#i wrote this thing

[alilbatflies]

Have All People Got a Heart? 

People don't trust. They need to check everything with their own eyes.

People don't trust. They developed the word “trust” to signal to others they believe them to tell the truth. I trust you. They use the expression sparingly.

People don't trust. They hear the heartbeat through another's ribs, they feel the pulse of blood in another's veins, a steady rhythm guiding life through a body. They’re not sure if it’s really there.

People don't trust. They have to stab another and butcher their physical form to hold the beating heart in their very own hand. To see. To believe. 

“Have you got a heart?”

They reassure you that they do. They scream feel it beat, feel the pulse thrum underneath my skin. 

You have to check. You need to see for yourself. 

You watch the soul seep out of them. You tear them apart in a messy slaughter, as their eyes try to convince you...

Let me live. Let me live. Let me live. 

You carve their bodies open just to check. 

You don't trust. 

You stand in the middle of a graveyard, a sea of dead hearts scattered around you. You still hold the knife, blood dripping from your clothes. You don’t notice you’ve stopped breathing. Nobody is around to remind you to take a deep breath. It’s silent around.

Your heartbeat is the only sound.

“They all had a heart.”

You've checked. It was the truth. You've checked. You've checked all of them.

They all had a heart.

Then you have to ask yourself…

“Do I?”

(You might have to check.) (You don't trust yourself, either.)

[roboticnebula]

Pros of re-reading your own fic

a good time;

Has exactly the tropes you like and the characterization you want to read;

Gratification: yes you did finish a thing and yes you did do good;

just a very fun time all around.

Cons of re-reading your own fic:

Is that another TYpO

[kedreeva]

Following the author of The Last Unicorn on Facebook is the only thing that makes being on that site worthwhile.

(source)

[inkskinned]

this is just my opinion but i think any good media needs obsession behind it. it needs passion, the kind of passion that's no longer "gentle scented candle" and is now "oh shit the house caught on fire". it needs a creator that's biting the floorboards and gnawing the story off their skin. creators are supposed to be wild animals. they are supposed to want to tell a story with the ferocity of eating a good stone fruit while standing over the sink. the same protective, strange instinct as being 7 and making mud potions in pink teacups: you gotta get weird with it.

good media needs unhinged, googling-at-midnight kind of energy. it needs "what kind of seams are invented on this planet" energy and "im just gonna trust the audience to roll with me about this" energy. it needs one person (at least) screaming into the void with so much drive and energy that it forces the story to be real.

sometimes people are baffled when fanfic has some stunning jaw-dropping tattoo-it-on-you lines. and i'm like - well, i don't go here, but that makes sense to me. of fucking course people who have this amount of passion are going to create something good. they moved from a place of genuine love and enjoyment.

so yeah, duh! saturday cartoons have banger lines. random street art is sometimes the most precious heart-wrenching shit you've ever seen. someone singing on tiktok ends up creating your next favorite song. youtubers are giving us 5 hours of carefully researched content. all of this is the impossible equation to latestage capitalism. like, you can't force something to be good. AI cannot make it good. no amount of focus-group testing or market research. what makes a story worth listening to is that someone cares so much about telling it - through dance, art, music, whatever it takes - that they are just a little unhinged about it.

one time my friend told me he stayed up all night researching how many ways there are to peel an orange. he wrote me a poem that made me cry on public transportation. the love came through it like pith, you know? the words all came apart in my hands. it tasted like breakfast.

[biggest-gaudiest-patronuses]

the fact that shakespeare was a playwright is sometimes so funny to me. just the concept of the "greatest writer of the English language" being a random 450-year-old entertainer, a 16th cent pop cultural sensation (thanks in large part to puns & dirty jokes & verbiage & a long-running appeal to commoners). and his work was made to be watched not read, but in the classroom teachers just hand us his scripts and say "that's literature"

just...imagine it's 2450 A.D. and English Lit students are regularly going into 100k debt writing postdoc theses on The Simpsons screenplays. the original animation hasn't even been preserved, it's literally just scripts and the occasional SDH subtitles.txt. they've been republished more times than the Bible

[riddlerosehearts]

"Be Our Guest" original draft storyboards vs final film (💖)

The song was originally written by Ashman and Menken to be sung by the enchanted objects to Maurice instead of Belle. However, story artist Bruce Woodside felt that the song would make more sense if it was sung to Belle, the main character, as opposed to secondary character Maurice, and directors Kirk Wise and Gary Trousdale agreed.

