#i’m not great at writing characters just for future reference

[hammysamhah]

Tag Along AU pt 1

part 2

yes i’m finally doing something with this idea mwahahah!!! this is a bang together au where guy diamond joins in on the adventure and this is how it begins!!!

uh ignore the coloring error on the first few images LOL

[wolfofansbach]

BEING A LIST OF THE THIRTEEN GREATEST RIVERDALE LINES, ON THE OCCASION OF THAT SHOW'S TERMINATION

As our much loved/hated show comes to an end, I feel compelled to record, for posterity, the greatest thirteen pieces of dialogue to spring from the pens of RAS and his henchmen. It was, of course, originally a top ten list, but I simply could not exclude a few of these treasures. Without further ado: 

13. 

“I dropped out in the 4th grade, to sell drugs, to support my nana.” 

“That means you haven't known the triumphs and defeats, the epic highs and lows of high school football.” 

Spoken by: an inmate of Leopold and Loeb Juvenile Detention Center, and Archie Andrews. 

In: 3 x 2 

Yeah, okay, this one had to be on the list. It’s funny, I’ll admit. It’s a great example of the overwrought semi-sincere melodrama that helped make this show so special. It’s low on the list largely because The Normies got their hands on it, so every time I hear someone make a reference I get all “do not cite the deep magic to me, witch.” 

12. 

“No! No! What are we supposed to do now? I’m horny as heck!”

Spoken by: Archie Andrews 

In: 7 x 16

Season 7 is undeniably dreadful, and yet there are diamonds in the rough. The occasion is the failure of a projector, just as Archie and Reggie prepare to watch a pornographic film. The utter desperation with which KJ Apa delivers this line is exquisite. One is made to feel they are witnessing a genuine tragedy. 

11. 

“Tonight, they’re making an exception and debuting a cover of the song my parents claim they were listening to the night Jason and I were conceived.” 

Spoken by: Cheryl Blossom. 

In: 1 x 1 

Really a fantastic line. A wonderful encapsulation of the casual absurdity of Cheryl’s character, and a foretaste of the lunacy we would plumb in later episodes and seasons. 

10. 

“In case you haven’t noticed, I’m weird. I’m a weirdo. I don’t fit in and I don’t want to fit in. Have you ever seen me without this stupid hat on? That’s weird.” 

Spoken by: Jughead Jones

In: 1 x 10

A genuine classic. “High school football” before “high school football.” One is never entirely sure just how sincere the line is meant to be, both on a meta-level and in-universe. A perfect illumination of Jughead’s pretentiousness. It is made all the better by the occasional cuts to Lili Reinhard’s agonized face. 

9. 

“At the last dance, multiple students were murdered.” 

Spoken by: Principal Holden Honey. 

In: 4 x 2

Delivered as an explanation to Toni and Cheryl, as to why there would be no school dance this year. Principal Honey is in fact supremely rational in the cancellation of this dance. This being Riverdale, he is of course treated as an unreasonable tyrant. 

8. 

“Bro, I know all the secrets of this universe.” 

Spoken by: Archie Andrews (evil version)

In: 6 x 5 

Spoken as evil Archie reveals his evil plan to keep the parallel universes apart. KJ Apa’s delivery once again makes this line. He is comically sinister. Strangely, he sells it. 

7. 

“A Vughead kiss, right now, in the present might be precisely what it takes to save a future Bughead from imploding.” 

Spoken by: Jughead Jones. 

In: 2 x 14

One of those lines that both makes me laugh and makes me genuinely angry. This was a fairly early season, and this may have actually been the first line to get me asking, ‘did they genuinely write and deliver that?’ Extra points for use of the atrocious ‘Vughead’ portmanteau ship name rather than ‘Jeronica.’ 

6. 

“I’m the ultimate wild card. I am the daughter of The Black Hood. The nightmare from next door. I’m training with the FBI and I’m coming for you, you psycho bitch.” 

Spoken by: Betty Cooper

In: 4 x 14 

Just delicious. Another one of those lines that leaves you somewhat unsure whether or not the writers understood how genuinely hysterical it was. “The Nightmare from Next Door” sounds like an announcer hyping up a wrestler. Spoken with a raw sincerity by Lili Reinhart. Also points for the heavy homoeroticism between Betty and Donna. 

5. 

“For I am Cheryl Blossom, Queen of the Bees.” 

Spoken by: Cheryl Blossom.

In: 5 x 16. 

This one really doesn’t require any elaboration. 

4. 

“Elijah ascended…and I will, too.” 

Spoken by: Edgar Evernever.

In: 4 x 5. 

Admittedly, this one is only spectacular with context. But in context—the context being that Chad Michael Murray delivers this line while dressed like Evel Knievel and standing in a cartoon rocket right out of a Warner Bros cartoon—it becomes utterly magnificent. 

3. 

“It’s not queer baiting, it’s saving the world.” 

Spoken by: Veronica Lodge. 

In: 6 x 22. 

It’s actually hard for me to decide whether this one is funnier with or without context. Without context it’s wonderful, but it possibly becomes even funnier when you know that the context is that Veronica needs to kiss Cheryl to transfer superpowers into her body so she can turn into a Scarlet Witch knock-off and stop a magic comet summoned by Sephiroth an English wizard who is also the Devil. 

2. 

“If there’s no wedding reception, it means the Gargoyle King has won.” 

Spoken by: Kevin Keller. 

In: 3 x 12.

One of my personal favorites. This is a perfect line because like #3, it requires no real elaboration. There is absolutely no context in which it isn’t hysterical. 

1 .

“Word of my exploits serving Nick his comeuppance has seeped into the demimonde of mobsters and molls my father used to associate with, so the five families are sending their youngest and brightest, their ‘princes,’ as it were to, well, come court the rare Mafia Princess who can belly up to the bar with the big boys.

Spoken by: Veronica Lodge. 

In: 2 x 20. 

This is, in my opinion, the all-timer. Every word is perfect. The rapid-fire alliteration. The use of the word ‘demimonde.’ The entirely unnecessary addition of ‘as it were.’ This is borderline Dr. Seuss. The fact that Camila Mendes delivered it without cracking a smile should have won her an Emmy. No. An Oscar. This line is Riverdale. 

[rellsingsovern]

In my notes during this whole season I’ve kept track of loose ends and just other plot points I think could make for a great senior year (which now seems likely that we will get down the line in the future) and this finale gave me almost everything I wanted and more so here’s what I think we’re gonna see (plus things that I just rly want to see lol)

-first and foremost, BARON IS STILL IN RIZ’S BRIEFCASE!!! the spectral mordred manor probably is not there as that was a haven sent out by cassandra during all the divine interventions in falinell and the bad kids dove in as a last second decision, but baron is still definitely there. ‘I am somewhere always close to Riz Gukgak’ and while everyone’s journey with their sexuality happens on their own time and Riz shouldn’t have to come out if he doesn’t want to yet, now that he’s coming to terms that his friends might not always be together in the way he wants to I think it would be healing for him to fully confront and accept his aro aceness and have support with that and realize that even if they can’t be physically together his friends won’t leave him for other relationships

-Fabian is getting a new baby sibling, but that is not the only sibling he’s ever had. James Whitlaw made references to his half siblings from Bill that he killed and ate, I am POSITIVE that at least one is still out there and probably has it out for Fabian (as Bill married Hallariel, raised Fabian, and dragged his ship into solace to give him a new life) and an arc where Fabian has to defend himself against an older sibling while growing to love his younger would be amazing to see

-kalina, bakarath, bobby, and buddy ofc, I’ve been wondering where kalina has been this whole time, and I want to see more of bobby getting what he deserves. Cassandra’s been through a fucking lot this season but her familiar apparently might be a big bad along with arianwen again so sorry cass but the cat’s gotta go. she still directly got pok killed riz deserves to hunt her down and avenge him a second time

-speaking of, Arianwens been making moves in sylvaire! Adaine and aelwyn will surely kill her but from the looks of it even though she got her magic taken away she may have some sort of power. Cant wait for these sisters to be able to live immortal lives without their parents looming over them

-BUCKY APPLEBEES!! bucky, a paladin of cassandra, gathering the courage to ask Kristin for help getting bricker and cork out of the Applebees residence, maybe moving into mordred and everyone immediately being enamored with these cute little boys who honestly might turn out to be mumple instead of wanting to attend the adventuring academy and Kristin being so happy they aren’t being raised in a pressure cooker anymore and affected like she and bucky were affected, happy that they can be normal kids (and in being around Kristin’s other sisters, adaine and fig, Kristin ends up getting that sister she always wanted in bucky too)

-I’m so happy Fig is getting what she wants and realizing she doesn’t want to finish Aguefort, and it would be awesome if she got a new character and the bad kids took on a new party member for the year played by Emily so all the intrepid heroes are still together, but Fig could be hanging out between mordred and Seacaster and leviathan and Hell, writing music and helping Kristin spread word of the cassandra/Ankarna pantheon through it, and since in sophomore year we saw Penelope dayne daybreak and Johnny spells all kicking it in hell maybe Jace (who ik was a minion mostly but hey he could be evil on his own) is down there with some other bad kid nemeses

-more Galicea and Sol. Sol canonically was all for bringing Ankarna into the pantheon of himself, his sister galicea, his other sister cassandra, and his son helio. It was Sol’s followers who saw Ankarna brought in as another god of the sun and brought about the ruin and corruption of Ankarna alongside the house of sunstone in order to get more power for themselves with just the one solar deity existing. Both Sol and Galicea (and maybe helio) have been hardcore shaped by their followers, Galiceas wolfish side being repressed by the high elf state of falinell and being brought back through wolfsong, and Sol with the human clerics of highcourt scheming to make him the only god with a sun domain despite him officiating and welcoming Ankarna as his sister in law through the marriage. Plus if we get galicea arcs we defo get Kristin and tracker messy lesbians arcs

-Gorgug perfecting his new subclass he invented and Kristin enjoying being student body president! She deserves it, I hc that the only academic sort of thing Kristin cared about before this year was the lgbtq+ club and now she’s extending that energy into everything with the help of Riz, who cannot get off of coffee someone help this poor boy. And since Ragh and shellford have graduated I want more Torek Railgrinder, she’s so cool let’s flesh her out more. Gorgug thinking about how to teach other multiclass barbarian/artificers and perfecting all his awesome inventions (and dating both Unit and Mary Ann bc it’s what his poly ass deserves)

Basically the potential plot I see for senior year is almost a mirror of sophomore year: baron getting out and fighting Riz and the bad kids defeating him for good, the bad kids heading to leviathan after hearing rumors of a pirate calling themselves a child of Bill Seacaster looking for Fabian, heading to falinell to see what’s new with wolfsong and tracker and maybe seeing some changes in Galicea or Sol, heading to hell and meeting up with Fig for a portion (she doesn’t go to their school anymore! she ain’t gotta go on this senior year spring break quest!) who’s been hanging out in hell, tracking Jace and other enemies, establishing her power as an archdevil of the first layer of hell, writing awesome music, and finally back to sylvaire to figure out what the fuck is up with kalina and arianwen and this weird new god buddy has and they all graduate and head their separate ways but they still love each other and see each other all the time they’re family and they’re badass and they’re perfect

[stemclann]

Hi! i’m going around asking different clangens for different clangen reccs bc I’ve been interested in reading more! Do you have any reccs?

