#i'm fearing the worst

[fernweald]

tried falling asleep way early (like 7 pm) and now i'm awake at 2 am, nauseous, splitting headache, dreading this meeting at work happening in like 6 more hours.

[knifearo]

being aromantic is like. hey btw you're going to live a life that is the culmination of most of society's worst nightmares. sorry lol ✌️ but then you turn around and take a really good hard look at it and it turns out that living in that nightmare is fucking awesome and you get to wake up every day and take that fear that other people have and laugh and hold it close until it's a great joy for you instead. and being happy is a radical act that you define instead of someone else. and you're sexy as fuck that's just a fact of life i don't make the rules on that one

[specialagentartemis]

I wish Sam and Tucker got to be characters more often. Thinking about how they also have a significant part of their lives they have to hide from their parents because they're also out ghost hunting with Danny all the time. And they have the capacity to walk away from it in a way that Danny doesn't. But they don't. This has got to be a strain on them too, this upended their lives too, and they don't even have any ghost powers to deal with it.

Sam already isn't on good terms with her parents; she could probably tell them upfront exactly how much time she spends hunting ghosts and if she said it in a bitter and sarcastic tone of voice they would probably just frown at her and tsk for her being so morbid and dramatic. I can't imagine she's the kind of kid who talks honestly to her parents about anything anyway. We barely ever see Tucker's parents but the few times we do they seem generically nice and normal. Do they worry about him, suddenly out all the time and coming home harried and beat up and found at the scene of rampant property destruction? Is he lying to them for the first time in his life? Does Danny ever ask them about this or is he too wrapped up in his own Family Angst?

[blueskittlesart]

*sigh* thoughts on Nintendo's botw/totk timeline shenanigans and tomfoolery?

tbh. my maybe-unpopular opinion is that the timeline is only important when a game's place on the timeline seriously informs the way their narrative progresses. the problem is that before botw we almost NEVER got games where it didn't matter. it matters for skyward sword because it's the beginning, and it matters for tp/ww/alttp (and their respective sequels) because the choices the hero of time makes explicitly inform the narrative of those games in one way or another. it matters which timeline we're in for those games because these cycles we're seeing are close enough to oot's cycle that they're still feeling the effects of his choices. botw, however, takes place at minimum 10 thousand years after oot, so its place on the timeline actually functionally means nothing. botw is completely divorced from the hero of time & his story, so what he does is a nonissue in the context of botw link and zelda's story. thus, which timeline botw happens in is a nonissue. honestly I kind of liked the idea that it happened in all of them. i think there's a cool idea of inevitability that can be played with there. but the point is that the timeline exists to enhance and fill in the lore of games that need it, and botw/totk don't really need it because the devs finally realized they could make a game without the hero of time in it.

[feroluce]

Me: I wonder what Hook calls Sampo in the Japanese dub? Probably oji-san, since it's shushu in the original Chinese?

Hook: Sampo-ojichan!!

Oji is "uncle," which is hilarious because Hook calls Natasha by "older sister" when she wants something. So Hook either just really wants to get on Natasha's good side, or she takes Sampo at face value when he refers to himself as an old man. She trusts him a lot and takes him at his word and she calls him as such!

And Sampo calls Hook either ojou-san or oujo-san (I can't find the Japanese sub to see the spelling, and I can't tell them apart by ear)!

One spelling, oujo, means "princess," it's how you would refer to royalty. The other, ojou, (which I assume is what he's actually saying) is something you call the young lady of a high-class family with a high social standing. In Genshin Impact, the intro scene for a popular ship, chilumi, shows Childe calling Lumine ojou-chan, which the English dub translated as "girlie." Since Sampo uses -san instead of -chan, his is more formal and respectful, it's more like "young lady."

...It's also how you would refer to the daughter of a yakuza leader, which I love, since Hook leads her own little gang (the Moles) skzhkskdkd

But it really gets me in the heart, because! Hook is generally looked at as a delinquent by most adults. Which I mean. Not without good reason, she

calls Natasha an old witch

frequently sneaks out into the Fragmentum

has left graffiti all over the side of the orphanage

was constantly picking fights with other kids

beat a man unconscious for stealing from her dad

and has already picked up on how business gets done in the Underworld, and uses/actively participates in it to get what she wants- she basically acts an information broker

like Hook earns her reputation haha. The Underground is lucky that what Hook wants is just like. Candy and toys and to play hide-and-seek. I'm sure she'll have the capability to raise all kinds of hell and be more like an actual gang leader when she's older, even if she chooses not to act on it.

