#i would pay 3 digits for an on screen romantic moment

[vepaluiron]

"And there will be no grand choirs to sing// No chorus could come in// About two people sitting doing nothing"

some sovenj late night random sketches

[iamtheempress]

A Vegeta x OC Fanfiction (part 2)¤ ¤ ¤

The morning came with silence and silence came with Raditz banging on Calamatta’s pod. 

“Wake up! we need to get our pods to the ship in the upper atmosphere then we start the terraforming process! Got it?” SHe stretches and gives the long haired Saiyan a lazy thumbs up. Confirming she heard him loud and clear. Rubbing her eyes she punched in the coordinates to the ship and off the four pods flew to the ship in the higher atmosphere, slotting their pods into the mothership.

The four took their time to leave 2 by 2 to the planet and scour the planet to completely terraform it, with expertise and precision. Cracking open the planet enough to let the oceans flow forth, for several hours they did this until they returned to the ship. Calamatta entered the ship last and was greeted with a crisp clap to the back from Nappa. “Good job, lil lady!” He bellowed as she rubbed the back of her head. “T-thanks Nappa, now im just worried.” 

Raditz raised his hand and shook his head, “Ahhh calm down, we're going to give him an honest review of you then you will be moved to our quarters, you get your first pay and then you should be good. Settle down.” He brushes past her and makes his way to Frieza’s Hall. Vegeta followed behind, throwing a glance at the female Saiyan as she sat on a chair, he can tell she was nervous by the frequency of her bouncing leg. They didnt like bending to Frieza’s whim, but they werent about to just go against him out right.. And with one more saiyan with them to train and get stronger they could be unstoppable. Its just the matter of pandering to Lord Frieza until then and making sure they dont get killed.

Lord Friezas chambers had only Zarbon blocking their way, the annoying green haired former prince with no shame. Dodoria, the brainless ruffian was nowhere in sight. “Monkeys.. Im assuming its about the release of Friezas little ape?” Zarbon said very condescendingly to the three, very annoyed Saiyans. Vegeta tightened his fist and grit his teeth at the comparison to apes so blatantly to his face.

 “Zarbon thats quite enough. Ive been expecting them.” Friezas voice piped up waving the three Saiyans in. “Y-yes, Lord Frieza.” He obeyed and moved out of their ways. “You are excused Zarbon, your services arent needed this evening.” Frieza rotated fully in his seat and swirled a full goblet of wine within it. 

The three took bended knee to Frieza begrudgingly and raised up at the same time. “Were here to confirm our Terraforming a rousing success.” Frieza smirked and paid attention to Nappa. “Indeed. It was to be a 4 to 5 day excursion and you done it in 2 and a half days? My my, you 4 are persistent!” He chided and pointed to Nappa first. Everyone is fully aware of Frieza’s death beam so Nappa winced. Causing Frieza to visibly inflate like an egomaniac. “Now what is your report about my favorite little monkey, Ms. Calamatta” He sipped his wine and let it hover mid air rotating it and lacing his fingers together and letting his long worm like tail wag lightly. Nappa took one step forward and spoke up, light sweat on his brow as he made eye contact with deadly bright vermillion eyes.

“Calamatta’s first time out with primary race extermination was exquisite. Effective and heartless. If she continues with us you should expect the same, Lord Frieza!” He did a full bow and stepped back for Raditz, The long haired teenage Saiyan cleared his voice and spoke up, starting with an embarrassing voice crack. “She took orders for sequences of events and how to lay waist to entire cities fairly quickly. I'd prefer her with us simply because she has a job to do and she seems to enjoy it.” Frieza slowly nods, eyes closed and speaks softly. “Mhmm. mmhmmm. You two are dismissed. Vegeta… you stay.” 

Frieza took his goblet and took a sip from it as the Prince narrowed his eyes and approached, puffing up his chest. “What do you think about the pretty little simian? Shes quite interesting… obedient and has grown to be a lovely young woman, shapely i think your repugnant species would call her... You are aware her father appointed her to me when she was a child, I'd assume Vegeta…?” He lets the wine glass levitate again, Vegeta stood with his arms crossed and brow raised. “Yes, Im aware...What is this about.” Frieza clicked his nails about on his seat and smiled softly.

“Her father did not trust his only daughter with the likes of the Kings eldest boy… Not after their fight… so she was appointed as my little monkey butler, a nice little piece of arm candy… if only she wasnt a Saiyan. Anyway… Enough with my little flights of fantasy…” He gestured to the confused Saiyan Prince, his lips lined straight and unmoving. “About Calamatta… How was she.. Your word I take higher then anyone else.” He preened upon saying her name, it was borderline perverted but with a sinister meaning behind it. 

