thinking about hotd making my girl elinda massey go on errands and do seemingly the same job as talya like a lady in waiting isn’t a maid? and ofc that brings me to WHY don’t rhaenyra, alicent, helaena, baela and rhaena (or jeyne arryn, or rhaenys in her scenes on driftmark, or aemma in the two gd scenes we get with her) have friends? actual lady companions from the nobility. grrm is so bad at this in the books but it’s even worse in got and hotd
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i feel like poolverine easily could’ve been one of those “they’re flirty but it’s mostly unserious” situations, and for most of the movie yeah they were extremely gay, but wade’s been like that with other guys and it was never treated as a serious type of relationship before. they’re willing to die for each other, but even then the romantic aspect of their relationship could be glossed over because it’s a superhero movie, that’s just what they do, and they’re working together to save a whole timeline—it’s not just about them. but then the movie doesn’t end with them saving the day and moving on. i think this’s really the part that sells poolverine as a genuine relationship to me… logan’s leaving, and wade calls for him. he can’t stand to let him go. then he introduces him to his family, and logan stays. he doesn’t really need to stay, but they’ve both decided they’re better off with one another than without
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Prompt 162
“So,” Danny drawled from where he was sitting, legs kicking slightly. Really, what a fun reincarnation. A world with heroes and villains where he didn’t have to do shit in and could just vibe with Ellie.
“So,” Tim responded from where he was typing on his computer, mostly in civilian clothes save for his gauntlets and boots. The Red Robin outfit was haphazardly dropped across the couch and his pole leaning against the end.
“Technically there’s proper procedures for clones…” Danny motioned to both himself and Ellie from where they sat on the counter, snacking on a plateful of scones. From Alfred, he was certain.
“Technically, yes… but do we want to actually do that?”
All three of them smiled, something almost feral in the motion. Of course not. They all had the same memories after all, and Bruce had just returned from the past, from exactly where and when Tim had said he was. Despite no one believing him, hence why they were in his boathouse, and not in the apartment or manor.
“Think we can pull it off?” Ellie took a sip of tea, mischief swirling in her eyes.
“Of course we can.” Both Danny and Tim spoke at once, one pulling up a new doc and the other pulling the whiteboard out from under a curtain.
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On the job 🏃♀️
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some WIPs from the 80s AU i never finished
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toxic yuri vampires you will always be famous to me
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One of the biggest things that makes me see Leo as trans is absolutely the size of his carapace in comparison to his brothers’.
And I’m not talking about height! I’m specifically looking at his shell here, because when you compare him to the others, particularly Donnie who is nearly the same height as Leo, it’s very clear that Leo’s carapace is much longer in proportion to the rest of his body.
Like - standing side by side, even though Donnie is shorter his carapace ends noticeably higher up than Leo’s does. And I like this not only because it really helps push the idea that Leo could very likely be trans (or intersex!), but it’s also just a fun design difference between them.
(It also lends way to future scenarios of Donnie eventually getting taller than Leo, but sitting down still has Leo being the taller one haha.)
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Stranger Things x Breakfast Club AU (part ?)
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for the mistletoe time asks thigy
mayhaps neil and matt in number 2? their friendship means so much to me
They are SO SPECIAL TO ME AS WELL (got a couple requests for this one so I switched up the style. Probably will do another version of Matt and Neil forehead kiss 🥰)
Requests are open until the end of Dec ‘23 💕
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astarion, the man who was dying and offered eternal life, but had no idea that it meant becoming a slave to a sadistic master.
astarion, the man who had his freedom and bodily autonomy ripped away from him.
astarion, the man who was forced to befriend, seduce and sleep with people to lure them back to his master, resulting in severe sexual trauma and the struggle to form any sort of intimate relationship.
astarion, the man who was horribly punished whenever he refused his master’s orders (one punishment being sealed away in a dusty tomb, starving, for an entire year. he scratched his hands raw trying to carve his way out).
astarion, the man who was forced to eat rats.
astarion, the man who hasn’t even been able to see his own face since he turned.
astarion, the man who had his body mutilated as cazador carved scars onto his back, which he later found out was to bind him to a ritual.
astarion, the man who is so severely traumatised that he admitted he doesn’t know how to say “no” or ask for help (and he feels guilty when he does).
astarion, the man who waited two centuries to be helped and freed from torture, but no one came.
astarion, the man who was always treated like a monster when all he wanted was to be treated like a person.
astarion, the man who came up to you in the middle of the night just to thank you for defending him and allowing him to make his own decisions.
astarion, the man who said that no one ever looked out for him or showed him kindness, and that you’re the only one. “other people don’t have a heart like you. you’re you. no one is like that.”
astarion, the man who broke the cycle of power and terror that started centuries ago thanks to the love, care and compassion that you showed him when no one else did.
astarion, the man who confessed that he loves you and feels safe with you; something he has never felt with anyone before.
