#i would read the hell out of a full manga adaptation of these books | Explore Tumblr posts and blogs

hellyeahheroes · 4 years ago

Text

Robin(2021) #1 Review

Opening this comic with an assessment of a character that I have no choice but to agree with is a cheap way to score points with me.

Anyways, we caught heat for being unfair to this story since it was announced because all of us wanted it to be a Cass story since forever. And it became yet another thing Damian absorbs. I mostly ignored it because I’ve always been open about my disdain for the character and his fandom for nearly a decade. I never liked Damian because put these characteristics on a non-white passing character, they’d be dead inside of year. Then again I hate almost all of Grant Morrison monstrosities.

Regardless, new story who dis is in full effect here. We open this bad boy up with Damian gone missing and the Batfamily searching for him. Nightwing tried asking Damian’s old Teen Titans team and they obviously don’t know and probably hope Damian is dead. Tim checked Arkham Ruins(???) and Damian wasn’t there. I honestly don’t think Tim was trying to find Damian. Steph and Cass checked Damian’s farm and Steph concluded Damian has been there at least because while Damian may be a little shit, he loves his dog and pet bat dragon. Barbara checked facial recognition pings and his transactions and dude is an IRS nightmare.

Damian is missing. Bruce is worried that maybe making a violent murderous preteen Robin raised in a cabal of killers to be chief murderer was a bad idea and is worried. Barbara ensures him that they will find his son and we cut to Damian fighting Snake guy in some musty ass fight put somewhere. Because of course it’s a musty ass fight pit because while the story is well drawn, it never claimed to be not cliche.

Damian hands the scrub his ass and it turns out Damian is trying to earn a marker to participate in some tournament. I liked this panel.

Not because of the artist flex of changing the art style, but it establishes Damian with a relatable hobby, reading manga. And not just a Shounen as you expect him to read but a slice of life manga which kind of puts his life in perspective. Also the lesson in the manga is reflective of what happens in the comic. Damian’s mastery is reflective of how he sees Hana. Hana decides to go beyond what her masters taught her. She decides to innovate and make her art her own. And that’s indicative of another flaw of Damian: Damian leans of the prestige of his teachers. He is the student that replicates the style 1:1. He wants to inherit Batman’s mantle, but doesn’t want to shed his teachings that he is proud of. And it comes down to this idea that Damian refuses to innovate and adapt because he is hiding behind his masters.

This panel saved the story so good job.

And after a talk with dead Alfred, it’s revealed that Damian is on this journey as a way to mirror Bruce’s journey into becoming Batman. It’s his way to iron his resolve without a catalyst to find a need to. It highlights his naïveté. He thinks that he can just simply copy the steps and get the same results.

Regardless what happens next simultaneously undermines the story or the impact of it.

Okay, when you think of Martial artists in DC, you immediately think Batman, Shiva, Deathstroke, Black Canary, Bronze Tiger, Richard Dragon, and Shiva. Why I said Shiva twice? Because Shiva is the pinnacle.

So to reveal that three premier martial artists in the universe are not only not participating but they were paid off to not participate, cheated out, or were subbed in as an entry replacement, it undermines the promotion. It’s like going to a Beyonce Concert only to find out that between the words in small print Beyonce and Concert was ‘s Sister’s and now you are watching Grammy award winning Solange. Sure, it’s an unique experience but it ain’t Beyonce.

And also, there is no amount in the world that would keep Shiva away from this tournament if it’s as prestigious as it’s led to be. Let’s be real. If anything, it’s far more likely that she saw the roster of scrubs and decided to make some scratch.

There are two characters that I recognize: Connor Hawke and Rose Wilson. I am not familiar with Connor so I am not sure if he is out of place. Rose is fine but y’know, scrub. I’m sorry Rose Wilson got her ass handed to her by Cass in the previous universe. There is no universe where I take her seriously in a fighting tournament to crown greatest fighter because the ass stomp was so thorough that Cass was beating Slade’s ego by proxy.

Back to the comic, Damian interrupts the host and basically is the fighting tournament trope of overly confident disrespectful guy with too many accolades which he will proudly tell you about them. What I like about this is the nice nod to the previous manga panel. Damian is not a great fighter. There I said it. Damian’s ability hinges on the idea that he was trained by the greatest killers and Batman but the issue is that name prestige doesn’t make great fighters. Too many times, comic books overly rely on this idea of fighting being a what you know and not being a game of not getting hit and getting hits in. It does not matter if Damian is trained by the League and Batman and it’s questionable as to how much Batman taught him in the first place. Hence why we see Damian with a sword or staff to compliment his lack of range. Damian can’t read muscle twitches like a Cass or Shiva so he has a normal reactive response and comics never highlighted his ability. The most impressive thing I’ve seen Damian do is catch a Batarang which is something I’ve seen Tim do. Damian overly relies on the idea that his teachers taught him to be the best when they simply taught him to survive in a fight.

“But why does Cass get away with it?,” you ask. Cass has this broken hax that is reading muscle twitch and immediately knowing the instant of what you are going to do before you do it or decide to do. Cass doesn’t need range because to her, you are screaming your intentions. She doesn’t need to block an attack when she can just parry. She doesn’t need to step back when she can just step forward while slipping all attacks. She is an autistic savant at fighting with an absolute defense. Damian is just another badass teen in a world of badass adults.

And the humbling of Damian begins...again.

Pros:

-Damian’s new costume. I like that he is branching out and starting to own his own colors. It’s nice.

-Using a character flaw to make it a theme. I like Chekhov’s gun via teachable moment. In tournament arcs, what separates the good ones and the bad ones is the idea that the hero simply must overcome their opponents and not their own self. This is why Yuyu Hakusho is awesome.

- Great art and nice continuity. It’s nice that Damian’s past wasn’t ignored for once and they didn’t just throw his Teen Titans characterization down the tubes. Say what you want, but it was arguably Damian’s longest run in spite of his fans hating it. And contrary to what they believe, it was very much in character for him. My fear going into this that Damian would not face any fallout and lo and behold he ran away.

- it’s a good start for a Damian story. Say what you want, but it’s unique in that the little shit gets his comeuppance immediately. And not that just by losing, but by dying. Damian has killed before and readily justifies it because he never realizes the weight of taking someone’s life. He’s been killed before but those were painted in a way that he is valiant. Here, this is death caused by his own arrogance. He mocks a fighter for talking shit and gets murked while talking shit. He spouts names of his own teachers and expects people to care or be weary as if Rose Wilson and Connor aren’t there. It’s a tournament sponsored by the League of Assassins, Damian. They have been taught by the league too.

Cons:

-Look I get promotion. No promoter is going to undermine their product but the fact that this tournament reeks like ABA is killing my interest to give a shit. It’s a convenient caveat to say that, “Well, a character won this so they can have the title but the title doesn’t mean anything.” I know of regardless of whom wins this, they aren’t the best. Go ham or don’t at all.

-not enough emphasis of the importance of this arc. Why even have this tournament? What’s the prize? What’s even the point?

-While the art is nice, the action is framed poorly. I like physical action like this to be nearly choreographed in a way I can see and piece movement in my head. The two fight scenes we get are somewhat disjointed in that it’s just poses. For example, Flatline’s first kick makes no sense at all and I don’t get her follow up. Trying to picture the movement hurts my head and in an action concept like this, it’s best to frame action scenes as more than doing poses. Here is a good example:

This only emphasizes the action and gets the reader to acknowledge that this a tournament of great fighters or at least a great fighting story.

All in all, do I think this story is off to a good start? Yes. Is it going to change my opinion on Damian? Hell no. My reaction to Damian getting his ass handed to him was this.

The issue is that it never sticks. Damian can learn and be a better person but the development never sticks. It becomes a cyclical series of events because whoever writes him next will just keep writing him as this shitty entitled murder rich kid who never learns anything and gets validated somehow. It’s been over a decade and I’m tired of the same excuses of his shitty behavior. I am tired of writers validating it or excusing it.

Damian losing isn’t an outcome I care for because it’s wasted on him. Honestly I am more interested in Connor and Rose being there. I have no faith that it will stick nor does it undo the shitty idea of the character. I have never wanted to see Damian fight. It’s never been fun to read about nor has the impetus of his character emphasized the ability or style. Placing Damian in an Enter the Dragon style tournament lacks the pizzazz of Cass doing the same thing. For example, let’s try Marvel.

Let’s say someone pitches an idea of a tournament arc styled after Game of Death. Immediately you think Martial Artists non-powered. Danny Rand, Daredevil, Elektra, Shang-Chi, Pei and Colleen Wing. Okay, instead of giving those characters the honor, you give the story to Black Cat. Honestly, I’d read it because Felicia could sell me a documentary on grass and I’d buy it but the point stands, why does Damian have this Bruce Lee inspired Martial Arts story versus the actual Chinese or East Asian Martial Arts focused member of the Batfamily, Cassandra Cain?

But this has nothing to do with what could have been. It’s a fun beginning of a possibly fun arc. In that regard, it delivers but what’s the point?

Like I said, fun story.

@ubernegro

#dc #robin #damian wayne #batman and robin #batman #tim drake #stephanie brown #cassandra cain #batgirl #barbara gordon #oracle #dick grayson #batfamily

116 notes · View notes

ihatetaxes99 · 4 years ago

Text

Death Note: The Glorious Manga Ending (And the anime that failed to deliver)

Well, this is certainly something a tad different from my usual affairs. Yes, I'm delighted to bear the news that I am taking a break from writing sub-par fanfiction and selling weapons to Middle Eastern terrorists in order to follow something a little less creative, but more immediately interesting to me in my current time of writing. I mean, hell, there's probably a 60% chance that no one will ever read this, since I'll likely drop it halfway through and go back to my black market dealings. But, in that small 40% chance that I do get this out the door, or indeed any further than this very sentence before I forget about it for all eternity, then I want to have a little discussion, a fun little analysis. And of course, I'm going to analyse everyone's favourite slice of life fluff comedy, Death Note. Specifically the ending and how I think the manga surpasses the anime in many, many ways.

If you haven't yet read or watched Death Note, then you won't be reading this anyway, so it would be rather pointless at best and an insult to your intelligence at worst to give a recap of how the series works. If you must have a layman's explanation, big murder book gets dropped into the human world, shenanigans ensue. There, now go watch or read it for yourself. Preferably read, as I am about to discuss. The manga is far better, entirely because of the second half. It's no secret that the Death Note anime handled the second half poorly. Content was cut, elements were skipped, scenes were changed entirely and Near, my favourite character from the manga, was done so dirty that he generally ranks as many people's least favourite, for some understandable reasons and others that I consider rather weak. But the main part of the second half aside, I want to talk about the final showdown, the confrontation in the Yellow Box warehouse, and how I feel the anime adaptation butchered a near-perfect ending for the sake of either time, or budget, or maybe to appease Light fangirls (because that definitely has a factor in why I don't like the anime's ending as much.)

So, to recap, most of the confrontation at the warehouse between the SPK and Kira plays out very much the same. Mikami writes the names down, Light reveals himself, the notebook is revealed to be a fake and Yagami has his famous mental breakdown, followed by one of the most powerful lines in the series:

(Note: I condensed the speech to fit neatly into two boxes)

I love this speech. I think it's one of the best in the series, for reasons that very much tie into why the ending in the manga works better. I want you all to think for a moment; I've seen a lot of people say Death Note is a series that doesn't take sides on the conflict. No, that is bullshit. In the early series, maybe, but from the moment Light Yagami killed Naomi Misora, and arguably even earlier than that with Raye Pembre, he was consistently portrayed as being more and more callous, more evil, more of a scumbag. Let's look over what he did, especially in the later stages of the series.

He:

Murdered the FBI agents tailing him.

Only expressed regret over Utika's death because it may negatively affect Kira's reputation.

Watched with no emotion as his father died and indeed, encouraged him to use the Death Note moments before he died.

Mocked Matsuda for mourning his father's death.

Manipulated two seperate women into doing his bidding (albeit, one was unintentional) and killed one himself, with plans to kill the other had he not been killed.

Instigated a riot in New York with the intent of killing Near and the SPK.

Killed FBI agents who were tailing him.

Only cared about Utika's death because it compromised Kira's strong public image and not because he was actually a good man.

Manipulated two seperate women into falling for him (albeit one was accidental) and promptly killed off one with no hesitation, with plans of killing the other had he not met his end first.

Watched emotionless as his own father died and even tried to get him to use the Death Note in his last moments.

Mocked Matsuda for mourning the death of his father and used it in a last ditch effort to distract the detective and escape.

Staged a riot with the intent of killing Near and the rest of the SPK.

And these are just some of them. By the end of Death Note, Light was not a good person. I personally never agreed with him, but he went from a disillusioned kid with a minor saviour complex to A full-blown, sadistic, perverted image of what he used to be, utterly unfeeling and cold-hearted, with a major God complex, a complete lunatic. As Near said, a mass murderer and nothing more. After everything Yagami's done over the course of the series, it was just too satisfying to read this for the first time, and I will concede, the anime did a great job adapting it. I feel a lot of Light fangirls agreed with him because his ideals sounded good on paper, but in reality, they're completely childish and self-serving. I am not one to moral grandstand, I believe those who take any excuse to give lectures about morality are annoying and often hypocritical scum, but my point here is that this is not a man any reasonable person could agree with if he were a real person. So, this teardown of his ego was perfect.

Now, the first big difference is the ultimate fate of Teru Mikami. In the anime, he kills himself in the warehouse, in a scene that makes me laugh every time due to the comically large quantities of blood spewing from him. He dies defending Kira's ideals, believing in his God. Or, if you choose to interpret it another way, he has accepted that Light is not God, and he has nothing else to live for. Either way, the anime lacks a key scene, after Light is shot by Matsuda and begging for help:

This is extremely important, as it continues what Near did with his speech and sets in motion the following trend for what is to come. Light is humiliated, his second most faithful pawn has turned against him, called him scum, seen him for what he truly is, and worse still, he's done it in front of everyone else. Teru Mikami has denounced his God, and this is just the stepping stone for the humiliation Kira is about to suffer. Also, it's worth noting that just before Mikami denounces Kira, there's a scene of Light crawling on the ground, bleeding, calling out for Misa and Takada to help him, seeming to have gone totally delusional, forgetting that Takada was already dead. This may have been excluded from the anime, or it may have been the fault of the subs I was using. It still serves as a vital part of the theme that the final few chapters hammer in, over and over again, that being the complete and total humiliation of Light Yagami. And the worst for our criminal-killing protagonist is still to come.

Finally, we reach the fate of the original Kira, the end of Light Yagami. In the anime, he uses Mikami's suicide as a distraction to escape, wherein he runs off, seeing visions of his past self, and dies out in the middle of a staircase, from a heart attack delivered by Ryuuk, calmly and quietly. This is all very nice and emotional, we see for a moment, Light contemplates what he became and wondering how it could have ended differently, and him dying in the middle of the staircase, as many people have stated before, is oh so very symbolic of how he finds himself unable to reach Heaven or Hell. However, this does not hold a candle to the manga.

This is what Light is like upon his death there:

Yeah, there's no real doubting it, he's going out like a complete bitch. Like the anime was thoughtful and silent, with an underlying sombre soundtrack, in this the once great Kira is reduced to a blubbering mess, throwing a tantrum because he refuses to accept his time is up. It was made very clear to him at the beginning that he was to die at Ryuuk's hand one day and now that it's here, he can't take it. He tries to cheat death, the one thing no human nor Shinigami can do. I mean, just look at the panels. He's a mess. A privileged, pampered brat who isn't getting his way. That is why I consider the Death Note manga ending to be superior to the anime in almost every way. While the anime gives us symbolism and a sense of calm, the manga goes all the way in tearing down this character, who has been a piece of human garbage for years at this point. I find it so satisfying to watch him get what he deserves, not only the death but the shame.