[eightspringdays]

Never forget the fact that, because he was roleplaying as his nonexistent lil sister, his twitter account got banned for a while and had to scream publicity he was, in fact, Tatsuki Fujimoto roleplaying as his nonexistent lil sister.

And no one believed him at first.

[adriles]

when we’re done with our overwhelming grief we’ll eat i guess

[dcxdpdabbles]

Bruce: Attention, please. I understand a majority of you had plans this weekend. I want to be considerate of your time, so I'll make this brief. Lex Luther has hired a boy to seduce Wayne Enterprise secrets out of Tim. I need you to be weary at the gala. Dismiss.

Tim: Hold on hold on. I'm going to need a LOT more information than just that.

Bruce: I said dismissed Tim. Your siblings have plans.

Dick: *Raises a hand*

Bruce: Yes?

Dick: I can tell this approach is from the parenting books Uncle Clark got you, which is great. Thank you for trying, but we really need more details B. You can be considerate of our time by properly using it.

Bruce: hmmmm. Alright, if everyone feels this way. I suppose I can explain

Batkids: *Nodding*

Bruce clicking on the computer to show a picture: This is Daniel Fenton. His family used to own Fenton Works until the unfortunate loss of Mrs. Madeline Fenton in a car accident. Mr. Jack Fenton was convinced a ghost killed his wife. He was arrested after he crossed state borders chasing it and went on a rampage in downtown Gotham. He was deemed mad with grief and has been in Arkham for the last four years. Neither Jasmine nor Daniel were able to keep the family business afloat and were eventually bought out by Luthor.

Steph: I remember Mr. Fenton. He made that weird ray that was just throwing green goo on people. Besides scarying a few civilians, he didn't do anything bad. No one was harmed.

Bruce: That was the Fenton children argument as well. They were unable to get Mr. Fenton out of Arkham and into a different institution. I fear corruption is at play. During his stay in Arkham Mr.Fenton, has continued to create inventions, though no patent has been filed. All funds from said inventions are being made by local Mafia families instead.

Jason: Those thieves are preying on a grieving man. Rumors has it, Mr. Fenton isn't even aware his wife is dead. His mind blocked it, but he's slowly deteriorating. They're trying to squeeze out every drop of cash they can from him before his mind is completely gone.

Bruce: Exactly, and his children know it. Recently, Clark overheard Luthor offer Daniel a deal. He steals Wayne Enterprise secrets from Tim - probably got the idea after reading the article of Tim coming out, no doubt - and Luthor pulls enough strings to get Mr. Fenton out.

Tim: That's horrible. Is there any way we can help the Fentons instead? Move Mr. Fenton to a different place?

Bruce: I'm working it, but I believe Luthor is blocking my attempts. He did the same to Miss Fenton's college and loan applications. The pair are in a finical crisis that does not seem to get better no matter what they do. Luthor has employed similar tactics before.

Damian: Thus trapping the Fenton siblings in a box, unable to defy Luthor. They may be so desperate they would agree to anything after this many hardships.

Bruce: Exactly.

Tim: Alright I'll sleep with him

Cass: Literally, no one said you needed to sleep with him.

Tim: It's will be tough but I'll take one for the team.

Duke: Tim, that's not what B is saying at all.

Bruce: Wait, wait. I think Tim wants to sleep with Daniel Fenton. Hold on, let me consult the experts *opens parenting book*

Bruce: This isn't covered in the book. I don't know what to do.

Dick: I do. Tim, you're not sleeping with Daniel Fenton, but you are going to pretend his seduction is working. We're going to stop Luthor and the Mafia families controlling Arkham. We need to buy time to do that.

Tim: Kisses and over clothes stuff only. Got it.

Damian: Life has been hard for you since Dowd left you, hasn't it Drake?