Oh I DO !!!

A lot of the blogs I follow feature heavily stylised characters and colorful pages, wich I love. For some of them I'm not even quite caught-up but I just love seing their art coming across my dash because I love making my tumblr feed an inspiring place (don't we all) Also, I'm fairly new to the Clangen side of the WC community tbh, so some blogs featured here might be already pretty well known in the community.. But who doesn't love a nice shoutout <3 🥰 For some of these blogs I don't know wich pronouns their user might want to be used, so I'll refer to them as they/them.

☁️ First off, the blog that litteraly inspired me to start my own : https://www.tumblr.com/vaporclan @vaporclan // I just LOVE their character designs and expressions. plus the intrigue is REALLY GOOD. They also have a side-blog wich is very promising : 🐅 https://www.tumblr.com/tigeroftheskies

💧 Second one that I came across : https://www.tumblr.com/moons-of-dewclan @moons-of-dewclan // BEAUTIFUL artstyle. The composition of each page is gorgeous and the ambiance is always on point. Can't wait to read more about their traumatized cats.

🪴 @gray-thistleclan // I realize from the amount of notes that their art is already pretty well received in the community, but I LOVE the character designs featured on this blog, plus the intrigue is really unique and fairly new in the WC community (depending on if you were here when we all thought Bramblestar was gonna get rabies lol) But yeah, gorgeous art with very intense moments of drama!! Can't wait to read more!!!

🪩 splinterclan.tumblr.com @splinterclan // Artstyle is *chef kiss*, immaculate, very modern, I love the way they portray their character interactions it's always very believable.

🍄 https://www.tumblr.com/sporeclan @sporeclan // First of all how great is this Clan name --- Second, I found this blog throught the official Clangen blog, and fell in love with the way the artist composes her pages, it's beautifully done. Her colour palettes are also very pretty, and tho I'm not perfectly caught up with the intrigue I admit that I followed her when I saw the family tree she composed for her allegiances. Very efficient, beautiful, and the expressions are very cute.

🪷 @lotusclans-luck // This blog is kinda on hold right now but their artstyle is just a joy to watch, very delicious, I would eat it for breakfast everyday. Very 2D animation style, I can't wait to see more of their art in the future if they update it !

🐌 @snailstep-and-her-clan // The story here is really interesting, I love the main character, Snailstep, and her developement. Also, the character designs (I feel like I'm saying it about every blog ahahah) and colour palettes of this blog are so cute, unique, and original. I love when artists have fun with their palettes,, ugh...

🌿 @juniper-clan // This artist has been posting about his clan for almost a year now, and I LOVE how it evolved. It's very refined, the setting is unique and their characters have a beautiful depth that's a joy to explore. I can't wait to read more about Heronstar, she might be one of the characters I like the most out of all these blog listed. (With Snailstep)

🔊 loudclan-clangen.tumblr.com @loudclan-clangen // Very unique and interesting artstyle, designs are handeled with a lot of care and efficiency, you just can feel that the artist knows her characters on the tip of their fingers. Alos, character interactions / jokes are GOLD omg the writting is so good. I wanna be able to write such good dialogue that naturally (but the neurodivergence is holding me BACK fljgdjgs).

𓀒 fallenclan.tumblr.com @fallenclan // The story is immaculate and I can't wait to read more even tho there's so much lore that I know I won't be able to keep up entirely 🥹 But the artstyle is very efficient here as well and the character designs are very memorable. Once again, character interactions are on point and very natural, it's a pleasure for the eyes.

🦋 @the-blight-of-mothclan // Who doesn't love a good lineless artstyle ?! It's so pretty, and the soft colour palettes pleases my eyes a lot. Beautiful backgrounds also ! It must take so much time to paint those, couldn't be me 😭

And finally :

🎍 @black-buttercup-clangen // HUGE inspiration when it comes to palettes. I don't know how they manage to make their art so textured with such effective and "simple" (NOT derogatory, quite the opposite) details. The artstyle is SO effective and the colour palettes are just beautiful. Go check them all out they all deserve support and love <3 I hope I helped you discover some gem that you will like :D 🤌🏼 🎨 Also, for more discoveries, you should DEFINITELY check out @officialclangen - They often reblog some very interesting and cool blogs, that's how I came across a lot of these.

[edgy-ella]

IDW SONIC READERS, PLEASE READ THIS!!!!

I am begging you. On my hands and knees. Begging. More so than anything else I’ve asked of this fandom.

Please please buy the Fang miniseries when it comes out

Don’t just read it. Buy it. I will admit that I’m very guilty of reading through a lot of IDW Sonic through…less than legal means, and I know I’m not alone in that regard. But I think it’s really important that for this miniseries in particular, you actually go out and buy the damn thing. Show your support with your dollar.

Really think about it for a second—they gave Fang his own miniseries. Fang! An underutilized, underrated fan favorite for sure, but hardly a mainstay of the series. I’m sure that this was at least somewhat prompted by Superstars, where Fang is a major antagonist…but Bean and Bark weren’t in that game, and it already received its own online promo comic prior to the game’s release (notably, with Fang as the star).

Classic Sonic stories have also exclusively been relegated to one-shots in IDW, not a full on miniseries like what Fang is getting. Basically all of the IDW Sonic miniseries we’ve gotten so far have been plot relevant side stories to the main IDW comic that focus on side characters with little to no involvement from Sonic himself. Tangle and Whisper, Bad Guys, Impostor Syndrome…the only odd man out besides this Fang miniseries is Scrapnik Island.

Really think about it for a second. FANG is getting his own focus comic BEFORE KNUCKLES.

And that’s why it’s so important that we buy it.

I think Sega is using this comic to test the waters to see if people like Fang and want to see him in more future projects—be it comics, games, or even cartoons. But there’s more to it than just that.

See, Superstars hasn’t been doing that great. I know I said in an earlier post that people seemed to like it, but I retract that statement. It was damned by faint praise at launch, and now most of the discussion I’ve seen surrounding the game revolves around its flaws (chief among them being the middling OST and that the Steam version stealth installs an Epic Games service along with the game). No sales numbers have been projected as of writing, but it’s definitely been beaten out by Mario Wonder and Spider-Man 2.

So, Classic Sonic games aren’t doing too hot right now (I’m sure that many modern fans are jumping for joy at the prospect). But the classic characters are.

People really like the extended classic Sonic cast, just as much as they love the extended modern cast. From my experience, the two fan favorites are Mighty and Fang. Fang stands out to me in particular for a couple reasons: people were really upset that Sega specifically said no to Fang, Bark and Bean coming back after Ian snuck in a reference to them in IDW Sonic #3 (using their old team name from Archie, the Hooligans), and the fanmade 16-bit remake of Triple Trouble, Fang’s debut game, received private praise from many members of Sega and Sonic Team. People like Fang and the media he’s in, and Sega is starting to take notice. That’s why we’re getting this miniseries.

That’s why it’s so important that the miniseries sells well. If the big boys at Sega and Sonic Team see Superstars’ iffy reception but see Fang’s comic sell above expectations, then Sega will want to continue to use Fang (and potentially other “classic” Sonic characters as well) in more narrative driven projects. That means modern Sonic.

“But Sega won’t let any classic Sonic character into a modern Sonic project!” I hear you thinking. And to that I say, so? Sega changes its mind all the time. Remember that whole two worlds nonsense? That was thrown out with in Tailstube. Characters debuting in Boom and the comics were previously barred from the mainline games, but they’ve broken that “rule” in both Speed Battle and Frontiers. Hell, they’ve even been talked out of some of their sillier comic mandates, like characters not being able to wear different clothing.

For all their flaws, Sega does listen, and money speaks louder than anything. If this miniseries fails, Sega will just assume that people aren’t hot on Fang or the extended classic cast anymore and throw them back in the bar. But if the comic sells well, then Sega might take it as a sign that, hey, people like this character (and his two lackeys), we should put him in projects that fans are more interested in. Mighty and Ray probably wouldn’t be too far behind, especially given Mania’s success. Whether that means comics or games, modern or classic, who knows. What’s important is that it sends the right message to Sega, and they will listen to their consumers. That means us. If we don’t support this miniseries now, we might have to wait another thirty years for another chance.

[leaawrites]

Poetry Confessions

Elijah Hewson x fem!reader

Summary: writing poetry with Eli.

Wordcount: 0.9k

TW: none

A little appreciation post and a (late) happy birthday to one of my favourite irish lads, Elijah Bob Patricius Guggi Q Hewson.