“Shes the missed opportunity id like to get my hands on. A perfect Saiyan through and through. If she werent by your side so often id have taken her by my side YEARS ago, Frieza…” He stated as a matter of factly, Friezas dark little smile returned “How disgustingly romantic... Zarbon! Summon Calamatta for me.” He snaps his fingers and trot like tapping faded down the hallway. Zarbon was waiting outside, like a good little brainless lackey.

Calamatta was tapping on the table she waited at, tail flicking nervously about behind her. She was snapped from her stupor of nervous leg bouncing and hair twirling to Zarbon slapping his hand down firm onto the table. “Calamatta, Lord Frieza is requesting your return asap.” SHe nodded and fixed her hair abit standing up and wrapping her tail around her waist. Shes known Zarbon longer then shes known Dodoria. 

The kinship Zarbon developed for her was astounding, a favorable friendship when she felt immense discomfort in her teens on. It weirds her out and flatters her nonetheless. “Yes, Zarbon.. Right away.” She walks along side Zarbon and even passes Nappa and Raditz on their way back. “Ill have you know for the duration of time that I have known you; you are not like the others… youre charismatic and maybe the most tolerable, of the 4 of you...your  still nothing more than a monkey butler though.” She sneered and returned her gaze fixed forward, down then away. The moment she turned the corner she went wide eyed to see Vegeta. 

She stopped in her tracks and was given a push from Zarbon, Frieza chirped upon her entry. “Welcome back, Calamatta! I have some good news for you…” “Lord Frieza..” She bowed at the waist obediently she stood next to Vegeta and Zarbon once again excused himself.

“I trust that your first day terraforming was a success and that you had a splendid time, did you dear?” Calamatta stood up straight and let her tail unwind from her waist. “Y-Yes! I actually liked it alot!” She chirped and gulped abit, Vegeta scoffed and closed his eyes, only for Frieza to speak. “Oh, well you are not out of the woods yet my dear...no no.. You have one more task to prove to me before i let you do anything with the male populace for you to shake your pretty little tail at.” 

He makes a face and a screen pops up on the window behind him. A massive green, blue and red planet popped up on the screen encircled by 2 rings and 2 moons. “You and Vegeta are to Terraform this planet on your own. I will give you a month to do it because this planet has highly hostile inhabitants.” Vegetas eyes snapped open and stared at the planet then to frieza. “You cant be serious? Why not just send me on my own then i can do it 3 weeks without the likes of a newbie.. No offence Calamatta but its just facts.” He crossed his arms. “Do this the both of you for me in a months worth of time and your pretty little primate will be out of my hands and in yours. Indefinitely. But if not i will be forced to use my own hand… and you dont want that Vegeta..” He grinned widely. His pointer finger extended toward the female Saiyan and she gulped upon seeing the beam charge at the tip of his digit.

Vegeta stepped infront of the female Saiyan and narrowed his eyes, his move was more instinctual than out of emotion. Calamatta never thought the prince would ever put himself in a position like this but here he was, his solid back to her front she peaked over his caped shoulder and looked at the tyrant who tilted his head. "Hehehe.. it seems ive struck a chord in you Vegeta.." "Not at all.. she's done nothing for you to raise that finger at her. I've made the decision and well go…" he clenches his fists, the material of his gloves made a noise. Calamatta could feel the princes frustration from how close he was to her… "to that planet… and well wipe it before the month even finishes.." 

Frieza chuckled, "Good… i know you will fulfill your promise.. Calamatta you stay, dear.. Vegeta…" Calamatta straightened her back  and tightened her tail around her waist. "You are dismissed.. i have a few things to discuss with her." Vegeta turned around and made eye contact with Calamatta, with a pitiful look in his eye.. like he knew she shouldn't be in this situation. "Bye, Vegeta." She said softly, causing the Emperor to briefly narrow his eyes, she kept her head forward. Vegeta said nothing as the door slid shut behind her. Leaving without a word and kind of making her heart sink abit. He grit his teeth and stormed down the hallway to a perplexed Raditz and Nappa.

“Calamatta, come little primate.” Frieza beckoned to her and snapped for one of his little cronies to bring something to him. Folded up in the hands of Dodoria himself. “Hello little Matta, hope you enjoy this little costume change.” She nodded to him and took the body suit and armor. “When would i expect to go to this planet?” SHe tilted her head and held the new suit, noticing theres not much too it, which made her really wary. “Ah ah, first things first alittle bit of information is more useful about the planet then when you and the simian prince will go.” Frieza quips looking at his shiny black claws. “The planets name is To-Rot, it is a giant habitable planet that im sure would be able to line your pockets quite nicely.”

