#i’m sorry for bad image description

[cipherdragon]

talking about oc's yippie

so lyric and kymiz are oc's that i created in the end of 2021 or so and i never finished fleshing out their story but i'm hoping to do that soon

lyric is a drake (lizard people i made up. they can stand on two feet or four) and has emerald colored scales here's an old image of him

image id//

a drawing of lyric with text around it. top right corner has lyric’s name “Lyric”. the bottom right corner has a simple drawing of lyric. a thought bubble is in the top right corner and says “plans to make kymiz’s life miserable just for fun”. in the bottom left, there is a description of lyric that says “humanoid drake who prefers to walk on 4 feet” (four)

//end id

(this is also in the alt text)

—

he's the villain of the story

but more of a playful villain who has good morals but their goals are "evil" kymiz is a young elf just out of their teen years and was wandering around the

"forbidden kingdom" when they came accross lyric

lyric is in his late thirties (drake years, so like a few hundred in human years) while kymiz is just about a hundred years old (twenty if converted to human) and kymiz was how i realized i only write male or nonbinary characters uh kymiz's name i just pulled out a generator for fantasy names and switched a few letters

it doesn't mean anything

anyway kymiz uses they/them but they have like... a shadow self who uses he/they/ neos

uh this part is a reason why i dropped this story because it felt too close to me but i'm changing it to they're siblings and not the "same character"

shadow's now an elf connected to the dark while kymiz is connected to light shadow's now no longer kymiz's "evil self" haha

anyway kymiz and shadow have this bond where they can share a body and lyric find this very weird (he calls shadow "the shadow", which gave shadow his name)

uh so kymiz was originally a prince (gender neutral) who killed their whole kingdom from power overload but i don't want that anymore because that left the parents (the king and queen) dead

so now kymiz is just a naughty elf who went to the forbidden kingdom and is still royality but not by blood (parents married into the crown) and shadow's uhhhm shadow is older than kymiz by a few years and is way better at keeping himself safe and stuff kymiz SUCKS at this anyway shadow knows about kymiz but kymiz just knows they have an older brother who their family doesn't talk about much

um their parents love them a whole lot and care for them but they want to keep kymiz safe so they say "stay away from the wild infested forests and the broken kingdom" of course kymiz being kymiz went to the exact forbidden kingdom and got captured by their older brother who rules over the broken kingdom (which isn't much)

shadow's more powerfuller than kymiz but only because they found an amulet to boost his powers otherwise his powers are as weak as kymiz (meaning just having control over respective element)

in the elf culture for my story kymiz is a young adult and shadow is a full adult um they (kymiz) make some human friends but because of how long elves live the humans are old (human years)

ummmm i don't know what else to write

please send in asks about my oc’s i’m desperate to talk about them

story bits of writing below

—

lyric glances over at kymiz, who was once again climbing that stupid tree.

“kymiz. get out of the tree!”

kymiz, startled from lyric’s shout, unceremoniously drops out of the tree and fidgets with their robe.

lyric shakes his head. they need to stop getting distracted.

—

Unedited version. Shadow is not yet kymiz’s brother in this version.

Kymiz hissed, annoyed that Lyric had snuck up behind them.

“Lyric! I told you to warn me! You know how jumpy I am!”

Lyric just smiled a toothy grin.

“I enjoy seeing you jump…"

Kymiz, annoyed at Lyric, spun around and ran in the direction of the ruins.

Lyric ran after Kymiz, shouting for Kymiz to wait. Kymiz ignored Lyric.

Kymiz stood in the entrance of the ruins. A few seconds later, Lyric, out of breath, stood next to them.

“Kymiz, you really need to wait for me. I’m not as fast as you.”

Kymiz didn’t respond to Lyric. Kymiz was staring into the ruins, a vacant expression on their face. Lyric smirked and slapped Kymiz with his tail. He had always wanted to do that.

Kymiz yelped from the sudden pain and rubbed the spot Lyric hit.

“Lyric! Why did you smack me? Ow!”

Lyric chuckled silently to himself and pretended to be scared. “Kymiz! This place creeps me out. We should probably go… Ruins can be dangerous…”

Kymiz shook their head. “Lyric, I’ve been here many times. It’s perfectly safe.”

Lyric, now fully into his ‘super-scared’ act, whimpered and hid behind Kymiz. Kymiz groaned and shoved Lyric away from them.

“Lyric! Get a grip! If you really believe this place is dangerous, then leave me alone. I don’t even know why I put up with your whining.”

Lyric tugged on Kymiz’s hands with his claws. “Kymiz! What if this place is haunted?”

“By who? My ancestors? Ha. Ghost’s aren’t real, Lyric. You should know that.”

Kymiz shook off Lyric’s claws and ran off into the castle ruins, leaving Lyric behind at the entrance.

Lyric smirked, dropping their act. Kymiz had gone exactly where he had wanted Kymiz to go: walking right into Lyric’s trap.

***

Kymiz wandered the dusty halls of their past. The cracked walls and floors were cluttered with broken objects no longer recognizable. A faint voice echoed through the halls as Kymiz walked. The air grew colder. Kymiz shivered. The voice grew louder as Kymiz kept walking.

“Kymizzzz… Kymizzzz… Come to usss… Come…”

Kymiz ignored the voice and kept wandering the halls. The voice grew so loud that they had to cover their ears.

“Do not ignore usss… Or you will pay…”

As Kymiz blacked out, they were sure they could hear Lyric cackling in the distance, though they weren’t certain.

***

Kymiz woke in an empty prison cell made of stone. A spirit formed in the entrance of the cell. The spirit seemed to be laughing at Kymiz.

“What do you want, Shadow?” Kymiz hissed.

The spirit, named Shadow, pretended to be hurt by Kymiz’s harsh tone. “You wound me with your hatred.”

“Drop the act, Shadow. You captured me for a reason. What is it?”

Shadow laughed, his ghastly red eyes glowing under his black hood that contained his soul.

“Do you not feel it? Something sinister has awoken. I can help you Kymiz if you would allow us to be one once more. Do you not remember our power? The chaos? If only your idiot parents had not expelled us, discarding us like trash! They were fools to separate us. You cannot deny who you are, who we are! We are one!”

Unbeknownst to Kymiz, Shadow had been trying to use his magic on Kymiz. Both Kymiz and Shadow screamed as the spell took place.

“Shadow… Don’t— don’t do this— AUGH!”

The spell finished, and Shadow and Kymiz screamed in unity and blacked out from the pain.

***

Lyric grinned at the sight before him. He poked Kymiz roughly with his tail but yanked it back once he noticed Kymiz’s unnatural shadow.

Kymiz sat up, groaning from the movement and kept their eyes closed.

Lyric faked worry. “Are you okay, Kymiz?”

Kymiz sat there, clutching their head, unresponsive to Lyric’s question.

Then, in one quick motion, faster than Lyric could process, Kymiz let go of their head and opened their eyes. Kymiz’s amethyst eyes flashed a bright red as they yanked their arm into the air, forcing Lyric to the cold stone floor of the prison with a wave of their hand.

“Kymiz! Why are you doing this?” Lyric unwillingly screamed from the intense pain.

Lyric’s scream broke whatever spell Kymiz was using, causing Kymiz to collapse under the sudden recoil of the broken spell.

Once the pain faded, Lyric examined Kymiz, suddenly worried for the elf. Lyric sighed from relief. Then, realizing that he had showed affection for Kymiz, a look of pure disgust spread across his face.

Lyric shook his head, abandoning Kymiz to their fate out of fear of his actions. He decided that he needed to reexamine his thoughts, morals, and intentions — without any fear of himself or his actions.

—

Either a previous draft or the edited version. I don’t know.

In the edges of a ruined kingdom, there was an old willow hanging over a cobbled path. In the willow was a young moon elf known as Kymiz. A sudden breeze shook the hanging branches of the tree, tossing Kymiz off their perch and onto the rough cobbled ground. As Kymiz laid there on their back, the wind knocked out of them, a figure stood over Kymiz.

“Kymiz, you didn’t have to fall out of the tree to get down.”

The figure was smiling.

“I didn’t mean to fall, it was the wind,” Kymiz said, slightly annoyed. “As you likely know, I can’t control the weather. Now, can you just help me up?”

“You forgot ‘please’.”

“Just help me up.”

The figure laughed and helped Kymiz stand. The figure then pulled off their cloak’s hood, revealing themselves to be a drake. This knowledge didn’t surprise Kymiz, for drakes weren’t uncommon in the ruined kingdom. What was surprising was the drake’s scales.

“Your scales— they’re green.”

The figure smiled a toothy grin. “Indeed. I am of the Emerald Tribe. My kin don’t normally leave our homeland, so us meeting must be a shock for you. Anyways, what were you doing up in that tree? Other than falling out of it, that is.” The drake leaned up against the willow, waiting for Kymiz’s response.

Kymiz fidgeted with their fingers as they thought of what to say. “Firstly, you haven’t told me your name. I won’t tell you anything before you answer that. And how do you know my name?”

The figure examined their claws. “Name’s Lyric. Your name was given to me by a group of humans who live in a village just outside the ruined kingdom. Good for you to be wary. The ruined kingdom isn’t the best place for idiots.”

Kymiz shook their head. “Fine. If you really want to know, I was observing the ruins. If you sit in the tree that you’re leaning on, and look north, you can see it from here. This path leads to it.”

