#i’m number 1 harley quinn stan

[britcision]

So partner and I are nearly done the first season of Arcane

And listen

We all knew Mr Who Needs Therapy When I Can Be Edgy And Menacing With My Robot Eye wasn’t going to suddenly realise the wonders of psychological health and good coping mechanisms just because he’s acquired a sad blue child

He already murdered his bf it’s too late anyway

But post time skip I do think he’s really starting to question that decision, and I think that’s beautiful

Of course, his solution thus far has been “uuuuuh what if we have matching trauma”, and I bet I know how that’s gonna go for him 👀

[heroicadventurists]

2020 Eisner Award Nominees

Best Short Story

“Hot Comb,” by Ebony Flowers, in Hot Comb (Drawn & Quarterly)

“How to Draw a Horse,” by Emma Hunsinger, The New Yorker, https://www.newyorker.com/humor/daily-shouts/how-to-draw-a-horse

“The Menopause,” by Mira Jacob, The Believer, https://believermag.com/the-menopause/

“You’re Not Going to Believe What I’m About to Tell You,” by Matthew Inman, The Oatmeal, https://theoatmeal.com/comics/believe

“Who Gets Called an ‘Unfit’ Mother?” by Miriam Libicki, The Nib, https://thenib.com/who-gets-called-an-unfit-mother/

Best Single Issue/One-Shot

Coin-Op No. 8: Infatuation, by Peter and Maria Hoey (Coin-Op Books)

The Freak, by Matt Lesniewski (AdHouse)

Minotäar, by Lissa Treiman (Shortbox)

Our Favorite Thing Is My Favorite Thing Is Monsters, by Emil Ferris (Fantagraphics)

Sobek, by James Stokoe (Shortbox)

Best Continuing Series

Bitter Root, by David Walker, Chuck Brown, and Sanford Greene (Image)

Criminal, by Ed Brubaker and Sean Phillips (Image)

Crowded, by Christopher Sebela, Ro Stein, and Ted Brandt (Image)

Daredevil, by Chip Zdarsky and Marco Checchetto (Marvel)

The Dreaming, by Simon Spurrier, Bilquis Evely et al. (DC)

Immortal Hulk, by Al Ewing, Joe Bennett, and Ruy José et al. (Marvel)

Best Limited Series

Ascender, by Jeff Lemire and Dustin Nguyen (Image)

Ghost Tree, by Bobby Curnow and Simon Gane (IDW)

Little Bird by Darcy Van Poelgeest and Ian Bertram (Image)

Naomi by Brian Michael Bendis, David Walker, and Jamal Campbell (DC)

Sentient, by Jeff Lemire and Gabriel Walta (TKO)

Best New Series

Doctor Doom, by Christopher Cantwell and Salvador Larocca (Marvel)

Invisible Kingdom, by G. Willow Wilson and Christian Ward (Berger Books/Dark Horse)

Once & Future, by Kieron Gillen and Dan Mora (BOOM! Studios)

Something Is Killing the Children, by James Tynion IV and Werther Dell’Edera (BOOM! Studios)

Undiscovered Country, by Scott Snyder, Charles Soule, Giuseppe Camuncoli, and Daniele Orlandini (Image)

Best Publication for Kids

Akissi: More Tales of Mischief, by Marguerite Abouet and Mathieu Sapin (Flying Eye/Nobrow)

Dog Man: For Whom the Ball Rolls, by Dav Pilkey (Scholastic Graphix)

Guts, by Raina Telgemeier (Scholastic Graphix)

New Kid, by Jerry Craft (Quill Tree/HarperCollins)

This Was Our Pact, by Ryan Andrews (First Second/Macmillan)

The Wolf in Underpants, by Wilfrid Lupano, Mayana Itoïz, and Paul Cauuet (Graphic Universe/Lerner Publishing Group)

Best Publication for Teens

Harley Quinn: Breaking Glass, by Mariko Tamaki and Steve Pugh (DC)

Hot Comb, by Ebony Flowers (Drawn & Quarterly)

Kiss Number 8, by Colleen AF Venable and Ellen T. Crenshaw (First Second/Macmillan)

Laura Dean Keeps Breaking Up with Me, by Mariko Tamaki and Rosemary Valero-O'Connell (First Second/Macmillan)

Penny Nichols, by MK Reed, Greg Means, and Matt Wiegle (Top Shelf)

Best Humor Publication  

Anatomy of Authors, by Dave Kellett (SheldonComics.com)

Death Wins a Goldfish, by Brian Rea (Chronicle Books)

Minotäar, by Lissa Treiman (Shortbox)

Sobek, by James Stokoe (Shortbox)

The Way of the Househusband, vol. 1, by Kousuke Oono, translation by Sheldon Drzka (VIZ Media)

Wondermark: Friends You Can Ride On, by David Malki (Wondermark)

Best Anthology

ABC of Typography, by David Rault, translation by Edward Gauvin (SelfMade Hero)

Baltic Comics Anthology š! #34-37, edited by David Schilter, Sanita Muižniece et al. (kuš!)