[thebluemallet]

Portia may not have always been the best mother, but she was the only one who noticed and brought attention to the fact that Penelope wrote terrible things about herself in Whistledown once she learned the truth.

Someone should write a fic where that is brought to Colin and Eloise's attention by someone else and they both have that "oh shit!" moment.

[cashmoneyyysstuff]

from the start !

so. . what are we ??

you’ve been katsuki’s for as long as you can remember.

sure, he had never outwardly called you his girlfriend, but when you were both seven years old, he came up to you. chest heaving slightly from running up and down the hill where he had gotten you a freshly plucked out bouquet of flowers. the roots were still clinging to them and he got dirt all over your hands from forcibly grabbing them and shoving the bouquet in them before you could even form a sentence.

“since you accepted the flowers, you’re mine now.” he mumbled, his little hands tightened into fists at his sides and chubby cheeks a cute shade of pink, staring at you as confidently as he could.

a grin grows on his face when you respond with a simple “okay !” and a bright smile. the grin on his face never disappears even as his mom scolds him for getting you both all dirty.

you were katsuki’s in middle school too, when the boys in class decided to play kiss, marry, kill and he had somehow gotten dragged into it. the girls in your class tried their best to seem uninterested, claiming the boys were being childish, but you noticed how hard some of them were straining their ears trying to hear what the guys were talking about in their own little corner of the room. you’d be lying if you said you weren’t a little curious as well.

katsuki was as ruthless as you’d known him to be, choosing to kill any girl that wasn’t to his liking, which ended up being all of them. much to the other boys’ chagrin, claiming he had no taste.

then your name was brought up.

at that, his eyes widened and he turned in his seat to see if you were watching. you had never turned your head away so fast in your life and you were pretty sure you heard something go “crack”.

he clicked his tongue. mumbling something about how stupid the game was before muttering out a “kiss yn, marry yn and kill that other bitch.” before getting up and stomping away, claiming he had to go to the bathroom followed closely by the whoops and hollers of his two friends behind him.

you both made eye contact when he walked out and you think you’ll never forget how red his cheeks were.

you were katsuki’s when he was the one to walk you to and from school everyday, claiming you would somehow get lost without him. you were katsuki’s when he had begrudgingly shoved homemade valentines day chocolates into your arms, mumbling something about how you had been upset nobody had gotten you anything last year, conveniently leaving out the fact he had scared off all the other guys trying to offer you anything.

you were katsuki’s when he grabbed your hand during the winter because he said you’d “end up dying of hypothermia with the way you’re chittering over there.” and you were his when you were the only person he laughed around. loud, genuine laughter that you and only you could squeeze out of him. you were katsuki’s when he randomly kissed you goodnight at your door one night and he’s been doing it ever since, and gets all pouty when you turn away from his kisses to tease him.

“are we dating ?” you had asked him. you’re both in high school now and you’re in his dorm room. your legs are on his lap and he’s got a comfortable grip on your leg, which tightens after he registers your questions “hah?” he looks utterly confused and a little insulted as he looks back at you, his entire face scrunched up in confusion. you pinch his nose and he swats at your hand.

“are we dating ? like—am i your girlfriend.” you say again and katsuki’s face scrunches up even harder. he huffs and looks back at his phone, landing a little smack on your leg still placed in his lap. “ ‘course yer my fuckin’ girlfriend.” he spits out, obviously irritated. then he looks back at you “I haven’t made it obvious ?” he says sarcastically. one of his eyebrows lifted as he pokes at your leg still very much in his lap.

you simply shrug “s’not that. it’s just because you’ve never actually asked me out before, so i was a little confused on where we stood.” you mumble. he stares at you while you speak and he stares a little longer before sighing. then he leans towards you and flicks your forehead.

“ow !”

“dumbass.” he murmurs. there’s a slight pout on his face and his cheeks are light shade of pink when he looks you in the eyes again. he grabs both your cheeks with one hand and smushes them together to push your lips out and presses multiple wet kisses onto them that have you squealing and squirming. his wet lips are pulled into a smirk when he pulls back and you try your best to at least look a little angry, you really do. but it’s useless when he looks at you like that.

