#i'm CRYING | Explore Tumblr posts and blogs

neithriddle · 1 day ago

Text

I can now go sleep in peace, i cried to times reading this all because I was scared for Aegon’s life! Rhaenyra's so disgusting to throw their father's negligence and unlove for Aegon into his face, happy for his "revenge" and Petra's! Such a courageous decision from her part to finish her husband with her own hands and the small beautiful moment between Aegon and Aemond was so ugh! 😭😭😭

In The Gloomy Depths [Chapter 7: Sapphire] [Series Finale]

Series summary: Five years ago, jewel mining tycoon Daemon Targaryen made a promise in order to win your hand in marriage. Now he has broken it and forced you into a voyage across the Atlantic, betraying you in increasingly horrifying ways and using your son as leverage to ensure your cooperation. You have no friends and no allies, except a destitute viola player you can’t seem to get away from…

Series warnings: Language, sexual content (18+ readers only), parenthood, dolphins, death and peril, violence (including domestic violence), drinking, smoking, freezing temperatures, murder, if you don’t like Titanic you won’t like this fic!!! 😉

Word count: 5.2k

💜 All my writing can be found HERE! 💜

Tagging: @nightvyre @mrs-starkgaryen @gemini-mama @ecstaticactus @chattylurker, more in comments 🥰

💎 Thank you for reading (and tolerating all my nautical puns)! 💎

How can love be a curse? How can it be something to fear, to condemn, to break?

She has dreamed of him all her life. First he was a protector, almost fatherlike, and then a remote, bewitching phantom as she crept into adolescence, and then when Harwin Strong died Daemon sailed over Saint George’s Channel to offer her solace in England, and at last the fantasies she never would have confessed to anyone were fulfilled, two marriages and four children later. Rhaenyra remembers what he told her in the mist-draped lakeside cottage where they met in secret, crossing paths like an asteroid striking a planet: My wife means nothing to me. She’s not like us. She is young, and weak, and afraid, and I could never respect that kind of person. Her father owns the last Connemara marble quarry in the world, and I needed a son. But the only woman I want is you.

Aegon fires the pistol as he chases her through the corridors of A-Deck, and when she shrieks nobody hears, or if they do they don’t appear to rescue her; the ship is full of people screaming, sobbing, clawing for their lives against wet walls and locked doors. He shoots and misses again. There’s something wrong with his hands. He keeps fumbling with the gun and almost dropping it, hissing in pain as he squeezes the trigger, and there’s blood staining his fingers.

Good, Rhaenyra thinks. I’m glad he’s hurt. I hope he’s dying.

She sees an open room and ducks inside, slamming the door behind her and barring it with the weight of her body as Aegon rams it with his shoulder. Rhaenyra is surrounded by the trappings of another family who purchased first-class tickets: chairs with velvet upholstery, a faux fireplace, paintings by Rousseau and Boccioni and Homer. The lights flicker and the steel beams of Titanic groan, low and disastrous. There isn’t much time left.

“Daemon!” she yells as loudly as she can. If he hears her, he’ll come running. I have to get to a lifeboat. I have to live for my father, for Jace and Luke and Joffrey, for the children I will one day give Daemon.

Rhaenyra struggles with the lock as Aegon batters the door and it quakes on its hinges. Just as she latches it, he fires the pistol through the door. Wood cracks and splinters; a bullet pierces Rhaenyra’s ribcage like a blade. There is unbearable pressure, and then a sharpness, a pain she believes she cannot stand until it keeps getting bigger, deeper, ripping her open and filling her with dark wet weight like the ocean surging into Titanic. She crumples to the floor. When she coughs, blood spurts out onto her lips. Rhaenyra wipes it away and then stares at the red on her palm.

I can’t die now. My life just became what it was supposed to be.

Aegon punches a hole through the mangled door large enough for him to reach in and unlock it. Then he stands in the threshold looking down at her, his hands shaking but his eyes hard, fierce, unflinching. Rhaenyra has never seen him like this before. She didn’t know he could be good at anything.

