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#i'll make a post about it later
shwinlsol · 1 year
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hey almost forgot to post this here. Spy OC :)) I just think he's neat
also, it makes sense for Dead Ringer Spies to be absolutely wrecked 24/7. their whole schtick is basically getting beat up in order to perform the normal watch functions lmaoo
and BEFORE you say anything about the Medigun: Medic has better things to do than constantly heal DR Spies. he's probably busy implanting animal organs and shit yknow
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fenharel-enaste · 1 year
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Today's national elections day in Spain and I'm ✨stressed✨ and ✨scared✨
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good morning!! <3
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He's a used car salesman. He has a heart of gold. He can't parallel park. He has two gay witch italian dads. He chops the wood. He has a magical talking cat mom. He's an assassin. He isn't an assassin. He's actually the cat from earlier. He's trans (female cat to male human). He's been shot through the heart. He was in Dewar. He was not in the war. He was in Dewar. He's on his last of nine lives. He just had a marble shoved down his throat. He's even bisexual. I didn't say his name, but he popped into your head, didn't he?
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bixels · 3 months
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tarpit site.
#personal#delete later#for context a tweet i made in the middle of the night blew the fuck up and brought the attention of anime fans who've been#harassing and hassling me about my big factual blunder for an entire day straight#“ok i'll apologize” “bro it's not that serious.”#“you're right it's not that serious“ ”why won't you just admit that you're wrong and apologize!“#i'm not going crazy right. i feel like i'm getting manipulated into thinking i must've been wrong#it's crazy how twitter hate will trick you into believing saying something someone else disagrees with is a moral failing#sorry i haven't seen frieren i guess but what's it to you. i wasn't making a claim or statement#also because nobody has gotten this in the original post i wasn't talking about the quality of animation i'm talking about solid drawing#which is a very specific principle of animation. dandandan has really good solid drawing wherein all the characters are animated#with realistic and proportional 3d depth. newsflash but trigger doesn't prioritize solid drawing in their animation and that's fine#it's an aesthetic choice and has ties to production limits. none of this is a big deal. this is all so stupid lol#i've dealt with worse and more annoying weebs though it's fine i'll put on my clown nose twitter needs their stupid guy for the day#oh btw at the end of the day this doesn't matter. it'll be over by tomorrow. all that's happening is petty angry emotions.#so please don't involve yourself by jumping into the argument and prolonging this shit#i'm about to go on a date with tulli after being apart for a month this is the furtherest thing from my mind rn
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hyacinthsdiamonds · 2 months
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I'm sorry but the irony of Nico calling Max unprofessional is sending me so bad like sir there's an entire garage full of people, who were literally in the trenches trying to survive the Brocedes fallout while just doing their jobs, who might have a few things to say about your (& Lewis') level of professionalism at that time 😭✋️
#f1#formula 1#formula one#max verstappen#nico rosberg#lewis hamilton#brocedes#like niki lauda had to try multiple times to literally parent trap them to try and get them on speaking terms it never worked#because one would arrive they'd see the other and the other would leave#& if i remember correctly the garage crew would swap around from race to race as a like see we aren't favouring anybody gesture 😭#and thats no shade to nico because it was both of them contributing to that environment#his comment re max is just making me laugh#like if i was a part of the pr/media team - which is a part of the degree I'm working on irl - at merc that year i would've lost the plot#like its insane reflecting on it nearly a decade later but the poor souls just trying to do their job in the eye of that storm#truly gods strongest soldiers#ngl the professional comment irks me a bit because its not like max is engaging in inappropriate work place behaviour#he's engaging in another aspect of racing that his involvement raises awareness of & that makes racing more accessible#& we all know how inaccessible not only getting into racing is but also to continue to pursue the further along you go#theres so many stories of 1 sibling giving up racing so the other can keep going because the family can't afford for them both to race#its a huge financial strain & we only see a handful of drivers talk about that & try to do something to change it#and nicos fellow sky sports commentators are routinely unprofessional on so many levels#additionally max had a lot of valid reasons to be annoyed at his team today#but alas he's not english so he's ungrateful#i hate that drivers can't criticise their teams or car without immediately being branded as bratty & ungrateful#ESPECIALLY WHEN THEIR JOB IS TO GIVE FEEDBACK#you can see the double standards from sky when say Lando or George have complaints with their team/car v the likes of Max and Yuki#especially Yuki my god the things i would do to get the British media to leave him alone#this was a jokey post at one point and then became a rant whoops lmao#I'll leave it that before i write an actual essay here 😭✋️