Dodoria crossed his arms and quirked a brow at her, “Lord Frieza told you about the type of inhabitants to that planet right? Its not a walk in the park and I certainly wouldnt go alone... “ Calamatta gulped. “Now now, Dodoria. Do not frighten the girl. Who knows she could be the best of the 4 remaining Saiyans. We will see..” He gets out of his pod like seat and uses his tail to tip her chin up, a small smirk still playing on his lips.

“Run along and change and you may turn in for the evening… you both leave in 20 hours, when we arrive to the nearest solar system. From there you and Vegeta will go To-Rot.” Frieza chuckles to himself. “Fitting name dont you think? Ohohohohohoooo !!” He laughs and Calamatta turns and bows walking back to the saiyan chambers to change.

¤ ¤ ¤

Tags:  @memevember @dragonblobz @gonuclear @msgreenverse @fallen--lilith​ @jimbobslurpnchug​ @dragonballzforlife​ @nikabriefs​ @lilhemmo​ @lizardhipsdontlie​ @hierophantblue​ @supremeleadershitlord​ @thotful-writing​ @chickiedinner​ @anti-jaina @dragonball-hcs-or-sum-shit​

[burnouts3s3]

Maria-sama Ga Miteru, a blu-ray review

(Disclaimer: The following is a non-profit unprofessional blog post written by an unprofessional blog poster. All purported facts and statement are little more than the subjective, biased opinion of said blog poster. In other words, don’t take anything I say too seriously.) Just the facts 'Cause you're in a Hurry! Manufacturer’s Suggested Retail Price (MSRP):  99 USD How much I paid: 69.99 USD, the Pre Order price Animation Studio: DEEN Original Localizer: Nozomi Entertainment Licensed and Localized Currently by: Sentai Filmworks Audio: Japanese Audio with Subtitles Number of Episodes: 39 Episodes and 5 OVAs equaling a run time of 1237 Minutes. Length per Episode: 25 Minutes on average. 21 Without Intro and Ending song. Length per OVA: 50 Minutes on Average Number of Discs: 8 Blu Ray Discs Episodes per Disc: Seasons 1, 2 and 4: Episodes 1 through 9 on the 1st Blu-ray Disc. Episodes 10 through 13 on the 2nd Blu-ray disc as well as “Don’t Let Mother Maria Know”, funny ‘outtakes’ of the characters in Chibi From. Season 3: OVAs 1 – 3 on 1st Blu-ray Disc. OVAs 4-5 on 2nd Blu-Ray Disc. Aspect Ratio: 4:3 for Seasons 1 and 2. 16:9 for Seasons 3 and 4. Are there plans for a DVD release?: A DVD release of the series exists from Nozomi Entertainment. Does this come a digital voucher to redeem?: No. This only has the Blu-ray discs. Also on: HiDive, Sentai Filmwork’s Streaming Service. Bonus Features: Clean Opening Animation, Clean Closing Animation and “Don’t tell Mother Maria”, ‘outtakes’ of the characters in chibi form. Notable Localization Changes: Onee-sama, a popular phrase Yumi addresses Sachiko with, has been translated into “Dear Sister” (which is more or less the same thing). Honorfics such as –san or –sama have been omitted in the subs or changed. (For example, when a character refers to Sachiko as Sachiko-sama, the subs translate it into “Lady Sachiko”). Make of that as you will. My Personal Biases: I actually reviewed Marimite a long time ago on this site. I still hold fond memories of the show to this day.

My Verdict: A long running staple of the Shoujo genre and said to have kickstarted the Yuri trend that gave us Kannazuki no Miko, Strawberry Panic, Aoi Hana and Sasameki Koto, Maria-sama Ga Miteru still holds up to this very day. And thanks to Sentai Filmwork’s ability to print it on Blu-ray, now even newcomers can enjoy the quiet campus of Lilian Academy. Buy it! Maria Sama Ga Miteru, a blu ray review

“The Maidens who assemble in Mother Maria’s Garden have such angelic smiles that today, too, they pass through the tall gate. Their pure bodies and minds are wrapped in dark colored school uniforms. The pleats on their skirts shouldn’t be noticeable. Their while sailor collars should always be tidy. Walking slowly is preferred here. St. Lilian’s Academy is a Garden for Maidens.”