Lyric nodded and looked Kymiz in the eyes. “I would very much like to know why a skinny moon elf who likely has never even held a weapon before is even thinking of entering the ruins.”

Kymiz decided that their feet were more interesting than the glare Lyric was giving them. Lyric pinched the bridge of their snout, a very humanlike gesture for annoyance. “If you were to head there, unprepared, you would die in an instant.”

“Have you ever been inside the ruins?”

Lyric grinned, annoyance disappearing in an instant. “Indeed. The ruins are a sight to behold. From your excited look, I’d assume you’d want me to escort you there?” Lyric didn’t wait for a response and started off on the path.

The duo eventually reached the entrance to the ruins. An ominous feeling hung in the air as they walked closer. Lyric suddenly jolted to a stop, causing Kymiz to run into Lyric.

“Lyric, why did you stop?”

Lyric held up a claw and motioned Kymiz to be silent.

“Don’t. Move.”

As Lyric crept forward, a dark shadow launched out at Kymiz.

Kymiz cried out in shock as the shadowy being grabbed them. Lyric spun around and ran to help, but was too late. The shadow had disappeared, taking Kymiz with it.

Why do I even care about what happens to that idiot elf? We only just met! I can’t believe myself! Lyric groaned and ran into the ruins, knowing Kymiz wouldn’t last long alone. Lyric ran through the cold stone corridors, dodging fallen bricks that littered the floors.

[sunnfish]

[ID: A digital illustration of Sissel from Ghost Trick. He is shown from a lower angle, as if the viewer were looking up at him. He has a hand close to the viewer and clutching a glowing soul core. His other hand is in his pocket, and he has a serious expression on his face. The background is the clock that appears when you time travel in the game, consisting of a glowing red clock face and glowing red lines radiating from it on a black background. The art style mimics that of the game’s, with sharp black lines and shading. The color palette is mostly red, with some light blue radiating from the soul. The artist’s signature “sunnfish 2023” is written on his leg. /End ID]

Change your fate.

[rununcal]

I made a few F2U Gobb bases for all you freaks (aff) out there, and I might make more! If you’re gonna use these make sure to credit me!

(Image ID: Three bases of characters holding a human base up.

Image one is Banban hugging the person and licking their cheek.

Image two is Banbaleena holding up the person by their shirt.

Image three is Hellish Banban holding the person by their head. End ID)

[bendysinitiation]

We walk the wooden fields

(Image ID: Sammy Lawrence holds his hand out to the viewer, holding his shepherd’s crook in the other. He’s the only one lit up in a crowd of his cult all facing him and praying. Text under him says, “the prophet”. End ID)

Guess what funny man is on Artfight!

(Image ID: Sammy Lawrence crudely drawn. He has some pointers. The one on his face says, “winning smile”. The one on his arms says, “big meaty fucking hands”. The one on his legs says, “lil’ legs”. End ID)

[tango-but-everywhere]

Omg hi :3 (also glad to see you back in the submission box!)

Gem’s stream, presumably from around October 25th/26th.

[ID: a minecraft screenshot with Gem’s stream overlay, taken on hermitcraft 9, within decked out - possibly the room to set your spawn in before running the dungeon. The viewer, Gem, is looking up at Tango who is crouching and has seemingly broken a hole in the ceiling to look down at her. He’s in the full dungeon master outfit, hood and all, and he’s wearing diamond armour. He’s holding a diamond pickaxe and a totem. Gem’s facecam in the upper right looks delighted to see him. End ID]

[thelonelywiz]

THE POET VIRGIL.

“Death and grief, I find, is inherent to vampirism. I’ve seen many die young and old, naturally and unnaturally. It may not look it, but the beast follows me yet still.”

SYNOPSIS.

In a world where monsters and humans coexist, anything can happen. Especially in the brownstones of Brooklyn, New York City. 

The famous vampire poet, Virgil, lives with his roommate, Bea, a werewolf and former rock star drummer of BLUDHOUNDS turned grade school teacher. With his very last chapbook in the works and an award ceremony to attend, Virgil has a speech to write. But when his literary agent and best friend (and Bea’s on and off girlfriend), Calypso is found dead, he and Bea are spun into the world of murder mysteries and conspiracy. The threat of succumbing to their monstrosity increases as tensions and risks run higher, and Virgil and Bea must learn to face their grief together despite their differences. With the help of Bea’s brother, Seven; a fairy from the Bronx, Juno; an unlikely ally, and an eager human barista, a team of monsters (and Aaron) is just what the five boroughs need to defeat The Hunters once and for all. 

In this romantic comedy turned murder mystery, The Poet Virgil tells a story of death, love, and what it means to be seen as a monster.

NOTES.

Started: Feb 2022

Format: screenplay

Word/page count: 256 pages

Genre: urban fantasy

Themes: grief, justice, friendship, family, generational trauma, love, hope

Content warnings: transphobia, heavily implied child neglect, on-screen child death, domestic violence, on-screen violence, blood & gore

(the following character art was made using wervty’s picrew, the first two are commissioned art by @fesenmoon)

CHARACTERS.

Virgil (he/him): An introverted vampire poet born in 1888. He likes baked goods, all things gothic, and has a special interest in the arts; art history, piano music, and of course, poetry. Protagonist and foil to Bea.

Bea (they/them): The former drummer of the all-werewolf punk rock band BLUDHOUNDS, now they’re a grade school teacher. They are the oldest of 8 and have lots of issues because of it. Deuteragonist and Virgil’s roommate (and foil).

Calypso (she/her): A human who would do anything to protect her friends. Her death haunts the narrative. Virgil’s literary agent and friend, Bea’s on and off girlfriend.

Aaron (he/him): A human barista who’s flirty but so incredibly awkward. A mama’s boy through and through. Virgil’s love interest.

Seven (he/him): The former lead singer of the all-werewolf punk rock band BLUDHOUNDS, now a college dropout. Second oldest out of 8 but is pretty chill about it. Not dissimilar to Beastboy.

Juno (she/her): A nature fairy going to community college. Has a special interest in insects, specifically beetles. Hates being called cute, don’t call her cute.

Belladonna (she/they): A water nymph who does get paid enough for this, but it’s not worth it. Morally gray, knows her way around a silver bullet. Works for the enemy…or do they?

Orpheus (he/him): A human musician that’s too obnoxious for his own good. Has a weird obsession with monsters. How he hasn’t gotten himself killed is anyone’s guess.

Minerva (she/her): A half beast that’s been severely brainwashed. Very bloodthirsty and weirdly into her boss. Has killed and will kill again.

Pandora (she/her): A human woman who really hates monsters, like really hates them. Main antagonist, manipulative and uses eugenics to get her way. Used to be a cop…enough said.

FURTHERMORE…

Feel free to send me asks or prompts about this project! I did a lot of worldbuilding on this and I think about it a normal amount (lying)

Soundtrack: https://open.spotify.com/playlist/1irfe7yT2sWBlh506wOJVF?si=iZ5NXL-xQ06fmmIvaven-w  

Pinterest board: https://pin.it/1FzCle5 

Main tags: #tpv

Taglist: @calenhads, comment or write in the tags if you want to be added to the taglist :D

[chameleonfoots]

[ID: A spray painting on top of a box freezer in a garage. The sky of the painting goes from light to dark pink with a few stars. The painting is bisected by black mountains. Underneath is a blue lake, with the darker blue fading to a lighter blue at the bottom of the painting. ]

Finally did a painting based on the omnisexual pride flag! I got asked about it a few times in the past year, and now it’s finally a reality! Omnisexuality is defined as attraction to more than one gender, so it overlaps a bit with bisexuality, but it is still a distinct identity! Happy Pride!

[momentsbyebba]

so now that it seems like David Jenkins is actually on tumblr I thought I might celebrate by posting my Izzy Hands photoshoot

[ID: Three self portrait photographs taken by OP. All three are of them standing on a beach in a Izzy Hands cosplay. The two first are full body photos. In the first photo they are standing with their arms crossed and in the second they are giving the middle finger with both hands. The third photo is of just taken from their torso and up. They are looking straight into the camera with their left eyebrow raised. /End ID]

shamelessly tagging @davidjenks

[genderfluidcrowley]

[ID: A meme containing two screenshots from one of the last scenes in season 2 episode 6 of Good Omens. The first screenshot is Crowley telling Aziraphale “You idiot, we could have been us”. The text on the meme is that quote. The second screenshot is Aziraphale’s reaction to what Crowley said. The text reads “Good Omens recreated the Destiel meme”. /End ID]

YEAH NO-

[serosblunt]

Kiribaku x Reader: Miss You

------------

Kiribaku x (Gender-neutral) reader

Warnings: Snippets of spicier content, pre-NSFW, 18+

Description: Bakugo's out of town on a mission, Ejiriou decides to text him late at night.

------------

12:46am

The numbers stared at Eijiro, taunting him with every blink. It felt like there was never enough space in your enormous king-sized bed, but somehow, now that there wasn't an angry blonde on the other side of the mattress, it felt remarkably empty.

You were long since asleep, curled up and drooling on his chest before 11:30pm - despite your adamant denial that you 'do not drool'. You were tucked up against his side, Dynamight plushie firmly secured under your chin.

