#i’m rambling so much in these tags lol

[adriancatrin]

katara sees her brother and bff approaching something that can make them happy and says no interruptions

based on this photo from the live action cast

[artsymeeshee]

It’s been a while since I uploaded this post and I did want to post more parts to it but lately my motivation to draw has been lacking (might be a small burnout currently). But! I did want to give a small gist of what my ideas were for the after-events of the finale.

I mainly wanted to show my 6th point of Ford going in this weird bubble that Stan’s in and help him. There might be a small chance I’ll draw out other specific thoughts I have but I mainly wanted to draw the comic of them both together. There’s also another drawing I’m dying to show after Bill finally died lol but it’s something special that needs to wait.

[echo-starflower]

I FINISHED THE GUY!!!!!!

(Pattern by @ghost-cinnamon)

He’s perfect and I love him

But Echo! some of you might ask, isn’t the body supposed to be red like his bones? To that I say! 1: I’m impressed you saw it under the layers of clothes! /silly and 2!

BAH BAM

Embroidery!!!!! (I’m so proud of this hehe it turned out way better than I expected. Also faceless doll jumpscare>:3)

And of course, credit must be given to my amazing little sibling whose immediate reaction to seeing my doll was “ooo he’s spooky! He needs a top hat!!!!”

(She proceeded to make not one but two top hats hehe)

[vlarelythere]

I can’t get enough of these two being in love

[teapot-of-tyrahn]

hello !!! i'm ...

➟ sugar !! i also go by charlie , echo , scott , timmy -- call me whatever's more comfortable for u !!

➟ i'm genderfluid, asexual and biromantic + greyromantic !!

➟ my CURRENT hyperfixations are on NINJAGO and the TRAFFIC LIFE SERIES !! if you're seeing THIS pinned introduction, TRAFFIC LIFE SERIES is currently the MAIN brainrot !

➟ i am a 🚸 MINOR ⚠️ !! please interact with this in mind !!!

➟ i have GAD [ generalized anxiety disorder ] , separation anxiety disorder , social anxiety disorder , selective mutism , depression , DPD [dependent personality disorder] , ARFID [ avoidant/restrictive food intake disorder ] , and involuntary age regression ! though these topics probably won't be discussed at length , please keep them in mind when interacting with me !! at times i may go NON-VERBAL or slip into LITTESPACE , and i ask you be patient with me at those times, thank you !

➟ this is a FANDOM SIDEBLOG - my main blog is @sugrx !! here is where i post FANFICTION, FANART, ANALYSISES , AUS, USERBOXES,,, etc !!

➟ basic ! queerphobes, xenophobes, misognists, sexists, ableists, racists, terfs, maps, pedos, fatphobes, etc - any and all bigots of ANY shape or form !! ➟ nsfw / fetish / kink blogs !! again , i am a MINOR , and though i'm fine with having mutuals who ARE 18+ , i'd rather avoid 18+ content , thank you !!

[murdleandmarot]

The gang’s all here!! They’re on the case!! And there’s no ghost that they wouldn’t chase!!!!!

@mysticalcats’s Foxglove, @toki-toro’s Chaumet, @emimii’s Clownaire, and my own Bluebelle :)

[daeyumi]

i think uh. the Announcement has ruined my night actually. the more i think abt it the worse it gets haha.. 🙃🫠 like literally i don’t think there’s a way the movie can be good. i’m gonna get off social media for tonight & go play switch or smthn,,,,,,,,

[goldensunset]

pov a huge twewy/ntwewy nerd visits shibuya part 2

ramen town baby!!! yeah i was not about to climb that whole hill even though it really wasn’t that steep. dogenzaka beloved

you only visit this place once in the main game but there are so so many things i could say about it. man the neku-josh-sho week 2 dynamic was the wildest and funniest thing in the world

spain hill (from above) (idk uhh what’s iconic about here?) (i didn’t trip on any haunted step that much i know)

the vibes of this place… not accessible until so late in the game (in both games) but so good both times. like the story beats that happened here were always excellent. i always loved being at shibuya stream in ntwewy it was beyond surreal stepping out of the station and just actually being here irl

le susukichi boss fight (and some more cool puzzles)

shibuya hikarie! not much to say here but the food you find here in ntwewy looked so good man i need to actually eat more while here

there are a few more actually oops! part 3 momentarily

[palukoo]