“How the fuck did you get on the ship?” Rhaenyra snarls as she scrambles away, hacking up more blood. The black opal ring Daemon gave her gleams like onyx or obsidian, something born of heat and earth and insurmountable, ancient gravity.

Daemon and I were made for each other. The same blood, the same bones, the same will to carve treasures from the bleakest places.

Aegon follows her across the floor, slow stalking steps. He doesn’t answer; instead, he shakes his right hand a few times—steadying himself, casting out tremors like demons—and then grips the pistol with it. He raises the gun, the barrel aimed at Rhaenyra’s face.

“Daemon?!” she screams, but he isn’t here. Then she asks, sudden desperate confusion, her blue eyes wide: “Why are you doing this?”

Aegon’s voice is calm. “Because she can’t be free unless you and Daemon are gone.”

That girl? Daemon’s sad, stupid wife? I’m dying because of HER?

“Father never loved you,” Rhaenyra seethes, red on her teeth, blooddrops spilling from her lips like rubies. Her eyes are cold, glinting sapphires, pools of freezing water that only needs minutes to stop the heart. “Just like Daemon never loved her.”

“I know. And I used to care. It almost killed me, it almost ate me alive. But now I’m better. And I finally know exactly who I’m supposed to be.”

Aegon pulls the trigger.

~~~~~~~~~~

As Daemon descends the Grand Staircase, you crawl down towards the next landing, your head spinning, your hands empty, writhing on your belly like a snake.

The dagger???

But you can’t find it, and you don’t have time to stop and search. Daemon is only a few steps behind you. When your palms hit B-Deck, you try to drag yourself upright, grappling for the banister; but before you can get your feet under you, Daemon kicks you and sends you hurtling down the next flight of stairs. You tumble towards C-Deck, clawing in vain for something to break your fall. Your head strikes the English oak wood and you hear your father’s bewildered voice as he sat at the dining room table in Lough Cutra Castle: Where are you going? When will you be back?

Never, never, never; and now from somewhere below you recognize the roar of rushing water.

“You were going to kill me?!” Daemon taunts as he bears down on you like a storm. Blood soaks his throat and the white shirt beneath his black suit jacket. His eyes are bright, feral, monstrous. “After all those times I spared you when I could have drowned you in a river or a hot bath or the sea? You’re so fucking useless. You really can’t do anything right. All you had to do was shut up and endure, and you could have lived to be an old, old woman with all the comforts my empire afforded you. Now, my dear, you will never see another sunrise. And when Titanic sinks, you’ll be buried with her.”

Down, down, always down towards the ocean floor, you crawl faster away from him as his footsteps grow louder.

“Help,” you moan weakly. Aegon? Anyone? But the only reply is the echoing of your own voice and the sounds of the dying ship: breaking metal, distant screams, gushing torrents of seawater.

You crash into C-Deck and again try to stagger to your feet, but Daemon is here, shoving you as if from a cliffside or off a balcony. And as you plummet down the Grand Staircase towards D-Deck—where the First-Class Dining Saloon is, where Thomas Andrews once assured you that Titanic was unsinkable—it is not hard wooden steps you collide with but swirling ice-cold seawater. You plunge beneath the currents and then come sputtering up to the surface, your white wool coat drenched and threatening to pull you below again like an anchor. You struggle to shed it with arms that are rapidly going numb.

I’m so cold, I’m so cold, if I don’t get out of the water I’ll be dead in minutes—

Daemon’s fingers close around your throat and he forces you under the waist-deep water. You thrash and try to push him away, to pry him off of you, but your muscles seem to have disappeared, they have been scraped off your bones and now you can only wait to die, your breathless lungs burning as your body freezes. You have a sudden vision of Daemon in his firelit study at Lough Cutra Castle, marveling at a shard of Larimar dredged up from the Caribbean Sea and quoting the first known treatise on gemstones, written by Theophrastus in the time of Alexander the Great: Of things formed in the earth, some have their origin from water.