The sturdy hero thought it was the purest thing he'd ever seen, and it gave him a reason to text Katsuki so late. He knew under normal circumstances, the blond would kill him for being awake.

He doubted Kats would even be awake himself, but if he wasn't, at least he'd see Ejiro's text in the morning.

So he snapped a quick photo of the two of you, cringing at the brightness of the flash.

~ Red 🪨

Think someone's missing you

<image attached>

The responding message came through in seconds.

~ Blasty 💥

Can't believe we still have that stupid thing.

*image saved*

True enough, the limited edition plush had more than a few scorch marks on it. Evidence of Katsuki's previously attempted 'hits' on the doll.

Ejiro smiled to himself fondly.

~ Red 🪨

I think we'd both prefer it if it was the real Dynamight

~ Blasty 💥

Obviously.

Which in Bakugo language translated to 'Yeah, me too.'

You stirred slightly under your boyfriend's hold, and the red head made a mental note to type more quietly.

~ Red 🪨

How much longer do they think the assignment will take?

~ Blasty 💥

Fuckers keep giving me different answers. Hard to tell. If it’s not done by Friday I’m coming home anyway. 

Ejirou knew he very likely would. 

~ Blasty 💥

  It’s late. Go to sleep, shitty hair. 

~ Red 🪨

  Can’t sleep. Miss you

~ Blasty 💥

Miss you too, E, and the Gremlin.

He meant you. The nickname stuck after the first time you all slept over together and Katsuki discovered your 'unsavoury' sleeping habits; snoring and latching onto people. 

~ Red 🪨

<image attached>

This time it was Kirishima kissing your head gently, your face smooshed even further into his pec with the change in angle. He knew it was risky to use flash, but he was praying you’d stay asleep. 

  Wish you were here x

~ Blasty 💥

  *image saved*

Why’s Friday so fucking far away?

The typing bubble filled the empty silence for a few seconds before disappearing. Riot held back a chuckle, he was tell Katsuki was wrestling with admitting defeat his feelings.

You guys are cute. 

~ Red 🪨

  Naww thanks babe, you’re not so bad yourself ;)

~ Blasty 💥

  Don’t start shit, Ejiro. It's too late.

The red head felt suddenly cocky.

~ Red 🪨

  That a challenge?

~ Blasty 💥

Warning you, E.

The red head considered his options for less than half a second before rolling away ever so slightly so he could send his partner a more…scandalous photo.

Pointing the camera towards his chest, Ejirou made sure to get his pec in frame once more, only slightly hardened this time, knowing how much the explosive hero loved them- even if he would rather die before admitting to that.

A cheeky smile showed off his sharp teeth and tongue that hung teasingly out from between them. 

He winced at the flash once more, but decided his mission was worth it. Satisfied with himself, he pressed the send button as you stirred beside him. 

~ Red 🪨

<image attached>

“E…what’re y’doing?” You mumbled. 

“Shit, I’m sorry sweetheart. I was just texting Kats.”

“With flash on?” You grumbled, clearly unhappy with the hero beside you.

“I’m, ah….helping him out?”

“Oh. Can I see?”

~ Blasty 💥

<video attached>

------------

[the-merry-otter]

If you’re on mobile, you may have to click on the images for better quality!

Plain text version with image descriptions is under the cut.

Please note that the image descriptions will be reflecting what I am trying to convey with the photo, rather than the total look of the photo itself. For example if I am trying to describe a dress, the hair colour of the person wearing it will be ignored. This is to reduce the total word count of the descriptions, because I have a lot of images to describe. On this note, I have also streamlined the information as much as possible.

[Plain text description:]

First slide: Mariota’s Guide to 14th Century (Medieval) Women’s Clothing

This slideshow is brought to you by @the-merry-otter on tumblr

ALRIGHT LISTEN UP MOTHERS AND FUCKERS. I’m bored, so today we’re going to be talking about medieval clothing. Specifically fourteenth century English clothing because that’s what I’m good at. (Source: trust me bro I’m a reenacter). Also this is all female stuff - sorry masc leaning folks, I’ll get to you someday!

Disclaimer: this is not completely comprehensive or nuanced in the slightest, it’s just a quick overview guide. Do your own research xoxo.

[Image ID: to the left is a picture of a woman in a light blue dress and a pink hood gazing out at a lake. The hood has a skirt that falls over her shoulders, and there is along thin pipe attached to the back of the hood that dangles to her knees. The edges of the hood are decorated with burgundy crochet. The picture is captioned “beautiful, stunning, gorgeous, literal goals.” End ID]

[Image ID: To the right is a picture of a typical renn faire outfit. It has a white poofy underdress, a black corset, and a brown skirt. There is a red cross drawn over the image. It is captioned “very pretty, but definitely not medieval sorry!” End ID]

Second slide: Underwear (ooh la la)

Now with nasty pocketses

[Image ID: a picture of gollum, from lord of the rings, snarling in disgust. There is a line in The Hobbit where he asks Bilbo what he has in his nasty little pocketses, which is what I am referencing. End ID]

So, corsets, stays, and shapewear in general kind of wasn’t a thing yet. So your underwear was a shift, which was awesome because it was also your pajamas. They were usually made of linen, though some might have been made of cotton is you were rich.

[Image ID: A plain white linen garment laid out flat on the floor. It is a dress that hangs to about knee length, with elbow length sleeves. An arrow points to it with text reading “this is a shift”. End ID]

There is evidence for supportive shifts for busy support, like this one from the fourteenth century!

[Image ID: a second shift, worn by a female presenting person. It is laced up the front, and is a lot tighter and more fitted, especially around the bust. It has straps instead of sleeves. End ID]

There’s also this bra like fragment found in Austria, but that is a whole debate so.

[Image ID: A bra-like garment fitted to a mannequin. It seems to be made out of white linen, coloured with time. The left cup is damaged, and overall the garment looks incomplete. End ID]

Then, over the shift, yet under your main dress went your pockets, which tied on at the waist. Your dresses had slits do that you could get at your stuff without flashing everyone lol.

[Image ID: A picture of medieval pockets. They are upside down teardrop shaped, but the point is flat and is part of the waist ties. There are slits in the side up the top to access the inside. They are cream coloured with bright floral embroidery. The caption reads “these bad boys can fit so many cool pebbles.” End ID]

[Image ID: A young female-presenting person wearing medieval clothing. She has her hands in the pocket slits of her dress. They are just below hip height. End ID]

Third slide: your dress, or the cotehardie. (Pronounced coat hardy)

Over the shift you put your dress, sometimes referred to as either a kirtle or cotehardie. 14th century people started actually form-fitting their clothes more than previous centuries. These needed fastenings, which were mostly lacings (spiral lacings specifically), or buttons made of either metal or cloth, used at the front of the dress from neckline to waist, and on the sleeves from elbow to wrist, with exceptions of course.

(Sidenote: fuck sleeves, all my homies hate sleeves)

[Image ID: a woman in a warm yellow dress to the left of the text. The dress is constructed simply, with a single piece of fabric used for the length of the body so there is no waist seam. The skirt is widened by inserting four triangles, one each at the front and back, and one on each side. The front has buttons made of the same fabric as the dress, that go down to the belt at the waist. The sleeves have similar buttons from wrist to elbow, on the outside of the arm. The woman is also wearing a liripipe hood. End ID]

Dresses seemed to be mostly wool, though I often use linen for mine because I live in Australia and it’s hot in summer and I don’t want to die. Most often they weren’t lined (that is what the underwear was for).

[Image ID: in the top left of the slide is a woman wearing a green woollen dress. It is constructed the same as the previous image, except it has spiral lacing on the front instead of buttons. The sleeves are fastened by three small buttons. She is wearing a simple and veil. End ID]

[Image ID: the top right of the slide shows a woman in a teal coloured dress, similar to the one before. This one has metal buttons at the sleeves and down the front. She wears a veil only. End ID]

The neckline of these dresses was usually round or an oval shape, and some manuscripts have it so wide that it falls off the shoulders slightly.

[Image ID: A photo of a medieval manuscript, depicting six medieval ladies in a row holding hands. The neckline of their dresses is wide enough that the tops of their shoulders are visible. The image is captioned “me and the girls on a Friday night”. End ID]

Clothing was a lot more colourful than the movies would have us believe lol.

[Image ID: Three women, each in dresses similar to the ones before. To the left is a forest green, the middle one is bright saffron yellow, and the one to the right is a vibrant tomato red. End ID].

Fourth slide: Dress two; electric boogaloo

[Image ID: Merry and Pippin from lord of the rings. Above them, meme text reads “we’ve had one, yes”, and then continues below with “but what about second dress?”. End ID]

You could also wear an overdress, which was usually of a contrasting colour and had shorter sleeves.

As well as fashion, they would have been used for extra warmth, and so were usually made of wool.

[Image ID: a woman in a maroon coloured dress like the ones on the previous slide. The sleeves stop just above her elbow, revealing a blue dress underneath. End ID].

Common people would have only owned a couple of different outfits, as fabric was super expensive.

[Image ID: various pictures of women with examples of an overdress. They are all constructed the same as the overdress, but with shorter sleeves that reveal a second sleeve of a different colour underneath. End ID]

A common late thirteenth to mid fourteenth century overdress was the ladies surcoat, which had big holes instead of sleeves.