I know I’ve made other posts talking about or alluding to this but like. obviously there are like the old hollywood movies in the sort of dyke subtext canon (all about eve, rebecca, johnny guitar, etc) but like. there are so many movies that like 10 people have seen but I have such a clear gay vision or interpretation for it. most of them aren’t even GOOD. and yet!!

like the great lie is the one that haunts me the most (or the women but I think that one is kind of different for me perhaps bc I’ve already talked about it here a lot or perhaps bc I think of it as being more well known and watched than I think it actually is? actually it’s probably that I think it is an overall good and well executed and entertaining movie which isn’t really true of most of these tbh). but I also think a lot about like when ladies meet, or old acquaintance, or sadie mckee, or the shining hour, or the model and the marriage broker, or a woman’s secret, or the bigamist, or craig’s wife, or born to be bad, or separate tables, or even dark victory to a degree. others too certainly those are just the ones that come to mind. for half of these it’s not even like oh these women are gay together it’s just like hey I think she’s a lesbian. and I’m right. but my genius will never be fully appreciated in my day unfortunately.

[stephantom]

I’d need to watch it again to confirm this, but I’m pretty sure that Thomas Becket is the only character who independently initiates touch with Henry?

There are plenty of people whom Henry touches, and it’s almost always possessive or threatening: the villager woman in the first flashback scene, the Saxon peasant girl (and possibly the old man? I think he prods at both of them with his riding crop), Gwendolen (holding her shoulders/neck), the French prostitute (kissing, leaning over, sitting on, slapping her butt), his sons (pushing and kicking them), the bishop (strangling), his barons (clutching onto one, tapping one’s head to indicate his vapidness), and Thomas too—(clasping his shoulders when he realizes Thomas is hurt, holding his hand to put on the chancellor ring).

Interestingly, I don’t think we ever see Henry touch or be touched by his mother or his wife. There’s the moment when he grabs/kicks their needlework, and later on he knocks all the plates off the table, possibly vaguely in their direction—so there are two physical interactions which are violent but still sort of… distant? And still the direction is just Henry to them (in terms of physicality, anyway—verbally, they do initiate conversations/fights with him).

Does anyone touch Henry? There are the monks who whip him in the end, but Henry has ordered them to do it. Likewise, there’s the servant/valet/page who begins to wipe him dry in the bath scene, but again, that’s someone performing a duty. Thomas Becket though, cuts in and takes over the drying, and the dialogue tells us explicitly that he’s not expected to do this, and doesn’t have to (“You’re a nobleman—why do you play at being my valet?”) but Becket seemingly wants to do it, and he knows Henry likes how he does it: enthusiastically, confidently, warmly, and freely (“No one does it like you, Thomas”). He towels Henry’s head, helps Henry put on his boots, and then casually uses Henry’s legs to push himself up to stand.

There’s the scene in Henry’s tent, after the French prostitute has left and the two of them are sitting on the bed: Becket sort of leans in and briefly clasps Henry’s arm where it’s lying in his lap, casually and warmly.

There’s also the getaway horse ride, where Becket is holding onto Henry, arms wrapped around him, and they’re both laughing and smiling. Henry’s shirt actually falls open a little and Becket’s hand winds up on his bare torso.

And then there are the thwarted attempts at touch, after the split: the two scenes where Henry accuses Becket of not loving him. Both times, Becket moves toward Henry and reaches out to touch him, and both times, Henry moves away and tells him to keep his distance.