Light's own hubris and mental instability stole from him the honourable death he received in the anime. And that is everything I believe he needed, far more than the mere reality check he was given in the anime.

Phew, damn this was a ride and a half to write. I always appreciate feedback, if anyone wants to share their own thoughts on the ending. Please do feel free to do so, and I'll hopefully be back soon with your regularly scheduled shitty fanfics.

#death note #analysis #anime #manga #light yagami #near #teru mikami #manga vs anime #why the death note manga is superior #short #rambling

14 notes · View notes

human-enthusiast · 5 years ago

Text

One Piece “isms” - #1

--Episode 2/ Chapters 3 + 4

Theme: Abusive Authority

Details: When Luffy and Coby dock in a town named Shells Town, they quickly learn about their troubles with authority. The mention of Roronoa Zoro and Marine Captain Morgan’s name expels fear in the citizens for some similar reasons. Later, after meeting the Pirate Hunter tied to a post, they learn about Morgan’s tyrant ruling over people. Specifically, those that openly defy his rules and authority, treating them like inhumane scum.

Characteristics:

1. Authoritarian Leadership - (Dictatorship quality)

2. Inferiority (Superiority) Complex

3. Obsession with “treacheries”, insubordination, or lack of power over even small matters.

4. Alignment: Lawful Evil

5. Unfair imprisonment - Zoro and the existence of a Crucifixion Yard.

Very early on in the series, we have, what I would describe as a mild introduction to certain conflicts the protagonists face. Now whether or not you ever watch movies or read books centered around pirates, it’s common sense to know they are enemies to the world’s government(s).

It’s not to say pirates don’t have their own form of government or authority -- any society or civilization has one that was structured around those who first joined-- but they separated themselves from the one governed by kings/queens/emperors/ or anyone who governs with written or traditional laws.

So, if being introduced to a character, who begins his journey as a pirate, we would expect his enemy to be the Marines right off the bat.

Not so unusual. Luffy has shown to have a gray morality or chaotic neutral personality, but this isn’t well defined until way later on. He does what he wants, with a mindset that says ‘consequences be damned’. That is pretty much his motto at this point. That being said, the opposite to what Luffy’s side of the story represents would be lawful and justice.

Captain Morgan is actually the first official Marine we see in the series. By that, I mean he’s the first one actually named and given a personality to judge on. Though technically, Helmeppo would be the first to be seen, but it’s his father whose been alluded to since they arrived. Right off the bat, they both show case the worst possible outcome of authorities: power trips, abusing the system, respect is demanded, and rules are absolute.

Both the anime and manga illustrate Morgan’s delusions of control and megalomaniac personality quite well, and how Helmeppo thrives in it by hand-me-down powers.

Something to note, I just started reading the manga, but I have watched the anime for a few years now (English dub), and I’m now just starting the Dressrosa arc. While the anime is good (not perfect) at adapting from the manga, there are more intriguing details to me that do better in narrating the story (at least with the first few chapters).

Here the manga shows tax exploitations:

Some are fairly easy to miss, but the walls and metal gate show signs of poor treatment, or degradation. The anime does something similar with the gate, having more advantage with coloring:

The door used to have what I believe was a darker green color. But now it’s rusted fairly much, even a little on the hinges, and the paint for the symbols looks a little faded. Now, this may just be a way to give texture to surfaces, which is initially true and what I thought when I first watched/read the series. However, the kicker we learn is a little ways after.

It’s explained that the people are under heavy taxation to the point that it depletes a living wage for everyone. Morgan refers to the people as peasants, so he’s clearly aware of their indigent state. It would explain a little about the state of everything and how he could’ve paid for the erected statue of himself.

The red-circled speech bubbles are especially important, and I think highlight Morgan’s character. It’s my favorite detail with him. I’m not saying I like the character all around; if I ever meet someone like this, I’d probably pull a Luffy and straight take a swing at their throat/junk (although I tend to think of the consequences, so I’d more likely take a legal/other direct action if need be).

No, it’s just...characters with this kind of mindset are fun to observe and explain.

There’s another character that is like a mirror image from this Marine: Azula from Avatar: The Last Airbender.

Both are high ranking members of their society, wealthy, completely power hungry, apathetic, and fear inducing to their subjects. There are plenty of complications with Azula, but it definitely shows in her first introduction and later on in Season 3 when she has a psychological break down.

Direct conversation from Season 2 Episode 1:

[Ship Captain]: “Princess, I’m afraid the tides will not allow us to bring the ship into port before nightfall.”

[Azula]: “I’m sorry, captain, but I do not know much about the tides. Can you explain something to me?”

[Captain]: “Of course, your highness.”

[Azula]: “Do the tides command this ship?”

[Captain]: “I’m afraid I don’t understand.”

[Azula]: “You said the tides would not allow us to bring the ship in. Do the tides command this ship?”

[Captain]: “No, princess.”

[Azula]: “And if I were to have you thrown overboard, would the tides think twice about smashing you against the rocky shore?”

[Captain]: “No, princess.”

[Azula]: “Well, then maybe you should worry less about the tides, who have already made up their mind about killing you, and worry more about me, who’s still mulling it over.”

I included the exchange between her, the bat-shit crazy royal, and the captain, who has better acknowledgement of the forces of nature, because it’s fairly similar to the exchange between Morgan and the marine he’s talking to about the people’s wealth. The marine and captain regard their authority’s title, and probably have similar worries over their inability to reason maturely.

Any good villain can be vindictive, selfish, and have no regard for others (a lack of empathy), but the one underlining similarity is their negligence with reality. And in order to get like that, there is a deep obsession with control.

Azula wants to disregard nature, specifically ocean tides, rather than change her course and plan. This is a frightening aspect because of her complete ignorance on the mod of reality. She wants to maintain control of her ship, and she is very much willing to sacrifice the safety of others just to feel superior.

While Morgan also wants to keep an iron fist over the citizens. He has this more monetary greed, spending it more in lavish purposes for him and his son. He’s a little more aware of the fact that the people don’t have much money, but to him, it’s no excuse to pay the taxes in full. There’s absolutely no regard for other matters in reality, that including personal finance.

The obstacles or personal matters of those “below” him fly over his head. Because what he believes to be a level of respect is absolute obedience. I almost have no doubt that if Luffy and Coby never made it to Shells Town, it may undergone an actual dictatorship like life. When the people have seemingly ran out of money, an alternative subjection-- or showcase of loyalty--probably would have been enslavement and unpaid labor. Assuming that the money Morgan and Helmeppo spend remains on the island at a high fixation.

Maybe that’s too extreme and would also have economic downfall on the Marines as well, but I wouldn’t put it pass Morgan to come up with anymore extreme ideas.

One other similarity with Azula and Morgan is the insane notion of loyalty. This mental state is compromised more with Azula during the final episodes. At that point, she is given the responsibility of being Fire Lord, and with it, comes absolute hysterics and paranoia about maintaining control over everyone. The slightest missteps from her servants enacts a banishment for them, leaving less people to remain under her control. This may have also been a product of Mei and Ty Lee’s betrayal in the Boiling Rock Part 2 episode, completely warping her sense of trust.

There isn’t much known about Morgan before he was head of the Marine Base that is explanatory of his own behavior, but he has the same obsession over the concept of loyalty and traitors. Whether the actions are from citizens or his own subordinates, there is no excuse for anyone to disobey him. Hell, he found it perfectly acceptable to kill a marine who accidently bumped a part of his statue, that probably didn’t do anything minor to it.

That being said, he has no room to let anyone ignore his orders. When the Lieutenant was ordered to kill Rika because she helped Zoro while tied up, he refused. In response, Morgan went for the kill (he’s very much alive in the anime).

He and Helmeppo also show case this behavior in ways that are actually more foreshadowing for later arcs.

In the manga:

The citizens are bowing as the brat saunters by all high and mighty. This is the earliest render of how Celestial Dragons are introduced. While maybe this isn’t necessarily required for the Marine official, it’s more of a by-product on fear-induced situations. A psychological reaction if anything.

The other foreshadowing is the distinction of what the Marines and the World Government consider justice. What is right to them means following the laws-- obedience and purity are absolute. That’s a whole other topic in of itself. But it sets up the fight that Luffy finds himself in with the Marine. Morgan thinks he’s wrong and worthless, fighting on the grounds while yelling “I am Marine Captain “Ax-Hand” Morgan!”

Names carry power. Titles govern rank and superiority. Morgan believes this should be enough to make Luffy crumble over. It’s not. This is a revelation that goes beyond what someone holds in status. And thus, making Morgan a rather incompetent leader.

It’s also rather ironic how, with their battle, it’s very black and white in terms of morality, and the side that views what’s right is on the ‘wrong’ side (pirates). Pirates aren’t lawfully good, or very empathetic. That’s usually not their objective during the Pirate Era. However, if a group of pirates fight against a base leader, and as a result, creates a more balanced, sustainable life for the citizens in the end, there is something drastically wrong with the authority system.

Morgan really sets up as one of the first Marine antagonists, and it’s done using underlining characteristics of higher powers in more tame situations. What one fight could fix within an hour or two, would take more or less years to handle further along in the Grand Line. What One Piece offers is a focus with a type of matter that resurfaces again with different opponents.

~*~*~*~*~*

#one piece #analysis #themes #manga #anime #world issues reflection

11 notes · View notes

venus-says · 5 years ago

Text

Kamen Rider Ghost Movies and Specials

It's very amusing that I'm covering a horror movie here, but that isn't a part of the Ghost series.

It is time to (kinda) close the book on the Ghost season.

I gotta be honest, I wasn't looking forward to doing this, and I was both very disappointed and also very surprise. It was a fun journey, with a few questionable choices, but still fun nonetheless.

But before I get to the works that belong under this umbrella, we'll dive into something a bit different at first...

Kamen Rider: THE FIRST & Kamen Rider: THE NEXT

So, while looking at the list of Ghost's movies I saw that Kamen Rider 1 was on the list and that it was also technically part of the canon. I debated if I should watch it or not since, after all, my knowledge of the OG Kamen Rider is pretty much below basic and I was very afraid I would be missing in a lot of stuff. I was well aware I wouldn't be able to watch the actual show right now and I didn't want to read the wiki so I was about to give up on the idea when I looked at my notes and I saw that Kamen Rider THE FIRST and THE NEXT were a thing, and I thought this would fit in perfectly with the amount of time I have right now. I knew THE FIRST was a remake/adaptation of the original TV show and the manga and THE NEXT was its sequel so this would probably give me enough context to watch Kamen Rider 1.

And I wish I had done some more research before watching these movies because I feel like watching THE NEXT was a mistake.

Like, while I can't attest how truthful to the source material THE FIRST is, it was pretty much one of those compilation movies. The impression I had was that they choose the most crucial moments in a "The Best of" format and just glued that together and sold it as a movie. Which was not really a problem because it was pretty much a very solid movie, despite the cuts that leave a lot of gaps between each point. It lacked a lot of information, like how Hayato got to Shocker, and it kinda wasted time with the plotline of the kids from the hospital that didn't get a proper payoff, but it was still an entertaining movie. I love the action scenes, I'm not a specialist in this matter but it was really refreshing seeing a fight scene that was pretty much all done with practical stunts and very little CGI. This movie made me really curious to watch the original show, I know this is not exactly what I'll get whenever I watch it, but it left the "I want more" taste in my mouth.

THE NEXT on the other hand, while it was more of a "film" rather than a "compilation", it was also less of a Rider movie, they had riders on it, but it felt like they weren't the main focus. The feeling I had while watching it was that the producers either read the Helter Skelter manga, or watched Perfect Blue, or they saw one of those conspiracy theories of artists who don't seem to age that died and were replaced and wanted to make a horror movie that would deal in with the cruelty of the entertainment world, but they got denied and were put in to make the sequel of THE FIRST without wanting it, so they picked their original idea and shoved Kamen Rider into it as a secondary element that feels like it doesn't belong in that movie, and in the end, it fails at both. Admittedly, the horror portion was pretty good, I would be interested in watching it. It was the rider portion that was a letdown, it was pretty much just some random action, and while watching that girl fighting with a chainsaw was cool as hell there wasn't much background stuff to justify all of that and put some meaning on it. And there's also the terrible final scene with that awful CGI fire that was cringy as hell. If you want some advice, skip this one, it's not worth it.

Kamen Rider Ghost: Legendary! Riders' Souls!

Because I was left with the feeling that I got no useful information after watching THE NEXT, I decided to do something that I never do that is watch the web specials they release for each movie in the hopes that I would have enough context to watch Kamen Rider 1 without a problem. And well... I didn't expect them to be so pointless. Like, they have enough content to be its own TV movie and it's all just to explain how they got the Rider Eyecons, AND THAT'S IN THE MOVIE FOR LESS THAN FIVE MINUTES!!!!!!!!!! And like, these form changes are so useless that if they had taken that out of the movie it wouldn't make a difference!!! I swear to god, why do they still think this kind of stuff is cool? UGH

I don't have much to say because this was pretty much just a boss rush, but I have to say this. PLEASE STOP BRINGING FINAL BOSSES BACK, they're final bosses for a reason goddammit, they're not cannon fodder! When you bring a final boss back anytime you have a chance it just loses the cool effect it could have. Please, Kamen Rider, stop, we get it, you love your own franchise, you don't need to keep doing this circle jerk all the time when you wanna do something cool that serves as an homage to your own history.

Kamen Rider 1

Complains aside, finally the actual first Ghost movie, in the Ghost Movies and Specials post.

And this was a great movie, probably my favorite thing that came out of Ghost. This movie is exciting, it has things for both old and new fans, the plot is pretty decent, the action is a lot of fun, and the emotional beats work very well. I felt in love with Takeshi after this movie, he's such a cool guy, and I really like the actor, it was always a joy seeing him on the screen, his whole thing with Mayu was great, it was very endearing, and when Takeshi dies I really felt it, and the only reason why I'm okay with them bringing him back is that I like him so much and I didn't want to see him die. If THE FIRST made me want to watch the original series, seeing Takeshi in this movie made me want that even more.

I expected the Ghost cast to be the low point of this movie, and while my biggest complaint is about a thing related to the Ghost lore, I overall liked seeing Takeru tag along with Takeshi. To the surprise of a total of 0 people, Makoto was useless again, but honestly, his participation in this movie is so minor it doesn't even bother me. I also like that the villains of the movie were Shocker and Nova Shocker and not that white-suit guy from the specials. Having both Shockers there fighting not only the riders but also each other earned a lot of points with me, I particularly love how Nova Shocker decided to do their thing by embracing capitalism and becoming a corporation because corporative people are the scariest and I love when they make villains based on that.

But I think what I like the most of this movie is that brings up to discussion a theme that I always thought the show should've tackled on TV that is the importance of life, and all that Love&Peace talk about how we're all connected, and that we're connected to nature, that is connected to the world, and yadda yadda yadda. Yes, it's a pretty old speech and everything, but it's one of the subjects that match the most with what I believe is the premise of this show, and while I love that this is a part of this movie, it's pretty sad that none of this bleeds out to the TV show.

