to become more friendly like she was for the upcoming school year like reaching out to people bc ik whats it’s like to be bullied but i get really scared to talk to people bc i feel like im gonna get judged💜

Hey Anon! Glad you came across my page. I'll give you two sets of advice, my own and what I think Rachel would tell you.

You are almost the age I was when I started this blog so many years ago! I still, to this day, am thankful every single day that I learned of Rachel's story. I found her at the most pivotal stage in my teenage development. It shaped me more than I can express, and she completely altered my character progression. Rachel is extremely inspiring. Just listen to her stories and I promise it'll have some good effect on you. It's worth every second.

With that being said, this is my advice. The hard truth is, there will always be mean people tearing you down. Whether it's mean girls at school, a mean boss, or even your roommates in college. To make friends, be yourself. Learning to follow your own interests and live through your values will take you so much farther in life. And you'll be happier. Friends will come. I didn't have many friends in middle school or for a good chunk of high school. But looking back, I think I was better off having my few close friends than forcing friendships with the popular kids. Be a friend to everyone (with limits), but don't worry too much about having/not having friends. I promise you, being yourself and being kind to all people will give you confidence and bring you so much value to your future self. I think these early years are really impactful on your future. Put good out there, build a foundation for your career, and do your best in school. But given you are already following Rachel's footsteps, I'd say you're on a very good path :)

Based on what I know about Rachel, I'd say she'd be proud of you for sticking up for that girl! Please, please, never let other girls, especially mean or judgemental girls, take away any bit of sparkle or strength you have. If you are already using your voice for good and to help others so young, keep making it stronger. No matter what you say, you'll learn someone has an issue with it or judge you for it. Everyone has a bit of social anxiety when it comes to things like this. Especially at your age in high school. To combat it, Rachel wore really funky and eccentric outfits that kind of forced her to get used to discomfort and judgement. (Also because she was really cool!) To combat mine, I learned that people don't remember or care nearly as much as you do when you think you embarrass yourself. I even think of Rachel when I have trouble approaching someone. Because really, you never know what people are thinking or going through. She asked God to use her to reach out to people and to help others. Maybe that person sitting alone wants someone to sit with them, or maybe they don't! But it's for you to find out. Either you make a friend in the process, or learn more and more on how to approach people and make small talk. Life's all about chances but they're usually worth taking.

My advice to overcome the fear of being judged is to do your best. Whenever I fear how I'm being perceived or judged, I tell myself I did the best I could today. Even if I did screw up, at least I helped someone out. I was kind to a stranger. I put a smile on someone's face. Held a door open. Etc. At least I tried to be good and did something small to positively impact the people around me. Because truly, that's all that matters. And that's all because I found Rachel's story. :)

Please reach out to me if you ever need anything else, and I encourage you to use my blog to learn more about Rachel. She was always a friend when I didn't have one. There is truly so much you can learn from her! Good luck! xx

[bhaalsdeepbat]

little brain wiring things ✨

i helped plan a party that we decided to throw together last second. It was a fairy themed garden party with a planned mini-concert. The concert had a $5 cover that would be donated to a trans mutual aide fund. it was just supposed to be a house party that was also a nice little community event on my friend's lawn.

my friend knows that i smoke to manage my joint pain and i have very specifically, and clearly, been given blanket permission to smoke on the property because they know me, i can handle myself, and again. it's not just recreational, even if other people (not my friend) think so based on the amount i fucking smoke.

the group of friends i have rn have never made me feel judged or wrong for this, which is extremely important to me bc this is an extreme source of shame for me that i'm still working on unpacking bc of the way I was raised.

anyways, there was a miscommunication where I was not told about this being a dry & sober party, which meant that It was NOT on the invitation that I made and was sent out to a few friend groups, who all did show up with alcohol. I also was not told about 1 of the 3 organizers wanting the event to be dry/sober until I arrived at the house with food, decorations, ect at 3:30 day of, so I couldn't make alternative arrangements.

but i had already like. made specific ones to smoke discreetly regardless bc i'm not an asshole. i use a vape if we are somewhere people might catch a glimpse of me. so this also had me frustrated with the interaction that i was going to have later. like i would have gotten some edibles or smth bc i knew my pain level was gonna be high from how busy the day would be.

it was really fucking hot, I have pretty bad heat intolerance already from disabilities, but also am on medications that make it harder to handle the heat. I had been overheated for 6 hours at that point, had been on my feet for most of it, and like. again. i helped organize the event, so i was there early for set up.

my friend whose house it was at is VERY good about understanding my disability and i cannot stress enough that they're like. 10/10. no judgement. they let me stay inside while people were setting up outside bc they believed me when I told them how sick I get. since i couldn't do anything outside, I set things up inside (food, cleaning, getting garbage) and made sure to clean up after the people who had come over early to hang out inside moved outside.

so i was tired. my hips were fucking hurting. i made an ice pack with the decision of going out and sitting on the lawn to draw and chill. to paint an image, we are all out on the lawn. people are clearly drinking. i'm minding my business, had just finished doing a puff-puff-pass with my vape that INCLUDED ONE OF THE OTHER EVENT ORGANIZERS. and again, i was just smoking a fucking vape.

this group of people all arrived together after we had been out on the lawn smoking and drinking for 15-20 mins. This child fucking zeroed in on me and just came over to me to tell me the event organizers said this was a sober event.

again, people were drinking. and i,,,,helped organize shit. i have a hard time emotionally regulating when I'm overheated like. I cannot handle too hot, it overwhelms me and i get overstimulated VERY quickly. which means i'm more emotional when dumb shit happens

it was such a small fucking interaction, but I heard this child like 5 mins later return to their group and loudly talk about how they had told the friend whose house it was and my friend covering my ass by saying "oh, it was for inside, only. outdoor isn't dry c:"

i was already not feeling the vibe. i felt really alienated earlier bc it's hard to connect with neurotypicals and i don't do well interacting with people in group settings once the numbers get too large. the house also was still empty bc my friend is moving in, so the sound echo inside was SO bad. i had nowhere to go to just let my senses calm tf down, my AC in my car doesn't work when the humidity is this bad, and i just

i a party i helped set up, decorate, and even provided foood for, and cried the entire way home and i feel like such a fucking dumb lmao

I just felt incredibly alienated in a way I hadn't felt in a long time. and i had already felt uncomfortable prior to this incident. there were a lot of people there i didn't know who were writers, but neurotypical. i was struggling to process anything anyone said bc of how loud it was inside, which was making me come off as extremely rude. i had someone tell me they were too intimidated to talk to me based on my appearance, but we had a lovely one on one and they realized i'm just very quiet.

and i can't fucking talk about where the root of THAT specific problem is bc we can't have a fucking conversation about desirability, beauty, and femininity without the "oh it must suck to have pretty privilege" bullshit. it's really fucking frustrating when you present as hyper femme, but are viewed as standoffish/bitchy simply bc you didn't accompany the hyper femme aesthetic with being overly bubbly, friendly, and social to accommodate for other people's own discomfort from your presence. like you have to make up for their perception of you by performing approachability.

i also hate the way people view weed vs alcohol. i hate that i'm made to feel this way for something that helps me manage a condition that i cannot get medical help for. it used to be the only thing i had for my fucking endometriosis pain, too, when i still had my uterus.

all those people were around the lawn drinking recreationally, but I got zeroed in on. while i was just trying to fucking bring my baseline pain back down bc i didn't realize how high it had gotten from being on my feet all day.

i'm just. frustrated. i don't even know what the fuck the crux of it is.

[limeade-l3sbian]

Why do radfems conveniently forget that female socialization, and societal pressure exist when it's convenient for them.

We make girls insecure by bombarding them with impossible standards that they will never be able to reach, we reward girls who do conform, and partake in beauty rituals and whatnot and AS A RESULT, girls see this and adapt their behavior, clothing, appearance and sometimes even interest to be treated decently and then radfems see this and have the nerve to go "why are women resorting to cosmetic procedures, just let yourself age gracefully" "stop wearing makeup to inspire other women" "stop saving don't give them your money" as if it was that fucking easy, as if we're supposed to ignore all the pressure we're subjected to and pretend it doesn't happen or doesn't affect us. Like come on we're women here we know what it's like. You know damn well if you were to go over a certain BMI you'd be treated like a monster. Like I'm not a bad person or anti feminist for not wanting to have a hard life, and it is not my responsibility to make women feel comfortable in their own skin like this is crazy I didn't subject women to males oppression why is it on me to make it stop.

We condition women and girls to put up with shitty male behavior, to take up less space, to not make a fuss etc.., so when you see a woman complaining about her shitty boyfriend/husband why is your first fucking thought "omg just leave him" as if it was that fucking easy. I've even seen a loooot of radfems say "if you partner up with a man don't be surprised about what happens to you, don't expect any help me from me, you knew what was gonna happen".

Like radfems do acknowledge that female socialization is a thing but how dare women be affected by it.

As individualistic and selfish libfems are, I've never seen them look down on or mock a woman for just trying to survive in a patriarchal world.

You can ignore this like I get it you don't owe me a reasone like im just so tired do radfems belive that women should be faultless and perfect in order for them to discuss issues or dip their toes into radfeminism. Shits already hard enough what do you want from us

No, I won't ignore. Because what you're saying is correct and reasonable. 🤷🏾‍♀️

A lot of radfems have an unfortunate disconnect, and often judge reality by the parameters of idealism.

I don't think the "age gracefully" and "stop wearing makeup" things are judgements (at least they shouldn't be) so much as they are encouraging rally cries, if that makes sense? At least by the women I follow, that's what they mean. It's certainly what I mean. I think there is a lot of judgement passed on women who, like a lot of us at one time, play our part in the patriarchy. I think radfems can be chronically online as well, and that's when you get these needlessly judgemental or "easy fix" (i.e. "just leave your boyfriend") posts.

That's why it's important to balance out your online voice with your real world one. We actively live in this society so to suggest one can be completely removed from its influences is naive. We will defend the actions of women of the past as victims of oppression yet simultaneously pass judgement on a woman making feminist points because she's wearing makeup? I hope I never come off as someone who thinks this community is perfect. But I think it's problems she fixable and redeemable. I think the biggest issues we're dealing with are ego and chronic onlineness (don't think that's a word but you get it).

I fully understand that it's not your fault that men oppress us. So why should it be your job to make it stop? Well, I think that's just a matter of community more so than shifting responsibility. Men are not going to turn their backs on a system that benefits them so much. And if men aren't going to do it, then we (not just you), have to do it ourselves.

I'm rambling now but yeah, this community ain't perfect. We've got a few leaks we need to focus on instead of babies on planes, but I've got hope. 💜

[belphies-cuhm-sluht]

I'm sorry if I'm bothering but I cant stop thinking about the brothers reacting to the mcs family accepting them as mcs bf before and after they find out the bro is a demon

The Brothers When MC’s Family Accepts Them As Demons (Headcanons)

These got super long, so I’m gonna put them under the cut. Thanks for the request, this was super fun to do. 

Lucifer 

The amount of stress he had going into this was ridiculous. He didn’t want to meet your family in the first place, he thought it was unnecessary and he would have much rather they not knew that he and you were dating. You insisted though, and he begrudgingly agreed to meet them when you went back up to the human world for your birthday. Everything was going fine until you slipped up and used his full name, and he was honestly… relieved. He had hated the stupid nickname you had given to him… “Luci”. It made him cringe, but nobody really named their child Lucifer, so apparently it was necessary. That one slip though, and he froze up, waiting for your parents to freak out… but they didn’t. Honestly, he wondered if your parents were even listening, but then your dad tried to make a dad joke. “So Lucifer, what was the fall like? Just joking, glad you could join us.” Confused. Kind of worried about your parents judgement, because, of course he loves you and wouldn’t want anyone to get in between the two of you… your parents are just… okay?With you dating a demon? Might need to take the second that your parents didn’t take. 

Mammon 

Not really all for meeting your family, but then again, that could be another way of getting free gifts or money. Definitely decides that he wants to meet them around Christmas, and make sure to let them know that you’re bringing your boyfriend, and that he likes gold anything or just flat out cash. He was nervous, but he wouldn’t let that show. Obviously The Great Mammon doesn’t get nervous, not around some measly humans. But these humans, these humans were important to you, and if he didn’t make a good impression, well… he could handle his brothers talking bad about him, but your family was a whole different thing. Christmas morning seemed to be going along without a hitch, the two of you had decided to just call each other by pet names so his real name wouldn’t slip… that is until his greediness started to show and he started pestering your parents about what he got. You lightly smacked his arm, whispering his name, hoping that your family didn’t hear you. “Oh, Mammon? Like the demon of greed Mammon?” Uhm… why weren’t your parents freaking out? “Don’t worry. We didn’t really know what to get you, so we just decided on money. I’m sure you won’t mind.” He’s on a whole new level of shook. Your family is so chill, he wants to come back for every holiday. 

Leviathan 

Getting him to leave his own bedroom was a job on its own. Trying to get him to agree to meet your family was a whole new level of difficult. There was no need for it, they won’t like him, he’s a loser… he gave all these excuses, and although none of them were true to you, he believed them to be true. You were on the verge of giving up and he saw that, he saw that you were upset about it, and he didn’t want to be the reason for you being upset so he finally said that he would. Only for a day trip though. His anxiety was already through the roof and he didn’t want to be stuck in a house of a bunch of people he didn’t know longer than 24 hours. That was no problem for you though as your family was having a small get together. It was a cookout and there would be a pool and everything, just a pleasant day of family fun. That’s how you sold it to him, and although he was still reluctant, he liked the idea of a pool. So now, here you were, goofing off in the pool. He was pushing you around the pool in a little donut raft, and he decided it would be funny to flip you off of it. You squealed his name when you came up from out of the water, forgetting for a second where you were, and your entire family was looking at the two of you now. “Leviathan… I know I heard that name before… isn’t that that one demon who…” “Doesn’t matter what he is, they’re both having fun. Burgers are up in five minutes, kiddos.” They’re not… shocked? Not running for the hills, having a panic attack. Nope, just burgers. He finally feels like he can really relax now, and that’s all that matters. 

Asmodeus

Pfft, worried? Not him. People love him. Your parents will too, he was sure of it. He was all for visiting your parents, actually, he was the one who brought it up. You were about to visit your mom for her birthday, and he decided that he wanted to come along too, since he’d never met your family before. He felt like you were hiding him and he didn’t like that feeling, so now he was coming to your mom's birthday and he even picked her out a gift. Obviously it was self-care set, but what else was he going to get her? It’s Asmo. Of course, your mother loves him immediately. He’s kind and he’s gentle and soft spoken, and he keeps calling her beautiful. He was a charmer, and everything was going great. The entire party went flawlessly, and you both thought that you’d get through the day without anyone finding out that your boyfriend was in fact a demon. That is, until your mother stopped the two of you for goodbye hugs, and she decided to become curious about his name. “Is Asmo your full name, or is it short for something else?” She was so inquizitive, and you bit your lip, hoping that he’d just agree that Asmo was his name, but, he had no shame. He told her that it was short for Asmodeus, and at first she looked shocked, but then she just shrugged. “Hmm, well… isn’t that something. You two get home safely, and come back soon, okay?” At first he thought that she just didn’t know who he was, but you explained to him that she knew, she just didn’t care. He kind of had a feeling it would happen that way though, so he was just as happy as he was before he came up to visit. 

Satan 

He’ll agree to visit your parents, you don’t have to bribe him, convince him, nothing. He just wants you to call him by his real name. He said he would be on his best behaviour, and that your family would have no reason to hate him unless they’re judging him strictly off of his name, but if that’s the case, then they’re shit anyway and he doesn’t want to associate with them. It was a Fathers Day party, and you were on edge the entire time. Your parents weren’t judgemental at all, but the name, his name alone would freak anyone out. He was a true gentleman, shaking your fathers hand and having regular conversations with him about different books that they’ve read. Things were great, and then dinner came along. Satan and your dad were still talking amongst themselves when he stopped in the middle of his sentence. “You know, Y/N never did tell us your name. Things have just been so busy, I’m sorry about that.” Satan didn’t hold back, he almost too proudly stated his name to your father, like he was expecting some type of freak out. It was your mom who chuckled lightly, shaking her head. “Ah, leave it to Y/N to date Satan. Well, everyone seems happy in the relationship, who am I to judge?” And with that everyone went back to eating. You were more shocked than Satan was, he just seemed really smug now, continuing his conversation with your dad. It felt like a giant weight had been lifted off your shoulders. 

Beelzebub 

Halloween, you chose Halloween. There was candy involved and he seemed excited about it. He was always so sweet and you really felt like you had nothing to worry about with him, how could anyone not like Beel? He was a big teddy bear, an absolute sweetheart. He wasn’t even nervous about meeting your family, and there was no reason for him to be. When he walked into your house everyone greeted him with open arms, warm welcomes, and soft smiles. Honestly, the only thing intimidating about him was his height, but everyone quickly got over that and it even became a sort of joke between him and your dad. “Oh, watch your head there, pal. If Y/N would have told me you were so tall I would have raised the archways a little more.” Dad jokes, and while you were embarrassed whenever your dad said anything, Beel seemed to love it. When snack trays went out, Beel devoured everything almost immediately, and it was only when he had cleared the entire table that he realized what he did, smiling sheepishly at you. Your family was clearly… concerned. Beel decided to take it upon himself to explain everything since you seemed so worried, and his plan was, if they freaked out, he’d just take you back to the Devildom to celebrate Halloween there. It was quite the opposite though, and your mom actually seemed relieved that there was a reason for him eating so much. “That makes so much sense. I was getting worried that someone wasn’t feeding you. Well, you can always come home anytime for dinner, alright?” So happy, he’s so happy. Ends up changing into his demon form for a Halloween costume which amazes everyone. He asks to visit your family at least once a week for dinner now. It’s a second home to him. 

Belphegor

Why visit your family when he can just sleep? Sleep is life. He’ll probably just zonk out at your parents house anyway, but that wasn’t the point. You wanted him to at least meet your parents once. They had asked you to come home, and you had told them before that you had a boyfriend and they really wanted to meet him too. It wasn’t particularly hard to say no to you, it’s just that he didn’t like hurting your feelings, and he felt like it was the least he could do considering he did… kill you once. He really did do his best to stay awake, not for your parents, but for you. He didn’t want you to think he was rude for falling asleep at the dinner table, which almost happened. Once everyone moved into the living room though, he couldn’t help himself. Leaning against your shoulder he slowly dozed off and your mom noticed immediately. “Just like your father, able to fall asleep anywhere and everywhere.” You heard Belphie scoff quietly, deciding that he would throw out a joke about being Belphegor, the Demon of Sloth. Of course, you knew that it wasn’t a joke, and you tensed up, waiting for your mom’s reaction to it. “Oh, well, that makes sense now. Do you need a pillow, or a blanket? A warm cup of tea?” He peaked one eye open, staring at your mom for a second before looking up at you and declining, almost too politely. He was kind of bummed out that your mom wasn’t scared of him. There was no fun in it. At least he got to nap a little longer though, and she brought him a cup of tea anyway, so he was still winning in the end. All is well that ends well.

[etheriadearie]

“Promise”

Why can't you just… Promise ?

Today's goal is an in-depth look at one of the most beautiful and breathtaking episodes of She-ra: "Promise"

Storywise, it's incredibly important to the series, and focuses entirely on Catradora. It's the first time since Adora left Catra behind to seek out the sword that the girls really have an opportunity to talk, and things are not going well. Both of them are royally pissed off at the other, with good reason.

