#i'm back in action

[paintedcrows]

Did anyone tell Ford (bonus doodles: Family Movie Night, 70s Classics)

[stephaniereddit]

In short, I procrastinated a little and made a responsible decision about my HTTYD au. To hell with the comic. I realized that I was not ready for such feats. Therefore, there will be separate arts and captions with plot explanations for them.

Bye everyone, have a nice day. I went to draw

[inkskinned]

okay is she being actually immature or is it just a woman over 30 expressing a human experience you find to be immature.

like yeah. at certain ages... let shit go. im not defending the real immature shit. im not defending the karen you're picturing. i worked in retail i hate those people too. (once somebody got mad at me because she didn't like how our winter window decor was a snowman smoking a pipe. i wish i was joking).

but men at 57 will write books about how 17 year old girls are soooo sexy. they will invent worlds where women have to be naked for "armor reasons." they will write songs that treat women as objects. people rush to defend them. meanwhile a woman at 35 will be like "heartbreak is hard, actually" or "i feel betrayed by a friend" or "i am struggling with something emotionally." immediately people will say stuff like this woman is 35 by the way. by the way this woman is SO OLD to be experiencing this. BY THE WAY.

im 31, almost 32. the other day a poet was blasted online because at her "big age", she had written a poem about feeling unloved. top comment was "this woman is 29 by the way." this woman is too old to still be useful, by the way. she has to behave better . maybe if she was a good wife and mother she could stop existing loudly, and the story could continue on without her. this woman has served her purpose, by the way. she's so cringe, by the way. at 29 - so old! - she still hasn't figured out that her existence should be one of shame.

[thebabygaldiaries]

I bet a message from you would be absolutely heavenly darling.

I hope you have the energy for your playtime and get to feel good baby. Call out for your Miss when you cum 💋

Came so hard to the thought of being held so tenderly by you Miss. You kissed away every worry. Made my insides ooze (and ache from the intensity) as I imagined the plunge of your fingers, the stretch of your cock fucking me dumb.

Only your honorific falling from my lips as I pleaded for more. Yes, Miss. I love your cock, Miss. Want to come over and over,Miss.

Wanted your tongue, Miss. Wanted to feel the brush of your nose over me as I rode your face.

Wanted to hear the whine in your voice as you mocked me.

I imagined too lapping from your cunt. Thanking you over and over for making me feel so good. Practically lit up with desire at the scrunch of your face as I curled my fingers into your warm wet cunt.

It was quite literally to die for, Miss.

-BG

[madootles]

the two seater couch from mag 175 has seen better days

[dareduffie]

when will people learn that live-action remakes will never be good as their original animated counterparts because the glory of animation is the colour, movement, and fantasy that's just untranslateable to live-action

[poorly-drawn-mdzs]

Heartfelt Reunion.

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[hellouniversehowareyou]

precious idiots

[keii]

late morning

[biggest-gaudiest-patronuses]

putting my prediction on record now that the coming decade is going to see the rise of viral-marketed fancy at-home water filtration systems, driving and driven by a drastic reduction in the quality of U.S. tap water (given that we are in a 'replacement era' where our current infrastructure is reaching the end of its lifespan--but isn't being replaced). also guessing that by the 2030s access to drinkable tap water will be a mainstream class issue, with low-income & unstably housed people increasingly forced to rely on expensive bottled water when they can't afford the up-front cost of at-home filtration--and with this being portrayed in media as a "moral failing" and short-sighted "choice," rather than a basic failure of our political & economic systems. really hope i'm just being alarmist, but plenty of this already happens in other countries, and the U.S. is in a state of decline, so. here's praying this post ages into irrelevance. timestamped April 2023

[nellasbookplanet]

I do think that referring to Essek as irredeemable for regretting his actions only because he was caught and risked losing his friends is both kind of reductive to him as a character and a misunderstanding of the concept of redemption arcs in media.