Drawing Power: Women’s Stories of Sexual Violence, Harassment, and Survival, edited by Diane Noomin (Abrams)

Kramer’s Ergot #10, edited by Sammy Harkham (Fantagraphics)

The Nib #2–4, edited by Matt Bors (Nib)

Best Reality-Based Work

Good Talk: A Memoir in Conversations, by Mira Jacob (One World/Random House)

Grass, by Keum Suk Gendry-Kim, translation by Janet Hong (Drawn & Quarterly)

Kid Gloves: Nine Months of Careful Chaos, by Lucy Knisley (First Second/Macmillan)

Moonbound: Apollo 11 and the Dream of Spaceflight, by Jonathan Fetter-Vorm (Hill & Wang)

My Solo Exchange Diary, vol. 2 (sequel to My Lesbian Experience with Loneliness), by Nagata Kabi, translation by Jocelyne Allen (Seven Seas)

They Called Us Enemy, by George Takei, Justin Eisinger, Steven Scott, and Harmony Becker (Top Shelf)

Best Graphic Album—New

Are You Listening? by Tillie Walden (First Second/Macmillan)

Bezimena, by Nina Bunjevac (Fantagraphics)

BTTM FDRS, by Ezra Claytan Daniels and Ben Passmore (Fantagraphics)

Life on the Moon, by Robert Grossman (Yoe Books/IDW)

New World, by David Jesus Vignolli (Archaia/BOOM!)

Reincarnation Stories, by Kim Deitch (Fantagraphics)

Best Graphic Album—Reprint

Bad Weekend by Ed Brubaker and Sean Phillips (Image)

Clyde Fans, by Seth (Drawn & Quarterly)

Cover, vol. 1, by Brian Michael Bendis and David Mack (DC/Jinxworld)

Glenn Ganges: The River at Night, by Kevin Huizenga (Drawn & Quarterly)

LaGuardia, by Nnedi Okorafor and Tana Ford (Berger Books/Dark Horse)

Rusty Brown, by Chris Ware (Pantheon)

Best Adaptation from Another Medium

Giraffes on Horseback Salad: Salvador Dali, the Marx Brothers, and the Strangest Movie Never Made, by Josh Frank, Tim Hedecker, and Manuela Pertega (Quirk Books)

The Giver, by Lois Lowry, adapted by P. Craig Russell, (HMH Books for Young Readers)

The Handmaid’s Tale: The Graphic Novel, by Margaret Atwood, adapted by Renee Nault (Nan A. Talese)

HP Lovecraft’s At the Mountains of Madness, vols. 1–2, adapted by Gou Tanabe, translation by Zack Davisson (Dark Horse Manga)

The Seventh Voyage, by Stanislaw Lem, adapted by Jon J Muth, translation by Michael Kandel (Scholastic Graphix)

Snow, Glass, Apples, by Neil Gaiman and Colleen Doran (Dark Horse Books)

Best U.S. Edition of International Material

Diabolical Summer, by Thierry Smolderen and Alexandre Clerisse, translation by Edward Gauvin (IDW)

Gramercy Park, by Timothée de Fombelle and Christian Cailleaux, translation by Edward Gauvin (EuroComics/IDW)

The House, by Paco Roca, translation by Andrea Rosenberg (Fantagraphics)

Maggy Garrisson, by Lewis Trondheim and Stéphane Oiry, translation by Emma Wilson (SelfMadeHero)

Stay, by Lewis Trondheim and Hubert Chevillard, translation by Mike Kennedy (Magnetic Press)

Wrath of Fantômas, by Olivier Bocquet and Julie Rocheleau, translation by Edward Gauvin (Titan)

Best U.S. Edition of International Material—Asia

BEASTARS, by Paru Itagaki, translation by Tomo Kimura (VIZ Media)

Cats of the Louvre, by Taiyo Matsumoto, translation by Michael Arias (VIZ Media)

Grass, by Keum Suk Gendry-Kim, translation by Janet Hong (Drawn & Quarterly)

Magic Knight Rayearth 25th Anniversary Edition, by CLAMP, translation by Melissa Tanaka (Kodansha)

The Poe Clan, by Moto Hagio, translation by Rachel Thorn (Fantagraphics)

Witch Hat Atelier, by Kamome Shirahama, translation by Stephen Kohler (Kodansha)

Best Archival Collection/Project—Strips

Cham: The Best Comic Strips and Graphic Novelettes, 1839–1862, by David Kunzle (University Press of Mississippi)

Ed Leffingwell’s Little Joe, by Harold Gray, edited by Peter Maresca and Sammy Harkham (Sunday Press Books)

The George Herriman Library: Krazy & Ignatz 1916–1918, edited by R.J. Casey (Fantagraphics)

Krazy Kat: The Complete Color Sundays, by George Herriman, edited by Alexander Braun (TASCHEN)

Madness in Crowds: The Teeming Mind of Harrison Cady, by Violet and Denis Kitchen (Beehive Books)

Pogo, Vol. 6: Clean as a Weasel, by Walt Kelly, edited by Mark Evanier and Eric Reynolds (Fantagraphics)

Best Archival Collection/Project—Comic Books

Alay-Oop, by William Gropper (New York Review Comics)

The Complete Crepax, vol. 5: American Stories, edited by Kristy Valenti (Fantagraphics)

Jack Kirby’s Dingbat Love, edited by John Morrow (TwoMorrows)

Moonshadow: The Definitive Edition, by J. M. DeMatteis, Jon J Muth, George Pratt, Kent Williams, and others (Dark Horse Books)

Stan Sakai’s Usagi Yojimbo: The Complete Grasscutter Artist Select, by Stan Sakai, edited by Scott Dunbier (IDW)

That Miyoko Asagaya Feeling, by Shinichi Abe, translation by Ryan Holmberg, edited by Mitsuhiro Asakawa (Black Hook Press)

Best Writer

Bobby Curnow, Ghost Tree (IDW)

MK Reed and Greg Means, Penny Nichols (Top Shelf)