Masterlist

Softly the rain outside played a melody she wanted to capture but just didn’t know how. It was such a sweet, soft sound that couldn’t be described in words. It was a echo but nothing more. Some sensual beating of natures heart. How could you capture a heartbeat?

The door creaked open and was shut close shortly after. Eli carrying in two mugs for the two of them. Both filled with the tea of their preference. The smoke of it was dancing through the air before dissolving into nothing. Cooling off.

He put them on his table before turning around to talk to the girl, who was sitting on his bed, about the song they were just about to write.

He invited her over to his after reading a bit of her poetry by what you could call rather an accident than for the reason of her offering it to him. Rob had given it to him, explaining that it was from a friend and that he should hold the papers for him while he set up his bass. The words memorized him and he could imagine a rhythm behind it. It was as if they were his own, but at the same time they weren’t. They told a story he saw himself in but he wasn’t the main character. They felt like one. Sharing a mind.

After talking to Rob about it and inviting her to a band practice before going to his home, she agreed to work with them. At first, she was mad at Rob for just handing the papers out like they were free advertisement and embarrassed that someone else besides her closest friends read her most conscious thoughts, but the lads were nice and she quickly bonded with them, which made her appreciate it a little more. Plus, she was now actively working together with people that she was convinced had a great future in front of them. For most people, you could tell if they were gonna be stars in their future at the mere age of 17, but with them, you just knew.

“What are you thinking about?” Eli asked, sitting down next to her. His eyes switched between her profile and the world outside his window. He watched the rain but to him it was a rather ordinary thing to admire.

“It’s beautiful. The rain, I mean. It’s so loud but so gentle,” she explained, turning her head to look at him. “I’ve tried writing about it, but I never really got to capture it’s beauty quite like I hoped to. It always seemed off.”

He had never heard anyone talk about nature like that - besides Bobby’s endless speeches about birds. But that - the rain and it’s magic - he understood it - not like the birds. He just sat there and watched her like he couldn’t comprehend she was real. What a mind, he thought.

“I think you can’t capture the most beautiful things in something like words or pictures. Reality is always more fascinating,” he answered, watching her to make her understand what he was referring to. Her.

“I don’t think that’s true,” she argued, pulling her legs up to sit cross legged opposite him.

Eli did the same, turning so he could look at her fully. “Then how do you explain your struggle with writing about rain?”

She shrugged. “Maybe I’m just bad.”

“When you’re bad then I’m horrible. No, even worse than horrible. A total disaster,” he joked, making her laugh. “You wanna test it?”

“How?” She asked, intrigued by his offer.

“We each write one poem about something that we find semi beautiful and one thing that we are fascinated by. Then we see which one is better,” he explained his idea.

“That’s not gonna work,” she said.

“You don’t even wanna try? Party popper,” he said, looking bored at her.

She laughed at his behavior before finally agreeing to his offer. “Which one do we write first?”

“The semi beautiful,” he decided.

Getting paper and two pens, he hands her what she needs before they both think and create.

“I say, we write the other one now and then we compare them together,” she said after they both finished writing their first poem.

They kept on writing, letting their creative stream lead them where they went with their poem. Y/n noticed, how every 2 seconds, Eli would look up at her and watch her for a moment before continuing writing.

“Can you please stop looking at me?” She asked, feeling small under his gaze.

He was still writing, so when he heard her talk he quickly looked up. “Sorry, what?” He asked, still half immersed in his lines and verses. Not expecting her to voice anything while concentrating.

“I don’t like when people look at me when I write, so could you please stop that?” She asked him.

She didn’t want to be rude, but she felt uncomfortable when she knew someone was watching her while she was willing to write about something personal. It was a nagging feeling she couldn’t shake off. Some distaste she imagined reflecting in their eyes, disgust of her mind. Some sort of making fun of her while writing. She felt insecure with the knowing of eyes watching her, afraid she might fail in front of them.

“Can’t do,” he said, deciding to just shoot his shot. Now or never, right?

“Why not?” She asked, putting her pen down on her paper and looking at him.

“I have to focus on my subject while writing.”

[obscured-everything]

​​OBSCURA trailer analysis & theories

The OBSCURA trailer is very pretty (watch it if you haven’t already <3) and is also full of interesting symbolism and snippets of Latin. In this post I’m going to be manually translating and providing notes on the Latin, as well as discussing what the numbers mean and giving my own plot speculations. SPOILERS for OBSCURA’s Chapter 1 with every love interest. 

I’m going to be working with the theory that the numbers correspond to the Major Arcana in a Rider–Waite–Smith tarot deck. I’ll be pulling tarot card information from A.E. Waite’s 1910 book ‘The Pictorial Key to the Tarot’, where he discusses the symbolism of the images in the cards and provides divinatory meanings. 

Shoutout to @/starlitmanta and @/mostlygayrage for posting their own analyses before me! I got inspired by both of them to both write down my thoughts and then actually finish the post after leaving it for months lol. @/mostlygayrage has some interesting stuff on the imagery and also delved into the Latin! Although he took it as one sentence which I won’t be doing – I’m going to take the double forward slashes as an indication of a break. 

Disclaimer that I haven’t formally studied Latin in years so if there are any errors feel free to point it out in the notes! 

Cirrus

18. Presbyter // Ecclesiae lunaris XVII: The Moon. Priest // Lunar churches 

18. Obsequium // ducit ad caelum Obedience // he leads to heaven TL notes N/A Tarot meaning To quote Waite, “The moon is increasing on what is called the side of mercy… the path between the towers is the issue into the unknown. The dog and wolf are the fears of the natural mind in the presence of that place of exit, when there is only reflected light to guide it…the message is: Peace, be still; and it may be that there shall come a calm upon the animal nature...” 

Upright: Hidden enemies, danger, darkness, terror, deception, occult forces, error. Reversed: Instability, inconstancy, silence, lesser degrees of deception and error. Speculation I think we can all agree that Cirrus is not trustworthy, hence danger, deception, occult forces etc. Nevertheless, Vesper (if you’ve got a good ending, at least) puts great degrees of trust in him. ‘A calm upon the animal nature’ calls to mind his odd ability to influence Vesper’s choices and force them into saying ‘yes’, but I also thought it might reference something about Vesper putting aside their instinctive reservations about Cirrus’ suspicious character to follow him into an unknown future. 

Leading to heaven is, to me, a bit double-edged; it could mean death or paradise. Very fitting, I think. 

Keir

20. Keir // Cavillatur fur XX: Judgement. Keir // Mocking thief 

20. Fatum // vestrum vel extraneus [Destiny / (calamitous) death] // yours or a stranger TL notes I’m inclined to believe that Keir’s name being his plain name rather than an epithet is probably just part of his blunt kind of character, and ‘mocking thief’ is probably related to his personality too. Also, there is another piece of Latin on that first screen – ‘cultellus’, which means ‘dagger’ and points downwards towards where his dagger is held. Also, ‘fatum’ is a very interesting word in that it carries an intriguing potential double meaning. Tarot meaning Upright: Change of position, renewal, outcome. Reversed: Weakness, pusillanimity, simplicity; also deliberation, decision, sentence. Speculation Waite’s initial discussion of Judgement is very Biblical which I doubt has much to do with OBSCURA’s use of it. I do think the divinatory meanings are very interesting – I think that at a good/best end of Keir’s route, he’ll be able to come out on top and secure a good and/or stable future for himself and/or Mouse Hole. 

My current theory is that, since we have had mentions of Keir and Oleander in each others’ routes, that they have direct effects on each others’ fates. This fits with ‘yours or a stranger’ of course, but also the double-edged ‘destiny or (calamitous) death’ – I’ll speculate more in Oleander’s route, but I think he and potentially most of Mouse Hole will not fare well if Vesper picks Oleander. 

I’m interested in why his dagger was explicitly pointed out and labelled. I’m kind of shooting in the dark here but I think it’ll be significant in the future – either as a symbol of his history (specifically with Oleander, perhaps?) or as a plot device of some sort. 

Oleander

11. Nerii // Periculosum scurra XI: Justice. Of oleander // Dangerous clown 

11. Patiuntur // sicut habes They are suffering // just like you are TL notes More technically, ‘nerii’ is the genitive of ‘nerium’, which means oleander. This makes sense to me when I think about how he’s had a history of changing names – he’s moreso embodying the qualities of oleander (a pretty but dangerous plant) rather than taking it as a definitive name. 

‘Patiuntur’ is in the plural, and suffering might be a strong word depending on how you look at it – the original word is like enduring through something difficult or unpleasant. Tarot meaning Waite basically says that the card has ‘obvious meanings’ so I don’t think I need to look too closely into it. 

Upright: Equity, rightness, probity, executive; triumph of the deserving side in law. Reversed: Law in all its departments, legal complications, bigotry, bias, excessive severity Speculation The second half of the second piece of Latin, ‘sicut habes’, is in the second-person and I’m assuming that this is meant to address Vesper/MC. Maybe Oleander is also looking for something that he can’t find or afford, although the plural throws me off a bit if that’s the case. Maybe it’s referencing Oleander’s previous Vigils (since Vesper is currently holding that position, ‘just like’ they have) or something…? 

Now, here is my plot theory which may or may not be insane. We know that Oleander has committed murder, and was very blasé about it; presumably he’s done this sort of thing before. We know that in his route, Keir has been alluded to, Griff has shown up and Keir is presumably going to show up at some point. I think that Oleander’s involvement with Keir is going to end very poorly for Keir, even leading to the calamity insinuated in Judgement. Specifically, I think that Oleander and Keir are going to be caught up in a serious crime and Keir is going to take the fall, leading to a permanent end for him (death, probably) and the following collapse of Mouse Hole. Oleander will get off lightly or scot-free (Justice’s ‘triumph of the deserving side in law’, ‘deserving’ as opposed to Keir who is indisputably a criminal and receives ‘excessive severity’). 

This could be from Keir and his group failing the burglary since Vesper isn’t there to cover for the injured lookout, or it could be something else that brings in the dagger which was pointed out in Keir's portion of the trailer. I’m thinking murder, honestly. 