A person generally isn't changed because you sit them down and hand them a bunch of political theory to read. They change because their circumstances and relationships do. It's like that guy who was deradicalized because he got a bunch of shrimp and started to care for them. It’s our relationships that change us, because they give us not a logical but an emotional reason to do so.

Caleb explicitly says "these people will change you" (or something along that line; I don’t remember the exact quote). Essek, before the m9, didn’t genuinely care about anyone. The people who would die if a war started because of his actions were irrelevant and abstract to him. Caleb, similarly, also started c2 not really caring about others. He had no interest in taking on Ikithon or the Assembly to save others from going through what he did, too preoccupied with his own trauma and his own goals to care. In that sense, he started the campaign in a similar place as Essek post ep. 97: regretful, but too busy wallowing in his own self-loathing to productively do anything to prevent future harm due to his previous actions.

Being with the m9, being reminded of the importance of other people and realizing that they’re capable of caring for them, is what changes Caleb and Essek both. Of course Essek starts out more concerned with losing the nein than with strangers killed in a war. They’re his starting step, the opening through which he realizes that the people hurt by his actions are real, that he cares, that he has the ability to, if not undo his harm, help stop furthering of it.

[kotonni]

Ok this might be a stretch but after act 2 I was so curious to see why Jayce had looked upon Viktor like that

It wasn't fear, not exactly, upon seeing Viktor in a divine sort of position I could only describe Jayce's gaze as awed.

Of course, before the third act came out, the popular theory of "Jayce is stuck in a time loop and has killed Viktor many times before" explained a lot about his behavior but not about this look. Why would he look so shaken if this isn't his first time seeing him?

Now that the show is over I do believe we might have an answer and of course the answer is given to us in this scene.

When Cait mentions Viktor, forcing Jayce to confront that more than Ambessa, the greatest threat to their lives and Piltover is Viktor himself, Jayce thinks back to that first meeting after the time skip.

Of course we know at this point that there was no time loop. This is indeed the first time Jayce sees Viktor as the herald, and Viktor's reaction to seeing Jayce for the first time after months has been distorted in Jayce's own memories.

In his mind Viktor smiles at him. Although he is about to kill him, from Jayce's perspective, Viktor's first look at him after months of being separated is one of pure affection.

During his time in the arcane he was forced to undergo contidions that directly reflect Viktor's own upbringing, but let's not forget he was also haunted by such visions:

Making Mel's image dissappear only to be replaced by Viktor's is extremely symbolic, this is not Jayce obsessing over Viktor and his actions, instead we are directly told that not only is Jayce's relationship with Viktor of the same sort as his relationship with Mel, Viktor is quite literally replacing his former lover.

We could talk about the constant parallels between Mel and Viktor for days, but I believe my last point is backed up even further by propably the most evident mirror shot of the two of them:

appearing again during Viktor's conversation with Jayce:

This is very clearly a POV shot of Viktor from Jayce's own eyes, although it is Viktor talking, the images we see are from Jayce remembering their first meeting which, of course, was fated to happen.

With this established and going back to my main point, I believe upon seeing Viktor for the first time in months, who is gazing down at him with a smile on his face, and after being forced to confront his feelings for Viktor, Jayce looks up at him with love.

This is his own realization that they are in fact meant to find one another in every timeline.

[the-fandom-crossroads]

Alright I caved and I'm actually going to talk about the live action HTTYD trailer.

I'm annoyed at all the things others have already mentioned but there is one thing that makes me angry while also making me laugh at the same time. In a "how is this a struggle they are still dealing with 15 years later" sort of way.

This attempt to get Toothless to "sit".

I know most of you didn't grow up a httyd nerd watching the director commentaries of the original movie. But I did and I can tell you they called this one of the hardest bits of animation they pulled off with the models in this film.

Rigging models in animation are intentionally well rigid. Animators intentionally code in limits so limbs aren't doing unnatural movements everytime something glitches out. Watch the Shrek bloopers for nightmare fuel examples of why animators started rigging in limits to limbs and even face muscles.