They’re quick little things, but if they are actually the only instances of anyone touching Henry affectionately (or even of their own volition) that we see over the course of the movie, it does support an impression of Henry as fundamentally isolated—maybe there is truth to his claim that Becket is the only person who’s ever loved him.

What’s tragic is that 1) Henry doesn’t really know how to express love himself (see: Henry expressing nothing but violence and entitlement to everyone else around him, and even to Becket for the most part), and 2) Becket’s love, albeit huge in Henry’s world, is conflicted and unfulfilling—for both of them.

Becket might be the only person who’s dared to reach out to Henry and meet him on something close to a human level, and Henry loves him for it, but why does Becket do it? Part of it may just be an instinct of Becket’s to fulfill a need where he sees one, if he can, and if it benefits him. I think it’s so interesting that Henry seems obsessed with the question of whether Thomas really loves him, when it seems the truth might be that Thomas actually doesn’t know; maybe it’s an unanswerable, even nonsensical question to him. Like, what else could he do? I don’t know. “Insofar as I was capable of love, yes I did [love you].” But the fact that his last words, unwitnessed and private, are, “Poor Henry.” Fuck me up.

Ok, that last paragraph got away from me and now I can’t stop. Tempted to draw comparisons to “Beauty and the Beast” (this is a sad version where no magical transformation happens… unless you take a particular Catholic stance and consider that both of them maybe took real solace and meaning in Thomas being made a saint and that Henry maybe found real absolution through his penance).

I also want to compare all of this to “The Lion in Winter”, where it feels like, rather than a story about one lonely monster in a castle full of people he sees as objects, it’s a whole microcosm of traumatized and power-hungry people, reaching out for power and security and love and stabbing each other in the back, over and over. (Like, of course his mother and wife and kids have complex feelings for him—some of which involve love!) I think that depiction is better and less myopic, more true to life and probably a more accurate portrait of the historical figures involved (even when it comes to Henry and Becket—Becket was of that world too, after all), but I think I’ve rambled enough about all of this, so I’m going to end this post now. I’ll just say that there’s something nevertheless appealing about the boiled-down fairytale melodrama of “no one else ever loved me but you!”

[lavender-temult]

why do baby otohan’s colors look like fuckign TOOTHPASTE in this version 😭😭😭

[spittyfishy]

Lol idk I just thought maybe this would be fun! A way to make the au a bit more interactive I guess? It’s sort of an experiment to see if people would actually be interested in this format and if I can keep up with it if they are! So yeah lol, hopefully y’all also thinks this’ll be neat!

[daisyachain]

Restorative or Transformative?: Homoerotic Subtext, The Closet, and Ciphers in Pop Culture. The nature of commercial art is that it’s sometimes bad and inconsistent. Notably it’s also misogynistic. One way in which audiences try to reconcile massive plot holes or gaps in character motivation is by reading secrets or hidden information into a plot.

Commonly, male characters are interpreted as closeted gay or bisexual to reconcile the absence of women from commercial narratives with the generally stunted and poorly-written male characters that form the focus on said texts. This reading has become especially common among a non-heterosexual milieu. Rather than transforming the original text into some radically different new form, this closeted interpretation seeks to make the original text stand on its own as a story rather than a Swiss cheese of dumb writing decisions.

This interpretation only works for a specific type of pop, usually genre fiction. Any story in which tortured male leads eschew women in favour of male-male bonds (because female characters are constantly killed off, written sparsely, or written out, because the production team keeps casting their male buddies, because actors demand to keep having scenes with their bros, whatever) can become a sounder structure if you put one of them in a closet.

The gay interpretation is the natural consequence of shoddy misogynistic writing from ventures like Supernatural, Naruto, all the biggest hits. It’s also the natural consequence of more benignly misogynistic writing like The Adventures of Sherlock Holmes or The Lord of the Rings, where women aren’t necessarily rejected but are simply absent from the worlds of the protagonists. When the emotional crux of the story falls on male-male interactions, this reads as romantic because society at large priorities (definitively heterosexual) romance as the pinnacle of human connection. Two forces are in conflict, the primacy of heterosexuality (read as: romance) and the primacy of men.