For Adora, we're gonna deflate that proud hair poof of hers a bit, as we'll take an honest look at her as a person at this point in her life. And Catra... she's really guarding her feelings closely, as she's already deeply angry with Adora. But we will use the combination of Catra's younger self in the memories they see, plus looking at other times in the series that relate to this episode, where she was less guarded, in order to understand her as a person at this time. Also: warning: tl;dr, best enjoyed while cozy with a drink..

To get started, we skip to when they end up stuck together…

After Adora takes drastic measures to ward off the security spiders by collapsing the tunnel, the girls are now stuck together, and so… they talk...

We immediately see how incredibly irritated they are with each other as Adora chides Catra for being in the Crystal Castle, since the monsters will continue to attack them as long as she's protecting Catra… only to have Catra retort that she didn't ask for protection. Some snippy bickering back and forth happens, then...

Adora asks: "Does Shadow Weaver know you're here?" Very deadpan assertion from Adora. She knows Catra must be disobeying orders, she just doesn't know why.

"I'd say Shadow Weaver has bigger problems right now". Catra is already starting her move against SW back at the Horde. With SW abusively blocking her every move within the Horde, and now that Catra knows that SW was going to mind wipe Adora, Catra has decided she must deal with her abuser.

Adora puts on her telltale sideways grin, and Catra chafes at Adora's flirtation, saying "I told you it's not because I like you” downplaying Adora’s suggestion that this was the reason she let her go. Catra freely admits here that she does like Adora, but it's not the real reason she did it. Still, Catra doesn't explain further, and we see later that Catra often lets Adora explain away her actions this way... but that Adora constantly misses the deeper truths.

"Where are your new best friends? I thought you did everything together". She's very snarky and dismissive of Adora and her flirting. She's mad about Adora leaving her for her new life.

"The ones you let SW imprison and curse?" Adora is angry at Catra for what she did, which was a sudden escalation of things by Catra.

"Yeah obviously, what other friends would I be talking about?" An obvious dig at Adora for leaving her, everything behind. She deadpans this, staring back plainly. Catra is obviously really angry at Adora... while Adora is legitimately mad at Catra for doing something so nasty to Bow and Glimmer...

::Let's take a moment to talk about Catra's feelings about Adora's new friends: Catra feels horribly betrayed by this. Adora completely tossed her aside, and replaced her with Bow and Glimmer. What comes to mind is at the end of Sea Gate, Catra is thrown in the water and then looks up at Adora, who is celebrating and cuddling with Bow and Glimmer. Catra is emotionally forlorn watching this, as Scorpia comes to drag her off to safety, Adora doesn't even look back towards her.

She's forgotten, Adora showed no love towards her at all in that scene (and then hardly any at Princess Prom, either). Adora ignored her plea for her to return, she didn't reach out to Catra at all. And now she watches her cuddle with her new friends: everything Catra thought she had with Adora meant nothing, and she's been replaced with these feel goodie goods who are fawning all over Adora.

Suffice to say, Catra couldn't do this, she's got way too many issues with emotional intimacy and touch aversion. So she watches Adora, seeing that what she offered her wasn't good enough, knowing because of it she's forgotten. Catra was trying really hard to be a close friend to Adora in spite of her issues, but as we will see, Adora wasn't trying to understand what was going on with Catra. And because of this, Catra was too afraid to express her affection openly, and yet here's Adora... accepting all of Bow and Glimmer’s love, for which Adora really did nothing to earn. Adora took Catra’s friendship for granted while ignoring her deeper needs, as will be explained, then completely abandons her, not even seeming to miss her. Catra is deeply hurt by the unfairness of this.

>Catra stares back at Adora, frustrated when she doesn't even acknowledge their lost friendship.

"Well, we don't need to go together. You do your weird little magic quest thing I'll find my own way out". Catra looks resentfully at the sword on Adora's back as she says this. Catra is laying down boundaries, except it's useless since they are trapped together. But, boundaries are important to Catra and as the episode progresses, Adora shows that she doesn't really understand Catra's.

>As they walk along, both girls' shadows loom equally tall. The symbolism is that in this story, both are equally important... it's also a shockingly beautiful sequence. (pic above)

After entering the room of infinite darkness, Catra tries to separate from Adora but the door is gone, they are stuck together. Weird things start happening. As the Fright Zone appears, both of them are confused. Adora decides to suspect Catra, after all, she attacked her friends. But as Adora grabs Catra, Catra is surprised and confused... Catra doesn't like being touched unexpectedly, Adora knows this but is ignoring that and attacking her. She gets treated as an enemy when she clearly hasn't done anything wrong, and it sets the tone for the two of them: Adora has constantly treated Catra as an enemy since the very moment she defected, not even trying to understand Catra's point of view. And so Catra increasingly emotionally distances herself from Adora. Catra angrily casts Adora's arm aside, not liking being vilified by her, and Adora doesn't understand why Catra is so upset. Catra slips away to explore, needing space from her.

The way Adora immediately suspects and then attacks Catra is symbolic to the whole episode: by defecting to the Rebellion, Adora chose to start treating Catra, and her entire unit, as enemies, backing it up with hostility. But Catra doesn't really agree that the horde is evil... in her experience, it's just how life is.

>The two girls, now separated, call out to each other. Adora hears Catra's call, then another: young Catra is behind her, looking lost and insecure. Catra joins Adora as their first memory has just begun…

~DISCLAIMER TIME~ A lot of information in She-ra is inferred by emotional context, so if this seems a bit head-canon-y, I assure you, I have data! Please ask questions and seek clarifications, I promise to answer back! ~EtheriaDearie

>A worried and hurt young Catra runs to young Adora's side. She is emotional and needs support. Adora checks her out then gets the real deal: Catra was in a fight with an adult. It hints that Catra always had to deal with people messing with her, even before SW began her abuse. This is a guess, but it's probable: this is likely a happy memory of the two of them right before the hurting began. Along with the "promise" memory and the moments immediately preceding their entering the Black Garnet chamber, these scenes set the baseline for what their friendship was like before Catra suffered SW’s abuse. Also, this memory is a happy one, and how Adora remembers their friendship: it was likely triggered by her memories. The next ones are not, as I believe they are triggered by Catra, who is trying to explain to Adora what was so painful about their childhood...

>Catra doesn't know what to expect when she shows Octavia to Adora. She probably expects Adora to try to apologize on her behalf, or to give her a hard time about what she did. Instead, Adora sticks with her friend and yells “Hey Octavia, you're a dumbface." This brings young Catra much joy, Adora is sticking with her, not passing judgement. The two young girls run together hand in hand, experiencing childhood bliss, but it doesn't last. The present versions of themselves return, holding hands...

They share a brief moment of connection before Catra pulls her hand away in anger. Adora is surprised at the strength of Catra’s reaction. They are not on intimate terms any more, in fact, I suspect they had been struggling for a while before Adora's defection. Adora doesn't want the moment to stop, but Catra does. It hints that the gulf between them is already wide.

"How can you deal with all this magic stuff?" Catra has a deep distrust of magic, as it was used in her abuse. She resents it, and throughout the series whenever anything magic happens that she doesn't see coming she gets creeped out.

"I'm only dealing with it because I need to figure out how to heal Glimmer after someone got her cursed." It's a valid criticism, but Catra deflects it.

"What do you want? An apology? You're not getting one." We don't get the full story on this moment until season 5 when a young Catra tells Adora she'll "never say sorry to anybody, ever." Adora doesn't like Catra just refusing to explain, and as Catra pushes her away, Catra is full of reproach at Adora's judgement.

::As an abused child, Catra was continuously vilified and abused by everyone but Adora. And when Adora would suggest she apologize throughout their lives, she can't understand why Catra won't. It comes down to literally everyone in the world judging Catra and being cruel. Not once did any of them apologize to her, even though she didn't do anything to deserve the abuse. Except Adora... but that has issues, too. In fact, SW literally tells her "I won't apologize" regarding her abuse of Catra. Can you imagine the hurt at that?

[pic caption: Catra refuses to apologize, Catra often shows her deeper emotions while blinking, in this case: the incredible pain she experienced from SW’s abuse.]

So no, Catra won't apologize, she had a thing she was trying to do by kidnapping Bow and Glimmer and taking her sword, and it ended badly. But she felt she had a good reason to do it: she wanted to force Adora to see her, to make her acknowledge how big of a part of Adora’s life Catra used to be. And it's not like anyone has been helping Catra, she's had to make every single decision on her own her entire life and live with the consequences.

Also, mistakes for Catra have an entirely different meaning than they do for Adora. Whenever Adora made a mistake, she was given an opportunity to fix it. This is a theme of their relationship: Adora expects Catra to let her fix her mistakes. But for Catra, she learned that any mistake she made was dangerous, as when she did make a mistake, SW would torture her for it. And if other people saw it too, they'd use it to perpetuate the notion that she's some kind of no good fuck up. So Catra is extremely careful to not make mistakes, and if she does, she tries to cover it up, distance herself from it. (note: this isn't the same as Catra's intentional rebellions against this system where she was unfairly targeted for abuse-). This is why Catra simply cannot forgive Adora easily for breaking her promise: in Catra's world, she had to be perfect, or she could have been dead by SW's hand. She wasn't allowed to make mistakes like Adora is, she is what is clinically known as 'hyper vigilant' and always preparing for the worst. And so she applies this standard to be perfect all the time to Adora, and therefore she won't give Adora the same license to make mistakes with their friendship. Catra thinks Adora should know better, and see the consequences of her actions.

>Adora lets it go: when Catra seems to shut down, Adora does her best to try to accept her. Adora tries a different track. She asks Catra why she let her and Glimmer go when SW had them imprisoned, when it could have resulted in Catra getting in trouble. Catra walks ahead, trying to distance herself from having to answer. But the magic of the Crystal Castle intervenes: as Adora slips and begins to fall, Catra saves her. It's a symbolic moment: Catra has always tried to protect Adora, to save her from pain. It's why she changed course to give the sword back to her, partly.

"Did you really think I'd just let SW erase your memory like that?"

"I don't know. Probably." Adora shows such little understanding of their friendship. It shows Adora really is thinking of Catra as an enemy, not as the complicated person stuck between protecting her friend, and the cruel necessities of her life.

Catra looks at Adora with disappointment. "Yeah, well, you never did have too much faith in me." Adora tries to understand Catra's emotions, fails.

"Huh, can you blame me?" Ouch. Adora smiles at Catra, trying to show love for her roguish quirks. But it just shows how little Adora understands: she is repeating a negative stereotype of Catra that everyone in their old life believes and perpetuates. And Adora should know better, instead of just assuming the worst about her. That persona is one which Catra uses to protect herself, partly from her own emotional feelings, but also as a necessity to protect herself from SW. She had to act like she doesn't care, doesn't try, so SW wouldn't see her power.

"Psh, not really." As Catra turns away, again she deadpans this but you can see pain and disappointment leaking past her indifference.

As she walks away she trails her tail across Adora's hand, flirting and drawing Adora's attention to her butt. It's a cute little moment of telling a truth to counter the lie: 'Adora, you should know me better, and also, I like you.' Still, it's only a half truth: Catra couldn't let SW win because SW is Catra's true enemy. But, Adora takes the flirtatious hint, as always. She accepts it and doesn't dig deeper.

Catra asks Adora about their childhood, trying to understand how Adora could just throw it all away. Adora gives a very direct and impassioned speech, she looks Catra in the eyes, trying to convince her and make her understand why leaving was the right thing to do. Catra hides her emotions, weighing Adora's answer. She doesn't agree with her sentiment, in Catra's experience good and evil are relative and exist as such everywhere. Also, she's right: we meet many people in the Horde who aren't evil. And Adora's finding the sword is one giant sinister manipulation by Light Hope. Moral grayness is a constant theme in this show. Still, this isn't really why Catra chooses to stay with the Horde.

Adora sees her explanation failing to convince Catra, so she tries reminding Catra of their deeper friendship, telling her she misses her too. Catra is temporarily taken aback at being called out before remembering to deny it. She tells Adora to get over herself, and Adora tells her she won't stop until Catra says she likes her. They flirtatiously rough house, and Catra smiles during it: yeah, she does. But she denies it anyways.

::Adora often tries to be respectful of Catra's personal space but is making an exception here: she's telling her that she finds her desirable, and if Catra wanted it, they could be together. Adora can't understand why Catra feels the need to resist this, but she knows doing it helps her friend feel wanted. Still, this shows how casually Adora views their attraction.

Yes, they should be together. And actually, they had an unspoken agreement that they would be. But Catra's not going to open herself up to that just to serve her desire. She wants more from Adora, for Adora to show her that she really does see her, and cares about her. If she did, maybe Catra could open up about some of her pain. Being intimate without doing that would be impossible, and so far Catra's life still isn't safe enough to risk her feelings. Adora's promotion could have meant the beginning of something new between them, where they worked together to build a more secure future together where Catra didn't have to be fearful all the time. But instead, Adora left her.

So begins the second memory. The two girls, now teenagers, compete against each other in sparring. It's clear they are flirting, and neither is fighting all out. When Catra taunts Adora by putting her finger to her forehead, she shows how much better she is at fighting. She full heartedly laughs, Adora enjoys this and then throws a purposefully weak strike to restart the fight. When Adora seemingly turns the tables through brute force, Catra plays hurt to exploit Adora's naiveness. As Adora tries to show concern, Catra turns the tables back. She wants to teach Adora a lesson: that not everyone will play fair, as Catra knows all too well from SW's abuse. But Lonnie interrupts her. Catra doesn't appreciate this and makes quick work of Lonnie, showing just how good she is. Adora attacks, getting the predetermined win. Catra doesn't enjoy the beat down but accepts Adora's help up. She heads to Lonnie as Adora receives compliments from their commander.

As Catra confronts Lonnie, she tells Catra "you were playing dirty, I was just leveling the field". Catra will hear these words again when she leaves Adora behind in frustration near the end of the episode. They are significant: these are stereotypical views forced on Catra, and those views ignore that Catra was just doing something she felt was important: teaching Adora about the harsh realities that exist in the world. Real enemies don't play by the rules, and will be unpredictable.

As Catra’s anger rises at this, Adora puts her hand on Catra's shoulder to calm her down, then compliments Catra on her fighting skills. Catra ever so casually tosses the comforting hand aside. She's saying 'I can handle my emotions without your help, but thanks for asking.' As she tells Adora she let her win, Adora tries to tell if Catra really is ok.

Thus starts one of cutest exchanges between the two of them: as Catra tries to explain why she lets Adora win, Adora puts on her sideways 'you like me' grin while she playfully denies that Catra let her win. Catra gives a very animated and obviously made up explanation about not wanting to have people expect things from her. Adora grins along, and halfway through her lie Catra leans in, staring at Adora's lips before looking up into her eyes. Once again, Catra is undoing a lie by telling a truth: she let her win because she likes (loves) her. But it's only a half truth, once again...

Adora accepts the explanation, keeping her sideways grin: 'it's so cute how you like me'. Catra's explanation done, Adora moves on, wanting to catch up with their unit. Catra lets her do so while excusing herself. As Adora leaves, a huge amount of meaningful information passes across Catra's face…

First, Catra feels bad about having to lie to Adora, and it shows. Then, as Adora leaves to socialize, disappointment and rejection shows: Catra had hoped Adora might look deeper, and try to see the deeper truth. As Adora turns away and leaves we see a look of total love and adoration on Catra's face. She really, really loves Adora. She's the light of her life, a real idiot no doubt but Catra will always love her for exactly who she is.

The girls remain their younger selves as the rest of the memory plays out, Adora staying to accept praise while Catra separates to deal with her internal feelings which Adora always fails to see: the hurt and aloneness she feels.

>A frustrated young Catra cries, expressing her repressed emotions. It would be easiest to assume she cries because she's sad about losing, but we have to look ahead to the next memory to find the real truth.

Catra is sad because she never had a choice. SW took that choice from her, and while Catra is happy to let Adora win because of the love she feels for her, it hurts that she never really got to decide. And Adora doesn't see that, doesn't see the pain Catra is bearing, hiding. And so she cries for that, too. The one person who should love her doesn't really see her. As she looks up in the mirror to see herself, since no one else in her life seems to see her pain, she sees her present tearful self looking back. The pain of the past is real in the present, and while she's older now and won't let herself give in to tears, she feels the pain as she did back then. (pic 1, below) She sees the tears and it snaps her back to her present self, totally unnerved by the simulation as the security detects her and attacks. A fearful Catra screams, wanting help, wanting Adora.

>Adora snaps back to herself, having been participating in the replay of the memory post Catra excusing herself. She tries to run to help Catra, full of worry. She sees a terrified Catra trapped by the spider. As the spider begins to drag her away the two girls lock arms, trying to free Catra. But it's too strong, and as we see their grip start to slip, Catra looks to Adora wanting, pleading for help. As Catra is pulled away, Adora feels helpless, knowing she couldn't help her friend. She thumps her head in frustration that she wasn't there for Catra.

The scene speaks to an obvious truth: Adora has never quite been there enough for Catra. She's always less present, less aware of Catra's reality than she could have been. But since Catra was experiencing a painful memory when this happened, her reaction shows her vulnerable emotional state, and so she called out for help: Catra just wants to feel safe, for Adora to be there to help her. But she wasn't.

>As Catra is dragged away, she feels helpless, and calls out mournfully for Adora. But she's long gone; Catra is alone and scared, as usual. She screams out her frustration, the realization that she’s never gotten the help she needed, she always ends up alone. She cries tears for the suffering and anguish she feels from that. (pic 2, below) It’s a moment that shows us the real inner Catra: She feels deeply, whether it be her desire to be seen, loved by Adora, or the fear she feels in this moment and others. She tries her best to act confident in herself, but it's a lie: she needs support, yet is left behind by everyone, including Adora. She was willing to bear her pain for Adora's love, but she has become increasingly aware of how tenuous that really was growing up.

>Catra digs deep, like she's always done. She will handle this, won't take the abuse lying down. She shifts her mentality to being the survivor, the person who has survived years of abuse. She frees herself and gets to her feet, accessing her foe, determined to defeat it. She attacks, using her anger to deal damaging blows, seeking to destroy her enemy, to make sure she survives. She stands back, confident she's won, proud of herself for it. She doesn't quit, she always perseveres against those who want to destroy her. (pic 3)

Adora shows up, finishing the monster. Catra doesn't drop her mentality, this person who has lived a separate life from Adora and survived on her own, doing the hard things like winning fights and resisting Shadow Weaver's abuse.

Adora walks forward, seeing Catra's anger, determination. She looks blankly, trying not to upset Catra. She's trying to get a read on Catra but not having any luck, so she's being cautious. She asks if Catra is ok, casually pulling webbing off Catra's shoulder, trying to exist in her physical space without upsetting Catra further. "I had it" says Catra, not dropping her fighter stance, mentality at all. Catra is very much feeling the aloneness of her life from everyone, including Adora.

Adora tries to casually put aside Catra's assertion that she had it, she smiles diplomatically. She tries again to touch Catra, to break down her animosity and get her to calm down. It doesn't work. "We need to make sure we stick together from now on." As Adora touches Catra, she tenses, uncomfortable. Catra has strong touch aversion, and Adora knows this but she also knows doing it sometimes helps Catra shift her mentality, so she's trying to get Catra to connect emotionally, to get her to accept care.

"Will you stop telling me what to do?" An exasperated Catra says. We see a look of total dismay cross Adora's face. She's not understanding why Catra has so much animosity in this moment. (pic below)

As Adora looks at Catra, she hunches her body, looking misunderstood and isolated. Adora has consistently failed to see Catra's emotional states and so Catra is feeling more and more apart; that the mentality of the survivor she's feeling now is the right one. Adora didn't really help her at all growing up, and she doesn't see her for who she really is, either. Adora always took the easy explanation, like saying that Catra did things for her because she liked her. Never looking deeper, trying to see her struggle. And so Catra doesn't drop her combative pose, she stays in it because she feels in control, less vulnerable.