Belts would have been worn underneath the surcoat.

[Image ID: three photos of women wearing surcoats. They are normal dresses, except there is a large D shape cut out of either side, leaving a large hole from the shoulder to below the hip. They have no buttons down the front. One of the surcoats is made of red brocade, and obviously belongs to an upper-class impression. End ID].

Fifth slide: Hair and headwear

Hair was worn braided and pinned up, with a coif (cap) and either a wimple or veil, or both. The wimple and/or veil were usually pinned to the coif, or secured on a band of fabric around the head.

Veils would be either oval, or a D shape. Wimples were rectangular. A wimple goes under the chin and a veil goes over your head.

[Image ID: a close up of a woman wearing a wimple. It is made of a light fabric, likely silk. The wimple wraps under her chin and is secured at the back of her head. A narrow band of fabric or possibly leather circles her brow, which would have been used to secure the wimple. End ID.]

[Image ID: A picture of YouTuber Morgan Donner wearing a wimple and veil. The wimple wraps under her chin, and the veil is placed on top of her head, draping down past her shoulders. It does not cover her face. Loops of hair are visible either side of her face. End ID]

All the headwear would be made of linen, thin wool, or silk, depending on class. The veils could also be made really fancy by ruffling the front edge or by attaching pearls.

[Image ID: a woman in a wimple and half-circle veil. The edge of the veil that frames her face is elaborately ruffled. The edge of a coif is visible under the veil. End ID]

I ride the bus in my medieval gear a lot because of events, and way too many people think I’m Amish because of my veil. It’s honestly just funny at this point. I should keep a tally.

[Image ID: a woman wearing a St Birgitta’s coif, pinning a wimple at the back of her head. The coif is a simple white linen cap that encloses the head, with a line of lace down the centre of the head. It is secured with a loop of linen around the head. End ID].

[Image ID: a picture of someone with plaits that have been pinned around the head like a crown. It is captioned “you could also pin your hair up like this”. End ID]

Working women might have just wrapped their head in a scarf instead, fuck this fancy shit right?

[Image ID: a woman in a headscarf that has been twisted and then looped around the front of her head. It is captioned #girlboss. End ID].

Fake braids were a thing! Blonde hair in particular was very fashionable, and bleaching or fake braids were sometimes used to achieve that.

[Image ID: two fake braids made of a coarse fibre. They are blonde in colour, and are looped like a hairstyle seen on many of the reenactors. They have white ribbons attached to the top end to help secure them to the head. End ID]

Sixth slide: Cloaks and hoods

These would have actually been two seperate garments! Integrated hoods on cloaks didn’t actually become a thing until the … seventeenth century or so? (Citation needed).

Cloaks were a lot simpler than the typical cloak we think of nowadays. Often they were just a rectangle of wool, or by the fourteenth century, sometimes a half circle.

They were almost always wool as far as I know, and were generally fastened by a cloak pin or buttons.

[Image ID: a metal cloak pin. It is a circle with a small opening at one point. A long pin is attached via a loop, allowing it to slide along the pin. It can fit through the opening in the circle. To use one, you would gather the fabric on the pin, and then slot the circle over the pin and then turn it, so the fabric is trapped between circle and pin. This is much easier to demonstrate than describe. The picture is captioned “these bad boys are the real MVP’s though”. End ID].

[Image ID: a diagram showing the construction of the bocksten man cloak. It is a half circle pieced together by laying strips of fabric together. In the centre of the flat side, a half circle is cut out for the neck. End ID]

[Image ID: a reconstruction of the bocksten man cloak. It is orange wool, and lined with an off-white linen. It is fastened on the right shoulder by three fabric buttons. It would fall to just above the wearers knees. End ID].

Women’s hoods could be short and open, or with a longer skirt and closed with buttons. Liripipe (pronounced leery-pipe) hoods were named for the tube of fabric that dangled off the back of your hood, varying in length. As well as a fashion statement, it could also be wrapped around the neck like a scarf if it got cold.

Hoods were nearly always wool I’m pretty sure, though they were often lined with linen, silk, or cotton.

[General description: a short liripipe hood would be open, with the bottom only reaching your shoulders. They were made from a single piece of fabric that would wrap over your head, with the seam down the centre back of your head. It was flared at the bottom by inserting triangular gores. At the front edge near your face there would be a strip jutting out that went from one side of your chin, over your head, and down to the other side. This would usually be folded back, revealing the lining colour. The bottom of the hood could either just reach the base of your neck, or reach down to just past your shoulders. The former would usually be open at the front, with fastenings optional. The latter option with the longer skirt was almost always able to be fastened up the front with fabric buttons. The liripipe itself was a thin flat tube of fabric fastened at the centre top back of the hood. End ID]

Fun fact, 90% of why I decided to reenact the fourteenth century specifically was because of liripipe hoods.

Seventh slide: Feet (not in a weird way)

Hose were used to keep your legs warm. For women they were usually knee height, and fastened just underneath it with a garter or tie.

[Image ID: a single light yellow hose, belted beneath the knee with a leather garter. The seam is down the centre back of the leg going all the way to your toes, and then around the top of the foot in front of where it connects to your leg. End ID]

Hose usually would have been made from wool, and were cut on the diagonal (bias) of the fabric to get the maximum stretch possible from the fabric. They still were looser than modern tights are though!

Knitted socks were also a thing I’m pretty sure, but I don’t know enough about them. Sorry!

Shoes were simple, usually referred to as turnshoes because of how they were made. Fun fact: the lack of foot support means that turnshoes are similar to going barefoot in terms of how you walk. Some reenactors love it, some hate it, and some are indifferent lol.

[Image ID: a pair of turnshoes made of dark leather. They have a strap that would fasten around the front of the ankle, similar to some modern shoes. The toes are pointed, and it is captioned “pointy toes were fashionable, especially for men”. End ID].

Because shoes were really hard to waterproof, (ask me how I know), and didn’t have solid soles, wooden pattens (pronounced pat-tens) were worn to keep you off the ground while outside.

[Image ID: a person wearing a pair of wooden pattens over their shoes, standing on a drenched cobblestone street. They are wooden platforms with an archway on the bottom, and are attached to the foot with leather straps around the toe, ankle, and around the back of the heel, similar to modern sandals. The image is captioned “ye old crocs”. End ID].

[Image ID: a woman’s leg with the skirts drawn back, revealing the bright yellow hose underneath. It is fastened below the knee with a strip of fabric. She wears a turnshoe with a buckled strap. End ID]

Eighth slide: Accessories

These are a few other items that might have made up a working woman’s outfit.

Aprons would definitely have been used while working. One were just a large rectangle of cloth tucked into the belt, some were smocked to draw in the fabric. They generally stopped at the waist.

[Image ID: a woman in a red dress, with a very light brown apron. It is smocked at the top, and is attached around the waist with a string. End ID].

Pretty broaches and other jewellery existed! There was cheaper stuff made of pewter for the lower classes.

[Image ID: five gold brooches, studded with different jewels and pearls. End ID].

They had a funny sense of humour as well… and they weren’t all prudes.

[Image ID: a pewter broach of a cat carrying a dick and balls in its mouth. It is captioned “you can actually buy these. I know a website.” End ID].

Eating knives were worn on the belt, though it is debated whether women would have carried one. I do because I’m a modern fourteenth century woman.

[Image ID: a small knife with a wooden handle, laying on top of a leather sheath that has been dyed red. End ID]

Belts are a curiously debated topic. Some people reckon that women would have definitely worn them, others say they they weren’t used by women much at all. As far as I know there are depictions of both, so choose what you’d prefer. They are great for hanging stuff on I gotta say.

[Image ID: a coiled up brown leather belt. The buckle and tip are a gold metal, and it has decorative flower studs along its length in the same metal. End ID]

Pretty little purses would have probably been worn. I don’t know enough about them to say anything else though.

[Image ID: two different pictures of reenactors wearing purses. One is brocade and the other a red fabric. They are in the shape of an upright triangle, and both have five tassels hanging from the bottom edge. They hang off the belt with long drawstrings. Unrelated to the purses, one of the women is wearing a gorgeous orange liripipe hood, that is embroidered and dagged on the bottom skirt edge. End ID]

Ninth slide: Fancy Shmancy

There is a lot I haven’t covered, especially in the realm of the upper classes. Here is some of what has been missed. (Buckle up because this section is very image heavy. I will be as concise as possible).

Heraldic dresses! If you are interested, go check out Morgan Donners video on YouTube.

[Image ID: a picture of Morgan Donner in her heraldic dress. One half of the dress is red, and the other is green, except for where it has been cut out by white with an ermine pattern on it. Her hair is unbound and uncovered, except by a small flower crown. It is captioned “Morgan bestie do your hair properly :(“. End ID]

[Image ID: a drawing of two women in heraldic dresses. The first has a blue right half with a yellow printed design. The top left of the dress is yellow with a blue fish, and the bottom left is red with a white fish. Her train is held by the second lady, who’s dress is blue on the right, and white with green birds on the left. End ID].

Fancy headpieces for rich bitches only.

[Image ID: a reenactor doing a high class impression. Her hair is bound up in Pearl studded hair nets on either side of her head like modern earmuffs, with a spiked coronet around her brow. She has a sheer silk wimple on. End ID]

Fancy dagged edged on hoods, sleeves, dresses, etc.