“No!” you scream through the depths, bubbles rising up to air you cannot taste. You claw at Daemon’s hands, but you cannot wound him, cannot get a grip on him, and hasn’t that been true since you married him five years ago?

The dark, freezing water makes you want to give up. It makes death feel easy, painless, inevitable. You imagine faces you’ll never see again: Draco, Aegon, your parents, Fern. You hope Carpathia will be here soon to rescue the survivors. You wonder what will happen to Aegon’s paintings.

Through the water come the muffled booms of explosions, four of them, surely something catastrophic, the ship splitting in half or a distress flare misfired or boilers bursting and shearing through what’s left of the hull. Then Daemon’s hands vanish from your throat and someone is hauling you up out of the icy currents, they are freeing you, they are disinterring you from an oceanic grave.

“I’m here!” Aegon is shouting as you burst into open air, gasping and flailing. He drags you towards the Grand Staircase where you can climb out of the flood, but you’re looking for Daemon. He is a few yards away and floating face-up, one hand clasping his chest and a gurgling sound leaking from his throat. The water around him is turning red. He’s fading, but he’s not dead yet.

“Aegon, he’s still—”

“I know. I’ll take care of him once you’re out of the water. I don’t have any more bullets left.”

“I want to do it.”

“We need to get you dry and warmed up—”

“I want to do it,” you say again, and Aegon lets you go.

You twist off your black opal engagement ring and throw it into the water beside Daemon. Then you place both of you hands on his chest and push him beneath the surface, Aegon standing just behind you with the barrel of the pistol in his grasp in case he has to use it as a club. The glacial seawater froths and whirls as it rises over Daemon’s hemorrhaging chest. He startles—a death rattle, a late rite—and resists feebly, gazing up at you with glassy, disbelieving eyes. They ask: How did this happen? I was supposed to kill you, remember? I own you. I own jewels trapped in subterranean darkness all over the world, and you are the very least of them.

“Draco isn’t yours,” you tell Daemon as you force him under. “Rhaenyra isn’t yours. And I’m not yours either. Now sink and die and make me free.”

He twitches, he bares his crimson teeth at you, but after all this time finally Daemon is the weak one. The rising water flushes maroon around him, his skin goes a frail and translucent bluish-white, his heart is drained until the chambers are cold and grey and empty. You hold him beneath the water until the bubbles roiling up from his nose and mouth disappear. He will never touch you again, he will never hurt anyone, he will never bruise or break or ensnare or captivate. And who will inherit his mines scattered across the planet?

Draco. His only son. And my family and I will act as trustees until he’s eighteen.

“We have to go,” Aegon is saying. He must have taken off his coat before he went into the water after you. He stands shivering in only his white shirt and green corduroy pants, the ocean now lapping at his chest.

“Rhaenyra?” you ask.

“She’s gone. I’m sure.”

“It’s over,” you say softly, feeling weight like stones roll off of you, feeling warmth like sunlight on your face.

As if in reply, the listing ship groans and the lights flicker again. “Not yet,” Aegon says, grabbing your hand. “Let’s hope there’s a lifeboat left.”

You wade to the steps and climb out of the water. Aegon helps you wring out your soaked hair and the skirt of your gown, then snatches his black wool coat off the steps where he left it and puts it on you. You race up the Grand Staircase to C-Deck, and then B-Deck, and then the A-Deck landing where you find your green handbag with Aegon’s tiny aluminum lighter still inside.

“I think you dropped this,” Aegon says when he spots the dagger on a nearby step, still covered with Daemon’s blood. He wipes it clean on his corduroy pants and then passes it to you. When you hesitate to take it, he grins. “Who knows. You might need to stab someone else tonight.”

“I never want to draw blood again.” But you accept the dagger and place it in your handbag, the captive gemstones glimmering there: amethyst, tiger’s eye, black opal, emerald, ruby, bloodstone, sapphire like the North Atlantic Ocean that is swallowing Titanic down into her cold, crushing belly. Then you ascend one last flight of steps to the Boat Deck, passing the bronze cherub statue and the ticking clock, stealing a glimpse up at the dome of glass and wrought iron that will soon shatter when the sea punctures through it like a bullet or a blade.