And talking about things that are pretty sad, the element I liked the least was the thing that Mayu had a very powerful Eyecon that has been dormant inside her. I understand this is a Ghost movie and they wanna use their gimmick, but they could've used Takeru's gimmick of going full ghost mode and start fo follow Mayu while invisible instead of making the final villain just another MOTW. I honestly think the conflict between Shocker and Nova Shocker was enough to make everything they wanted to do, on the scale they envisioned, without having to add anything related to the villains of this season.

Regardless of the complaints, this is worth watching, for sure, and I wish I hadn't wasted my time with THE NEXT and the specials because I wish I could've met this movie way sooner. XD

Ghost: The 100 Eyecons and Ghost's Fateful Moment

This movie... was a choice. I feel like I have nothing to say about this movie, it was empty, it was pretty much a copy of the Wizard and the OOO's movies merged together, there were a lot of depiction of historical figures that would probably leave some people turning on their graves, they tried to make not just one but TWO familiar dramas and both of them failed in being interesting or having a good pay off at the end, and if all of that wasn't bad enough, guess what? Takeru died again! And was "revived" once more! Yay! I swear, this movie is so frustrating, I just wanna forget it exists.

Well... at least the new Napoleon and Darwin forms looked good I guess.

The Legend of Hero Alain

Now, what wasn't a frustration was Alain's special series! I absolutely love being able to see different points of view of the same story, and being able to see that from the perspective of who became my favorite among the riders of this season was a true delight. I do think episode 4 was a bit useless and if they wanted to make an epilogue they could've done something better, but the other 3 episodes are pretty good.

In particular episodes 2 and 3, that are from the time around his redemption arc, were very touching and a huge part of that is obviously from the presence of the best character of this show, the #1 takoyaki lady, Fumi-san, who once again was here giving her wisdom and passing down some of the messages the TV show tried to pass but that it failed completely. And even though I knew they would eventually hit a point where they would talk about her death, I was still hit by the feels like if they were a truck and I cried.

If I have to say two things that I don't like about these specials it would be that "Human Life Course" Takeru, Akari, and Onari had in episode 3, that was just ridiculous. And I'm not the biggest fan of having this thing of Alain and Fumi having a story that goes way back than what we saw in the show. But honestly, even with these problems, this is one of my favorite media that came out of Ghost.

Kamen Rider Ghost RE:BIRTH: Kamen Rider Specter

Last, and deservedly the least, is Specter's movie. And talk about a bad movie,

You would think that at least on his own movie Makoto would be important, play a big role, but even though he defeated the big bad in the end, he actually did nothing that couldn't have been done for another character. Heck, if you think about it, the real hero at the end of the day was Onari because it was sneaking around and stealing that gem that solved the main problem about clearing the sky atmosphere in the end. All Makoto did here was take a dumb decision after the other and is dreadful to watch.

I think the biggest problem of this movie is that it depends on us believing in feelings developed between two characters that know each other for less than three days and one of those characters is framed by the movie SINCE THE BEGINNING as a maniac villain. And our pay off of this is to believe Makoto forgive the guy who was conducting crazy experiments and that threatened to kill his beloved sister because he considered her a failure. Thanks, I hate it!

Oh yeah and we had power-ups for Necrom and Specter that came out of nowhere and we just have to buy it. At least Spector's new form looks pretty cool, despite me not buying the "sin" motif, I would like to have an opinion on Necrom's form, but it happened on a shitty rain scene and I couldn't distinguish any memorable feature while watching it.

All in all, this movie was another disappointment.

Well, that's it for Ghost. I wish I could have something good to say to sendoff this series, but I honestly don't so I'll just wrap-up here after all this post is already long enough. What are your thoughts on these? Have you watched any of them recently? Let me know in the comments down below. Stay healthy, stay safe, never stop resisting, thank you so much for reading, and until the next time. Bye~

#Kamen Rider Ghost #Kamen Rider THE FIRST #Kamen Rider THE NEXT #kamen rider

2 notes · View notes

comicteaparty · 5 years ago

Text

June 10th-June 16th, 2020 Reader Favorites Archive

The archive for the Reader Favorites chat that occurred from June 10th, 2020 to June 16th, 2020. The chat focused on the following question:

How does poor web design affect if and/or how you read a particular webcomic?

carcarchu

it's a huge factor. if a comic is amazing in every way but the website or app makes it difficult for me to read i'm simply NOT going to read it. there are a lot of great series that i've put on the back burner just because the website is so annoying to navigate

Eightfish (Puppeteer)

i've honestly never run into a website so bad it stopped me from reading a comic i was interested in

carcarchu

FYI the worst comic app i've ever experienced is Aqua Kiss which I downloaded to read a single series. it's the most barebones app imaginable with no search bar. if you want to read something you actually have to manually load each calendar week to find it and some stuff are buried dozens of pages back. and to make matters worse it doesn't have a "history" or "bookmarks" feature either

Deo101 [Millennium]

The worst things with sites that I see often are 1: huge headers, and 2: laggy sites (not really site design, but its adjacent I think) Another is if the pages are too big on the screen, so you can't, for instance, see some panels all at once. Those kinds of things can really ruin a reading experience for me

carcarchu

One example of a website that is hostile to the reading experience is ZMYK which for some reason hosts vertical scroll comics but cuts them up into little pieces as if they were comic format so you can't actually scroll through the entire chapter as it was intended to

That kind of thing grinds my gears so much how can something you have to pay for be that incredibly bad

Deo101 [Millennium]

I've also seen some sites that have graphic design issues, where elements are illegible due to their color, and some have very busy and distracting backgrounds. Those kinds of things won't necessarily ruin it, but they're distracting

Eightfish (Puppeteer)

forward comic's website was doing this weird thing where the further I read the longer pages took to load. Near the end it seemed they were taking 10 full seconds. Still read the whole thing though. Reading manga on shady sites with terrible internet connection as a kid has desensitized me

Oh one comic I was interested in but didn't read because of the site: I was kidnapped by lesbian pirates from outer space. It doesn't have a website. To read it you have to pirate (hehe) copies of the archive.

It's a pretty sad story- the author was young and tricked into giving up the rights to her series

She ended up taking the site down to prevent the company from getting any more money off of it

https://rosalarian.tumblr.com/post/65353128180/its-with-extreme-sadness-that-i-announce-that-my

Here's her post about it

I think it can be a good warning message to us

Cronaj (Whispers of the Past)

For me, the biggest thing that deters me from reading a comic is if the website isn't well optimized for mobile (as someone who reads a lot on the go). This includes the images loading bigger than the page, or navigation being hidden on mobile, or glitchy scrolling, or any number of ungodly things. Also, too many ads. That'll turn me away in a heartbeat.

Deo101 [Millennium]

Yeah ads are definitely a huge turnoff for me too

Eightfish (Puppeteer)

@carcarchu okay i just digested this comment and wtf

no search bar is laughably bad omg

how did you even find out about it

Deo101 [Millennium]

Yeah that's ridiculous hahahaha

carcarchu

it's a shame because there are genuinely good comics on there you can't read anywhere else?? and i found it because an artist i adore did a series for it but it got AXED after only 2 chapters and after that was pretty much scrubbed from the internet. i think it's a shame because it really had so much potential and it ended before the story was really able to start

it's a screenshot from the app. you can see that it is categorized reverse chronologically by week

the point of aqua kiss is to emulate monthly/weekly style manga magazines but in app form. however i think the execution of this idea was horrendous

SteffieMusings

Oh no! It must make reading there so challenging. As for me, if the navigation is so hard to understand/pages don't load properly when you click a link or when the website's colours hurt my eyes so much I can't stay there for too long.

Shizamura 🌟 O Sarilho

Honestly nowadays most of the CMS's out there share the same basic functionality and adaptability, so it's getting harder to screw up on that. Most sites are OK, if only a bit laggy. If the site takes less than 2 seconds to load and it's not so crowded that I have to look for the comic, I'm generally good.

Erin Ptah (BICP | Leif & Thorn)

How much bad/inaccessible web design I'll tolerate is directly proportional to how much I care about the comic.

I've dropped a couple series in the middle of the archive just because they changed the site design to screw up the tracking of bookmarking sites, so I would've had to figure out an alternate way to keep track of it, and it didn't seem worth the effort

mariah (rainy day dreams)

Oh yeah, I've totally had that happen too where I was deep into an archive, had taken a reading break for a month or two, and came back to find the urls had been updated and my spot was lost it isn't so bad if a comic also has an archive page, but ive stopped reading a few stories that it would have been too hard to track down where I was.

DaeofthePast

I haven’t had to experience weird websites in a while, but I do sometimes go to an unknown website to read the comic/manga I’m looking for. Mostly what I’ve had trouble with is unnumbered chapters, of that it’s unclear where/how to start reading in general.(edited)

Like, I get to the page for that specific comic and then there’s no easy “start reading here” button anywhere

And when I do find the chapters list, I don’t know which end of the list is the beginning bc it’s unnumbered

chalcara [Nyx+Nyssa]

Is a "First page" button enough or are you looking for a "new readers start here" button? (<- is redisigning her page)

DaeofthePast

Is there a difference? :0

chalcara [Nyx+Nyssa]

hm, sometimes yes.

Some old running comics have different jump-on points (schlock mercenary for example).

DaeofthePast

Ooh I see

Well when I first go on the site, I just want to start reading so idk

snuffysam (Super Galaxy Knights)

So, I always try to read every comic that's featured in the book club all the way through. Like even if I don't particularly like the opening, or if the comic is thousands of pages long, or I don't have time to meaningfully discuss the comic, I do try to at least give the comic a fair shake by reading through the entire archive. There have been four exceptions. One was because of content (it was a gag a day comic, and the content was SO horrible for SO long that I just couldn't stand it anymore. real "punching down" type of humor). Another was because the comic was literally deleted before I could get to it. The remaining two were because the site design/organization were so awful that the comics were unreadable. One of the two comics had a custom built, hand-coded site (I assume), and it just... didn't work properly. Like the "previous" button seemingly took you to a random page, the "next" button and the "latest" button led to the same place, etc. I'm not sure the creator ever bothered to test the site. The other one used some pre-built stuff, so it was ok... but you had to scroll to the top of the page to go to the next page. Not only that, but the author was posting all their comics to the same archive - which means one page would be the comic that was actually meant to be read for the book club and the next few pages were a completely different comic entirely. And this wasn't a gag-a-day either - it was a story based comic, so the three action minimum to get to the next page made things absolute hell to keep track of.(edited)

DaeofthePast

Wow

chalcara [Nyx+Nyssa]

Uff, yeah, that sounds horrible.

Nyx+Nyssa's page is currently a barebone mess, but I made at least sure the navigation works. :/

DaeofthePast

Having the comic be deleted while you’re reading it sounds like such a weird experience lmao

snuffysam (Super Galaxy Knights)

i mean, it wasn't thanos snap style lol

DaeofthePast

Was the website gone too or?

snuffysam (Super Galaxy Knights)

it was in between days

nah the website was still there, it's just that the author had decided to reboot their comic and forgot that they had submitted it to the book club

DaeofthePast

Oh okay I imagined Thanos snap style

keii’ii (Heart of Keol)

Not really a design but a site thing: I can't do comics without an archive of some sort. On platforms like Tapas or WT, the episode list serves that purpose perfectly fine. I personally need to be able to see how many pages there are, and I need a way to go to specific pages easily. It might sound like a small complaint, but it's a big thing for me! There have been comics that piqued my interest, but once I saw that there was no archive of any form, I left forever. Sure, I might be missing out, but there are also lots of good comics out there that have accessible archives. My life isn't long enough to read them all, so I'm letting myself be very picky.

copperine

I can manage a very basic site just fine. But if a site is hard to navigate, or just makes reading the page/getting to the next page difficult - I'd be likely to give up eventually. Doesn't matter about the quality of the comic, but if it's a chore to just read it, it's going to put me off after a while

snuffysam (Super Galaxy Knights)

I will note - if you want me to actually discuss your comic in the book club, please do have an archive link, and probably a cast page too. Like the lack of one doesn't stop me from reading entirely, but I can't discuss anything without being able to look back at specific moments. (and one of those archives that just has dates doesn't count - lemme know what the chapter is!)

copperine

For example - when I read webcomics on dA, I was absolutely fine with either the author having a dedicated folder with the pages in order. Another option was to link next and prev pages in the description. But if I had to go find each next page, I just wouldn't.

DaeofthePast

By an archive do you mean kinda like a chapters list?

snuffysam (Super Galaxy Knights)

A list of all the pages, ideally

That also list the chapters somehow

copperine

Short version: if I feel like I'm spending half as much time navigating the site as I am actually reading, it's gonna get old real quick

DaeofthePast

And same copperine. As long as it’s organized well, I will probably read it

snuffysam (Super Galaxy Knights)

Like maybe you click on a chapter link to get to a list of the pages, or maybe it's just a list of the pages with the chapter names as headers

some sort of organization

keii’ii (Heart of Keol)

Yeah! (I admit my own comic's archive page isn't the prettiest, but it's 100% functional.)

DaeofthePast

I only have a chapter list so far ^^; idk how to go about getting an archive

keii’ii (Heart of Keol)

Chapter list is totally fine if your chapters tend to be on the shorter side

chalcara [Nyx+Nyssa]

I like having chapter lists around, although coding them can be a handful Not sure if to go for an archive with thumbnails or just with page numbers though.

keii’ii (Heart of Keol)

It's also workable if you also have like... a dropdown menu for individual pages on the actual pages? So it only takes 2 clicks to go to a specific page (first click to go to the chapter, second click to go to the page)

snuffysam (Super Galaxy Knights)

OH yeah, there was also a dA comic in the book club once that didn't have any next/previous buttons. However, it was a short comic - the bare minimum for getting into the book club - so I still read it all the way through. But it was pretty annoying to do so. (it was also pretty obviously a fetish comic, but that's not really relevant to the discussion XD)

DaeofthePast

I want to post by scene so I’ll be dividing chapters like “chapter 3 part 1” to hopefully that will be better

copperine

I'll always take functional over pretty

DaeofthePast

Haha I’m not sure if I want to know the comic for that one

Also what is “punching down” humor?

snuffysam (Super Galaxy Knights)

Like, the author was a straight man, and nearly every joke was making fun of people who weren't those things.

Tuyetnhi (Only In Your Dreams!)

it's like making fun of people but

copperine

Yikes

Tuyetnhi (Only In Your Dreams!)

you're intentially trying to put them down

that's punching down in my imo rip

DaeofthePast

Tuyetnhi (Only In Your Dreams!)

yeah....

DaeofthePast

Well at least I know what to call it when I see it in the future ._.

snuffysam (Super Galaxy Knights)

Like, occasionally I see a shitty joke in a comic and I keep reading because maybe the author improved (we do sometimes get comics with archives that date back decades in here) But this comic was just so consistently awful for so long that I couldn't stand it

Tuyetnhi (Only In Your Dreams!)

oof that aint good

snuffysam (Super Galaxy Knights)

Though that's kinda off topic lol

DaeofthePast

Oh yeah

So bad site design...

snuffysam (Super Galaxy Knights)

Anyway, I don't really wanna post the examples of the comics I talked about in here cuz I don't wanna call anyone out

Actually, hold on, lemme check something

DaeofthePast

I feel I haven’t had too much experience with bad site designs, but I might have just forgotten(edited)

snuffysam (Super Galaxy Knights)

ok yeah

so, the comic where you had to scroll up to the top of each page to click to the next one, and the site was multiple comics alternating pages that made the story rough to follow

copperine

Oof yeah having to scroll up to click next won't stop me but it is a bother

DaeofthePast

I like having the next button both on top and the bottom, even if they update page by page(edited)

It just feels convinient

copperine

Yeah same

keii’ii (Heart of Keol)

Re: punching up/down, here's an overly simplistic set of examples: billionaires making fun of poor people is punching down. Poor people making fun of billionaires is punching up.

chalcara [Nyx+Nyssa]

's good webdesign pattern for everything with continous content - e.g. blogs, web-novels, webcomics.