Mariko Tamaki, Harley Quinn: Breaking Glass (DC); Laura Dean Keeps Breaking Up with Me (First Second/Macmillan); Archie (Archie)

Lewis Trondheim, Stay (Magnetic Press); Maggy Garrisson (SelfMadeHero)

G. Willow Wilson, Invisible Kingdom (Berger Books/Dark Horse); Ms. Marvel (Marvel)

Chip Zdarsky, White Trees (Image); Daredevil, Spider-Man: Life Story (Marvel); Afterlift (comiXology Originals)

Best Writer/Artist

Nina Bunjevac, Bezimena (Fantagraphics)

Mira Jacob, Good Talk (Random House); “The Menopause” in The Believer (June 1, 2019)

Keum Suk Gendry-Kim, Grass (Drawn & Quarterly)

James Stokoe, Sobek (Shortbox)

Raina Telgemeier, Guts (Scholastic Graphix)

Tillie Walden, Are You Listening? (First Second/Macmillan)

Best Penciller/Inker or Penciller/Inker Team

Ian Bertram, Little Bird (Image)

Colleen Doran, Snow, Glass, Apples (Dark Horse)

Bilquis Evely, The Dreaming (DC)

Simon Gane, Ghost Tree (IDW)

Steve Pugh, Harley Quinn: Breaking Glass (DC)

Rosemary Valero-O'Connell, Laura Dean Keeps Breaking Up with Me (First Second/Macmillan)

Best Painter/Digital Artist

Didier Cassegrain, Black Water Lilies (Europe Comics)

Alexandre Clarisse, Diabolical Summer (IDW)

David Mack, Cover (DC)

Léa Mazé, Elma, A Bear’s Life, vol. 1: The Great Journey (Europe Comics)

Julie Rocheleau, Wrath of Fantômas (Titan)

Christian Ward, Invisible Kingdom (Berger Books/Dark Horse)

Best Cover Artist

Jen Bartel, Blackbird  (Image Comics)

Francesco Francavilla, Archie, Archie 1955, Archie Vs. Predator II, Cosmo (Archie)

David Mack, American Gods, Fight Club 3 (Dark Horse); Cover (DC)

Emma Rios, Pretty Deadly (Image)

Julian Totino Tedesco, Daredevil (Marvel)

Christian Ward, Machine Gun Wizards (Dark Horse), Invisible Kingdom (Berger Books/Dark Horse)

Best Coloring

Lorena Alvarez, Hicotea (Nobrow)

Jean-Francois Beaulieu, Middlewest, Outpost Zero (Image)

Matt Hollingsworth, Batman: Curse of the White Knight, Batman White Knight Presents Von Freeze (DC); Little Bird, November (Image)

Molly Mendoza, Skip (Nobrow)

Dave Stewart, Black Hammer, B.P.R.D.: The Devil You Know, Hellboy and the BPRD (Dark Horse); Gideon Falls (Image); Silver Surfer Black, Spider-Man (Marvel)

Best Lettering

Deron Bennett, Batgirl, Green Arrow, Justice League, Martian Manhunter (DC); Canto (IDW); Assassin Nation, Excellence (Skybound/Image); To Drink and To Eat, vol. 1 (Lion Forge); Resonant (Vault)

Jim Campbell, Black Badge, Coda (BOOM Studios); Giant Days, Lumberjanes: The Shape of Friendship (BOOM Box!); Rocko’s Modern Afterlife  (KaBOOM!); At the End of Your Tether (Lion Forge); Blade Runner 2019 (Titan); Mall, The Plot, Wasted Space (Vault)

Clayton Cowles, Aquaman, Batman, Batman and the Outsiders, Heroes in Crisis, Superman: Up in the Sky, Superman’s Pal Jimmy Olsen (DC); Bitter Root, Pretty Deadly, Moonstruck, Redlands, The Wicked + The Divine (Image); Reaver  (Skybound/Image); Daredevil, Ghost-Spider, Silver Surfer Black, Superior Spider-Man, Venom (Marvel)

Emilie Plateau, Colored: The Unsung Life of Claudette Colvin (Europe Comics)

Stan Sakai, Usagi Yojimbo (IDW)

Tillie Walden, Are You Listening? (First Second/Macmillan)

Best Comics-Related Periodical/Journalism

Comic Riffs blog, by Michael Cavna with David Betancourt, www.washingtonpost.com/entertainment/comics/

The Comics Journal, edited by Gary Groth, RJ Casey, and Kristy Valenti (Fantagraphics)

Hogan’s Alley, edited by Tom Heintjes (Hogan’s Alley)

Inks: The Journal of the Comics Studies Society, edited by Qiana Whitted (Ohio State University Press)

LAAB Magazine, vol. 4: This Was Your Life, edited by Ronald Wimberly and Josh O’Neill (Beehive Books)

Women Write About Comics, edited by Nola Pfau and Wendy Browne, www.WomenWriteAboutComics.com

Best Comics-Related Book

The Art of Nothing: 25 Years of Mutts and the Art of Patrick McDonnell (Abrams)

The Book of Weirdo, by Jon B. Cooke (Last Gasp)

Grunt: The Art and Unpublished Comics of James Stokoe (Dark Horse)

Logo a Gogo: Branding Pop Culture, by Rian Hughes (Korero Press)

Making Comics, by Lynda Barry (Drawn & Quarterly)

Screwball! The Cartoonists Who Made the Funnies Funny, by Paul Tumey (Library of American Comics/IDW)

Best Academic/Scholarly Work

The Art of Pere Joan: Space, Landscape, and Comics Form, by Benjamin Fraser (University of Texas Press)