Francesco

10. Franciscum // innocentes nobiles X: Wheel of Fortune. Francisco // innocent nobles 

10. Tempus // decurrit Time // runs out TL notes Grammatically, ‘Franciscum’ is in the accusative (the case used to mark the ‘object’ on which a verb acts). This could be a stylistic thing or it could allude to how he’s being ‘acted upon’ by whatever power/influence his family have. 

‘Decurrit’ is literally ‘runs down’ which fits with the hourglass imagery, but I imagine that the spirit of the phrase is ‘runs out’ especially since his route already alludes to that. Tarot meaning To quote Waite, “the symbolic picture stands for the perpetual motion of a fluidic universe and for the flux of human life … the essential idea of stability amidst movement. Behind the general notion expressed in the symbol there lies the denial of chance and the fatality which is implied therein.” 

Upright: destiny, fortune, elevation, luck, felicity. Reversed: increase, abundance, superfluity. Speculation I think that at some point within Francesco’s route, his family is going to be further involved. I assume that these are the ‘innocent nobles’, which makes me think that whatever state or situation that they find Francesco in won’t be very innocent at all. Alternatively, it could be that his family is more innocent/harmless than they present themselves as – depending on circumstance, this could be a big win for Vesper or a big loss because they don’t have the family backing that they thought they did. 

The Wheel of Fortune carries connotations of luck and change in fortune. I assume that Vesper provides Francesco with some degree of ‘stability amidst movement’ and that any ‘denial of chance’ involves Francesco leaving the marketplace and returning to the very clearly mapped out future that his family has for him, thus leading to a bad end. ——————————

Thanks for reading to the end!

[steddieunderdogfics]

This week’s writer spotlight feature is:  @wynnyfryd! Wynnyfryd has 34 fics in the Stranger Things fandom and all of them are in the Steddie tag!

i don’t know, you figure it out

Plot Holes

biting you biting you biting you- oh! kissing you!

Satanic Ritual: DO NOT WATCH!!

She's got some of the FUNNIEST writing in this fandom, and it's very snappy too like. She's an editing demon for sure, she can take a concept that I'd think would take paragraphs to explain and find the right words to make it hit just as hard with like, two sentences. I also really really love how descriptive her metaphors are, really visceral sometimes, and she's really good at writing realistic life events but still making them fun to read about even when it's about like, devastating shit. The sex she writes is also intense as hell! -- @griefabyss69

Below the cut, @wynnyfryd answered some questions about their writing process and some of their recommended work!

Why do you write Steddie?

I am but a humble bisexual — I see two beautiful brown-eyed men makin’ beautiful brown eyes at each other, I go a little insane for two years. It is what it is.

What’s your favorite trope to READ?

late-night moments of quiet hopeful hesitant intimacy over a shared joint or cigarette. Thin wisp of smoke between them, stars dancing in their eyes. Yeah. YEAHHHHHHH 

What’s your favorite trope to WRITE?

This isn’t really a trope so much as a dynamic, but I love a good dipshit 4 dingus dialogue-heavy scene. Don’t get me wrong, I think Eddie and Steve can both be very smart and knowledgeable in their areas of interest/expertise, but these are two young dudes with no access to the internet. I love letting them be confidently incorrect dumbasses. Just ‘yes and’-ing each other’s stupidity while an exasperated third character begs for mercy.

What’s your favorite Steddie fic?

Well, this question is impossible and furthermore rude. This question came into my home and didn’t take its muddy boots off. This question never mailed me a thank you letter for my lovely wedding gift. That blender was expensive; the absolute nerve. No but seriously, I think The Lathe by palmviolet is going to stay with me forever.

Is there a trope you’re excited to explore in a future work but haven’t yet?

I’m a big fan of doing canon divergence from different jumping off points — the beauty of having characters live in the same small town their whole lives is that you get so many great opportunities for these “what if our paths crossed sooner” moments.  I have some very loose notes for a S3 fic where Eddie is the movie theater employee who finds Steve and Robin in the bathroom after they escape the Russians, and I also have an old WIP set between S1 and S2 where lifeguard Steve rescues Eddie and then spends the summer teaching him how to swim. Would love to revisit those after I finish the trailer park AU (which I will be referring to as TPAU because my fingers are tired and because ‘toilet paper au’ makes me laugh.)

What is your writing process like?

Uhhhhh. 😂 I mean, for TPAU, basically just insert the scene from Dune 2 of Paul’s first sandworm ride: I’m shaking I’m sweating there is sand in my nostrils and I am surely about to die— oh wait, maybe I’ve actually got this? Am I actually doing it? Oh shit, look at me go!   For one-shots I like to use a more structured outline and bracket method. I start by dividing my doc into numbered scenes, with each scene getting a notes section and a prose section, like this:

This format gives me a lot of freedom to switch up the order of scenes and to move between scenes so I avoid writer’s block. I can also jump ahead to scenes I really want to write without making a mess of my outline. Once I have something written in the prose section of each scene, I go back and work on replacing each bracket with prose until there are no brackets left. Lastly, I create a new blank doc and copy the prose over in order so I can read the full fic and work on edits from there.  

Do you have any writing quirks?

I have been known to abuse a semicolon. And an em dash. And a conjunction at the start of a sentence. Yes, I do have ADHD.   I’m also a lyricist, so I feel like my prose tends to stray into poetry territory pretty often.

Do you prefer posting when you’ve finished writing or on a schedule?

When I’m finished! Which is probably why I tend to stick to one-shots; I get impatient and want to post stuff the second it’s ready.

Which fic are you most proud of?

‘i don’t know, you figure it out’ for SURE. I’ve never written a fic this long or stuck to a writing project this consistently in my life. Like ever. The last time I even came close was my first NaNoWriMo when I was 16, which was, uh… years ago, plural, and I’ll leave it at that. 😂

How did you get the idea for i don’t know, you figure it out?

“There’s a dead rat on his doorstep.” That’s it. That first sentence/scene popped into my head while I was bored at work, and then I started thinking, “hey, you know what? I don’t know that anyone’s ever done a fic where Max and Steve trade places for S4; that might be fun.”  And then NaNoWriMo was coming up, so I thought it would be cool to try live posting a fully improvised fic every day for a month to see how many words I could write. And then this tragic wet cat version of Steve Harrington grabbed me by the throat and took over my whole life.

When writing Satanic Ritual: DO NOT WATCH!!, what was something you didn’t expect?

How SAPPY these two got!! My god, boys, I’m trying to write smut over here, stop having a beautiful existential crisis! (I blame Briston Maroney for that though lol, I think I listened to ‘Body’ like 1400 times that month.)

What inspired Satanic Ritual: DO NOT WATCH!!?

@inklessletter posted this totally gorgeous art of Steve and Eddie recording themselves kissing, and I promptly lost my mind.  

What was your favorite part to write from biting you biting you biting you- oh! kissing you!?

This exchange: Steve: “What? I’m just asking!” Robin: “You’re being embarrassing!” Steve: “No, you’re just embarrassed. There’s a difference.” Like it’s just so them lmao

How do/did you feel writing i don’t know, you figure it out?

You know when you set out on a long hike in the summer and three hours later your calves are screaming and you’re covered in sweat and your sunburn’s starting to itch and this one horse fly won’t fuck off and your cell phone doesn’t even get service out here so literally WHY DID YOU DO THIS TO YOURSELF, and then you climb that last hill and look out on the most beautiful landscape you’ve ever seen in your silly little life? Basically that.

What was the most difficult part of writing Plot Holes?

Ooh, that one was fun! The only real difficulty was trying to keep it to a microfic because the concept could definitely be fleshed out to a full story — @griefabyss69 and I were joking around about “what if someone did ‘plot hole’ for the @steddiemicrofic prompt fill?” and then that fic just fell out of my head in about 15 minutes. 

Do you have a favorite scene and/or line from any of your fics?

For sure! I’m currently super proud of the graveyard scene in the most recent update of TPAU — I don’t write true horror often, but I love horror so it was really fun to give it a try! Favorite line from any fic is probably this reference to ‘You’re Divine’ in my fic Monsoon Season because I love uncomfortably-aroused prude Eddie, and his internal monologue cracks me up every time I think about it: Freddie Monsoon’s debut novel is called The Fourth Chime, and it is, as far as Eddie can tell, the first installment in a series of unapologetically filthy fuck fests about a man whose lover gets flung into an alternate dimension during an apocalyptic event and miraculously returns as some sort of… sexy bat-boy with a fucking horse dong and a bite kink. Critics are calling it “the most romantic novel of the last decade.” It’s me; I’m Critics.

Do you have any upcoming projects or fics you’d like to share/promote?

My main project right now is finishing TPAU if it kills me, but beyond that, I have a few one-shots for @subeddieweek in the works, including a collab with @griefabyss69 that I’m so so SO excited to share. It’s hot, it’s funny, I can’t wait for y’all to read it. 

Outside of these questions, Is there anything YOU would like to add?

First of all, as @wormdebut would say: I think you’re pretty. Thank you so much for all your hard work! I love this blog, and I love answering questions <3 Secondly: - Preheat your oven to 400 degrees. - Toss cubed sweet potatoes and parsnips, sliced sweet onion, and fresh garlic in a mix of olive oil, salt, pepper, and rosemary, and then spread in a single layer on a foil-lined baking sheet.  - Bake for ~40-45 minutes. (Potatoes and parsnips should be soft without being mushy when you poke them with a fork.) - Prep your sauce: I made a dijon drizzle situation by mixing olive oil mayo, a dash of dijon mustard, lemon juice, salt, pepper, garlic powder, and a splash of water, but you could also add a little dab of hot sauce, bbq sauce, or different mustards. Basically just grab like four condiments out of your fridge and play around with the flavors you like until you make a mix that’s thin enough to pour. - Drizzle roasted veggies with sauce. - Enjoy a very tasty side dish (or do what I did and eat the whole sheet as a meal like some sort of parsnip goblin because you were too lazy to make the main dish after chopping all those veggies) okay thank you love you byeeeee

Thank you to our author, @wynnyfryd, and our nominator, @griefabyss69! See more of Wynnyfryd's works featured on our page throughout the day!