Ideally you have one on top, between content and comments and under comments

snuffysam (Super Galaxy Knights)

the comic that alternated storylines & required scrolling back up to go to the next page was Antibunny: http://vinnied.comicgenesis.com/d/20061002.html if you see that page I linked and click next a few times, there's no obvious distinction between the main story and the spinoff story (no, like, header change between the two, and the art style looks similar), so you can see how it'd be confusing to follow and the scrolling is just icing on the cake (it used to be even worse) the only reason I feel comfortable sharing that is because the author uploaded the comics to new sites, and fixed all those issues in the process: http://antibunny.net/

DaeofthePast

Oh nice. So they realized the problem

copperine

Aren't they in this server? Or am I thinking of another one

snuffysam (Super Galaxy Knights)

Yeah, the author is in this server

copperine

I thought so

snuffysam (Super Galaxy Knights)

Hence why he realized, because we told him that there was a problem during the book club

copperine

I'm not gonna take anything said here as a comment on anyway btw

DaeofthePast

It’s cool that submitting their comic to the tea party resulted in some good feedback :3

copperine

You love to see it!

It always makes me happy when webcomic community stuff helps people out, that seems like the ideal outcome

DaeofthePast

Yess

Tuyetnhi (Only In Your Dreams!)

i agree on that yeee

DaeofthePast

It’s like having a friend point out a spelling mistake. Embarrassing but you can live with the knowledge that your work is now a little bit better(edited)

snuffysam (Super Galaxy Knights)

Yeah kinda off-topic, but I love it when the author of the comic for the book club joins the server. Like not only does it mean that the author could join in on others' discussions in the future (pay it forward 'n stuff), but... it's just really sad when I see a comic pop up in the book club and the author seemingly forgot they submitted it.

DaeofthePast

How long does it usually take to get to a comic? :0 that they would forget they submitted it?

copperine

I always hope I can help others out or support them, and I hope they feel the same

keii’ii (Heart of Keol)

The book club had a very very long wait list in the past. These days, not so long.

DaeofthePast

And I guess if you submit a comic with a website, the people here can be your beta testers

snuffysam (Super Galaxy Knights)

what's odd is that five months ago, the wait list was six months but now, the wait list is two months y'all need to submit/resubmit your comics

DaeofthePast

I tried going to submit mine yesterday and the site doesn’t let me v.v says you’re booked for July

snuffysam (Super Galaxy Knights)

oh yeah, so it is

DaeofthePast

Maybe later :3

snuffysam (Super Galaxy Knights)

i guess Rebel doesn't want the queue to get too long

copperine

I would submit mine but I'm only at 10 pages and I believe you need to have 20 to submit

DaeofthePast

Ooh they have a minimum?

Gotta count my pages now

keii’ii (Heart of Keol)

I mean it makes sense. Hard to discuss a comic that only has the cover for chapter 1

DaeofthePast

Tru

keii’ii (Heart of Keol)

"Let us dissect this cover image for an entire week"

DaeofthePast

It would be a hilarious April fools challenge

copperine

Idk I think it was 20 minimum?

DaeofthePast

shrug

copperine

@snuffysam (Super Galaxy Knights) can you shed any light on this

keii’ii (Heart of Keol)

The sign up form is where you would normally find that information.

copperine

... very good point

keii’ii (Heart of Keol)

But the form is currently unavailable, and it's possible that Rebel might change the requirement when it becomes available again

copperine

Thank you for the heads up

keii’ii (Heart of Keol)

FYI, https://comicteaparty.com/ is where the form will be available eventually

Shizamura 🌟 O Sarilho

They accept resubmissions now?

FeatherNotes(Krispy)

I def like arrows on the top and bottom of pages for sites to be more of a thing, as well as clicking the image for the next page too! Honestly there hasn't been a make or break, mainly preferences, and the most complaints i have are with the mobile formatting. I think most comics have been pretty solid in functionality that i've read, and it's clear that having their own website is becoming mainstream enough for there to be help, tips, and tricks to making it work!

mariah (rainy day dreams)

I definitely prefer if I can just click on the comic image to go to the next page especially for mobile.

copperine

Agreed!

Idk about resubmissions tho

chalcara [Nyx+Nyssa]

... Wow. I absolutely HATE clickable images on mobile, because they usually mess with the pinch-zoom.

FeatherNotes(Krispy)

i've had sites that didnt have image click throughs and the arrow..... was like SO TINY XD

chalcara [Nyx+Nyssa]

Didn't think anyone would actually like it, so... huh.

FeatherNotes(Krispy)

i kept going back and forth

chalcara [Nyx+Nyssa]

yeah, navigation needs to be bigger on mobile for safe tapping.

mariah (rainy day dreams)

Oh, re:resubmissions, I'm pretty sure you can if it's been long enough? I think @snuffysam (Super Galaxy Knights) mentioned it recently as an option. But maybe a tangent for #general

boogeymadam

i dont mind the pinch zoom being a little more difficult from time to time cause usually the clickable image is worth it to me

mariah (rainy day dreams)

Same

boogeymadam

am also fond of sites that allow left/right arrows to let you move forward and back on desktop

mariah (rainy day dreams)

Mainly it's just for like Krispy said, reading on mobile and tiny next/previous buttons.

FeatherNotes(Krispy)

ye my dummy thicc fingers prefer the click through image for sure

ohh yes Boogey that too

boogeymadam

it took me hours of googling to find the very simple comicpress option to just turn that on on my site

copperine

Mmm I do like sites that allow pinch zoom though

keii’ii (Heart of Keol)

I also prefer clicking on the image to go to the next page

mariah (rainy day dreams)

My fingers small, but still dummy T-T

copperine

It makes it easier to get a better look at the page

FeatherNotes(Krispy)

iweudhweiu Mariah XD

copperine

Especially if it's got smaller font

chalcara [Nyx+Nyssa]

nyxandnyssa has a seperate navigation for mobile that's much bigger and skipping scene select to make tapping easier.

FeatherNotes(Krispy)

I've had the hover text def bum me out for some comics, where you click the image and it just displays the text, then you gotta click the tiny next bar def killed me there

copperine

I've never had issues with pinch zoom affecting clickable images but I can imagine it would be annoying

FeatherNotes(Krispy)

but! never breaks me out of a comic for me to stop reading-! i persevere in the face of adversity XD

boogeymadam

i've never encountered a site so bad i couldnt continue reading. maybe stuff where i'd stop reading until i was less frustrated but i'd come back later.

DaeofthePast

That’s something I’ll have to consider for my site then

mariah (rainy day dreams)

I feel like Smackjeeves had a really obnoxious auto pitch & zoom before they updated most recently. I like when I can turn it off on my phone. I'd rather do it myself most of the time and let my phone try to auto it X')

DaeofthePast

I usually read on desktop more often than on mobile so it’s good to hear from other’s experiences

copperine

Idk I've never used a custom site yet

boogeymadam

same dae, except on tapas and webtoons!(edited)

comics with their own website i'll boot up my computer for a single update of

DaeofthePast

Even on webtoons I read on desktop

boogeymadam

omg your power, webtoons feels so choppy on desktop to me

FeatherNotes(Krispy)

im definitely lucky that our site got a mobile friendly version i remember the 'ol pinchy zoomz was tiresome on our site for sure

DaeofthePast

I get headaches from reading on my phone unfortunately :/

Idk what the difference is between reading mobile and on a desktop but my brain doesn’t like it

Like, I can text fine???? But reading a comic for some reason is like “no”

So yeah, comics on desktop for me

FeatherNotes(Krispy)

ohh!! it could be the close proximity!

DaeofthePast

Ooh :0 maybe?

FeatherNotes(Krispy)

i know i get motion sickness depending on how close/ far i am from screens

DaeofthePast

Maybe it’s something like that... :O

boogeymadam

whatever the reason sorry you get headaches and motion sickness from comics :'0

DaeofthePast

Every once in a while I’ll try again to read on mobile I never learn

boogeymadam

the only reason i dont like mobile is sometimes comics text is a combination of too small there and the font is hard on my dyslexia

DaeofthePast

Rip

boogeymadam

so i see if zooming in on my computer helps

DaeofthePast

The lesson here is that it’s good to have both mobile and desktop options

boogeymadam

yep :'D

FeatherNotes(Krispy)

ohhh yea def agree. I know that feeling and i sometimes ... have a Time reading my own work XD (i admit it lol!!)

boogeymadam

sometimes my own comic is hard on my dyslexia for The Effect so i never have hard feelings with other comics

copperine

(brb)

FeatherNotes(Krispy)

ewiudhiwue the things we do AT WHAT COST XD

DaeofthePast

Asdfghjkl

Meanwhile I use the same font for everything

boogeymadam

wait im gonna generalize this more so it can be a party

DaeofthePast

Please post that on pillowfort so I can reblog it

boogeymadam

you can post it for yourself if you want dae!

i'm having a hard time logging on asdfgjh

DaeofthePast

Rip sure

copperine

Ah see I have both

Because hand lettering

It's great for feeling right for a comic but also eternally wondering if it's readable

DaeofthePast

Ooh yeah I guess that would count as both

What’s your comic btw :0

Wait, we’re supposed to be talking about website design right

keii’ii (Heart of Keol)

Yep! If it gets too off topic, you can always continue in another channel that's more fitting.

copperine

Ah sorry! Sure thing

sssfrs (JOE IS DEAD)

Mobile is too small for me

DaeofthePast

Yeah

FeatherNotes(Krispy)

(oHHMYYGOSH BOOGEY XD)

boogeymadam

mm archives were mentioned already, and how it can really turn readers away to simply not have one at all? my favorite archive is https://www.vaingloriouscomic.com/comic/archive 's but i've seen some where they attempted an all picture archive and it backfired by just being a page of all empty boxes. this didn't deter me from reading it and it got fixed pretty quick tho~ mine is one of these and its a very chonky slowmoving page cause i uploaded the first 90ish as fullsized pictures. nobody's ever complained so idk if it's ever deterred anyone from reading but i know i gotta fix it someday.(edited)

sssfrs (JOE IS DEAD)

I really dont mind any kind of web design in particular though tbh. I prefer desktop sites but it’s fine if the design isnt great

DaeofthePast

Have you guys ever gone to a comic website (for a single comic) and the colors used in the background were so bright that it felt like they were blinding you to the point it was hard to read the actual pages?

sssfrs (JOE IS DEAD)

My archive is down right now becayse it broke and I dont know how to fix it lol

FeatherNotes(Krispy)

i def want a fully view-able archive but we're gonna be hitting 800 pages and i dont know how well that will work XD

sssfrs (JOE IS DEAD)

But I have a navigation bar now

boogeymadam

u could have multiple pages of archive, krispy!

i'm starting a new page for chapter 2

sssfrs (JOE IS DEAD)

Or dropdown menus

boogeymadam

but its probably important to have a dropdown if u have more than 1 page, yeah

mariah (rainy day dreams)

I want to switch to picture archives, but I haven't found a good plug in/way to get my word press to do it :( if anyone has recommendations...

sssfrs (JOE IS DEAD)

I wish I knew how to make dropdown menus

FeatherNotes(Krispy)

i'll have to bring that up ! we dont do the tech work for our site ( thank gosh seriously) but i love archives that show full pages

sssfrs (JOE IS DEAD)

If I could make dropdown menus I would be unstoppable

copperine

I miss the drop-downs on SJ

boogeymadam

i feel like dropdowns are smth i pretty much only exclusively see on hiveworks comics

i wonder what their secret is,,,

sssfrs (JOE IS DEAD)

I’ve inspected the elements on so many hiveworks sites lol

I want to know

Tuyetnhi (Only In Your Dreams!)

they use word press I think

for their comic sites

just have to do some digging with the site html and csss

copperine

Right click and inspect maybe...

sssfrs (JOE IS DEAD)

Php stands for my Personal hell pit

FeatherNotes(Krispy)

if i could go undercover for yall i would XD

boogeymadam

also!! @mariah (rainy day dreams) i use elementor for mine

its not perfect and breaks like every time i update it but it works asdfg

chalcara [Nyx+Nyssa]

... I'm currently writing a sparkling fresh wp-plugin for my page (comic easel wasn't doing what I wanted), but I am also a software dev who enjoys coding.

sssfrs (JOE IS DEAD)

My template I use functions in mostly php and xml and its gibberish to me but functions so well I dont know how to improve it to have specific things I want

Tuyetnhi (Only In Your Dreams!)

my knowledge with site design is basic at best lmao

chalcara [Nyx+Nyssa]

wordpress is a bit special in that it does most things more complicated than strictly necessary.

Tuyetnhi (Only In Your Dreams!)

but I do like fiddling with stuff

^that too lmao

FeatherNotes(Krispy)

I know Shiza of osarilho is really good at web designing? she's made some beautiful work with her site!

boogeymadam

i want to ask shiza for more help but not before i have some money to pay her :')

she's helped me a lot already

sssfrs (JOE IS DEAD)

I can do html and css at the babiest level

mariah (rainy day dreams)

I'll check that out Boogey, thanks! Even if it does break X') And I guess I'll just make a note to start stashing money to hire shiza XD im definitely at the point where my site needs a general face lift, but I don't have the spoons for it.

boogeymadam

imo i've made some really pretty pges with it. it's a drag and drop that's excellent at galleries, but it doesn't like when you don't have even rows for some reason

the wordpress plugin, Elementor, i mean.

copperine

I've been wanting to try comicpress for ages

I just don't know where to start

mariah (rainy day dreams)

I'm gonna move over to #shop_talk for my response

copperine

I had someone who was gonna help me out but we lost contact so it's on the back burner

boogeymadam

OOPS yeah

copperine

But for websites in general I prefer to have one that feels very basic than one that feels too busy or crowded

I'm not a graphic designer at all lol

If I do try an independent site I'm planning to pay a coding friend to help me

DaeofthePast

yeah i have no idea what I'm doing when working on my site, it's kinda basic, but at least it looks nice

copperine

I just use a premade theme on my ComicFury site

It works and that's good enough for me so far

Oh I guess the other thing that would put me off reading a comic is if the site isn't formatted for mobile, and/or particularly if the site doesn't have adaptive formatting

Tuyetnhi (Only In Your Dreams!)

same, but editted it hard core so it looks like it's own thing lmao

copperine

I usually read on my phone because my computer is where I work so I like to get off it for hobbies

Tuyetnhi (Only In Your Dreams!)

but for me uh i guess mobile i try to read it either on tapas, webtoon or its own site

I find just clicking the page to the next one helps me a lot lol I don't do a lot of zooming

copperine

Mmm

copperine

It's personal preference a lot tbh!

sssfrs (JOE IS DEAD)

I like my comuter because its big

copperine

Valid

Mine is not

Shizamura 🌟 O Sarilho

did anyone talk about paying me please you don't have to do that

copperine

Idk but you can pay me

Idk what for but

I'll take money

mariah (rainy day dreams)

I absolutely would have to if you made my site awesome X') work is work, and you should be paid for it

Shizamura 🌟 O Sarilho

fair enough

Just send me a DM whenever you're up for that and lemme take a look at what you already have

sssfrs (JOE IS DEAD)

I would hire someone to do web design for me but I dont have the funds & I dont wnat to make someone do work for me for free

sierrabravo (Hans Vogel is Dead)

I've been meaning to set up my own website for a while now, since the collective i was originally hosting my webcomic with kinda fell apart, but it's so much work and i'm hella intimidated :'''D

copperine

@sierrabravo (Hans Vogel is Dead) there's been some related discussion in #shop_talk and I believe @boogeymadam might be able to advise (I'm sure others can too but I'm going off the convo from earlier)

Shizamura 🌟 O Sarilho

@sierrabravo (Hans Vogel is Dead) depending on how much it is I can help you out

RebelVampire

Admin Reminder Remember this channel is for experiences as a reader first and foremost, so #shop_talk and #general are better if you want to discuss your own stuff.