Outside the night air is so frigid that ice crystals begin forming in your hair, and the hem of your blue gown begins to stiffen as it freezes. You are barefoot, you only now realize, and if splinters from the pine planks of the deck needle their way into your flesh you won’t be able to feel them. There are only two lifeboats left on this side of the ship, one of which is already being lowered down to the sea. Officers are still directing women and children into the other. Benjamin Guggenheim and his companions are very drunk, clumsily herding frantic first-class passengers towards the boats. The string quartet is now playing The Merry Widow by Franz Lehár.

“Come, come quickly, Lady Targaryen!” the officers shout when they see you, knowing by your gown that you belong here, perhaps recognizing you from strolls on the Promenade Deck or when you and Daemon boarded Titanic in Cork with much fanfare. Aegon helps you into the lifeboat, his wounded hands cradling yours. Another distress flare is shot into the sky, metallic rain, doomsday portents.

We’re going to be alright, you think. We’re going to survive this.

“Darling, you’re sopping wet!” one of the women in the lifeboat exclaims, and they all begin to fret over you. There are dogs here, a Pomeranian in one lap, a Yorkshire terrier in another.

“Get her under a blanket,” Aegon is saying. “Keep her warm or she’ll get pneumonia. Give her a lifebelt.”

“We will, we will,” another lady shimmering in jewels—a mother of two boys in heavy coats and blue-striped pajamas—promises him. “We’ll take good care of her.”

You turn back to Aegon. “What?”

He tells you, his voice quiet: “Petra, they’re not going to let me in.”

“No, no, you can’t stay here—”

“Women and children only!” an officer booms, then begins waving several shrieking maids towards the vessel, just moments from launching.

“Aegon,” you say, horrified. He’ll die if he stays. He’ll drown or he’ll freeze and he’ll be entombed at the bottom of the Atlantic. “No.”

“I’ll be okay.”

“No you won’t,” you sob, then look desperately at the officers. How can I change their minds? “He’s a Targaryen, he’s a first-class passenger, he must be allowed aboard!”

“A Targaryen?!” one of the officers says distractedly as he battles with the rigging. “I know all the Targaryens on Titanic, and he’s not one of them!”

“Just look at him,” the other officer mutters, meaning: He isn’t dressed like someone with castles or mansions or titles or mines. He can’t be someone who matters.

“He is,” you plead, tears stinging on your cheeks as they freeze. “He’s Aegon, he’s a Targaryen, please, he can’t be left behind—”

“Women and children only!” the first officer barks at you as the other pushes away a group of panicked young men in black suits trying to bribe their way into the vessel. “And if you want to stay here with him, that’s your business, but get to it so the rest of us can try to make it off this ship alive!”

“There’s more than enough room for him, for Christ’s sake, there are dogs in here!”

“There will be other lifeboats, love,” one of the women tells you as she drapes a scratchy wool blanket across your shoulders, but you don’t believe that’s true. The maids are climbing into the lifeboat; the officers are beginning to lower it with sharp lurches that make the occupants gasp.

You reach for Aegon, your hands catching on his drenched shirt, the thin layer of ice cracking beneath your fingers. “No, no, Aegon, I can’t go like this.”

“You have to,” he says calmly, and he holds you face still and touches his lips to your forehead, a kiss goodbye, gentle and lingering.

“No—”

“You have a kid. You have to go. Draco will be looking for you on Carpathia.”

“You deserve to be free too.”

“I’ll stay out of the water for as long as I can,” Aegon says like a vow. “I’ll try to find something to float on. And once Titanic goes down…maybe the lifeboats will come back to pick up any survivors.”

The water is too cold. I’ve felt it, I’ve been paralyzed by it, once you go under you only have minutes. “You can’t…you won’t…”

“Petra,” Aegon says, and his eyes turn desperate. He knows it’s his only chance. “Make them come back for me.”

“I will,” you swear to him.

And he pries your fingers off his shirt and rips away from you before your resolve can weaken. High above and through tears that blur your vision, constellations of stars gleam like diamonds.

