#i'll see a post saying dream deserves to die. and the very next post is someone crying over how pretty he is
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charles-simmons · 10 months ago
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Being a disc duo fan is such an interesting experience sometimes, bc half my mutuals would die for Tommy, and the other half hates him with a burning passion. Same thing for Dream.
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confusedgoldenflower · 2 years ago
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SURVEY: I have about five other wips I haven't posted yet, and can’t decide which to do next.
1-- Another Calamity!Mu Qing AU. Mu Qing dies tragically just after Xianle's fall. He gets to the Kiln before Hua Cheng (yes I'm making it open more often). He and HC work things out, but when it comes to Xie Lian, he works in the shadows. But over the centuries, he develops a habit of annoying a certain southern god. His calamity name is Silver Sun Xuan Zhen. And he torments the sinful via dreams; that's also his "realm." Touching reveal.
I have about 10k words for it so far. No smut.
2-- Now, bear with me (I blame exhaustion sleepy brain for this). Xianle Quartet AU. Mpreg--non-mpreg. Xie Lian doesn't tell the Demon of Mei Niang Bridge to LiveLaughLove, and XL convinces them to let him keep Hong Hong-Er around. It's roughly ten years post his ascension, MQ, FX and HC are his officials and it's real nice. This is all thrown into a tailspin when through god-stuff and canonically being both genders (it is there), XL winds up pregnant. He gets "morning" sickness super duper bad and when he's complaining about it, Mu Qing says, "fine, I'll do it." So then Fem!MQ to be self sacrificial--I mean to save the day.
I'm doing so shit at summaries rn holy shit. 9k words thus far. No smut.
3-- Exhaustion sleepy brain: 2, Me: 0. Omegaverse--WAIT--because it'd be HILARIOUS to see them all in a tizzy because some drunk idiots thought it would be a funny idea and it spread like wildfire. Slight PQ and very jealous FX. FQ fic, as usual. No smut.
Don't ask how this became a thing, just accept it lmao. 2.2k words thus far. No smut. Non-traditional ABO.
4-- Mu Qing and Hua Cheng bro AU. Mu Qing doesn't save Hong Hong-Er from the fall, but he does in a different way and since then, the boy won't leave the stressed, working teen alone.
Very big bro MQ. 2k words thus far.
5-- Another C!MQ. God Rabies. Feng Xin kills Mu Qing. All the angsty feels from FX. He wears a cat mask. FX secretly ghost marries him but not in like a ghost-wedding way. Mostly FX point of veiw so far. Touching reveal.
4.8k words thus far. No smut.
Two Dark!Feng Xin (NOT in a non-con way) ideas. FX can't let MQ's "betrayal" go.
6- FX sabatages MQ’s goodhood to keep a torture fodder. MQ ain’t about to let him have his way. (Incorporates prompts 171. "You don't even know how lucky you are. I protect you and provide for you. Don't act so ungrateful. 170. "Do you think I like hurting you? Because I fucking love it.' 177. "I imagined my life without you and it was better. I was happier" 182. "Stick a knife in my chest, it would hurt less." 80. "i think i might be in some kind of love with you? 34. why are you so cold? 129. "This world doesn't deserve an angel like you.") Sorta leaning Wrath!MQ if not Calamity.
7- FX sees an opportunity to let MQ die during a mission and keep his hands clean and he takes it. He’s a real POS as he lets him die. MQ grows into an esp resentful ghost. FX eventually sees he was very much in the wrong and is terrified when MQ finally confronts him bc he’s an idiot and assumed after a while that MQ moved on. Sorta leaning Wrath!MQ if not Calamity.
No don’t just like this post pls I need guidance
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miniimapp · 2 years ago
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Every Hero Needs a Sidekick - Robaire
Gen ;; Action + Romance (Enemies to Lovers??) - Story
Warnings ;; Violence + Mention of Weapons (Guns)
Proofread + Edited ;; Absolutely not mate, have you seen any of my writing before ??
Word Count ;; Guess bitch lmao
Auth. Note ;; WELCOME TO DAY 13 OF THE 4*TOWN CHRISTMAS COUNTDOWN !! Post 2 of the day lmao
I'm thinking this might be a new hero based au :DD
Enjoy !! <3
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You've learned two very important things since your being hired by the hero corporation: patience is a virtue and being a sidekick fucking sucks. Here, crouched behind a bunch of crates crowded near the entrance of the warehouse you could potentially die in tonight, is where you decided to analyse the choices that lead you to this moment.
As one of the corporation sidekicks you don't really have a set hero that you work with, you've worked with many though you do have the ones that crop up more often than most. One being the leader of world-famous hero group 4*TOWN.. Ro.
Look, you're not saying you deserve world fame, or even want it, but it's funny that you're the one running around, kicking ass while he barks commands at you and does next to nothing. Okay, well, he does actually do a fair bit, but still! At the very least you're doing the same amount of work and yet he gets fame and admirers and a shit ton of money and you get nothing? Not even a thank you half of the time? No one even remembers your name yet they can remember these guys entire autobiography because?
All you're saying is if the corporation has enough money to give 4*TOWN their own penthouse office then they have enough to give you a liveable wage.
Speaking of money, you hope they have a slightly heftier paycheck waiting for you when you get back after this mission. It's probably the most dangerous one you've been on yet and you've been lobbed in with Ro so the least they can do is pay you properly for your time.
It's a pipe dream, of course, but it keeps you going.
"Focus, mon amour. If we fail this mission you know what will happen.."
A scowl forces its way onto your face before you're even able to register it and you begin to grumble under your breath, "Yeah, I'll get all the blame and you'll still get praised no matter what.."
You sigh and force yourself to concentrate on the mission, saving your frustration for later.
Suddenly, words start flowing out of your ear-piece and into your ear giving you both a multitude of instructions, "Make sure keep out of sight you two, this is a stealth mission above all else. If you're seen you'll have to take down everyone in there and that's a death certificate waiting to happen. Be careful and we'll see you back at headquarters soon." You hear a click in your ear signalling that the line has closed.. so much for a fucking guide..
"Hear that, be extra careful because this is a stealth mission. Wouldn't want you messing things up after all."
In an attempt to centre yourself once again, you pinch the bridge of your nose and take a couple of deep breaths. God, why were you paired with this motherfucker..
"Being a sidekick has never been more annoying than right now.."
Ro hummed, "What was that?"
You quickly shook your head, "Nothing. Let's go, shall we?"
Ro smirks at you, "I thought you'd never ask."
Huffing out a sigh, you stand up from your crouched position and make your way towards the warehouse. With a short hum you reach for your utility belt, patting around for your grappling hook. See, while you had teleportation as you gift you weren't fond of using unless necessary, too much jumping caused nosebleeds and 12 hours naps. Not ideal.
Annoyingly enough, Ro doesn't seem to share your less than ideal side effects, being able to change his voice to mimic anyone or anything without so much as a sore throat afterward. If you were being honest, you have to admit that his perfect, amazingly strong powers do indeed piss you off, but you're not honest, not about this. Insecurities are dangerous on the field, an unreliable variable that can easily be turned against you just as much as it can encourage you.
You aim and shoot your grappling hook with practiced ease, soon feeling the sudden weightlessness of being pulled into the air. You note Ro following suit, just a second behind you, and continue forward, pulling yourself up onto the warehouse roof and looking around for an opening.
You practically tiptoe over to the warehouse's skylights, contemplating how much force you'd have to put into prying it open. Not much apparently, seeing as Ro brushes past you and slams as much force as he could into the skylight frame with a hammer he got from god knows where with all the stealth of a bull in a china shop.
Let it be known that you'd asked to take this as a solo mission before anyone gets too caught up in blaming you.. god, pay is going to be grim this week..
Obviously the people milling about inside the warehouse notice your.. entrance and, evidently, they're not happy about. At least, this is what you gather after being pushed through the hole Ro created in the ceiling and then immediately cowering away from the shit show that starts up.
Apparently, no one thought to warn that going out on a mission with Ro would leave you in the middle of open fire. Seriously, did no one think about this beforehand? Because a warning would've been nice, just saying..
No time to lament over the thoughts of your agency, unless you want them to be your last it seems. After a bullet skims the side of your face you throw yourself behind a unit packed with boxes upon boxes of what looks to be a gold dust of sorts. Not your problem either way, all you need to do is detain any villains, report to your bosses and then watch a "real hero" get all the praise. No, you're not bitter, shut up, you're just a little tired of being cast aside is all.
You press on your ear com and word vomit to whoever on the other end of the line, "Listen, I think we need emergency backup because we've got all hell breaking loose over here."
"Afraid we can't assist you at the moment, our hands are full until further notice. Keep us updated and stay safe." The line clicks closed once again and you're left reeling.
What in the ever-loving fuck could they possibly be doing that they can't spare one person?
"Mon amour, I need some help over here. I'm surrounded."
You let out a silent groan and teleport yourself back up to the hole in the roof so you can look over the whole warehouse. Clutching at your chest in in attempt attempt steady yourself, your eyes dart around, searching for some sign of Ro before finally locking on to his location. He wasn't wrong, he's completely surrounded and looking worse for wear. Better get stuck in before things somehow go even worse for the two of you.
You will yourself behind a guy to Ro's right, foot flying into the back of his knee as you tackle him to the ground. You quickly knock him out before dodging out of the way of an attack.. this is why you hate doing stealth missions with other people, they always seem to end up in a brawl.
Throwing yourself from person to person, from fight to fight, you lose track of Ro and, despite your complaints, you find yourself hoping he's okay.
As the number of lining up to fight you begins to thin you start look around for him, eventually spotting him behind you to your left. He catches you eye and winks at you as he punches the final minion attempting to get a hit. You scoff and roll your eyes as you duck under a shoddy swing from your current opponent and sweep their feet from under them.
"All done?"
You turn to the source of the voice: Ro. Hes smirking a little but its clear he's exhausted and in a fair bit of pain if the clear favouring of leaning on his right side compared to his left is anything to go by.
"Sure am, you?"
"As you can see, I have risen above all the things sent to try me."
You stare at him blankly before sharply turning and brushing last him and the many unconscious bodies that lay around your feet.
"What did we need to grab again."
You turn and glower at him as he takes an obnoxiously long time pondering before shrugging, "I think they just wanted a report on the situation."
Your eyes widen before narrowing at him, " You mean to tell me that this whole things was practically for nothing?"
Ro at least seems to have the decency to wince, "Not completely, I sure had a good time sharing this bonding experience with you."
You laugh humourlessly at his words, "I can't believe I was worried about you. I somehow forgot how much I despise you.”
You notice Ro's fave brighten just a little before he smirks at you, "I don't think you ever truly despised me, did you? Think wisely before answering, mon chéri, you don't want to go breaking my heart now, do you?"
"Don't push it, Ro."
"At least admit that you like me now, mon amour!"
"..I tolerate you."
"I'll take it!"
You huff and shake your head, using the movement to hide the smile sneaking its way across your face.
"Let's just go back to headquarters."
Ro smiles and dramatically waves a hand gesturing in the direction of what you both assume to be the exit, "But of course, mon chèri. After you."
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Praying that this isn't too shit,, not really used to writing like this,, kinda miss my headcanons but oh well lmao Hope you enjoyed !! <3
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pabo5x · 1 year ago
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hey you,
i promise myself that this would be that last time i'm writing a post/letter about you.
Honestly many words have left me because your actions (constant coldness, heartlessness) has made me numb. But all I could say is I've been deeply hurt. Your actions has caused me a huge emotional trauma and it's become an emotional baggage for me that I carry around daily. It's been a terrible nightmare. Thankfully, only in my sleep do I find peace.
Friends has been telling me that it's stupid to keep on holding onto us when you clearly do not care and has already moved on in life. Part of me refuses to believe that you've stopped loving me (even that little bit). Part of me refuses to accept the fact that someone else is having your love and attention. I hate the fact that someone else is reaping the benefits of my actions. I've tried so hard to change you for the better, I've taught you how to love someone and treat someone better but at the end of the day I guess what I got back was just the consequences of your mistakes.
I've put my ego down over and over again just to get you back when I know that I wasn't the one that did wrong in the first place. I've made myself look so lowly and crazy in order to get you back. But I guess, you've made up your mind because my messages are being left unread and my chat is probably lost in your telegram archives. Sometimes I really wonder how do you find the heart to be so cruel to someone. If I could learn it, I would love to. Then maybe it wouldn't be so easy for me to get hurt.
And like I said, if I could, I wish for the day I stop loving you more than you do. Maybe by then things would hurt lesser and I would stop caring if you're so cold and heartless towards me. Because as of now it's hurting me so badly from deep within.
I understand that you have been hurt as well, and you had to move past your battles yourself halfway through and I'm truly sorry for that. I'm sorry for letting you go, and I'm sorry that everything had to be this way. I did dream of a happily ever after with you but I just couldn't hold on anymore, I didn't know how to. I didn't even know how to continue loving you.
Thank you for trying your best to love me and provide me with whatever you have, to the best of your ability. I know you've tried very hard and I'm sorry I couldn't see it.
I have more thoughts but I don't know how to express them in words.
From today onwards, I shall try my utmost best to move on from this and heal from the trauma. I know that I deserve better, but I also know that all I want is you. Nothing else matters. I may continue to wait, I may not. But as long as I'm waiting, my arms are always wide open for you. I don't know if you'll ever come back, but deep down I hope you do.
If I ever die one day, I hope you know that you're still the boy that I loved the most. And I hope that in our next life, we'll meet again and be happier together.
I love you then, I love you now and I'll love you forever.
With love,
Adel
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thedaredevilsgirl · 3 years ago
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Dear Teacher - Part 2
warnings: teacher and student relationship (The reader is between 19 and 25 years old and please don't get involved with your teachers) angst,fluff, smut (fingering, unprotected sex -Please use a condom- dirty talk)
Word count: 3342 (surely the most I have ever written)
N/A: Hey, many people were asking, so I brought you part two of dear teacher, I hope you like it.I am creating a taglist, message me if you want to be added 💖💖
Part 1
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When Tom woke up on Saturday morning he was disappointed to realize that you were no longer there, for a moment he thought that maybe it had all been a dream or just his imagination playing with him, but something inside him knew that no, that the incident had really happened.
"Incident" was how Tom was referring to the whole of Friday night. It had been a bad idea, he knew, meeting you at that bar, inviting you to sit with him, kissing you, taking you to his apartment, and everything that happened after that. He knew it was wrong, but he couldn't help it.