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heritageposts · 9 months
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Impossible Exodus: Iraqi Jews in Israel
By Orit Bashkin (2017, Standford University Press)
Between 1949 and 1951, 123,000 Iraqi Jews immigrated to the newly established Israeli state. Lacking the resources to absorb them all, the Israeli government resettled them in maabarot, or transit camps, relegating them to poverty. In the tents and shacks of the camps, their living conditions were squalid and unsanitary. Basic necessities like water were in short supply, when they were available at all. Rather than returning to a homeland as native sons, Iraqi Jews were newcomers in a foreign place. Impossible Exodus tells the story of these Iraqi Jews' first decades in Israel. Faced with ill treatment and discrimination from state officials, Iraqi Jews resisted: they joined Israeli political parties, demonstrated in the streets, and fought for the education of their children, leading a civil rights struggle whose legacy continues to influence contemporary debates in Israel. Orit Bashkin sheds light on their everyday lives and their determination in a new country, uncovering their long, painful transformation from Iraqi to Israeli. In doing so, she shares the resilience and humanity of a community whose story has yet to be told.
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heartorbit · 6 months
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happy valentines day... 2!
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poorly-drawn-mdzs · 2 days
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This one is for all my fellow "My gender is 'I have a job and I can't worry about that right now"'. I see you.
(part 1, part 2)
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old-desert · 6 months
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It's cruel that we deprive them of a mouth, just make Loop work on cartoon logic.
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cowboymeemaw · 1 month
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Please tell the story of the calf scramble 👀👀 (and may you have a lovely day!)
Of course, and you too! (Apologies for the late answer I was working)
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So this is Rugz! He was my calf scramble steer!
But that's the end- to start I'll explain loosely what a calf scramble is (loosely as some rules and prizes change per rodeo/fair)
A calf scramble is an event where those who are of age and showmen can compete. As example from my own there are six competitors (numbers can and will change depending on the year, and they are allowed to compete year after year until they win). Each competitor is equipped with a helmet & halter.
As with the competitors, the amount of calves different ever year. It's dependent on the amount of people, for me it was Three calves. Each calf was born January of the same year and this even takes place in early august, which places them in a weight range of 400-500lbs (so not tiny guys).
So what do you do? Well, you're placed in an arena (mine roughly the 3/4ths the size of an American football field). You and the other participants are lined up at one end and there is a small circle in the middle. When the even starts the calves are released at the other side of the area.
When a bell is rang, all participants run at the calves. The goal of this event is to catch one of these calves, get your halter on it, and then get all four of their feet in the middle circle.
As an explanation this sounds easy, but in reality it's not. The arena floor is wetted down to mud, and all the calves released are untouched by humans, large, and dangerous. You must grab them by the neck, as you and the calf are running through mud, then halter it, then get it in the circle.
And finally, if you do successfully do all of that. You win! Now unlike most places, at my rodeo, when you win you actually win the steer itself! The calf is given to you a week after the event, and you are required to raise it for a year then bring it to show at the same place you won it from!
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In 2022 I ended up winning the Calf scramble during my first attempt at it. As pictured above I won a beautiful Charolais cross steer (who actually was quoted to be worth 5k)
I had fought tooth and nail to win. Every year from child to then I had watched the event, year after year waiting to compete. My sister competed and unfortunately lost. But my mother, my grandfather, and his father are all deeply rooted in this fair and rodeo, and I knew I had to win for them, and for myself.
I was the first one to get my hands on a calf, and It was nothing like I could have expected. It was harsh and difficult but I held on, but that beautiful shit head of a Charolais had other plans. As I attempted to get my halter on, he bolted. Running me into another competitor and flinging me off of him. I was exhausted, ready to give up, I told myself there was always next year. But I was angry, angry at myself and embarrassed for being knocked off. So I got up and ran, I chased that calf with my entire being. And in one final attempt, I dove at him.