[Dagging description: where the edge has been cut away to make decorative dangly bits. One hood has red leaves around the bottom edge for example, and another just has a pretty geometric pattern. End description].

Brocade gowns! So pretty!

[Image ID: several different pictures of high class ladies wearing brocade gowns of different colours. These are similar to the wool dresses we were looking at earlier, but with longer trains, and often long draping sleeves. There is even a brocade surcoat. End ID]

Fancy sleeves!

[Image ID: examples of different long sleeves. On some, the sleeve is normal until the elbow, and then it falls away to a long strip of fabric that dangles to the ground. Not mentioned on the slide itself is tippets, which was a band of (usually white) fabric just above your elbow, with a thin strip of the same fabric that draped down to the floor. End ID].

Dresses that were two different colours.

[Image ID: examples of dresses that are exactly like the earlier wool dresses, except they are literally half one colour and half another. The manuscript example is a blue and red overdress with fancy sleeves, and the reenactor example is a yellow and green underdress with a red hood. End ID]

And of course, some of the funky fun fabric choices.

[Image ID: a manuscript depiction of a woman carrying a dead bird. Her hood is red and white striped horizontally, and her dress is dark and light blue striped, also horizontally. End ID].

[Image ID: a manuscript depicting a woman talking to a second lady in a chair. The dress on the first has horizontal stripes of white, red, yellow, and blue, repeated, and the second has horizontal stripes of white, pink, and light blue. Interestingly enough the latter colours are very similar to the transgender flag which would make a very cool dress project. Hmm. End ID].

Tenth (and final) slide: In summery

(Small red text below title reads “I hope you have enjoyed” with a drawn smiling face).

Dis you notice all the “usually” “commonly” and “often’s” in there? That’s because I cannot possibly illustrate everything that we know of the time in only ten slides, nor do I know everything, so I have just tried to show what seems to be the most depicted.

Note: I probably even got some stuff wrong by the way.

If you’re interested in this stuff, I really recommend doing your own research now! Hopefully I have given you a good overview of what a fourteenth century womens outfit might have looked like, so now you can go fourth and know what you’re looking for.

If you have any questions about costuming, reenactment, or anything else, feel free to contact me!! I respond on Timblr decently fast ☺️

[Image ID: a reenactor sitting on a log, staring into the distance with a slight smile. She is wearing a grey-blue dress, belted at the waist with a small purse dangling from it. She has a dark blue cape and a light blue hood, that has fallen back to show a ruffled white veil. There is a pewter broach on her hood. A leather turnshoe peeks out from beneath the hem of her dress. End ID]

A list of helpful YouTubers:

Elin Abrahamsson

Morgan Donner

Opus Elenae

Miss Joss (her instagram is more active).

Now go hydrate!!

[Image ID: a woman in fourteenth century garb drinking from a jug. End ID]

[demonic0angel]

Nightwing is Not The Normal One!! (Click for clarity)

Of course, Wally still helped Dick plan a date so he could finally ask out Dan. (Image descriptions are below, as well as what Wally sent to Dan in his text messages)

Inspired by this post of mine

[Image description: Panel 1 has Wally sitting down at a dining table, presumably at a restaurant and Dick just arrived and is sitting down. The two are smiling and chatting.

Wally: Dick! It’s great to see you!

Dick: You too, Wally! It’s been so long!

W: Right? How’ve you been?

Panel 2 has a close up of Dick’s smiling face.

D: Remember Wraith? (Wraith is Dan’s “hero” name that I made up) We’ve been hanging out more and… I think I’m going to ask him out!

Panel 3 has Wally’s awkward, but smiling face as Dick rambles in the background.

D: He’s just so cute and handsome and gorgeous like I really don’t know how Dr and Dr Fenton created such a perfect being like omg wow

Panel 4 continues with Wally’s face but now he’s frowning and looking even more awkward as Dick rambles.

D: And all of his siblings are so adorable and cute too. And do you see his muscles? Like awooga amirite he’s so attractive that it’s killing me bark bark woof woof

Panel 5 now has Wally who has lost all hope in having a normal conversation with Dick, who continues rambling.

D: I bet he’d be so cute in bed. I took pictures of him when he was sleeping and found his address lol it was too easy I didn’t even try like omg it was so easy

Panel 6 has Wally freaked out and texting Dan underneath the table. He stays silent while Dick is now visibly gushing with hearts around him.

D: Did you know that his measurements are 48-35-44? He has an hourglass figure! I found out by looking through the cameras I put in his room. Man, I can’t wait to—

W: *thinking* HOW DID I FORGET THAT HE WAS BATMAN’S FIRST KID??? THEY’RE ALL INSANE!! ]

Wally’s text messages with Dan:

[Image description: the contact name is “do not put dick in”

Wally: *with bad spelling* bro did anyone tell you that Dick is crazy yet

Dan: … sorry?

Wally: *with more bad spelling* Dick has your bwh (bust/waist/hips) numbers

Wally: He’s crazy

Dan: I’ve been knowing 🙄]

[transgender-anakin-skywalker]

okay so uh. cw for transphobia but this reblog i found made me insane and gave me brainworms so i want to talk about it a bit. i’m not going to attempt to refute the actual claims she’s making (ie: that menstruation is “a women’s issue” and that if women ≠ bio sex then feminism is doomed), i’m coming at this from the perspective that you already agree with me because i don’t care to argue with transphobes. i just kinda want to ramble about the terms she’s using and how they relate to the original post.

• screenshots start here •

• screenshots end here •

so like, this is stupid terf bullshittery but it also (imo) presents a very misleading version of the terms it’s trying to use. prescriptivism and descriptivism describe 2 kinds of approach linguists can take when analysing language, and neither one is necessarily “wrong”. descriptivism is often encouraged as a viewpoint for researchers within the world of linguistic scholarship, as looking at how communities use language without passing judgement on whether that language is correct or not often provides a better understanding of those communities than expecting them to conform to your standards. conversely, prescriptivism can be helpful in everyday communication, as many people have a much easier time communicating unambiguously when all parties involved have similar language (hence why i’m choosing to write this post by adhering mostly to standard english grammar, because most english speakers will have an easier time understanding me that way). again, neither one is inherently wrong, it’s just that different approaches can be preferred in different settings (and you can very much have prescriptivism in a scholarly setting, such as expecting your students to use the expected language of analysis for their essays, or descriptivism in a more casual setting, such as asking someone what they mean by a word that you use differently, instead of just expecting them to use your meaning).

okay then. so where does that leave us with This?

i’d argue that there are elements of both ideas in the original post. telling people which term is the right one is arguably a pretty prescriptivist approach (remember, this doesn’t mean it’s the wrong approach), however, talking about what other terms imply and how they are interpreted by listeners is a fairly descriptivist approach. saying that “women and people who menstruate” centres cis womanhood is very much descriptive. getting back to the point on prescriptivism though, telling someone that they should use different language because the language they are currently using is harmful to you is not necessarily a bad thing. “calling people slurs with the intent to upset them is bad, don’t do it” is a prescriptivist approach, as it makes a value judgement and attempts to change the language, however, i think most people would also agree with me that it’s a good take. as far as “what lens does this post use to discuss language?” goes, i’m going to say both and that that’s actually a good thing for the purposes it aims to achieve.

psa for cis people: it's not "women and people who menstruate," it's just people who menstruate. adding "women and" implies that

the only relevant women are (menstruating) cis women, so there's no need to add any qualifiers (like "cis")

womanhood is central to menstruation & menstruation is central to womanhood by unnecessarily bringing up gender right before using a gender neutral phrase

just say people who menstruate. women who menstruate are people. saying "women and people who menstruate" is a nonsense phrase that only serves to soothe the egos of cis women. they can cope with not having their ciswomanhood centered, I promise.

[hotshotsxyz]

Hiii Abbie 💕💕💕

Buddie + “ i didn’t know where else to go. “

-❤️🪐

(buddie) (1.5k) eddie's pov before and after the events of this fic written for the same prompt! (technically i only used the line in the first one but oh well lol)

cw: vague description of a very bad car accident

Eddie doesn’t make a habit of watching the news. It’s depressing as hell, he runs the risk of seeing Taylor fucking Kelly on his TV, and if something he actually needs to know about is going on, he’ll hear it from Buck some time in the next few days anyway. All that to say, Eddie isn’t watching the news; he’s just flipping through the channels.

“Pick me, choose me!” Meredith Grey is saying in a rerun of Grey’s Anatomy.

click

“—low pressure system moving in from the north,” a meteorologist says on The Weather Channel.

click

“Alright boys, saddle up!” says the captain on that crappy network firefighter show.

click

“—multi-car pile-up on the 405. It’s unclear if—”

click

“—raw dough. It’s such a shame—”

click

“—urging drivers to avoid—”

click

“—looking for a loft in the city, while Jennifer would prefer—”

click

“—unclear if there are any survivors of the initial crash.”

Eddie puts the remote down. He doesn’t make a habit of watching the news, but every once in a while, something catches his attention.

The image on the screen is an aerial shot of a massive, burning multicar pile-up. The 136 is on scene, but they can’t have been there long if the size and ferocity of the fire is anything to go by.