Our Protagonist, Yumi Fukuzawa, is a freshman in St. Lillian Girls’ academy, an all-girls Catholic School. One day, while praying in front of the Virgin Mary, Mother Maria, someone comes up to her. It is none other than the school’s idol, Sachiko Ogasawara. While Sachiko fixes Yumi’s collar, Yumi’s friend, Tsutako, takes a photograph and blackmails Yumi to get the scoop. While Yumi goes to the Yamayuri council, which acts as the governing body for the school, Sachiko storms out of the room and trips on top of her. Sachiko attempts to make Yumi her petite Souer. Through the Souer system, upperclass girls can make a lowerclass girl their ‘sister’ by handing them a Rosary. If the underclass girl accepts, they become partners and look after each other until graduation. While seemingly innocent at first, the system can lead to all sorts of conflicts and misunderstandings but also joy and laughter. This is the story of how Yumi first accepts Sachiko’s Rosary and ends when she eventually bestows that rosary to another.   I really love Yumi as a character. While she does act as the ‘ordinary outsider’ meant to be the audience Point of view character, there’s a charm to Yumi. She’s actually very quick on her feet, eager to help and very kind and friendly. She does make mistakes but there’s a very human quality and the small moments where she shines (initially rejecting Sachiko’s rosary, practicing her routine to impress the graduating Seniors, helping out during the school festivals, standing up to some rich snobs) that really makes her shine. (Though I will give some credit to Yumi as she manages to possess proper hand eye coordination and inner ear balance that her successors Himeko Kurusugawa and Nagisa Aoi seem to lack.) In some ways, Sachiko was the inspiration that lead to the creations of such characters such as Shizuru Fujino from My-Hime, Chikane Himemiya from Kannazuki no Miko and Shizuma Hanazono from Strawberry Panic. On the surface, Sachiko is a cold, stern and almost unbendable force of nature, bent on getting her way. However, slowly but surely, Yumi melts the icy exterior to find the human underneath. (It also helps that Sachiko occasionally is the butt of the joke at times, such as, being her first time at a fast food restaurant, she remembers to order correctly and pay the server, but forgets to pick up the food). Among my favorite characters is the adorably lovable Satou Sei, a senior of the school and the canon lesbian of the show. Sei is often flirtatious but also very humorous to boot.  There’s a sort of fandom clash as many people ship Sei and Yumi together and Shimako and Sachiko together.  (There’s the implication that if Sei had not picked Shimako to be her petite seour, she would have picked Yumi and Sachiko is jealous of that fact since she wanted to give Shimako her rosary first, but Shimako refused her). Rounding out the cast are Rei and Yoshino, a Kendo Senior and her sickly cousin who might switch the idea of a tomboy on its head and Touko, Sachiko’s cousin who’s prickly exterior might hide someone much more vulnerable and Noriko, a girl who might share a love of Buddhist statues the Shimako does. A lot of people cite Maria Watches Over Us (or Marimite for short) as the revitalization of the Class S genre, which focuses on romantic friendships between school girls. A lot of people have pointed out that the genre has had its fair share of negative stereotypes and doesn’t exactly portray a healthy or realistic relationships for young queer women. But, I’ve always stated I would rather have a problematic show that affects me emotionally over a well-meaning show that has a good social message but leaves me cold. Of course, the show is self-aware of its genre roots and occasionally pokes fun at it. (At one point, Yoshino does the ‘rich girl laugh’ with another person and all it does is draw unwanted attention from passerbys). If there’s definitely a weak spot to the series, it’s definitely the animation. Panning shots and freeze frames are all present here, but the direction is solid enough where you’re enjoying it even when you notice the stitches and seems. (It’s an early 2000’s show centering about the school lives of ordinary girls. What were you expecting, Darling in the Franxx?) Granted, Season 3 is when the animation quality (as well as the aspect ratio) picks up but even the older seasons are passable and enjoyable to watch. What sells the show isn’t necessarily the animation, but character interactions with one another. Those looking for Women Love Women relationships probably aren’t going to find it here, but it did lead to the inspiration for other works to tackle. Each movement, each subtle touch or facial reaction or slip of the tongue feels weighty. You can tell there’s so much more being said than what’s on the screen and the characters missing or picking up on those subtleties really is the highlight. Season 3 is where the show changes format from a half hour episodic series to an hour long OVA (Original Video Animation) format and they play out more like self-contained movies than a series of over-arching episodes. And yes, the blu-rays also include “Don’t let Mother Maria Know.”. These are a series of humorous shorts included with the original DVD releases that contain cartoonized versions of the characters engaging in very silly behavior and outtakes. 