MONDAY:
 Tom was nervous. It was the first time he had seen her since Friday and he still didn't know how to handle it.
You walked into the auditorium that morning and it seemed that fate loved to play with you as the two of your gazes met almost instantly, he swallows dryly and you blush before quickly looking away and running to your seat at the back of the room.
 "Good morning everyone" He says starting his class, everyone in the room answers him quickly.
 "Good morning Mr. Holland" Cindy, one of your students, says cheerfully "Looks like you had a great weekend" she points to a small purple spot on your neck, all the students start laughing as soon as she notices it. You sink into your chair, wanting to hide, mortified with embarrassment, remembering very well that you made that mark on Tom who was blushing in front of everyone's eyes.
"Anyway" he huffs loudly taking the students' attention back to class "I've corrected your Brontë sisters' papers, I'm happy to say that we got very good grades, but only one got a top grade, I'll give it back to you Wednesday" he says before continuing his lesson. 
•─────✧─────•─────✧─────•
The class passes slowly, like torture for both of them, they just wanted to get out of there as quickly as possible. They needed to talk about what they had done, but they were more than happy not to do that today.
"That's all for today, remember to turn in your next paper on Monday and get ready for the debate next month, see you all on Wednesday" he says to everyone as his class ends. Slowly the room starts to empty, but you can't get out as a hand grabs your wrist making you turn to see who it was.
"Y/N" Mike, the boy who had missed your date on Friday was standing there holding your hand "I just wanted to apologize again for not coming on Friday, I didn't mean to ruin your weekend kitten" he apologizes.
"It's okay, really, you didn't ruin my weekend" you answer politely.
"If you want" he says getting closer to you "We can reschedule, I promise I won't cancel this time" he gives you a conquering smile.
Tom settles back in his chair, moving his hands nervously across his lap. He didn't want to hear your conversation, but as soon as he heard no names being called he started to pay attention, he had no right to be jealous, you weren't his girl, but he hoped you wouldn't accept it, you deserved much better than that boy in front of you.
"Mike, I'm sorry, but I can't accept it" You say, trying to be polite and pulling away from him a little.
"Just a date kitten" Tom rolls his eyes from where he was sitting, did he not understand what no was?
"We better just be friends" you dismiss yourself before leaving the room.
"Girls" the idiot says before leaving the room.
TUESDAY:
Thomas only saw you once that day, talking to your friends in the hallways.
He felt your gaze on him, which made his heart beat faster, and when he returned your gaze you looked away, blushing at having been caught in the act.
As he lay in his bed that night, the memories came back, he was beginning to hate it. Avoidance and being avoided, the two of them should talk about what happened instead of pretending not to and acting like children.
WEDNESDAY:
You were pacing back and forth in the hallway, debating with yourself, trying to decide whether or not to go into that office.
This morning, as Tom walked around the room handing out corrected papers to his students, he left his paper on your desk whispering a congratulations before moving on to the next student. You saw the top grade written on the first page and a little yellow post-it note placed there saying "Meet me in my office at 18:00, please".
It was still 17:50, you could still get away from there and that conversation, but you didn't want to, as nervous as you were you knew what you needed to do. You knock on the door and open it just as you hear a "come in" coming from inside.
"You came" he says getting up from his chair and gives you a shy smile.
"You asked..."
"I didn't think you would actually come."
"I think we really should talk Mr. Holland" you says nervously looking down at her own feet so she doesn't have to face him.
"Mister Holland?" He asks "I thought i asked to call me Tom"
"I can't do that"
"I understand" His voice, there was something different in it, hurt perhaps.
A silence fills the room for a few minutes before he begins to speak.
"I'm sorry about Friday."
"Why are you apologizing?" You asks without understanding.
"I just...thought you..." He sighs walking over to stand in front of your desk, only a few steps away from you.
"I don't regret what we did" You speak as soon as you realize where your speech was going.
"No?" He finally looks directly at you.
"No, my God, I loved every part of that night" a small smile appears on his lips which fades soon after as you continue to speak "But that doesn't mean it wasn't wrong, we shouldn't have let it get to that point".
"I know it wasn't, I know...it was so wrong"
For some reason it was painful to be in that room without being able to touch him again.
"I really wish I wasn't your teacher" he walks towards you "To have met you at another time, maybe then I could have had you to myself, take you out without fear of anyone seeing us, hold your hand, kiss you" His hand caresses your face and you close your eyes leaning in to feel his touch more "I wanted so much Y/N, I wanted to make you my girl...I really like you"
"Thomas, I like you too..." You sigh, your heart aching with every word spoken "But sometimes liking isn't enough for two people to stay together."
"I know, and that's the part that hurts the most" He forehead rests against yours, both of you with your eyes closed, in-between sloshed breaths that were already mingling, Tom felt a tear run down his cheek, your mouths so close "Y/N..."
"Thomas..."
"Tom man, we are late, your brothers will kill us if we are late again" Someone says opening the door suddenly just as you and he are about to kiss. The two of you quickly walk away panting for breath trying to recover from the moment, Tom quickly wipes the tear from his face. A tall blond man that you had seen other times in the halls together with Tom looks at you not understanding anything.
"Am I interrupting something?" the blond man asks suspiciously.
"No" the two of you answer quickly.
"Harrison, this is my student, Y/N" Tom introduces the two of you, perhaps as a way to change the subject "Y/N, this is Harrison Osterfield, professor in the physics department and my best friend".
"It is a pleasure to meet you Miss Y/N" He extends his hand to greet her " I have heard Tom compliment you several times, always saying that you are the best student in your class".
"My pleasure Mr. Osterfield" you shake his hand "I think he is just exaggerating a lot, anyway, I better go, I don't want to get in the way anymore, bye" you take your things and leave the room leaving the two men alone there.
"Wait a moment" He say to Harrison before coming after you.
He holds your wrist and makes you look at him, honestly he almost didn't care anymore that the two of you were standing in the middle of the empty university hallway.
"Y/N please" he says.
"Please what?" you say hurt "Do you want me to stay here? To fight for a passion that is doomed to fail? Something that could end my life at this university or end your career?
"Don't talk like that, we can make it work" he says hurt.
"I wish I was brave enough to try, I swear I do" you let go of his hand "But I'm not, it was just one night stand sex and as much as I like you I know that the sooner we get over it and move on the better, for both of us" you turn and walk away, leaving Tom standing there alone in the hallway with his hurt.
THURSDAY:
Your heart was still hurting. Last night you collapsed on your knees as soon as you got to your dorm room and let the tears finally fall, you were lucky you didn't have a roommate so you could cry all day long without having to answer questions about why you were so bad. And you cried until your eyes hurt, screamed against your pillow until your throat burned, let the sadness leave your body until you finally gave in to tiredness and went to sleep.
Tom was no better off than you, he spent the whole dinner with your family quiet while everyone else at the table talked, he wished so much that he wasn't in love with you, he wished it really had only been one-night stands, maybe then he wouldn't feel like he could die at any moment if he didn't have you by his side.
In different places, but sharing the same pain.
FRIDAY:
Tom looked across the room at you, his eyes red and his expression sad, it looked like you had been crying all night, and you really had, he wanted to go over there and hug you and tell you that everything would be okay, but he couldn't.
If they had thought Monday's class had been torture, this was something worse. Tom gave his class trying to avoid looking in your direction, while you couldn't pay attention to anything that was being said, you just wanted to go back to your room and cry some more. It was the last class of the day so you ran to your room as soon as it was over.
•─────✧─────•─────✧─────•
Tom was tapping his pen frantically on his desk, he should have been correcting his students' work but his mind was elsewhere and his head hurt like it was going to explode at any moment.
"Okay, what the fuck is going on?" Harrison asks, he was with Tom in his office and was starting to get irritated with his best friend.
"What?" Tom asks waking up from his thoughts.
"Tom you've been acting weird all fucking week, you spent the entire Wednesday dinner quiet a thing you don't often do."
"I don't know what you are talking about" he pretends to be paying attention to the papers in front of him.
"Does it have anything to do with that girl who was here?" he asks curious, Tom doesn't answer which only confirms Harrison's thoughts "Oh my god, it has everything to do with her doesn't it?".
"I really don't want to talk about it"
"You like her, that's why you're all emotional, because you can't be with her" Harrison speaks and Tom wonders when did his best friend get so good at unraveling his feelings.
"I had sex with her on Friday" Tom admits at once, his friend had already figured out pretty much everything so there was no reason to keep secrets anymore.
"WHY DID YOU NOT TELL ME THAT?" he practically shouts.
"Can you keep it down please, you're acting like a teenager, we passed that stage a long time ago and I don't want the whole campus to find out."
"I'm not the one acting like a teenager, you are, getting all angry and quiet over something that can easily be resolved" Harrison rolls his eyes as he states the obvious.
"She doesn't want me Harrison, she likes me, but she doesn't want me, she's scared and I can't judge her because I am too, this could destroy my teaching career and end her reputation here"
"Tom, isn't she one of the students graduating this year?" Harrison asked even though he already knew the answer.
"Yeah"
"Dude, she's graduating in less than 5 months and you're telling me that the two of you can't keep this relationship a secret for 5 months?"
"I..." Tom hadn't stopped to think about it.
"I'm sure you two can make it work."
"What if she's not willing to try?"
"You should at least try, Holland, go out there and fight for your girl" He encourages his friend.
"I think you are right, I will do it".
"Of course I'm right" He smiles smugly "Anyway, I don't want to have to put up with your sadness any longer" He says laughing.
•─────✧─────•─────✧─────•
It was almost midnight when you hear someone knocking on your dormitory door, you get out of bed and go to open the door.
"Thomas what are you doing here?" You ask as you see him standing outside, he walks into your dorm still without giving any explanation, you close the door and turn to see him "What kind of idiotic idea is this to come to my dorm, someone could see you here, how would we explain this?" You ask in an agitated manner.
Tom doesn't answer at first, he just looks at you, the baggy sweatshirt too big for your body, the hair tied back with a few strands falling in front of your face and the glasses on the end of your nose, and he can't resist. He walks toward you and kisses you, holding your face between his hands, his hands against your chest as you respond to his kiss, his heart beating hard in his chest and the sense of relief that he is kissing you again after what seems like the longest week of his life.
"I'm sorry" he says pulling away "I didn't come to do this, I just wanted to talk and..."
"It's okay" he fixes his glasses on his face.
"Y/N, I really like you, this is so stupid, I just... I want to try this, it's only five months until you graduate, we can make it...
"Tom" you try to interrupt him but he keeps talking non-stop.
"...to do this, I'm sure it wouldn't be easy at first and it's not the kind of relationship that's ideal or the relationship that someone like you deserves..."
"Tom" calls him again.
"But I'm willing to try, for you, for us, I want to try..." You kiss him again making him stop talking.
"I'm willing to try Tom" you say between kisses and he smiles "For us"
"I didn't think you would accept, I was already preparing myself for a no" you both laugh.
He sits down on your bed and pulls you to sit on his lap with each leg on one side of your body, he takes the glasses off your face and places them on your desk before kissing you.
"Damn, I missed that" he sighs between the kiss.
"It's literally only been a week" you say smiling.
"Really? It's felt like forever" he kisses you more intensely this time, his hands gripping your hips tightly making you move over his lap, the kisses slide down your face to your neck, you throw your head back.
"Tom" you say his name as a plea, his hands slide up your thigh squeezing you firmly.
"What do you want princess?" He asks with his head in the curve of your neck before leaving a small bite in that region.
"You, Thomas, I need you" you slowly roll over in his lap feeling his already hard length under you "please".
He smiles smugly at your response. Your sweatshirt is removed leaving you in just your panties and Tom lays you down on your bed placing his body on top of yours .
"This has been the most torturous week of my life" he removes the rest of his clothes and throws them on the floor "I couldn't get you out of my mind" he leaves a kiss on her neck exactly where he had "I thought about how I wanted to feel you again" the kisses descend to the top of her breasts and one of his hands grab her thigh wrapping her leg around his waist while the other goes down to her intimacy pulling her panties apart just enough for two fingers to touch them "That pussy is so wet, all this for me honey? "
"Yes, all for you Tom" he smiles at her answer before penetrating her with his fingers causing a quiet moan to come from her lips.
"Good girl."
"Your girl" you sigh ecstatic with pleasure.
"Fuck" Tom kisses you again, your words making him even harder than he already was "Say that again " he thrusts his fingers inside you reaching that wonderful spot inside you.
"I.Am.Your.Girl."
"My girl."
He had barely started and you were already so close, but he doesn't let you get there, teases you to the edge before stopping and doing it all over again.
"Please stop teasing me, I'm so close" you beg.
"No princess, I want you to cum around my dick" He says pulling his fingers out of you and removing your panties before turning you both over on the bed making you stand on top, he sits against the headboard as you rest your hands on his shoulders "now ride me like the good girl I know you are".
You sit on his member feeling him fill you completely, you both moan the moment you are finally together, standing still for a moment to get used to his size. Moving slowly until you finally get into a rhythm.
"So so good" he moans, his hand gripping her throat the way he remembered he had made her go crazy last time "So beautiful riding my dick" his other hand leaves a slap on her ass making her moan his name out loud as she throws her head, back rolling over in his lap .
"Tom I'm so close" you say as he gives you a push with his hips making his cock hit your G-spot, his hand making circular motions against your clit this time.
"Come to me then baby" he says and with a few more movements you are enjoying his wrist making you come next, your head falls on his shoulder and he spreads kisses down your neck as you recover from your recent orgasm.
•─────✧─────•─────✧─────•
You were wearing your shirt now, your head lying on his chest as he stroked your hair.
"You'll still be here when I wake up, right?
"Well this is my dorm so I can't leave" you say as a joke.
"I'm serious Y/N" he says laughing.
"Yeah, I'm not going anywhere" you smile fondly returning to lie on his chest closing your eyes almost falling asleep with his affection.
"Good, I don't want you to leave, I want you forever" he kisses the top of your head before falling asleep with you in his arms, no goodbyes this time.
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everythingsinred · 3 years ago
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Let's Talk About NatsuMikan: Natsume (pt. 24)
Hello, friends. The story is rapidly approaching an end. I imagine I'll only be posting for another couple weeks (maybe three at the most) before this essay draws to a close.