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i found a photograph my mother took of someone i don’t recognize anymore.
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i was thinking more about characters Performing Gender, but not necessarily Transgressing Gender. I wound up focusing on Ned and Sansa bc I feel like I understand them the most but-
Sansa as a hostage is imo the most obvious (bc it’s so well done) moment of someone clearly Performing Gender but not being transgressive in that performance. Which isn’t to say it’s not a complicated performance; it’s a fine line Sansa walks between weaponizing her gender to protect herself without seeming too fake. She’s trying to placate the Lannisters by playing the perfect, dedicated, air headed betrothed because it’s the only defense she has - if she outwardly rebels, she will be punished in a likely violent and/or sexual way (which isn’t even conjecture - when she says “or maybe he’ll give me yours” Joffrey has her struck with an armored hand). She’s not quite successful in being convincing but that’s because it’s a rather extreme situation; despite no one believing her, she does make herself seem meek and stupid enough that no one suspects she’s plotting to escape with Dontos until she’s well away from KL. The fact that she even has Dontos to confide in is because of Sansa’s relationship with gender! When she saves him, she covers her rebellious slip by playing up Joffrey’s intelligence & his role as King; she reaches for “tools” of her gender AND of ~proper manhood~ to save a life and herself from another beating. Her retreats into the godswood and silence are very much Sansa attempting to recharge from these draining interactions, the same way a knight would need to stop and eat and rest after a fight. She is fighting, constantly, by forcing herself to stay within the narrow confines of a specific type of gender performance as a way of shielding herself from harm.
Ned yelling at Cat is another big one, and I’ve seen the scene referred to as Ned using his patriarchal power to scare Cat, which is a great description. It feels like a Performance because Ned is putting on this terrifying Lord Stark mask in an attempt to get Catelyn to stop asking about Jon (and Lyanna). This is not how he usually acts with those he loves! When Ned is with His People, he is welcoming of questions, curiosity, emotion, even transgressive thought (to a point! the idea that Ned is a feminist because he lets Arya learn to fight is Not accurate but you can’t deny he allows significantly more flexibility wrt gender expression than most of the fathers we meet in this series. the bar is in hell tho). Yet when Cat asks him about Jon’s mother, Ned scares her so well she stops asking & still remembers the moment bitterly over a decade later. And if that snippet we see through Bran’s eyes of Ned praying that Cat will forgive him does come after she asks (like it’s suspected), it’s clear not only that this is a performance he’s putting on & weaponizing against Cat, it’s one he does not like using as a weapon against someone he is close to. After using the power his gender gives him to cause harm, he retreats to the godswood and silence to pray and rest, much like Sansa. A spiritual cleanse, the way a soldier may pray after battle, to reset and reconnect Being A Proper Man to Being A Kind Man.
I think there’s something interesting in that two of the characters most widely defined by how well they adhere to Westerosi gender norms both dislike feeling like they had to weaponize their gender. They are exhausted by the performance, because it’s a performance. This isn’t Sansa getting excited over tourneys, or Ned teaching his sons to fight; it’s toxic masculinity, it’s structural misogyny. It’s something they’re good at, excel at, and connected to something they enjoy but when it’s paired with violence, whether done by Ned or done to Sansa, it crosses over in their minds from an innate part of themselves (The Gender) to a performance necessary due to survival (The Gender Role). And that after these performances, both retreat to nature & god as a way of resting and cleansing from the experience.
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Something that baffles and frustrates me is that Usopp upgraded Nami’s Clima-Tact multiple times but the only attack she consistently uses is some version of the Thunderbolt Tempo (with a few Mirage and Tornado Tempos thrown in the mix).
Where’s her combo with Brook where they trap enemies in an ice storm? When is she gonna knock people out with car-sized hail? When is she going to make people’s skin sizzle with acid rain????? There are so many weather phenomena that exist that it feels like such a waste to limit her to the same few attacks.
I don’t care if I’m being impatient, the other Straw Hats get a wide range of attacks so it makes no sense for Nami, weather girl and navigator supreme, to be so limited in her combat abilities.
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STUPID STUPID STUPID STUPID THEY’RE IDIOTS AUGHHHHH I’M WRITHING ON THE FLOOR BECAUSE OF HOW BRUTALLY PATHETIC THEY ARE!1!1!1!1!1!1!1
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