After Nozomi Entertainment sold the rights off, Sentai Filmworks bought them and did a pretty good job localizing the show. The show contains no English Dub, but translates the Japanese text to pretty close to its original source material. One thing to note is the lack of honorfics. Honorfics are titles one refers to when addressing another person, like –san meaning Mr. or Ms. in English. “Onee-sama” is translated to “Dear Sister” while “Sachiko-sama” is translated to “Lady Sachiko”. (Though for some reason, Kashiwagi’s nickname for Sachiko, Sacchan, is kept in). CAVEAT: There’s the implication that Maria Watches Over Us feels dated in its depictions of girls’ relationships and class differences and promotes not quite so healthy relationships. But, had it not been for Studio DEEN and the characters of Yumi and Sachiko, we might have never gotten Himeko and Chikane or Shizuru and Natsuki or Fumi and Akira or Kazama and Sumika or Kase and Yamada or Touko and Yuu. Hell, even Flip Flappers did a parody of Marimite for an episode. With Nozomi Entertainment selling off the rights (as well as Seasons 2 and 3 DVDs being sold for outrageous prices), Sentai Filmworks has done the anime community a service by preserving this work and making it available to Western audiences. So, it all but depresses me to know that this great work will go unnoticed while the inevitable fans order the next Umaru merchandise instead. If you have enough of an attention span to watch a show that doesn’t have constant explosions, fanservice or attack names being shouted out, it’s definitely worth a look see. Of course, speaking as someone who binge watches Jojo’s Bizarre Adventure during his off hours, I enjoyed every bit I had with Maria-sama ga Miteru.

Verdict: Buy it!

[theinvinciblenoob]

Snapchat needs reasons for teens to come back every day as it struggles to grow amidst competition from Instagram, so it’s capitalizing on its Los Angeles roots. Today Snapchat unveiled its fall slate of a dozen “Original” video shows including its first scripted programs from top producers like Keeping Up With The Kardashians creator Bunim/Murray and Friday Night Lights writer Carter Harris. There’s the supernatural soap opera Dead Girls Detective Agency, college comedy Co-Ed, and a docuseries about the “cash me outside” girl Bringing Up Bhabie.

The Snapchat Originals will appear in Discover, which will soon have a dedicated section for Shows, as well as new permanent Show Profile pages available through Snapchat search where users can sign up for push notifications when each episode is released. Reaction lenses make it easy to post about a Show’s biggest moments. And with new Show Portal lenses, users can stick an augmented reality doorway in their Snaps that they can walk through to explore a scene from the Show and then tap to watch that Show, allowing them to spread virally.

“Time spent watching shows on Snapchat has tripled this year alone” Snap’s VP of Original Content Sean Mills tells me. The stats on Snap’s previous 60 shows from CBS, Viacom, the NFL and others since the project launched two years ago made it clear there was an opportunity to double down, especially as original mobile programming efforts like Facebook Watch and Instagram’s IGTV have stumbled. NBC News’ twice daily show Stay Tuned has doubled viewership in the past year to 5 million unique viewers per day, over half of which watch at least 3 days per week, while SportsCenter’s show reaches 17 million monthly viewers.

Portal lenses use augmented reality to let viewers step inside a scene of an Original show and send the experience to friends

Snap CEO Evan Spiegel telegraphed today’s announcement in a leaked memo, noting that the app sees “over 18 Shows reaching monthly audiences of over 10M unique viewers. 12 of which are Original productions” and that “We are also working to identify content that is performing well outside of Snapchat so that we can bring it into Discover.”

Snap Inc was cagey about sharing exactly how the deals to produce the shows work. Some Originals are funded entirely by Snapchat, some fully by production studios, and some are joint efforts. Mills claims “We’re not bidding on shows that are being shopped around town.” They’re always shot vertically for Snapchat and will at least be exclusive to the platform for a window of time. Snap says the shows are created with fast-paced mobile behavior patterns in mind, employing overlaid graphics, split screens, quick cuts, and other modern video elements.

One thing’s for sure: Snap doesn’t want to follow Facebook’s footsteps in funding original content. With Watch and Live, Facebook paid out big upfront sums to secure creators, but when that funding dried up, it was unclear how the unsubsidized shows would survive. “We want to set these things up for longer-term success” says Mills. “We’re not trying to just seed the market with huge investments and then hope it turns into something later. We’re very interested in the viability of this at the onset.”

Originals will be monetized through two or three six-second unskippable Commercial ads in each show sold by Snap, the producers, or again a combination. Snap will try to seduce advertisers by pimping out its new Originals at the NewFronts West conference today in LA. The company will also embark on perhaps its biggest marketing effort to date after focusing on minimalist yellow billboards and airport security tray ads. Snapchat will be running ads on Reddit, Twitter, and YouTube plus some outdoor marketing in LA to clue people into its revamped content lineup. The dedicated Shows carousel  should also help the premium content rise above the news publisher clickbait and shoddy user generated content currently stuffed into Discover.

Snap can’t afford to spend too much on Original programming and not have it pay off with ad revenue. The company llost $353 million last quarter, and at this rate may have to raise more money in 2019 or it could run out. An analyst yesterday predicted they expected Snap would lose $1.5 billion in 2019, which dragged the share price to $7 — by far its lowest ever.