Last night we wrapped up the Time Travel Arc. Now we return to the larger parent arc, the Escape Arc. Mikan has made up her mind to escape the school with her mother, and although this breaks Natsume's heart, he'll do all he can to get her out safely without at all complaining. If she's leaving for good, then the only thing that matters to him for the next little bit is keeping her as safe as possible. After that, he's resigned himself to a lonely and imminent death... And then Mikan has an epiphany.
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Chapter One Hundred Twenty-Four
They’re finally all back in the present. The room they left is now empty, and they wonder what happened. Undoubtedly the situation is more pressing than ever.
Mikan is concerned about everyone’s safety, but Natsume makes it clear that the priority is making sure she can make it out of the academy with her mother. If she’s going to leave, then he will do everything he can to make sure the process goes as smoothly and safely for her as possible. Her concerns about everyone else have no place here when everyone’s dreams and futures are threatened by the ESP if he ever gets his hands on Mikan’s alices. Besides, his happiness and safety always come dead last to him. He’d act and speak this way, even if it was only Mikan’s well-being on the line.
He will protect her no matter what happens, he says. That’s his priority. This is no different than the way he’s been living for the last year or so.
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Yeah, there's the whole thing with the school and protecting the student body and stopping the ESP but Mikan is his priority always.
Everyone else agrees, and Mikan is outvoted. She comes first now.
Chapter One Hundred and Twenty-Seven
Mikan and her friends run into a horde of students, either controlled by Luna’s alice or afraid that they’ll end up being controlled or punished. They all move to attack Mikan in particular, to capture her because maybe they’ll even be rewarded for it.
This is a mistake, because Natsume will not allow anything to happen to her. He uses his alice to fend off the students, but his fire takes a strange shape, unlike anything he’s ever made before. His ability to manipulate the shape better than ever is a result of the stone Mikan inserted into him, which Tsubasa theorizes is psychokinesis.
Ruka pleads with him to stop, concerned about Natsume’s health the more he uses his alice. He immediately stops on the behest of his best friend, but then he uses his new alice to pull everyone over closer to him. Mikan specifically flies into his arms, where he wanted her. He’s able to catch her, whereas the others land on their heads. Now that they’re safer, he tells her to teleport them.
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Who cares where the rest of them land? They can deal with it on their own.
Tsubasa comments that this extra power makes Natsume feel like more of a man, more powerful. This isn’t a farfetched theory. We know how much Natsume wants to grow up, to have power. Now that he has this extra alice, he’s more useful than he already was, and that naturally translates into some extra confidence.
Another thing is that Natsume is putting his all into getting Mikan out safe. He’s willing to expend all his energy and alice in order to accomplish his goal. Adding on to that, he knows he won’t see her again after this. He can hold on for a little longer, but to survive the unknowable amount of years before he can see her again? Unlikely. He doubted he’d even be able to graduate, let alone be on standby for possibly a decade and maybe even more. He has no reason to believe he’ll make it. So he keeps her close now. He’ll be right by her side ‘til the very end, take advantage of every touch and interaction he can. So even if everyone else collapses onto the ground after he uses his extra alice, Mikan will land safely in his arms.
Chapter One Hundred and Twenty-Nine
Natsume may have spared Nobara earlier, but he still doesn’t really trust her. She’s been acting weird this whole time and he’s suspicious. When they have a moment, he confronts her, warning her that if she sells them out to Persona, he won’t go easy on her. After all, to him, she’s still the girl who’s always been Persona’s little pet.
But Nobara doesn’t want to sell them out. She wants to stop Persona and her DA friends from hurting the cause and themselves. She wants to stop them so they don’t become a part of the fight.
She stands back so she doesn’t teleport again with the rest of them. She wants to do this for Mikan.
Mikan doesn’t understand. She’s concerned that she left Nobara behind, so she says she’ll go back to get her, but Natsume stops her. She needs to allow Nobara to make her own choice. Even if Mikan doesn’t get it, the only thing that matters is their original mission. Nothing will change that. He won’t be strayed from it, no matter what obstacles come their way. Nobara made the choice, and she’s the best person to confront the DA class. The rest of them should allow her to do as she wants.
They move forward, and Natsume keeps back when he feels his coughing fit coming on. Now that everything is dire, he definitely doesn’t want to slow things down by worrying people with his body. He worries that he won’t be able to properly protect Mikan, considering the shape he’s in, but he would never say that out loud.
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Death creeps ever closer... Why isn't he ever concerned for himself?
Even more, Nobara stressed before she left that Natsume was the most important person to stay by Mikan's side, that he should protect her to the end. Though he wouldn't be so bold to say that about himself, he wants to stay 'til the end. But the fact that he might die at any moment doesn't reassure him. However, any insecurities or fears he has must stay in his mind. He wants to be strong for Mikan, to accomplish their goal and keep her safe. He’s pushed any and all feelings of his own out the window. All that matters is their goal.
He can die afterwards.
Chapter One Hundred and Thirty-Four
Mikan needs to go to her mother. She and Ruka are to teleport to Yuka, since Ruka has the barrier alice and he can keep her safe. The rest of them are going to hold off the Fuukitai and other enemies. There’s really no time for heartfelt goodbyes. Natsume might never see Mikan again, but he turns away because there’s no time for anything else. He will fight off the enemies to keep her safe. That’s what he can do. Anything else will just waste precious time.
Except that Mikan has the telepathy alice now. She’s mostly kept it a secret, sharing it with Hotaru and nobody else.
Natsume can stay silent all he wants, but his heart and mind are racing with thoughts and feelings. She couldn’t ignore it if she wanted to. It’s not the time to be lollygagging. She has to get going, and everyone is urging her to move on and teleport with Ruka, but she’s hesitating.
And then Natsume hears it too. She’s saying it back, telepathically, that she loves him too.
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Terrible timing, Mikan. You had all night to say it back! (joking)
It’s all he’s never allowed himself to want to hear. Something that would only happen in a delusional fantasy world. Mikan may care about him, to some degree, but he’d never expected she would love him back. She should love Ruka, who is kind and polite, or literally anybody else. He’s always had to push her away, and even if she saw through his insults to see what he really meant, he still wouldn’t be good enough. He can’t be with her, because his life is running out. He shouldn’t be with her, because all he will do is cause her more pain. He’ll never be with her, because he doesn’t deserve to be. He won’t be with her, because she’s running away with her mother and he’ll never see her again.
But she loves him too anyway.
Despite every insult and attempt to keep his distance. Despite their beginnings of mutual disdain. Despite how he’s said he hated everything about her, about how he wanted her out of his sight. Despite acting like she was a pest and nothing more than an annoyance. Despite everything he did, she somehow still loves him.
It’s the worst thing to ever happen to him, to stand there and hear her saying that in his mind and then watch her disappear forever.
He’s said it out loud only one time. He confessed with his kiss at Christmas, with his alice stone, with the borrowing race, with his speech to the ESP. He’s confessed with every time he got in front of her to protect her, with every cruel word forced out of him by the higher ups, with every smile he had just for her.
Now she finally said it back and it’s too late for anything. He can’t kiss her and show her how much he means it, how much it isn’t just hype over nothing. He can’t tell her he loves her to her face and with his whole chest. He can’t take her by the hand and run away with her. He can’t live happily ever after with her.
That was all okay before, when it was just him who was suffering. So his life would be lonely and short. Okay. Who cares? But now he knows she wants all that too.
He’s miserable. He calls out to her but it’s too late. She’s gone now and all he can do is fight the enemies who want to threaten her security.
Natsume has been left behind with Tono and Tsubasa to fight as hard as they can against the Fuukitai. When they finally get away for a moment, Tono tells them to fight for the girls they love. Tsubasa and Natsume both berate him for this, because who was he talking about? Tono argues it wasn’t about him; he was just trying to cheer the two up after they had to break apart from their girls.
Natsume is clearly in emotional turmoil, but he frequently is, so he doesn’t let it show a lot. He may threaten Tono with his alice or tease him with Tsubasa like all is normal, but it’s not. His current circumstances couldn’t be any worse unless Mikan were in danger, and he’s doing everything he can to keep that from happening.
Tono finally admits that he’s been nervous this whole time because Noda is probably the traitor among them, but Natsume realizes the truth: It’s Goshima.
Tsubasa and Tono are going to try and find Goshima, who has the key Yuka and Mikan need to escape. They also need someone to go and tell them that Goshima can’t be trusted, and Tono wants Natsume to do it.
Chapter One Hundred and Thirty-Five
Tono is urging Natsume to go and tell Mikan about Goshima, to go protect her. Naturally, he doesn’t hesitate before taking off. Any excuse to see her again and keep her safe is enough for him.
Tsubasa doesn’t understand why Tono sent him off, though, since Natsume is in such bad shape. Having him run and exert himself further seems wrong.
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I just want him to be happy. Is that really so much to ask?
Tono puts it all into perspective. It had to be Natsume. The kid was in a state of absolute misery, even knowing his love is requited and perhaps because of it. He can never see Mikan again. His life will end. The rest of them can talk about decades and decades into the future and still be sure that they will meet Mikan again, but it’s clear that Natsume won’t make it that far. As Tono puts it, it’s important that Natsume has a chance to see her for the last time, to say good-bye properly.
Natsume would go to her no matter what, too, and he does, running with all his might to find her, even though he’s coughing and his body is breaking.
He will use his alice and do anything he can to find her and tell her and keep her safe, and they finally meet again.
He’s standing over the bodies of enemies that he’s just defeated for her, and he finally has a chance to say the good-bye he thought he’d never get.
There are other things that need to be said, but he might not have a chance to say his feelings again if he doesn’t take the opportunity now. He’s sad, because no matter what, their story will end soon. But this is more than he could’ve asked for.
But all of the words that should come out of his mouth don’t. He doesn’t talk about the traitor. He doesn’t tell her he loves her to her face. He doesn’t say anything except her name. None of the feelings he has can be put into words. For the moment he’s speechless.
She is too. She rushes into his arms and they share a quick second of holding each other before they inevitably part forever. The fact that she hugs him might have reminded him that she loves him too. Then again, how could he forget? Either way, he finds the words that were lost to him before.
He’s going to stay with her until the very last second. He won’t leave her or part from her for even a moment again until they have to say good-bye for good.
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No, they won't last. She'll leave and he'll die, but they have this moment, even if it's the only thing they'll ever have.
No, he doesn’t mention the traitor even though he was sent to. Natsume very rarely talks about his feelings, but they felt so important this time that he had to say them out loud.
Chapter One Hundred and Thirty-Six
Even though Natsume didn’t say it to Mikan, Shiki got the information from him via telepathy and then conveyed the information to Yuka.
Now that Yuka and Mikan are reunited, they can all go to see them off, fighting Fuukitai and Luna along the way. Narumi and Mikan are trapped in an enemy’s ice alice for a moment, until Natsume melts the ice and takes Mikan’s hand. He wasn’t joking about staying by her side until the very end.
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Until the very last moment.
Sure, she needed to reunite with her mother and Narumi, but they’ll be spending forever with her after this night. He only has these next few minutes. He’ll be the one to take her by the hand until he has no choice but to let go. Until then, he will stay by her side.
Lucky for them, Yuka’s plan to wait until the last moment for the key so they can leave with Naru panned out. “Tsubasa” arrives with the key and hands it off. There’s no time to waste; Yuka rushes to open the warp-hole but all that comes from it is an explosion.
Chapter One Hundred and Thirty-Seven
Yuka and Narumi were caught in the blast. Yuka shielded Narumi with her body and took the brunt of the hit. She’s now in critical condition.
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No hesitation. That's his only keepsake from his mother, his only reprieve from endless pain, but he'll give it Yuka because he can't not give it to her.
Natsume doesn’t hesitate, and he gives Mikan the healing alice stone that his mother got from Yuka. Yuka is Mikan’s mother. Her death would be crushing for Mikan, who’s already had to face so much trauma from watching her father die too. This all was about getting Mikan and Yuka out safely, and all that effort would be in vain if Yuka dies. And after Natsume has seen everything that happened in the past, he respects Yuka too. All Yuka has ever done is suffer, just like he has. To simply die after all that--he doesn’t want that either. Yuka gave his mother that alice stone, something that brought him a little reprieve whenever he had a coughing fit or felt ill. The least he can do now is give it back.
But it doesn’t work. It’s not enough. Yuka has enough time before her death to hug Mikan and apologize to Luna, but then her heart stops.
Chapter One Hundred and Thirty-Eight
The ESP arrives to break the period of mourning. Luna can’t believe that he would orchestrate this, but it’s not much of a surprise to anyone else. The “Tsubasa” decoy reveals himself to be Goshima, who holds Mikan by the wrists. The ESP only needed one person with the stealing alice. Yuka had become extendable, so he eliminated her.
Goshima goes to surrender Mikan to the ESP, but she fights, and Natsume moves to fight too, because that’s his girlfriend and he promised he would keep her safe. But the ESP always has the barrier alice cast on him, always protected, even from Natsume’s strong alice. Even Natsume can’t help Mikan now.
But Shiki breaks the ESP’s barrier and Mikan rushes to her friends’ side.
Z is invading the school and threatening to take the students captive. The MSP needs her successor, Shiki to be appointed so that he can protect the school with his barrier alice. The ESP is in a bind. Shiki can either run away with Mikan as Yuka had intended to, or he will agree to stay and act as the MSP to protect the school.
Conclusion
God this arc is a mess when all you want are the NM moments. How dare they be so scattered! Anyways, Natsume now knows that Mikan loves him too, romantically, but everything has been upside down for a while, specifically tonight, so the future doesn't look bright. In the next part, we'll talk about how Natsume feels about being separated from Mikan when she's locked away.
Sorry this is late. I'm not in a fantastic mood today which affected my motivation. I shoved a bunch of content in here and it might be too much. I don't know. There wasn't a clear way I could cut it into multiple parts without them being choppy and short as hell. I just wanted to get to the next part because this arc was stressing me out.
In any case, I feel like crap right now emotionally, because this day was very draining. I'll try to post tomorrow at a reasonable time. Thank you for reading.
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nightswithkookmin · 4 years ago
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JIKOOK MMA 2020- COMMENTARY
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Disclaimer: This is a commentary, not an expert analysis. I am not a ballerina. LTRS.
Let's all agree right here, right now, that if ever a moment deserve to be immortalized for all eternity, that it is this moment right here: the moment Jungkook lifts Jimin off the ground- it is the most super iconic IT moment of the year as far as shipping goes. Damn, was it beautiful. Goddamn!