As for the words "stop telling me what to do", that's an essay in itself but consider: just now Adora became frustrated when she lost Catra, and now tells her they need to stay together. But they didn't, they never did, and even when they are together Adora is no real help to Catra. So she reacts in anger to Adora trying to direct her. After all, in the next scene we will see that Adora leads Catra into danger, and then doesn't really help her as she gets abused. Adora is no great leader, not according to Catra's experience.

::Adora is having a total loss, here, as she tries to understand Catra, why she's angry at her: It's because she has never really known this 'survivor' side of Catra. Adora wants to comfort her and calm her down, but Catra isn't having it. I think this is when we first see Adora begin to realize that there is something is very wrong with her friend that she has completely failed to see, and she's deeply worried by it. (pic 2)

[pic cation: Adora can't read Catra's emotions, Adora realizes Catra is deeply angry. Outside SW’s chamber, Adora wants to take Catra’s hand.]

Adora loves Catra, but can't seem to get through to her: Catra is holding herself apart from Adora. Again, Catra pushes Adora's hand aside, frustrated. She expresses her exasperation at the situation, saying she's sick of what's going on. Adora follows along, confused. As Catra seemingly purposefully leaves her behind, Adora demands to know what Catra's problem is, saying that she was trying to save her. Catra looks down at her confrontationally, frustrated with Adora's lack of vision. "For the last time, I don't need you to save me. I've been doing just fine on my own. No thanks to you." Uh oh.

The words "no thanks to you" are especially cutting. Adora has totally failed to see the struggles Catra had all her life, she didn't understand the hurt and abuse Catra was fighting against. And so Catra did it all on her own, protecting herself and trying to remain strong. Her love of Adora might have helped her have hope, but fundamentally Catra overcame the abuse by not giving up on herself, believing she had worth, and not letting others tear her down.

Adora runs to Catra's side, taking her arm in one hand. Feeling her friend becoming increasingly distant from her, Adora tries authentically telling Catra her feelings, hoping to make her friend see her desire to help and understand her. Adora explains that she's sorry for leaving and that she did it because she couldn't stand the war the Horde has pursued. Her next words are telling: "but I never wanted to leave you". 'Want' is an important word in this series, and it comes up again in season 5 when Catra asks Adora "what do you want, Adora?”. By choosing to leave the Horde, Catra feels that Adora wanted that more than she wanted what they had together. Also, promises are not something you're supposed to break over a 'want'. And Adora so casually breaking their promises makes Catra think she doesn't matter to Adora. It's not the truth, but this belief still determines her reaction in this moment. Even though Adora dearly loves Catra, including at this point in the story, she hasn't shown it in a way that Catra can see as meaningful. As Adora finishes saying this, Catra looks back, feeling alone and unwanted, seemingly thinking 'but you did leave me, Adora.'

Adora tries to appeal to Catra to join the rebellion with her. Then she says "I know you're not a bad person, Catra. You don't belong with the Horde." Catra must be thinking 'Ok so at what point did you become the authority on whether someone is good or bad, Adora?' Adora has shown no interest in understanding Catra's position, she treated her as an enemy without fail since she left her, literally in every single case including at Princess Prom when Catra was trying so hard to romance her. And Catra doesn't accept Adora's naive black and white view of the world. Think about it: when Adora defects she begins treating all Horde with hostility, including her dearest friend, she judges them all and doesn’t even try to see them as the complicated people that they are. So when she suggests Catra doesn't belong with the Horde, Catra looks back at her, feeling totally isolated from Adora. Even though Adora's plea is earnest, Catra declines it.

>As the next memory begins, we see Adora now has both hands on Catra's arm, she's desperately trying to hold on to her bond with Catra and show her desire to fix things between them. Catra doesn't drop her wary demeanor at all, and Adora looks lost and anxious over this as a young Catra runs by.

The memory starts out full of childhood innocence as the two of them play together. When the girls see that the Black Garnet chamber is open, young Adora remarks "we're definitely not allowed in there." Young Catra looks at Adora, seemingly asking if she wants to go in, trusting her. Young Adora runs off, and Catra follows her in. Yes, Catra participates in the decision, but she's not the one who runs towards the chamber, and that's important to what happens next.

A worried (adult) Adora looks to her friend who seems so distant, stoic. Anxiously, Adora tells Catra "You don't have to go in there." Adora knows what happens next is very bad, that this is a hurtful memory for Catra. As an unwavering Catra begins to walk towards the chamber, Adora looks down at Catra's hand. [pic above] She wants desperately to reach out and take it, to hold Catra back from this terrible moment, to tell her she's sorry for messing up. Adora knows now that she screwed up, that she's let Catra down, somehow more than she ever realized. She doesn't know what to do about it… she follows Catra inside.

The young girls explore, Catra touches the black garnet and gets shocked. Adora has second thoughts, she realizes they're trespassing.. but of course, SW returns, so they try to hide. As SW takes off the mask, Adora cries out, taken aback... young Catra looks at her in dismay. She's about to pay for Adora's mistake with a lifetime of suffering. Offended, SW tells them to "Get out!" but rethinks. She puts the mask back on, and decides to use this moment to instead abuse the girls and use the crime of their trespass against them. As SW tells Catra to stay, Adora turns around, seeing that Catra is caught, and she's scared for her friend. She really did make a poor decision, and as a highly empathetic person, what happens to Catra scars Adora, too.

Held powerless by magic, Catra tries to explain that they were just playing. SW's words to her set the stage for a lifetime of physical and psychological abuse: SW leans over her menacingly, telling her "Insolent child, I've come to expect such disgraceful behavior from you, but I will not allow you to drag Adora down as well." Again, it's not Catra who decided to go in, so it's really not her fault. SW disparages her and heaps blame upon her for Adora's bad choice, ignoring the truth.

Adora weakly tries to protect Catra, saying "SW, it wasn't her fault. It was my idea too." It's an understandable response, as they're just little kids. Still, Adora could have taken the blame for their trespass, since she led Catra inside. But it's about to get a lot more hurtful for Catra...

SW's voice echoes through Catra's head as she trembles in terror: "You have never been anything more than a nuisance to me. I've kept you around this long because Adora was fond of you but if you ever do anything to jeopardize her future, I will dispose of you myself. Do you understand ?" Catra trembles in fear, her eyes unfocused, the room empty but for SW menacing her. She's in a dissociative state, terrified and helpless. I think some people probably feel like this must have been a idle threat, but it isn't: SW abuses Catra many times after this for her mistakes. And the depiction of the dissociative state helps us understand just how damaging it was. While Adora seemingly goes on to not realize the importance of this memory, for Catra it is formative to her entire life.

Again, Adora tries weakly to stop what's happening, putting herself between them. She tells SW "please, stop" then looks over at Catra, full of concern. Running over to SW, she tells her "she didn't mean to". This is so hurtful, as young Catra is very smart. Catra knows Adora has blown it again, after all, what is it that she "didn't mean to" do when it was Adora's idea to trespass? Adora isn't getting the magnitude of the situation, and Catra is very much left to fend for herself.

SW then does a very insidious thing to Adora, a very directed abuse that's meant to work against her personality and empathetic reactions to others pain. She tells her "Adora, you must do a better job of keeping her under control. Do not let something like this happen again..." SW follows this up with years of manipulation to make Adora even more susceptible to abuse. But in this moment, SW again heaps the blame for Adora's mistake onto Catra, who did nothing wrong. For Catra, she comes to believe that what she did doesn't even matter, nobody cares what the truth was. Even Adora. But for Adora, the hurt goes deep as well. She made a bad decision, her friend gets hurt for it, and she never comes clean... instead, she's told she has to do a better job of controlling her friend, and that she has to be perfect so that it doesn't happen again. It's a deep and hurtful moment for Adora, just like it is for Catra. But the hurt is much less direct, and more sneaky. Nonetheless, Adora struggles with this moment, this abuse of her, in the most intimate and painful ways all throughout the series.

Young Catra watches on as SW completes her manipulation of Adora. For Catra, she's left with the feeling that nothing she does matters, she was blamed for something she didn't even do. And Adora seemingly took the easy out, spreading the blame. But she doesn't realize this moment is so insidious for Adora, that it attacks and manipulates her at her emotional need to help others. From this moment on, Adora is afflicted with a desperate fear that she can't protect others, and must lead perfectly so they don't get hurt. This internal conflict erodes Adora's self worth, and causes her great emotional pain throughout the series. Catra, instead, believes she is being told she has no worth, and isn't even allowed to make her own decisions. It's hurtful, and it's part of why she tensed so badly at Adora for trying to tell her what to do earlier. We see this realization cross young Catra's face: she feels forgotten in this moment.

We see the young girls walking away from SW's chamber, Adora with her hand around Catra's shoulder. This comfort is not enough... Catra really needed Adora to stand up for her there, to come clean, and she didn't. Trying to comfort her now seems hollow. As they flash to their present selves, Catra knocks Adora's arm aside in frustration, accusing her of needing to play the hero.

Adora responds, saying she was only trying to protect her. Catra's next words tell the real truth of their childhood: "You never protected me! Not in any way that would put you on SW's bad side!" Adora at first chafes at this statement, feeling like she did try to protect her, then crosses over to confusion at the strength of Catra's assertion. Catra is telling Adora she was blind to her pain. She wasn't there for her, and this is very much at the core of Catra's disappointment with Adora: the fact that she never stayed, never tried to understand. Adora let SW control her, make her ambitious, and so Catra was put to the side of that, and over time Adora grew apart from her. Catra’s exact words here are important: she says that Adora ‘plays’ at being the hero, yet always seemingly protected her status as the favorite, never standing up to SW and risking harm onto herself in order to save Catra from pain.

And so, the fact that out of seemingly out of nowhere, Adora decides to risk everything and defect in order to fight for people she doesn't even know, insults Catra. Adora abandons and consequently fights against her own people, leaving Catra behind, unilaterally treating her as an enemy. Never, in their whole lives, did Adora ever fight for Catra, only offering affection afterwards to make up for the cruelties that happened to Catra. So no, Catra doesn't want Adora to save her, or her sympathy, when she seemingly cared so little about her pain. Adora was no hero to her.

Now an obvious question might be: if the manipulation is that Adora is supposed to protect and control Catra, then shouldn't she have had to see SW abuse Catra for it to work? The first part of the answer is that it was never really about that, once the idea was put in Adora’s head, SW used it to manipulate her further into a mentality where Adora would accept praise, promotion on her path to becoming a force captain.

The other is that when someone is being hurt like Catra was in that moment... if the one person in the world who is supposed to get it doesn't get it... then it becomes very hard to ever bring it up to them again. It's a specific type of hurt and abandonment: for Catra, she goes on to believe that this is her burden, that somehow she alone is supposed to learn these hard lessons. And so she doesn't tell Adora about the abuse. Also, keep in mind that they are small children, and Catra doesn't want Adora to hurt like she does... so she's actually protecting her, in her mind. But the fact that time goes by and Adora never seemed to care, to stop and see Catra's pain, was very hurtful to her. And Catra’s feelings of betrayal at Adora’s not seeing the hurt are justified: in episode 1, we see Adora watch SW menace Catra, then happily run off to accept her promotion, only remembering to check on Catra as an afterthought. Catra needed Adora's support, and never really got it.

[pic caption: (left to right) Adora’s apparent willful ignorance of the abuse.]

So Catra believes she learns these hard lessons so Adora won't have to, but is left alone in her pain. This also means that SW specifically abused Catra at times and in places so Adora wouldn't be aware, which again, tells us it was never really about making Adora responsible for Catra's decisions. No, the reasons were much darker, and Catra bore it all alone.

The girls flash to their younger selves, and Catra accuses Adora: "Admit it, you love being her favorite." Catra is telling Adora that she was disappointed and hurt that Adora kept accepting praise and privilege from SW, after that moment when she so clearly should have seen how SW abused her, and the maliciousness of the death threat. In Catra’s mind, Adora could have rejected SW. As painful as it is for a small child to be without any parents, it would have been the right thing to do, for Catra. SW was no good to Catra, and they could have shared the pain of being orphans who only had each other, but instead Catra ended up bearing all of the abuse while Adora was given privilege.

Adora denies this assertion, and yet she did accept the privilege SW offered her. Catra's next words show how ignorant Adora was to the realities of their lives as they flash back to their present selves: "Oh yeah? When you left, who do you think took the fall for you? Who was protecting me then ?" Catra bore all the abuse and punishment for Adora's leaving, and Adora wasn't there to see it. Catra did this bravely for Adora, in fact, up until before Princesse Prom, Catra did everything she could to cover for Adora, just like she asked, protecting her, hoping she'd come back to her. But Adora shows no understanding at all for what Catra went through, she didn't even think about what must have been happening to her. Adora has never taken the time to think about how her actions affect Catra's life.

Adora counters, suggesting that Catra could leave the Horde, and therefore get away from SW's abuse. Catra just glares back at her, disappointed. Catra knows running from the abuse won't solve anything.

::What this comes down to is a totally different understanding of the world. For Adora, she thinks she became a hero for leaving the Horde, and becoming She-ra. She doesn't realize she was lucky to fall into the situation she did, with Bow and Glimmer helping her gain acceptance and protecting her. She's totally unaware that the reality that her becoming She-ra is a manipulation born out of evil intent. For Catra, she's always known that the world is harsh, and that bad people exist who will try to destroy you. She's not afraid to fight, she's had no choice learning these harsh truths. It's a jaded view that negatively affects her perceptions of people, but it prepares her for the worst, and so she relies on it. So when Adora suggests she run from it, she rejects her as naive. They flash back to their younger selves after Adora suggests Catra can leave like she did, and Catra accusingly points out that she doesn't need to follow Adora around. That they're children is relevant to the previous memory where Adora led Catra into danger, and then didn't protect her. Catra isn't interested in following Adora blindly after she's put her in danger so badly in the past.

Flashing back present selves, Catra tells Adora she doesn't want to leave. As she says this her face conveys her anger at the world, her drive to face SW instead of flee. She says "I'm not afraid of SW anymore, and I'm a better force captain than you ever would have been." Let's take this in parts: Catra won't run from her abuser, she's already planning to take her down. Doing so is important to Catra, as it fixes her world in an important way. And that Adora can't see this just shows how far apart they are now. In Catra's mind, Adora was supposed to stay, and as they rose to power together, they would have supplanted SW, fixing Catra's world. The two of them would have been stronger in the end. But Adora did leave, so Catra impatiently tries to get Adora to see that she won't just run away. If Adora doesn't want to help Catra overcome this evil, then she'll do it on her own.

Her disappointment in Adora for abandoning this fight is apparent, what comes to mind is when Catra calls Adora weak in the Sea Gate episode. And now Catra knows she's got the power to do this, she's a force captain, and if she can just find a reason to depose SW she knows she has the station and fighting ability to take her down. She always knew she could lead, but was happy to let Adora have success because she really didn't want that responsibility. So she points out her superiority, not to show that she's better than Adora, but to tell Adora she was blind to Catra's worth, and to be hurtful to Adora for abandoning her.

They flash back to their child selves: Adora looks at Catra, hurt and confused "You always said you didn't care about things like that." Adora is feeling hurt by the idea that she was unknowingly taking advantage of Catra, because Catra has seemily just told her she was lying.

Now, this next part is important, and it's important that we are seeing Catra's reaction as her child self: Catra looks sad and lonely as Adora finishes her question, and she's crying. Something adult Catra would never let herself do. So we're seeing a much more authentic expression of Catra's hurt and emotions than if it were her present self. What you need to understand here is that those emotions don't really match her words... Catra tells her "Well I was lying, obviously!" But her face says she's angry and hurt at Adora for not seeing her pain.

As she delivers those words her face is full of accusation and insult, she's being dramatic, something we will see Catra do time and time again. She stares down Adora, eyes scrunched up, showing Adora how betrayed she felt by her insensitivity. Then we get sadness, disappointment. Finally, we get a lonely kind of furious sorrow: all that time feeling alone and Adora didn't bother to understand is written on her face.

The tears are still flowing, but as she turns away they shift back to their present selves. Adult Catra looks totally alone, heartbroken.

Ok but how we REALLY know Catra isn't telling the truth is this: almost word for word, this moment exists in episode 1. ANY time you see that happen in this show, you need to look back to find the meaning of it.

>We will need to look in totality of this scene in episode 1: An excited Catra pounces on Adora, asking her what SW said. She sees the badge and takes it. Here's a funny thing, because we see Catra jump on Adora you might think Catra is always like this, she just comes into Adora's space as she pleases. But once Catra has the badge, we see no anger or jealousy. Just total wonder. She shows nothing but exuberation and happiness for Adora's promotion (pic 1, lower left fyi).

Catra knew this could be the turning point she's been waiting for, that Adora was due for promotion. And so she's jumping all over Adora, full of joy. We only see her attitude change once Adora tells her SW isn't letting her go on missions. And so, we can infer a lot of information from this...

Catra expected this moment to change their lives for the better. That Adora's rising in rank means freedom, the beginning of something new. Some many new things, in Catra's case. But Catra definitively shows us in this scene that she doesn't desire the success for herself. She only shows happiness for Adora, for them together, and she's ecstatic. (pic 1, fyi)

This, in Catra's mind, probably means the start of their romantic lives. If Adora is the force captain that brings them to victory, SW won't be able to just trample all over their lives. Catra can begin letting down some walls, maybe even let Adora pursue her romantically. If they're together, and Adora is on her side because of that, she becomes safe from her abuser. It's a much better outcome than trying to fight SW, but that's not how the story goes. No, Adora leaves her instead. How's that for emotional whiplash? All of these truths are laid bare in s3ep5, when we see Catra's perfect reality, when she and Adora are together romantically. Catra only wants to be safe and to be loved, but when Adora leaves her she loses trust in the goodness of Adora, and in people in general.

> Adora tells Catra she shouldn't be surprised she's been cut of of the mission because she's so rude to SW, to which Catra responds by calling Adora a people pleaser, then storming off in anger...

::Note, as this is important: Adora is taking SW’s side, and not Catra’s, which is entirely opposite of their early childhood memory of Octavia. It shows how Adora had started listening to the negative judgements others placed on Catra...

>Adora goes after Catra, finding her sulking on the roof. Catra is angry, betrayed by the world, at the injustice that SW is in her life. Adora asks "I didn't even think you wanted to be a force captain?" Catra tossed the badge at her, saying she doesn't. Then she folds her body up, holding herself. Adora sees this, but doesn't touch her. She's being careful to respect Catra's boundaries. But the anger Catra feels here isn't about being denied the chance to be a force captain, it's at all the hurt that SW has dealt her and continues to do so. And Adora doesn't see that, which disappoints Catra. But, she's unable to verbalize it herself, she is too insecure in her emotional vulnerability, so she lets it slide.

What we have here is two different instances of the same question with two different answers, but in both cases Catra is telling the truth. In episode 1, it's the truth that she doesn't care about being a force captain because of her love for Adora, and the promise, in her mind, that they will eventually be together. In episode 11, Catra then says she lied, and this now is also true: Catra did think about what she was going through, all the pain and sacrifices she made for Adora, which were done in the name of love. But Adora doesn't love her the way that Catra loves Adora, instead leaving her behind. And so now that Adora didn't ever see how excellent a person Catra actually was, how dedicated to her she is, and the pain she was willing to bear for her sake, it does matter. Because that's shitty of her, and so now Catra will survive on her own by her own excellence, her strength that Adora never stopped to see. So Catra is guilting Adora, trying to make her see how blind and unfeeling she is.