~~~~~~~~~~

He runs to the other side of the Boat Deck, searching for lifeboats that haven’t launched yet. He can’t find any. There are swarms of passengers weeping, shouting, jostling, and officers trying to restore order. Pistols and flares are fired, chairs are tossed overboard for passengers to cling to as they float. But Aegon knows that won’t be enough; if they stay submerged, they will die.

I need something bigger. I need something I can lie on. A door or a dresser or…

He shoves through the crowd to get to the ship’s railing. Below, the ocean has gotten so much closer. He sees a lifeboat bobbing in the waves, just far enough away that someone brave enough to leap could not get to it. Inside, along with perhaps twenty first-class women and maids, Aegon recognizes Laenor Velaryon and his ever-present Parisian friends. They are puffing on cigars and toasting glasses of brandy, celebrating their good fortune. They must have successfully bribed their way aboard.

“Fuck,” Aegon sighs, his breath fog in the frigid air.

How am I going to stay out of the water long enough to survive until I’m rescued?

Then he replays the evening in his mind—his first night with Petra, perhaps his last night on earth, red silk and candles and oil paint and the warmth of her beneath his hands—and Aegon gets an idea. He sprints back to the Grand Staircase and soars down to B-Deck, seawater ankle-deep on the floor. He splashes through the corridors to the staterooms once occupied by Daemon Targaryen’s wife and child, now rid of him, now waiting for what will come next. Aegon hurries through the sitting room, passing the taxidermied tiger head above the fireplace and the large, heavy chest where Daemon made Petra lock up the art she bought in Paris.

She didn’t remember to put the real Picasso’s paintings in a lifeboat, but she saved mine, Aegon thinks. If I make it out of this alive somehow, I’m marrying her the second we dock in New York.