“—compounded by the explosion of a tanker carrying gasoline—”

Eddie winces. They’re going to be there all night if they don’t get more companies on scene. He reaches for the remote at the same time as the shot switches from the aerial to a reporter on the ground. She’s not what stops him from changing the channel. The crushed and smoldering Jeep behind her is.

And it’s—there’ve got to be a thousand silver Jeeps in Los Angeles. And Buck wouldn’t—why would he even be on the 405? So obviously it’s not Buck’s Jeep, even if it is the same color and probably year. It’s just a shitty little coincidence.

An unpleasant pressure begins to build in Eddie’s chest.

He’ll just—it’s not late. He doesn’t even have to tell Buck why he’s calling. Eddie scoops his phone off the table, navigates to his favorites, and taps Buck’s name. The call goes straight to voicemail. Eddie frowns and taps his name again. He gets the same result.

“—and rescue is under way, but I’m being told that until the fire is contained—”

Buck’s phone is dead, probably. Or—or he took Jee to that movie he was talking about so he had to turn it off. That’s—he’s sure that’s it. Eddie rubs at his sternum and stands. He’s just… feeling a little paranoid.

He calls Maddie. She answers on the second ring.

“Hello?”

“Hey, Maddie,” Eddie says, brushing a hand across the back of his neck. “It’s Eddie.”

“Uh, hey,” Maddie says. “Is everything okay?”

Eddie winces. “Yeah, I think so. I was just wondering if you’ve talked to Buck tonight.” He’s being ridiculous. Buck’s fine.

“No,” Maddie says, obvious confusion in her tone. “Why, did something happen?”

“No, no,” Eddie says. “I just haven’t been able to get ahold of him.”

Maddie hums thoughtfully. “He might’ve had a dental appointment earlier,” she says.

“Okay, thanks,” Eddie says. “I’ll probably just swing by the loft then.” There’s a pit in his stomach. Buck’s fine. At worst he has a cavity or two. He’s fine.

“Oh!” Maddie exclaims. “Hold on, let me check his location; I’ll save you the trip if he’s not there.”

Eddie pinches the bridge of his nose. Duh. He has Buck’s location too. He didn’t even need to bother Maddie with—

“Nope, sorry,” she says.

Eddie takes a breath. He’s fine. Buck’s fine. “Maddie,” he says slowly, “where is he?”

“Um, as of twenty-eight minutes ago, looks like he was driving through Culver City, on the 405, I think,” she replies. “Eddie, what’s going on?”

“Oh god,” he breathes. He can feel the blood draining from his face.

“Eddie?” Maddie asks. She’s starting to sound worried.

On the TV, the camera zooms in and pans across the wreckage. It reaches the Jeep. Hanging from the rearview mirror is a bigfoot air freshener that looks exactly like the one Chimney gave him as a joke a few months ago. It’s—

It’s Buck’s Jeep. He’s fine. He has to be fine.

“—understand that search and rescue efforts are underway, but as of right now, no additional survivors have been located.”

He could be dead.

Eddie’s knees give out beneath him. He lands heavily on the couch.

“Don’t turn on the news,” he says.

“What? Why?” Maddie asks.

“There was an accident on the 405,” Eddie replies mechanically. “I think it might be bad.”

On the other end of the line, Maddie sucks in a sharp breath. “Eddie—”

“It’s his Jeep,” Eddie says.

He’s okay.

He has to be okay.

He’s not okay.

He could be dead.

“I have to call Bobby,” Eddie realizes aloud. “He can—he can get in touch with IC.”

“Okay,” Maddie says shakily. “Okay. I’m going to call Sue. Maybe she—” Maddie cuts herself off with something like a gasp.

“I’ll call you when—” if “—I get ahold of him,” Eddie promises.

“Same,” Maddie replies.

They end the call without a goodbye.

Eddie tries Buck again, just in case. He doesn’t answer.

He can’t—

Buck has to be okay.

He has to.

Eddie takes a steeling breath and calls Bobby.

…

Eddie’s crawling out of his skin. The captain of the 136 has him on hold, and that’s already more than he’s obligated to do but—

But it’s Buck and Eddie’s fucking terrified.

The longer he waits, the farther afield his imagination goes.

He’s got a broken leg and a concussion; they’re taking him to Cedars-Sinai.

He wasn’t conscious when we found him. They’re airlifting him to UCLA.

I’m sorry, Diaz. He was DOA.

Eddie paces back and forth and tugs at his hair. He needs to do something, anything! He needs—

Flashing blue and red lights filter in through the window.

He’s dead.

He’s dead, and this time Eddie wasn’t there to coax him back.

He’s dead and they sent an officer to tell him in person and Eddie’s never going to catch his breath because Buck’s the one that taught him how to breathe after—

There’s a knock at the door.

He can’t do this. Eddie can’t do this. He can’t—

How is he supposed to go to work without Buck? How’s he supposed to tell Christopher? How is he ever going to get up in the morning again? How is his heart supposed to keep beating in a world devoid of Evan Buckley?

He opens the door.

His phone clatters to the floor.

“Buck,” he sobs.

…

Eddie watches the slow rise and fall of Buck’s bruised chest as he sleeps.

He’s alive.

He’s okay.

He’s got tangible proof right in front of him, but—

Eddie reaches out and brushes an errant curl from his forehead.

Buck is alive and breathing and sleeping in Eddie’s bed and he’s okay. But Eddie—

He rests his palm on Buck’s sternum and counts each inhale.

Buck’s here. He’s fine. Maddie knows and Bobby knows and Eddie’s got the living proof right in front of him, but—

Eddie shuffles a little closer until the heat of Buck’s skin is overwhelming against his own. He hooks his chin onto Buck’s shoulder and tries to memorize the strange shadows and highlights that are painted on his skin by the light of the moon.

He’s alive.

He’s alive.

He could’ve—

Eddie squeezes his eyes shut and shudders.

Buck’s alive and he’s right here, but Eddie can’t quite escape the moment when he was certain neither of those things would ever be true again. His breathing goes a little ragged, and his hands curl into fists.

“Eds?” Buck mumbles, eyes still closed.

Eddie lets out a shaky breath. “M’sorry, go back to sleep,” he whispers. The words are sticky and thick in his throat.

A small furrow etches itself between Buck’s brows. Eddie smooths it with his thumb. He drags his gaze back down Buck’s face and finds his eyes open and fixed on him.

“Eddie,” he whispers in the dark.

He takes a deep breath. “I’m fine,” he lies.

Buck frowns. He watches Eddie for a long moment, then something in his expression shifts. “Switch sides with me,” he says.

Eddie blinks. “What?”

Buck huffs a soft breath. “Just—trust me?”

And oh, Eddie does. He carefully climbs over Buck, who shuffles to his right to give Eddie more room.

“Okay?” he asks quietly.

“Almost,” Buck replies.

He pulls Eddie flush against him and guides his head down onto his chest. Beneath him, Buck’s heart beats strong and steady.

“Oh,” Eddie exhales.

Buck runs his hand through Eddie’s hair and down his back.

Eddie closes his eyes and finally, he sleeps.

[nvieditz]

bad decisions pt 2

alexia x reader

hey everyone! sorry it took a bit for this to be done (and i apologize for the bit of a cliffhanger but i have the “rest” of this done and will be coming out so i just liked how this ended haha)

warnings: no smut just plot (smut in the next part i promise) 2k+ word count

You get back to Ana’s apartment and it’s quiet and dark. You don’t even bother turning the lights off you  hang up your keys and head to the guest bedroom you’re staying in. 

You hop in the shower quickly before putting on a big t shirt and heading to bed. Out of curiosity you turned on your phone and opened google. 

You searched Fc Barcelona Alexia

The results were… wow.

You found yourself going through the images tab and reading her description. There was an instagram account link. You couldn’t help but click on it. 

Holy 3 million followers.

You basically stalked her whole profile for an embarrassing amount of time, being blown away by all the awards and trophies she’s won. You finally put your phone down when you realized what time it was. You had to stop thinking about her. 

But how could you when that was the best sex you’ve had in a long time. 

The next morning you wake up to noise in the kitchen. Ana must be up and getting ready to go to the gym, she always goes on weekend mornings. 

You have to get some work done so you decide to head to a coffee shop and do some work there. 

You throw on some jeans and a t shirt, grab your laptop and leave your bedroom. 

But what you see in your kitchen is a surprise. 

Ana is making breakfast and one of Alexia’s friends from last night was sitting on one of the stools from the kitchen island. 

“Oh, Hi y/n I didn’t hear you come in last night,” Ana asks, just as shocked as you are. 

Alexia’s friend flashes you an awkward smile. 

“Yeah sorry I got back pretty late,” you respond which adds more awkwardness to the air. “Well, I’m heading out so have fun.” You smile as you grab your house keys and head out. 

You put on your headphones and walk towards the coffee shop you saw that looked cute. 

It was a beautiful day in Barcelona, as always. You were considering moving here since your job is work from home and you’re tired of the rainy weather back home. And, it would help you be farther away from her. 

You reach the coffee shop and order your drink before claiming a small round table and get to work. You’re the social media manager of a new language learning app so your work today was mostly research, looking into new trends and what catches people’s eye. 

But then something catches your eye. 

Or someone. 

Shit. 

There’s Alexia, in line for a coffee, with another one of the girls from last night. 

You try to pretend you didn’t see her and continue work. You focus on your work and the Fletcher song you love playing in your headphones. 