Snapchat’s forthcoming Shows channel in Discover and the new permanent profile pages for Shows

As I wrote 18 months ago, Snap’s big opportunity is to fashion itself as the HBO of smartphones and use that draw to get people hooked on its whimsical ephemeral messaging. Though the slate of Originals look higher quality than much of the reality-style and vlogger video content already made for mobile, Mills says Snap isn’t ready to commit the resources to forge its own tent pole Game Of Thrones. “We’re still in the phase of learning about what the audience wants. We’re not setting up for one premium epic show that’s going to bring in all the rest” Mills tells me. “It’s possible that in three months or six months we’ll start making bigger bets after learning what works.” So essentially, Snap is in the Sex In The City, pre-Sopranos stage of turning into the mobile box office, or it’s like a modern Netflix funding lots of experiments but that’s yet to find its House Of Cards.

After losing 3 million daily users and sinking to 188 million total last quarter, Snapchat needs something to reverse the growth trend. While Instagram and Facebook’s other apps have copied Snapchat’s Stories and visual messaging features, the Silicon Valley giant has yet to nail how to do premium mobile video content. If Snapchat can be the place for must-see TV on the go, it could lure in new and churned users looking for a relaxing escape from the competitive world of social media success theater.

Here’s the full list of new Snapchat Originals:

Endless Summer – Summer McKeen and Dylan Jordan try to balance love, friends, family, and fame in this intimate snapshot of their lives in Laguna Beach. Produced by Bunim/Murray Productions. Docuseries – launching 10/10

Class of Lies – Best friends and college roommates Devon and Missy crack cold cases on their successful true-crime podcast. But can they solve the most important case of all when their best friend disappears without a trace? Produced by Makeready. Scripted – launching 10/10

Co-Ed –  Juggling classes, parties, and down-the-hall crushes, freshman roommates Ginny and Chris try their best to face whatever college throws at them, discovering who they are along the way. Produced by Indigo Development, Entertainment Arts and DBP Donut. Scripted – launching 10/10

Vivian – Vivian, the youngest scout at modeling agency Wilhelmina, takes us inside an exclusive world where she has the power to make wannabes’ dreams come true — but can she do that for herself? Produced by NBCU Digital Lab, the Intellectual Property Corp. in association with Wilhelmina. Docuseries – launching 10/22

The Dead Girls Detective Agency – This darkly comedic supernatural soap follows Charlotte Feldman, a young woman who must work from beyond to figure out how and why she died, in order to avoid an eternity in purgatory. Based on the young-adult novel by Susie Cox. Produced by Indigo Development and Entertainment Arts, Insurrection, and Keshet. Scripted – launching 10/22

V/H/S – The next generation of the horror anthology series brings four new frightening experiences to the palm of your hand. Produced by Indigo Development and Entertainment Arts and Studio 71. Scripted – Launching 10/28

Bref – Based on the French format, Bref (loosely translated as “whatever”) is the story of a single man who is trying to live his best possible life with the least possible effort. Working title. Produced by Indigo Development and Entertainment Arts and Paramount TV. Scripted – launch date TBD

Bringing Up Bhabie – Follow the dramas of up-and-coming rap sensation and “cash me outside” viral star Bhad Bhabie, both onstage and off. Produced by Invent TV. Docuseries – launch date TBD

Growing Up Is a Drag – Follows the coming-of-age dramas of teen drag queens. Produced by Bunim/Murray Productions and PB&J TV + Docs. Docuseries – launch date TBD

Stunt Brothers – Three daredevil brothers obsessed with Hollywood movies recreate them at home with explosive consequences, and explore their archives of stunts from across the last 20 years. Produced by Magilla Entertainment. Docuseries – launch date TBD

Deep Creek – Follow a group of friends’ yearly summer trip to Deep Creek, Maryland — but this year, they all have emotional secrets to reveal. Produced by Woodman Park Productions. Scripted – launch date TBD

#Vanlife – Romantic comedy about a young couple that decides to opt out of the rat race and start a new life in a 2004 Dodge Sprinter — only to discover the glamorous life they’ve been following through hashtags is actually just straight-up living in a van. Working title. Produced by Indigo Development and Entertainment Arts and Above Average. Scripted – launch date TBS

via TechCrunch

[flicksnfilms]

Avengers: Infinity War (2018)

As the Avengers and their allies have continued to protect the world from threats too large for any one hero to handle, a new danger has emerged from the cosmic shadows: Thanos. A despot of intergalactic infamy, his goal is to collect all six Infinity Stones, artifacts of unimaginable power, and use them to inflict his twisted will on all of reality. Everything the Avengers have fought for has led up to this moment - the fate of Earth and existence itself has never been more uncertain.