DaeofthePast

thank you for the reminder :3

RebelVampire

I would say poor web design is something I have a complicated relationship regarding webcomics. On the one hand, outside of a site being 100% completely broken, I'm willing to sit through a lot to read. So in terms of affecting whether I read a comic the first time or not, there isn't much to say there. But it does affect how engaged I am with the comic. Cause if I can't easily go back to re-read a page, easily find things like character names, have to deal with extreme lag cause the host is garbage, have to deal with eye bleeding color schemes, etc. you can bet your bottom dollar 1 time is all that comic is going to get in terms of reading it. I can only subject myself to so much, and if I don't feel like reading a comic again because of the site itself, I'm going to quickly forget it in favor of comics whose sites don't make me cry. I do give more leeway to sites created by creators in many respects. But professional bigtime hosts like Tapas or Webtoons literally have no excuse for some of their garbage design choices. And some of their design choices are super duper garbage.

DaeofthePast

that's true yeah, there's a big distinction of the quality expectations between sites by small creators and those of big companies like Webtoons

RebelVampire

At the same time, though, I know from first hand experience that poor design choices are literally influenced by user data for bigger companies. So for every decision I consider stupid- at the same time they probably did the AB tests that showed crappy design A had better results for their conversion rates than user friendly design B.

keii’ii (Heart of Keol)

Which boggles my mind

I wonder if there's some kinda causation-correlation thing going on that the A/B tests could not detect accurately

boogeymadam

Rebel mentioned sites that have eyebleedy color schemes and I'm in the same boat; will read the comic, just will be turning down the screen brightness a looot. Sites that have a huge space of extremely neon background that distracts from the comic make me reluctant to read on the site, and I'll look for a mirror before trying. That white background of the 2 big comic hosting sites can at least be affected and turned dark by nightmode when needed, while nightmode doesn't work on half the bright comic sites I've tried it on. u-u

#ctparchive #comics #webcomics #indie comics #comic chat #comic discussion #comic tea party #ctp #reader favorites

1 note · View note

earl-of-221b · 6 years ago

Note

Hello! I've recently seen a lot of discussion that seems to be surrounding JttW, particularly on your blog. While I've only read the (translated) original work, it seems that it would be worth looking into some different adaptations. I'm not sure how knowledgeable you are about what to look into, but I'd love to hear any suggestions you may have about where to start, or even some of the better remakes, etc.

Oh hi lordofthegauntlets!! Sure thing, Journey to the West is one my fav shows that’s been made and remade over and over but I’ll never get sick of it.

The classic cartoons are a good place to start cos they’re just so choice. 1964 Havoc in Heaven (or mandarin Uproar in Heaven with eng subtitle) focuses only on Sun Wukong with that iconic red-painted face and high pitched voice, all done to popping beijing opera tunes. Despite being so old, it holds up very well and is so rewatchable. It starts with Wukong already trained in magic and the Monkey King of Flower Fruit Mountain. He goes on an adventure that ends with him getting spurned and singlehandedly trashing heaven, then going home to be beloved by monkeys everywhere. 11/10.

1999 JttW, since I grew up watching this one, is my personal Definitive Version with 54 eps. The animation is more modern (but still from 1999 lol), it’s a full, mostly faithful adaption. Zhu Bajie (Pigsy), Sha Wujing (Sandy) and Tang Sanzang (Tripitaka) and Monkey go to the west while protecting master from demons who want to eat him. Sun Wukong in basically the coolest, smartest, cutest demon ever here and the opening and ending songs are BANGERS. I love it, though it might not be for everyone cos the animation does get a bit wonky.

Here it is in full in mandarin with eng subtitle (but gotta turn the subtitle on). Be aware the first eight eps about the Havoc in Heaven has a different art style than the rest of the story where they journey west. Just because.

Here it is in a not great english dub starting at the beginning of the journey west, but sadly it skips past the Havoc in Heaven (and it’s cut weird, and it sucked out all the dramatic chinese filial piety beats™ lol).

1996 JttW aka Hong Kong JttW aka the Definitive JttW for Cantonese speakers. It’s a live action series subbed in english on kissasian. This one flows really good and has a way of storytelling that’s really easy to follow. Sun Wukong does some sick flips and looks handsome, Bajie is lovelorn, Wujing is mentally impaired in this version but still a good bro, Tripitaka is compassionate but stern. It’s a less faithful adaption because of storyline changes, but it really doesn’t matter at all because it 100% captures the spirit of JttW! The journey west happens around 7 eps in, after the Havoc in Heaven arc.

Saiyuki is Japanese manga where the writer decided that the pilgrims needed to be Hot™ and Angsty™ bishounen boys with tragic backstories on a road trip with their pet dragon that turns into a jeep. And somehow this works Great. Tripitaka is Genjo Sanzo, a cynical gun-toting monk (this has guns and shit, it’s hardcore), Sun Wukong is Son Goku, an innocent teenage demon wearing a diadem that seals his awesome demonic powers, Bajie is Hakkai who is kind and intellectual, Wujing is Gojyo, an alcoholic and womaniser. (Yes Bajie and Wujing’s personalities are swapped in this version.) Together they will stop the demons from destroying the world. The art gets better as you go on and there are a few sequels and a tragic prequel (but read the original one first to get that full punch in the gut). If you need some of that good, buddhist angst, this is it.

2015 Monkey King Hero is Back is a recent animated movie that’s amazing and a lot of people swooned over Sun Wukong (a monkey) in this version who feels older, is more mature and is slightly beaten down by life (aka: Mountain to the back for 500 years). It’s essentially a JttW de-aged AU where Tripitaka is like an eight year old boy and….Wukong has to be The Adult. This is the first version ever that really uses Wukong’s monkey physicality to his advantage in fight scenes. I love it heaps and I’m still waiting for the sequel.

1986 JttW (eng sub) is usually considered the definitive adaption for mainland China all thanks to its really iconic Sun Wukong and it being the first long-running Chinese JttW adaption. It’s quite faithful to the book. But I left it last on the list cos it’s quite dated now and to someone who has never seen it before: it’s weird as hell. (Partly because live action just forces you to realise how absolutely nutty this story is.) Sun Wukong genuinely looks and acts like a monkey here - even more so than the cartoon versions!

And those are my top picks

#journey to the west #jttw #my posts #asks

103 notes · View notes

vanilla-blessing · 6 years ago

Text

qb anime of the year list 2018

Anime of the Year 2018 - the year of girls going to aquariums together

I’ve seen at least one person who claimed that 2018 was the best year for anime in recent memory and I’m inclined to agree. A large majority of my top ten list is shows that I would consider perfect and even shows that blew away what I thought was possible in the medium. It was a revolutionary year and makes a strong argument that anime wasn’t a mistake after all. - qb

Hugtto! Precure blew away my expectations every week for close to a year. I don’t exactly know what to say about it here, since this isn’t the last time I’ll talk about it for sure. It doesn’t even end in 2018, but it was such a huge part of my 2018 in anime that it would be inaccurate to not include it. The only way I can think to explain Hugtto! Precure is to talk about the Netflix She-ra reboot. She-ra’s a pretty basic modern Dreamworks cartoon, with some interesting ideas thrown in and likable characters, but mostly held back by what they could realistically allot for production. Because of this limitation, She-ra goes hard on a single perfect episode (if you’ve seen it, you know which one) that stands out in a big way and shows the full potential of what they set out to make. Usually, Precure is lucky to get a handful of these stand-out episodes in a season, and most of the time just gets by, due to being an annual series that can never, ever take a break. Normally, the first few episodes of a Precure season can be counted on to be strong, but the realities of anime production being hella tough inevitably catch up.

Hugtto! Precure started with an incredible opening arc, then never let off the gas pedal. Nearly every episode of Hugtto is a stand-out, never-before-seen, innovative tour-de-force. The combination of production miracles that resulted in Hugtto has been talked about by me on this blog before, (http://vanilla-blessing.tumblr.com/post/176000267859/hana-is-getting-unstable-a-pink-precure) but the length of time that Hugtto stayed in the paint, going extremely hard every single week with few exceptions, was just absurd. Every season of Precure has one or two peaks, sometimes a good season gets lucky and has even more, the best seasons bat a solid average, but are still expected to be held back by reality. Coming out of the fifteenth season of Precure with a majority of the best episodes in the entire franchise isn’t something that I can wrap my head around, but it definitely happened, mostly in 2018. It’s simultaneously a love letter to the franchise’s past, present, and future made by the biggest Precure fans on the planet, and it’s unquestionably the best season. Hugtto threw what we all knew was true and had accepted about Precure clear out the window, retroactively made older seasons better, watered my crops, brought world peace, ect.

Oh yeah and boys can be cures now.

I’m definitely not done with Revue Starlight and this won’t be the last time I talk about it. Revue Starlight essentially carried the Summer 2018 anime season on its back. Starlight absolutely dominated my anime watching schedule; my week was seriously just waiting for and watching different translations and releases with every other show being almost incidental, far less important than waiting for the song lyrics to get translated for an episode I had seen three times already. I won’t get into everything here, since I’ve already talked about it on this blog after all (http://vanilla-blessing.tumblr.com/post/179023723689/subtext-is-for-cowards-revue-starlight), but I need to reiterate that it was such a commanding, unique, stylized experience and didn’t drop a single episode in its entire absurdly high-level production. The only reasonable explanation for this is devil magic, and hell, it was worth it. Revue Starlight is probably in my top 5 anime of all time and I wouldn’t get this list out if I said everything I wanted to say about it. It’s great. Watch it twenty times.

Pop Teen Epic, or Hoshiiro Girldrop, was the most wildcard that has ever been in seasonal anime, and could have been absolutely anything. What none of us predicted was just how much of anything this show would be, encompassing an unprecedented range of artists, voice acting talent, and whatever AC-bu are, each giving their very individual takes on a self-described shitpost comic strip, sometimes covering the exact same material two or three times, with no regard for any sort of cohesion or structure.

Nothing about this idea should have been funded, nothing in Pop Team Epic has any reason to work, and as a straight adaptation probably wouldn’t have worked. PTE spun gold from trash through the raw effort of artists doing their own thing, which captures the original spirit that made the formerly-cancelled comic popular in a way that’s much too intelligent for haters to understand. Also it got a dub, which is the most ridiculously bad idea i’ve heard in my life, and it owns that it happened.

Spider-man into the Spider-verse is legit the best comic book movie ever made. It’s a fun, expressive twist on the most tired superhero origin story of all time, and showcases some of the most sssssssssstyle and raw, real emotion I’ve ever seen in animation. Its particular selection of influences is brilliant and poignant, rising far above the simple fanservice you’ve come to expect from Spider-man. The unrelenting individualistic spirit of this movie will stick with you the longest in the soundtrack, bravely incorporating a side of pop music that you don’t usually get to see in big-budget productions, pulling soundcloud rappers out of their grody (i’m told) dens into the spotlight with equal importance alongside the heroic score. Spider-verse is all about establishing your own unique flavor, and it manages to overwrite every other entry in this cursed franchise with its bold taste.

youtube

It doesn’t make sense to me how amazing Aggretsuko’s dub is. The impeccable timing of each line, the perfect integration with the comedy, and the optimal length of the episodes are all far beyond what I expected from a Netflix show. It not only converted the original series of shorts that I already had on my top 10 the first year into a godlike longer series I didn’t know I wanted, but went to the effort to bring real metal singers in for the karaoke. Honestly just repeat everything I said in my 2016 list and multiply it by five. I hope they make more. They’re making more.

youtube

I was pretty slow to pick up anime in the Winter 2018 season, but I never missed Hakumei and Mikochi, maybe because it was like, the only simulcast on my favorite online anime streaming subscription service HiDiVE. The subs weren’t great, and it certainly wasn’t all that popular, but it was just the relaxing show I needed. Hakumei and Mikochi brought me back to my favorite non-racist parts of the Redwall series of books: friendly animals, delicious foods, alcohol, and rustic songs. I was ready to put it on my list for simply being a cute healing foodie anime, but to my surprise, it had much more in store within its tiny world: stark confrontations with mortality, a shy riverside necromancer, the inexplicable remake of The Raid: Redemption in miniature, fashion trends, frogs, carpenter weasels, carpenter skeletons, ghost celebrations, a country beetle with lofty dreams. The list of memorable people, places, and things contained in the gnomish roommates’ tiny world goes on and on.

Masaomi Ando’s directing went completely along with the storybook aesthetic, maybe even to an overall detriment, which is exactly the kind of reckless commitment to style I love to see. The distinctive paneling, constantly gorgeous backgrounds, and deliberate pacing perfectly captured the imaginative stories I loved to read as a kid, but with more alcohol, and more sophisticated themes under the surface. Even something anime rarely get right, endings, were perfectly capstoned every week with a short digest that explored more of the history, legends, and very personal lore of their small, unique world. At its core, Hakumei and Mikochi is the calming story of tiny roommates you think it is, but it’s also so much more. They have day jobs and get drunk and remodel their house after it explodes that one time. They gamble dangerously to escape a blizzard, help a photographer give herself a little credit, and rescue their neighbor from a fancy grave of her own making. By the end of the show Hakumei practically built half a town. The collective stories from their everyday adventures build into something tremendous, and it all wraps up on the most perfect ending sequence I could have hoped for, which calls back to every story thus far as a new verse of the show’s central duet is sung. In any reasonable AnimeOTY Hakumei and Mikochi would be my top anime of 2018, but this year, the competition was unreasonable. This show will just have to settle for being the best regular anime of the year.

youtube

Bloom Into You is an incredible adaptation of an apparently yuri romance manga that raises the bar for anime adaptations in general. I don’t know when, but somewhere along the line I stopped expecting that serious capital R Romance anime would have a distinctive style, and gave up to the notion that there was no demand anymore and a stylized, seinen/josei romance would just never get made. Well that was 2016 and then Scum’s Wish happened which this blog has covered extensively.(http://vanilla-blessing.tumblr.com/post/168842023559/how-lerche-adapted-an-average-trashy-romcom-into, http://vanilla-blessing.tumblr.com/post/168789506264/scums-wish-and-our-messy-uncomfortable) To me Bloom Into You feels similar in concept, as a difficult romantic situation with no easy answers or completely happy people. The main perspective character, Yuu, is among my favorite romantic leads in any series; she doesn’t get romantic feelings, although she wants to, and despite being easily motivated, is kind of dispassionate. Her relationship that she was pushed into with Touko might as well be out of mutual convenience, since Touko doesn’t want to fall in love with someone who would love her back, and Yuu doesn’t think she can.

Yuu filters the developments of the series as they grow closer through a very different perspective compared to more emotional leads of usual romance stories, methodically breaking down and considering where she’s at, observing where others are at, before taking an action that makes sense to her. Her growth through the series takes a very different direction than the common dramatic formula; instead of running headfirst into misunderstandings to overcome romantic challenges, she’s compelled to take a step back and position herself in a way that allows her to understand and confront her girlfriend’s issues. The changes that she experiences herself during this process are extremely gradual, but are no less significant to her. Although the dramatic weight of the series is obviously all about Touko, the central thesis of Bloom Into You is to explore Yuu’s complex feelings, and ask to what degree our actions are dictated by our emotions. It’s a heavy topic to be sure, but what makes this anime adaptation special in particular is how the directing and production pull it off, to maybe an even stronger degree than the original material.