Personally, I had so many flashbacks of unchartered fantasies, hopes and dreams- the least delusional of which is JK saying with a deep voice, after lifting JM off the ground, 'would you marry me please' and Jimin, shook out of his wits would respond in Satoori, 'we are already married, you idiot. Now put me down!' Lol.
What? A girl can dream... Leave me alone. Lol
A lot has been said of this dance and so I won't rumble on for long. I'm just gonna focus on the moments that stood out for me:
The first of which would be the build up to that performance- BigHit, you sneaky conglomerate bastard! Lol.
Y'all saw what they did there right? For weeks I have been bombarded with questions about the seemingly 'tensions' between Jikook- everyone was slipping me the 'something is up with Jikook' pill but chilee, I look at them and all I could see was Jikook up in their shenanigans. Lol
I think I mentioned this in a previous post? Anywho. I think the thing that most of us was experiencing with Jikook was the unnecessary 'limited' interactions between them in the recent content we had been getting post Jimin's birthday but regardless, there were still moments of them 'giving themselves away' like in the Grammy reaction video when Jimin instinctively turned to JK in his moment of excitement.
His hesitation was worrying though, because normally he wouldn't- they wouldn't, hesitate to hug the person that they want to hug in their moments of emotional outbursts unless something was hindering them.
Ergo, I felt, if he was hesitating, then clearly it meant there was something holding him back or stressing their dynamic- I think I've definitely talked about this right? Instinctual reactions and all that jazz?
It didn't feel like he was having problems with Kook though, honestly. Because, in spite of all these little inconsistent moments of 'tensions' between them, Jimin for the most part has been giving me the vibe he is falling in love all over again with Kook- Dont ask me why. Lol. This is just gonna be one of those statements I make in passing. Take note of it though, I'll talk about it again soon.
But from the little I've seen post Jimin's birthday, that's the vibe I'm getting. If you believe Jimin is in love with Kook and you have an idea of when he started falling in love with Kook in their love Journey, then I think you'd catch the signs too? If not, never mind. Lol.
Every now and then, I see him go through this phase- in my opinion. I can't wait to talk about it. And yes, it is what I meant when I said Jikook's dynamics seem to have flipped again lately. Time to turn on the crazy. Lol.
These minimum interactions between Jikook however, to me, felt more as if they were being 'monitored' or asked to 'tone things down' by the company or something rather than that they were having actual issues in their relationship- know what I mean?
For the love of me, I couldn't figure out why the company would ask them to tone things down... Until the blackswan performance.
I feel somehow that the lack of content and moments between Jikook in recent times, coupled with the seemingly faux tensions between them prior to their performance at the MMAs, without question, contributed to the wow factor of their performance. In my opinion- but stay with me.
BigHit ain't slick. Lol.
It's so on brand for them though, isn't it? Demand and supply and all that jazz. Chilee. Scarcity inflates the value of a product. I mean we've seen JK lift and carry Jimin in their dance performances several times now yet we can't deny this came as a shock and surprise for us all because we had zero idea what was 'going on between Jikook' behind the cameras- straight up Jedi mind trick. Lol.
Not to say the performance itself wasn't spectacular in of its own. I'd be mad damn liar and a fool if I peddled that nonsense anywhere. Lol.
I just want to point out how BigHit utilizes and taps Jikook's brand and magic in their business model, as this provides a stark contrast against BTS's marketing strategy for their self produced Album Be.
I tried explaining in my LGO analysis, how that project was a personal project of BTS' as a group and how as a group they had their own perception of brand and what sells- or who sells amongst them, as such they weren't going to and didn't star Jikook in that project as front and center.
Contrasting that project to this project, which is more of a BigHit piloted project rather than a personal project of the group's, you can see how Jikook's brand stands out and how it is being highlighted or even exploited for maximum return.
This is what I mean when I say Jikook is a brand. A powerful brand at that and that BigHit has a stake in their brand.
Jikook once again, overshadowed and dare I say, over powered BTS's own brand in that Blackswan performance- chileee, that performance was so Jikookcentric I forgot the others were even there. Lol.
I mean I saw NamJin jump in the foreground somewhere... I'm gonna get canceled am I not? Lmho.
VHope were powerful too. But I couldn't help but notice how neither of those individuals could have sold it the way JK did, had they been in his shoes. V and Hobi both have stamina and presence, yet for some reason I just can't picture either of them lifting Jimin up and spinning him the way JK did and does- not that they can't...
It's just, they take the spotlight too. Jimin is captivating when he dances- or does anything quiet frankly. And usually, he shines under the spotlight when there is undivided attention on him.
When he is paired with Hobi, V or even Suga, very often they act as distractions as they tend to compete with him for the viewer's attention and as such they don't necessarily compliment him. In my opinion.
Often too, when he is paired with RM or Jin, he tends to outshine them and make them look like rookies- Namjin... bless their hearts. Lol.
Kookie is the only member in the group that I feel compliments Jimin- well. Not that he isn't a great dancer too like Hobi or V, it's just whenever he is paired with Jimin in a performance he has the tendency to waive his spotlight and cede it to Jimin by letting go off his own shine and spotlight as well as his competitive spirit so Jimin can be highlighted.
It's why he is the perfect partner for Jimin and the perfect choice for this role in their duet. I think. He pulled it off guys. He PULLED IT OFF-chef's kiss JK. Chef's fucking kiss! Lol.
JK often talks about how he prefers to 'be behind the cameras,' how he often films the members but doesn't like being filmed or being in the spotlight and you see this in his GCFs where he takes the back bench and allows Jimin or even the others to dally in front of the camera.
I don't know if he is aware he does this in his dance too- because for the longest time critics often commented on his stage presence or lack of it there off- their words not mine...
Frankly, I never saw it that way. Because, paired with any other member, he squares up. Chilee. Lmho.
It's one thing to look great next to your partner, it's another to look great together next to eachother and Jikook looked great together in that moment- just exquisite and outstandingly beautiful.
The point of the black swan dance as RM had said in their blackswan Film reaction video, is not to highlight all seven but one- Jimin and that is exactly what JK did on that stage.
Jimin I felt wasn't as intense as he often is in his solo performances. He is brutal in the way he captures attention when he performs alone on a stage. His aura is demanding and alluring and if you can tear your eyes away from him when he is in the height of his performances then- share your magic formula you lucky bastard. Free us all from Jimin's hold. HELP! Lol.
But for some reason, in this performance, he wasn't lost in himself in the moment. It took me a while to understand what was happening-he was equally relinquishing his shine so Kook could share the spotlight with him- please, leave me here to die.
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They each compete against the members when they perform with them on a stage, but they never seem to compete against eachother. They move in awareness of eachother and lift eachother up. They enhance eachother's presence and when they collide it's harmonious. This is what we mean when we say Jikook compliment eachother- nobody is doing it like them.
They were both powerful in their strides, graceful in their descent. They did it. They killed it.
Signed,
GOLDY
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cherry-gemz · 4 years ago
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The City by The Bay: Part IV
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Summary: Fates push you and a handsome and known stranger into each other's paths. His chivalry and good looks make you take a leap into his world and more.
Catch up HERE
Pairing: Keanu Reeves x Y/N (F!Reader)
Word Count: 4k
Rating: Mature, N*FW, 18+ only please, TW Motorcycle accident
A/N: Was thirsty AF and ended up smutting this fic up 😂. We take a turn that I was not expecting...
A/N2: Excerpts from an interview are in bold, taken from here: https://www.keanu-reeves.net/post/162864242206/abdominal-scar-keanu-reeves-first-big-spill-came
Who might be interested: @whiskeyslullabye ​ @marissat1998 @aestheticallywinchester ​ @fookingbetch
************
It all happened so fast. The rain felt like pellets on your back and the wind sprayed the droplets onto your face, making the strand of your hair stick to your forehead. You had to close your eyes for just a second and that's when Keanu swerved out of the way as a black BMW ran the stop sign ahead. He maneuvered the bike as best as he could. With all his years of training, he was the best probability if ever you were to be in an accident. 
But as he jerked to the right, the slickness of the pavement made the grip of the tires useless and he lost control. 
"Keanu!" You yelled and held tight to his waist and buried your face in his jacket.
"Hold on!" He shouted back and slowed down as best he could. He released his grip and instead grabbed you into a tuck and roll. He grasped you in his possession and shielded you from the fall. 
You felt the impact to the ground instantaneously and prayed that the pain that seared through the impact would be temporary. You heard him grunt loudly as he took the majority of the fall for you. The scrap of metal reverberated in your eardrums and you grimaced at the thought of damaging his beloved motorcycle. The rain pounded harder onto your laying bodies on the street. You could hear cars whizz by and the splash from their tires against the curb. You were frightened, out of your element. But also reassured from his protection. He had given up the bike in efforts to make sure you were safe. You felt a sense of relief that he cared like that, but then also remorse as you were worried about his favorite motorcycle. 
He groaned as he held you tight, "Y/N? Are you okay?"
His voice shaken as you nod and sniff, the helmet heavy on your pounding head. He let out a sigh of relief. 
"What about you?" 
He nods, "Yeah...I'm alright." He groaned again and you could tell he was saving face. 
The two of you lay there for a few seconds and you hear people slowly approaching. 
"Omigosh, are you guys okay?" A stranger asks.
"That guy came out of nowhere!" Another pipes up. Keanu says you are and the tinnitus hits for a second and you're unable to hear what is going on. 
***
The garage door’s rollers rumbled as it closed and you both walked into the house, sheltering yourself from the downpour.
Keanu peels his leather jacket and places it in the foyer as well as his boots. You slip your shoes off and place your purse on a chair and slip off your jacket, laying it next to his. 
"This day is just out of this world," he says and shakes off the excess rain from his hair. He groaned as there's a stiffness to his shoulder blade. He massages it with his hand and tries to loosen the muscle unsuccessfully. 
"Are you sure you don't want to go to the hospital? I'd feel a lot better. They could take a look at your shoulder and check for any internal bleeding…"
He shakes his head no, "It's okay, Y/N. I've been in far worse accidents in my lifetime. I'm just glad you're okay...I don't know what I'd do had you gotten hurt."
You smile slightly at his endearment, but feel guilty still. 
"And the bike, it's not too much damage?"
"Nah, just a little buffering out here and there," he replies as he holds his shoulder with his opposing hand. 
“Let me start a fire and give you some extra clothes. By this time tonight you’ll have gone through my whole wardrobe,” he jokes as you snicker. 
He gazes at you momentarily and you shiver slightly, springing him back to reality. “Be back.”
You nod and peer down the hallway admiring some architecture photographs of the house. 
You’re reminded this isn’t his actual house, that he’s most likely renting it while on his project, but you’re still enamored. You're still in his presence. No one will believe your serendipitous encounter with the movie star. It all feels like a dream anyway. You rub your forearm and try to gain some heat, but your jeans are soaked and it’s difficult to move around.
“Keanu?” you call out down the hall.
“Yeah?” he shouts back.
“Sorry, I’m just freezing…” you cringe and you feel like you’re being a nuisance.
He appears around the corner, changed into black sweats. He's kept his white t-shirt on from earlier and even though he's in a casual form, it's intimate. 
"Here, I found some extra sweats," he says and hands you a pair of grey pants. "Do you need a sweater?"
"Yeah, I'm pretty chilled," you reply as you accept the pants. "I'm just gonna go change, that okay?"
"Sure, by all means. I'll be in the living room with that sweater," he says and you turn around to go change your clothes.
*
A short while later you walk down the hall in his oversized sweats, still wearing his black shirt from before as well and you bite your lip from beyond belief that you're spending the whole day with him. 
You hear the crackle of the fireplace as you enter the open spaced living room. He's sitting on the leather couch facing the fire with a glass of red wine in hand.
He turns his attention to you as you enter, "Hey." He gets up slowly as you can tell he's in a bit of pain and hands you a black ARCH hoodie and a glass of red wine. 
"Thank you," you flirt as you pull the hoodie over your senses and are enlightened with the hint of his cologne: woodsy, warm, and ephemeral. You could die right there and be in bliss.
"Not too early for wine, is it?" He asks genuinely. 
"No, definitely not," you smile and bring the glass to your lips and take a sip. 
"Good, I think we deserve it from what we've been through."
"Thanks for this...and the fire. It's all very inviting."
"Of course. I'd be beside myself if you caught a chill on my account."
You nod and he ushers you to the couch, placing his hand gently on the small of your back.
"My sweatshirt looks good on you," he says and you notice some blood on the back of his shoulder blade. 
"Oh no, Keanu…" you say and place the wine glass on the end table. 
He takes a sip and looks back to you, "Yeah?"
"There's...there's blood on your shirt. You hurt yourself from the fall."
"Really? I didn't feel anything," he peers over and tries to take a look. 
"Do you have a first aid kit?"
"I think there is one in the kitchen…" he slowly gets up and you grab his forearm. 
"No, let me. You have given me enough hospitality to last a lifetime. It's the least I can do. Drink your wine and relax."
He grins and relents as you head to the kitchen. You rummage around and finally find a kit underneath the sink. 
"Alright, now are you going to be a good patient?" You say and cock your brow. 
"No promises," he laughs and shakes his index finger at you. 
You sit next to him on the leather couch, "Alright, let's see the damage."
He peels his shirt off from the collar as all men do, least they are aware of how sexy the act is. You try not to hitch a breath, but your eyes wander as the peep of his ab muscles are exposed and his shoulders are defined and hard. 
You see the cuts from his shoulder and open the kit for an antiseptic. 
"What's the verdict, doc?" He asks as he holds his crumpled shirt in his hand and drinks his wine with the other.
"You'll live," you kid as you grab a cotton ball and apply the antiseptic to it and lightly dab it on his cuts. 
He flinched slightly, but refrained from making any movements. 
"So tell me about your other accidents," you ask as you continue first aid.
"Hmm, well once as I was going through the canyon, I lost control and got this," he points to a thick scar rising vertically up his stomach.
You frown and continue to gently cleanse away the blood from his back. 
"That was in LA?"
"Yeah, I call it a demon ride. That’s when things are going badly. But there’s other times when you go fast, or too fast, out of exhilaration.” 
"Were you speeding? I heard that canyon has insane blind spots," you ask and add an ointment to his cuts.
"Heh, you could say so. The turn I hit was unexpected. I remember saying in my head, ‘I’m going to die.’"
"Shit, Keanu…"
He shakes his head,“I remember calling out for help. And someone answering out of the darkness, and then the flashing lights of an ambulance coming down. This was after a truck ran over my helmet. I took it off because I couldn’t breathe, and a truck came down. I got out of the way, and it ran over my helmet.”