So Sampo calling her so politely and respectfully is really sweet and cute! Yes, he's polite and respectful with everyone, but that's just it- he treats Hook much like he does everyone else. He doesn't tell her to buzz off because she's a kid. He doesn't lie or try to cheat her or assume she's naive because of her age. He never talks down to her. He really does just treat her like a respected business partner and he takes her seriously, which Hook really seems to appreciate. And even when Sampo does treat her like a kid, it's not in a negative way; he guides her on little adventures and chats with her and takes her for joy rides on his moped. All of which Hook also really appreciates, since everyone else is too busy trying to get by to make time to play with her. She absolutely adores him.

I hope they officially join forces someday and terrorize all of Belobog with their shenanigans JSKJZNDKSJ

So Hook calls Sampo "Uncle Sampo" in a particularly affectionate/endeared tone, and Sampo calls Hook "Young Miss Hook" in a very respectful tone! And to reiterate:

[realtapiocafan]

justin 😭😭😭 my babyyy

[silverwhittlingknife]

OKAY SO i have been rereading dustorange's wonderful post here about Dick in an UtRH-esque scenario where he dies & then comes back to life

AND I HAVE INCOHERENT BRAINSTORMING THOUGHTS:

so first, i think Robin!Dick would be just as hurt by the discovery that Bruce has a new Robin, and brood about it - but i think the shame of having died would stop him from confronting Bruce about it the way Nightwing!Dick does in canon.

and I do NOT think that he would expect Bruce to kill anyone for him (or even be upset that he doesn't? I just don't think this would be a consideration for Dick. he's gonna be fixated on "I failed." so he'll be upset about being replaced but not about the lack of revenge. and if Bruce did take revenge, i think he'd actually feel angry and betrayed about that because it'd feel like the choice was taken away from him, a la how upset he gets when he thinks Bruce has arranged to have Zucco killed - even if he intellectually knows that Bruce wasn't deliberately undermining himbecause he didn't know Dick was gonna come back to life.)

anyway so what WOULD he do??

what comes to mind is something along the lines of "Dick obsessively keeps an eye on Batman & Robin even while telling himself that he's not"

and then - say - if it's Robin!Tim (i feel like this has to be Tim because in the world where Dick dies there is no way that Bruce is voluntarily picking a new Robin), then maybe the moment when Dick steps in is when Bruce is in danger & he's furious / critical of Tim for not protecting Bruce well enough

and i feel like that's how he'd channel the hurt feelings - it'd all be deflected under shame and obligation, and then translated into the anger of "you replaced me & yet you're failing to do the job that you're supposed to do" (which is actually about projection/self-hatred because Dick would actually be mad at himself for having died & not doing that job anymore)

and Dick wouldn't want to see Bruce at all because of the shame over dying & subconscious fear that Bruce doesn't want him back, plus every little thing that Tim does differently would drive him NUTS because it implies that maybe the way Dick did things wasn't good enough for Bruce

i'm actually kind of fascinated by this now. because i am me and i have (1) obsession i am mostly invested in the dick & tim side of it sdfsdfds

so i'm picturing Tim very stung by whatever critical things Dick said to him & tracking this mysterious vigilante down, and then Dick doesn't want to spend ANY time with him BUT he's also subconsciously desperate for news of Bruce!!! so then something something Dick starts sorta training him a la Tim's various contacts with edgy non-batman-aligned vigilantes, and Tim's very defensive about how he IS a good robin so THERE but of course he's also defensive because he's secretly worried he's not good enough.

normally i would have tim Recognize dick since recognizing dick is tim's most basic skill HOWEVER i think it would be much more fun if tim doesn't recognize him so he can give dick a speech about legacy & the first robin: "i do x and such because that's how the first robin did it so it is Objectively Correct." which Dick will find incredibly infuriating but will be unable to counter since he cannot counter with 'the 1st robin was ME'

…hmmm i do think Dick ought to be angry about SOMETHING about batman's methods/attitude just because that's more dynamic? I feel like in order to make the adaptation work, there ought to be SOME kind of argument with Bruce right before he dies that he can still be mad about, a la the garzonas fight for Jason and Bruce. unsure what though?

okay let's see: I feel like Dick's main arguments with Bruce aren't about vigilante issues per se so much as they're about working in a team - so e.g.

1) Bruce being controlling/demanding, and 2) Bruce being secretive and doing stuff behind Dick's back, and 3) Bruce not allowing Dick enough autonomy, 4) just generally a perceived lack of trust.

SO maybe whatever The Frustrating Thing that bruce was doing when dick died is a thing he's STILL doing with this new robin, and dick is getting frustrated all over again sorta on tim's behalf but mostly on his own behalf because he never got to resolve this with bruce

but anyway that way when Bruce finally spots disguised!Dick, then they can have the fight again before Bruce realizes who he is <3

[hualian]

Hualian confession scene mini moodboard (losing my mind rereading this scene they're SO 😭🦋)

[delusionalbitchinthehouse]

Mist and Alpha late night talk be upon ye. Their relationship is very important to me.