“of course you’re my girlfriend” he reiterates. his smirk’s been replaced for something softer, something more sincere as he gazes at you with so much unadulterated affection it makes your head spin a little. “you’ve always been mine.” he says it in a teasing tone and his hand is still smushing your cheeks out and it hurts a little but his eyes are still the same. they’re warm and soft and so, so enamored with you and only you.

when he finally let’s go of your face and pulls you fully into his lap, you realize katsuki’s been yours for as long as you’ve been his.

you smile brightly at him but turn your nose up when he leans in to kiss you again. “i still haven’t heard what i wanna hear though, mr. bakugou.”

he rolls his eyes and pinches at your thigh as he mumbles out a “don’t call me that.” sighing, he looks at you intensely and you suddenly feel very shy.

“will you be my girlfriend, ya shitty girl ?” and he says it as a joke, you both know it is cus his lips are already forming into a smirk the second he finishes his sentence. and you’re pulling at his nose the moment you register it, but you’re both smiling hard. he laughs and you’re sure you’ll never get tired of the sound. “what’s your answer, pretty ?” he asks playfully and you pretend to really think it over just to mess with him, and giggling out a “yes!” when he suddenly pounces on you. flipping you both over and tickling you mercilessly, calling it revenge for you “taking too damn long to answer.”

you’d been katsuki’s for as long as you can remember, and you hope you can be forever.

[ssquiriyon]

Happy New Year chat

I couldn't get this out yesterday cause our area atm had no signal so all I had was those two Earthspark episodes I downloaded

So yeah, Happy New Year to everyone!!

[solarmorrigan]

So "Uptown Girl" released in 1983, and I feel like Steve would have sung it to Nancy sometimes, and she would humor him, because it was sweet, and he actually sounded pretty good when he wasn't doing it just to be goofy

Fast forward a few years, Eddie and Steve are dating, and they're sitting on the couch at Eddie's place one evening, comfortably high, Eddie noodling around on his acoustic and Steve just kinda vibing. And Eddie knows Steve likes Billy Joel, so he starts up with the tune of the first one he can think of: "Uptown Girl." And suddenly Steve's mouth is dropping open like he's just had some great realization

Eddie: What is it?

Steve, in a hushed voice: I'm the uptown girl

Eddie laughs so hard he falls off the couch

[inkskinned]

okay is she being actually immature or is it just a woman over 30 expressing a human experience you find to be immature.

like yeah. at certain ages... let shit go. im not defending the real immature shit. im not defending the karen you're picturing. i worked in retail i hate those people too. (once somebody got mad at me because she didn't like how our winter window decor was a snowman smoking a pipe. i wish i was joking).

but men at 57 will write books about how 17 year old girls are soooo sexy. they will invent worlds where women have to be naked for "armor reasons." they will write songs that treat women as objects. people rush to defend them. meanwhile a woman at 35 will be like "heartbreak is hard, actually" or "i feel betrayed by a friend" or "i am struggling with something emotionally." immediately people will say stuff like this woman is 35 by the way. by the way this woman is SO OLD to be experiencing this. BY THE WAY.

im 31, almost 32. the other day a poet was blasted online because at her "big age", she had written a poem about feeling unloved. top comment was "this woman is 29 by the way." this woman is too old to still be useful, by the way. she has to behave better . maybe if she was a good wife and mother she could stop existing loudly, and the story could continue on without her. this woman has served her purpose, by the way. she's so cringe, by the way. at 29 - so old! - she still hasn't figured out that her existence should be one of shame.

[lazylittledragon]

pt 1 of some much requested cyra lore

[dreamsteddie]

Steve and Eddie who kind of flop in life and end up poor, living in a trailer in a different small town living quiet lives of no import.

The kids, Robin, Nancy, and Johnathan all seem to take the small handful of opportunities offered to them by the government in the aftermath of the Upsidedown to take off and make something of their lives. They're off writing headlines, making news, and living their lives to the best of their abilities, but Steve and Eddie find themselves stuck.