Bloom Into You’s most striking and noticeable feature is the incredible conservation of small movements that connect expressions naturally. Minute changes in characters’ faces are vital to observe the almost imperceptible changes in Yuu over the course of the series, and every aspect of the direction is in service of highlighting these subtle moments. In addition, repeated cinematic themes are reinforced over the show’s run, such as the use of light to impart a blinding realization, flower language to inform deeper personalities, even using a literal (not literal) cinema. Symbols such as trains, masks, and mirrors are used constantly and consistently to reinforce the show’s themes, which should be immediately obvious from the opening animation. I’m still kind of stunned that Bloom Into You’s ending theme is such a banger and managed to use an oscillating sine curve in a metaphorical way. These details might be lost without the brilliant layouts, intentionally resembling a stage, which always push the minute differences front and center. As an anime adaptation, Bloom Into You adds so much value in such a subdued, conservative way that it puts uninspired adaptations to shame.

Thunderbolt Fantasy 2 rounded out the year with a good old new-fashioned Japanese-speaking Chinese-Wuxia Taiwanese puppet show. The novelty of this wild series, like, existing at all, is still incredible to me, but I was really wowed by the new characters and the direction the series went in after the already high standards of the first season. Following the outrageous action and fights of the previous season, I did not expect that season 2’s introductory goon would 1. Live past the first episode 2. So quickly become my favorite swordfighter and 3. Have inarguably the most complete character arc of the entire show thus far. The Princess of Cruelty’s struggle against her inner and outer demons in a unreasonably stacked, desperate situation developed her into easily the most compelling character of the season, and the rest of the cast including a corrupt police officer with extremely disconcerting and bad puppet teeth, a ventriloquist rock-lutist, and a nihilist monk each bring their own unique flavors to the table. The table that they throw the puppets in the air from to make the show. All of the new elements of Thunderbolt Fantasy 2 improved an already strong formula even more, and revealed an emotional depth to the series that I’m excited to see developed further. Some people might not call this anime, but those people haven’t seen Thunderbolt Fantasy for longer than 2 seconds. It’s so anime.

I blasted all available seasons of Star vs the Forces of Evil early in 2018, and it was basically my first foray into straight-up American cartoon magical girl, despite watching all the Japanese ones, which was probably an oversight on my part. That’s because Star Versus is really good, and provided a flavor of magical girl I had been missing out on. I could talk about the excellent sparkle witch aesthetic of the show, fluid animation, and hilarious comedy, but I’d rather spend this blogspace posting Star Butterfly faces.

#10

A Place Further Than the Universe, or YoriMoi, or my preferred moniker That Antartica Anime, wasn’t on my radar until well after it had finished airing, but it stuck with me for most of the year. Although it’s definitely melodramatic at times, it utilizes this tendency in exactly the right way to enhance the individual characters’ emotional arcs. Even though I was personally sort of taken out of it for many of the girls’ personal trials, :penguin emoji: is obviously thoughtfully written and carefully constructed, and especially knows how to orchestrate an immense emotional reaction with pitch-perfect timing. If there’s one particular aspect this anime has absolute mastery over, it’s hitting that perfect note and cue to create a memorable narrative climax. And for all my bellyaching about not fully relating to some of the characters, Miyake is definitively the #1 qb-relatable character of the year.

Here’s the rest of my list. Don’t @ me about it because if its not on my top ten then it doesnt really count anymore i dont make the rules thats just how it is

11. Yuru Camp

12. Hisone and Masotan

13. Asagao to Kase-san

14. Devilman Crybaby

15. After the Rain

16. Planet With

- friend of the show @queuebae on twitter

That’s why the 2018 anime of the year award goes to Kaiju Girls 2.

#top ten anime 2018 #top ten pop team epics #pop teen epic #pop team epic #hoshiiro girldrop #poppiteppikiu #popttippiku #bob team epic #bob epic team #PTE 2018 #Pop Team Epic Season 2

10 notes · View notes

sol1056 · 6 years ago

Note

I've just read that word of god post you've reblogged and i agree that if it's not in the canon then it's not in the story. but what is the canon exactly? if we take vld as an example, can the extra materials like the guide books or interviews be considered canon when they give us information that is never talked about in the source material, that is in the show itself?

Canon, at its simplest, is “what the community consider the official record.” Its ‘things recognized as authentic,’ and by extension also ‘a standard by which something is judged [as genuine]’. Frex, to say ‘this album is modern jazz’ requires comparing the music to the modern jazz canon.

For fiction, canon applies the idea of an ‘official record’ to the story itself. The purpose is to delineate the ‘actual’ (genuine) story, and the standards by which new stories (sequels, spin-offs, etc) become canon. The common standards tend to be: who created it and/or was involved, form of distribution (ie official channels), and how widespread it was. Frex, a song played once in a small club in Chicago and never recorded would probably not be considered part of the ‘canon’ of modern jazz (that is, would not be used as the ‘standard’ by which newer works could be judged, because the work is too obscure).

That brings us to the next level (and often the most fiercely debated): which texts are deuterocanonical. It’s a fifty-cent word but it’s exactly the word we need, here. It means ‘secondary canon’ and it’s texts that could be canon but fell short by some measure. Different author (or ghostwritten), written years later or years earlier, retcons everything, completely different story but with cameo of canon character, and so on.

Adaptations are often deuterocanonical: a book to a movie, a movie to a TV series, a TV series to graphic novels. Each media has different storytelling conventions, so the story changes, and if you were a fan of the ‘real’ story, you might see the adaptation as just a shade too different. Plenty of fans of the Fullmetal Alchemist manga see the first anime (which diverged wildly) as a secondary canon — interesting, but not crucial; fewer say the same of the second anime, which was much more faithful.

Continuations also tend to be deuterocanonical, especially when the media changes. If your intro to a fandom includes the warning that everyone ignores a certain continuation, sequel, or spin-off, the community may have decided the later works are a secondary canon. This dismissal comes with the usual flamewars, at least until the fandom agrees to disagree.

Best criteria is whether parallel or subsequent stories impact or develop the ‘main’ story. Agents of SHIELD is a spin-off of the Avengers movie series, and it pivots mid-story due to movie events. The TV show may be deuterocanonical for movie fans, but the movies are canonical for TV show fans, because those stories have significant impact on the events in the TV show’s storyline.

And then we get to words about the story: meta. Tolkien’s estate has published his drafts and notes; these books satisfy canon per authenticity (written by Tolkien), and stamped as official by the estate. You don’t have to read every rough draft to get the final version, so Tolkien’s notes aren’t really primary canon, but they probably would be considered deuterocanonical.

The same doesn’t apply when it’s just anyone writing meta, even a published Field Guide or Annotated Glossary — a fancier and footnoted version of the same kind of meta fans have always written on their favorite works. No matter how well-researched, that third-party meta is not canon, no matter who wrote it or where it was published.

And then we get to word-of-god, however it’s relayed (panel quotes, interviews, tweets, blog posts, etc). Word-of-god, like handbooks and marketing material, are not the story; it’s talk about the story. It’s meta, and as such it can never be more than – at best – secondary canon, and even then under limited circumstances.

The next thing to consider in word-of-god is: who’s the god, here? It’s easy enough with Tolkien, Rowling, Kipling, Austin, any one-author work where one voice did the bulk of shaping the ideas and words and story. It’s another matter when we get into multi-creator, collaborative stories like movies, television shows, even stage plays or dance where the work passes through multiple hands on the way to becoming a final product.

If the actor chose to read those lines as though the character were in love, that has an impact on your experience of the story. Is it enough of an impact? Does that make the actor right to say, “this character is in love”? Does the actor have that authority? Or an executive producer who didn’t write the script, direct the episode, voice any of the lines, storyboard any scenes, or animate any frames? How do we measure the contribution of ‘enabling others to create’ to determine whether word-of-god applies? What about a story editor whose outline was informed entirely by exec notes? Can we say the writer of a particular episode even has word-of-god authority, if every line was altered by the actors to a smaller or larger degree?

Beyond that — and this applies from one-author texts up to multi-season series with a production staff in the hundreds — we cannot assume the author (if there is a single identifiable hand in the story) actually knows the story they’ve written. We writers can tell you what we meant to write, and what we wanted to write, but what we ended up with isn’t always where we’d planned to be. Hell, sometimes we don’t see the themes until a long time after the work is written, the same way we don’t always see where the story’s failed on other counts (representation, gender, cliches, plot holes, etc).

I could add a lot of words, but here I’m just going to quote some of TV Tropes at you, since the entry does a good job of covering all the bases.

A number of people reject [word-of-god]… If the creator had wanted a certain fact to be canon, the thinking goes, they should have included it in the work to begin with. [Others] go even further, considering the uncertainty and ambiguity of canon to be a good thing… Wimsatt and Beardsley’s “The Intentional Fallacy” and Barthes’ Death of the Author essay both argue that the interpretation of a work cannot be limited to attempts to discern the “author’s intentions.”

Another thorny issue is … collaborators may not actually agree with interpretations of their story that weren’t made explicit in the work. This is especially likely if they no longer work together, and particularly if they had a real-life falling out. In this case, there are multiple “Gods” given potentially contradictory explanations, so whose word is to be considered correct?

If a story requires the author pop up to explain each scene in some nightmarish reverse-MST3K scenario, then the story has failed. Point blank, full stop, do not pass go, do not collect two hundred dollars. The story has failed.

But let’s pretend the story is fine, and you just can’t take lying awake at night wondering about that damn watermelon. There’s a place and time for creator explanations; easter eggs (like in-jokes and homages) definitely count, and can be a lot of fun. There’s nothing wrong with word-of-god, after all, so long as it’s taken in moderation. In the end, it’s just a slightly more knowledgeable voice, but never let it drown out your voice or your experience.

Ultimately, this incessant emphasis on word-of-god has two sources.

One is the current penchant for throwing wild swerves as a way to combat audience boredom. These get called ‘plot twists’ but in the hands of less-skilled creators, they’re just cheap shocks. Pushed too far, they’ll break the story. Groundwork and foreshadowing are left off the page or screen for fear the audience will ‘figure it out’ too soon, and the result is an audience struggling to make sense of the quagmire. Word-of-god doesn’t fix the story, but it can at least provide closure. You know why the watermelon was there, and you can move on to obsess about something else.

The other source is our immediate and seeming direct access to a lot of creators: writers, directors, storyboard artists, voice actors, producers, all up and down the line. We could sit down and think hard about the story (if the story isn’t so broken that’s moot, at least), or we could just tweet or blog or tag a creator and ask. Or hope someone asks our question at a panel, or a podcast, or some other interview. Why bother with meta, when you can get a slightly more-informed meta from someone who looks like an authority?

Hey, authors have been getting questions from readers since Lady Murasaki sat down to write. No, the real issue are creators who’ve come to crave (and encourage) the audience asking how to interpret the story. It’s a pretty heady thing, getting that kind of attention, and it can get away from you really fast. What began as a simple question about indestructible fruit becomes an ongoing interpretative dance by the author on behalf of the work.

It’s flattering to have the audience clamoring for your words, but… it’s not about you, as the creator. It’s about the story. A creator needs to step back and let the story do the talking. The sooner some creators remember that, the sooner some fandoms will calm the fsck down.

Primary or secondary canon, word-of-god or radio silence; in the end, the story’s got to stand on its own. If it can’t do that, no amount of explanation in the world will prop the story back up again.

#canon vs fanon #writing #sol thinks about stuff #vld #voltron

47 notes · View notes

krinsbez · 6 years ago

Text

Book Recommendations: Da Big List, Fiction Edition

Well, I said I’d do more book recs, so here we go...

(note that some of the series recs are out of date, with additional installments written since I previously updated the list)