The Comics of Rutu Modan: War, Love, and Secrets, by Kevin Haworth (University Press of Mississippi)

EC Comics: Race, Shock, and Social Protest, by Qiana Whitted (Rutgers University Press)

The Peanuts Papers: Writers and Cartoonists on Charlie Brown, Snoopy & the Gang, and the Meaning of Life, edited by Andrew Blauner (Library of America)

Producing Mass Entertainment: The Serial Life of the Yellow Kid, by Christina Meyer (Ohio State University Press)

Women’s Manga in Asia and Beyond: Uniting Different Cultures and Identities, edited by Fusami Ogi et al. (Palgrave Macmillan)

Best Publication Design

Grunt: The Art and Unpublished Comics of James Stokoe, designed by Ethan Kimberling (Dark Horse)

Krazy Kat: The Complete Color Sundays, by George Herriman, designed by Anna-Tina Kessler (TASCHEN)

Logo a Gogo, designed by Rian Hughes (Korero Press)

Madness in Crowds: The Teeming Mind of Harrison Cady, designed by Paul Kopple and Alex Bruce (Beehive Books)

Making Comics, designed by Lynda Barry (Drawn & Quarterly)

Rusty Brown, designed by Chris Ware (Pantheon)

Best Digital Comic

Afterlift, by Chip Zdarsky and Jason Loo (comiXology Originals)

Black Water Lilies, by Michel Bussi, adapted by Frédéric Duval and Didier Cassegrain, translated by Edward Gauvin (Europe Comics)

Colored: The Unsung Life of Claudette Colvin, by Tania de Montaigne, adapted by Emilie Plateau, translated by Montana Kane (Europe Comics)

Elma, A Bear’s Life, vol. 1: The Great Journey, by Ingrid Chabbert and Léa Mazé, translated by Jenny Aufiery (Europe Comics)

Mare Internum, by Der-shing Helmer (comiXology; gumroad.com/l/MIPDF)

Tales from Behind the Window, by Edanur Kuntman, translated by Cem Ulgen (Europe Comics)

Best Webcomic

Cabramatta, by Matt Huynh, http://believermag.com/cabramatta/

Chuckwagon at the End of the World, by Erik Lundy, https://hollowlegcomics.tumblr.com/chuckwagon

The Eyes, by Javi de Castro, https://www.javidecastro.com/theeyes

Fried Rice Comic, by Erica Eng, https://friedricecomic.tumblr.com

reMIND, by Jason Brubaker, https://is.gd/T7rafM

Third Shift Society, by Meredith Moriarty, https://www.webtoons.com/en/supernatural/third-shift-society/list?title_no=1703

[shamrock96]

So I’ve been thinking about Polyamory lately...

I started watching this show called Siren where this couple meets a mermaid and all three of them slowly start falling in love with each other and this is my first exposure to polyamorous representation and I think it’s a great triad relationship the writers have going here to explain the more complex emotions involved in a polyamorous relationship.

If anyone gets bored gong through this or knows you’re in for a long post as least know that this is the main idea of this post before scrolling past it: The best kind of love is a healthy tender relationship to people you can trust and who love you unconditionally. 

Now I’m not poly myself, I don’t know what I am to be honest, so I don’t know what’s all involved. I’ve done research and I know that there are many different types of polyamory for it to just be whittled down to one example but what really strikes me and fascinates me about the polyamorous relationship depicted in Siren is the deep love and commitment each of the partners have with each other. 

In the past I’ve joked about polyamory in the sense “haha let’s just forget this bogus love triangle and have everyone just get together” and after hearing other people’s stories and learning about their relationships I know there’s a lot more to it than just saying “screw it, let everyone just have sex!”

So I’ve put together a list of other possible areas where other writers could have gone this way. Because representation is important and love triangles have become an extremely cliché and toxic trope in television and movies to the point I don’t think writers really know what a healthy relationship between partners looks like anymore. 

I got a lot of these from Triad of the Day but I just wanted to explain more in depth why I think these characters would be so good together

1. Veronica Lodge and Cheryl Blossom and Betty Cooper

So I’ve got to admit, I don’t actually watch Riverdale and this is probably a bad example to start with because my reasoning for these three being a triad is: just look at them. They’re obviously in love. And they can all still have their men on the side if that’s what they want but from what I’ve seen of gifs and on other people’s blogs, there is a strong feminine power here that transcends just being friends/frenemies/whatever. 

2. Harley Quinn and Catwoman and Poison Ivy a.k.a The Gotham City Sirens

Harley and Poison Ivy are already renown for their amazing sapphic relationship but I feel like Catwoman is a good addition to their love because of how often she gets snubbed by Batman (a man she clearly has feelings for a who has feelings for her) for embracing her darker side. Harley, more than anyone, understands being sidelined and downright abused by someone you care about and I think Poison Ivy would praise Selina for embracing the side of her that come more naturally. Harley and Poison Ivy already have a great and more or less healthy (as healthy as trauma inflicted villains can be) and Selina could really use some of that love in her life. 

This is also probably my inspiration for the whole Veronica/Cheryl/Betty triad I have above. 

3.  Kathy and Don and Cosmo

Again, so I haven’t really seen this movie in its entirety yet (just bits and pieces) but I’ve seen enough to know they were all just meant to be together. Especially in the “Good Morning” number where they talk about “danced the whole night through”. Like what is better than one person finding two other people they can laugh and have fun together until dawn? This just seems super figured out to me.