Steve stayed in Hawkins until the kids graduated and left for college. By then Nancy, Johnathan, and Robin are all in their second or third years of college. John and Nancy have their own apartment in New York together and don't reach out all that often, only seeing the rest of the Hawkins crew on Holidays and some vacations. Robin is flourishing at an all-women's college in Maine and has a partner and a cat and plans for graduate school brewing. She's always saying Steve can come out and join her whenever he's ready, but when the time comes it feels like he would just be trying to insert himself in the middle of a life he doesn't know how to fit into, so he turns to Eddie instead.

Eddie is permanently disabled in a number of ways following the events of season four. He struggles with chronic pain, has breathing issues due to the loss of part of his right lung, and lost enough muscle mass in his left leg that walking will never be easy or done without the use of a walker or arm bar crutches. The doctors said he recovered as well as he could have. The kids said he would get better with time. Wayne said it didn't matter if he never got better, he could do anything he set his mind to.

Steve is the only person who tells him the truth.

Steve tells him that it sucks. Tells him that it will probably always hurt. Doesn't give him false hope when he's trying to grieve the loss of the life he wanted to live. The goals he wanted to reach. When he falls deeper and deeper into himself, stuck in the muck of depression, Steve is the only person he lets in. The kids try their best but their lives are moving fast, and taking care of someone like Eddie is exhausting, no matter what they try to say. Eventually, everyone but Dustin gives up on reaching out, the younger boy showing up every Sunday to try and get Eddie out of the house. He always leaves disappointed.

When Steve asks him if he wants to use what's left of their partly government payouts and Steve's equally meager Family Video savings to buy a truly shitty trailer in a town an hour and a half south of Hawkins in the fall of 1990, it feels like the first boon he's been given in almost five years. He'll never be who he could have been if he had ignored Chrissy that day in 86', but he's always thought maybe he could be more than a ghost between Wayne's walls if he could just get out of this god-forsaken town full of people who know too much and too little of what's happened to him.

They get the trailer, pack what little they have, let Wayne hug them close, and leave.

Steve has already transferred to their new town's Family Video, moving up to claim the dubious honor of being the opening manager. Mostly he just unlocks the door, signs into the computer, and makes sure nothing catches fire. Eddie hoped that moving would miraculously make him fit to enter back into the world, but he spends most of his days with a blanket on the front porch, watching people pass by. He does, though, finally accept that he needs to apply for disability to help Steve keep the lights on and the water hot. That last little bit of hope that he could be what he used to be dies, but he's learning to be content with what he does have. He starts taking a walk, just ten minutes around the loop of the trailer park saying hi and trading polite nods with his fellow residents. He's not ok, but he's starting to build a new community of people not too different from himself.

The new trailer only has one bedroom. Eddie sleeps on a fold-out mattress in the living room. It had been a major argument when they first moved in with Steve insisting that Eddie needed the bed. Eddie argued that it wasn't fair for him to take the room when Steve was the one working 40 hours a week to keep them afloat. In the end, Eddie was the more stubborn of the two. It helps that Eddie has absolutely no qualms about crawling into bed with Steve on the nights when the couch bed really won't cut it for his aching body. Steve never questions it, just shuffles over a little and lets the other man in.

Steve doesn't question a lot of stuff.

He doesn't question when all their effects are shared between them with no effort to distinguish between yours and mine, Eddie's and Steve's. He doesn't question it four months in when Eddie starts to get his feet under him and decides to take up cooking, always trying his best to have everything done just as Steve walks through the door. He doesn't question when a good chunk of Eddie's first disability check goes to buying Steve a sturdy, if not very fashionable, new watch for his birthday since his old one went bust almost a year ago.

He doesn't question it when Eddie holds his hand for the first time under the stars hanging above their front porch.

He doesn't question it when Eddie introduces him to one of his new neighbor friends with a hand resting comfortably on his lower back

He doesn't question it when Eddie starts sleeping in the bedroom every night.

Or makes him box mix cupcakes for Valentine's Day.

Or kisses him for the first time on the couch that's never a bed unless they want to spend the day binge-watching bargain bin films.

Because really, isn't this how it was always going to go? Wasn't this exactly what Steve was asking for when he asked Eddie to skip town with him?

Isn't this what Eddie was hoping for when he said yes?