Anyway. All that is to say that the typical gay or bisexual reading of male characters in pop fiction comes from a very real place. But, in some places, that’s the default interpretation. Angst, insecurity, secrets, double lives, fatigue, disappointment, restrained passion, stunted personal growth, anyone living in the closet can tell you that it impacts and defines your whole life to know that you live in a way fundamentally incompatible with The Proper Way that life is structured around down to tax law and superstore prices (which assume a heterosexual nuclear family unit). Characters in fiction also tend to have personal problems because that makes them interesting and tasty.

If you’ve grown up on stories with the specific type of misogyny that can be papered over with a closeted interpretation of the male leads, carrying this interpretation over to any male character will make sense more often than not. Even a bit of angst or insecurity? Well of course that makes sense if a character is closeted.

Except that’s hurt a normal part of fiction, and sometimes the closeted interpretation takes away from the point of a character. If a male character is on another axis of marginalization, the closeted interpretation imposed by the slash reading community downplays or trivializes the effects of that marginalization in the plot by overwriting it with another type of marginalization. Alternately, sometimes a character’s heterosexuality is a part of the story. There are some sorts of critiques or investigations of misogyny or masculinity that don’t work if the character has an ‘opt out’ of the cisheteropatriarchal perspective. Not that gay/bisexual men aren’t except from misogyny, but misogyny masculinity and heterosexuality are so tightly linked that it sort of defeats the point if you interpret that character outside of heterosexuality.

All that is to say—the closet interpretation is a quick and easy spice to apply to the weaker parts of action-adventure genre fiction to make it taste better. It draws from a large enough sample of art that it’s pretty widely applicable. Because of that, it’s part of some people’s [my] default interpretation package just because the semi-dull macho show at least gets less dull if you imagine there’s a reason for there to be no girls besides simple hatred. That then forms its own problem where the interpretation that works with your average genre work gets then blanket-applied to all genre works and obscures the places where the closet interpretation doesn’t fix the work, and actually makes it less interesting.

[bookwormgirl123]

intro post thing 🌸

hi! You can call me Bookworm (or anything, really)! I use she/her pronouns, and-

FREE PALESTINE 🇵🇸🇵🇸🇵🇸🇵🇸🇵🇸🇵🇸🇵🇸

I like books and other stuff, my main fandoms at the moment are kotlc, enola holmes (I’m the enola holmes mysteries’ biggest fan and I will FIGHT for this position), and epic the musical, though I dabble in the riordanverse (bit of a love/hate relationship there haha), narnia, gravity falls, wings of fire, the hunger games, stranger things, and ✨the classics✨ (especially jane austen - I’ve read pride & prejudice, emma, and northanger abbey). I’ve also been seeing a lot of my little pony: friendship is magic on my dash lately so it can be an honorary member (so can disney’s descendants, as a matter of fact. especially the rise of red)

#1 biggest solinh fan (I will also fight for this although not a ferociously. I doubt this ship has very many other fans though lol (then again enola holmes probably doesn’t have many other fans either lol))

Just a side note: the fandoms listed above are my main interests rn, but there’s still a good amount of randomness around here. You’ve been warned

my tags

MOST IMPORTANTLY, pfp is Linh Song from Keeper of the Lost Cities by the amazing, the incredible, @wow-youre-so-pretty 🎉🎉🎉🎉

sexism, racism, homophobia, or anything of the sort/anything else icky will not be tolerated. otherwise, have a nice day!

[steampunk-raven]

now it’s drawing oki time >:3

[dagaan]

Mhm i see you squisheth but do you make her kiss women? 🤨

no need, she does it all by herself

although for a real answer, I suppose I have made her kiss that octopus in a few fics (HHW (and extra), SkH, this I think, others to come… eventually…)