>Back to ep11: Catra tries to walk away from Adora, who desperately chases her, trying to understand why Catra is becoming so distant, wanting her to tell her what's wrong. She reaches out for Catra's shoulder in one last attempt to get Catra to talk, she knows touching Catra could maybe get her to be more open. But the truth is Adora has been far too easy on Catra, she needs to be more forceful if she wants Catra to talk, which she later comes to understand... she's been coddling Catra, and so Catra is allowed to wallow in her unhealthy mental states.

Catra takes Adora's hand, forcefully holding it away from her and delivering a hurtful line: "Why do you think I gave the sword back to you in the fright zone? I didn't WANT you to come back, Adora!" This hits Adora like a load of bricks, her dismay is evident. And it's all true, which is the sad part. Catra was already preparing to cut ties with Adora, as even by that point she had come to a realization, a decision: if Adora doesn't want to be with her, then she'll do it herself. She will do the hard things on her own.

She turns away from Adora, looking hurt and betrayed. And Adora is at a complete loss, she doesn't know this side of Catra, this part of her that has survived hardship all these years... she lets her leave, not knowing what to do.

Adora is then attacked by the security, which takes up her time. As that happens, we see memories only shown to Catra. Catra runs, emotionally overwhelmed as all the unfair judgements, the abuse, and hollow apologies ring out around her. All the years of frustration and sadness weigh on her, she tries to keep it together, lashing out at the holograms. She falls to her knees, fighting back emotion and trying not to cry, her inner, vulnerable self is near the surface, and she's trying not to break down in tears over all of the hurt she's had to bear...

… and then she hears soft crying...

She turns to see her younger, tiny self, crying. Then, a tiny Adora joins the tiny Catra. Unlike the other memories, Catra never flashes into her younger self, she just watches...

The tiny Adora pulls the blanket down, Catra hisses at her... Adora sits down next to her tenderly. And we finally get the promise, the two parts that Adora has so tragically broke...

Adora tells her "It doesn't matter what they do to us, you know? You look out for me, and I look out for you... nothing really bad can happen as long as we have each other." The tiny Catra looks at Adora, wanting to trust her, to believe in her. As she says the question, present Catra echos it: "You promise ?" This was a sacred moment that gave Catra hope as a young orphan, that maybe she would be ok.

And so, the present Catra echoes it. Adora tells her she promises, as the skeptical present Catra looks on. Tiny Catra is still sad, insecure... she hugs Adora, needing this. Adora suggests they go back out to play... and we see tiny Catra look at her, still afraid, reluctant, wanting to stay. But she decides to trust Adora, and so they walk out, holding hands. Then something unique happens. Tiny Catra stops to look up at her present self: note, this is entirely a unique moment in the simulation, it never happened in reality... and yet Catra is given this moment...

The innocent child stares up Catra, making her see her. It's a look full of meaning, it doesn't carry any specific emotion... only innocence. Catra is having an inner child moment. That most deep and innocent part of her, her vulnerable self who feels love, is communicating with her. It's asking her to see it's vulnerability, and it's pain. Catra sees this, all of the pain Adora has caused her, the breaking of the promise, the promise that this innocent part of her was holding on to desperately with hope. She is forced to acknowledge Adora's disloyalty to her, her carelessness. Catra is reflecting on how she did her absolute best to keep that promise, even after Adora failed to look out for her in SW's chamber. Catra was so loyal and so good to Adora all of their lives; she made sure Adora had a good life, and she played by SW's rules so Adora could be the chosen one, wanting to protect her. All in the hope that they would be together, and that their love was real. But Adora couldn't even do that much, she left her. And Adora doesn't understand her, she doesn't even seem to miss her.

[pic 9: Broken Promises, Catra’s inner child, The Hero goes Her Own Way].

Present Catra watches her tiny self leave, coming to the tough realization: that she's never been able to trust Adora, not really. Her love isn't reciprocated, not by her standards.

…. which makes Adora a deeply unsafe person to Catra...

Catra survived SW's abuse, learning to believe in herself, protect herself because no one else would. All while keeping this hope of love in her heart, this vulnerable core of herself that has tenderness and loves Adora, and needs love back. But, her need for love goes to such a deep vulnerability that giving in to it and then again being rejected or forgotten by Adora would simply destroy her. SW held the threat of death over Catra’s head her entire life, and Catra resisted it, got through it by being tough and trusting in herself. So now she sees she can't trust Adora: everything that happened since she left her behind, the fact that Adora always treats her as an enemy, that she seems to show no lingering desire for her, and doesn't even seem to miss her while replacing her with new friends, seems to confirm her worst fears. Fears that have been building over the years, starting when Adora broke their promise in SW's chamber, and then as Adora pursued her success while accepting praise and privilege from SW, ignoring the abuse Catra bore because of it. She decides she can't trust Adora. Love is a lie, a weakness. A weakness that could destroy her last bit of individuality, and belief in the world.

And so, Catra, The Survivor, makes the decision... in her mind it's the brave one, just like way back when and she decided to bravely stand up to SW's abuse and not let it destroy her: she will stand up to the threat that is the weakness of her love for Adora. Adora is selfish, she doesn't deserve Catra's love. She was stupid to believe that love was even possible, for someone like her… who has always been ignored, and told she is unworthy of praise or even existence. There's only one thing left for her to do: she will be alone, strong on her own, for herself.

Her gaze hardens... that part of her that has made sure she survived SW's abuse, and made sure she won fights when she was threatened, is now the decider. It will protect her from her vulnerability, and reject Adora for her. I suppose you might be confused as to what I'm referring, or maybe not... If you haven't had to fight for your life, whether physically, mentally, or otherwise, you might not know this side of yourself well. But we all have it, it's The Survivor. And while I knew mine would protect me, I didn't accept it as my real self, I didn't accept its necessary but vicious deeds as my own. This is very much how Catra is, and as the series goes on she puts this survivor in charge of more and more decisions, we watch her deteriorate as this part of her gets out of control, protecting her from darkness with more darkness. All the while her vulnerable inner self suffers, watching the horrible deeds and becoming more and more alone, desperate for affection.

>Adora is outnumbered, eventually ending up hanging from the cliff's edge by spider webs. She hears Catra return, dealing with the spiders. Adora looks up, hopeful because Catra has returned...

Catra saunters in. Let me say a few things before we go through this part: Catra is about to say a lot of things that aren't really true. They are instead meant to be hurtful to Adora, Catra is being intentionally mean. We shouldn't take her exact words as her authentic beliefs, because they're not... no, Catra is doing what she believes she has to so she can be apart for Adora, and be safe from her. The truth is, Catra needs to be away from Adora. She's too scared of the vulnerability that is her love for Adora, because Adora hasn't shown her that she cares. And she can't do that by defecting, no, she must stay with the Horde. It's the only thing she feels there is left for her to do.

Now, let's go through this: and heads up: I'm getting at something very powerful that's going on here that you may not have realized. This speech is, in fact, a heroic moment. A heroic moment... for Catra. Not Adora, for Catra. And you just need to open your ears to hear it...

"Hey Adora."

🎶 is sad

"Catra! Help me, please!"

"This thing wouldn't work for me if I tried, would it? It only works for you... then again, you're special... that's what Shadow Weaver always said..."

🎶 is melancholy

"Catra, what are you doing??"

"Ah, ya know, it all makes sense now... you've always been the one holding me back... you wanted me to think I needed you, you wanted me to feel weak."

🎶 has even tone

"Every hero needs a sidekick, right?"

"Catra that's not how it was.."

🎶 rises, falls, sad (“Promise” begins playing)

*Catra chuckles* "The sad thing is I've spent all this time hoping you'd come back to the Horde... when really you leaving was the best thing that EVER happened to me..."

🎶 lowers, is dark, is dramatic. -Note: we see Catra seemingly become deranged as she says this line. This is Catra deceiving herself out of perceived necessity.

"I am so much stronger than anyone... ever... thought." *she cuts part of the web*

🎶 begins to rise, uplifting

"I wonder what I could have been if I'd gotten rid of you sooner." *she cuts the rest of the web, Adora falls, catching herself*

🎶 rises, is dramatic

"I'm sorry! I never meant to make you feel like you were second best. Please, don't do this."

🎶 is still rising, uplifting

*Catra stands proudly, nobly, looking at the sword. She looks down at Adora, then she casually tosses the sword past her...

🎶 is rising, hopeful, heroic.

"Bye Adora, I really am going to miss you..."

🎶 is heroic, violins now playing, adding depth

*Catra turns and walks away from Adora, proudly*

🎶 has risen to its height, crests, is heroic.

"Catra... Catra, no!!"

🎶 remains high, cresting, heroic

*Adora cries, sad, confused by Catra's leaving her...*

🎶 crests again, fades out...

Ok, so... let's talk about what just happened here. The undeniable conclusion is that this was meant to be a heroic moment, and a damn heroic moment... for Catra. The writers are telling us that Catra leaving is an important part of her hero’s journey, and that it was the right thing to do. You might be wondering, how can that be? The short answer is, Catra is on a hero’s journey unlike all the other hero’s journeys normally portrayed in fiction. All of it, even her darkest deeds, all her cruelty towards Adora, will be part of a very... important... and powerful... journey. One which will forge her into a hero in this series, in her own incredible right... how this is, what she is, is yet to be revealed... but make no mistake, she's a hero. Just not the one you expect…

We see Adora open her eyes, and see Light Hope. She tells Adora to let go. She means of her emotional attachments, as we find out. Adora cries for her lost Catra, that she couldn't bring her back to her. She lets go...

BIG ASSERTION TIME: Now, I know it's a common theory that these memories were all just an elaborate manipulation by Light Hope to divide the girls from each other, but I don't agree with that. No, I believe this was a memory journey guided by Catra, subconsciously, to help her tell Adora why she couldn't come with her, why she has to be apart.

Take for instance the memories and visions that Adora sees when she's on her way to the Heart of Etheria in season 5: this system exists apart from Light Hope, who dies at the end for season 4. This simulation comes from somewhere more primal: in my belief, it is the deep magic of Etheria being visualized through the First One's tech. We see the simulation show Catra the promise memory, something Adora isn't shown at all, and then allows her to see her inner child's hurt. Something deeper is going on here, and you should consider how strongly the magic of Etheria is resonating with Catra when it does. Because the magic of Etheria will again speak directly to Catra, this isn't the last time... In short, the magic helps the two of them to understand each other, because Catra is an important part of Adora's true She-ra journey.

I also believe that a theme of this series is that abusers, like L. Hope, are not perfect vindictive manipulators. They are flawed, and L. Hope in particular, I believe, is no genius: she fails time and time again. That L. Hope uses the moment to get Adora to let go is her using the moment to her advantage, she didn't play ultimate control over it. She just piggy backed on Catra's hurt to do it. So that last memory really was for Catra... Furthermore, I simply cannot believe L.Hope would understand the concept of the inner child… as she can't even understand sarcasm.

But now, because of this, Adora now knows of Catra's pain... and this is the beginning of Adora's long journey back to Catra, of her repairing their bond…

Let's address the obvious counterpoint: Adora now knows that Catra is hurt, but she doesn't yet understand why. And it's not really her fault, as Catra doesn't know how to talk about her feelings, among other things. But it's apparent that Adora doesn't remember these crucial memories as well as Catra does, even though they were critical in her development as well. Adora is a mess of emotions, just like Catra, and (if) she has ADHD, it might be one reason why she doesn't really get Catra. Especially if her parental figure has been manipulating it against her. Adora very much vibrates between stimuli anxiously, so SW might have made her forgetful by distraction over time. Also, the way in which Adora treats Catra as an enemy when she doesn't accept Adora’s (totally rushed, afterthought, and hollow) ultimatum that she defect with her, is a reflection of Adora's ingrained Horde war training… this is something she has to unlearn, as it is wrong. But Adora is a good person, she really, truely, is, because Adora never stops trying to make it better. And so, she slowly, but surely, comes to understand Catra’s trauma.

We get one last scene of Catra returning to the fright zone. We get to see Catra's truth here: She walks, as if she's not even there, she's deadened by the sorrow and the inevitability of what her life will now be: one of hard work, and zero joy. She will try her best to stand on her own, and put Adora out of her heart, slamming its doors shut against love. It doesn't work, but that's what she's trying to do, nonetheless. This is the beginning of a profound depression that builds over the next 3 seasons, and combined with new traumas, nearly takes her life.

But the tech Catra has brought back will end up giving her what she needs to face down and depose SW, just like she needed...

::Here is another complicated twist that's so essential to She-ra as a series: Catra, in fact, protects Adora by taking down SW. Catra may go on to command the Hordes forces so effectively that it pushes the Princess alliance harder than it's ever been pushed before, but her deposing SW is extremely important in the story. She both removes SW’s ability to attack Adora, and then denies her any sorcerous power by taking the Black Garnet from her, since SW needs an external source to draw power from in order to use her vampiric powers...

Ok so more theory time: it's a common belief that Catra stays with the Horde, and goes on to try to conquer the world out of some deep need to externally validate herself, and to prove she was the better child by beating Adora. I don't think any of these explanations are true. Catra may go on to play such a character on a surface level, but every time she professes to have any such ambitions, she is either in the presence of Adora, or under incredible stress. In the one case, she's saying those things to try to hurt Adora, and make her see how naive and foolish Adora always was, especially now that Adora thinks she can fight against her.

In the other case, it's actually her survivor mechanism trying to take over, to make her world safe. In every case where Catra says something about ambition, somewhere in that scene, Catra shows the distinct emotions of her true inner self: generally, these emotions are sorrow, fear, and loneliness. They don't exist on screen long, they are what is known as micro expressions. (See below for a short discussion of Catra’s micro expressions.)

To put it simply, the only reason Catra stays with the Horde is so she has somewhere she can be separate from her feelings and heartbreak over Adora, and then she climbs the ranks in order to find safety, first from SW, and then Hordak, once he threatens her life with his temper tantrums. That she fights against Adora is just a collateral consequence, she isn't out to get Adora, but nor does she care if Adora gets hurt, because she’s hurt her. Catra does fight against the princesses, though (including She-ra).

A core feature of Catra's character is indeed one of personal power. She's a person who is told to hurry up and die at an early age, but refused to do so. So her arc, her issue, isn't a cautionary tale about chasing validation, it's about her overcoming her fear of vulnerability and allowing herself to rely on others in a way that lets her be safe without needing to combat the darkness with more darkness. But vulnerability scares her because of the abuse she experienced.

As for validation, the only person she would want that from is Adora. This is because Catra believes in herself already: that she has a sacred right to exist, no matter what SW and others may tell her (note: Adora struggles with this, she's actually the one who seeks validation). But, she also needs love, and she is too fearful that Adora doesn't really love her and is afraid of being hurt by that. It's also why I think she's so chaotic towards Adora: her inner child tells her adult self to protect her from her love for Adora, which it tries to do, but that same child misses and needs Adora in so many ways. So she's trying to be mean to compensate for the incredible desire she feels towards Adora. I love it when Adora calls her a brat in season 5, it's such a well deserved line, mmhhmmm.

Actual discussions of how these particulars play out in the show are better left for another time, but there you have it.

Promise sidebar discussions: Catra’s micro expressions; Catra nearly dies at the Battle of Bright Moon

“White Out” microexpression discussion: [see pics below] This is the first time since the Battle of Bright Moon that Catra and Adora meet. So it's a good time to talk about Catra’s micro expressions. Picture 1: Adora says “Hey, Catra” out of the blue and Catra is completely blindsided, she figured she wouldn't be bothered out in the middle of nowhere. She's anxious and unhappy to be seeing Adora. Along with her suspicious absence the episode before in “Roll With It”, the answer is obvious: Catra has been avoiding Adora. She may have cut ties with her in “Promise”, nearly bested her at the Battle of BM, but she doesn't want to see her. She doesn't know what she feels about her.

Picture 2: Enraged monsters are decimating the base, and a battle breaks out over the corrupted disc. Catra is desperately trying to protect it, because she can control Adora if she has it... and she needs this chance to have her back. As Catra reaches to pick it up, she's facing away from everyone and so no one can see her desperation and sadness from missing Adora. (pic 2) Shortly after, we also see her clutch the disc desperately to her chest in a way that's very endearing, right before the monster attacks her and makes her drop it. Then, as she's about to die in its jaws because she doesn't want to give Adora up again, Scorpia breaks the disc and saves her life. We see in this episode as Catra completely loses track of her emotions, and now realizes she has to come to terms with the fact that she's so desperately sad from missing Adora, she was willing to die just for a chance to have her back.

Pic 3: Catra hates working for the Horde. She HATES it. She gets zero joy from the job, and she’s already figured out that Hordak will kill her if she screws up too badly. She didn't want this job, plain and simple, but now feels stuck with it. None of this is the life she wanted. Combining this knowledge against Catra’s declaration to Adora at the end of Promise, we know she's not happy that she had to go her own way...

Catra’s near death experience at the Battle of Bright Moon

At the Battle of Bright Moon, Catra leads Adora (She-ra) away. They battle, but then Catra retreats and instead starts listing out every single worst fear of failure she thinks Adora has. It's a dark moment, she's acting much like SW did to them as children, and we watch her manipulation take root in Adora. Finally, her words are too much, and as Catra looks down at Adora's (She-ra's) back, we see Adora become deranged, overcome with her fear of failing everyone... (pic1, above) she picks up a boulder and throws it directly at Catra. Catra is knocked flying, and only by the barest of margins does she keep from falling to her death. Adora nearly kills Catra. And so, as Adora drags Catra up from the cliff and slams her into the wall, we see a totally heartbroken and emotionally crushed Catra. In this moment, Catra believes all of her worst fears are confirmed: Adora only cares about being She-ra, so much so that Adora would kill her in the name of being that hero. Catra uses this moment, this belief, to justify her division from Adora. Sadly, she's wrong... she's ignoring the seriousness of the threat that the battle poses, and as Adora was facing away from her during that moment, she doesn't see the terror and desperation Adora experiences due to her cruel words…

Oh, and one more thing before we go: when Catra says “What, did you really think this was about you ?” SPOILER ALERT: It was. Because She-ra is one big Catradora story… and we love it.

As always, thanks for reading. <3

~EtheriaDearie

P.S. :: as I am new to tumblr, if you enjoyed reading this, please consider giving me a reblogg! Thanks!! 🙇💛

[embracedthevoid]

I wish i could write the way you do! It's so beautiful and magical the way u very accurately capture wilmon as if you were the original creator. English is not my mother tongue so I'm already at a disadvantage, but I do aspire to be like you and contribute some fanfics if i ever get good enough. Can u recommend me some resources, techniques or habits that you credit for helping you achieve such mastery as you have? I'm a big fan and always look forward to where you go with the missing moments!xx

oh my god, I'm gonna cry, this is the sweetest message anyone has ever sent me. I remember when I first started writing fanfic, and I was the one sending messages similar to this to other writers asking for tips and such. I dunno, this feels like a very 'full-circle' moment and I'm actually going to start crying now. The fact that you said I capture our boys as if I were the original creator is just too much I'm– there are no words. There is no possible way that could be true, but I will gladly accept the compliment anyways 🥺💜

This is actually going to be a long message and I'm sorry about that haha. But I'm going to say to you all the things I wish people had said to me when I first started.

The first thing I'll say to you is that you don't need to wait until you're 'good enough' to post fanfiction. There's no such thing. I promise you, you are probably better than you think you are, and it would be a gift to the fandom if you shared your stories and ideas. That's the beauty of fanfic, there's no right way or wrong way to do it. It's a creative place where you can try new things and grow without judgement, and if people do judge you, that's on them, not you.