You suddenly see Alexia standing in front of your table holding her coffee. “Mind if I sit here?” she asks. 

You wanted to say no but you didn’t want to be rude. “Sure,” you said as politely as possible without trying to incite anything. 

You try your best to ignore her and continue your work, but you can feel her staring at you. You look up at her from your laptop. 

“Why are you ignoring me?” She asks, clearly annoyed. 

“Because I came here to do my job not chit chat.” you realized you snapped at her a beat too late. Her face flashed with anger. “I’m sorry, I’m just not in the best mood.” you try to salvage the situation.

“No, I mean clearly you couldn’t wait to leave yesterday so I don’t know what happened because according to… you know… you seemed like you had a good time.” she presses. 

You take a deep breath before answering. “I did have a good time,” you pause, “but if I’m being honest, I just wanted a one night thing to distract me from- well it doesn’t matter from what.” you shake off the mopey feeling creeping back up. 

She looks confused. “Ok, I don’t fully understand but I respect your boundaries.” she states but she doesn’t get up.

You look at her just as confused. She finally starts to get up but before she leaves she leans in and whispers, “Oh and you left your strap in my apartment,” she winks. “and your hair looks really good down like that.” she smiles as she walks away. 

You hide the blush her comment made you get by taking a sip of your coffee. You finally get back to work. 

You’re packing up your stuff after a few hours doing some work and your phone dings. 

Thinking it was Ana you pick up your phone immediately. 

[instagram] @alexiaputellas has started following you 

You scoff at your phone. You ignore it and put your phone away. How did she even find your profile anyway? 

You walk out of the coffee shop and head back with the intention to just relax for a few hours and maybe go grab some dinner with Ana. 

Your phone dings again.

[instagram] @alexiaputellas “when do you plan on picking up your things 😉”

You can’t help but smile because clearly she wanted to see you again, very badly. But you still felt like she wanted something more that you didn’t want. 

You ignored the message again for now and headed home with Ana. 

You walk in the door and see Ana sitting on the couch watching tv. 

“Hey,” you say as you kick your shoes off. 

“Hey where’d you go?” she asks.

You set your bag on the counter and head over to sit next to her. “I went to the coffee shop to do some work,” you reply nonchalantly. 

She looks at you for a beat. “Are you ok? You seemed off this morning. And also why were you here this morning weren’t you going home with Alexia?” her voice came off teasing at the sound of Alexia’s name. 

“Yeah I’m fine, I did go home with her but decided it was best not to stay.” you replied trying to end the conversation. 

“Well, what was it?” she asks, “Was she… bad?” she whispered jokingly. 

You laughed softly, “No, she was… great,” you smile. 

“Sooo… what was it?” she asks, clearly genuinely interested. 

You take a beat to think about what to say, “Well, I don’t know. I feel like staying would insinuate that I wanted more than just a one night thing and you know I’m not looking for anything right now, not so soon after.. you know who.” you look down sadly. 

“You can say her name you know… she’s not

voldemort,” Ana laughs, “and I understand, and I’m sorry about the whole thing with Ona this morning, I didn’t mean for it to be awkward.” 

You laugh, “It’s ok. So how was that?” you tease. 

“Really good,” she smiles. “Oh and she asked if we wanted to go to a party she’s having tomorrow?” she slips in quickly. 

“Oh god I don’t know, Alexia’s probably gonna be there isn’t she?” you ask worriedly. The last thing you needed was seeing her again. 

“Oh come on, I don’t want to go by myself and I like her. If you see her you can just ignore her, flirt with another one of her friends, let her know you don’t want anything for sure,” she begs, “Please? for me?” she begs like a small child. 

You think about it for a second, “Fine.” 

Ana practically jumps for joy and kisses your forehead, “Thank you thank you. It’ll be fun I promise,” she runs over to grab her phone, presumably to text Ona and let her know we’re coming. 

You get comfortable on the couch and put on an episode of Modern Family before you and Ana sat on the small table in the kitchen eating some leftover Paella from a few nights ago, still as good as new. 

After eating you decide to go to bed early, needing to catch up on sleep. When you get in bed you open instagram and once again are reminded of Alexia’s message. 

And the fact that you hadn’t followed her back. 

You were too tired to do anything about this—smartly at least. 

You ignored it again for now and went to bed. 

The next morning you wake up dreading this party— and that was an understatement. 

But you had to get up to get some

work done.

You get up and sit yourself on the couch with a cup of coffee. You didn’t bother to change out of your pajamas since you had no meetings today. 

You spent the next few hours designing posts for the company and diving into instagram looking for potential trends for promoting the company more. 

By the time you’ve almost driven yourself mad, your computer is about to die and it’s almost time to clock out. You go to grab your charger but your phone pings. 

You turn around to grab it and see the notification from instagram. 

[Instagram] @alexiaputellas “can’t wait to see you tonight.”

You scoff and ignore the message. You grab your computer charger and plug it into your laptop. 

Your phone dings again. 

[Instagram] @alexiaputellas “you can’t keep ignoring me you know?” 

You smiled at the message and continued to ignore it. 

After a little bit, you finished work and started to get ready since the party was in a few hours. 

You started to realize you feel a little excited to see Alexia. You like the attention. 

And as long as you don’t let it get any further, there’s no harm in a little fun.

You just had to make sure it was just for fun.

You were finishing getting doing your makeuo when you heard Ana get back from work. 

“Hi babe, how are you?” she called from the living room. 

“Good, just getting ready!” you called back. 

You hear her footsteps getting closer to you before she enters the bathroom that you’re in. “Sorry it took me so long to get back we’ll probably be late to the party,” she said. She looked at you and your almost finished makeup, “You look really hot for someone who doesn’t want to go to this party.” 

You laugh as if what she said was ridiculous, “Oh please. I just don’t want to be caught underdressed,��� you joked. 

“One thing is not being underdressed and another thing is looking like you want Alexia to fuck you senseless again,” she teases. 

Your face goes red, “When did I say anything about senseless?” you laugh. 

“Oh you don’t have to tell me. I know,” she whispers as she leaves to go get ready. 

You look at yourself in the mirror thinking maybe you are overdressing. 

You decided to wear a red tank top that showed just enough cleavage to not be too showy but not modest. You wore your low rise, black jeans that fit you so well and you know you look really good in them. You decided to add a belly chain to the outfit to make it look even better. You decided to keep your hair down for the night. 

You convinced yourself this hair decision had nothing to do with Alexia’s comment in the coffee shop the other day.

When Ana is done getting ready you order an uber to come pick you up and you wait until it arrives. You grab your bag and your keys and you and Ana head out the door. 

When you’re in the uber you find yourself mindlessly scrolling through instagram and you end up going through the barca femenil squad instagram. 

Just to see who may all be at the party, not to look at pictures of Alexia. 

When you get there you get out of the uber and realize, this is the same building Alexia’s apartment is in. Figures that they live in the same building. 

Unwanted memories of the other night come flooding back. 

You shake off the warm feeling in your body as you walk into the building. 

You can hear music from the entrance and you assume that’s coming from the party. 

You head up the stairs and reach the apartment where the party noise is coming from. Ana knocks on the door a d a few seconds later Ona opens the door. 

“Hi,” she hugs Ana then gestures for both of you to come in, “Come in” she smiles. 

You walk in and in no surprise, most of the women there are all extremely fit and definitely fellow footballers. You spot Alexia in the kitchen talking to someone else. You pretend you didn’t see her as you said hi to the others. 

Ana sits down to where Ona is sitting and Ona offers to grab both of you something to drink. You taker her up on her offer and ask for a rum and coke. 

You sit down on the end of the couch no one seems to be taking up. 

You mindlessly switch from paying attention to the conversations around you and not. You’re happy Ana seems to be having a good time but you’re a little bored. 

That is, before someone sits next to you. 

This woman is FIT. 

Brown hair with dyed blonde highlights and an energy that exuded so much confidence it was intimidating. 

She’s wearing a tight white t shirt and some dark blue pinstripe low rise jeans, with some boxers

peaking above them.  

“Hola,” she says to you, her eyes quickly rake down your body and back up. “I’m Misa, nice to meet you.” 

She extends a hand for you to shake, you smile a little before grabbing her hand and shaking it lightly. “I’m y/n, nice to meet you too.” 

She smiles at you, “So, how do you know Ona?” she asks. 

Not wanting to tell her the full truth, you said, “Oh, Ana’s my best friend,” you gesture toward where they’re sitting. 

“Lovely,” she teases. You can feel her slowly inching closer to you. 

“So, do you play on the barcelona team as well?” you ask her, subconsciously hoping Alexia is watching this conversation, you try to be more into this conversation. 

“No,” she smiles, “I play for Madrid but I’m friends with most of these girls from the Spanish national team. I’m here visiting.” 

Misa was about to say something else,

but you can feel Alexia watching you from your peripheral and something took over you. 

You quickly break the distance between you and Misa and kiss her. You can feel her surprise at first but she slowly deepens the kiss as her hand wanders to your thigh. You break apart from the kiss after what felt like hours. 

“Can I get you another drink?” she asks you softly. 

“Yes please,” you smile. She grabs your empty glass off of the table and heads to the bar to refresh your drink. 

Immediately as she’s gone you feel someone else sit next to you. 