And that's how I got this photo.
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I had caught him, again. I wasn't going to wait, and as soon as I was on my feet again I put the halter on him. Then I was knocked down again, someone else who caught one ran into me. I refused to let go, I laid there, head one inch away from being kicked by a feral calf. But I clung on until I could stand.
I stood up, exhausted and I pulled that halter. Painstakingly slowly me and this calf moved, inches closer to the circle. When I got about three feet away he put his breaks on, nothing I did worked. He wouldn't move, and I was tired. So tired and worn out, the adrenaline wearing off and the pain in my body finally striking through. I almost gave up.
I remember thinking, "would they be mad at me if I gave up now?". And then he took a step back, and the my brain finally slowed down to remember one important thing my step-dad told me. My step-dad who never touched a cow in his life before meeting me.
"if you catch one, go where it goes, you can't put strength a cow."
So I did. I walked back with him, and then turned him around and he stook all four steps into that circle.
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I had won.
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harrowharkwife · 9 months
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i'm so used to there just being random unidentified bones laying around everywhere in these damn books that it finally occurred to me, just now, to wonder where the bones on new rho came from. y'know, the bones palamedes always tried to teach nona necromancy on.
they're his.
palamedes, who always loved teaching, living on borrowed time in a body that's not his own. palamedes, mentoring, teaching- parenting, by sixth standards, mind you. and that boy is sixth, through and through.
and the entire point of teaching nona necromancy in the first place was to try and determine if nona is, well, nonagesimus, right? so it has to be bones, it can't not be bones. bones are, like, her whole thing.
but they're not in the nine houses, anymore. things are different, on new rho.
they burn bones here. dig up the cemeteries. a society terrified of zombies will evolve to dispose of its dead differently.
the only bones he has access to now are his own. (camilla wouldn't let anyone take them- skull or hand, doesn't matter. they're still him, and she doesn't let go, remember? it's her one thing.)
palamedes woke up every morning wearing someone else's body to then gently place the shrapnel of his own in the cupped palms of a girl who's the closest thing he'll ever have to a daughter and try to teach her- how did the angel put it, again? normal school, as much as possible, for as long as possible.
(but hey, in a roundabout way, at least it's a chance for him to touch camilla again, right? nevermind that she's not there to feel any of it because he's in the driver's seat, that he can only stay for fifteen minutes at a time. it's atoms that belong to camilla touching atoms that used to belong to him, and that's close enough. he'll take what he can get, these days- if she can be their flesh, he can be the end. so what if holding his own bones is a mindfuck? so what if looking at them makes him nauseous? surely he can suck it up and deal with it for fifteen minutes. it's the least he can do— his poor camilla was the one who had to scrape the bloody pulp of them off the floors of canaan house.)
(speaking of, here's a fun fact: we actually only see nona practicing with the bones one time, on-page. camilla's final line in that scene, before palamedes takes over, is none other than: 'keep going. there are some bones left.' ow!)
remember, too, that the only part of dulcinea, the real dulcinea, that palamedes ever physically touched, was her tooth- the one that ianthe gave him, pulled from the ashes cytherea burnt her down to. he only ever touched dulcie once, and it wasn't until after she was already gone, but that doesn't matter- it still happened, and you can't take loved away.
in this same roundabout, bittersweet, by-proxy sort of way, palamedes has been physically touched by nona, too: the atoms she currently occupies, touching atoms that he used to occupy, and never will again.
the main interaction we've seen between palamedes and his mother took place back on the sixth, with her acting as mentor and him as pupil: the two of them studying a set of hand bones, juno encouraging him every step of the way.
we know that harrowhark's "most vivid memory of her mother was of her hands guiding harrow's over an inexpertly rendered portion of skull, her fingers encircling the fat baby bracelets of harrow's wrists, tightening this cuff to indicate correct technique."
they're still small for a nineteen year old, but the wrists are bigger, in this new set of memories nona's making. and it's not an inexpertly rendered portion of skull anymore- it's a hand, now, albeit one crafted from [a piece of skull reassembled (painstakingly—passionately—laboriously reassembled) from fragments, manually, and not by a bone magician, from the skull of someone who, soon after death or symptomatically during, had exploded.] and the identity and origin of these bones is no mystery at all. they belong to palamedes, and he's consented to their use for this purpose, and that matters.
but the details are just set dressing, really. the foundation of the memory is the same.
palamedes and his mother, juno and her son.
harrow and her mother; pelleamena and her daughter.
nona and her father-mother-teacher; palamedes and his daughter.