The second thing I'll say is that what helped me the most is practice. To just keep writing without overanalyzing the work, or trying to make it perfect. Because nothing is ever perfect, and that's kind of the beauty of it all isn't it? There are always new places to grow, and new methods to learn.

I also recommend trying different writing styles! Like writing in first person or third, even poetry, try it all! And if you don't like one of them, know that it's okay to stop, there's no shame. That's something that always got me. I used to always try and write in the first person because I thought it was the 'better way to write,' spoiler alert, there is no better way. Writing is personal, and when you find what works for you, roll with it, and don't let anyone tell you differently.

Lastly, I don't really have any resources to offer you because most of what I learned has come from other fanfic writers. Having someone beta read for you is always helpful, but make sure it's someone you trust, and someone you know won't bully you into changing things or overedit without your permission. It's hard to find people like that, but reaching out like this is how you will, (plus I'm always open 😉). There are a couple of things I do use as tools tho! Sometimes if I'm writing dialogue and I want to find alternatives to 'they said' or 'he said' or 'she said,' you can google the fraise 'said is dead' into google images there are a bunch of alternative words, like 'he stammered' for example. But also remember, there's nothing wrong with the word 'said,' sometimes it's the perfect word to use and that's okay! Also when writing dialogue a good formula I follow is, "sentence goes here," he/she/they (the action) + (tone). ex. "I like you a lot," he murmured, embarrassment laced in his voice. It helps show where the characters are emotionally throughout the story, which is a fairly important thing. (if you haven't noticed dialogue something I struggle with hahah). The last point I'll make is to just write. Don't stop to edit halfway through, don't reread paragraphs before moving on to the next one. If you think something is bad while you're writing it, don't erase it and just keep going. If you're able to get everything out and plot out whatever you want to be written then you've completed the hardest part. Editing is there for a reason. You can always go back and remove the stuff you thought was garbage in the first place, and a lot of the time that's the stuff you'll actually end up loving and add a bunch more too. Basically, give yourself a chance to get to the end of your story before you pick it apart. That's something I also had to learn myself.

Anyways, I'm sorry if this was more than you wanted, but the word vomit happened and well, here we are. Just remember, practice makes perfect and that ultimately there are no rules to writing. To me, writing is an art, and it's meant to be interpreted and experimented with in all the ways that art usually is. Don't let anyone ever tell you that you did something wrong or that your writing isn't good, because the only opinion that matters is your own. That's something it took me a while to understand. ALSO the fact that you speak more than one language is hella impressive and I just want you to know that. I've been trying to learn Spanish for four years now and I can still barely hold a sentence, so I'm very impressed by you right now. (please reach out if you have any more questions! my ask box is always open, and you're more than welcome to slide into my DMs if you wanna have some more in-depth conversations)

[cherry-lipbalm]

survival of the fittest. spencer reid.

5.3k words.

masterlist

“ If they were to somehow get out of here alive, she was certain it would only be one of them. ”

three hours earlier

Y/N was ready to go home - more than ready. They'd gotten back from a hard hitting case in Boston, touching down by early afternoon meant they were expected back at the HQ, which henceforth meant piles of paperwork were in their future. Y/N knew her complaining would only go reprimanded by Hotch, so she kept to herself in her cubicle, shoved into the corner of the bullpen, and desperate to get the documents out of the way.

Over the scribbling of her pen, she heard the mutterings of Morgan and Reid's conversation beside the latter's desk not too far away from her own. She sighed in defeat, because she knew she wouldn't be able to resist joining them, especially when the opportunity arose to take the mickey at Spencer.

When it did inevitably arise, she pushed herself away from her desk and allowed the wheels on her chair to escort her over to the men. At the sound of jagged rolling, Morgan stepped aside to make space for her to insert herself, a snide smug painted on his face.

"Did I just hear the word 'Spencer' and 'girl' in the same sentence?" She asked, leaning on the armrest to shove her shit-eating grin into Spencer's face; he only rolled his eyes and gave an insincere 'ha ha'.

"Your ears did not deceive you, baby girl," Morgan said, receiving a smack on the arm from Spencer. The warning stare he gave him almost made Y/N stop pestering him. Only almost.

"Oh my! Spill the beans, who is she?" Y/N gushed, steering her chair even closer to the Doctor while Morgan watched on amusedly.

"There isn't a she," he grumbled, head bowed to his paperwork in the hopes that if he ignored the Agents they'd just go away.

"...a he?"

"No!" Spencer exclaimed, snapping his head upwards.

"Hey! It's no skin off my nose, Spence."

He groaned, then turned back to his work and allowed for Morgan and Y/N to exchange a glance as they both tried to hold back snickers at their friend's flustered existence.

She stayed huddled around with them for a few more minutes, but as soon as she saw the clock hit 5, she jumped from her chair and kicked it back to her desk. Announcing that she was off, she began to gather and pack her things. While she did so, she heard Spencer make the same announcement.

"You're off earlier than usual," she called back, "let me guess... Doctor Who marathon?"

Spencer's smile gave him away; Y/N chuckled and draped her coat over her shoulders, standing by his desk while he adjusted his satchel.

"Busy man," she commented, then proceeded to listen to whatever sci-fi related ramble Spencer was emitting, interjecting with exclamations of intrigue or surprise whenever she deemed suitable (they were all timed guesses, but she didn't waver once).

"...Christopher Eccleston is actually the second favourite, despite the fact that a lot of people skip his season, but he has a 52% popularity–"

"Wait, why do people skip his season?"

"Oh, because he preceded David Tennant. He's the favourite, with a 69% popularity."

"Ha, 69," Y/N muttered under her breath with a crude smirk. Spencer only gave a restrained smile and raised his eyebrows. The two fell into a silence, except from a 'thank you' Y/N said softly when Spencer opened the door for her.

The elevator button illuminated under her touch, and they stood in front of the steel doors, awaiting their opening. Y/N tapped her foot senselessly, and Spencer rolled on the balls of his heels.

In amidst the silence, Y/N looked up to Spencer and they exchanged a warm smile. The beep of the elevator distracted them, and after stepping aside to let people out, they ambled in and finally relaxed when the doors closed on them again.

"Today was relentless," Y/N sighed, checking her watch.

"Have any plans?" Spencer asked, out of courtesy.

"Well, I have to head to the repair store to pick up my phone, but after that there's leftover Chinese food in the fridge with my name written all over it," she chuckled.

"What happened? To your phone?"

"Morgan happened," was all she said. Spencer joined in on her judgement even though he didn't know the story, he did know that 'Derek Morgan' was simply a reason in itself that didn't warrant an explanation. Then, they lulled in the return of silence.

It wasn't until the elevator jerked and came to a sudden stop that the two spoke again.

"That's not right," Spencer muttered, and he immediately began to jab at the ground floor button before Y/N smacked his hands away, because she was already deep in a panic, so it was even worse when the next astounding jerk hit. She screamed when they were thrown off balance, and hoped she hadn't got a concussion from where she collided with the back wall upon the motion.

"What the hell?" She panted. They came to a still, but it made her even more nervous because she knew they hadn't been in there long enough to reach their floor. That, and the fact that they had just ripped through the air at about a hundred miles per hour.

Spencer's eyes furrowed, and he licked his lips in the way he did when he was focused on something. Judging by the way he assessed the doors, Y/N thought he was about to pull some thwarted stunt, or more likely reel off some facts about steel.

"I think something's wrong," he mumbled.

"No shit, Sherlock,"

"Ah, elementary my dear Watson," Spencer replied so quickly that Y/N was almost inclined to believe it made any sense.

"Did you know that Sherlock Holmes never actually said that? Sir Arthur Conan Doyle never wrote those words, they were only adapted into the movies years later-"

"Oh my god, Spencer, are we stuck in this elevator?" Y/N shrieked, her knuckles whitening under her tight clutch of the hand rails on the wall: half from fear and the other from frustration.

"Oh, uh, yeah, I think so."

Upon Spencer's bluntness, she stepped forward, desperate for any attempt of an escape plan, she began pressing the ground floor button repeatedly; when that didn't work, she resorted to aimlessly smashing all the buttons on offer. 

"That's– that's really not gonna do anything," Spencer said in the background.

"Do you have a better idea?" She snapped, turning to him with a glare before resuming her actions.

"Try the - try that one!" He pointed to the red button with an alarm bell engraved on it, and Y/N felt stupid under his stare for not noticing it before. She pressed it, and the ringing noise that emitted from it seemed to do nothing but that: ring. She was certain someone was supposed to come to their aid through a speaker, so she pushed it continuously, but derived nothing further. At least she gained some comfort in the panic of Spencer's voice that told her he was shitting himself as much as she was.

"It's not doing anything!" She cried, and when he leaned over her and pressed it too, she bit her tongue and raised her eyebrows to tell him 'see?', infuriated at the fact that he thought she could be somehow pushing a button wrong. But, then again, she'd have been even more angry if he'd done it and it had worked.

When it didn't, she alternated to the next best thing.

"Help!" She yelled, slamming her palms against the doors. She didn't know what floor they'd been wedged at (or even if they were just floating in some space between levels), but someone had to hear them; they were bound to...right?

Spencer seemed to think so at least, because he was joining her in pounding his fists on the steel. Sooner rather than later, the harsh echo made Y/N's ears ring, so she stopped and took a step back.

"Well, this is great," she sighed, slumping in a lean on the wall as she rubbed her temples.

"I'm gonna miss Doctor Who," Spencer whined, pouting.

Y/N just rolled her eyes at him and told him to call somebody. She was sure she'd seen JJ just before they left, still huddled in her office; hopefully she'd be able to call maintenance and they could be released from this death trap of a machine.

"I can't, my phone died. Use yours."

"What?"

"My phone's flat, can you use yours?"

Y/N just stared at him. She decided to give him the benefit of the doubt because the adrenaline rush of panic can make memories a bit hazy, but her skin was flustering under the rage she was feeling, her forehead was already beginning to perspire and the walls were so small and entrapping and - is it hot in here or just her?

"My phones at the store," she reminded him through gritted teeth, and watched his composure fall in both comprehension and defeat.

"Great," he remarked.

"Oh, like it's my fault?"

"Well, it's not mine."

"And it's not mine either so don't talk to me like that!"

It was only a short exchange, but it made Y/N's blood boil; if they were to somehow get out of here alive, she was certain it would only be one of them.

Spencer gulped, and Y/N was sure that had he the opportunity to he would be storming away right about now, but unfortunately for the both of them that wouldn't be happening anytime soon. The wonderful reality of this hitting Y/N, she kicked off her shoes and planted her bum down on the floor.

Spencer looked at her curiously while she did this, then quirked his lip and proceeded to do the same. He used his satchel as a pillow to support his head, and sighed loudly (it seemed deliberate just how exaggerative it was).

"No one is ever gonna find us here," Y/N said.

"We're not dying–"

"You don't know that. We could be suffocating as we speak-"

"Suffocation is impossible in elevators: the cars are designed not to be airtight and there's vents that allow air to move in and out," he pointed up at the grated opening above Y/N's head. At being proved wrong by Spencer and his big, unfathomable brain, she crossed her arms much like a stroppy toddler and even pouted her lip.

"We could still die," she mumbled.

"The statistics of that are still very unlikely; in fact, the people that die the most in elevators are elevator technicians themselves. An average of 26 people die in elevators every year in America–"

"And you're ready to be one of those 26?"

"We're not going to be. We won't suffocate, and it hasn't fallen."

"Yet," she said. "Plus, theres other ways to die. Like, I don't know, murder perhaps?" She said with a potent glare in his direction. He gave her a blank stare partnered with a sarcastic smile, one that only made Y/N more devoted to her other-ways-to-die initiative.

"We just have to wait a while... Did you know the longest duration of time someone was stuck in an elevator was 41 hours? Nicholas White. And all he had to eat was a packet of Rolaids."

More than accustomed to tuning out Spencer's rambles, Y/N barely heard what he was talking about, in a dazed trance where she was focused intently on where the paint didn't match the wall, she was so invested she almost missed what he said.

"Wait... oh my god. Do you have food?" She asked, sitting up from her subsided posture.

Spencer's face softened in dread, which didn't bring any aid nor optimism to their situation.

She watched him sit forward, shoving hands into the pockets of his blazer, coat, trousers and pulling out nothing but a few crumpled pieces of paper. Y/N matched him with an empty gum wrapper and a Walmart receipt displaying a concerning amount of pregnancy tests she had purchased last month.

"Do I even wanna know?" Spencer asked, chucking it back to the ground with a grimace as if it was riddled with germs (it probably was but, still).

"All you need to know is that I'm not pregnant," Y/N scoffed, almost amicably, but her eyebrows creased and she was back to a fuck everything this sucks expression in less than a second.

"Well we can't survive on this."

"You really haven't brought any food?" Spencer pestered.

"No, I had Chinese leftovers on the cards for tonight. And I don't see you offering anything up; what's your excuse?"

Spencer only groaned, again. He kicked his feet out and let his head fall onto the wall back in the same place. He ran a hand through his hair, and the scarce gel he had used to keep it in place disassembled around his face in random strays of curls. The sight of him relaxing like he was settling in for the night didn't appease Y/N one bit.

While Spencer closed his eyes, Y/N got to her feet and decided slamming on the door again was a better pastime. Spencer, however, did not agree.

At the banging, Spencer's eyes shot open and his body shook in alarm. His eyes darted around the space frantically until they landed on Y/N's figure aligned with the doors on which she was unleashing hell. If yelling could open an elevator, they'd have been out in a jiffy.

"I think we've established that doesn't help," Spencer said.

"Then you help!" She shouted, continuing the thrashing of metal.

"How?"

"I don't know!" Her shriek echoed, and she yet again gave up on the violence. "Use that big brain of yours and find us a way out of here."

"The 7 steps to surviving being stuck on an elevator are fundamental; we've already done them. They include pressing the open button, the alarm and call button. We still have our light source, otherwise finding one would have been number two. We've tried yelled for help. The only one we haven't done is stayed calm," he said with a heavy emphasis in her direction. Currently, she was the epitome of panic.

Y/N furrowed a brow at him, "That's six. What's number seven?"

She watched Spencer inhale deeply before he told her, "wait it out."

Y/N felt her heart sink. The possibility of her going insane while being confined within this space was only increasing as the minutes passed by. And with that, she felt like oxygen was depleting alongside it. She took a big breath to remind her that there was still air to breathe, and Spencer caught sight of it.

"Are... are you claustrophobic?"

"No!"

His eyes widened at her outburst, and he even raised his hands in defence should the situation present itself, which was looking pretty inevitable.

"I'm not, I just... get a little... panicked, that's all."

"You don't say," he murmured, and —with a grunt— got to his feet again. He treaded towards the damned doors. Y/N thought he was going to bang on them again, and she took front-row seat on the floor to watch the imprudent, futile attempt. Instead, Spencer's long arachnid-like fingers dug into the crevice of the doors and he tried to pry them open. This was an even vainer approach; his strained groans showed such.

"It's no use. We're gonna be here for a while. I can offer you a juice carton," Y/N spoke, making Spencer turn attentively at the word 'juice'. He looked down to where she was rummaging through her bag and depositing a few random objects while she did so. In a very Mary Poppins like fashion, the entities incessantly kept coming and coming, gathering in remarkable piles on the floor. There seemed to be more things than space available, but then they were trapped in an elevator and space was one of the many luxuries the agents realised they had taken for granted. Despite his astonishment at the growing belongings, there seemed to be a concerning lack of food present.

She was, however, holding out an apple juice carton, and Spencer figured that you get what you're given. So while her attention focused to the remnants of whatever was in her bag, Spencer punctured the carton with the straw, and began sucking. He made a squeal of surprise and relief when he saw her pull out a feebly wrapped, half eaten bag of crackers.

"Oh, I forgot about these," she announced, with the first smile Spencer had seen from her since the elevator had broken down.

He leaned down to grab the bag, dusting off the sprayed crumbs and then took a seat to Y/N's left. He left space between them for chivalrous purposes and also to allow space for the bag of crackers to sit.

They made attempts to ration the snack, but it soon developed into an every man for himself situation when Y/N noticed Spencer had started to take two at once.

She wasn't even hungry anymore, but the hunger for beating Spencer at something prevailed and disregarded any logical thought that they ought to save food, so she dove in again for another cracker. Unluckily, she did so at the same time as Spencer, so it made for an awkward encounter when their hands collided but neither was willing to give up their slot in the bag.

Eventually (because they didn't want the other to notice their blush), they gave up when time ran too long and reached a compromise with halving the cracker. Y/N gave Spencer the bigger half of her failed equal snap, but neither of them addressed it.

Neither of them addressed anything actually, for the next... god knows how long they were cooped up in there. They sat in a pleasant silence, free from any awkward glances or trepidations: it was both from the fact that they were in their own heads, and a serendipitous comfort in one another.

"I'm sorry you're going to miss your Doctor Who... thing," was what broke the silence.

"Oh, it's okay. I can just watch it on repeat tomorrow."

"Okay," Y/N laughed softly, and they floated into another quiet.

"I'm sorry you're stuck in an elevator."

"Ha! Me too."

"When we get out of here maybe we can go for Chinese food," Spencer suggested, craning his neck to look at her with a discreet smile.

"Sure," she agreed. "By the time we get out my food at home might have rotten anyway."

And then time after that just... passed. In Spencer's satchel he had an uncanny assortment of reading material to thrive on, and amid her odd collection of pretty much everything she had ever owned, Y/N found an old MP3 player and some earphones (only the left ear worked, but it was as good entertainment as she was going to get).

There comes a point, though, when one person can only listen to so much music from their teen years; Y/N's taste back then was... questionable, to say the least. And her earphone seemed to agree with her, because it gave out just when the unmistakable sound of an NSYNC song began.

"Ugh, just when it was getting good!" She complained, tugging the bud from her ear and throwing it onto the miscellaneous pile.

Spencer's head quirked to Y/N, but his eyes only followed after he had finished a sentence on his page. When he did, he saw her curiously leaning over his shoulder and squinting at the words.

"You can borrow it if you want," he said. "This is my third time reading it and I have others."

He gestured to his pile, which had evolved into a makeshift bookcase in the corner of the elevator. A few pages were torn, and the spines were so worn down that she could barely make out what the titles were. Not from a lack of TLC, but rather copious amounts of it; having been read over and over again. 

"No, it's okay. You continue, I'll just... meditate, or something."

"It's a good book," Spencer said, and he sounded like he was trying to persuade her, so she gave in and nodded. Readjusting her posture, she focused again on where the paint didn't meet the wall as she listened to the one thing she thought she wouldn't ever be able to stand: Spencer Reid's voice.

———

Which, to her and Reid's surprise, she found quite calming. Her hidden envy and not so hidden annoyance with his ability to reel off facts and wisdom like he was only recalling what he had for dinner hindered any fondness Y/N could associate with his voice. Until now, that is.

He was reading Strangers on a Train, supposedly his third favourite book, and they were reaching "the best bit" according to Spencer, but then every bit within the past forty five minutes since he'd started reading had been "the best bit", so Y/N wasn't sure.

But she's pretty calm, as calm as she can be stuck in an elevator, so she's actually thankful she has Spencer of all people beside her. She knew that if Morgan was in his place they'd have attempted murder at least a couple times by now; not to say that Y/N hadn't considered stabbing Spencer at all, but there's only so much damage a blunt pencil at the bottom of her bag could do.