You turn to see Alexia. She looks… mad. But why would she be mad? You guys aren’t together. 

“Hi Alexia,” you say blankly. 

“Hi,” she says flatly, “why have you been ignoring me?” 

“Who says I’m ignoring you?” you snap back. 

“You, right now.” she bites back. “Why are you acting like this? Did I do something?” now she seems worried. 

You sigh and look down for a moment. 

You think about what to say for a moment. 

You put your hand on her thigh. You look at her and your eyes darken. She looks really good and you hadn’t noticed from how much you were trying to pretend she wasn’t there. 

“We can keep doing this,” you point between the two of you, your voice lowers, “if you promise, there are no feelings. This is just for fun. Because I am not ready for a relationship,” You say blatantly. 

She seems a little taken aback at first but then her eyes darken. “Ok,” she pauses for a moment. She leans in to kiss you. It’s a soft kiss but slow. Painfully slow. She pulls away and whispers, “Meet me in my apartment in 30 minutes,” before getting up and heading out the door. 

You realize you don’t remember which apartment is hers. 

Shit. 

[nymphomatique]

special affair

dbf!miguel o’hara x fem!reader

art credit: _insomniac_red_ on ig. pictures are for mood setting, reader has no specific race or physical descriptions.

cw: a lil angsty, this is just shameless smut im sorry guys i don’t know what came over me, daddy kink, dbf!miguel <3, unspecified age gap but reader is legal, rough sex, squirting, unprotected sex, miguel is not a good man, conflicted reader, creampie, lowkey breeding kink, degrading language, choking/breath play, face slapping, spitting, mentions of oral (m), overstimulation, crying/dacryphillia, pubic hair grinding? lmao idk, reader is alluded to being in sub space. not proofread lol. 18+ only.

wc: ~1.5k

❤︎ an: hi my loves!! this is a sorta part two to this drabble, but can be read as a stand alone one shot. tbh i wrote this w my pussy.. i’m ovulating rn i’m so ashamed of myself 😔 nevertheless, enjoy! if you guys want more don’t hesitate to lmk!!

from that first night he fucked you from behind, you knew you strayed too far from the status quo in your life, you’re at the point of no return. that night, when he finished pounding you from behind and defiling you further with his seed all over your back and ass, you had laid in that position— spent and on your stomach- for the rest of the night, silently sobbing. you had betrayed your father, that much you were aware of the day you started rubbing at yourself meekly in the dead of the night thinking about his best friend.

you had long come to terms with that guilt, accepting whatever image of a burning inferno there is in the afterlife. what you cannot come to terms with, is the fact that he- miguel- had actually fucked you, indulged in what you considered your own taboo thoughts, ripping them from page and making your crude thoughts a sick reality. the worst part of this all is that amidst it all, the mental beratement, the nights you spent crying, the sick feeling the memories of miguel’s cock stretching you absolutely thin, showing you a climax like no other— you want to hate yourself for it, for being weak. for being such a bad girl. but you didn’t know why your body decided to betray your brain, the physical craving for the older man’s body possessing you whole. you can’t bear this feeling, holding it up inside you and trying to keep it at bay. fuck- you needed to talk to someone, you had to, even if it’s the last person you want to speak to.

nevertheless, you end up two houses down, sniffling and heaving in the dead of the night, knocking the door as hard as your trembling hands would let you. the door swings open and at the sight of him you keen, your body aching at the sight of the burly muscles covered in sun kissed skin. dark brown hair streaked with grey at the temples. a slight five o’clock shadow, he must not have shaved this morning. and then you look into those eyes, swallowing you up whole and you begin to tear up again. miguel is silent, leaning against the door with messy hair, glazed eyes and clad in boxers, and boxers only. fuck, you shouldn’t have come here.

“I-.. Miguel, it hurts,” you sob quietly, aflame with shame and embarrassment at how little resolve you had. He grabs your face with his warm hands and you’re trembling now, ready for him. your lips ghost for a moment before he breathes out. “i’m not a good man, sweetheart. if you don’t say no, i’m gonna break you.” he sounds sincere with his words and his eyes go stern. you wish you had some self of self control, or maybe having better discernment. but the only thing you say to him only confirms what you already knew about yourself; you’re a terrible fucking person. 

“violate me.”

your lips are smashed against each other, tongues dancing and it feels so good to be in his embrace again. your tears fall down your cheeks, meeting at the junction of your mouths in a pool of saliva. miguel groans and you know why, remembering what he had said to you the last time.

“i like when you cry.”

you’re grabbed up at the hips, legs wrapped around a thick torso, pressed up against a firm chest and a heavy cock. the moments up to the bedroom are cloudy, drunk off his lips against yours. you come to slightly when cold plush sheets hit your back and a pair of lips leave yours. you whine, yearning for his touch again. he looks down at you, bringing your right foot to his mouth, he licks lightly up the sole- kissing the ball of your foot before he leans down, caging your between his elbows, face to face.

“you gonna be good for your daddy?” he asks softly, kissing between the bridge of your nose once. 

“y-yes,” you breathe out with a slow nod. 

“mmm. gonna let me violate this tight little body too?” he asks, still soft in tone and you think you’re gonna go crazy by the end of the night. “yes, daddy,” you murmur, lost in his eyes. 

“sick fucking little girl. but that’s how i like it,” he chuckles, kissing you softly before getting up stripping you bare.

“letting your daddy undress you like a good girl. so obedient f’me,” he coos at you, touching you softly and you’re almost in tears. you need him. and you let it be known. a lone tear falls down your cheek and you mewl, “n-need you to make it better down there, daddy.”

his large hand engulfs you cheek, thumb wiping your tear softly before squishing your face, putting his tear stained thumb in your mouth. “you think you’re a big girl now, hmm? telling your daddy what to do?” you look up at him teary eyed, suckling his thick finger.

“you take what i give you, when i give it to you.” he squeezes you cheek a little harder before softly slapping your cheek and you squeak at the contact. a rough laugh leaves miguel’s mouth at your reaction. “you have no idea how bad i’m gonna treat you, baby.”

you’re non verbal at this point, mouth agape and leaking saliva down your jaw seeping into the sheets and the junction of your neck and chest. a hand slaps your cheek again, you’ve lost how many that is now. “i fucked you stupid already?” miguel laughs, hard thrusts sending you flying up the bed. his hands on your hips bring you down back to him each time, poking you right in that sweet spot in your pussy. you’ve lost count of how many orgasms you’ve head, body wracked and numb with pleasure. throat hoarse from the near-violent throat fuck he gave you.

a glob of spit hits your forehead and you groan a bit. the one thing you’re sure of is that you look a goddamned mess. a crude picture of the activity you’ve been partaking in for the past two hours. a hand leaves your hip to wrap around your neck and squeeze roughly, making you gasp for air, your body finally moving.

“there we go, got you moving now. thought i fucked you to sleep for a second.” 

your eyes are glossy, at the lack of air and building pressure. your hand meekly wraps around his wrist as he fucks into you. you know you shouldn’t like the way he toys with you like this, waking the line of torment and pleasure with no care in the world. but you do. and you can’t deny it anymore.

“you’re tightening up on me again. you gonna cum for me again?” miguel asks you, and he laughs after knowing you can’t even answer him. “sick little girl. you like it when i choke you? make you feel weak? worthless?” 

it’s barely audible, but the moan you let out vibrates in your neck and miguel can feel it with the hand pressed against your throat. he throws his head back with a groan. “nasty, naughty girl. fuck baby, gonna cum in that little pussy.”

you’re almost there, and quite frankly impressed that you haven’t fully passed out yet. your head feels light, and you begin to tremble violently, gushing out spurts of liquid as your head falls to the side. if this is hell, you’re not so sure you could give this up for heaven. your eyes close and you feel so close to falling asleep when he removes his hand from your neck, grabbing your head by the nape of your neck, craning you up to where you can see his thick cock slip and slide between your thighs. you groan at the image. 

“need you awake to see me cum in you, don’t i?” miguel groans. “you like watching me fuck you, like letting me dirty you.”

 his tuft of black pubic hair rubs against yours as his thrusts become increasingly sporadic and intense, and it has you trembling at the stimulation it gives your clit. you weakly squirt each time his pelvis brushes against your clit, your body letting you know you have only so much left in you before you’re drained empty.

“fuck, love it when you wet the bed. my pissy little girl. daddy loves the messes you make.” he’s nearly breathless and you pray he’s going to cum in the next minute, the ache in your neck and dull sensation in your pussy building slowly.

“c-cum in me. wanna give you a baby,” you moan, looking up from the fast thrusts and into miguel’s eyes. 

“fuck! so n-naughty, baby. gonna give me another one, huh? fucking take it, then.” with a final thrust, you feel the warmth of his cum shoot and blossom somewhere deep within you. you moan weakly, one final weak spurt of squirt coming out of you. miguel pulls out and you watch him look at the mess he made of you and your pussy, covered in spit, cum and the beginnings of handprint bruises blossoming on your hips and ass from how hard he gripped and spanked you. 

you can feel his cum slowly trickle out of you, and your body feels like it’s no longer your own. after so many orgasms, your limbs are on fire, and you can do nothing but breathe and weakly murmur a “d-daddy..” while your eyes close.

tags: @realhotgirlshitah @obsessed-with-miguels-ass @maxiethestrange

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