"So why do you still ride?" You laugh. "That would have scared me for life."
"Well, it taught me something. Something not to do, y'know? Something that taught me how to react with what happened today? Today I leaned into the turn when the car came out and released the break. If I hadn't had that experience in the canyon, I wouldn't be the rider I am today."
"Well I'm glad you're okay...from that ride...from any ride you have trouble with."
"Thanks...I'm glad, too. While I probably have some wild rides left in me, I wouldn't ever want to place you in danger."
You both are still and quiet from his words. The fire continued to crackle and you looked through the kit for gauze and tape. 
You cough into your fist and are slightly embarrassed that he would say something so sweet as that to you. You hardly knew each other, but he had a sense of genuine care and kindness towards you. Your feelings for him grew, he obviously was very handsome and kind. But he had a sense of an old soul in him that you wanted to get to know further. You hoped in your heart that this wouldn't be the last time seeing him.
"I find your presence extremely comforting, if I can say so," he turns his head to you.
"Yeah?" 
You ask as you place the gauze over his injury and seal it with surgical tape. Your fingertips lightly graze the outer parts of the tape where it meets his skin and you savor the moment. "All done here."
"Thank you," he smiles and reaches for your hand. 
"I know we just met, but you're so easy to talk to Y/N. I know I have a persona that people see being a celebrity and all, but while that is a side of me, there are also other sides. And I'm not afraid to show them to you."
As he leaned in and turned his torso, it caught your breath. The first aid kit wobbled in your lap as you sat on your knees. 
"What I want to say is that, I like you...I think you're very beautiful and incredibly sexy…"
"Keanu…" you whisper as he continues closer to you. 
"Y/N...I'd like...I'd like to kiss you..." he turned his neck and looked into your eyes and then at your lips. He was so subtle in his movements, a gentleman. You nod, without having the ability to speak at the moment, and close your eyes as he places his lips onto yours. 
There is heat surging through your body; jolts of excitement and wonder encompass your surroundings. He cups your face with his large hand and you instantly melt. He tastes of wine and rain: two of your now favorite things. The unexpected feelings engulf your inner core and you want more. He invites your tongue and opens his mouth slightly, changing the sweet kiss with more intensity. Both of his hands cup your face now and your hand roams down his biceps to his torso. 
"This isn't like a normal thing for me," you say in a heavy breath as your lips separate from his.
"What isn't?"
"Kissing someone I just met…and definitely not this..." you gasp as he kisses the nape of your neck. 
You sit up slightly and the first aid kit tips over and drops to the floor. Unphased, you wrap your legs around him into a straddle on the couch. He's surprised by this move, but doesn't relent and lightly bites your bottom lip. His hands roam from your face down to your neck and you crane it back, giving him ample opportunity to relish the soft, sensitive spot. 
He does so and places his lips on your skin, making you moan his name. 
"I don't normally do this either...but I can't help myself with you," he says. 
His other hand continues down your body and through the thickness of his hoodie, he slinks his way under your clothes and touches your breasts. 
"Uhnnh…" you moan again and he watches your enjoyment from his touch. You quickly peel off his sweater and his shirt, allowing your breasts to be fully exposed to him. Your now slightly dried hair hangs over your shoulder and he brushes it aside, giving it a kiss. You close your eyes and relish the fact that he has his lips on you. Your senses are in overload and you’ve never wanted anyone more. In the moment there is lust and the excitement of pleasure you’re wanting to experience, so you decide you want to move further. 
He trails his kisses and peppers them over your collarbone to your chest, and you hold him right in embrace. You hand lightly grazes the recent bandage and you give it a light kiss. 
"Y/N," he rasps. "Do...do you want me?" He bites your lip and you roll your eyes back for a moment. 
He brings his face back to yours and you reply, "More than you know."
A huge grin escapes his lips and ignites a growl deep within him. 
"Thank God, I want you so badly," he rasps as he holds you tight against his body. 
"Where do you…?" 
He continues to kiss your neck and his hand drifts down to your center. The baggy sweatpants give enough slack as he dives his hand and inserts his fingers. You mew and hold onto him as he tenderly tours your folds. 
"K-Keanu…" 
"You feel so soft…" his ministrations ramp up and he enjoys watching you unfold. His deep, brown eyes locked into yours and you crane your neck back as he hits all the spots and encircles his thumb perfectly over your little nub. 
"Uhhnnn…" 
Your mind starts to spin as you let go any restraint and close your eyes as he pumps his fingers in and out. Things become a blur and a mix of sensation and pleasure intensifies; you grind against his lap and can feel his excitement grow and it only turns you on more.
“I-I’m…” you stutter as you’re close to climax and then he slowly releases his fingers. “Why are you stopping…?”
"Can I taste you?" 
Never in a million years you thought you'd ever hear him say those words. It startles you and you freeze, brushing your hair away from your face to gain composure. He plants more kisses on your chest and cups a breast in his hand. 
"Let me taste you, Y/N. I want to taste you…" he whispers and begs. The heat between you two is almost unbearable. He's ignited something within your core and you want him, you need to give into your desires or you might explode. Wild, breathless kisses are exchanged and provide ample savour.
“Yes, please,” you ask and you unhook your legs as he gently lays you back on the couch. He kisses your taught stomach and runs his large hands over your hips until he finds what he is looking for. He hooks your thigh over his good shoulder and buries his face between your legs. You buck your hips from the intense sensation of his tongue and scream out his name as the rain and thunder roll outside. 
*
After what feels like an outer body experience, you are able to finally breathe and lay on the couch in disbelief. 
He smiles with a cocky grin and gets up to clean his face. You rub your eyes and stretch your toes. It had been awhile, well maybe never to have experienced that sense of euphoria. He was attentive in all the right places and relished at the fact that he loved the taste of you. You discreetly blush and reach for the throw blanket to cover up. 
As you sit up, he returns with the bottle of wine and tops your glass off. 
“Thank you,” you say and make eye contact. “And thank you…”
He chuckles and kisses you tenderly on the lips. 
“I should be thanking you, I very much enjoyed it, too.”
“I can thank you in other ways, you know,” you purr and run your fingers through your hair. 
He waggled his eyebrows, “Is that so? I’d like to see in which ways…”
You take a sip of your wine and return it to the end table. As you stand, you let the throw blanket drop and expose your body to him once again. You’re braver now. What you experienced was an intimate moment together and your walls were down. You felt comfortable, sexy, and beautiful. You grab his hand to pull you closer and passionately seal your lips on his. 
He responds and holds your neck with his hand, while the other hand grabs one of your globes. His kiss is fervent and heeding; his lips are insatiable and the tongue explores your mouth. You open your eyes and as does he, with one swift motion you jump into his arms and straddle his waist. He grasps you by your inner thighs and walks down the hall to his bedroom. 
*
He carries you into his room and his kisses become sloppy and wet, it’s a hunger that you can tell burns within him. 
As he lays you on the bed, he trails his lips to your ear lobes and sucks on it and your eyelids flutter. 
“Keanu…” you breathe heavily as you display your sex on his bed. 
He quickly slips his pants and boxers off and you reach for his hard member and stroke it within your fingertips. He’s soft to touch and large in a way that you anticipate pleasure that will come. He grunts in approval and bites your neck softly. 
“Y/N...I want all of you...you’re so beautiful. What do you want, baby?”
You practically orgasm at the sound of him calling you baby and you moan in approval as he delves two digits into your folds. 
“I want you, too, Ke…”
He smiles, “Ke...I like that. I like you...a lot. I want you to scream my name just like that.”
You nod as he pumps harder and tantalizes your clit, sending waves of intensity all over your body. 
“Oh, yes! Ke!”
“Do we need protection, baby?” He asks earnestly and you shake your head no. 
“IUD,” you state in a breath and he nods in approval. 
He releases his fingers and you whimper softly as he slowly rubs his cock along your wet lips. 
“Uhhh, yes…” you moan and he watches the way your silky entrance throbs for him. He rubs his head in and out and you cannot take the heat that is building up inside you. 
“Baby…” you rasp and writhe as he teases you in the most sexy way. He enjoys unraveling you, the thought that he can make you unfold in his hands is his own viewing pleasure. 
He cascades his hand to your hip and then hooks your leg over his shoulder, giving him full access to his prize. He continues to rub his thumb over your clit and then with a few thrusts, inserts himself in you. Your eyes widen as your walls stretch for him; it takes a few seconds to completely allow him to go deep, but he’s given plenty of foreplay and pleasure that you invite all of him to enter you. You arch your back in agreement with his thrusts and you both moan in pleasure. 
“Ke…” his name rolls off your tongue as he picks up his pace and thrusts harder. He leans over you, still holding your leg on his shoulder and kisses your calf tenderly. It’s a beautiful moment and you love how he caresses your leg, all in while thrusting in and out in a rhythmic game. He holds your ankle and continues his kisses until you pull him to you and plant your lips on his. 
“C’mere,” you coo and rake your fingers through his hair. Besides the few grunts you both make while becoming one, the rain hits the window pane and is seared in your memory. 
“I love your breasts,” he says as he watches them playfully bounce with his set pace of thrusts. 
You cock your brow and cup them in your hand, “Do you?” you ask devilishly and massage them as his mouth widens in a state of complete adoration. 
“That’s not fair, let me…” he responds and replaces your hands with his mouth. His thrusts become faster and harder, each time stretches your walls and the euphoria kicks in. 
"Keanu…!" 
You shout and let go all inhibitions as your toes curl in utter bliss. Your walls tighten further and your body shakes as he rides you through, a tidal wave of pleasure surges your body. 
 He holds the small of your back as you arch yourself on the bed and murmurs praises into your shoulder as he comes and releases himself. He crashes his lips onto yours and stays in you as you both recover. He brushes your hair away from your face and looks deep into your eyes and smiles. 
"That was amazing," he grins and slowly pulls out. He collapses next to you and breathes in heavily. "Are...was everything alright?"
You giggle at his concern, "It was far better than alright. It was perfect."
He rolls to his side and props his head with his bicep. You cuddle yourself next to him and wrap his grey duvet around your body. 
"You're pretty perfect," he replies. 
You blush and he trails his finger up and down the side of your arm.
"I was not expecting my day to be so damn fantastic," he laughs. "Who knew running into you would lead to this?"
"Me, too. I can't believe this all happened."
"But you're glad?"
"Of course," you reply and give him a kiss. He holds you close and doesn't let go. You both listen to the sound of the rain for a moment and relish being in each other's arms. You're enjoying how he is so intimate and appreciates a cuddle afterwards. 
He kisses your forehead, "I'm going to go get the wine. Do you want anything?"
"Hmmm...I'm kind of hungry."
"What? You are? We just ate!" He laughs. 
"Well I mean, you made me work up a sweat!"
"Okay, okay," he says and holds up hands. "Let me see what I can muster up. I think there is some imported cheese in the fridge. Maybe some crackers with the wine?"
"That sounds divine," you reply. "But let me."
"What? No, you're my guest."
"I insist, you have an injury," you say and place your hand on his chest, rubbing it in a circular motion. You point your finger to his face, "Stay right here. I have all day and intend to spend it in this bed, mister."
"Whatever the lady desires," he smiles and watches you saunter out of the bed. "Take that shirt if you want," he points to a battered shirt on the chair.
"Don't want me walking naked around your house?"
"There are a lot of windows," he laughs. You not and reach for the shirt.
"Be right back."
"Sounds good."
You give him a kiss and walk out of the room, knowing quite well his eyes are on you as you leave with just his shirt on. You realize your underwear is still in the living room and head over there before the kitchen. As you slip them on, you grab your glass of wine and sip it in a felicitous manner. 
You daintily skip over to the kitchen as you recall the past hour and you are cheeky and find yourself blushing. As you open the fridge, you spot the cheese and grab the bag and open it up to sneak a little piece. You hear the front door open and the ring that alerts when it does. You quizzically think to yourself why that occurred and you closed the fridge door to see a woman standing in front of you holding a manila folder. 
Your mouth stuffed with cheese you almost choke. She looks you up and down as you are wearing panties and Keanu’s shirt. 
“Um, who are you?” She demands and places her free hand on her hip. 
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notfeelingthyaster · 4 years ago
Text
Imagine (based on the incomplete fanfic Son of the Underworld) (Son of Hades! Percy AU) (5/5) or (5/10)
Hey so, this is the last part of PJO - I follow into HOO, so before you read this, check on the masterpost - and read the warnings before proceeding :)) Good reading!
Annabeth comes to him, at the end of his fifteenth birthday party, and shows her Daedalus laptop. There's a document open in it, and it's labeled Achilles' Curse.
Percy doesn't read it - he hates reading, in any way or form or language - but she does, out loud.
"I'll think about it"
They have a year. Most of them, even those who aren't year-rounders, are going back to camp, to draw battle plans and stock on the armory.
He feels kinda selfish - for a whole five seconds before he remembers he'll probably die next summer, so he just shrugs it off - Percy deserves this year.
They all leave to go back to camp. Nico seems conflicted over something - but Perseus doesn't question it, there's enough bad blood between them.
Paola is really cool - and Sally really loves her. It's kind of bizarre at first, to see his Mom dating his teacher - and of a subject he hates - but Paola is calm and well-tempered and she laughs at his stupid ass jokes.
He visits Persephone afterward - and it really feels like he has three moms to fulfill his lack of a father - well, he is absolutely grateful for the women in his life.
Percy isn't truly in good terms with his father. The man doesn't really seem to care much for him as a person - he is much more of a trophy son.
Perseus loathes being a trophy son, but at least he has someone to help with his powers - not something a lot of half-bloods can claim.
So he goes back to school with Rachel, and they pretend everything is normal. He tells her about his quests - all three of them. He thinks she understands him better now.
He opens up to her. Tells her about Annabeth - the adrenaline-fueled kiss - and Rachel stops talking with him for a week.
She apologizes when she comes back. She needed to figure some things up - firstly, the redhead tells him she is probably asexual - and maybe aromantic too, but she is not certain because the internet wasn't really clear about that.
Then Rachel confesses that she is not jealous of him in a romantic way - she is envious of his friendship with Annabeth. Percy is her first genuine friend that really appreciates her.
This is the first grudge Perseus lets go for real before it even takes place - Rachel didn't leave him because of teenage drama, she ignored him out of confusion. Everyone is allowed space - he knows this better than anyone.