-Devil's Cape by Rob Rogers is the single best work of superhero prose I have ever read. -The Six-Gun Tarot by R. S. Belcher, in which the unusual inhabitants of a Wild West town (a sheriff who can't die, a deputy who's the son of Coyote, a housewife who used to be an assassin, and more) fight an Eldritch Abomination. Has two sequels, The Shotgun Arcana and The Queen of Swords -"Craft Sequence" series (six books and counting, starting with either Three Parts Dead or Last First Snow, depending on whether you want to read 'em in publication or chronological order, respectively), by Max Gladstone. Set in a modern-esque fantasy world that runs on corporate necromancy and "applied theocracy", the first (in publication order) involves a junior associate in a necromancy firm having to investigate the murder of the god who powers a steampunk city. -The Goblin Emperor by Katherine Addison, in which the half-goblin Unfavorite son of the Elven Emperor is unexpectedly raised to the throne after his father and half-brothers die in a zeppelin crash. -Daughter of the Sword by Steve Bein, in which a Tokyo policewoman catches a case that involves a Yakuza power struggle and a trio of magic swords, with extensive flashbacks (as in, they ultimately take up about half of the book) to the history of said swords. Has a sequel, Year of the Demon, in which the heroine goes up against a cult revolving around a mask tied to the swords. Also, more flashbacks. Now has a third sequel, Disciple of the Wind; there are also a couple of eNovellas, which I haven't read. -Eifelheim by Michael Flynn, in which a Renaissance-era village in Germany interact with a group of aliens whose ship crashed nearby. -Ancillary Justice by Ann Leckie, in which the last remnant of a space warship's AI seeks revenge on the ones who blew up the rest of her and...find out why they did it. Has two sequels, Ancillary Sword and Ancillary Mercy. -The Chinatown Death Cloud Peril by Paul Malmont, in which the creators of Doc Savage and The Shadow team-up with each other (and L. Ron Hubbard and someone else who is a minor spoiler) on an actual pulp adventure involving Nazi spies, a Chinese warlord, and something which is actually a BIG spoiler. Has a sequel, The Astounding, the Amazing, and the Unknown, in which Isaac Asimov, Robert Heinlein, and L. Sprague De Camp investigate Tesla's final invention. -Bridge of Birds by Barry Hughart, in which Master Li, a sage "with a slight flaw in his character", is hired by an immensely strong peasant named Number Ten Ox to investigate a mysterious plague afflicting his village in a "China that never was". Has two sequels, The Story of the Stone and Eight Skilled Gentlemen that are greatly inferior but still enjoyable. -The Kitty Norville books by Carrie Vaughn (15 books starting with Kitty and the Midnight Hour; the count includes a short-story collection and a side-novel starring a secondary character), about the host of a midnight radio show in Denver, who is also a newly turned werewolf. One night, instead of playing random music, she starts talking about the supernatural. Then vampires and other werewolves start calling in... -The Inspector Chen novels by Liz Williams (6 books starting with Snake Agent), about a police detective in a near future Singapore who investigates mysteries that require him to liaise with the Chinese versions of Hell and Heaven. -"Barsoom" series by Edgar Rice Burroughs (11 books, starting with A Princess of Mars): The ur-text of the Planetary Romance sub-genre, one of the definitional texts of soft SF. Rollicking adventures with epic characters in a marvelously imagined world. Long story short; a Civil War vet on the verge of death is astrally projected to not-yet-dead Mars, befriends a group of warlike natives, falls in love with the Princess of another, and turns the whole planet upside down in the name of love. Then he has kids... -"Lensman" series by E. E. "Doc" Smith (6 books; starting with either Triplanetary or Galactic Patrol, depending on your preferences): The granddaddy of all Space Operas, a triumphant example of power creep. The forces of Order and Chaos war for the fate of the universe, using the ultimate police force and an army of space pirates as proxies. -Last and First Men by Olaf Stapledon: An exploration of the future evolution of mankind. Starting in the '30s with the then-current state of the "First Men" (that is to say, Homo sapiens sapiens) until the extinction of the "Last Men" millions of years hence. Redefines epic scope. -Star-Maker by Olaf Stapledon: A companion of sorts to Last and First Men, except with with the scope turned up to eleven, covering billions of years and the entire universe. -Slan by A. E. Van Vogt: Jommy Cross is a Slan, an evolved human possessed of superior physical and mental abilities. Years ago, the Slans took over the world, but their regime was overthrown and now the Slans are hunted. When Jommy's parents are killed, he must learn to survive in a world that hates and fears him...or does it? Jampacked with twists and turns, not to mention being the archetypical "mutant hunt" novel. -Voyage of the Space Beagle by A. E. Van Vogt: The best and brightest of man's scientific minds have been sent into space to explore strange new worlds, and then figure out how to keep the life-forms they encounter from killing them. A rip-roaring tale of of space exploration, alien monsters, and an omnicompetent protagonist. Not only was it a major influence on Star Trek, one episode is the basis for Alien. -"Demon Princes" series by Jack Vance (5 books starting with The Star King): Years ago, the five most dangerous criminals in the known universe joined together to murder or enslave the inhabitants of a small colony. Now the sole survivor is hunting them down one-by-one across the galaxy... The narrative is a great combination of action and mystery, and the setting is full of all manner of interesting worlds and civilizations. -"Planet of Adventure" series by Jack Vance (4 books, starting with City of the Chasch): An Earthman crash-lands on a planet inhabited by four alien species, and the humans they've enslaved, travels the world to find a way home. A marvelous exploration of the concept of Blue-And-Orange Morality. -"Sector General" series by James White (12 books, starting with Hospital Station): Life aboard a massive, multi-species hospital space station in a deeply idealistic 'verse with one of the most diverse bunch of aliens ever devised. The first six books are mostly collections of short stories featuring medical mysteries solved by Dr. Conway (the primary exception is the second book, which is mostly a novella set against the backdrop of an interstellar war and brilliantly inverts the "Hard Man Making Hard Decisions" trope), as he goes from being a trainee to one of the hospital's elite, while the latter six are novels featuring an assortment of characters. -"Cobra" series by Timothy Zahn (9 books and counting, starting with Cobra): A multi-generational tale of super-soldiers in war and peace, with a healthy helping of interstellar diplomacy. A really interesting take on MilSF, where out-of-the-box thinking takes center stage. -"Quadrail" series by Timothy Zahn (5 books, starting with Night Train To Rigel): Frank Compton, former agent of the human government, finds himself working for the mysterious aliens who run the local 'verse's sole form of interstellar travel; a train in space called the Quadrail. Intrigue, action, and plot twists abound, including one of the best Heel Face Turns I have ever encountered. -"Stainless Steel Rat" series by Harry Harrison (11 books, starting with The Stainless Steel Rat, and one short story, which can be found in the collection Stainless Steel Visions). In a far future where mankind has spread across the stars, crime has been eliminated. Well, that's what the authorities would like you to believe; in truth there are still a small handful of individuals maladjusted enough to commit crimes and smart enough to get away with them. James Bolivar "Slippery Jim" Digriz, the Stainless Steel Rat, may be the smartest of them all, a white collar thief and con artist who's almost pathological disregard for law and authority is balanced by a surprisingly strong moral code. Which is why when he is finally caught, the authorities put him to work catching criminals who lack those morals. This is classic SF comedy, with a surprising amount of pathos at points. -"The Parasol Protectorate" series by Gail Carriger (five books, starting with Soulless). A humorous and exciting tale of love, intrigue, mad scientists, and fashion in an alternate Victorian era where the British Empire's power derives from steampunk technology, werewolf soldiers, and vampire politicians. Has a sequel series, "The Custard Protocol" (3 books and counting, starting with Prudence) revolving around the daughter of the original protagonist. Has a YA prequel spinoff, "Finishing School" (4 books, starting with Ettiquette and Espionage) revolving around a teenager who is recruited by a boarding school that trains spies. There are, in addition, a manga adaptation of the first couple books. -Ports of Call by Jack Vance. Myron Tany has always dreamed of traveling the Gaean Reach. When his eccentric aunt acquires a spaceship, it seems his dream has come true...until she ends up marooning him on random planet. Fortunately, Myron is able to obtain a position as supercargo aboard the merchant ship Glicca. The story does not really have a plot per se, consisting primarily of a series of marvelous picaresque vignettes as Myron and his crew-mates travel to different worlds delivering cargo, trying to acquire additional cargo, and periodically running afoul of bizarre local customs. The book just kinda stops at one point, and resumes in a second book, entitled Lurulu. I'm not really describing this well, but they're both very fun, beautifully written books. -The Green and the Gray by Timothy Zahn. A night on the town for a young New York couple takes a turn for the weird when they are forced, at gunpoint, to take custody of a 12-year old girl. They soon find themselves enmeshed in a secret Cold War between two alien races that have secretly been living in the city for generations...a Cold War that is threatening to turn hot. -The Rook by Daniel O'Malley. A young woman awakens surrounded by corpses with no memory of who she is. In her pocket is a letter from her pre-amnesia self, one Myfanwy Thomas. It seems that Myfanwy was a senior bureaucrat for the covert organization in charge of controlling magic and other such weirdness in Britain, and that her amnesiac state is something that was done to her. Myfanwy must therefore investigate the mystery of precisely who that is, while simultaneously do a job about which she knows nothing, without letting anyone realize what's happened to her. Ha a sequel, Stiletto, though I cannot explain the plot without spoiling the previous book. -Throne of the Crescent Moon by Saladin Ahmed. A tale in which an elderly demon-hunting cleric and his paladin assistant team-up with a shape-shifting barbarian girl and husband and wife alchemists to prevent an undead villain unleash an ancient evil, while trying not get involved between the conflict between the tyrannical ruler of their city and a gentleman thief-turned-revolutionary. Did I mention that the cleric's spells invoke the name of Allah, the paladin is a dervish, the barbarian is a Bedouin, and the whole setting draws it's cues not from Tolkien but the Arabian Nights? -"White Trash Zombie" by Diana Rowland (6 books and counting, starting with My Life As a White Trash Zombie). Angel Crawford is an unemployed high school dropout in rural Louisiana with a deadbeat dad, an asshole boyfriend, a drug habit, and no future. After one particularly wild night of drinking and drugging, she gets into a devastating car accident...and wakes up in the hospital without a scratch on her to find that an unknown benefactor has arranged for her to have a job at the Coroner's Office. Which is good because she now has a hankering for brains... -Under the Moons of Mars: New Adventures on Barsoom edited by John Joseph Adams. Exactly what is says on the tin, a collection of original stories set on Barsoom by an assortment of writers. As with any anthology, quality is a bit uneven; some of the stories are excellent Original Flavor pastiches, some are deconstructions or parodies, one or two are just bad. But all in all a great collection. -Worlds of Edgar Rice Burroughs edited by Mike Resnick and Robert T. Garcia. Same basic idea, but for the entire Burroughs oevure, including some of his non-SFnal work. -"Winter of the World" series by Michael Scott Rohan (two trilogies, the first starting with The Anvil of Ice, the second place taking place before the first and in another part of the world, and which I haven't been able to get my hands on ), an epic fantasy taking place against the backdrop of an Ice Age, in which a young man rises from slavery to become the most powerful smith-cum-magician the world has ever known, and together with some companions fights to defeat the sinister primal forces that wish to cover the world in glaciers forever. Much less generic than it sounds, even without going into the appendixes which reveal the real(ish) science behind quite a bit of the magic. -"Spiral Arm" series by Michael Flynn (4 books, starting with The January Dancer). Moderately Irish-flavored space opera, the first book tells the tale of of how a random space captain found a pre-human artifact, of the various hands said artifact passed into, and the conflicts that sprung up in it's wake. The second book turns the first's framing sequence into an epic of it's own, as a young bard hunts down the truth of her parentage. The series notably involves massive retcons with each volume, revealing that what we thought was going on was actually something else, but does so in a way that's compelling rather than irritating. -Dr. Jay Hosler is an entomologist who has written four edutational graphic novels for children (Clan Apis, The Sandwalk Adventures, Optical Allusions, and Last of the Sandwalkers). I've read three and they are amazing. In Clan Apis, a young honeybee desperately searches for her place in the hive, and ultimately finds an unorthodox solution. In The Sandwalk Adventures, an elderly Charles Darwin tries to convince a follicle mite living in his eyebrow that he's not God, by teaching him about evolution. In Last of the Sandwalkers (no relation)...honestly, the story contains so much epic awesomeness, I just want to list it, but it's all spoilers; suffice to say that the title character is A: a beetle, B: could give Sam Carter and Agatha Heterodyne a run for their money in the mad science department, and C: leads an expedition to explore the unknown and along the way discovers truths about her family and the nature of her people's civilization that some people really don't want her to (also you learn stuff about beetles). -Nightwise by R. S. Belcher. Years ago, Laytham Ballard was the Golden Boy of the occult underworld sub-culture. That was a LONG time ago, and no one would ever mistake Laytham for golden. But he's not so much of a bastard that he'll refuse the last request of one of his few remaining friends. What was supposed to be a simple revenge killing, however, turns out to be a lot more complicated and a lot more dangerous than Laytham ever imagined. Has a sequel, The Night Dahlia, which I have yet to read. -Brotherhood of the Wheel by R. S. Belcher. Jimmy Aussapile is an independent trucker, hauling cargo cross-country to support his pregnant wife and teenage daughter; he is also a member of a secret order descended from the Knights Templar that protects the highways of America from monsters both human and not. An encounter with a hitchhiking ghost finds him heading off on a quest, in which he joins forces with the heir apparent of monster-fighting outlaw biker gang who's military service unleashed some serious inner demons, and a State Trooper who's determination to solve a series of child abductions leads her to go rogue. Together, they must battle an ancient evil involving serial killers, human sacrifice, and Black-Eyed Kids. Note that it's loosely tied to Nightwise, in which Jimmy shows up in one scene as a minor side character; meanwhile, an off-hand reference to Laytham is made at one point in Brotherhood, and a minor plot thread in the later novel relates to a major plot thread in the earlier. They aren't even the same genre, with Nightwise being urban fantasy noir instead of horror. All in all, one doesn't have to have read one to enjoy the other,

#Book Recommendations #Book Recs #Fiction #SF #Science Fiction #Fantasy #Big List

3 notes · View notes

peace-coast-island · 6 years ago

Text

Diary of a Junebug

Fall book recs!

Swear to Me by Rose Madison An old classic, a book I never get tired of reading! I met Rose in college and she’s a super talented writer! She wrote this, her debut novel, back in high school and it still holds up pretty well. I love the characters, especially Tux. I don’t know why, but I have a soft spot for well meaning and adorkable dumbasses. I also have a soft spot for characters like Rina, also an adorkable dumbass who’s a sweetheart most of the time and internally screaming half the time, usually over minor inconveniences.

The book is silly, heartwarming, and action packed. I think it could make a great manga adaptation if done properly - I’d definitely read that! A fairy quick read - about 160 pages, and the pacing is quick so the only issue is that it feels too short. But a lot happens in that short time!

Portal to the Past by The Livy Aubree Company I pretty much love almost everything by Livy Aubree. I’m also loving the new show, Orla and Ozzie, which is based on this graphic novel. I was always fascinated with the history behind the classic characters Orla and Ozzie, mainly Orla. Up until recently, Orla has been put on the wayside and aside from the graphic novel, she hasn’t really had time to shine.

I love the character dynamic between Orla and Ozzie, which is the strongest part about this story. The sequels are worth looking into, but they’re not as good. There’s some strong points but overall the sequels are inconsistent in terms of plot and character development. The show, which is finishing up its first season, is definitely worth the watch!

Orla is one of my faves and I’m happy with how they handled Ozzie as his character has become a bit stagnant over the years - mainly because he’s the company’s mascot and all. What I like most is how the book and the TV show didn’t shy away from his flaws. Instead of making him a perfect goody two shoes (even when he’s clearly in the wrong - something that always annoyed me) they addressed the consequences of his actions and fleshed out his personality more so he wouldn’t be one dimensional. He was one of those characters who I always felt had a lot of potential to be interesting so I’m glad for this novel and the show.

An absolute must read! (Also I’m happy to say that my copy was signed by the show’s producer Levi Romero when I visited the island earlier this year!)

Wilde Louie by Jimmy Mathieson I enjoyed Postcards a lot so I looked into more books by him. This one is his second most popular book so I bought a copy at a second hand store when I found it. The Fairweathers is full of talented people and Jimmy has a knack for writing!

Back at Concert in the Stars, Jimmy told me he’ll send an advanced copy of his latest book a week before it comes out - which will be around the end of the year - so I’ll be doing a review on that for my winter book reads!

So the story was really interesting! I love Louie and Shep’s relationship - the found family trope has always been one of my favorites! They both may be shady con artists but underneath they’re also good and caring people. Shep tries to act tough and all but the truth is he’s a father figure who ends up unintentionally adopting a bunch of misfits. And Louie turns into the exasperated big brother who’s like 10000% done when everything goes wrong. The humor and fast paced dialogue are the book’s strongest points!

Blizzards by Chuck Wortherly A book full of poems relating to snow and blizzards. There isn’t really much to say as that’s as straightforward as it can get. They’re short, one page poems and it’s a very fast read. I love the imagery and the brevity, which is really effective.

My top favorite is Freshly Fallen Snow, which to me reads like a song. It’s quiet and a bit sad, the imagery makes you feel alone and small - but not in an entirely bad way. Sort of like a quiet melancholy that settles into you. Another favorite is Ashes and Ice, which provokes striking and powerful imagery. There’s also Snowball Fights, which is about nostalgia, and Howls, which tells the story about a wolf lost in a blizzard.

Serena and the Cracked Sapphire by Shion Yuki One of my favorite mangas! It’s basically a magical girl type story, which I enjoy. I started reading the series in middle school and it still holds up really well. There’s twenty books in the series, which takes place in a span of five years. There’s a TV adaptation in the works that is planned to be released next year so I’m looking forward to that! Based on what I’m hearing, I have high hopes for the show.

So there’s the main character Serena, who’s a reincarnation of a princess. Her weapon is a wand with a cracked sapphire and most of the time she’s pretty OP as hell. There’s her team, a band of friends known as the Jewel Shards who fight alongside her. And there’s Celestia, who’s a reincarnation of a princess from a disgraced family, and she and Serena are soulmates. Serena’s like any other typical magical girl protagonist - clumsy, badass, sweet, stubborn, and optimistic. It can be cheesy and silly and it can be dramatic and sad.

The first book in the series was and always will remain a classic. If you liked the first one, then you’ll enjoy the rest of the series. My favorite main arc is Team Crystal Shards because that’s when Serena’s team really comes together to fight the big boss. It’s basically the turning point in the series where Jewel Shards finally win the trust of the Crystal Stones and work together to fight the Shattered Diamonds. My favorite side arc is Apartment Hunting, where Serena and Crystal learn how to adult and fail epically at it.