So these limits exist and in httyd's time you couldn't just turn off those rules for the model when ever you wanted. So they had to fight the limits they put in place while trying to keep the movement looking natural.

You obviously can't see it from this angle. But they removed his right wing from the model. Once it drops behind his head it is gone. Because it was just another thing to keep track of that wasn't needed in the shot.

I laugh at the live action because they are clearly running into the same Rigging limitations that come with using a CGI model. But unlike the animated movie they aren't pushing the limits of the rigging to have Toothless sit upright.

No to keep it more "natural" they have it be an awkward shuffle back. They decided not letting his tail bend like that was more important than the whole point of the scene. Which is that he is mimicking Hiccup's body language.

This and the Eye pupil shot tell me all I need to know about this remake.

That they are willing to get rid of key details that helped us feel the connection between Toothless and Hiccup if it means a more "realistic" feel for the movie. Which is going to lead to us feeling more distant from these characters compared to their animated counter parts.

So yeah that "cold soulless" feeling isn't just nostalgia. It's an intentional part of their attempt to make a httyd "in the real world". And tells me I'm just going to be disappointed by this remake. So join me June 2025 as I pop in my 15 year old httyd dvd for a rewatch.

Because no matter what this remake does the original will always bring me joy.

[muffinlance]

Do you get the impression the live action is treating us like utter morons?? Like I thought that making it aimed at an older audience would open the doors for more subtle story telling, but no, they're just using monologues to tell us eveything! Like in the second episode Katara's like 'oh his power isn't that he's the avatar, it's that he ~connects~ to people'. Girl we're not idiots we can see that!! And the first episode with Aang's goddawful 'I don't want this responsibility' monologue

THIS, YES. The word that keeps coming to mind is definitely "subtlety". The show for literal children? Had it. The remake for adults? Not so much.

[sanasanakun]

People try too hard to make Curly an active participant in Jimmy's abuse. Isn't the whole point that he's passive in everything Jimmy does? Abuse occurs because he actively doesn't do anything? Not to call someone out or be mean, but I saw a post saying Anya's ID being in Curly's locker at the beginning shows that he intended to prevent Anya from filing an HR report and I disagree. I get where that interpretation is coming from, but I think it's a little uncharitable. I don't like being too kind to Curly because he's like...a morally mid dude at best lol But if we're going by the HR report interpretation, I would say it's more likely he requested Anya's ID in order to file an HR report on her behalf. After all, the only way to contact Pony (that we see) is in the cockpit, he's the Captain, and Pony Express sucks bad so I wouldn't put it past them to only allow the Captain to use the communication device thing. As we see before, Curly is the only one able to use tools around the ship that you would think other employees could use (ex. Swansea should be able to use the axe if he's the repair guy. Idk why they'd need an ax but that falls under manual labor which Swansea is designated for as the mechanic/fixer dude. But it has to go through Curly). I never got the vibe that Curly moved to actively protect Jimmy. He just lets things happen without say a word; Jimmy walks all over him, and by extension, the whole crew. I get why people would think that because he gives the whole "Hey Jimmy, we can get through this together, bud" spiel right before the crash. This part interests me a lot because there's so many ways to interpret Curly's intentions there. My interpretation is that Curly is on autopilot mode. The responses seem so stilted in comparison to Jimmy's. Like it's the kind of thing Curly's said before again and again and again when Jimmy's gotten in trouble. However, as others previously pointed out, I don't think Curly ever dealt with Jimmy doing something this irredeemable. He doesn't know how to respond, so he just goes for the default "You've gotten through tough situations before. Work through it one step at a time." Like the response is lame af lol I think he was in shock; he was scared (and just so I can say it one more time: he's super lame).

Anyway, this is way longer than I intended and I've said things a billion people have already stated. But uhhh tldr the whole point of Curly's character is he's passive; he never acts. He just watches. Making him an active participant in the abuse by taking actions to cover for Jimmy (like preventing Anya from filing an HR report) defeats the purpose of his character. He's a bystander.

[poorly-drawn-mdzs]

Good Morning, World.

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