They don't kiss anymore. Not because Rachel doesn't like it - no, she is all for it - but because Percy is starting to think kisses should mean something - he is saving them.
They kiss once - when Rachel father calls for the first time this year - not to ask about her, but to tell Rachel he found this amazing all-girls school. To Percy, kisses mean comfort.
They cuddle a lot, though. These past few years of fear have made Percy very touch-starved.
It's sophomore year - and Percy is in five AP classes: Macroeconomics&Microeconomics, Statistics, Calculus AB, Physics 1, and Comparative Government and Politics.
He is planning on taking both AP Computer Science classes, Psychology, Physics 2, and Calculus BC next year; leaving only Electricity&Magnetism, Mechanics, Chemistry, and World History for his senior year.
If he lives, he is working on a tight schedule here. He doesn't know what he wants yet - and if he is in constant danger, it's already pretty lucky he can do high school - but probably something with Math.
Rachel says fourteen AP courses are ambitious - that he'll burn out. But math comes to him easily enough - it's in his blood.
She is also overworking: She is taking AP Environmental Studies, Art History, Drawing, 2-D Art and Design, and English Literature and Composition.
They complete each other. Rachel is planning on taking as many Art, History, and English courses as she can - he is taking as many Physics, Math, and Science as he can handle.
(She is also going to take on Japanese studies for some reason - probably for her GPA, but Perseus just teases her that she is getting too invested in anime)
Perseus doesn't care about languages anymore - the only languages that matter to him are C++ and JavaScript now.
They study together, they take naps together, they climb to the roof together, they flee school to visit Sally together - he is the Pinky to her Brain, the Scooby to her Shaggy, the Lois Lane to her Superman, the Robin to her Batman.
They look like troublemakers - They are honor roll students, but she is always with ripped pants dirty with paint, and he is always full of flowers everywhere, even in his muddy converses - a cliche to kill all cliches.
They're both nerds - he is the classic one, all polo shirts now, the first chair for every number-related class - and she is the artsy one - there's a brush behind her ear and her hair is so messy that half the time it covers her face.
Paola gifts him a pair of cheap frames without lenses once - saying it adds to the aesthetic - he totally uses them.
Persephone just makes him flower-crowns, and giggles when he matches them with his polo shirts.
When winter comes, he goes back to his hoodies and sweaters and gloves - to find out he doesn't miss them a lot.
Rachel introduces him to polaroids - and they look eerily pretty in the winter, her hair looking like blood spilling over the snow - and he loves it.
If he survives - he can feel Rachel slapping him - when he survives, his college credits will be remarkable. The idea of doing SATs makes him want to cry - reading always does - but he'll get somewhere good - he knows it. Perhaps Stanford. Or NYU. Or the dream of his life, MIT.
He is living his life to the fullest - he starts reading comic books, he gets really (really) into Tony Stark once Iron Man 1 comes out (even if he has to kill at least three monsters just to go to the movies), he plants trees and Rachel starts teaching him how to play her ukulele - but half his mind is still on the upcoming war.
Christmas vacation comes - and he goes to visit Camp Half-Blood, before heading back to his mom. It's quite memorable, if only by the fact that Nico Di Angelo freaking betrays him.
He tells Percy to come to the Winter Solstice with him. Most of the campers are not going - the war effort is in an all-time high - but Percy has never gone before. Hades will be there - it'll be great!
Perseus should absolutely be less surprised with the outcome - seeing that Nico is inviting him in Cabin 1, post-dinner, and they don't even stop to talk to Chiron about it.
But Percy goes. Because Percy wants to make amends.
There's no time to really talk to anyone. They travel in Blackjack for the Empire State Building - and it's fine.
They go up to Olympus, Nico shows him everything in the god's land, the temples are a work of art, if not kind of old, and the meeting is kind of okay, even if the gods are squabbling children.
Then the gods leave, and Perseus thinks they're leaving too.
"My father needs a word with you"
Perseus feels the betrayal claw on him. There are no shadows in the white hall, there's no way for him to escape. Nico looks apologetic - Percy wants to clock him in the face.
"He promised to tell me more about my mother" Nico pleads "He will tell me more about where I've come from. Please, Percy."
Nico is cute. He is, for a soon-to-be fourteen-year-old. But his pretty face and exquisite white eyes don't make him any less of a freaking liar. All his handsome male straight friends betray him - it's a worrying pattern now.
He muses for a second that they also all have a crush on Annabeth - gods, the blonde attract the worst types.
It's double-crossing - Percy ends up in an all-white cell that burns his retinas without any weapons because Zeus wants praise in the middle of this freaking war - doesn't matter if a hundred demigods die, if he only has the glory.
Nico ends up with barely any information - Zeus didn't promise anything. The god of the skies is a lying-ass motherfucker - literally.
And Zeus justifies it - He says Perseus is a criminal because he awakened Typhon. So Hephaestus issues a quest so he can save a hundred demigods, he destroys a powerful titan weapon of doom, and he is the villain? Sure, Jan.
Perseus writes this grudge in his heart - that's where trust will take you. To a cell. Betrayed by a "friend". Again.
He flinches when Nico comes into his cell, pins him to the wall and promptly begins to try and strangle him. He wants to melt in the boy's shadow - to go and never give him a chance to explain - but he looks so guilty Percy waits for his repentance.
The son of Zeus saves him, but Perseus is still pissed off. The god of thunder has threatened to kill him off at least two times now, what is to say he wouldn't have killed off Percy for the sake of glory?
He half hopes Zeus had killed him off. The war is close, too close - Nico wouldn't be the Prophecy's child. There would be no child. Olympus would fall - and Percy would have seen it all from his very comfortable couch in Elysium.
He wants Kronos gone - but he kind of wants Olympus to fall with the Titan.
Nico flies him down to the Earth - the elevator is monitored. Zeus has left, like many others - not to bother with the war effort against his main enemy, but to go to the human world mess with people.
Some gods are doing something - He has heard from Annabeth that Artemis is leading the widest hunt ever, with her brother by her side; Hermes (with Hephaestus help) is delivering Celestial Bronze, other metals, old schematics and a whole lot of fuel to Camp Half-Blood every few weeks; Poseidon is fighting his own war, in the ocean; Dionysus is at Camp - and this time, he is really helpful with the battle formations; Demeter is on the Underworld - Chiron seems to think his father is preparing for war, but Percy sorely doubts it.
Percy is taking some people with him to Sally's Christmas dinner. Just Annabeth, Clarisse, Rachel, Connor, Travis, and Charles - people who don't have a present family to celebrate it with.
Grover is coordinating the dryads up in San Francisco with his second cousin, Gleeson Hedge - they are the first to fall if anything goes wrong in Mt. Othrys.
"I think you should stay." He tells Nico.
"You don't trust me anymore." It's not actually a question.
Percy doesn't trust the boy. Not at all - it's the third time he does something shady to achieve his ends based on emotional turmoil. But he is a good person - it's just his father's cursed temper and his grief.
"It's not that. You're needed for the war effort."
Both of them know it's a lie. Percy doesn't care - he deserves to be bitter a little longer.
Percy goes back home. Christmas is amazing - even if Rachel asks him where Nico is because he is talking about making amends with the boy for a while now.
He goes visit Persephone - but she is occupied, so he wanders through the Underworld after Bianca di Angelo - someone he, for some reason, never been able to reach. It's a pointless endeavor by now.
He finds her. Or else, he finds a shadow of her - she is blocked from his view. Bianca doesn't talk to him - they weren't close - but she guides him to a girl.
Her name is Hazel Levesque.
She seems lost - like most ghosts - but something in Percy calls for her. It's the color of her skin and the sparkle in her golden eyes - Hazel remembers him of himself.
He promises to visit more - even though he doesn't think she'll remember it - and leaves to go back to the surface - he will finish the sophomore year.
And Percy does. After a very distressing break, he is doing his best. His grades drop a little in English because he can barely focus - half his mind is on the war and Nico's betrayal and Hazel Levesque's golden eyes.
Miraculously, his GPA doesn't fall - he still is taking a ridiculous amount of AP classes, and barely has time to breathe - dark circles grow under his eyes, and he looks like a mess - but now he is a Junior.
That's why, as soon as the year ends, Rachel takes him on a road trip with Connor. They go all the way to Boston, then Portland, Quebec, Montreal, Ottawa, Syracuse, Baltimore, and Filadelfia, before going back to NY.
They are stopped five times by the police - because Percy is black, and it's Rachel driving the Camaro, because she has a learner's permit and Connor is, somehow, an approved license holder.
They are on a pier, enjoying the view of the beach. They did the last week alone because Connor wanted to go check on one of his cousins - at least, that's what he said, with an over-exaggerated wink that both Percy and Rachel ignored for the sake of their sanity.
She tells him about Clarion Ladies Academy - but that her father is at least mildly happy with her GPA this year, even if he disapproves of her Art focused AP classes. Percy thinks Mr. Dare would love him, with his APs on Economics and Politics, if only he was rich. And white.
This time, when Charles Beckendorf arrives in a Pegasus to tell him it's time, Rachel doesn't kiss him - she justs hugs him and makes him promise to call her.
Perseus doesn't go to the Andromeda Ship - he is needed in Camp. He is useless on the water - but they do need him to improve battle strategy.
Charles Beckendorf is dead. Thalia is the one to tell them - she was in her father's palace helping with a monster under her Lady's orders - he went on the mission alone.
Percy talks briefly with Beckendorf's ghost - is his worst developed power, and he can barely hold the "seance" for more than a few minutes. He does it with only Nico di Angelo for witness - the others are the way to close to the situation.
There's a spy passing information to Luke.
They look at him. Doesn't matter how much he does, he is always the first suspect - he is a son of Hades. He was friends with a lot of people on the other side. He was gone for a year and a half, who knows where.
Perseus wants to say that he has helped to save their asses four times now - that without him in the Labyrinth, they would all be dead right now - and that Charles was basically his older brother.
Then he points out he wasn't even here - he had no idea of any plans of anything - and he told him about the spy, so he is not the freaking spy, go point fingers at each other instead of him.
When they start yelling, he stops them - this is not the time, he was just angry at their accusations. They have to burn Charles shroud. Silena is inconsolable - Percy is not very far from it, but he is not a public crier. The last time he cried in public, Luke was dead on a cliff.
Percy speeds up the line for Elysium to Beckendorf - his brother deserves it.
They read the prophecy together - Perseus already read it last summer, he doesn't even care anymore. They look at him anxiously - no one has forgotten that he abhors most of the gods.
Clarisse and Michael Yew fight, but Lee Fletcher - with a mechanical arm built by Beckendorf himself, still re-learning how to shoot arrows and forever incapable of playing the guitar again (but the keyboard is not ruled out yet) - stops them: They can share the chariot. The war is more important - is not the time for petty fights.
Chiron shows them Typhon - and Perseus has a sliver of hope that they can destroy Kronos and be free of the gods at the same time - It's a horrible hope, because he loves Persephone and some of them are even okay sometimes, but he really wants Zeus to go to Tartarus for at least a century, so Perseus doesn't meet him again in this life.
But he also wants the gods to win, because there's a lot of dead people - innocents, people who have nothing to do with this war.
He dreams of Rachel. Rachel is painting Luke - and Percy wakes up crying, for the boy the gods took away.
Annabeth takes him aside and reminds him of Achilles' Curse. He is off to May Castellan's house - the last place Luke has been - for it's his best and only chance, its what Annie thinks. And she is scarcely wrong.
Perseus hates the gods. They wrecked a family - and for what? May Castellan - forever waiting for a son that will never come back, haunted by visions of his future, plates of burned cookies everywhere.
Perseus doesn't pity her - he rages against the gods, who brought madness upon this woman and then left her to it. Where was Apollo, the god of health? Dionysus, who is supposed to control mental health? Artemis, whose job is to protect women?
Hestia is kind - but she is still a goddess. She could've prevented this - but she hides in her hearth and abstains - and that's enabling. Hestia enables the other gods to do as they please, even when she is the oldest. She says they ignore her - oh well, she ignores them right back! He has no time for the laments of another all-powerful being.
So he goes to his mother and asks for her blessing. Then, just to be sure, he asks Persephone's too.
He thinks about his anchor - where does he want it to be in his body. He doesn't want somewhere in his back - where he can't see it - or in his gut - where anyone can stick a sword. He settles for the bottom of his back - where he can at least touch it and it's well protected by armor - and dives.
Perseus hates water - and he has an uncanny fear of drowning. He feels pain - everywhere, horrible pain.
His vision now doesn't have Annabeth's face - the blonde is his link to the demigod world, Persephone is his link to the Underworld and his mom is his link to childhood - but the person who grounds him is Rachel.
He is stronger. He feel his powers at his fingertips - Perseus feels the Underworld as a whole, and it's overwhelming.
Green flames explode from his hands. Flowers made of shadows curve around his ankles - he has been training since he was 12, but now his body can sustain all of his power. This is all his.
He goes meet with his father - Perseus manipulates him. He tells Hades he'll be the hero, but the god himself can be praised for more than being his father. That he should join the battle against Typhon - That's his chance of proving himself. Also, there's less paperwork for him if there are fewer dead people.
His father is amused with his blatant bribing, but he thinks about it, Percy can tell. In a way or another, he excuses himself and goes back to the surface where he is needed.
Persephone stalls him. She asks him to stay, just for this night. He can go back in the morning - he sleeps, and dreams of Rachel again, drawing in the sand. In greek.
He is scared for her - she is having demigod dreams, but she is mortal. Something is wrong.
Typhon is getting worse - and Kronos draws closer to NYC. It's time - he calls for Blackjack and leaves - Mrs. O'Leary, who has become more or less of a mother to his own hellhound, follows. Persephone promises to convince Hades.
They have about sixty campers able to fight heading for the Empire State Building, and five healers. The ones too young to lift a sword or string a bow stayed back at Camp with Argus - fifteen children between 5 and 9 years old.
Percy knows he looks different - he looks just like his father. He has gained a godly aura - he has no scars anymore, no imperfections. Perseus looms over all of them - he went from 5'7'' to 6'2'' - it's a weird view, from up there. It's still strange when they look at him with a mix of fear and admiration.
Perseus Jackson is officially their leader. He hates Olympus - but he will give his life to defend every single one of his demigods.
The vision Hestia shows him just makes him want to tear this throne room with his bare hands - Luke was a kid. He was a kid - and the gods corrupted him. Thalia was a kid - and the gods took her life, twice. Annabeth is still a kid - they all are - and she is here planning battle strategies.