Writer’s Spotlight is every Wednesday! Want to nominate an author? You can nominate them here!

[fanficsat12am]

how the brothers and datables reacting to mc who giggles and blushes when reading romance books I Leviathan, Satan & Asmodeus

Request from @dionyjoons: Hello, I was wondering if you could do the brothers (and maybe solomon and simeon) reacting to mc who keeps giggling and blushing when reading romance books please :)

AN: BREAK IS FINALLY NEAR WHICH MEANS I CAN WRITE MORE IN THE FUTURE. IM SO SORRY FOR THE LONG WAIT, SCHOOL HAS LEGIT TAKEN ALL MY TIME. ANYWAYS, HERE'S THE SECOND PART OF THE GIGGLE AND BLUSH HEADCANON THING!! HOPE YOU LIKE IT

📜 𝙼𝙰𝚂𝚃𝙴𝚁𝙻𝙸𝚂𝚃!! 📜 Buy me a coffee? Lucifer & Mammon Beelzebub & Belphegor Solomon & Simeon Diavolo & Barbatos

Leviathan

Honestly...same. He understands the feeling of admiring “fictional” characters, and he’s undoubtedly no stranger to it. When you started the habit of giggling to yourself while he played his games and blushing at your book, he will admit that a small pang of jealousy was there. He’d start to get pouty and a bit clingy, thinking you'd leave him for a book. He wanted to find out what’s so good about the person and found the time to buy an audiobook of it. When Levi started listening to it, he compared himself with the character every chance he got but slowly realized that he found himself to be very similar to them. You confirmed this when you said “Why do you think I like it so much? Gamer boys are just adorable.” Him? Adorable? He disagrees. He’s just another yucky otaku right? All those doubts fade away though every time he hears your giggles. It’s as if you’re reading all the reasons you loved him in the first place and falling for him once again, and that gives him a sense of comfort.

“What chapter you in, Normie?”

“Oh thirty-seven! The two of them just had a-”

“La la la la la, I don’t want spoilers!”

Satan

He didn’t mind the sound nor was he complaining when your face went red. What he piqued his curiosity though was when you’d hit him on the shoulder when you got giddy. It started off as light smacks which quickly escalated to harsh pushes that almost flew him off his seat. Yet despite all this, he made no comment on it. He was enjoying it in fact, liking the thought of your loving the book that much. He bought a copy of it for himself to see what all the fuss was about. The person in the book was very witty and well versed with the arts, allowing the character to earn Satan’s respect—he even took some notes down. Now every time you giggle and blush, it wasn’t only because of the book, but in fact him making your fantasies into reality. The love interest wrote a poem, no problem. They gave a bouquet of flowers? Done. He’ll happily do it over and over again just to see you a giggling flustered mess.

“You do know you’re indirectly spoiling me the next chapters by doing this, Satan”

“Who said your book’s my only reference? I’ve got a whole wall of romance books and I’m ready to recreate each and every one of them” 

Asmodeus

Tell him the gossip, don’t hold back. As soon as he notices you giggling and blushing at a book, he would start interrogating you about the guy like a bestie would ask about your crush. If he’s going to be sharing your heart, the other person has obviously got to be deserving of it and at the same level as the both of you. You’d start telling him about the character and it would end with two people squealing the whole night. Asmo would frequently ask about the book and what happened in it. You’d fawn and cry over the book together. 

“I’ve gotta say, you’ve got a great taste in men, Darlin”

“Of course I do. Don’t you think I already knew that when I started dating you?”

“Periodt! Ugh I never doubted you for a second”

[itsdeny]

what made u like obkk

I’ve always had a soft spot for friends to enemies to friends - or, well, whatever - kind of bonds, so watching Naruto for the first time I immediately liked their dynamic and story. Obito was also one of the few characters I knew way before even watching the show which made me particularly intrigued when it came to his character.

But back to ObiKaka.

Last year when Jujutsu Kaisen was airing, I got pretty fixated with it. Eventually, that lead to my (more generic) shonen fixation coming back, and I ended up on ao3 reading Naruto fanfictions. It wasn’t long until I stumbled upon ObiKaka fics, and that’s when it hit me: “wait…they really were something, huh?”

However!

I only started liking them this much - hence, a lot - after rewatching Naruto; which, as you can imagine, happened because of the ObiKaka fics I’d found.

I’d never realised just how thoroughly their story had been planned out right from the beginning: one of the first (important) things we get to know about Kakashi’s character is that he has lost his best friend to war, and that his words and actions are a continuation to his will.

I’d always thought of Naruto as a show that isn’t much about extremely well organised storyline, foreshadowings, etc, (like Attack on Titan is, for reference) but more about just feeling the story and vibes. I was proven wrong, and it was through Obito and Kakashi’s story.

Ever since, I’ve started caring a lot more about their relationship: noticing every word, action, thought of Kakashi that could lead back to his old lost friend. Suddenly everything was about them, Kakashi’s entire character was about them; or, well, about Obito. And it all added up until the war arc, when the mask shattering meant Kakashi’s character slowly crumbling as well. It was one sight to see, really.

I love how they’re not your typical friends to enemies kind of story: were they even friends, really? I feel like their bond was much more complicated than that, their whole story is much more tragic than most people seem to realise, and that really appeals to me. Their personal story, their relationships with their characters, the general plot of Naruto and hell, even their designs all lead back to each other. I personally believe their story to be one of the parts of Naruto that was perfectly crafted. Every time I wish something had been different (postwar!Obito I’m looking at you) there’s always something else reminding me why it was meant to be like that. And like that it shall be.

Their whole story is a bittersweet tragedy that feels emotionally mature. I struggle to even put it into words, really.

Anyway, I’d write a lot more but I fear that might be even too much already lol. I’ll probably make a post in the future talking about this in much more detail, and possibly comparing them to SatoSugu, highlighting the similarities and the - endless, in my opinion - differences.

Thanks for asking and have a great day!

[prokopetz]

Hey! So I ran a one-shot of Eat God and we had a blast. I have some feedback to offer from both myself and my players (This was actually a while ago but I’ve been busy as hell so I’m only writing it up now, so I might have forgotten some things). 

First off, character creation was just as fun as advertised. My player’s all loved getting to choose their character’s traits and appearance and designing their deicidal muppets. The game’s mechanics also made it extremely easy to create looney-tunes style shenanigans, which both I and the character’s took full advantage of. 

At one point a character with the roving limbs trait was running away with a barrel containing another character (I put the character in the barrel) balanced on their legs while their top half distracted the town guards, a completely different character slipped into the sewers I hadn’t thought about and I had a chance to throw a surprise alligator at them, and a theocratic pastor said that he “carried God with him in his heart” (which ended exactly as anthropophagically as I had expected it too). I also got the great quote from one of my players “I swear to the god I want to eat.” 

I have a few critiques, a few suggestions for things to develop for future editions, and a few questions. My first critique is that I think that having tokens for obstinacy is a little distracting, since you keep track of everything else about your character on paper (we ended up using Sprite flavored tic-tacs that one of the player’s had in their bag) and would be better done on the character sheet. I also think the game could use a formal turn structure for high-pressure situations. It’s a game that promotes chaotic play, and with people popcorning in it got a bit loud and overwhelming. 

For future developments, I think that having more specific action types like attack, help, investigate, etc. would be helpful. Specifying the mechanical effects tied to some of the abilities, like being able to “stun” someone with Primordial Power and Dizzying Display, having a general movement speed that would be doubled by Fast Feet, being difficult to harm with Defensive Dermis, etc., would be useful for the GM. And more examples of NPC abilities would be useful, if only to have something to base homebrew on. 

There are also a few questions I had. First, is there a specific time scale for actions taken in a high-pressure situation like combat? 

Second, I assume that you count the unmodified roll for calculating calamity? Because I don’t believe any roll over a character’s facet would have no chance of triggering calamity, and similarly don’t believe that positive modifiers would increase the chance of calamity. 

Lastly, a general lesson I learned as a GM that I do not hold against your game: be careful how far you let your characters stretch the limits of their abilities in low pressure situations if you’re too socially anxious to retcon in high pressure ones. 

Ultimately I think it’s a great game and everyone had a great time. I meant to run another session but didn’t find the time, so I might have more feedback when I finally get around to that. For credits sake I’m Kendall R., my players wanted to be credited as Noc, Ladybug, and Brynne.

(With reference to this post here.)

I appreciate the feedback. With respect to your questions:

First, is there a specific time scale for actions taken in a high-pressure situation like combat?

There is not. Defining a more formal conflict framework with a specific round length is a potential addition to a future revision, albeit not one I'm committing to adding at this time.

Second, I assume that you count the unmodified roll for calculating calamity?

Dice rolls in Eat God are generally not modified in any way; the value of a particular die is the number you rolled on that die. Effect modifiers (which I assume are what you're referring to here) apply to the roll's Result, which is the number you get from carrying out the procedure described in "Rolling and Reading Your Result"; any comparison which does not explicitly refer to a roll's Result is referring to the values the dice are physically showing.

[nerdieforpedro]

The old switcheroo

If you could take one Pedro character and switch them into another of the characters universes, which one would it be? Let’s say, throw Dave York into The Great Wall. And what do you think that would look like? How would he do? Run with it. I even dare you to write a short dribble drabble. Well, I just wanted to write dribble drabble.

I'm unsure if my Drabble...if it can even be called that at this point 🤣 truly answers your question. I interpreted it, to mean that Dave and Pero switched places.

Our man Pero is dealing with it better than Dave, though, that could just be favoritism on my part. 👀 It's not all easy for Pero either, just different.

The question could have been any Pedro character, but I figured these two would be interesting.