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expelliarmus · 1 year
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lilybug-02 · 3 months
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Artfight against @ejsuperstar ft. The Mad King and Chip. They're both so evil. I hope they have the most extravagant downfall of any onscreen villain.
This interaction is based on a little fic writing >:)
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orcelito · 1 year
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ok, i cant resist the urge to make a post about it after all, especially since it's related to a post i made prior
one of my favorite moments in trimax is By Far this part in chapter 35
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[ID: Two pages from Trigun. The first starts with Wolfwood thinking, "Now that I think 'bout it, it may be one of the major differences between our species." That deep rooted dear I felt on the ship…" He thinks of Vash crying blood and, swearing, wonders, "Is he the one who can save humankind? That monster?" Wolfwood is briefly shown in resolution before someone calls, "Hey, Wolfwood!" and he looks up with surprise.
Vash sits with a smile at the edge of a rooftop, backed by the Fifth Moon and its prominent crater. Vash asks with a smile, "Just coming back now? You're a bit of a night owl, huh?" Wolfwood looks taken aback and wary. End ID]
Right Here. Vash is just sitting there, smiling like normal, but he's got the backdrop of the damage he caused on the moon set Perfectly behind him. it's a glaring reminder to Wolfwood of who exactly he's dealing with here, and that TERRIFIES him.
& the fact that Wolfwood still remembers that moment of crying blood as a moment of true fear. because for all the cheer Vash shows in the average moment, Wolfwood just recently saw him nearly lose control Again (at the Dragon's Nest). the second time he witnessed it, & the third time he would know about.
Vash is a walking atomic bomb with multiple charges. even with how cheerful & kind he is, he's shown Multiple Times that he does not have full control. he is decidedly something different, something Hazardous to humans, and Wolfwood knows this very very painfully.
for all that Wolfwood loves Vash, he is also terrified of him. and at this point in the story, that terror is potent enough to nearly eclipse his affection for Vash.
leading to some of the next most iconic pages:
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[ID: The next page starts with Wolfwood standing behind the sitting Vash, his expression hard and the moon bright behind him. Vash seems sad and has one eye open. A close-up focuses on Wolfwood looking down.
Wolfwood thinks, "So easy to pull the trigger. So easy to remove half the problem." Another close-up with bright lighting obscures his face but for one eye. Then Vash turns around curiously and asks, "What's up?" Wolfwood sits behind him and says "Nothin'. Come on. Let's go." Vash seems surprised as Wolfwood scolds, "Don't get yerself tangled up in every little skirmish ya see. It'll be pointless if ya get yerself killed before ya meet him." End ID]
the manga frames it like Vash doesn't know Wolfwood was pointing the gun at him, but I think he did know. he's freakishly perceptive over and over again throughout the story. he HAS to be in order to survive like he has. he'd hear the movement of the gun & sense Wolfwood behind him...
he'd know. i really think he knew.
but he doesn't do anything about it. there is zero fear in his face. he turns to look at Wolfwood curiously, a bit confused, but not afraid. he never once thought that Wolfwood would shoot him. there's full faith and trust there in that moment.
Wolfwood pretends that nothing happened, & Vash lets him. they both move on, not talking about it, because they never talk about Anything of substance like this (not until much, Much later).
overall, it's just such a great example of their relationship's development. Wolfwood's fear & Vash's trust that he won't act on it... it's just. Man.
(EDIT: people have made some good points about how Vash's expression when Wolfwood points the gun at him shows that he probably did know and YEAH that's a good point! & probably why I was so certain he knew lol, I just hadn't realized it myself)
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sandushengshou · 6 months
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xiao zhan appreciation [90/ ∞]
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