So, she's calm. She's barely following the story because she only joined in halfway through, but she's grasped the basis of it because Spencer reads so eloquently and so well that he's practically painted the vividness of the narrative for her, even though he vouches it's down to Patricia Highsmith's words, which is true, but Spencer has a role in it too.

One thing Spencer recites makes Y/N wonder why she's never had him read to her before.

"People, feelings, everything! Double! Two people in each person. There's also a person exactly the opposite of you, like the unseen part of you, somewhere in the world, and he waits in ambush."

The story portrays an uncanny resemblance to the plots of the abundant crime scenes they analyse daily (Y/N wonders how Spencer comes home from work only to read about the same gory instances): the same mannerisms, behaviours and intricate understanding of criminal attitudes. It's accuracy is so astounding that Y/N asks if the author was ever a profiler of sorts.

Although it's selfish, because Y/N is not the real victim, she wished there was some way Highsmith's words could spring into real life and provide tainted rose coloured spectacles to which she could observe reality through. In some sick way, Y/N needed to see beauty in things like murder. She sometimes forgot that what they were doing had a purpose, and they tended to be the good guys. But there was no writing beautiful enough for Spencer to read and glorify the crimes with.

But even Y/N thinks Spencer's reading could help her see life through more of the silver lining rather than shrouded by the dark cloud that accompanied it.

The moment of rare serenity within Spencer's words is suspended, however, when he suddenly stops with no obvious justification. Y/N wonders if she's missed something profound within the story again so she goes to read over them on the page this time (because she's been rather entranced in Spencer's voice rather than the actual words), except when she looks up she sees a look of horror depicted on Spencer's face: one that doesn't register with her primarily because what's happening in the story is rather quite mundane compared to the dismay on his face. It's so poignant that she thinks something must be fatally wrong.

"What is it?" She asks, sitting up (and away because she thinks he may be about to vomit. But no, the real reason is even more horrific).

"I need to pee."

Y/N gasps; she hadn't even conjectured this predicament. It was a basic human necessity, how had she not anticipated this would happen? At first she thought, hey it's not that bad, better him than me— he can stand. Until she realises that there isn't really anywhere to stand.

"Oh no," she whispers, and he looks at her dauntingly. "You shouldn't have drank that apple juice."

"What was I supposed to do, bathe in it?" He scorns, and the two connect in an unwavering exchange eye contact with one another. Y/N dreads looking away in fear of what he'll do when she has her back turned.

So, like I said, Y/N was pretty calm, and I'd say Spencer was too; reading was a delight, and he found Y/N almost as endearing (almost). Life was bearable until Spencer needed to pee.

And it is here that they throw all peace out the window (if there was one) and give up on step number seven, and instead say hello to their old friend step number five: frantic yelling.

The energy pent up from lazing around reading and being read to is released fairly effectively. Y/N thinks she's never screamed so loud in her life, and Spencer knows he hasn't: entrapment and a full bladder can take one hell of a toll on a man.

And when the profusion of footsteps and the clanging of doors sounds, it is glorious. It is what they imagine heaven to sound like and more. Y/N collapses to the ground in relief, and Spencer throws his hands up in a prayer of thanks (even though he doesn't necessarily believe, but he is just so high on adrenaline and the discomfort of needing a wee that he'd just about believe anything now if it meant he could get to a bathroom).

"You guys okay in there?" A voice calls in from above them (Spencer genuinely thinks it's God) and Y/N has never been more happy to hear Derek Morgan.

"We're good! We're good! Oh my god, get us out of here please!"

"Right on it, baby. Bet y'all thought you were gonna die in there, huh?"

"Worse," Y/N called, "I thought I was gonna have to see Spencer's dick!"

Morgan laughed (music to their ears: any voice that wasn't each other's fit that criteria in that moment), and then told her he didn't want to know. Spencer and Y/N heard him holler behind him, and even more footsteps approached. Y/N couldn't see much from the slither between the doors that had just been pried open, since they had fallen a considerable distance from their floor. What she could see was only half of Morgan's face while he knelt on the ground.

"What happened?" Spencer asked, trying to gain some understanding for the reason behind missing his Doctor Who marathon.

"Power cut. The whole city's in blackout."

"You're kidding," Y/N replied, then turned. "A whole lotta people just risked that 1 in 26."

"Us included," Spencer said.

They recognised the voices of the maintenance team, and even a few uniforms of firefighters that worked on opening the doors with as much force as they could muster. Y/N looked again to the wall and paint mismatch, finding it too unsettling to look at their rescue attempt (that had way too much potential to go wrong) and even more unsettling to look at Spencer who was practically cradling his crotch.

"Ladies first!" A fireman called, and his hand reached into the space they had managed to (barely) increase, hoping that it wouldn't prove to be too difficult. From what Morgan told them, Spencer wouldn't have any trouble getting through it if they had halved the space ("the kid's a sherbet stick, I'm telling you").

"No, we've got a man here who's about to explode," Y/N joked, forgetting that the word 'explode' is a term one should use lightly within the headquarters of the FBI. She was blissfully reminded of this when the few surrounding agents brandished their guns. They almost didn't let them out until Spencer yelled that if he didn't get to a bathroom that instant he would give them a real reason to get their guns out.

So he was lifted out first, falling into Morgan's arms the chance he got to. He, somehow, managed to wait until he saw Y/N definitely leave the elevator before racing off down the hallway. Maintenance didn't even bother telling him that the doors have been locked because officially work finished three hours ago; they figured he had enough vigour in him to knock a wall down, never mind a door.

"Are you alright?" Morgan asked Y/N, lifting her up onto her own to feet. She's given a shock blanket, which is a pretty cool souvenir.

"I'm here, aren't I?"

"Miraculously. I don't know how you survived in there with him; I'd go insane."

"Eh," she chuckled, "he's not too bad."

———

After gathering their belongings, Y/N and Spencer make their way to leave work, again.

Morgan's nonchalant explanation of the blackout is in no way accurate to the genuine portrayal of, what Y/N can only describe as, a thriller movie come to life. She's looking out the wide scale windows in the bullpen room and can only see her reflection. It's creepy. Skittishly, she jumps when Spencer's image shows up behind her own. 

"Jesus, haven't I had enough near death experiences tonight?" She asks, holding a hand over her heart that she's sure just kickstarted (for various reasons).

"Sorry," he laughs. Placing his hands in his pockets, Y/N can sense he's more relaxed now that he's peed and no longer trapped within the restrictions of one metre.

They smile, then look out again to the darkened abyss before them. Y/N has never seen the city so quiet, yet she knows it's anything but. Once she steps outside it's bound to be hectic central.

"You normally get the subway, what are you gonna do?"

"Oh, I guess I'll just walk," Spencer shrugs.

"Absolutely not. I'll drive you home."

"Oh, no, you don't have to do that—"

"Spence, I just spent the last three hours in a confined space with you, I'm sure I can do twenty minutes more," she said. "Get your stuff ready, we can head off now."

She swung her bag over her shoulder and turned to walk out the bullpen, her heels reverberating throughout the room. Spencer watched her stride out by her reflection in the window, as to not be caught staring.

"If my car breaks down I'm gonna commit murder!"

Spencer laughed loudly, which made Y/N smile as she passed the kitchenette. When he continued to chuckle to himself he realised he wouldn't mind another three more hours stuck with her— at least he'd have an excuse if the car broke down. Maybe if he set off now he could get there in time to beat Y/N to her car and slash the tyres. He kindly reminded himself that that's illegal while he retrieved his satchel off the back of his chair and strutted out the office.

He wasn't too far behind Y/N when he suggested getting a Chinese on the way back.

"Is that a date?"

"If eating a Chinese takeaway in your car is your idea of a date," he sang.

"It very much is," Y/N grinned irrefutably.

He held the door open for her, she said thank you, and their giddy (dare I say lovesick) smiles dropped when they faced the elevator.

They've taken the stairs every day since.

fin.

[sly-merlin]

KILLING ME - 12 |n.y

pairing : law student!reader + yuta

genre :    angst , mafia au/ arranged marriage au.

warnings of this chapter : mentions of blood and brutality. For future chapters, major character death(s).

words : 

summary : “life’s never fair y/n. realise it as soon as you can . it is the only secret for living a regretless life.”                                  

or              

“  curiousity got the cat hitched”

K.M masterlist

A/n : this was supposed to be a longer chapter. The Tumblr was bring problematic since three days. This is not how the chapter was supposed to end but i couldn't post anything longer than this so i had to make changes to end it on a surprise tone like other chapters. I hope you still enjoy it.

Was he asking for too much?

His unsteady hand rose and fell, internal monologue stopping him from knocking on the door. Johnny wasn't sure how he even ended up outside taeyong's door. One second he was fighting with his thoughts and the next second he found himself jumping out of his car, almost ready to confront the person behind the door. 

He took a deep breath and was about to drum the wood when the door opened from inside, taeyong's sleepy figure greeting him instantly.

"John. Why are you here so late? Do you need something?"  from red pressed strikes on taeyong’s face, anyone would have guessed that he had been sleeping.

“Johnny! I’m talking to you.” he waved his hand in front of johnny’s distracted eyes.

“Huh” 

“Do you want something?”

“y/n.”

Your life was back on the wagon. Not truly but with a few exceptions here and there, it certainly felt like the old days. You were in chois on weekdays and took tuitions on the weekends. You met your friends while visiting the library and everything felt quite normal. Even with a few oddities, that being the five day training sessions with Jungwoo, some new people in your life, a residence that you felt happy coming back to, absence of someone that you’d never grown a liking for, everything was smooth. Just like before. The only thing you missed was some time. Time for yourself. Though you lived alone, which was a luxury nearing its end, you barely got a few minutes alone with your mind and that was something you craved more than the drink shoved in your hand at the moment. 

You loved your friends, without any doubt, but they lived with the bad habit of disregarding your feelings, feelings that said you would be anywhere but the restaurant you were sitting in. 

“y/n is going into hibernation again.” minjun’s voice broke your trance.

“What did you say?" You challenged him but he cowered in his seat and turned his focus on the soggy french fries instead. When he silenced, yugyeom spoke up, 

“Yo y/n. Don’t scare the child. Just drink away your sorrows. The wine is quite expensive here. If you are making me pay then at least make it worth it."

Suddenly, Jungkook's loud snorting caught everyone's attention as they all quietened, waiting for him to reveal the reasons for his action. Swirling his burgundy glass, he chugged the last bit of the drink before leaning backwards in his chair, relaxing himself.

"Now what's the drama with You" Yeong grumbled, clearly intoxicated. 

"She's already hammered" minjun giggled. 

"When are you going to invite us to your house y/n?" Jungkook chimed in, a smirk plastered on his blushed face. 

"Oh yes. Ms. Lawyer no more l-lives i-in the d-dorms." Yeong hiccupped, losing the grip on the bottle of soju. Yugyeom chuckled at her antics before snatching the bottle away to avoid any fuss.

"I also meant to ask you but you are never available for more than an hour or so. Are you doing alright" gyeom shifted his chair towards you while keeping a hand on his girlfriend's back.

You didn't know how to reply or what to trump up so they'd stop pestering you. However, you had no other choice than to continue with the streak you had started a few months ago.

"Of course i want to have you there but my roommate is very, how to explain, very bitchy. He got this corporate job and he-he works from home so I'm supposed to pretend like I do not exist and keep quiet. That includes no outsiders as well. It's gonna be like this for a few months i guess"

You mumbled the last part.

 You averted your eyes but didn't mean you could've escaped their intense judgemental gaze. You repeated the whole lie that you recited to arrange it in the box of deceit that you were filling since the commencement of these stories. Forgetting any of these would mean shattering their trust. And that was exactly what you were supposed to protect.

Once reiterated, you gathered how foolish the sentence was. Had it been said to you, there wasn't a chance of putting your belief in it. But your company was drunk enough to believe it; two of them were enough to carry the whole table.

"Wow. How horrible of him. We should take y/n with us yugy. She'd be happy and she can invite anyone." Yeong low-key let out a little drunk growl to press her point. 

Yugyeom cooed at her before replying,

"And where will you live? Our apartment has only two rooms and both are occupied. Where do you plan to settle down instead?"

His question made her think harder than she ever had in life as she picked at her jutted out lower lip. 

"Laundry room. You and me, will live in the laundry room because y/n needs a nice home."

"I already have a nice home yeongie." You took the opportunity, got up and reached out to pinch her cheeks, "but you won't know unless you are sober. Take her home, yugy. I'm also sleepy so I'll get going. See you on Tuesday." 

" It's already 11. Let me drop you home." Jungkook suggested, startling you.

"No It-

"Yeah you drop her. I'll take Yeong and minjun home but help me in carrying their asses to the car please." Yugyeom pleaded. He left the bills on the table and took Yeong in his arms. You expected jungkook to do the same but he passed minjun your shoulders instead,

"Wait for me outside. I have to call someone first." and he walked away, his lover grinning on your shoulder like it was the funniest thing in the world but you were fine as long as their drunken state saved you from some heavy confrontation. The only person left was jungkook and you had the perfect idea to dodge him as well. 

"So the same place or are you staying in the dorms this weekend?" He asked, driving out of the busy street.

"Just drop me at the nearest bus station. I'll ta-

"Nakamoto residence or the dorms y/n" you almost choked on the air as the word left his lips. Taking a bus home had seemed like the perfect plan but you had overvalued your common sense. Again.

"What are you talking about?" With hesitation evident in your voice, you muttered.

"Do you really think you'd go to a random house in front of me that I know nothing about and you'd be left alone without questions. I was there until the door was opened by someone. You really thought I'd have left you with a stranger. But i knew something was fishy when the receptionist told me that it's a home sweet home of Mr and Mrs nakamoto. Now spill before I get yugyeom to ask in his own way." He shifted the gears in frustration, your relaxed persona bothering him to no end. Getting jungkook wokred up wasn't a grunt work. He was like a matchstick, always ready to be ignited by any possible frictional surface. 

"It's not what you are thin-

"Don't lie please," he started, words dangerously polite, "If he's your boyfriend then there's no need to hide y/n. We would always be there to support you. When, how, why, i don't want you to feel pressured to answer me. Just because you go around with no commitment tag doesn't mean we'd judge you if you ever got in a relationship. We love you. Make us part of your life like we do. Can't we just expect that much." 

You gulped at how disappointed he sounded. He was right. You needed to include them in your life adventures but how were you supposed to explain him the riots you were dealing with. How were you supposed to spill everything without him getting his sword out. That would only lead to more troubles than you had the power to deal with. Trouble for you, him and for everyone who'd be passed that secrecy. 

So you begged, for some more time until you'd be more than comfortable to let all of them into your present life. 

Like every other word, this was also a lie that, in the first place,  you never chose to proceed with. 

He might have give in to you, but you knew eventually you'd have to muster up the courage to answer him and that day would decide another turn of your future. 

And you would make sure, inter alia, to shift the wheels in a more likeable direction.

“Use your fists!” 

Jungwoo’s grip was strong. His one arm was holding your waist and the other was around your neck. It was painful but you knew he wasn’t going to let go easily this time. This was the third consecutive scuffle or demo fight with him within the span of the last forty five minutes and having lost the last two, awfully at that, expectation of some mercy was not very demanding on your part. But only if he would grant that! You heard his chuckle as you wriggled in his hold. He was clearly having a lot more fun than you were. There was no way you could’ve applied renjun and hyuck’s advice but you still tried to follow their vague instructions.

“Bit his arm and turn.”

“No, don’t. Turn around and hit his torso with your knees.” 

Bit him?

Halting your movements, a low grunt left your lips as you lowered your body and pressed your teeth on his flesh. He screeched and immediately retracted his arm. Taking advantage of his loosened grip on your waist, you whirled around and raised your knee to strike at his upper body. In an instant, your hands fell on your knees and you inhaled a harsh breath, regaining your strength. Jungwoo, on the other hand, was curled up on the floor like a baby. You wanted to laugh at him but the more astonishing thing was the lack of any noise from your cheerleaders. Right from the start, they were rooting for you like you were earning them some hard cash and now that you had done exactly what they had wanted, they were silent. 

“Wha-

you opened your mouth to speak but their lack of attention held you back. Their eyes were fixed at Jungwoo,who still laid where he had landed. 

“What did you do?” renjun shrieked.

“Exactly what you told me to!” you replied with heavy breathing.

“We said torso!”

“Yes and i hi-

Mechanically your hand slapped your face as you noticed the position of jungwoo’s hands. You had, mistakenly, kicked him in the groin which only meant more trouble for you. 

“Save me.” you mouthed to hyuck and renjun while approaching jungwoo. 

“Sorry teacher.” you mumbled.

He remained quiet for a few seconds and didn’t make any movement. When he did, you took a few steps back, afraid of his wrath. Palms down on the mat, he sat up and with painfully quiet voice spoke up,

“Looks like you won. Good j-job. I think i need to visit the medical room. You can go and celebrate.”

“Does it pain too much” pointing to his crotch and averting your eyes, you asked.

“No. not at all but i might need to adopt your kids someday. You know if i can’t make my own.” 

“Sorry” you cried.

“Dismissed.” his civil tone, probably due to the ache, glued you in the position.

When you didn't move, donghyuck came, took you by your arm and guided you for the door.

"He's just being dramatic. Just chill. Another hit and he'd be good to go." He giggled and was soon joined by renjun as well, who was now crouching down in front of jungwoo. 

"You sure?"

"If he doesn't then you can always give him your baby. Ofcourse after asking your husband." Only after he rambled, he realised what he had actually said. His face screamed surprise. To save him from spiralling into deep shame, you eased him by cutting off his apology,

"Ew hyuck. Give him one of yours if you want. Don't come for mine!" And you exited the door.

You were halfway through the basement when you realised the lack of your device. Running back, you were about to shout when you overheard their gossip.

"No, I'm telling you she meant to injure me so i won't teach her anymore or this might be the revenge of all the weapon training. Her knee is stronger than jeno's punch. Don't laugh at me you shits."

Jungwoo was whining. 

"Haha. Yeah ok. But i told you renjun, she's physically stronger than her. Kind of totally opposite." Hyuck's voice quietened at the end but before he could speak further, you interrupted,

"Like who hyuck?"

Their faces went blank at your question and the reason of sudden heaviness in the air was beyond your contemplation. 

"You don't want to answer? Fine. Maybe it's not my place to question." You simply stated before circling the mat to pick up your phone from the chair.

"No. It's not li-

"It's fine hyuck. Chill." You shrugged and walked away, deciding against pestering them for information that they clearly felt too uncomfortable to share. 

"You need a fucking lock on your bloody mouth." was the last thing you heard before they were out of your hearing.

What was the need to ask something when you knew you won't ever get an answer out of them. Everyone was beyond friendly with you but still, there were some borders that nobody dared to cross. Maybe the mention of that woman was one of them. Fear of some unknown ghost of embarrassment was swallowing you whole when you heard grunts. Loud ones. You were still in the basement, the scuffle center being at the far end. The stairs were in front of you. The  snarls and growls were coming from the other end of the basement. The election wasn't hard and you didn't want to give in to your curiosity but you did. Your feet, not cooperating with the voice in the back of your head that told you to turn away, took you ahead in the direction of the noise. Though the residence consisted of only one plot but the basement covered two. Unknown to everyone, the house next to B.N was also their property and it was only utilised for the underground space. Hence the never ending lane and the countless closed metal doors.

The echo got louder with each step you took. It’s been more than a month since you were visiting the basement but those noises had never crossed through you until today. The end doors were forbidden for you, according to what you were told but now that you were exposed to it, there was no chance of ignoring. No prudent person would ever overlook such a thing. That was the justification you were repeating as you took baby steps.