I present: (I found Angela Lansbury! 💖)

Two Men out of Time

Dave York and Pero Tovar

Word Count: 1169 (I giggled - I am stuck in middle school).

Warnings: Limited understanding of Middle Ages, insults to ponytails, movie and video game references, William slander (I'm fine with this.), NAKED PERO, implied past sex work, Ogling a naked Pero, implying possible future sex work, maybe some inappropriate touching (I mean, she likely did, let's be real here), I think that's about it.

Notes: Like I said, no idea if this answered the question. This is what I wrote today after sipping two things of hot cocoa while brainstorming because you always have thought-provoking asks.

Silence can be a tool when done correctly. Honestly, it’s the best choice right now. He would close his eyes and try to picture himself back in the hotel, which he remembered falling asleep in, but he did that while he was laid out on his back near a river. 

Did not work. 

Had his face licked by a horse of all things. Dave has never had a reason to encounter a horse, and would have liked that to have been his only encounter with one, but with the horse, came three men. York tried to get up, but his clothes were much heavier than he remembered. The men called him a name he didn’t recognize and rather than correcting them, he remained quiet and nodded. They chuckled and patted him on the back after helping up, mocking him for falling off of his horse and that it was unlike him to not be able to handle his drink. Laughing with the men, Dave saw that they were all wearing armor like out of one of his daughter’s world history books. 

Which time period was this? Is he wearing armor too? Is that why it’s so hard to move? He also has weapons on his back. They’re swords, three of them. Looks to be one main and two twin swords. York was still clean shaven which appeared to confuse his comrades. They mocked him for his face, the pale one with the ponytail mocked him the most. Dave could break his neck, but he chuckled along before making a scowl. The men seem to be heading toward a village, maybe they’re in the middle ages. 

How is he going to navigate this? Is this ‘Pero’ supposed to be an ancestor of his? Wasn’t this a video game? Or that Michael Fassbender movie?

Their group arrives in a tavern where they drink some sort of barley based drink. Dave is by no means a lightweight, but five mugs in and he’s having trouble seeing straight. One of the barmaids? He assumes that’s what they're called, she helps him upstairs, but he shoos her away as she appears to want some money for certain services. Dave knows next to knowing about this time period, but he remembers hygiene not being a top priority. So in addition to not wanting to entertain that woman, the food may make him sick, he also may have rashes and expect vermin. Many of them. Maybe if he sleeps this time, he’ll wake up back in the bed with those two women he’d enjoyed the night with. Even if they weren’t there, just back the bed, in his own time would be great. Is he going to die from dysentery? Is that still a thing? Should he be concerned about a plague? “This is bullshit. When I wake up. I’m gonna smack that guy with the ponytail. I don’t look like a drowned rat. His name was William, he will pay.” Dave drifts off to sleep with anger in his heart for Will. The man in question’s ears burn while he continues to drink downstairs. 

Pero’s back felt good for once. He was on something soft, he rose out of bed too quickly. He’s naked. Unsure why and there’s two women looking at him curiously. “Dave, we don’t know where you’ve been but you can’t come here smelling like that. We got you washed and everything but we had to toss those sheets. The madam will be in to see you to talk to you about it.” For some reason, there were two women wearing undergarments he’s never seen telling him that they washed him and put him back in this bed. They were calling him Dave. He has no clue who this Dave is but apparently he is at this establishment quite a lot. Pero is familiar with this type of place. Maybe this is how the aristocrats have their brothels set up, though there are still many confusing things here. 

Moving to the edge of the bed, it doesn’t feel bad to be this clean, only odd. He wouldn’t even be scrubbed quite like this before meeting generals, lords or ladies. Cracking his neck, the door to his room opened and he was greeted by a stout woman in a silk dress. Her eyes focus between his thighs for a moment before going back to his face. She studied that as well. The two women were behind her and she closed the door on them, locking it. “You are not Dave York. A curious specimen of a man. You resemble him though, not quite in all the ways I see.” The woman moves to stand two feet away from Pero. “You can call me Ms. Magnolia. What should I call you handsome?”

“I am Pero Tovar Señora Magnolia. I do not know how I came to be here. I last remember falling off my horse. Who did you think I was?” His eyes follow her as she sits next to him on the bed and pats his shoulder. Tovar eyes her carefully, he can overpower her easily, but he knows little about what has happened. It’s best to get information first. 

“That’s no matter. You’re clearly not him. I feel that you’ll be more amenable to me supporting you as I help you navigate this strange world. You’re not from here or this time. So auspicious.”

“Are you a witch?”

“No. Just sensitive to the natural world my dear gorgeous man. If you don’t want my help, you’re more than welcome to use what money you may have on your person to pay for our services, but…” Ms. Magnolia stands and looks over her shoulder. “Given your current state, you may have trouble with that.”

“You would be correct Señora. May I have some clothes to put on so I can explore to get my bearings?” Pero placed his hands on his knees, if the madam might be swayed to help him in any fashion, he’ll need to use what he has. Tovar doesn’t see any of his weapons so his body is on deck then. 

“I don’t mind you like this Pero, but I understand you wouldn’t want to walk around like this. I can get you some clothes. There might be some things we can do to get you accustomed to things. Do not worry.” Her wide smile did in fact make him worry, but soon he was brought clothes and she ‘assisted’ him in putting them on. He next asked for food, which she did leave the room to go retrieve. Alone with his thoughts, Tovar closed his eyes. He had on what they call a t-shirt and sweatpants. They were loose, soft and comfortable. Easy to move in, but offer no protection. 

What the hell kind of mess had he gotten himself into now? Pero can’t even blame this one on William and his stupid ponytail that he never cuts off. No, Tovar will always blame that silly hair choice. 

Tagging @soft-persephone (for the drowned rat 🐀)

@604to647 @avastrasposts @tinytinymenace @morallyinept @iamskyereads (five Pero girls)

@megamindsecretlair Because she'll giggle - I know it

[ntaras]

Bi-Han Analysis

Though the primary focus of this analysis is Bi-Han, I also do analyze Kuai Liang a bit. This analysis is also mostly for me to put my general thoughts together, so the formatting is a bit hard to read and messy. 

This analysis is not written with the datamined dlc story in mind, so for the love of god do not bring that up if you want to respond to this post. I also hate the way the brothers and the Sub-Zero vs. Scorpion rivalry was presented, but I’m writing this analysis with an attempt at avoiding placing criticism in the center (because I do have a lot of criticism that does conflict with this analysis.) 

Also, this is not meant to prove Bi-Han as “not evil”, because no, he isn’t, but he’s still an antagonist who’s making very bad choices. Also I talk about my own speculation regarding Bi-Han’s relationship with his father, and I want to make clear that I’m not trying to paint their father in a bad light because he is not canonically presented as abusive or evil. It comes off like that, but that’s not my intention. I’m too lazy to rewrite that portion of the analysis so this is just a heads up. 

Bi-Han is a walking self-sabotaging tragedy, and with Kuai Liang as Scorpion, they were doomed from the start for their relationship to shatter. You have the eldest brother: Sub-Zero, who feels forced into submission and forced to conceal his “true worth”. You have the younger brother: Scorpion, who watches his older brother be consumed by his desperation to be something, and stands unsure of how to help him. 

Bi-Han’s desire for power is the highlight of his character. His and the Lin Kuei’s role as Earthrealm’s defenders isn’t something that satisfies him- it isn’t something that shows his worth. He thinks he’s worth more than simply hiding in the shadows, waiting, and waiting for threats to emerge. Defending Earthrealm brings him no value, but perhaps taking part in ruling it would give him value (Sub-Zero: “You wield the power I aspire to be” Sindel: “Too bad you’re unfit for it, Sub-Zero.”) He wants to bring the Lin Kuei to the light, show that his clan is deserving of power. (From his bio: “Under his leadership, the Lin Kuei will come out of the shadows and fight for its place as one of Earthrealm’s great nations.”) 

I’m really emphasizing the word “shadow”. It’s an obvious reference to Noob Saibot, and it seems like the story is going for the route that Bi-Han is already someone in the dark, yet he doesn’t view himself to be in the dark. (Scorpion: “A shadow’s fallen on your soul.” Sub-Zero: “No, brother. I’ve seen the light.”) As the darkness envelops Bi-Han, he can only see that darkness as the light. 

Bi-Han refuses to see himself in the wrong, and even says his ambition is confused for evil. (Ashrah: “There are many in the Netherrealm just like you.” Sub-Zero: “You conflate ambition with evil, Ashrah.”) That dialogue also implies that Bi-Han does not believe he will end up in the Netherrealm for his actions, because he doesn’t view himself or his actions as “evil”. Everything he’s done has been for the better- has been for the good of the Lin Kuei. 

I wondered why Bi-Han was so loyal to the Lin Kuei in this timeline, as in previous timelines Bi-Han’s loyalty to his clan was because he was kidnapped by that clan, and conditioned to be their warrior (but still agreed to help Raiden and save Earthrealm.) So why is Bi-Han so loyal to the Lin Kuei in this timeline? 

This is more speculation than an analysis I can support with hard evidence, but if you’re asking what I personally think, I’d like the case to be that there was something deeper going on. That somehow, his father put so much pressure on Bi-Han (not intentional pressure) as the future Grandmaster and a protector of Earthrealm, Bi-Han ending up warping that role as “protector of Earthrealm” into his own desire for the Lin Kuei to show all their true ability is to not defend Earthrealm- but govern Earthrealm. Why must their efforts go unrecognized if their role is so important? Also this plays into his role as the first born son, the eldest child who ends up being the one responsible for their younger siblings. As the eldest, he knows what is best for his siblings. As Grandmaster, he knows what is best for the Lin Kuei. 

All the dialogue regarding their father paints him in a good light- even dialogue from Bi-Han. Bi-Han never once accuses his father as being abusive in some manner, but only as weak and lacking vision. So, there is no denying that he was a good man, but he’s still a man of mistakes, such as being the man indirectly responsible for the murder of Tomas’s family. The fact that that murder happened in the first place does raise a lot of questions about the inner workings of the Lin Kuei and how their father led the Lin Kuei.  