Annabeth missed an extra year of formal education - while Percy is a Junior, Annabeth barely qualifies for a Freshman - because the gods took this from her too.
Percy rages. The ground of Olympus trembles beneath him - he wants to kill something.
Then Hermes appears - like this whole war is not his fault in the first place, the literal bastard - just to relay a message from Athena that gives them a plan that Annabeth was already putting into works and tells Percy to stay away from Annabeth.
Like she cares. Like Athena has ever, ever, done anything for Annabeth.
Perseus can't punch Athena, so he punches the messager (also, because he freaking guilt trips both of them about Luke). He has nothing to lose - he is going to die by the end of the day anyway, and they need him too much.
He has punched a god before - Ares, in a desert in the middle of Los Angeles - but this time, it's satisfactory. He feels good after it.
Hermes seems strangely resigned - He feels guilty about Luke too, but Perseus doesn't think it's enough. It'll never be enough, not while the gods leave their children to rot in a cabin of rejects and May Castellan bakes cookies for a son that will never come back.
Hermes leaves, ashamed. It's only fair, Perseus thinks. They all should be ashamed.
They see the city asleep - the prophecy is in the works.
Perseus executes their strategy - every cabin is covering a tunnel, with the exception of Dionysus, because Pollux is with the Demeter kids, and the Hecate kids stay behind to use spells to overlook the city. Lincoln Tunnel is getting covered by Ares - who, this time around, is actively participating.
The undetermined who didn't desert are with Hermes - and the minor god's children are divided by specialty - most Hypnos and Morpheus children follow him directly, but the two sons of Iris go with the Apollo Cabin.
Annabeth executes Plan 23, automatons, mounting on Mrs. O'Leary (who has strict orders to take Annabeth anywhere she wants without stopping to play around) - she doesn't need his help with this, and Percy has a tunnel to defend.
That left the rivers uncovered - until Thalia appears, with magical sand money, and made the rivers cooperate.
The hunters join the Aphrodite kids - who are half a dozen children between 11 and 19 - the oldest being Silena Beauregard, who uses a crossbow that looks exactly like her immortal half-brother's one.
His bridge is completely covered on skeletons - but no monster comes, even if he hears explosions. He leaves an English Lieutenant from the Battle of Yorktown in command of the bridge - with Tyene, the oldest daughter of Morpheus, to be in alert and don't let Clovis sleep through the battle. Because he did it before - and while it is funny, it can't happen right now.
Perseus mounts Blackjack - and go see where the noise is coming from. It's the Williamsburg Bridge - where are most of Apollo's Cabin.
They fight - and Percy almost cries when he sees Luke, who is not Luke anymore. Luke, who is a puppet controlled by Kronos.
Perseus kills the Minotaur and the weight of his stone spikes collapse the bridge - and Michael Yew dies. This time around, the bridge falls silently into shadows, and he doesn't bother about searching for the corpse - he saw the boy falling, and his screams will haunt all of them, forever.
This time around, Annabeth is not there to protect him - Ethan also doesn't try to kill him. The Son of Nemesis doesn't leave Kronos side for a second - but there's regret in his eyes.
After the bloodlust is gone, Perseus collapses - Will has to bride carry him back. Overuse of his powers - he summoned skeletons and produced shadows, melted enemy swords (with the bonus of incapacitating them without killing), and sprouted stone spikes everywhere - there's even a vine or ten that he used to hold his friends from falling.
Perseus doesn't sleep quickly enough to not hear the yell of anguish that comes from Lee Fletcher - the pain of losing a brother and not being able to fight beside him.
But he does sleep - and he dreams. He dreams of Hades killing Maria Di Angelo, not Hera, like Zeus told Nico. He dreams of Zeus cursing the Oracle - and he seethes, because he also sees what happened to May Castellan.
He keeps getting angrier and angrier at the gods - it's building inside of him. But his friends are still here, still fragile. He can't let them suffer more.
Perseus wakes up, checks on everyone - most everyone is either injured and/or exhausted, but he checks on every camper. He knows all of their names, their ages, their cabins. - and promises to sit up to talk with Thalia and Nico - war makes him prone to peace - and promptly goes back to sleep.
He dreams of Rachel. He wants to scream for her not to come: but she'll anyway.
Perseus dreams of a boy. He is his age - maybe a little younger. His hair is blonde and his skin is whiter - but Percy glances at his eyes, and there are waves in them.
There's a girl by his side - she is familiar to Percy, somehow. They're climbing a mountain.
The dream ends and Percy can't make heads or tails of it. He asks Thalia if she has a brother, but she says that she doesn't, looking wistful.
Prometheus is tempting - but he knows there's no Luke anymore, there's only Kronos. And the gods are horrible, vile and immature - but they never killed any of Percy's friends. Some of them died for the gods - but never by their hands, so for now, Perseus would toe the line.
He does want to punch Hermes again. He takes the Pythos - if everything goes wrong, he will not hesitate in going down for the sake of his friends - but there have been six deaths, and it's enough.
"Was it worth it?" He asks Ethan.
"Alabaster is alive" And it's all the answer Percy needs.
He dreams of Ethan and Alabaster. Alabaster is alive, yes, but he is missing half a leg - courtesy of Clarisse herself. Luke - Kronos - is indifferent, and Ethan curses the daughter of Ares - "The sword that took from us will take from you"
He contains Hyperion with his shadows. Then he helps Grover (who was half asleep, because of Morpheus) to make the Titan into a tree. It's a pomegranate tree - then he sets hellish fire to it and sacrifices it to Hades and Persephone.
A pig is in the sky - this time around, Annabeth and her frightening army of automatons kill it with Nico's help.
Perseus laughs - because Annabeth has about two hundred automatons under her command, Martin Luther King and Alexander Hamilton leading the charge with a giant bull being ridden by the Mad Hatter behind them.
It's weird to see historic figures Percy admires - like Jane Bolin, Sylvia Mendez, or Abraham Lincoln - fighting alongside people he downright despises - Thomas Jefferson and the goatfucker, herpes-ridden, Colombus. His Comparative Government teacher would have a field day.
Annabeth and Nico's pair up is amazing - They fight alongside like they have been doing it all life.
Nico is a force of nature, flying and commanding the winds to do his bidding - His eyes shine in the midst of the stormy clouds. His specialty is weather manipulation - he hasn't had much success with direct energy or electric discharges.
Annabeth has her mother's tenacity for war - and her clever mind for strategies. It's clear in her eyes - she is racking the weaker points of the Clazmonian Sow in her mind and destroying it. The automatons hold the pig in place - and she makes bacon of it.
Hercules couldn't do it. Nico and Annabeth can, because they have the power and the mind.
Perseus is still fighting off monsters - but they're too widespread, so they retreat to the doors of the Empire State Building.
Percy does a mental tally: of sixty-two campers, six are confirmed dead, twenty are injured and nine are out of commission on exhaustion. There should be 27 orange shirts here - but there's only twenty.
Percy wonders if the seven missing are injured, or dead, or under a pile of rubble somewhere with no one to help them. Is there someone being slowly eaten by monsters? Is there someone alone and injured and abandoned? He doesn't know.
He prays that those seven deserted them - at least that means they probably are alive and well.
Perseus looks at Phoebe's grief-stricken face, and he knows it's not probable - she had almost three dozen hunters with her, and now there's barely fifteen still fighting, Thalia nowhere to be seen.
They prepare for their last standing - Percy keeps conjuring skeletons, but they're no match for the sheer strength of the hyperborean giants. Nico is shoulder to shoulder with the Stoll brothers against a group of telkhines - Clarisse is bringing down a whole giant by herself.
After the Party Ponies save them - Chiron leads the charge against his own father, and Perseus is so proud of his mentor he can't even put in words how much - he goes to sleep. Fighting gets him tired quickly, and they'll come back.
He dreams of Dionysus. Perseus is not fond of any god who is not Persephone, but Dionysus is mostly okay sometimes. He seems to care about his children.
Perseus couldn't care less about the Western Civilization - but he'll care for Pollux. It's one of his demigods, after all, and Underworld people are possessive of theirs (i.e. Hades and Persephone).
He dreams of Thalia, in her father's palace, begging Poseidon to leave the underwater war and help with the invasion - His wife is none too happy with the presence of his immortal bastard daughter.
He wakes up to Rachel's helicopter falling - how is Rachel even awake, is a mistery.
The improbable pair Nico and Annabeth strike again: The girl knows how to fly helicopters, and the boy can fly himself. They save the redhead and the pilot - everything is fine.
"You're not the hero"
"Why did you risk yourself to tell me something I already know?"
Rachel doesn't explain - she can't. But she has a vision that says that he is not the hero. The hero of what? Perseus has no idea. But there's no way any of his cousins is dying for this stupid prophecy.
Suddenly, there's a drakon there. Rachel has another prophecy - Perseus fears she will walk the path that led May Castellan to destruction - that only a child of Ares will be able to kill it.
Bad news: All children of Ares are otherwise out of battle.
Clarisse is resting after a nasty concussion - and her brothers and Apollo's children are fighting yet again because Lee Fletcher is in no condition to stop them and Michael Yew is dead. Ares' side refuses to fight without the chariot - which Cabin 7 has hidden somewhere.
The best they can do is fend the drakon off until a miracle occurs. And it does: Clarisse, in full armor, manages to lead her brothers into battle.
Clarisse is dead. Something shatters inside of Perseus - and he leaves the drakon for the Ares' children to solve - he can't kill it anyway - and starts to vaporize the army behind it.
He is so caught up in bloodlust, that he almost misses Clarisse slaying a dragon. Clarisse, who has no armor. Clarisse, who is alive.
Ethan's curse rang true - Clarisse's weapon took something from her.
Silena is a traitor. She is also dead - which makes her a martyr, and probably going to reunite with her boyfriend in Elysium.
He remembers how easy is to fall for Luke's charm - he was - is - still in love with the guy. Percy thought the son of Hermes could do no wrong - and he wonders how much of his rage against the gods sprout from his influence.
Something evil inside of Perseus's mind tells him she deserved it. It tells Perseus that better her than Clarisse - but he shuts it down, and concentrates on his shining red friends.
He hates Ares. But he might just have an okay side if he can produce such a magnificent daughter.
Silena is the Patroclus to Clarisse's Achilles, and the Drakon is Hector - and the daughter of Ares is sure to parade its dead body.
It's the first time they feel like they are winning. It doesn't last - but as he hugs Clarisse tightly, he thinks he might cry of relief.
Clarisse looks tough - but she is a wonderful human being. She loves Silena with her whole heart - even more than she loves Chris, her best friend. Silena might've been in love with Charles - but she and Clarisse? They are soulmates.
The damned Pythos is following Perseus - and he is done with it. He knows where hope will survive best. Rachel wants him to give it to Hestia - but he owns the fire goddess nothing.
She has never interfered, not once, to help the dozens of demigods with no family that is abandoned in Cabin 11, and he won't forgive her for it.
He sacrifices hope to Persephone because that's what spring is. Spring is the hope of a new life. Maybe, Perseus thinks, it'll convince his father to come.
They go down to make their final stand against the forces of Kronos. There's not a lot of them - but they're not getting through those doors.
Well, his father doesn't come. But Poseidon does, with his whole army, Tyson and Thalia behind him, and the scales seem to turn.
And then Kronos cuts the barrier. Perseus can see his Mom (why is his Mom here with a handgun?!) and Poseidon fighting against the monsters under the eyes of extremely confused mortals.
Some are trying to break the barrier - but it's futile. Kronos has corraled them like sheep for the slaughter.
It's just him, Grover, Annabeth and Nico, fighting against Kronos vanguard - which is big, but not as strong as they are.
Kronos passes him without resistance - Ethan follows, but there's anger in his eyes - not for Percy, but for the monster he is leashed to. Alabaster is not there.
As soon as Kronos powers stop working on them, the four follow the titan - and some things never change, no matter the universe.
This time, it's Nico who falls because of Hera - it's her curse over all of her husband's bastards.
Ethan takes one look at Perseus, and they don't even need to fight. They have been friends for longer than they have been enemies - and they both loathe the gods, but Kronos is as much of an all-powerful controller being as any of the Olympians.
They battle against Kronos - Perseus has only his ax against his scyther - a true Underworld fight.
Ethan dies. And Perseus bloodlust consumes him - it clouds his eyes and he can only keep fighting.
"If... if we've had cabins... and they had thrones"
It's true, and more than ever, Perseus wishes Kronos wasn't such a bastard. He wouldn't bother killing the gods - but the titan is a way worse option.
"LUKE, PLEASE" It's Annabeth. He doesn't have her faith - she didn't saw his transformation. But he tries anyway because he loves Luke just as much as he hates Kronos.
"Luke, remember our summer" But his words are caught up in his throat when the titan throws him against the wall.
But the amalgamation of his friend and an all-powerful being looks confused, so props for his genius best friend.
Kronos shows them a rainbow message of Typhon - and that's where Perseus it's pretty sure he starts liking his father.
Because the Lord of the Dead opens up the earth and gets out in a black chariot guided by skeletal horses like a king. By his right side, is Persephone, in armor battle as a queen should be. By his left, is Demeter, who looks every single bit like the matron she is supposed to be.
Behind him, a hundred thousand dead roars. Charon is mounting Cerberus - and literal hell is unleashed upon the Father of Monsters.
The gods strike down Typhon, sending him back to be locked away - this time, in the depths of Tartarus instead of Mount Etna.
Kronos gets mad. Utterly, undoubtedly mad. He talks about burning Luke's body. Then he hurts Annabeth and breaks two promises in one fell swoop.
"Luke.... remember family" It's what Annabeth utters, but Perseus, already certain of their own demise, is crying now.
"That summer Luke, you promised to never hurt her again. You remember it? YOU PROMISED LUKE!!"
Annabeth's promise was already broken - he had hurt her, all those years ago, in Mt. Othrys. But the promise he made to Percy - that he would never hurt her again - is new and broken, in the river Styx no less.
Luke regains his own body, for a minute, and Perseus runs to him like a man in a desert with no water.
"Please, please tell me there's a way to undo this, Luke, please, please"
"There isn't one, Percy" And it's the first time he hears Luke call him Percy, Percy and not Perseus, in his own voice, in two years. Percy cries.
"We... we don't have much time, hellebore. Give me Annabeth's dagger. Before he... before he takes back"
Luke calls him hellebore and it makes him start crying all over again. He gives him the dagger - and Luke kills himself, taking Kronos out with him.