All the doors were closed except one at the very far end. You thought about peaking inside then halted as if your conscious called you. The whimpers also stopped for a minute or so but your heart skipped a few beats when a collision following with painful shriek reverberated in the empty space. The door, slightly ajar, was just a few strides away but you were too startled to even back away from your position. Same pattern of hit and shouts continued again. Unaware of the happenings, you stood there as If you were waiting for someone to separate you from the concrete beneath your feet.

Adding to your distress, the metal door opened abruptly and you realised, you were again at a place where you weren't meant to be.

"What are you doing here?" Jaehyun's growl broke you out of the unconscious state you had fell into. Mechanically, you eyes roamed across him to notice a body lying on the table inside the room, strained cries escaping his lips. The limp body was enough to put two and two together to conclude that he was being tortured. He was a victim of jaehyun's wrath. 

"I asked what ar-

"Y/N!" he picked up his hand to touch your shoulders but you distanced yourself when you noticed the stains covering his clothing and hands, the blood red prominently visible even under the low light. 

His gaze caught yours in time and his eyes softened noticing the fear in your body. 

Very slowly, he reached out for you but immediately stopped, taking a note of your quivering lip.

"Hey. It-its not blood. I ca-can explai- Y/N!" 

The yells of your name covered the whole arena as you rushed away, leaving a dazed jaehyun behind.

"Who was it jae?" 

Jaehyun saw your trembling figure diminishing while you ran away from him as if you were disgusted by him. Not that he expected any other reaction, some good time has passed since someone innocent had came across their work. To say the least, it was never pleasant to have someone witness their harsh manners.

"JAE!"

"Y/n. She saw the body and also the blood."

He mumbled to ten whose visage, upon hearing, instantly mirrored jaehyun's.

"What about him?" Ten pointed to the man, "he's not speaking shit"

"Finish him off if you want. I need to handle something else now"

You raced as fast as you could have. You had never thought of yourself as a weak person but the sight was gruesome to just disregard and walk off. With shaking legs, you finally made it upstairs but the ringing, only became more earsplitting. Your hand harshly rubbed at your chest as you tried to defuse the tension bubbling in your whole body. After what felt like minutes, you covered your ears as if it would stop the ringing. It certainly did not but surprisingly it was muffled. You removed your hands and the blaring returned again. But this time, you laboured yourself to look into your surroundings. You saw chenle, jisung, jaemin running back and forth from the kitchen while doyoung seemed to be scolding jeno for something. Few others were also there, cleaning the couches and spraying some fragrance in the air. Everyone seemed to be their own turmoil, origin was which was yet to be known.

That's when it hit you. Maybe your ears weren't booming due to fright. 

"Chenle"you screamed at the passing boy, "do you hear this sound?" You pointed your fingers in the air to exaggerate your point. He merely nodded before he went past you and the very next second the noise was reduced to mere buzzing. You inhaled sharply to regulate your heartbeat but failed due to the ruckus  that enclosed you. Suddenly jaemin emerged, 

"Why are you so disheveled? Go and change from these workout clothes. Uncle is outside. Didn't you hear the alarm." Only Half of his words entered your head and before you could come to your senses, you were interrupted again.

"Y/n my girl!" Whipping your head, you saw a familiar figure entering the threshold. 

An old man that you surely had seen somewhere. 

His voice was a lot stronger than his aged body which he was dragging along with the help of a walking stick. 

Jaemin nudged you to greet him and you complied as soon as could have in your current state. Only when you got closer, you realised he was the same man you had met in the office celebration. You haven't seen him since then but he looked significantly weaker than before. Even with dark circles present, his face still was still shining with the smile he wore as he staggered inside. 

"How's life treating you my kid" he asked, patting the empty space on the couch. You took the seat and replied in a small voice,

"I'm good. Everything is nice." 

"Why am I smelling Jasmines this late in the evening?" He sniffed the air and galred at doyoung, " Do you take me for a fool? One thing! Cleaning. that is the only thing i ask of you. There are- how many of you are present since the morning. Answer me doyoung." 

The man barked and doyoung muttered a sheepish apology, his head dropping with shame. 

"Each one of you is nonsense. If you'd just clean up your stink once in a while, you'd save your money on the thousands of spray bottles you buy every month. But you thick heads only know how to shoot and punch. Now get me a glass of water before i die of this fake flowery smell"

He shouted like he owned the place and Maybe he did. Your mind and heart were not aligned up to comprehend the simple scenario that took place before you, the dizziness coming and going with intervals.

Then you were called again. 

Looking at your right, your saw jaehyun standing, his face ridden of any colour.

You noticed his new shirt. There was no blood on it. His hands were also cleaned and you were stunned at how quickly your eyes were running on his body to find any trace of what you saw in the basement a few minutes ago.

"y/n, i need to talk to you" 

For the first time, jaehyun's words were directed towards you without any poison in them. 

You still didn't wish to face him so you moved yourself to face the old man.

"Y/n ple-

"Now you don't even greet your own father jung jaehyun."

He spoke with a steadier and louder voice that felt like it was only meant for jaehyun. The contrast in his tone was striking. 

He was jaehyun's father.

"Sorry dad. I have something imp-

"I called you in the morning to inform yuta and taeil and yet i do not see anyone here. Do i need to die for you to respect me!"

You couldn't believe your ears when jaehyun answered in shuddering tone. 

"Yu-yuta is not here." 

He sounded like a child responding to his teacher, scared of some evaluation.

"Then call him."

"I mean he's away on business dad."

"Civil?"

It was like hearing Morse code.

"No."

"You sent him on a target place?"

"No. He's in Nice to collect information."

"Wow. Can you please clap your back for breaking the only sacred rule this family lives by?"

The silence in the extremely large living room was suffocating. This time, except you, everyone else was scared. And it still wasn't of any help.

"How dare you send a family man away on anything remotely dangerous. I thought you all were careful after taeil's incident but no. Nobody cares enough t-

Before he could complete, shaky coughs engulfed his body. Somehow, jaehyun grabbed him the moment he was about to fall from the couch. Doyoung ran for the kitchen while xiaojun, who was always too swift in his movements, came to the living room with a medical box.

You weren't sure what was happening with him or why he was being treated like some high mighty force or why he was so adamant on bringing yuta back but you could only pray that his wish won't be granted.

You weren't cruel but you were sure he'd be able to survive without that piece of shit roaming around.

You couldn't lose the few weeks you had without him.

Taeyong hands clutched yours like his life depended on you.

"Please please please y/n. It's been over a month since he's gone. I never withdraw from a deal. But this is an emergency. Uncle doesn't know you both were forced. He is a soft and weak hearted man. We cannot afford to tell him anything like this and clearly this would be seen as a betrayal to him. You both are nothing like what he's told but he doesn't need to need. He's the only father figure we have. Please just this time. I promise I won't ask anything from you after this. You do not need to live with him. he'd be here until two months are over. Please."

You lifted your brow at his last sentence and liberated your hands from his, feeling his trembling fingers. 

"I don't see the need to lie anymore, taeyong. You can tell him the truth and be over with it. If he has jaehyun as a son, he must be used to hearing blatant lies. This won't be the only one, I'm sure of that." Crossing your arms, you coldly said.

"I know you hate me but please y/n. You know how it is to lose the only family member you have. We have no one besides him. Never had anyone before him. The least we can do is keep him happy until it's too late. Please. Just this time."

Gobbling down each word, you merely nodded at him. If it weren't for his glossy eyes, you'd have threw up on him right after the first pleading but you weren't heartless like him. He was right. You knew how it felt to lose your loved ones, a fate you would never wish upon anyone. Not even the person you despised the most.

"Thank you. I owe you this one kiddo." He hugged you and you pushed him away. 

"Let me call him."

"Yuta!"

"Hmm"

"You need to come back immediately "

Taeyong spoke with urgency.

"Nope. I still have Three weeks and two days left." You heard his non-chalant words through the speaker.

"Yuta it's abou-

"Sorry I'm busy with my french girls. Call you later and please forget to take care of yourself."

And he hung up. 

A smirk formed on your face watching the grim expressions of taeyong.

"Good luck convincing him and while you are going to explain him the difference between the French girls and the French monkeys he has mistaken as women, why don't you explain me what exactly jaehyun does in that other end of the basement. I love some good stories, taeyong. So let's hear how good of a storyteller are you!"

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[rosemary-is-in-pesterquest]

HS2's themes are fuckin wack crap cuz like... idk it all starts with the epilogues, right? the thing that the epilogues are trying to say is that all conflict that the characters face within the narrative is there because the audience cast their gaze upon this story and demanded entertainment. something has to happen on the stage to keep us watching, thus, it is the audience's fault that the characters suffer. but that's bullshit for so many reasons. for one thing, it ignores the role of the author. audience demand doesn't force an author's hands to write... that's a decision that the author made. we could've lived with nothing at all.

and conflict comes in many flavors. some stories hardly have any conflict at all. the whole iyashikei genre exists, like, I think we're well past understanding that cynicism, tragedy, and destruction are not the only forces that can drive a narrative. "conflict" is not the only reason for a story to be told. once again, stories tell us as much about the author as their audience. the kind of story an author deems worthy of telling is just as relevant to consider as the kind of story an audience deems worthy of attention.

and even in conflict driven stories... it matters what the conflict is, who wins, how, and why. as a simple example, when the conflict is a battle between good and evil, good wins, it does so by way of the power of friendship, and the reason it is presented this way is to promote the idea that you should be kind and help others... that's a story with a purpose. obviously this is like, children's cartoon level simple, and a story can be written to say different or more complex things, but I should always be able to ask those questions and come up with an answer.

if, as an author, Hussie wanted to accuse his audience of being culpable in the suffering of his characters, he would at least have to present the reader with a meaningful choice. and at first glance, it would almost seem like he did. meat and candy, even by their naming convention, seem as though they are giving you the option to consume a light or dark tale. but even in the names, there is a seed of judgement. Hussie has described the concept of a narrative containing both "meat" and "candy" in terms of story content, wherein meat is anything heavy in terms of plot or drama, and candy is anything that provides levity as a counterbalance, such as jokes or feel good fluff. these categories are already identified as "substance" vs. "a lack of substance" which places value on the cynical, dark route as being more truthful... conflating cynicism with realism.

and already I can see making a case for the idea that neither route is legitimate, because no story should subsist on just one or the other... both need to be at play for the story to be balanced. and you could even argue that the lampooning of the epilogues' legitimacy was the point... that they were supposed to be outside of canon and regarded as illegitimate all along. but then not only does that negate the author's ability to let the audience choose the kind of story they're participating in, but the story itself doesn't play by its own rules.

does candy truly read like some fluffy pandering fanservice filler, the way one might expect it to? and is meat totally devoid of any levity, while focusing only on plot machinations and/or the characters' dramatic downward spiral? I would argue that, even though the consensus seems to be that both routes are equally dismal, neither even gets dark enough to live up to that end of the bargain either. the execution is messy... the concept doesn't hold up.

and what of the initial concept? that the audience's observation of a story forces the characters to enact a conflict for the sake of our entertainment? is that really what's going on here? from the initial pitch, you could already tell that the answer was no. nobody asked for this. and so we cast our apparently destructive audience gaze onto Homestuck 2.

but there, we find another curveball. the story is... almost becoming self aware? in that it casts a character in the role of the author, and also identifies him firmly as the villain. but see, this is still a blame shift. and maybe that would've been less obvious if Andrew Hussie had not introduced himself as a character inside of his own web comic throughout the original narrative. the true author is already here.

the villain of homestuck was never the audience, and it was never a fictional character. if we're really shattering the 4th wall... if we're really ceasing our suspension of disbelief, pulling back the curtain, and acknowledging that these characters are fabricated, manipulated entities with real people behind the wheel, then there is only one conclusion we can possibly come to. the author has control over the narrative... no one else. and the things the author chooses to say with the platform they've made for themselves? those things are on them. what are we to understand about the author, as his audience?

this is why people are looking past the story entirely and engaging with the creative team, for better or for worse. if you break your story enough, it won't work anymore. and when the audience finds it in shambles, completely unusable as a story... you know, the thing it was intended to be? they might actually look to the people who broke it and ask them why they did that. it was a nice story. it performed several functions that people actually enjoyed. was dismantling it like this really the most fulfilling thing they could've done with it?

and I'll tell you another thing. part of why people take it so personally is because, just like how Andrew Hussie, the homestuck character, was a stand-in for Andrew Hussie, the human being... many of the characters in homestuck were stand-ins for us. John Egbert was for people who had an obsessive nerdy interest in movies, Rose was for people who wrote fanfiction, Nepeta was for people who ship characters a lot, she and Terezi were for people who RP, and also... Dave was for people who were trying to act cooler than they felt, Jade was for people who were lonely, Kanaya was for people who wanted to help people and be accepted, Vriska was for people who were hard to love and felt judged for that.

who do these writers think they're messing with?

and I just want to make it clear that I'm not condoning any kind of harassment of them, or anything like that. ultimately, my point here is that we are not our effigies. and in the same way that an author can't blame shift onto a fictional character, a person cannot claim the direction of a fictional story as a reason to do real harm.

but homestuck was always unique in that it spoke very directly to its audience. when Hussie added real pieces of us to his fake people, he had a powerful vehicle for the messages that he wanted us to hear. lots of stories have characters that are written to be relatable, but you'd be hard pressed to find ones that feel quite so specific as the cast of homestuck. to our era. to our humor. to the values of people growing up in our online cultural circumstances.

if this specific author is going to choose to act like a villain, at least in the small-scale context of this comic, then what is that setting us up to be? maybe nothing so presumptuous as a hero... maybe just like, Dave of Guy, y'know? but Dave made normal a pretty heroic thing to be... I think it's up to us to just be normal and have normal fun, in spite of the shit show. regular old homestuck already said all the valuable stuff it was gonna. for my part, I'm just gonna take that and run off with it. ignoring HS2 doesn't make it go away, but paying attention to it doesn't make it good either... so I guess whatever.

that's the themes. the themes are just a big "so what" shrug. most complicated way to say "who cares" I've ever seen.

This is a really good analysis

[xxisxxisxxis]

Gateway Drug | Part Ninety-One [PT. 2]

Words: 2.5K

Warning(s): explicit language, mentions of drug abuse, mentions of domestic abuse

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"Your little one is here as of right now." Dr. Telille says, pointing to a very little area to the far side of my womb and I smile before she switches the focus slightly and then looks at the screen with a slightly odd look before flipping through my chart. "At your previous Obstetrician, did they mention any abnormalities?" She asks me. 

"No." I shake my head. 

"You said in your history you've had recurrent miscarriages?" She asks next. 

"Yes." 

"Okay, Mrs. Sixx, don't be alarmed by this because there is a solution but this," she turns the screen to me again, pointing at a shadow in the picture that looks like it's creating bunny ears or something. "Is a layer of tissue that's not supposed to be there. It halts fetal growth, and ultimately causes miscarriages, often times even before a fetus is interacting with the tissue itself, physically." She informs me and I feel like my chest is throbbing from how hard my heart is beating. "The good news is that we can fix this, I've had to do a few surgeries like this before--we can go in and cut that tissue out without disturbing your baby, but we will need to have it done within the next week--two weeks at the most." She explains and I raise my brows. 

"What's my chance of carrying out my pregnancy to term without the surgery?" I ask, trying to stay calm. 

"With a successful surgery, there is a 80% chance of you carrying it to term, and a higher chance at not facing as many pregnancy difficulties in the future like you've had previously. Without the surgery, with your history, it's very, very probable that you won't get to four months without miscarrying--if that far." She adds. 

"What's the risk of this surgery causing complications?" I ask next. 

"30%." She replies and I breathe out. "You don't have to make a decision today, you can go home and think about it and talk about it with the father but we need to get it scheduled in the next few days." 

"Um, o-okay…" I rub my lips together. 

"And if you are interested in the surgery, we can go ahead and send it in and see if insurance will cover it." She assures me. 

"I don't have maternity insurance right now." I tell her and she looks at me uneasily. 

"No worries, we can figure the costs out after you decide if you want it or not." She tells me, calmly, and I just nod. 

I numbed myself. I would've been freaking out, having a meltdown, begging God to spare my damn baby for once...but as soon as she started in on what was wrong with me, the negative outcomes...I flicked the switch in my brain and just let myself feel absolutely nothing as best as I could. My nervousness was relief compared to blatant breakdown mode that I knew would hit inevitably.

And how the hell did I tell Duff and Nikki that I was going to need surgery that could potentially terminate my pregnancy--or suffer what I'd suffered before and still lose a baby? Oh, right. I didn't. At least, not as soon as I probably should have.

When I get to my new little house I'm renting with my savings, Duff's sitting on the little porch, drinking a beer. 

"How'd it go?" He asks me, standing up as I unlock the door. 

He couldn't go with me this time because he had to go look at a couple houses with Mandy, which I understand because they had already canceled once with a real-estate agent and would get charged extra if they missed another appointment. 

"Good." I lie, clearing my throat. 

"Yeah?"

"Yeah." 

Whisky's barking at us until he realizes it's me, and then he won't get out from under my feet until I pat him on the head. 

"I need to finish unpacking." I say before Duff can ask anymore questions. 

"Well, it's your lucky day because I know how to unpack." He states, grinning. 

I go change into pajamas and when I get back, he's pulling pictures from one of the boxes, neatly placing them on the coffee table in the living room and I pick them up and start figuring out where to put them. 

"So, my family really wants me to bring you up." He says, optimistically. "I was thinking leave Sunday and come back next Saturday."

"...Duff, I can't just up and leave right now. I have to finish unpacking, and I'm gonna be meeting with Nikki once a week and then him and the guys once a week so that's two different…" I trail off as he cuts open another one of my packed boxes with his pocket knife, a look of disappointment on his face. "...It's not that I don't want to, you know. I just have a lot going on right now." 

"We'd just be gone for a week." He says, looking at me. "It's the only time off I have for a while since we're doing a few shows in New York and Europe." He adds. "And I really want my family to know you, kinda, before you have the baby." 

"I don't know." I hesitantly tell him and he licks his lips. "I don't know, Duff, okay? I just...ughhh." I groan, raking my hands through my hair. 

"If you don't want to meet my family then don't worry about it, Vivian." He says it a little passive aggressively and I raise my brows. 

"'Vivian'? Since when the hell am I 'Vivian'?" I ask, mimicking his tone. 

"That's your name isn't it?" He asks next and I cross my arms.

"You usually call me 'Viv', or...something…"

"Well, I'm not calling you, 'babe,' or, 'baby,' since we aren't dating anymore so…"

"You're being a dick." 

"I'm not being a dick. I'm just family oriented and I want my family to know you and our kid and you're making up excuses to not go and meet them."

"Excuse me for not wanting to be judged." I snap back. 

"They're not fucking judgemental." 

"Oh, so you're cussing at me now, too, huh?" 

"Quit trying to start an argument." He tells me. 

"I'm not starting an argument, I'm making a valid point." 

"You're making an assumption." He corrects me. "My family isn't judgemental. They're really not. I don't even think they're worried with the fact that you were married when we got together because they haven't said a word about it. They just want to meet you." 

"Matt didn't seem so cool about it." I mumble. 

"Matt was trying to keep both of us out of trouble." He explains. "He wasn't judging you. He just doesn't like drama and if we would've gotten caught he knew it'd just be a bunch of bullshit we'd have to get thrown at us." 

I just stare at him. 

"And I'm sorry for cussing at you, but I'm trying to be positive about all of this and I really don't want you to start bringing in your negativity." He exhales. 

"My negativity?" I raise my brows, laughing humorlessly. 