4. Miles O'brien and Keiko O'brien and Kira Nerys

This is one where I think things get a little complicated for so many reasons. For starters it’s a great example how a polytriad relationship works when children are involved. For those who aren’t familiar with Star Trek: Deep Space 9, the story between these three are that Miles and Keiko have been married ever since they were on Star Trek: The Next Generation. They even have a daughter who is about four when the couple are expecting their next baby. Due to a transporter malfunction Kira is accidentally impregnated with Keiko’s baby. This was the writers’ way of explaining Kira’s actress, Nana Visitor’s, own pregnancy (coincidently with other co-star, Alexander Siddig, but that’s a whole other story). 

Anyways, once Kira is unexpectedly carrying the O’Brien’s child she moves in with them so that they can still experience the pregnancy and become closer to their new surrogate. As a result Kira also becomes closer to the O’Brien’s and their daughter Molly. The birth of Kirayoshi is a really touching episode and it’s obvious that Kira has become extremely attached to the baby. After the birth the O’Briens make Kira Kirayoshi’s godmother (and also kind of name him after her) and she becomes a part of the family, like an aunt.

The only reason this gets complicated is because of Kira’s work relationship with Miles. While Kira and Keiko become super close and it could easily have turned into something romantic there’s not a lot of that bonding going on with Miles. And I know there are relationships where person A (Kieko) has a strong relationship with persons B (Miles) and C (Kira) but persons B and C aren’t as close, but my main objective in putting these characters together is to form a perfect triad where everyone loves and is loved equally. The writers could have also easily done this by having Kira and Miles bond more emotionally rather than professionally but they didn’t so we don’t get to see what that would have looked like except in fanfiction. 

5. Elphaba and Galinda and Fiyero

Like I think a majority of the fans of Wicked agree that these three were all in love one way or the other. Some ship Glinda and Elphaba, Glinda shipped herself with Fiyero, and the mainstream is that Elphaba and Fiyero utlimately belonged together. And while the musical puts a heavy emphasis on the “friendship” between Glinda and Elphaba, anyone who ever watches “For Good” can tell you that their relationship was way deeper than your average best friends or sisters for that matter. Not to mention in “One Short Day” the two fo them make a point of saying “we’re just two friends” “two good friends” “two best friends”. The whole “just friends” has been used to keep LGBT+ couples in the closet since forever. 

We also know Fiyero and Elphaba were given a wonderfully laid out relationship which has a very important role in the musical. Fiyero’s relationship with Glinda can be analyzed as what society wants to see vs. Fiyero and Elphaba’s relationship which is something society doesn’t want to see. Perfect vs. Unconventional. HOWEVER, Fiyero and Glinda did have a connection, so much so that Glinda did mourn losing him (to her “best friend” nonetheless). The reverse could also be argued that Glinda was mourning losing Elphaba to Fiyero. OR it could be argued that the two people she loved most ran off into the sunset (albeit, as fugitives) without her and she was left behind. In a polyamorous relationship nobody would be left behind singing a reprise of “I’m Not That Girl”. I haven’t seen the full musical in a while but I think Elphaba gave Glinda the chance to come with her and Fiyero and Glinda opted to stay behind in the public figure position she was given. I could be wrong about that, like I said I haven’t seen the musical in a while, but if I’m not wrong the that decision to stay behind could have all sorts of different analyses for the relationship between the three. 

Let’s not forget to mention that Glinda and Elphaba were ROOMMATES! Ok, memes aside, these three had a lot of chemistry and history together that bonded them. For me, one of the saddest parts of the ending wasn’t the “For Good” scene where Elphaba “sacrifices” herself because Glinda knew full well what Elphaba had planned with Fiyero, leaving Glinda as the last one standing and being the one left behind to fix the corrupt government in the land of Oz. She was sad because she knew Elphaba had to stay dead in the eyes of the people if she was ever going to live a normal life after all that had happened. The actual ending of the book is way sadder so I’ll take the canon ending of the musical any day but I can’t help but feel like the life Elphaba and Fiyero started after running off into their official sunset probably felt a little incomplete without Glinda. 

6. DJ Fuller and Steve Hale and Matt Harmon

THIS ONE. Never has an audience ever been given the run around about a heteronormative live triangle than they have been with Fuller House. As soon as I saw this on Triad of the Day’s list of polyamorous couples I was just like YES! When DJ chose Steve I was a little skeptical and torn. Both of these men seemed really great and had great chemistry with DJ. I stan the whole decision for DJ to choose herself the first time around and take some time to figure out who she was (especially so soon after the death of her husband). But immediately after that decision the writers went and gave Steve and Matt a great bro relationship. THEY EVEN HAD STEVE AND MATT KISS!!!! Although that was before they became friends. And they were SO into that kiss and we ALL loved it! The fact that it was used for laughs is such a pity. Fuller House could have pulled a Modern Family by creating a positive social commentary on polyamorous families and play off the title of the show (Fuller House) more than they already do by adding both men to the family. Instead one of them got pushed away and to be honest I stopped watching after season 2. I love the wholesome family vibes Fuller House gives out and even the ones given out by Hallmark (which Candace Cameron Bure and Lori Laughlin are major actresses in) but something these wholesome shows and tv networks forget is that you can represent LGBT+ relationships without the emphasis of sex. It’s like if someone were to pitch a gay Christmas romance movie to Hallmark the board would immediately say, “Nice idea, but this is a family friendly program.” My definition of family friendly is a group of adults who are in loving and healthy relationships with each other who all love and take care of the children in their lives. And my definition of wholesome is lack of profanity and vulgar humor and displays honest values (just for the record). 