Luke doesn't need to ask if Percy has ever loved him - Percy kept loving Luke, one-sided as it was, even when Kronos was there.
He still crying over Luke's body when the gods arrive. Luke is dead. Ethan is dead. Silena is dead. Michael Yew is dead. Charles is dead.
He lost three of his best friends in two days. Ethan is dead. Luke is dead. Luke is dead.
Perseus can't stop crying. They take Luke's body away - but he can't stop. Annabeth explains what happened to the gods - most of it, anyway. Apollo says he is in shock - his father says he is a hero.
Perseus doesn't feel like a hero. Was this all worth it? Was it worth it the pain and the death and the suffering?
Persephone touches him - and he has no tears to cry anymore. She can't hug him here, but she'll do so later.
He stares at the walls, listening to his friends being awarded - compensated by their siblings and friends' deaths - with a blank stare. Perseus wants his mom.
They call for him. He raised his head but doesn't bother getting up. He just saved their asses - for the fifth time in a roll. He deserves to grieve.
They offer him immortality. A place between the gods.
He laughs. Zeus looks murderous, but he can't stop laughing.
"My apologies, but I have to refuse," he says. But in his mind, he is thinking about how could they even think he might want to sit between them and be an all-powerful being, be another god ignoring his children and messing with mortal lives while thousands die for him.
"Promise me, on the river Styx, that you'll give me the wish that I want."
They promise him, that if it's within their capabilities, they shall grant him his wish.
"I wish for every child at the age of twelve to be claimed. I wish for cabins in Camp Half-Blood, for every single minor god, and my own father. I wish for Calypso to be free, and to the demigods from the opposite side of this war to be given amnesty. It's not their fault. It's not any of our faults."
"You dare to-" Zeus begins, but Percy is really tired of Zeus.
"We fought your war, we won your battles. We, the unclaimed and rejected stowaways of Cabin 11. We, the children of minor and Underworld gods. We deserve respect. Just like my father deserves a throne, just like the minor gods deserve justice."
"Don't you fear us?" Athena asks, something weird shining in her eyes.
"I thought I would be dead today. At least if I die now, I'm dying for something I believe in."
It stays unsaid that he doesn't believe in them. The other demigods look at him worried - but he is not afraid of the gods.
They grant his wish. Some of them aren't happy with it, but they have to do it. He meets Calypso at the front gates of Olympus - and her smile can brighten the pits of Tartarus. He sees Alabaster talking with Lou Ellen - they are both crying.
He thinks it's the end - it's not. Thalia tells him Rachel left for Camp in her Pegasus - and his father has lift the curse, the Prophecy is gone, but he fears for his best friend.
Perseus is too tired for shadow travel - he does it anyway. He flickers, but anyway, he is too late.
It works. Rachel - his best friend - is the new Oracle. Someone jokes they can't be together anymore and Rachel lifts an eyebrow.
"We never were. Didn't you see the last few hours?" Well, he did out himself. Mostly - they might say it's just friendship, and he will hate the way they twist it. Luke wasn't a villain, and Perseus isn't a pure hero with a heart of gold.
Perseus is healing from lost love - and Annabeth is too. His crush on her was only a crush, he thinks - She is his best friend first and foremost. They cry together at the bonfire that burns away the shrouds of 43 demigods - from both sides - and 16 hunters of Artemis. Their souls all rest in Elysium now.
Alabaster comes back to Camp and helps his siblings to build the new Cabin for Hecate, full of spelled blocks and magic chimneys. Clovis and Tyene have their hands full with their own cabins - it doesn't help they keep getting sidetracked with naps.
Somehow, Nico, Thalia, and his bond over helping construct Cabin 13 - They are both way too invested in the goth vibe, mostly because Cabin 1 looks like a temple, and Cabin 3 looks like a beach cabin. And both of them are so over it.
Perseus doesn't want a goth cabin - he is fighting against the aesthetic for years - but sometimes, there are no arguments. His Cabin is made of black marble, and there are skulls everywhere, with torches shining with green fire. Outside, at least. Inside, it looks like Persephone's garden, with input from the queen herself. It's ready just shy of the end of summer vacation.
Rachel tells the next Great Prophecy. Perseus isn't such a positive person to think it won't affect him - he hopes at least it'll wait until he is done with High School.
That night, he dreams of the blonde boy again - it's his first night without nightmares since the battle. He has a scar in his lip, and his green eyes pierce Percy's soul. Perseus wonders if they'll ever meet, wonders if this boy is one of the Seven of the Prophecy.
But alas, Perseus lets it go. The summer is over - he is sixteen, somehow. He is alive and going to go back to his mortal life and his junior year, and grief. Not everything is fine - but eventually, it will be.
It's not the end. Not yet.
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horanclouds18 · 4 years ago
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Weekend - Liam Payne Analysis
I spent all night yesterday analysing Weekend because Liam mentioned it being a memorable song to him because he was vulnerable while talking about what he wanted to say in this song. He mentioned this in his last Instagram live:
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So I decided to dig a little. I still don't get all the lyrics but I'll do my best. I'm sure someone else has already done this but I wanted to do it so bare with me.
“I said it wrong, but I meant it right
But you're the only one who would know
Yeah, so I'm faded, right, but I was the one
I almost lost my nerve for less than I deserve, yeah
I got it wrong, but I made it right
You know I made it right
We said it's done, but it's not done”
So the first verse, he's talking to someone “I said it wrong, but I meant it right, but you're the only one who would know” he's clearly close to this person because they are the only one who know what's wrong about him and he meant to say it. My theory is that “I said it wrong” is because he is drunk/high and he can't talk coherently but he means what he is saying.
So he is “faded” which according to urban dictionary:
Word used on the west coast for being high/stoned/blazed.
I'm pretty sure he is talking about being high because in an interview he said this: (x)
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And in a podcast where he talked about mental health (here) he said the solution he put to his problems a lot of times was to drink alcohol. His textual words “I was drunk %90 of the time”.
“I almost lost my nerve for less than I deserve” it's self explanatory I think. He lost it with this problem he had. And then “I got it wrong but I made it right you know I made it right, we said it's done but it's not done” he had a problem but he “solved” it. I think he means he solved it by drinking and “we said it's done but it's not done” means he is always saying he'll stop drinking, he'll stop solving his problems this way, but it's never the last time.
“I come alive on the weekend
I might die on the weekend (might die, might die, might die)
Another line for my demons
I might die on the weekend (might die)
I talk low, but I mean it
I say, "Keep up, " she can't leave it
I come alive on the weekend
I might die on the weekend”
He “comes alive on the weekend” that means partying and then “might die on the weekend” because he drinks too much and doesn't feel so great. “Another line for my demons” I struggled to get this one at first, is he talking to his demons? But then following the same narrative, I went to urban dictionary to search the meaning of line and I was unpleasantly right about it: (x)
A 'line' (for lack of better word) of any powdered drug that is snorted, often through a rolled up 100 dollar bill.
So he wants to stop the voices in his head and for that he does drugs.
(This is so hard to write my baby Liam being so unwell and us not even knowing about it and also I didn't really see the meaning of this song as this until he pointed it out to me and I feel like I let him down)
“I talk low but I mean it” I think this is the reference to “we are the quiet ones” Liam always says to refer to him and Zayn. (Here)
Or just simply that he is high and he is mumbling about his problems. These lines are up to interpretation I guess.
“I say keep up she can't leave it” again we can simply think he is talking about keeping up with his drinking and she can't follow him. If we think in ziam terms Liam telling us to keep up is to please continue analysing and keeping up with what is happening to them at the moment. And so “she can't leave it” the “she” is us and we can't just stop not keeping up with him, you know?
I don't know if the ziam interpretation is thinking about it too much or not, you tell me about this, what do you think? Am I giving it too much thought thinking about ziam here?
“How did we end up here like this (Yeah)
I see the midnight on your lips
Every time you come around
And if there's nothing more than this (Nothing more than this)
That's okay, but one more time before you're gone
You said it's done, but it's not done”
“how did we end up here like this” how did we end up in this mess, problem wise and drunk wise too. Notice he uses ‘we’ and in the podcast about mental health I mentioned earlier he talked about struggling while he was in the band. So ‘we’ could be the band but the next lines I think suggest otherwise because “I see the midnight on your lips” is only ONE more person so in my opinion “we” is two people.
I struggled to understand the meaning behind “I see the midnight on your lips” a lot. First, I thought about it literally, does it mean midnight=partying=alcohol ? But I thought this was impossible because further in the song he tells this person “only you can stop the hurt”.
So what is it?
I thought that it had to have a double meaning of sorts. It had to be a metaphor. So I searched “The midnight” on google and the first search was a band called The Midnight, so I thought this might be the right place. (You can search it up for yourself). So I started analysing the lyrics of some of their songs (all which were released BEFORE LP1) and I found some interesting songs:
River Of Darkness
Glowing windows in the buildings from the elevated train
I see a thousand different stories pass
And faces without names
I forget why I came here
And forget why I stay
And wonder if they'd notice
If I slipped away
What if I kept going
What if I don't get off tonight
What if I ride this to the edges
Through the darkness to the light
Could I find you there?
Could I find you there?
If I slipped away?
What if there's no answer
We're all just hearts that have to fight
Through the dangers of the rapids
Through the darkness to the light
Could I find you there?
Could I find you there?
If I slipped away
Looking at the lyrics at first glance I noticed:
Reference to Through The Dark: “through the darkness to the light”
“A thousand different stories and faces without names” I remember Liam saying in the mental health podcast (please go and listen to it if you haven't) that he used to play different parts of himself in front of different people that weren't necessarily him and that in addition, he hid other parts of himself. Also he mentioned how the media portrays him isn't always true. And well this sentence really speaks that to me.
“I forget why I came here I forget why I stay”: it's like a parallel to “how did we end up here like this”.
“What if I kept going” again do I continue being someone I'm not? Do I continue with this stunt? Or do I stop this once and for all? If we think about ziam it makes perfect sense. They are playing parts, media portraying them as this person they are not (think about the bad boy image they put on Zayn) and the stunts (zerrie, sophiam...)
Let's look at another one:
Los Angeles
One, two, three, four
Fire on the beach
Face to the sky
The stars dance around like Gods in the skies
The gold silhoutte
You take off your clothes
And my heart feels the weight of all I don't know
Memories and mountain tops
Drunk on sunset boulevard
With the city of angels singing on
Maybe this is just a dream
And maybe we are still asleep
But I, I will miss you when I'm gone
Flickers of the canyon fire
It's hands raised like a gospel choir
If we live forever, let us live forever tonight
Helicopters against moonlight
Our holy mother of the midnight
And if we live forever, let us live forever tonight
Tomorrow we'll go
Back to our lives
With sand in our skin and sun in our eyes
But I know the truth
I've seen the signs
And I've seen the golden Gods in disguise
Memories and mountain tops
Drunk on sunset boulevard
With the city of angels singing on
Maybe this is just a dream
And maybe we are still asleep
But I, I will miss you when I'm gone
Flickers of the canyon fire
It's hands raised like a gospel choir
If we live forever, let us live forever tonight
Helicopters against moonlight
Our holy mother of the midnight
And if we live forever, let us live forever tonight
Flickers of the canyon fire
It's hands raised like a gospel choir
If we live forever, let us live forever tonight
Helicopters against moonlight
Our holy mother of the midnight
And if we live forever, let us live forever tonight
Flickers of the canyon fire
It's hands raised like a gospel choir
If we live forever, let us live forever tonight
Helicopters against moonlight
Our holy mother of the midnight
And if we live forever, let us live forever tonight
Things to notice at first glance:
Reference to live forever
Right after the reference to live forever there's a reference to Tonight
Mention of “the midnight”
“The stars dance around like Gods in the skies” this reminded me of You & I “not even the Gods above can separate the two of us” which we all know it's a really special song for ziam. (x)
It's a beautiful love song
This song made me compare the songs Live Forever/Weekend/Tonight and I think there might be some parallels in those songs! But I'll leave that for another post.
There are other songs like “Sunsets” that says “I just feel like I've been stuck here my whole life” and “we could run away just leave never look back I don't care where we go just far away from here” or there is also a song called “Lost Boy” that talks about “I was a lost boy when I met you” and “we were rebels, lone survivors” and did I say there's a reference to fool's gold?
These were just so many coincidences it couldn't just be coincidences right? And then I found a song called “Memories” and it clicked. The band is “The Midnight” and the song was “Memories” looks like a joke right? Another reference to One Direction.
Remember that there was a reference to Through the Dark, a song which Liam co wrote with Louis and we all know the meaning behind this song. There's also You & I in there which is VERY special to ziam. And let's not forget about the song “Alive” which Liam said it was HIS song in the LP Show and that it basically resonates with him. This song could have a queer interpretation (following the ziam narrative) so go and look at the lyrics and think about that: “my mother told me I should go and get some therapy” and “hey it's alright if it makes you feel alive” and “we gotta live before we get older, do what we like we got nothing to prove”. So it was coincidence after coincidence and thought I was in the right place. Remember “I come ALIVE on the weekend”.
So in short “The midnight on your lips” is a bittersweet reference to all that encompasses the life in One Direction and his relationship with Zayn.
And right behind the midnight lyric we have ANOTHER reference to One Direction with “if there's nothing more than this” which the song “more than this” starts with “I'm broken do you hear me?” and this is basically what Weekend is about. Also, Liam sings that part.
“Everybody's got their own vice
Do you think about me when you're alone?
It kinda got to me last night after everyone was gone
If there's one thing that I've learned:
Only you can stop the hurt
Yeah, it's 'bout time that I realize it's a lost fight
I said it's done, but it's not done
No, no, I said it's done, but it's not done
Yeah, yeah, I said it's done, but it's never done”
So this verse made a lot more sense after searching the meaning behind “the midnight on your lips”. So Liam is thinking about this person after everyone is gone (and the party has died down) and he wonders if he (Zayn) is thinking about him too. Why did I think of Zayn here? Because of the parallels I found in Tonight with this song. I will analyse it better in another post but there's this lyric in Tonight: “No matter where you are or where you'll be, when you're feeling yourself, I know you are thinking of me”
When I noticed this I was like:
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This is huge because “when you are feeling yourself” could mean something like “after you sober up” or in this case “when everyone was gone” referencing to the party being over.
Only you can stop the hurt Zayn and it's a lost fight to keep solving problems with alcohol and drugs.
Now let me go and cry peacefully in a corner.
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