It's quiet on the roof. Getting there isn't easy, but once settled, Mist relishes in the sense of peace that washes over her. Tonight, though, she only gets two lungfulls of smoke before a voice cuts through the relative silence of the night.

"Got one for me ?"

How Alpha always manages to find her hidding spots is beyond Mist's knowledge.

"Die," she grumbles without looking at him, even as she extends the pack of cigarettes toward the fire ghoul.

The fact alone that he lights it without flourish tells Mist Alpha is preoccupied. That and the tension sitting heavy in his broad shoulders.

"You good ?" he rasps after a long inhale, voice always a bit veiled, scratching in his throat.

Mist shrugs vaguely, eyes finding a star and latching onto it. There's a long silence, an unusual display of patience from Alpha, before she sighs in defeat.

"Worried about Omega."

A gush of winds raises goosebumps on her skin. She should have brought a jacket. It becomes a bit more bearable when Alpha reajusts his stance and the heat he naturally radiates washes over her.

"Yeah, me too."

Smoke billows in front of them as it escapes their mouths, curling in hypnotizing shapes.

"...don't get me wrong, I love Terzo, I think he's a great guy, but..."

"He's human," Alpha finishes for her, "mortal. And Omega is not. I mean not really. No one's eternal, but us ghouls come close."

With a heavy sigh, Mist nods, lower lip bitten raw and stinging.

"Omega always had a big, bleeding heart. If- when he loses Terzo to human fragility, he's going to feel it with his entire being."

Alpha grunts in agreement. There is no way Omega won't fall appart at the loss of his lover, no matter the circumstances.

"Can't get too close to humans. Will just bring pain."

Mist huffs.

"Hypocrite."

"Fuck you, Secondo and I are just a thing of convenience, nothing more."

What a poor liar Alpha can be, when it comes to these matters, a tremor in his voice and longing in his eyes. Mist raises an eyebrow, tilting her head toward him.

"I didn't even mention him."

Shoulders sagging in defeat, Alpha runs a tired hand on his face, through his hair. Mist wonders if he still struggles to sleep, or if he stays up late just to catch a break, have a quiet moment to himself. If so, her presence doesn't seem to bother him; after all, he sought her out in the first place.

"You still having nightmares ?"

Mist tenses.

"Fuck d'you think i'd be doing here if I wasn't ?"

Alpha doesn't answer. Mist bites her lip, inhales, exhales, shaking off the guilt churning in her guts. It's instinctive, biting when she feels cornered, when a touchy subject is on the table. And if it was anyone else, she probably would storm off. But this is Alpha. The fire ghoul knows, and understands.

"Sorry. I meant, yes, I still have them."

Somewhere in the night, an animal screeches. A cloud momentarily hides the moon. Nightmares are terrible things, forcing Mist to face her deepest fears without being able to do anything about it. She doesn't remember when it started, but now she can hardly spend a night without having her own mind playing those cruel tricks on her.

Some nights, when Mist wakes up with the taste of bile in her mouth and torn sheets sticking to her clamy skin, she forgets where she is. All that she feels is how small and lonely she is.

"You don't have to sleep alone, y'know."

It's as if Alpha read her mind. A tempting offer. Mist considers, stomping on the butt of her cigarette.

"You'd hold me, sparkling ?"

The light tone she tried to inject in her voice falls flat, as does the nickname Alpha hates so much. As it is, he only hums and finally turns fully toward her.

"You know I will. If you let me."

The cloud drifts away, silver moonlight pouring once again on Alpha's face, highlighting the deep scars on his cheek, the days old stubles, the crease between his eyebrows.

"Alright then."

They stare at each other in silence for a while. There is something off with Alpha's expression, like he's trying very hard to school it into his usual bitch resting face. Mist is not sure how to word the question she's burning to ask.

"Do you- did something happen ? You look...upset."

The way Alpha opens his mouth in an instant, ready to retort, lips starting to pull back in a snear, reminds Mist of herself just a few minutes ago. But then he looks away, shoulders and chest rising with the inhale he takes.

"Got into a fight with Pebble."

"Again ?"

Mist isn't sure what Alpha and Pebble's relationship is. Most Siblings and a few other ghouls are convinced they hate each other's guts - and given the amount of screaming matchs they get into, it's a fair assumptions. But Mist knows damn well it goes further than that.

She knows they both respect each other, despite everything. She knows Pebble tends to seek Alpha's gruff approval, even if the earth ghoul would vehemently deny it and possibly comit murder if anyone mentionned it. Mist has keen eyes, and she can see that Alpha orbits toward Pebble much more than you'd expect. That he looks out of the earth ghoul and genuinely seems to care about him, in his own way. Their fights tend to get to both of them, no matter how much they try to shrug them off.