Fuller House really missed out on taking a step forward into the modern age by not making these three a polyamorous triad. 

7.Victor Van Dort and Emily and Victoria Everglot

So I’m not sure about this one because I REALLY love how it ended (with Emily getting justice for her murder and then being emotionally liberated to the point she burst into a kaleidoscope of butterflies). Not to mention Emily and Victoria didn’t exactly get much bonding time throughout the movie though I think Emily can heavily relate to Victoria’s overly sheltered life and especially to getting screwed over in the marriage department (although Victoria luckily dodged that bullet). But I feel like that would make Emily (and Victor) all the more protective of Victoria when it comes to those who would abuse her. And maybe Emily could have taught both Victor and Victoria more about standing up for themselves. I know Emily can seem naive and like she doesn’t have much life experience (for obvious reasons) but we’ve seen how strong, powerful, and dedicated she is. I don’t think anybody would be surprised if Emily scorched the earth for Victor and Victoria. Also Victor needs some strong women in his life. I feel like the implications of what these three would have been like in a polyamorous relationship is pretty obvious and has no doubt been written about a thousand times in fanfiction. As much as I love Emily being released from what was tying her down to earth, this would have been a good alternative ending as well. 

8.  Tulio is dating Miguel and Chel

These guys. Need I say more?

I think I might because while we see the obvious attraction between Tulio and Chel and the fanmade art and fanfiction of Tulio and Miguel, that still leaves out the question of what Chel and Miguel’s relationship would be like. Obviously in the movie Miguel wasn’t a big fan of Chel moving in on his and Tulio’s “bromance” and while jealousy doesn’t have much place in an ideal triad relationship (from what I understand anyway), I think they could make good partners in crime. 

9. Flora and Fauna and Merryweather a.k.a the Three Good Fairies

Now these hoes. I’ve heard some dispute somewhere that they may or may not be sisters but I distinctly remember them only being referred to as “the three good fairies”. Older women (fairies) who have known each other for a very long time. But they dead ass raised a daughter together as mortals, in the same cottage for 16 years. We’ve seen said cottage and we’ve seen Aurora’s bedroom but anyone can see that there’s no way there was enough from in that cottage for 3 individual bedrooms or even one room for three twin beds (maybe bunk beds if they had existed in the 14th century). They’re depicted as incompetent characters in Malificent but they aren’t that way in the 1959 Sleeping Beauty. In fact, they’re portrayed as willing to do anything for their daughter. Not to mention the constant bickering of Flora and Merryweather being pacified by Fauna. That is typical married old couple behavior right there. Being 1959 there’s no way anyone was ready for a polyamorous triad of fairies in a children’s animated feature but that’s basically what they gave us. 

10. Nancy Wheeler and Steve Harrington and Jonathan Byers

This is also a hard one. Because similar to Glinda and Fiyero’s relationship Steve and Nancy were together for high school politics. In this scenario Steve is Glinda because he gets left behind to ponder on his life as a shallow popular high school king. But protecting Jonathan and Nancy with that homemade nail bat from that demagorgan is what any good partner would do for his other partners. 

The reason this one is tricky is not only because Steve got left behind but also because the relationship dynamic is pretty unequal. Because while Nancy and Steve are together at the beginning of Season 2, it’s clear they’re still putting on a facade that things can go back to normal for them during their senior year of high school. By the end of Season 2 Nancy is officially with Jonathan and Steve is not only left behind but he’s left behind to take care of the kids. 

Not to mention Steve and Jonathan don’t necessarily have a good relationship with each other. Although I think Steve has been humbled down in Season 3 after realizing his glory days are more or less behind him. But we don’t get a lot of interaction between these three anymore. 

I’m not really sure where I’m going with this one besides the fact that I think there’s some potential somewhere here. Especially with the introduction of Robin. I feel like she could be a great sexual awakening for a lot of the characters in this show. 

BONUS:  Bellamy Blake and Clarke Griffin and just about anyone

It doesn’t have to be Raven. Honestly it could be any character who has a good relationship with both Clark and Bellamy. I think it’s safe to say a majority of the fandom is holding out for Bellark to ride off into their sunset but I think they’d be pretty inclusive to someone else they have a strong relationship with. I haven’t watched the series in a really long time so I don’t know if there is a character left alive who fits that description but the characters have definitely formed a pack mentality of survival and sticking close. I imagine if they (Clark, Bellamy, and their third partner) would have kids they’d have the same protective circle. 

[telekineticseer]

harley ivy stans who did with them wally west flash fastest-man world ,son of krypton kal-el clark kent superman,michael carter booster gold ,and ted kord bue beetle and look see you lesbians genocidal maniac, false heroines harley quinn and poison ivy eco-terrorist kill mens , promote genocide and annoy the heroes is right and like injustice 1 2 dceased ,black little book, dceased,heroes in crisis, and others comic new 52 rebirth is that right?

Haven’t really been reading the comics..like at all. I’ve watched BTAS, BB, The Batman, Batman 66, Young Justice (The first two seasons anyway), Teen Titans, Titans Season 1, DC Superhero Girls, Doom Patrol, and Smallville, Supergirl, Arrow, Batwoman, Legends of Tomorrow, Flash, Justice League, Justice League Unlimited, Static Shock (growing up), as far as shows go, Seen first two Christopher Reeves movies, the Dark Knight Trilogy, Superman Returns, a number of the animated movies, most of the latest live action DCU movies except Joker, and I’ve played InJustice 1 & 2.

But your ask has me confused

And Harley’s like Anti-hero now right and she’s canonically Bi I’m pretty sure? So?