Shockwave by Rose Madison Rose’s first sci-fi book and it was a wild ride! I’ve never really got into post apocalyptic stories so I was intrigued to see how this would play out. I tend to like slice of life stories so this was nice. In the story, the apocalypse already happened so now it’s based on the characters living normal everyday lives - well as normal as it can get.

What I love most about this book is the storytelling. It’s third person narration through three main characters and the chapters are structured a certain way. Jenna’s chapters are focused on the present. She’s an inquisitive character who’s naive and easily impressed by everything. And there’s Swan, whose chapters starts out in the middle of the event going - sort of like that freeze frame moment where the narrator is trying to explain something by going back to the beginning. She represents the past and present, the one who provides most of the backstory behind the Shadow Wars. Finally there’s Lina, who represents the future as she’s always getting ahead of herself. Her chapters are dialog heavy and fast paced. The three characters are what carries the story and it intertwines together so well!

Unlike most stories about the apocalypse, this one is quite optimistic and lighthearted. There’s a lot of funny moments in the book like poor Swan who’s unable to catch a break as she winds up falling into all her cousin’s traps. Or Jenna mistaking a giant spaceship for two pyramids because she overslept and forgot her glasses. And there’s a running gag of Lina’s inventions always going haywire and turning evil, including the notable Project Shockwave. This book could make a really interesting sitcom!

Bumblebees and Lavender by Margie Shen Another poetry book, and it’s become one of my favorites! I’ve heard about Margie Shen for a while on social media but I was a bit hesitant to check her out at first. The last few popular poets I checked out were underwhelming, to put it nicely. I liked some of them but overall they were overhyped and the books were mediocre at best.

As for this one, I was throughly impressed. What I liked about this book is that the poems had substance. They’re not super short and simple - instead they’re complex and descriptive. My favorites were the ones that told a short story like Nutmeg Tea and The Beekeeper. There’s profound and thoughtful poems like Flora with Lavenders in Her Hair and Bittersweet Chocolates. I love A Touch of Honey, which made this book easily one of my favorites. I’m definitely going to look for more books by Margie Shen and keep an eye out for her next one, due out next year!

Seventeen and Counting by Eldred Emerson This is a ridiculous book and I love it! Sure some parts area bit too silly but it’s a wild ride from start to finish. There’s a movie adaptation that’s pretty faithful to the story and just as funny. It’s about this guy, his growing collection of cats, and their everyday misadventures.

What I like the most is the names he gives his cats as he likes to go for the unusual. My favorite character is a black cat named Whiskercheeks, who goes by Whisk. His twin brother Wyn, short for Llewelyn, is considered the evil one and has the worst luck. Moneybags, aka Mon, is the baby of the family and causes a lot of mischief for the twins. There’s also Cotton Puffball, who’s always done with everything because everyone she knows is a mess. And there’s Rake Chewer, who likes to chew rakes and is a big klutz.

Overall it’s a really funny and cute book about a bunch of cats and their dorky owner.

#animal crossing #animal crossing pocket camp #Diary of a Junebug #headcanon ramble #Daphne Primrose

2 notes · View notes

steaktlsideblog · 3 years ago

Text

Intro

I've made this blog to post translations and/or commentary about the 高校事変 (Koukou Jihen, High School Catastrophe) novels by 松岡圭祐 (Matsuoka Keisuke). I'm not the most prolific reader of adult-oriented Japanese media [eg: seinen manga, non-"light" novels], but a couple years ago I came across Koukou Jihen randomly on Bookwalker and decided what the hell. I almost never go for non-fantasy stories that take place in the real world, so this was a real leap for me. The reviews said it was a pretty light read though and had "action movie pacing", so it seemed like a decent jumping-off point. The author also churns out a full novel every like 2 months, so that also gave the impression it would be a lighter, "pulpier" read. That was ultimately true about the writing style, but it still took a lot of work at first because of how unexpectedly detailed it got with political stuff. But by the time I finished the third novel I realized I'd found something pretty amazing that I want to share. Or at least talk about. So this blog is probably for both of those things.

Anyway, what's so great about Matsuoka Keisuke's novels? The best I can really describe it is, imagine thriller novels like "The Da Vinci Code" but if they took themselves about as seriously as "National Treasure", and contain buttloads of tongue-in-cheek social satire. While also being legit good thriller novels at the same time, of course.

The characters and dialogue are really special too. Even for characters who barely get any "screentime" and are basically "extras" if this were a movie, they end up feeling human and memorable. And every line feels like it has a purpose; Matsuoka wastes no time with frivolous over-describing. He gives exactly as much detail as we need to illustrate the character/scene/mood without sacrificing pacing.

By the way, despite taking place in the real world, bonkers shit does indeed still happen in these books. I never feel unsatisfied by the end of one. Oh, and the novels are all self-contained plots that start and resolve within a single book, fyi. Which is really nice, and he does an excellent job of adding continuity with serialized elements while also keeping the overall "episodic" pacing.

The series is complete at 11 novels, of which I've read 4. Rather than continue to book 5 I got the urge to reread book 1 for some reason and while looking over the first chapter I felt like I had a lot to say about it, and felt like maybe this could be an important story to share in English. At the very least, I want to share this series with other learners of Japanese like myself, because it's really fun and written in a conversational, understandable way. I want other learners to see that they can expand their horizons beyond "light" novels with fantasy battle plots or harem romance or whatever. You can read novels with real things to say about [Japanese] society, which portray people like real people behave. It's extremely rewarding. Anyway, I'm getting off-track....

But the first ~20 pages of the first Koukou Jihen novel are extremely dense and politics-filled, which make it quite daunting and inaccessible to the people I'm trying to rec it to. So that's kind of another reason for this blog: to guide people through the dense opening and expose them to this rewarding series.

Also probably this will sorta will be my liveblog of rereading the novel, at the same time.

FYI there is a manga that appears to cover the events of the first novel. I read part of chapter 1 and skimmed the rest of the first volume, and... I don't think it's good. Sorry, it's just not a very good adaptation, for a number of reasons I might talk about when it's relevant. Even when I was originally reading the novel, before knowing the manga existed, there were parts where I thought "this could only really work in writing". And I was correct.

#kkjh #novel translation

0 notes

putschki1969 · 7 years ago

Text

Welcome to “Book Concierge” Hikaru’s home! Vol. 1 📚

Note: Here’s the third section I translated, it’s time for Hikaru’s part. Sorry, this took longer than expected >_< Manga/anime related stuff is so hard for me to translate T_T Oh well... Without further ado, enjoy! 〈(•ˇ‿ˇ•)-→

Hikaru’s love for reading is well known, she always ends up recommending various mangas according to certain themes. To commemorate the first issue of this magazine she shall introduce us to some works with the theme of “summer” in accordance with the current season. Maybe you will discover something you find really interesting? Something you will come to love?!

Speaking of summer, the following works come to mind: Natsume's Book of Friends by Yuki Midorikawa Colette Decided to Die by Alto Yukimura xxxHOLIC by CLAMP Re-Kan! by Hinako Seta

I tried choosing works with refreshing world views that will hopefully make you forget the humidity and heat in the midst of summer.

1. To start things off, my first recommended work is 「Natsume’s Book of Friends」 by Yuki Midorikawa It is a story about a boy who has the ability to see spirits. I watched the anime adaptation but this is originally a manga series which is still ongoing. My first encounter with this work happened when I watched the sixth season of the anime which aired this spring, 「Natsume's Book of Friends Six」. Originally I was a little worried, I thought the topic of “spirits and ghosts” might be too scary, also, since I would have to start at the very beginning of this super long series I was worried whether I would be able to catch up with everything. But then a staff member from our label told me that the stories in each volume get wrapped up nicely so you can start reading wherever you please. That’s when I first got into it...It was really intriguing! Spirits, ghosts, things that you cannot touch, they can be truly scary but after reading this manga I realised that there were lots of kind and gentle spirits, that there was a reason for them being here. You are just not scared of them anymore. I started watching the anime during its sixth season and I am now in the midst of reading the orginal work, that’s where I am currently at *laughs* As for the characters, aside from the protagonist Takashi Natsume-kun, there are lots of other great characters and spirits, Natsume-kun’s self-proclaimed bodyguard Nyanko-sensei is super cool! Then there’s Tanuma-kun who is also a great character, he is the son of a shrine priest and he is always there to help out Natsume-kun, he is very kind-hearted and sensitive. He cannot see spirits but he has the ability to sense them, that makes him one of the few people who can actually understand Natsume-kun. He is always at Natsume-kun’s side and wants to protect him. Always concerned, a very nice boy indeed! In this work, both humans and spirits have very complex characters and they are each dealing with a multitude of difficult situations. I feel like one of the highlights of this work is that each character that appears is very likable. Certain parts will unexpectedly move you to tears and others will make you feel all warm and fluffy. If you are like me and are slightly intimidated by ghosts, please don’t worry, this work won’t scare you. That’s it for this manga.

2. My second recommendation is 「Colette Decided to Die」 by Alto Yukimura This work is currently being serialised in the monthly magazine 「Hana to Yume」, I guess the genre is fantasy. The heroine Colette is a young docter who unexpectedly ends up in the realm of the dead...there she meets Lord Hades, the king of the Underworld, due to many other encounters she matures and becomes a proper adult. The story feels very fresh as Colette continues to travel back and forth between the world of the living and the dead. Many strange incidents occur in the town she lives in as well as in the Underworld so she is very busy trying to find solutions for them. Colette is the kind of girl who will give her all, no matter what, I really admire that kind of attitude. Many different characters can be found in the Underworld, first of all there’s Lord Hades, then there are many skeletons and various other beings that are completely different from humans but Colette treats them all equally, she doesn’t discriminate against any of them. She has love for both Lord Hades as well as the skeletons, she treasures them all. Just because they are different, she won’t reject them. In his position as the king of the Underworld Lord Hades pretends not to care about anything in heaven or hell but Colette quickly realises tha he is actually very kind. There is some friction between Colette and Lord Hades but this story is ultimately about the two of them respecting each other and making each other a better person, I can really recommend it.

3. The third work is a manga by CLAMP! 「xxxHOLIC」「xxxHOLIC・Rei」 by CLAMP! Of course this list wouldn’t be complete without CLAMP! This story is almost like a character study based on the premise that there exists a shop for people in need where all wishes will be granted for a certain price. Many of the customers visiting that shop have darkness in their hearts. Most chapters are dedicated to purifying that darkness, within these stories you’ll get to dicover emotions that you have never felt before, you will start thinking differently than what you are used to from your every day life. There are many scenes that will make you tremble with emotion. This work has a great educational value, you can learn a lot from it, it makes you question whether it is really necessary to have your wishes granted, it showcases and reveals the innermost thoughts of human beings such as jealousy, love, hate or obsession. For the most part the world in this work can be seen as an occult fantasy but there is also a lot of realism in it. You can get truly absorbed in this manga I love all the characters in 「xxxHOLIC」 but above all, I really like Yūko-san. She is a witch with the strong ability to change destiny, she will do crazy things on a whim, she will joke around and she is very selfish, she will always play around with the main character Watanuki-kun *laughs* However, underneath all of that, she is hiding a caring nature, she is very determined and always gets things done...I admire her. Midway through the story, Watanuki-kun takes over the shop from Yūko-san but by all means, I’d love it if you started reading 「xxxHOLIC」 from the very beginning.

4. And now the final manga, 「Re-Kan!」 by Hinako Seta Lastly, a work about souls and spirits *laughs*. 2-3 years ago I watched the TV anime based on a four panel manga which is still being serialised, I found the anime really interesting so I started reading the manga. It is a story that depicts the interactions between Hibiki Amami-chan, a high school student with the ability to see ghosts, and her family, friends as well as many ghosts. I’d say that more than half of the main characters are ghosts, there really are quite a lot of them. However, since this is a comedy, the ghosts aren’t depicted in a scary manner *laughs* The ghost of a samurai, the ghost of an old man bound to the place where he died, the ghost of a hip teen-age girl, the ghost of a cat, they are all completely different. Hibiki-chan is very kind and polite to everyone, no matter if it’s a human being or a ghost so all the ghosts end up flocking to her. Many interesting incidents occur involving Hibiki-chan’s friends who cannot see ghosts, due to these events they become much closer. For the most part the genre is comedy but once in while there will be stories with heavy content, stories that will move you a lot, those are really great too! One of my favourite stories is in Vol.1, it’s about Hibiki-chan’s friend who goes to the park and gets to play with some ghost kids. That friend doesn’t have the ability to see ghosts but in that very moment she is able to see them and play together with them. That story was great!

That’s it! Four recommended summer lectures by Hikaru! I tried choosing works that have everything, stories that take place in an ordinary setting, ones that take place in a completely different or even slightly occult setting, stories that depict spirits, ghosts, beings of the underworld, the darkness within a human heart, worlds in different dimensions. Each of these works will leave a gentle feeling within your heart once you get immersed in them. It would make me very happy if I managed to make you curious about any of these works, even just a little.

Works that will restore your power (some extra content!) Here are 4 titles overflowing with power to fight off the summer heat fatigue 「Haikyū!!」 by Haruichi Furudate 「Chihayafuru」 by Yuki Suetsugu 「A Perfect Day for Love Letters」 by George Asakura 「Tanaka-kun is Always Listless」 by Nozomi Uda

◆ 「Haikyū!!」 by Haruichi Furudate I first got hooked after watching the anime and then I started reading the manga it was based on. This manga which is bursting with fighting spirit tells the story of members of a high school volleyball team and their growth into adulthood. It can be enjoyed both by students of the same age as the protagonists as well as by grown-ups. In this story, none of the characters are perfect in the beginning, they all have a long way to go. The main character, the team mates, the rival team members, the teachers, the coaches, they all overcome their hurdles, one by one...They all get stronger, both as individuals and as a team. Each character has unique traits and each team has a certain charm that makes you want to root for it. While you are reading through the manga it makes you feel like you also wanna do your very best

◆ 「Chihayafuru」 by Yuki Suetsugu This story full of fighting spirit takes place in the world of a handful of young competetive “Karuta” players. There are many scenes depicting the joys and sorrows of love, it’s really great! Not only the heroine’s life is shown in detail, the conflicts and love lives of the surrounding characters are shown as well. As a reader you gain strength seeing how everyone is trying their very best to reach their goals.

◆ 「A Perfect Day for Love Letters」 by George Asakura I really love George Asakura-san’s works! The first manga I read by her was 「Piece of Cake」. Her style is very edgy and many of her works deal with quite serious subjects so it’s somewhat hard to easily recommend anything but among all of her works, 「A Perfect Day for Love Letters」 is a comparatively easy read. It’s a collection of short stories so it’s easy to get into it and you can just start reading wherever you want, this also makes it very easy to recommend it to everyone *laughs*. George Asakura-san’s work is so powerful because her art conveys so much energy, it’s amazing! Give 「A Perfect Day for Love Letters」 a try and see if you enjoy her unique literary style and art, if you do I’d be happy if you joined me on my journey into her realm. I can really recommend this work as an introduction to George Askakura-san’s world.

◆ 「Tanaka-kun is Always Listless」 by Nozomi Uda This work really stayed in my mind because I could totally relate to the attitude of the main character, “How long can I get away with being utterly listless?” He doesn’t want anyone to talk to him, he just wants to preserve his lazy lifestyle. It’s not like he is the type that won’t study for a test but he also won’t aim to get the best results, he is the kind of person who will study to get an average result *laughs*. However, in a way he is a real professional. When it comes to things he strongly believes in he will throw himself into it and do anything within his power to achieve it. It’s a manga that conveys such devotion.

#kalafina #my translations #harmony magazine #hikaru #manga #anime

41 notes · View notes