He goes to the bedroom, finds what he needs, carries it with him as he returns to the maze of hallways. Now the icy water is nipping at his knees.

~~~~~~~~~~

The ocean is calm, the lifeboat rocking placidly on inky surf. The women comfort their children and their dogs. You take Aegon’s aluminum lighter out of your handbag and light yourself a cigarette, then pass it around so the other passengers can thaw their lungs with hot plumes of nicotine, here in the early hours of the morning when it feels like you’ll never be warm again. The officer who took command of the vessel—the same one who shouted at you and refused to admit Aegon—is rowing vigorously as you and several other women help him, staring horror-struck at Titanic as she goes down by the bow.

“We have to get away from the ship,” the officer keeps saying, and he sounds genuinely petrified. A woman in a glittering gold gown steers with the tiller. “Or she’ll suck us into the water with her.”

There are shadows of other lifeboats nearby, also fleeing from the condemned Titanic, that miraculously colossal and opulent triumph that everyone had told you was unsinkable. You wonder which one Draco and Fern are in, undoubtedly cold and frightened but safe.

Aegon deserves to live too. I have to find him, I have to save him.

Now there is seawater flooding over Titanic’s deck at the bow, where you and Aegon saw third-class passengers—now dead, or very soon to be—kicking around pieces of the iceberg that they didn’t know had doomed them. The ocean surges higher, covering B-Deck, and A-Deck, and finally the Boat Deck, where the towering funnels collapse and you can hear shrieks and guns firing. You know you won’t be able to see Aegon from here—you won’t be able to tell if he made it into a lifeboat somehow, or if he is one of the figures that falls from a lethal height into the waves, or if he is crushed or shot or trapped below deck and drowned—but still, you cannot stop looking for him, peering through the night to where Titanic glows in her spotlight of white-gold electric luminescence.

As the bow sinks, the stern begins to rise, higher and higher until the tension cracks the ship in two, and the passengers you share the lifeboat with wail and sob as the ship’s lights blink out for the last time and the gravesite goes dark. Women call out the names of their husbands, fathers, brothers, adult sons, knowing they must be dying. You can only watch with tears streaming down your face, thinking: How could he survive that? How could I have left him?

The stern bobs for a while in the nightscape sea, a shade, a phantom, and then it plunges into the ocean. The water—indifferent, dispassionate, not a mortal but a titan, here long before humans and destined to outlast them, not unlike the treasures of the earth—gulps down metal beams and pine planks and split bones and shredded flesh. There are screams, so many, so pitiful, so loud they fill the sky, and the howling women in the lifeboat cover their ears and those of their children so they will not have to try to exorcise the sound from their memories later.

As soon as the stern has been consumed by the depths, you say to the officer: “We have to go back to look for survivors.”

“Are you mad, Lady Targaryen?” he snaps at you; but there are tears in his bloodshot eyes. “We’ll be mobbed if we sail into that. They’ll pour into the boat until we go under too. Do you want to freeze to death with them?”

“People will die quickly. They are dying already, the water is cold enough to kill in minutes. If we start rowing towards them now, most of the passengers will be dead by the time we get there. And then we can rescue anyone who’s left.” Please still be alive, Aegon.

“Not a chance in hell,” the officer says.

You turn to the other women. They blink back at you in dazed, timid terror. “It’s murder to leave your men behind,” you implore, you beg them to agree. “Help me row to them.”

But the women only weep softly to themselves and look to the officer to tell them what to do. He smirks at you victoriously, an expression of no humor but rather grim, fearful misery that could drive someone insane. In the lap of one woman, the Pomeranian whimpers.

I can’t leave Aegon, you think. I can’t, I can’t, I can’t.

You open your green handbag and pull out the dagger, the blade pointed at the officer. He shouts and bolts away from you, incredulous, furious.

“You’re threatening to kill me?!”

You shake your head. “I’m offering you a gift.” You turn the dagger around so the officer can grasp the handle. His gaze catches, transfixed and wondrous, on the gemstone spheres like perfectly aligned planets. “This dagger is worth more than you would make in a decade of work. Go back for survivors, and it’s yours. Refuse, and when we are rescued and my son inherits my husband’s fortune, I will make it my life’s work to destroy you. I will follow you anywhere on earth. I will ruin you. So take the dagger as payment and break my curse, and let us save the people who are left.”

The lifeboat sways in the small, serene waves, and the stars revolve high above in a moonless sky, and you and the other women wait for the officer to reply. After a minute or more—we have to go back now, right now, we don’t have much time—he finally lifts the dagger from your open palm and tucks it into his belt.

“Fine,” he says, picking up his oar again. “Let’s go. I cannot abide your damnation. I’ll be haunted by enough ghosts already.”

He and several of the other women row into the throng while you find the flashlights stored in the bottom of the lifeboat, then perch at the bow searching for Aegon. Instead you see hundreds of bluish corpses floating in their lifebelts, dead men and women and children, some of them first-class or crewmembers of the ship but most of them third-class passengers: Italian, Polish, Greek, Syrian, Russian, Chinese, Irish, discarded people, good for dying in the operations of mines or factories or railroads and little else.

“Aegon!” you shout over the water, but he does not answer. There is only the mist of your own words and the sound of cold currents rippling as the lifeboat cuts through them.

Your group saves two people from the sea, both nearly frozen to death and unable to speak: one man floating on a table washed out of a dining room, one little girl clutching her dead mother. Then a long time passes with no living souls to salvage.

“Have we done enough now, Lady Targaryen?” the officer asks you gravely. “Have you seen a sufficient number of the dead to assuage your wrath?”

“Not yet,” you say, steely, your eyes fixed on the water as the flashlight illuminates lifeless faces, scraps of wreckage, nothing, nothing, nothing. And then the light settles on him.

When the stern of Titanic went under, so did Aegon: there are ice crystals in his hair, and his clothes are freezing to his skin, and his lips are blue, and he’s shivering violently. But unlike over 1,000 other passengers, he didn’t stay in the depths long enough to perish as the cold stopped their hearts and lungs. He had something with him, a life raft, a second chance, a treasure mined not from some far-flung crevice of the earth but from the bedroom where he uncovered you, where you found each other and never wanted to go back to the way life felt before.

Aegon is sprawled across the oval-shaped mirror that once stood beside your bed, the fractured glass reflecting the stars that glimmer in the night sky. His ravaged hands cling to the wooden frame. And when the beam of the flashlight skates across his face like moonshine, Aegon knows you’ve come back for him, and he reaches for you until your hands link with his and help pull him aboard.