Also Ivy’s thing has kinda...been her thing since the Silver or Bronze age of comics?

Also I’m definitely not up to date with the 52 rebirth stuff so....what exactly are you asking?

[comicsholky-blog]

Kreslířky komiksů/Female comics artists

Amanda Conner

CZ: Ani první neúspěch v získání práce pro Marvel či DC ji neodradil. Amanda zdokonalovala svoji techniku a zároveň pracovala v komiksovém obchodě. Až po opětovném předkládání svého portfólia ji Marvel nabídl pozici a tak začala kreslit 11 stránkovou Yellowjacket. Podílela se na spolupráci s Archie Comics a pozdějí přešla k DC Comics, kde se ujala práce na Power Girl a dalších členech Superrodiny jako např. Krypto a Streaky. V současné době kreslí postavu Harley Quinn a je kreslířkou oceněná jako 2. nejlepší komiksová kreslířka všech dob.

EN: After not getting the job at Marvel or DC Amanda haven’t given up and pursued to perfect her skill first while working at a comics store. After several interviews and sent portfolios she finally got a contract with Marvel and her first assigment which was an 11 pages long side story of Yellowjacket. She also worked with Archie Comics and later came to work with DC Comics where she took on Power Girl and other members of the Superfamily you know and love, I’m talking about Krypto and Streaky of course! Currently she draws Harley Quinn. Amanda is rated as 2nd best female comics illustrator of all time.

• Harley Quinn • Power Girl • Supergirl • She-hulk • Batgirl • Wonder Woman •

Fiona Staples

CZ: Držitelka několika ocenění Eisner, Harvey a nespočet dalších. Její jméno je vám určitě známo, je na obálce úspěšné komiksové série Sága. Kariérní dráhu začala u méně populárně známých děl -  Amphibious Nightmare, Trick ‘r Treat. Spolupracovala Frazerem Irvingem na 2000 AD. V roce 2012 vyšel první díl Ságy od vydavatelství Image Comics. Autor komiksů Brian K. Vaughan rád chválí jí a její styl, který získal velkou oblibu u fanoušku. Natolik velkou, že v roce 2015 byla Fiona zvolena 1. nejlepší kreslířkou komiksů.

EN: A multiply winner of the Eisner Awards, Harvey Awards a many more. You are surely familiar with her name after hearing of the worldwide fenomenon  Saga. Her carreer started off with less known titles such as Amphibious Nightmare or Trick ‘r Treat. Along with Frazer Irving she coloured art for 2000 AD. Under the Image Comics publisher the first issue of Saga was released in 2012. After that she immediatelly got recognized by loving fans who voted for her to be the number one best female comics artist. Her colleague and author of Saga Brian K. Vaughan often compliments her beautiful and unique style at every given moment.

• Saga • DV8: Gods and Monsters • T.H.U.N.D.E.R. Agents • Archie •

Becky Cloonan

CZ: První žena, která v roce 2012 kreslila prvního titulního Batmana od jeho vzniku roku 1939. Jeji práce byly nominovány na dvě Eisner ceny. Kreslí pro nejznámnější komiksová vydavatelství - DC, Vertigo, Marvel, Dark Horse. Pár děl vydávála i sama, pravidelně kreslí obálky ke komiksům. Podílela se i na vytvoření kreseb ke komiksu The True Lives of the Fabulous Killjoys, jehož autorem je Gerard Way. V žebříčku nejlepším komiksových kreslířek všech dob je na 3. místě a je jednou ze dvou žen, které jsou v žebříčku 50 nejlepších kreslířek a zároveň autorek komiksu. 

EN: The first woman to draw the main Batman title since 1939. Her works have been nominated for the Eisner Award two times and her list of publishers she worked for include DC, Vertigo, Marvel and Dark Horse. Some of her works were slef-published. In 2013 Becky created arts for Gerard Way’s comics series The True Lives of the Fabulous Killjoys. She was voted to be the third best female comics artist of all time and only one of two women to be on the list of the best 50 female comics artists and writers at the same time.

• Batman • Gotham Academy • The New Avengers • Young Avengers •

Emma Rios

CZ: Španělská kreslířka, spisovatelka a editorka komiksů. Její práci můžeme najít u vydavatelství Marvel, Image a Boom! Studios. Má vystudovanou architekturu a sama se naučila kreslit, při čemž následně přešla ke komiksům úplně. Na kontě má i jednu Eisner nominaci za Nejlepší ilustrátorku. Pro Marvel pracovala na titulech Doctor Strange a Amazing Spider-man. Spolu s Kelly Sue DeConnick tvoří titul pod názvem Pretty Deadly. V současné době spolupracuje s malajsijskou umělkyní Hwei Lim na pokračujicím titulu Mirror, který je popisován jako mysteriózní a mytologický s krásnou lehkou kresbou vodovými barvami.

EN: An artist, writer and editor of Spanish origin, Emma is worked with Marvel, Image and Boom! Studios. She graduated in architecture but soon switched to comics completely after self-teaching in drawing art. She was also nominated for the Eisner Award for The Best Illustrator. Her Marvel works include Doctor Strange and Amazing Spider-man. Together with Kelly Sue DeConnick she created a comic novel Pretty Deadly. Today Emma works on an ongoing series Mirror alongside her colleague Malaysian artist Hwei Lim. The art book uses a watercolor technique and the finished result looks very light and truly beautiful.