Director: Anthony Russo, Joe Russo Writer: Christopher Markus, Stephen McFeely (screenplay), Stan Lee, Jack Kirby (Marvel comics), Jim Starlin, George Pérez, Ron Lim (comic book story) Cast: fucking everybody IMDB | RottenTomatoes | Official Site

Watched: on 25 April, at the IMAX cinema, and 28 April, and 01 May

Reaction: ± Thanos demands my silence. I will say that i wasn’t half as prepared as i though i was. I'll edit this in like a week with my actual reaction since i assume by then it'll be far enough down any follower's (who hasn't watched - IN A WHOLE WEEK AFTER RELEASE!) dashboard to not be seen unless you're looking specifically at this blog.

Memorable aspect of the movie: + So many things. (Soon.)

Would I recommend it? > Fuck. Yes.

[EDIT:] So, reaction. After more than a month because i haven’t been on in a while, and under the cut because it’s hella long (like, super fucking long) and rambling in my geeky joy. :D It’s in 3 parts, from the three times i watched it.

[Take 1] ± It was an EXCELLENT, WELL BALANCED FILM. They have the Marvel Cinematic Universe formula down pat of comedy and drama, action and reaction. It’s so perfect and fun to watch. They were able to give the gigantic cast fairly equal screen time as well as balancing the personalities on screen. [See bonus content at the very end.]. That they split up the teams and threw them with other franchises was a great choice for both balance and dynamic. The visuals -- cinematography, CGI, costume, make up, set design --, as always, are a feast, with the coloration of the film striking a balance between all the different tones from each individual franchise. 

[Take 2] Memorable [aspect] moments of the movie: + D:  “I am Loki, Prince of Asgard... Odinson.” + XD “I’ll get you a metaphysical ham on rye.” + Doctor Strange and Tony’s interactions. It was interesting repartee and good chemistry. + Stark-raving Hazelnut and Hunka-Hulk-a Burning Love. I need to try these flavours, and also i need to know the flavours for every other Avenger. + <3 Tony brings the stupid flip phone around with him! AND there’s a message!! + XD “Squidward” + XD “Dude, you’re embarrassing me in front of the wizards.” + XD Bruce trying to beat Hulk out.  + “Wong, you’re invited to my wedding.” + XD The singing. Mean faces. “Language. ... Ever since you got a little sap.” OMG. You GOT a little sap. Oh, puberty. “ XD “He is not a dude. You are a dude. He is a man. A handsome, muscular man.” “It’s like a pirate made a baby with an angel.” “God man.” + XD Mantis’s attack form. + XD Quill’s jealousy and mimicking. + “All words are made up words.” Well, that’s actually a good point. + “Is there a 4 digit code? A birthday perhaps” Thor’s really gotten into Midgard culture eh? (Which is a good carry over from Thor: Ragnarok.) + XD Rabbit. Tree. Morons. Ah, Thor’s nicknames. It’s fun, cause he doesn’t mean them maliciously and he says them with such regal diction that they feel kind of acceptable as nicknames. + The intro sequences for the rogue Avengers. STEVE!!! <3 And Sam! And Nat!! The whole fight sequence too! + D:  “Where to, Cap?” “Home.” !!! (ESPECIALLY IF YOU REWATCH AGE OF ULTRON AND SEE HOW STEVE REACTS TO SAM SAYING “Home is home,” AT THE PARTY. TT_TT )  + “The kid watches more movies.” Well, that’s a good enough strategy. + “WHAT ARE THOSE??” The two teenagers use the same (meme) phrasing. + “Doctor. Do you concur?” + <3 “I’m not looking for forgiveness. And I’m way past asking permission. Earth just lost its best defender, so we’re here to fight. If you want to stand in our way, we’ll fight you too.” ICONIC. STEVEN FUCKING ROGERS, EVERYONE. + <3 The reunion greetings with Rhodey.” + XD “This is awkward.” + XD “It was an elective.” I NEED TO KNOW WHAT OTHER ELECTIVES THEY OFFERED ON ASGARD, PLEASE. + “I am Groot?” Evidently translates to: Are we there yet? The question of all kids in travelling vehicles everywhere. + D:  “What more do I have to lose?”  + Giant Peter Dinklage. So weird. + D:  Quill and Gamora. + Quill actually got Thanos’s approval. So like, thanks, dad? Hahaha. + “We don’t trade lives.”  + Nebula. What a badass. + XD “Blanket of death” + XD “Where is Gamora?” “Who is Gamora?” “Why is Gamora?” + “You’re from Earth?” “I’m from Missouri.” “Missouri is on Earth, dumbass.” + XD “Kick names. Take ass.” + Tony’s face. He’s so done with everyone. + Rhodey & Bruce. Ahh, what are friends for. XD + Steve & Bucky. Both of you are “hundred year old, semi-stable soldier”s. + Shuri! Wakanda! Man, i love this place. It’s great. + D:  Gamora!! + “Get out of the way, Sammy.” SAMMY! + Thor jumping onto and then sitting on the pod. What a cutie. + “It’ll kill you.” “Not if I don’t die.” “Yes, that’s what killing you means.” + XD “Magic! More magic! Magic with a kick!” + Bucky & Rocket + “New haircut?” “I see you’ve copied my beard.” This is SO MUCH better knowing they ad-libbed it.  + “This is my friend, Tree.” “I am Groot.” “I am Steve Rogers.” Of fucking course. Such a polite cutie pie, this guy. + XD Okoye’s reactions, and the “Why was she up there all this time?” + “She’s not alone.” FUCK YEAH. LET’S GO LADIES!! + “Oh, screw you, you big green asshole. I’ll do it myself.” Banner is super funny, situationally in this film. + “Tony Stark.” “You know me?” Hell yeah, you deserve to be acknowledged all over the universe, Tony. + The power of Doctor Strange and the mystic arts. SO COOL.  + Tony ran out of nanoparticles! O_o + D:  Wanda & Vision + “Steve?” TT___TT D: Bucky! Sam! My King! “Steady, Quill.” “I don’t wanna go!” TT__TT FEELS.