It does feel like their father’s death is still not fully revealed. His death is only referred to as an “accident” and not delved into further besides Bi-Han allowing him to die. (Scorpion: “I want to see the moment my father died.” Geras: “You are not ready to receive that knowledge.”) That could mean that there is more to his death, Kuai Liang isn’t ready to see that moment because he’d get all raged up, or it could mean nothing because that’s how a lot of dialogue is. 

The way their father led the Lin Kuei- and how the Lin Kuei has always been in this new era, was by teaching them to be submissive (to follow rather than lead.) And in Bi-Han’s eyes: weak. 

The fact that Bi-Han didn’t kill his father, but instead let him die, is fascinating. We can also compare that act, to how Bi-Han is submissive to Liu Kang until he’s away from Liu Kang and listens to Shang Tsung. ALSO, it’s interesting how Bi-Han doesn’t listen to Shang Tsung’s offer until he is in chains. Even if he let his father die, Bi-Han still was loyal to Liu Kang nor did he change the Lin Kuei in any way (we also do not know how recently their father died, so he may have not even had the time yet to drastically change the Lin Kuei on his own, but I think that’s besides the point). He aches for the right moment to “step up”- to separate himself from what he believes binds him. 

We see Liu Kang keep Bi-Han from being “too antagonistic”. After Liu Kang calls Bi-Han and Kuai Liang over in chapter 1, we see Bi-Han get hostile towards Kung Lao and try to advance towards him, but is stopped by Liu Kang. He glances at Liu Kang, wanting to bark back, but keeps quiet. In chapter 2, Liu Kang looks at Bi-Han when he yells “enough!” and Bi-Han quickly bows in apology. 

He keeps that loyalty to Liu Kang, until he is physically in chains, until he is physically shackled. He does not want to be prisoner to that loyalty of submission anymore. 

His submission to his father’s ruling of the Lin Kuei and Liu Kang’s Godhood is something he doesn’t want, because he feels like he is worth more than submission. He doesn’t want to be treated “so lowly".” He wants recognition for his skills- he’s eager to show himself off and prove that yes, he is a warrior.

If Liu Kang had chosen Bi-Han to be champion, then mayhaps this desire for power and self-sabotage Bi-Han participates in would have been avoided. However, it’s understandable why Liu Kang didn’t choose Bi-Han to be champion despite clearly having the talent to be one: Bi-Han always dies at a tournament. He didn’t want to risk Bi-Han’s death, and then the resurrection of Noob Saibot (or a falling out between Kuai Liang- Scorpion- and Bi-Han that resulted in Kuai Liang killing Bi-Han). But, it seems Bi-Han set himself down that dark path anyways. 

Now, onto Kuai Liang and a brief look into the relationship between the three brothers. 

The story fails at showing us that the three brothers do care about each other, but it’s just barely there. 

In Kuai Liang’s bio, it states two things: “...though he took pride in knowing that his brother, Sub-Zero, would succeed their father as the Lin Kuei's Grandmaster.” and “...he fears that may one day have to battle his brother for control of the Lin Kuei’s legacy.” He views Bi-Han as Grandmaster with pride, and is scared of having to fight him- scared of choosing duty over his brother. 

Kuai Liang verbally tells Bi-Han multiple times to “watch himself”- reminding Bi-Han of his duty (honoring their father) and questioning Bi-Han’s roughness with Johnny Cage. You do see Kuai Liang keeping an eye out on Bi-Han (as he states later in the game, he was aware of Bi-Han’s frustrations). Kuai Liang doesn’t even mind Bi-Han’s ambitions, as evident in the scene where they enter the treasure chamber. “There will be spoils in this war,” says Bi-Han as Kuai Liang does not chastise him for wanting those “spoils”, but responds with “let us win it first, brother.” 

If I’m being honest, I don’t even think Bi-Han was referring to the actual treasure as “spoils”, but rather the glory that treasure holds. Bi-Han doesn’t really have a desire for treasure, especially a bunch of coins, so I couldn’t really view him as having an actual desire for some coins and gems. And I think Kuai Liang’s response was him answering Bi-Han’s hidden desires- that Bi-Han can achieve his desire to “shine” after they finish their job. For Bi-Han to achieve his ambitions, he must earn it first. 

Up until the reveal of Bi-Han letting their father die, Kuai Liang is incredibly patient with Bi-Han. 

Regarding Tomas and Bi-Han’s relationship: Bi-Han doesn’t hate Tomas! Their relationship is complex with Tomas being the youngest brother and being adopted into the family, but it’s not wrong to say Bi-Han does care about him (as clearly evident by the “You are both unharmed?” comment).

I really do think Bi-Han being the eldest sibling is important to his character. It’s a role that brings him frustration as he cannot get his younger siblings to listen to him (them “abandoning” him and the LIn Kuei), and loses control over them. His anger is harsh towards Tomas, as is “what he gets” for being the younger brother, yet Tomas still cares for Bi-Han despite Bi-Han stating Tomas is not Lin Kuei. 

Bi-Han, in all his cruelness and frustration, cares about his brothers. And they care about Bi-Han. It’s evident in the fact that the brothers are so adamant on being the ones to kill/capture the other, not allowing anyone else “the privilege”. They are deeply hurt by the others' betrayal, and any hatred that comes from them is out of a broken heart. 

Kuai Liang did try to kill Bi-Han. After Bi-Han reveals that he allowed their father to die, Kuai Liang loses it, and knocks Bi-Han down, and you see him raise his chains ready to kill Bi-Han. Kuai Liang would have regretted it. He was in a moment of seering, blind rage, allowing his emotions to fully take over him. You know he would have regretted it, because in their confrontation outside the temple, Kuai Liang doesn’t kill Bi-Han. And if I’m being honest, I don’t even think that Kuai Liang knew he almost killed Bi-Han. 

“You are my Grandmaster no longer.” Not, “you are my brother no longer.” Kuai Liang disowns Bi-Han as his leader, but not as his brother. Even if Bi-Han shed his own brother’s blood, Kuai Liang cannot truly renounce his own blood. It’s their bond and their curse as brothers- as Sub-Zero and Scorpion: they are forever connected by rivalry and siblinghood. 

Their love is deep, but their hatred is even deeper. But is it not the same when it comes to siblings? Is that cruelty not the same as a loving embrace?

[orlesianhennin]

I don’t think that when people say Lucanis will be/is the most popular companion they are being literal or that they’re referring to everyone in the wider playerbase… we are referring to the actual fandom/community in which case it is very much true. I don’t care that most players are straight men who aren’t going to romance him, I AM a tad resentful that a ridiculous majority of hardcore/invested fans give him the most attention. It’s just disheartening and something that happens with every fandom.

And no I am not attacking people who are interested in romancing him in the slightest and I don’t think expressing frustration at this trend (Alistair, Anders, Solas, Astarion) is anything more than that… just expressing frustration! Romance being a part of these games is great and I love that people are so engaged with them. But there’s more to the game and any future content might be catered specifically towards one or two characters more than anyone else.

And it’s disheartening, again, when people don’t also appreciate the other characters or pay them any mind or they’re totally ignored and forgotten or only talked about in relation to dialogue they have with the fandom darling. And it’s alienating to be a fan of multiple aspects of the story and to care about the writing generally and try to engage with all of the companions who are all unique and interesting, and to exist in a wider community that seemingly only cares about their Special Guy idk!!!

I’m really not trying to shit on anyone’s fun at all I just wish people would devote even half of their time in these spaces to appreciating the other characters who are equally lovingly crafted esp the women characters that’s all

[pastafossa]

Using Tarot To Help You Write

Right ok, so I’ve wanted to do this for a bit - there are vague references to tarot in my story TRT and I’ve answered a few questions about how I use the RWS-style tarot to write but now I have a little bit of time while I wait for my laundry to dry. So let’s get into it.

If you’re looking for another tool in your writer’s kit, you could strongly consider adding a box of tarot cards to the bag. Set aside, for a minute, what you’ve heard about it. Set aside any spiritual aspect, telling the future, the ‘OoOOOooOOh evil’, or even the ‘DRAW DEATH MEANS DEATH’ you see in movies. Instead, strip it down to its base.

Tarot is about telling a story.

(Below: Oak, Ash, & Thorn Tarot)

From a storytelling perspective, the first 18 cards of the RWS style tarot, known as the Major Arcana, essentially tell the Hero’s Journey as the Hero sets out on an adventure and searches for knowledge. There’s disaster, love, temptation, and wise people they meet along the way before eventually finding enlightenment at the end of their journey. The Major Arcana contains major archetypes and themes present through so many stories. When you add in the rest of the cards in the Minor Arcana - the other 56 cards, encompassing a variety of emotions, archetypes, figures, and various life events you might run into - you’ve got something perfect when you want to introduce new elements to your story. I keep a small deck on my desk and use it frequently when creating random OCs, plotlines, or problems for characters to solve.

And before you go, holy shit Pasta that’s a lot to take in, using tarot for your story doesn’t have to be complicated. You don’t need to have 20 years of tarot experiences, you don’t need to be an expert, you don’t need A Great Gift. You don’t have to know about tarot at all, really. You just need one thing:

The right storytelling deck.

More below the cut.

Look, there are a million styles out there, some that focus heavily on storytelling imagery and some that focus more on symbols; some that feature animals or nature, and some that focus on people. I generally lean towards animal-based decks since I’m more familiar with animal/nature imagery, body language, and symbolism, but in reality the best deck to use for writing is simply the one you’ll actually use. If you’re drawn to one, go for it. That being said, if you’re looking for something to use without needing to get into all the symbolism of each card, I generally recommend using a deck in which all cards, including the Minor Arcana, depict a scene you can examine - aka, one that plays up a story rather than a straight up symbol. Let me show you an example with three decks.