"Please, just come to Seattle with me next Sunday. I promise it'll be fun and my family's fun, they don't mean any harm by wanting you to come up and visit--they're already talking about planning a trip when it's born to be here for you and me both for a few days." He adds. 

I think about it, seeing his eyes glint a little as he slowly smiles at me like a hopeful puppy. 

"Okay." I relent and he puts his hands above his head, folding them together, letting out a loud, "Hallelujah!" and I roll my eyes, trying to hold back a chuckle. 

The truth is, I don't want to leave Nikki stewing that long after revealing to him my miscarriages. He never came back when he left the therapy session yesterday, and I was supposed to go back today but decided I needed another day to just think about everything, but because of Amber's schedule, we won't be able to get back in the same room together--aside from me just visiting him--until next Wednesday...but with Duff wanting to leave Sunday and come back that Saturday, I won't be able to meet then, either. A part of me isn't even sorry that I won't make it since the morale of Nikki's story is that he married a maestro of manipulation that can play victim like no other but is really an evil bitch who loves to make people suffer. 

I gathered that after reading: 

"I married a fucking demon."

"Vivian climbed from hell just to neuter me." 

"My wife's a fucking lunatic." 

"I sometimes think Vivian's waiting for me to die so she can get the money." 

"I hate her." 

"I don't know what's killing me faster: my looney wife, or smack. Doesn't matter--they're both my drug of choice." 

"If she didn't know how to fuck I would've already left her." 

"She flushed every bit of what Jason dropped off last night. Cost me a couple grand. I'm so pissed, if I knew she wouldn't beat the shit out of me and go batshit-ballistic, I'd lay her out on the fucking floor. I'm sure it'd be like foreplay in her sick mind, anyway." 

"I swear she cums every time she belittles me." 

And, my personal favorite: 

"Just woke up from a fucking nightmare. I was fucking around with Vivian and Vanity and once they got their satisfaction they started eating me alive while talking about their love for God. Even with them gnawing on me alive with their shark-like teeth and their completely black eyes, stripping flesh from my bone and going at it like a fucking pork chop, I was turned on. But as soon as they started about God, how good and wonderful he was, that's when I started panicking a little that I OD'd without realizing it and was in hell or some fucking incarnation of it. I see now that's how they both got me, being hot and knowing exactly what to do to get me going. And now they're both sucking the life out of me, eating me alive, while praying to their God and acting like they're blameless in my destruction. CHICKS = TROUBLE." 

At least we both agree that we married demons.

It was strange for me to realize how he saw me--well, how Sikki saw me. Once I was able to differentiate between the two of them, it hurt less reading what he'd write about me. It was just confusing. 

One page would be an entire rant (with unflattering, random song lyrics to match) about something I did that pissed him off--sometimes things I wouldn't even realize I did to make him upset and then the next page would be decently positive things about me that he'd profess after waking up sort of sober…

I knew he felt guilty about how he treated me, most of the entries from the end of '83 to '87 had "I'm an asshole" or "I really fucked up" or some version of it in them but the deeper into '87 he got, the less and less apologetic he got. Both in real time and his dairies. 

Despite the black and white of his diaries, one thing still lingered in the grey area…

I stare at the little TV on my dresser, bowl of captain crunch in hand as I stuff my face while flipping channels, Whisky gnawing on his chew toy as a flickering, fuzzy and static blaring familiar face flashes across the screen as I turn to the next channel. My heart stops for a moment, my finger immediately going back, the screen and audio clearing as I see her. 

Clear eyed and competent. A far removal from what I last saw of her with her gnashing teeth and tortured eyes, spewing at Nikki and I both before he and her got into a fight that left her dragged down the stairs of our old house...guilt tugs at me, remembering the look on her face, the pain, the hurt...perhaps she felt as bad as I did about the situation. 

He was the one telling her he was going to leave me and marry her, after all. My feury swallowed him before it ever thought about swallowing her. 

"...I'm currently looking at other scripts for other films." She replies very calm and composed to whatever question her interviewer was asking...I'm assuming this is part of her press run for her new movie coming out. 

"If you could write a ticket for yourself, Vanity, what would it be?" The woman asks next and she furrows her brows, slightly. 

"Write a ticket? To go somewhere?" 

"No, write a ticket for the rest of your life, and your career. Just everything about your life." She explains. 

"Ohhh," She thinks a moment before shaking her head slightly. "I wouldn't want to do that, actually, because, um, everytime I turn around something new's happening. I'm a very spontaneous person. I just like to get up and go, and I've been doing that since I was fifteen...so, um, I couldn't say I'd like to write that ticket." She chuckles a little, but not the crack-cackle I was used to seeing in her past interviews. 

She's actually sober here. 

"I just wanna go wherever life takes me." She continues. 

"What you're saying then, is, you couldn't write a ticket because what you would write wouldn't be as good as what could happen?" 

"No, I don't--"

"--No?"

"No, I don't think that, I'm not saying that at all. I feel that I have certain goals in my life. Very big, big, dreams that I set for myself. But I wouldn't wanna, um, question God's way about where he's going with me." She states. "That's just...not me." 

"If you could go back and change anything--"

"--Nothing." Vanity says, biting her lip nervously, shaking her head. 

"Any of the decisions?"

"Nothing." 

"Wouldn't change a thing?" 

"Nothing." She buckles down on it and I feel my eyes gloss over. "Wouldn't change a thing…" she trails off, thinking for a second. "...Can't say that I would." She adds, softly. "Because each time that I've done something, whether it be a mistake in my life, it's always...what you might call a mistake in my life is never a mistake to me. It was a definite meant to be and it was a definite learning process. So all the pain and all the glory...I wouldn't change a thing."

She's so unapologetically sincere. 

I cut the TV off as they start closing out the interview, and toss the remote across the room, losing my appetite and putting my bowl on my nightstand before I allow myself to replay what she just said. 

And I cry, not because she was in a relationship with him, not because she tried to steal him from me...I cry because I regret everything. I regret marrying Nikki. I regret meeting Duff. I regret getting pegnant. 

I'm not angry at her.

I envy her.

[sleephyuns]

Hey Caz! To get it out of the way, I'm not an emoji anon I just like putting a teddy bear as kind of a nice presence 🧸 it looks cute and huggable! 🥰

I may not know how you feel about yourself but I think you're really cool, your casual posts and writing also helped me a lot already with my own identity and I admire how you present yourself and how unapologetically yourself you are, at least on the outside.

I'm not knocking on your advice, I'm truly grateful for it but I should've expected it was going to be something along those lines.

I guess I'm just avoiding the fact that I'm not gonna be able to figure out myself as long as I let other people's opinions get in the way. Another thing I read not too long ago was "if you were alone on an island, how would you want the flowers to perceive you?" which can be used in a lot of situations but I think it applies to gender too. The quote might find you or someone else well.

I will definitely read Stone Butch Blues, it's time for me to do it. Despite me being on the fence between trans masculinity and being a trans male I find myself often judging people, because sadly sometimes it's easier to do then actually look at the possibility of me being part of that colective too.

It's really confusing and hard to accept that I have to go though it by myself but people like you do help, thank you so much for the advice. ❤️

P.S. I'm sorry this got lengthy, I hope it's not a problem. 🧸 Big hug!

No problem at all I appreciate messages like these. And again thank you. I think being “unapologetically me” is something Im striving for (at least in online spaces since irl is a bigger hurdle I have yet to take hold of) so Im really happy to know I come off that way. I’d say your words are encouraging me just as much.

As for the advice I gave, yeah it can be a hard pill to swallow. Its definitely easier said than done because its natural to wonder what people think of you, and not to be all “we live in a society” but yeah most stuff runs on perception so thats just how it is and its hard to let that go.

That quote’s pretty interesting btw. Ive heard variations of it but yeah its something to think about. Without societal expectations things would be a lot different.

Honestly I used to be in that same boat of judgement because the idea of being transmasc and a lesbian seemed impossible and wrong to me like 3 years ago, but here I am so lol. I’d say read the book (and be wary of several heavy possibly triggering topics in it) to get maybe a better grasp of what you’re feeling.

And again, ty for being kind. Hope things become easier as you learn more, and Im sending you a big hug right back :3 ❤️

[holdmyhopeinyourhands]

Hypocrisy & My F1 Experience

I wish feelings were easier to sort out. I wish it was easier to be morally on the right track all the time. I wish I could make a judgement call and stick to it. I wish it was easy to say you dislike a celebrity, athlete, any person in public limelight after they've done something controversial (and by controversial I mean something wrong/cruel/inexcusable etc etc) just like that. Click of the finger and any postive feelings towards them turns to the opposite. I guess I hate how not simple it is to turn away from someone you don't know in real life, someone who turns out to be problematic but you still like them because "media" makes them seem more likable than they probably are.

Getting into formula one was both amazing and really terrible for me. I love the sport now, love the fans, love the whole atmosphere. But I'm so conflicted about some of the drivers. It was easier to pass a judgement call on them all when I knew nothing? Like it was so much simpler to hear that they weren't kneeling and automatically know I should dislike them. Easy to seperate them from the good ones. I especially as a black woman was so annoyed and disappointed with them but also... not surprised? I was feeling more resigned then anything else. Because, what else was I supposed to expect from rich, privalaged people who probably never ever had to fear for their lives like black people and other minorities do.

And then I watch videos and clips of my favorite drivers. The ones I'm proud of for taking the knee for blm. The ones who used their actions to speak up against racism. The ones who stood united with the only black driver there. I watched videos of them to just enjoy their personalities, but then, there they are, the ones who are controversial. The ones who don't kneel, the ones I rightfully deem problematic for their casual inaction against racism and.... they look so human? So normal? Like they aren't evil or bad or terrible. They don't do things that upset me. They make me laugh and they are endearing and sweet and they are funny and kind and..... suddenly I find myself trying to make excuses for them. I watch them pull pranks and take part in jokes and suddenly my righteous disappointment is crumbling and I'm here scrambling for any and all reasons to explain away their problematic behaviour.

It's kind of terrifying. How we're all so desperate to excuse away problematic behaviour of people who could give less than two shits about us. How easy it is to fall into the trap of acceptance. How we're willing to hold certain people accountable because "we don't like them" while we harshly judge the others, not because their crimes are any bigger, but because we already disliked them enough to simply logically turn away from them.

What I guess I'm trying to say is that life is life. It's not simple. It's not easy. And I wish I could just fix all my emotions and feelings with cold hard facts. I wish I could hate these strangers for the damning things they've done equally. I wish hypocrisy wasn't so intertwined with my emotions. Ugh, this bothers me so much and there is probably not an easy way to solve it and honestly, tumblr fans are so strict on that line I'm pretty sure no one even voices this.

And honestly, I'm not saying it's fine to like problematic people or that it's ok to excuse away their behaviour. Or make it out to be "not a big deal" when it clearly is. I just wish human emotions were much more simpler and easier to manage.

Eventually I'm pretty sure I'll reach a point where I can neatly put everything into these tiny boxes that seperate the good things from the bad. But for now, I'm just gonna stumble my way through my hypocracy and hope I come out on the other side of this a little bit wiser.

[valkerymillenia]

Umbrella Academy

season 2, episode 8

Once again- live blogging my thoughts and reactions in one post to avoid spamming.

So this is how the FBI gets their hands on Vanya, huh? Seems most fan theories were wrong.

Oh, Sissy's last name is Cooper!

I did wonder about that -how did remember her name despite forgetting everything else? If she knew her name then she should have been able to remember other little fragments.

Of course the feds focus on the fact that her name is Russian. Cold war bullshit. I guess they think she's a spy or since Russian sleeper soldier or something.

"I'm not Russian" -you kinda are though 😅 Tatiana was Russian and gave birth to you in Moscow sooo...

DID VANYA JUST SPEAK RUSSIAN?!

Is that one of the 7 languages that Reggie all the siblings or....? Does it... Does it have something to do with her powers or her birth place?

"simple-minded boy"? FUCK YOU.😠

"communist threat" there it is 🙄

Oh no, she's losing her cool. Here come the powers... I keep wondering how she does that 'sucking the life' out of someone thing. 🤔

That's a lot of puke.

Poor Five, he's starting to crack under the stress.

Why is Ben gagging? He's dead, he shouldn't be able to feel or smell the puke.

Loving Robert's real curls starting to show.

"I regret nothing" -hmm.... Yeah, that's what I'm afraid of.

"there's a giant dead white boy on my couch" 😆

"Oh, I see. It's gonna be one of those kind of nights, huh? So are we burning or burying?" -this is why I love Klaus! He doesn't even flinch, he doesn't care what happened, he doesn't ask, he just immediately decides that he's going to help his sister get rid of a dead body like it's the most natural thing in the world.

Although, it would be interesting if Klaus actual saw the Swede ghosts too. I just want Klaus to be seeing ghosts everywhere again, ok? I want that struggle from season 1 to be brought back and not swept under the rug for plot convenience. As a writer, if you make something an important character trait, you stick with it and they haven't done that with Klaus, they are half-assing his struggle with his powers.

It's the Swede really going to...? Oh good, saved by the cat.

Oh! So that's what "lavender" means! I was right, it was the perfume, it was probably obvious but I'm a little dumb.

Ah! Lila is trying to hire Diego for the Commission???

Diego is so confused.

"colorful history" sounds so wrong and sexual 😣

Diego is so full of bullshit. His loyalties absolutely lie with his family, he's just too defensive to admit it.

Reginald FRAMED Pogo's family drawing? So he's a better dad to the chimp than his own kids, huh?

THE TELEVATOR!!!!!!! PLANS FOR THE TELEVATOR!!!! I love comic references, please tell me we'll see a real televator in the show!

So Reggie really is planning something about JFK...

"are you involved in something nefarious?" "Quite often. Did you have something more specific in mind?" -at least he owns it 😆

"shaggy man" -ah! Poor Diego!

Reggie really loves this Grace, huh? But she has a point.

Five is losing it a bit, huh?

The baby powder 🤣

"I have to find myself" -RIGHT! I was wondering when this would come up! Old!Five was there for the JFK thing so Five just has to find his old self and his briefcase in order to correct all this mess. More comic references!

"arguably the most dangerous assassin in the time-space continuum" -DAMN RIGHT 💯

"paradox psychosis" 🤣I know it's supposed to be super serious but the symptoms are so funny...

"a spotter? What is that? Like a wingman?" 😆 This parallels that "Body man? What's that? Like a masseuse?" line in s02e02 where Five is the confused one.

Five, do you really think your brother can stop you if you spiral? Because I don't.

Luther doesn't have a great attention span, does he?

Harlan's drawing is interesting... I get a feeling it's important.

Shit, they are torturing Vanya!! This is so bad!

LSD? LSD?????? No, that's a terrible idea with her powers!!!

Eeeewwwww the eyeballs! 👁️

That's a hell of a bad trip... The way the music makes with the visuals reminds me of my synesthesia though.

Oh! So this is where the scene of all the adult siblings in the Academy uniforms is from!!! (I remember someone saying it was Diego dreaming of having a drugged hallucination in the asylum, they were pretty close! It's Vanya drugged by the FBI instead!)

"I get you" -that is not the face of a person that gets this at all, Luther!

"Don't freak out." -like that ever worked 😆

Lila trying to have her cake and eat it too with her mom and Diego.

That informational video 🤣🤣🤣

Free coffee! Weekly donuts* (*fees apply)! Wow, so tempting 😒

"whatever your skill, education, or comfort level with moral ambiguity (...)" 😆

Are the Fives just having a staring contest? 🤣🤣

Ah! How can Five be bitchy and aggressive to HIMSELF 😆

"all those years on the apocalypse, we never stopped working about our family." -why does Luther look so damn surprised to hear this?? Why the hell does he think Five is doing so this for?!

Wow, Five is really bitter about his body, isn't he? He's making old!Five so nervous 😅

Oops, there's stage 4 for old!Five!

And there's stage 3 as well and stages 5 and 6 for little!Five.

I get a feeling Five doesn't really have the accurate calculations, he's just lying and using the originals.

"I don't trust him!" -he's... He's you...14 days ago! How do you not trust yourself?

"but he's you" "exactly" 🤣🤣🤣

I'm so afraid how what Diego is going to do. I get a feeling hell fuck up trying to be a misguided hero again...

"I'm Diego. I have a knife." 😆

"it's very shiny" 🤣

So Diego is a legend, huh? 😏

"there's been a coup d'etat" "what's that? Cadillac?" -don't play dumb, Diego, I don't believe for a single second that you don't know what a coup is.

So the new apocalypse WAS Vanya's fault but by proxy (actually more the FBI's fault), she was just a small domino. So literally the only one that didn't actively do anything to impact the timeline ends up being the one doing the most damage (again)? PLOT TWIST!

Oh no, DON'T GET ANY IDEAS ABOUT YOUR SISTER, DIEGO! YOU SAW HOW BADLY THAT ENDED LAST TIME!

No, I refuse to believe "she will always be the bomb" 😠😠😠😠

LOL, hi, Dot!

NO! LUTHER, YOU MORON! DON'T GIVE HIM ALL THAT INFO! YOU'LL CHANGE EVERYTHING AND CEASE TO EXIST!!!

These dumb siblings exhaust me

"little jerk-off" -why are you insulting yourself, you weirdo? 😆

Old!Five with all the PP symptoms and yet he says he never felt better in his life 🤣

"you're getting paranoid" -you both are, and sweaty, itchy and gassy. All that's missing is the homicidal rage at this point 😅

Vanya's hallucination shows us a twisted paranoid view she has of her siblings and it's very interesting:

-Ben is protective, defends her, he can do no harm, probably because he died young so nostalgia blurs her memory of him

-Allison defends her but is also arrogant and condescending, speaking as if she's implying that Vanya is weak, probably because Vanya feels that Allison is perfect and has an inferiority complex

-Luther is just as arrogant and looks down her, calling her lazy, but does so without malice (more mockery than anger)

-Klaus is accusing and suspicious but still on the fence and excitable, probably reflecting Vanya's own doubts and how she herself sees Klaus

-Five just stares, judging and silent but unable to look away, probably because she trusts him but she also doesn't know him, there's the same nostalgia effect as Ben but because Five came back (to stop her) the inferiority and fear of judgement is still there

-Diego is completely different, awkward and detached, this one is the most interesting because he's one of the people that was most vocal and mean against her in season 1 but apparently she sees a kindred spirit in him to an extent, either that or she fears she means nothing to him

Maybe I'm overanalyzing again...

I totally predicted the dishes would be brains but it's still gross.

Ew, the chewing... 😫 It's giving me the creeps.

Why is she seeing Harlan's drawing? She was gone already when he made that particular drawing (I knew it would be important), is she connected to him now??

And how does she remember her own birth??

Holy shit, Harlan is feeling Vanya's pain!!!😲😲😲

"why are people so much heavier when they're dead?" "You got a lot of practice at this?" 😅

Ben and Klaus conversation actually makes me feel a bit better about the possession but it makes no sense at all 🤣

Poor Ray keeps meeting in-laws in the weirdest situations 🤣🤣🤣🤣 his face! 🤝

Ray is having a nervous breakdown 😣 poor guy...

The moment Lila notices Diego is missing, the intercom chimes "Loyalty isn't a choice, it's a lifestyle" and if that isn't foreshadowing for Lila choosing sides then I don't know what is.

This is a really painful way for Vanya to recover her memories but it's so well done!

Holy shit... 😳

Klaus asking the real question here. She's being tortured, Klaus, go help!!!

HOLY SHIT! HARLAN HAS VANYA'S POWERS NOW?!

No, no, no,no, no, no nononononono! This is so bad! A child with a disorder that makes emotions hard to regulate suddenly having an apocalyptic level of power that connects directly to emotion is just a recipe for disaster!