"...yeah. It's fine, we'll get over it, I just...wasn't even trying to piss him off, you know ?"

Yes, Mist does know. Whatever bound those two share, it's torny and full of knots, a difficult thing that's still strong enough never to let them severe it. She hopes the squeeze she gives to his shoulder is enugh to convey her understanding, all the reassurances she doesn't really know how to put into words.

It seems to be, if the way Alpha leans into it with the faintest hint of a purr is anything to go by.

Her musing is interrupted by a jaw-dislocating yawn.

"C'me on. It's so late it's almost early," Alpha mumbles, rubbing his eyes.

They don't speak of the fire ghoul's offer again, but when Alpha steps into his bedroom, Mist is right behind him.

Maybe, tonight, warm limbs will ward off the horrors of the night.

[autistic--daniil--dankovsky]

remember this? well. let's go!

both ena and an have pretty famous fathers, and it was always somewhat expected of them to be worthy of their legacy, in some way. both of them were told, "of course you're good at art - you're shinei's daughter!" and "of course you're good at singing - you're ken's daughter!" respectively.

they were always perceived via their fathers, not allowed to step outside their shadow and be seen for themselves. they couldn't be ena or an.

and, you know, for a time, they went along with it. i mean, they were good at what they were doing.

but then... all comes crashing down.

for ena, there's the obvious bullshit that's going on with shinei. completely destroying her. because she admired her father, because he was the reason she wanted to do art to begin with, and he told her to her face that she would never be good enough.

her entire world fell apart, that day.

because no matter what she says, ena wants the approval of her father more than anything else. she wants him to tell her that she's worthy of being his daughter, that all her hard work amounts to something; anything.

but then, there's the eventual revelation that she wasn't anything, actually. she wasn't special.

everyone was better than her.

before, ena was a fish in a small pond, and of course, she was among the best. but now she's been dropped in a vast ocean, and she's small, and insignificant.

devoured by all the other fish.

one of them - and admittedly, the most important of them all - being futaba. she joined after ena, but she proved herself in much less time than her. and, even succeeded where ena failed - she never gave up, even when she was harshly criticised. never regressing artistically. never running away from art.

and there's something else, somewhere deep down - a fear. a fear that nightcord will abandon her when they realise she can't keep up with them. that she's not as good as they thought she was.

what will happen of her, then? she'll be all alone. unloved.

an goes through something similar.

she meets kohane, and she decides that this person is going to be her partner. that they're going to surpass THE rad weekend together, that no one could be better for this task but her.

but when she starts that relationship, it's with the assumption that she'll always be the teacher and that kohane will always be the student.

not in a mean, or pretentious way, no, not at all. simply, an was always told there was no way she couldn't surpass rad weekend, since she was ken's daughter. in her small pond, she was also among the very best.

but then, an realises something, too.

kohane is much better at everything than she is.

very similarly to ena's situation with futaba, kohane made much more progress in barely a year than an has in years. taiga - one of the old RADers, and somewhat of an uncle for an - recognised her potential, and asked to train her. not an, but kohane.

and of course, an is happy to know that! because that's her partner and friend, and an is happy to see her grow more confident and get better every day. because she cares. because she loves her.

but there's something in her chest - something that hurts and aches. she has to face the fact that she's not as good as she thought she was, that she isn't worthy of her father's legacy. that she isn't worthy of being kohane's partner, that she might be holding her back.

that she might be abandoned. left behind to rot.

what will happen of her, then? she'll be all alone. unloved.

to me - ena and an are two kids suffering under the weight of a legacy that's too heavy for them to carry, but that they can't let go of. they're also struggling with seeing their peers succeed where they repeatedly fail. they're all about being terrified of being abandoned because they're not good enough.

they're both confronted by this fact.

and it terrorises them.

[sweetnnaivete]

when they ask me what my worst fear is and i can't say the mormon church being completely normalized in regular society so i have to say spiders

[daddyduncan69]

indigo by sam barber but it's jeremy at the end of the golden raven

[helianthus21]

Daniel, Louis and Lestat in s3 @ the vampire community are literally like

[teddybeartoji]

HAPPY BIRTHDAY MY BEAUTIFUL BEAUTIFUL BOY I LOVE YOU SOOOOSOSOOO SO FUCKING MUCH<33333333333333

[k2ulhu]

hulu was doing live coverage of the election until 2:00am, at which point my power randomly went out and when I reopened the hulu app on my tv the election coverage was replaced with

[sandinthepipes]

"You can't like this character, they're abusive, manipulative and evil"

Babygirl, that's my kink