• Pretty Deadly • Hexed • Mirror • Doctor Strange • Amazing Spider-man •

Alison Bechdel

CZ: Znáte Bechdel test? Byl pojmenován právě po ni. Využívá kreslených karikatur k vyprávění často autobiografického příběhu. Její nejznámější dílo vycházejicí v letech 1983-2008 se jmenuje Dykes to Watch Out For a soustřeďuje pozornost na přehlížené lesbické postavy v popkultuře. Proslavila se v roce 2006 komiksovým memoárem Fun House, který byl uveden i jako muzikál a získal cenu Tony (muzikálový “oskar”) jako nejlepší muzikál roku 2015. Ve svých dílech si dává za cíl představit ženy, co nejvěrohodnějí, a to bez ohledu na jejich sexualitu nebo i gendrovou shodu, jak je tomu u samotné Bechdel, která se neidentifikuje žádným konkrétním pohlavím. 

EN: Have you heard of the Bechdel test? I bet you did and now you know it was named after Alison. She’s a cartoonist who tells her autobiographic stories. The most prominent one would be the long-running cartoon Dykes to Watch Out For that was published from 1983 and 2008 focusing on lesbian characters and their everyday lives. Bechdel came to commercial success in 2006 after releasing her graphic memoir Fun Home which was later adpted as a musical that won a Tony Award for the Best Musical in 2015. In her works she focuses on showing real women as true as possible regardless of their sexuality or gender conformity. Same as it is in Bechdel’s case.

• Dykes to Watch Out For • Fun House • Are You My Mother?: A Comic Drama •

Colleen Doran 

CZ: Vytvořila ilustrace pro díla Neila Gaimana, Alana Moora, Warrena Ellise, J. Michaela Straczynskiho a mnoho dalších. Je držitelkou ocenění Eisner, Harvey a International Horror Guild. V pěti letech vyhrála talentovou soutěž pořádanou Walt Disney a již ve svých 12 vytvořila první komiksovou knihu. Po dokončení umělecké univerzity se dostala ke spolupráci se světoznámými vydavatelstvími jako jsou Image, DC a Marvel. Pracovala na mnoha dílech, která všichní známe a tolik milujeme. Colleen je právě tou druhou již zmíněnou oceněnou komiksovou kreslířkou a zároveň autorkou. Takové ženy jsou v žebříčku nejlepších 50 jen dvě. Za svou kariéru často spolupracovala i přímo se Stanem Lee.

EN: She illustrated theworks of Neil Gaiman, Alan Moore, Warren Ellise, J. Michael Straczynski and many more. Colleen holds numerous Eisner and Harvey Awards, and also the International Horror Guild Award. At the age of 5 she won an art contest held by the Walt Disney Company and created her first comic bok when she was only 12 years old. After graduating from an art university she got to work some of the most famous comics publishers (Image, DC and Marvel). You are certainly familiar with many comic titles she worked on. With only two women being ranked as the best 50 female comics artists and writers at the same time, Colleen is one of them. During her carreer she often worked directly alongside Stan Lee.

• The Sandman • Wonder Woman • Teen Titans • The Walking Dead • The Legion of Superheroes •

Marguerite Sauvage

CZ: Působí především jako ilustrátorka, autorka komiksových obálek a zaskakujicí kreslířka pro DC. Mezi její klienty patří nesčetné množství vydavatelství a soukromí a firemní zákazníci. Tudíž nejen DC a Marvel, ale i spousta automobilových, módních a populárních značek. Celý výčet zde. V Paříži vystudovala právo a PR a po absolvování působila v mnoha různých kreativních odvětvích zahrnujících tisk, reklamu a publikaci. Je držitelkou mnohá ocenění včetně ceny Eisner a u populárních komiksů jste si jeji práce mohli určitě všimnout u série DC Bombshells. 

EN: She works primarly as an illustrator, comics cover artist and the backup artist for the DC. Her customers come from various backgrounds, from the famous publishers to personal and corporate clients. Which includes not only DC or Marvel but many famous motor, fashion and other companies. You can find the full list here. After studying Law and Communications in Paris she proceeded to work and gain experience in many other creative industries such as print, advertising and publishing. Marguerite recieved several prizes including one Eisner Award. You have probably heard of the now famous DC Bombshells series which Sauvage also worked on.

• DC Bombshells • Shade, the Changing Girl • Justice League/Power Rangers •

Emanuela Lupacchino

CZ: Italská kreslířka, ilustrátorka a autorka několika komiksových obálek. Emanuela nejdříve pracovala pro italské vydavatelství, kde pracovala na sérii  L'Insonne. Její první zkušenosti s americkým vydavatelstvím bylo IDW, pro než se podílela na titulech Angel: Only Human a Star Trek: Deep Space Nine. Časem však poslala své portfólie do Marvel a DC na posouzení a získala práci u Marvelu, kde dostala na starost X-factor. Netrvalo dlouho a Emanuela se stala jednou z nejžádanějších kreslířek na komiksové scéně. Dnes kreslí stále vycházející sérii Supergirl: Rebirth. 

EN: An Italian artist and illustrator, she first worked for the Italian publisher on series called L'Insonne. Her first experience in the US started with the IDW publisher where she worked on titles Angel: Only Human and Star Trek: Deep Space Nine. How the time went by Emanuela grew more ambitious and submitted her work to an open audition for Marvel and DC, leading her to get a job with Marvel’s series X-factor. It did not take long for her to gain recognition and love from her fans to become one of the most demanded comics artists today. You can follow Emanuela in her ongoing series of Supergirl: Rebirth.

• Supergirl • Superwoman • DC Bombshells • Superman: Lois Lane • Starfire • Wonder Woman • Catwoman • Trinity •

- Kara