[Take 3] ± The familial hits get me more than the romantic ones. My reactions per viewing gave me three different experiences; It was personal, then intellectual, them empathic, in that order, for me. There are some moments i paid particular attention to, for a few characters:

Loki gets to come full circle with the “We have a Hulk,” line along with his redemption arc continuing on in from Thor: Ragnarok. Thor is an odd amalgamation of Shakespearean proper and slangy modern. “A little bit.” “So cool.” “I bid thee farewell and good luck, morons.” “Bye.”

The interplay between Tony and Strange. Excellent. It’s a real battle of egos at the beginning which turns to a mutual respect. Tony is a true leader. He intuits other people’s emotional reactions and attempts to keep them in line long enough to complete the goal.

A lot of shots in the Avengers compound are just Steve’s reactions. What bearing will this have? How does he feel about the cost?? Are they showing how tired he is from paying for his decisions?

The kid’s all heart. The first thing Peter does, once their plan goes awry, is try to save everyone even if he can’t remember their names. Okoye is a warrior to the core. She refuses to attach even these fuckers from behind. Bruce is such a goof and it shows now that he can’t disappear mid-scene. “Oh, you guys are so screwed!” And all the talking-to he gives Hulk.

Thanos’s voice really goes soft for Gamora, as a child, and the “I’m sorry, daughter.” “Tony Stark. ... You have my respect. I will wipe out half of humanity. I hope they remember you.” That’s amazing. The cost, the deterioration, is up to his arm and his neck. That’s an interesting detail which kind of implies that the Infinity Gauntlet (in the MCU at least) can only be used for something of this scale a few, if not only one, times.

I love that Marvel is really invested in antagonists that aren’t villains purely for the sake of being evil, but are fleshed out beings with emotions and purpose and passion, even if their goals are morally misguided. They have complex backstories and three dimensional personalities. Their goals are logical and intelligent, if a little beyond what’s reasonable. Their thought processes within the realm of imagination but a step too far for civilians and heroes.

The ending of this film is superb. I’ve seen many a peer say they think it’s too short or unresolved but i think they fail to appreciate the story. That sometimes the “good guys” don’t or can’t win (for now). That there are outcomes we’d rather not fathom and costs we’d rather not pay. But they happen. And the MCU gets this. That things happen and there’s a balance to it. There’s collateral and there’s gains and losses. And not just for the protagonist. (But for every character.)

Thanos achieved his goal, but at great personal cost. He won but lost all at once. Likewise, Killmonger achieved some of his goals but failed at others, died but did it with dignity in his eyes; Hela brought was released from her bonds and gained power but didn’t wind up ruling Asgard as it was swallowed by Ragnarok; Zemo sowed discord and ripped the Avengers apart from the inside, but was prevented from shooting himself and joining his family. 

[BONUS:] In some of my movie reviews i talk about the characters and their stories in relation to Joseph Campbell’s Heroic Monomyth. And, i dunno, i suppose it my complete emotional roller coaster watching this film along with all the geek out moments, i completely missed its inclusion in this, given that the beginning of the monomyth takes place before the beginning of this film. I was delighted to find it pointed out to me in this post by The Screen Junkies - The Dailies Facebook. It’s a really good breakdown of the way the writers (maybe intentionally) incorporated the Heroic Monomyth in Infinity War despite it featuring like 7000 characters and all of Hollywood. :)