~~~~~~~~~~

Carpathia arrives an hour later, just before four in the morning on April 15th, and as the sun rises over the North Atlantic Ocean you and Aegon find Draco and Fern on the bow deck, where stewards are distributing blankets and tea to the survivors. Women wander the ship pleading for help finding their lost loved ones, weeping endlessly for their brothers, their fathers, their husbands. Your tears have stopped entirely.

Carpathia’s passengers are generous. They offer in charity their food, their clothing, even their rooms. Children share their books and toys with Draco. Fern teaches him how to play marbles; you read him The Story of Saint Patrick. A doctor onboard disinfects and bandages Aegon’s hands, and assures him that he will be able to play viola again, not now, perhaps not even soon, but one day.

That first afternoon, as you and Aegon are taking a stroll on the Boat Deck, you spot a man painting a scene of the sunset: gold, tiger’s eye, ruby, red beryl. Aegon shows him some of the portraits from his scuffed leather portfolio…though, of course, one in particular is not suitable for mixed company. The man is so impressed that he insists Aegon must not be deprived of the ability to create such beauty for lack of supplies, and gifts him an easel and some paper, brushes, and oil paints.

It’s difficult with his sore, bandaged hands, but Aegon still wants to try, and when his brush begins to shake he asks you to help him. Aegon explains things to you as you steady his hands: chiaroscuro, scumbling, alla prima, glazing, impasto, a foreign language that will soon become familiar. Already, you are learning. And as Carpathia sails into New York Harbor on the evening of April 18th, Aegon takes a paintbrush and draws a circle around your ring finger in vivid, sapphire blue, a worthless gift of no gleaming gems or metal, a vow that means everything.

It’s been years, but Aegon remembers the way to his mother’s house. He leads you, Draco, and Fern to the doorstep of the Hightower mansion on Fifth Avenue. He knocks and a butler answers, a middle-aged man who gapes at Aegon in shellshocked disbelief.

“One…one moment, sir, if you’d be so kind to…to…to just wait here, please,” the butler stammers, then disappears inside. A few minutes later, a different man appears in the threshold. He must be Aemond, tall and white-blonde and precise in every movement, his left eye concealed by a black leather eyepatch. His remaining eye, a clear alert blue, darts to where Fern is holding Draco on her hip and then to you and Aegon, his bandaged hands resting so lightly on you they could never leave a mark.

Then Aemond’s face softens, and there is a kind sort of relief that seeps in, and you imagine your parents will look the same way when you return to Lough Cutra Castle. “You’re home,” he says quietly.

And Aegon smiles and replies: “We all are.”

#aegon ii targaryen #aegon x reader #aegon targaryen x reader #aegon ii fanfic #aegon ii targaryen x reader #i'm crying #such a beautiful ending #hoping that the next story is about Aegon🫣#i'm soooooo greedy

138 notes · View notes