Left: Mystical Cats tarot; Middle: Oriens tarot; Right: Children of Litha tarot

These all depict the same card: the Seven of Swords, meant to depict deceit, theft, betrayal, lies, and trickery. The middle card relies a little more heavily on symbolic meaning (the black widow spider, which ‘betrays’ when mating and uses a sticky web - symbolizing a potential trap), whereas the other two cards show an active scene (Card 1: OH NO HE’S GONNA STEAL YER MOUSE WHILE YOU’RE NOT LOOKING; Card 3: YOU LOVESTRUCK DIPSHITS, TURN AROUND, THE SNAKE’S EATING YOUR EGGS). I’ve found cards like Card 1 and Card 3 are faster and more convenient for storytelling, because you’re basically presented with a scenario/characters/a situation right off the bat, whereas a symbolic card is more open-ended and might require some digging unless you’re already fairly familiar with the symbolism. If you’re going to get a deck that depicts people instead, I recommend looking for a deck that’s diverse. Humans come in all shapes, sizes, and colors, and having a deck that reflects that (something like the Modern Witch tarot) is valuable for storytelling. So if you’re picking a deck to help you write, look for:

Decks that use scenes/storytelling imagery for all cards

Decks with imagery/body language you can easily read at a glance

If you’re looking for a deck with people - decks with a diverse range of body types, ethnicities, sexualities, and genders

A deck with imagery you actually like, otherwise you won’t want to use it

‘Ok, so let’s say I’ve found a deck, or I already have one. What does using tarot for fic even look like?’

Let’s do two quick readings for two writing scenarios you might use this for! This will also show you can be as complex or as simple as you need to be. These are also the two scenarios I use tarot for most when writing - character construction, and plotline construction. First I’ll use the Children of Litha tarot, which uses a moderate amount of storytelling imagery. Then I’ll use the Mystical Cats tarot, which is probably the most story-heavy deck I have, imagery-wise. That way, you can see how construction gets a bit easier depending on how scene-heavy a deck is.

Scenario: I need an original character for this chapter or scene! Quick, draw three cards!

Quick reading: she’s very gentle but there are also two tigers inside her and one of them wants to kill you, especially if you fuck with her pet birds

More complex reading - Personality, Flaw, Backstory:

Card 1 - Personality: This character is someone who’s unafraid and bold in their kindness even when faced with danger, and they know when a gentle touch is needed. They believe strength is found not in being cruel or violent but in responding with love. This usually works out for them, to the point that even Scary People (TM) seek this character out, knowing they’ll find love and affection. Alternatively, this character is one half of the Brooding Rough One Loves The Gentle Soft One trope. Whatever works for you!

Card 2 - Flaw: Despite all that, the gentle character’s got a temper, and it exists in direct conflict to what they believe about strength, thus producing cognitive dissonance. This is someone who’ll dodge conflict to avoid showing their temper, but eventually that repression’s going to blow up into a real fight and it’ll be messy.

Card 3 - backstory: This temper and conflict avoidance is due to some tragic incident in their past that left them deeply wounded. It’s one reason they’re so gentle, but there’s a lot of lingering anger and trauma. These wounds are not healed, and if you look deep enough, you’re going to find blood.

Depending on how important this character is, you could add even more: a card for a strength, a card for a challenge they need to overcome to grow as a person, their family dynamic, etc. Again, you can make it as detailed or as simple as you need.

PASTA NOW I NEED A LITTLE PLOTLINE FOR CHARACTERS TO SOLVE. Quick, draw four!

Quick reading: holy SHIT your characters gotta move fast, cause there’s a pissed off dude out there who wants revenge NOW and is ready to fuck up a *shuffles cards and draws* religious temple of peaceful cat loving monks, one of whom is the one that fucked up Angry Dude in the first place WHEN HE WAS A BABY WITH HIS MAMA, PLOT TWIST OH NO, IT’S PROBABLY THAT ASSHOLE STEVE IN THE BACK OF THE THIRD CARD, LOOK AT HIM LOOKING OFF INTO THE DISTANCE.

More complex reading - Theme, Problem, Setting, Solution:

Card 1 - Theme: As you can tell from our cat with zoomies, your protagonists are on a clock. The theme here is urgency, it’s speed. Things will start off with a bang and they won’t have much time to slow down. This’d be good for a one shot or a chapter.

Card 2 - Problem: look at that cat, they’re so ANGRY, they are PISSED, someone did them dirty and they’ve been stewing over it for a while. They can’t stop feeling that betrayal no matter how much they try to lick it off shake it off forget about it. They want REVENGE for what was done to them and they’re gonna cut someone up.

Card 3 - Setting: Ah, a peaceful, sunny place where everyone’s just chilling. Everyone’s happy. Maybe a religious place, say, a church or a convent or hell, a nudist retreat. Either way, no one knows what’s coming. Except (and this is why scene cards are so fun)... for STEVE there in the back. Look at him. Everyone’s relaxing in the sun but he’s staring out into the distance. He knows. And just like that, Steve’s the In Hiding person who betrayed our Problem - Steve the Asshole isn’t a part of the Sun card’s meaning, but a storytelling scene card lets you stretch like this and have fun.

Card 4 - solution: Clearly the only person who can stop Bad Person... is their MAMA (or potentially his siblings). Maybe a character goes to find the Problem’s mother and brings her to the church to talk the Problem into giving up. Maybe the protagonists desperately tell the Problem that your family wouldn’t have wanted this, even if that family was hurt - the Empress is generally very nurturing and loving, so that’s a fair bet. Either way, the solution to the Problem is their family.  

Once you get the hang of this, you’ll start to find other ways you can use it. I’ve used it for creating quick or more complex or more randomized characters, for creating plotlines and character arcs, for a few of Jane’s cases in TRT. You can use it for backstories, for settings, for problems and solutions, for deeper themes to explore with your characters. Hell, if you want some practice, you could literally go through the Major Arcana and write one-shots dealing with each card’s theme. Ultimately the possibilities are endless, whether you want to construct a detailed plotline or if you just have a new character you want to randomize or flesh out a bit.

In short: go get yourself a deck and have some fun!

[velvetjune]

Alan Wake Night Springs DLC spoilers and thoughts:

This is very vague, but this really was the most Remedy thing to ever exist. My brain exploded at some point from Everything. Good game—you can tell those developers had the time of their life making all this. looking forward to the Lake House as something more serious and similar to the main game/tone.

Episode one with Rose was the best! Stunning from the start until the end and had the funniest moments in any Remedy game. [Rose voice] “𝖎 𝖜𝖎𝖑𝖑 𝖕𝖗𝖔𝖙𝖊𝖈𝖙 𝖞𝖔𝖚”

That fanart was SO good and could’ve been drawn by any irl Alan Wake fan. I can’t even say another or act like it’s embarrassing because I also think Alan is hot. So. Same Rose.

Bad boy Scratch being a werewolf.. Cat boy Alan (and the fucking Nightmare on Elm Street crop top fanart of him) being comically weak and in distress.. Rose dipping him at the end was unbelievably hilarious. Reject alpha male Scratch and embrace wet cat Alan. Every few minutes I had to remind myself that Alan technically wrote this,, his mind,, his perception of himself is incredible

That episode also was fun all around to play. Endless ammo and fun effects with the automatic shotgun. Rose slowly getting covered in blood. She’s already one of my favorite characters after this—she’s cringey in the best (and scarily realistic) ways. I support her

Episode 2: wish this one was longer because I missed Jesse and her awkward and aggressive conversations with others. I thought Dylan would pop up at some point, but of course Alan wrote himself into this twist ending. Couldn’t stop laughing with that. It felt just like the Night Springs eps of Alan Wake 1 lol.

I had the most trouble with some of the sections of this game, but it was fun, mostly just felt like a fool for not initially understanding it. The secret agency and clear references to the Board and FBC were everything. It was just Control: Coffee edition.

Episode 3: Death Rally Tom !! I was beyond happy seeing this. Always nice to see more Zane.

I’m not very familiar with Quantum Break outside of the general story and beginning, so the last episode was So Much. Initial thought: Please no Jesse and Tim in Control 2. It’s almost certainly supposed to be because of Quantum Break, but that version of her waiting for Tim came out of nowhere for me lol (also 😔 because I either want her to be with Emily or not get with someone at all—Control Jesse is so far from Beth Quantum Break/Lisa imo). The “but maybe…” multiverse romance was. whatever. cheesy but in a more negative way.

Another thing that makes me somewhat relieved this is the whacky DLC is that it does address a lot of the vague unanswered questions of the game in the typical sci-fi way (and probably a big win for theorists), and I want to keep that away from most of the main games. I like not knowing things lmao. It’s not a huge deal and I love all the crossovers/realities, but I want future AW (if 3 happens) and Control games to still largely focus on the mysterious horror without anything too definitive or distracting. I’m mostly okay with it here because this is Also an episode written by Alan and hosted by Door, so it’s not reliable—even if I’m sure this is what Remedy envisions when writing these games.

^ something something “In a horror story the victim keeps asking why, but there can be no explanation and there shouldn't be one. The unanswered mystery is what stays with us the longest and is what we'll remember in the end.”

However looooved how the third episode changed the style of the game repeatedly. The very last scene where the words form the writers room and Alan before it abruptly ends was great and the standout of the ep.

I’m not going to try to unpack all this, but it’s interesting how Alan and Door present themselves as being these largely antagonistic forces in this DLC. They’re an underrated duo (the two Masters of Many Worlds). Everything felt like it was Alan purposefully trying to imprint on these realities and influence things in his writing, making certain things parallel his life and circumstances. Reminded me of him attempting to get the irl Koskela brothers to kill each other to get out of the Dark Place. Hard to tell what’s really the truth.

I like Door too much to be scared of him. The jump scares were nicely paced throughout and the echoes of Tim/Shawn/Jack fighting him were interesting.

The tribute for James McCaffrey at the end was emotional and lovely.