#i would be way more confident in not having to wear like 2-3 layers
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technicoloryuri · 8 months ago
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The confidence it takes to present girl bulge in public while presenting femme is something I don't think I will ever have
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brilium · 1 year ago
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❥ K I N K T O B E R 2 0 2 3
Masterlist
➽──────────❥
❥ DAY 1. Filming! with Suguru Geto
Summary. Starting to sell content online is giving you a good source of money and, maybe, meeting with one of your mutuals might bring a good content for your account.
Content Warning. Fem! reader, no use of Y/N, all characters are adults, smut, praising, oral (f. recieving), creampie, rough sex, pussy slapping?, spanking, filmed sex, squirting, edging, multiple orgasms, slight dacryphilia. Pls don't meet up w strangers, this is only fiction (?)
Word count. 2,630.
reposting bc i got flaged bc of the pic lol
MINORS OR AGELESS BLOGS DO NOT INTERACT !!
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You wanted to try something new since you moved to a new city all alone, bored at your humdrum part-time job and keeping a good rhythm with your Uni classmates is what got you into a bunch of decisions that lead up to you creating a twitter account to start selling content. 
At first, you felt weird— Even guilty. But as you started to learn how to properly take the photos, putting the camera on a right angle that hides your face or even looking at your reflection on those lingeries slowly started to grow a new confidence in you.
The tips and pay were good enough to get some extra money, and a little more to get some whims when you were getting a good saving.
Your little secret was paying good as the followers increased more and more.
So, since things were going great and you started chatting with a mutual near you through some interactions, you both thought that it would be an excellent source of content to try a little meetup, even though you were scared of finding a weird stalker.
It was so scary since you barely knew the city out of your way to college and some places that you visited with your friends, the fear increased since you didn’t tell anyone about your account. 
But, it has to be said, he seemed so fucking good through his pics and some nudes that he sent you during your sexting that the risk might worth it.
Anyways, If you just say that it's a tinder date your friends might not ask too many questions.
But, as soon as you saw him waiting for you already at the place you set, your legs were already getting weak at the thought of what was waiting for you later.
You instantly recognized him; his tied up long hair letting a small bang fall on his face, his piercings perfectly placed to emphasize his facial features and, finally, his clothes.
Nothing special about his wearing. But still somehow has an effect on you.
Maybe it was because you've already seen him naked in pictures or videos, but knowing everything what it's hidden under those baggy layers of clothes makes you want to rip it from the second you walk closer to him to say hi.
Roughly, that’s how you ended up on your bed with him eating your core like a hungry man while his camera on the tripod takes the better angle of your spreaded entrance and his head between your thighs sucking you. 
Usually, for the videos you try to be louder on purpose, but this time you don’t even have to fake the moans by how he licks up and down along your folds trying to collect everything. He just passes slightly the tip of his tongue above your clit, teasing you so badly.
"F–Fuck!— Keep doing that…!" Your voice comes out in a plea as you ruin his carefully tied hair between your fingers as his tongue sinks inside you to lick your gummy walls. 
Suguru pulls back from your cunt and gives you clit some soft caresses with his tongue, finally giving it a small peck that resonates on all your spine making you jerk in response.
His sloppy mouth sucks between your thighs like he wants to leave you all dry; he licks, sucks, kisses, he doesn't want to waste the chance to record every reaction from your sensitive body.
It hurts the way you grab the sheets between your fists so tightly by the big amount of pleasure that he's giving you.
Even if you try with all your strength —against your will— to close your legs by instinct, Suguru digs his nails on your marked trembling thighs to keep them wide open as he leans back to give your wet cunt a painful break.
The view from his eyes is totally perfect, your sweet pussy shining with your juices from the previous orgasms and his drool combined covering all from your entrance to your thighs and clenching in need to feel his mouth again.
"God— You taste as sweet as your moans sound." His voice is husky, and you feel your insides tightening around nothing by how his jaw shines with fluids.
You try to catch some breathe to answer but his plans were others when he is already leans forward on your clit again, now deepening his two long fingers inside you to push in and out fast enough to let your cunt drip loud with your juices, echoing on the room and hoping that the audio on the video can get the wet sound.
Your moans instantly join to the lustful audio, you have to bite your lip when you almost scream his name in a cry.
You both want good content for your accounts, right? So he starts fingering you faster to get a louder sound of your wet pussy so the volume can be good enough.
"Say my name, come on" His fingers curl inside, pushing on the spongy spot that builds the hint of small tears on your eyes.
“S–Suguru! Please, fuck—! Let me cum…!” You whine between moans, breathing heavily as you look down at his sharp eyes, his eyebrows furrowed in an irritated expression before pulling out his fingers from you.
A slap on your sensitive cunt with his palm makes you squirm in your place with a cry, your legs close slightly and he pushes you knee to the side harshly to spread them again.
“Huh? Are you already tired?” His palm sends another slap that is pushing you to a painful edge of the orgasm. “C'mon, princess, I've jerked off to your videos a lot of times, you can handle more than this, I know you can."
This time, he sends another slap but this one hits hard on your thigh leaving a pink spot there that soon will turn into a bright red. 
Suguru bends over you, to look at you from above while his hard cock rubs against your entrance to make a new mixing of your juices with the precum dripping from his swallowed tip.
“Answer to me, come on.” His hand comes to your chin and holds it and forces you to keep his glare into you. 
You nod, trembling. Both breathings come out hard between whines and groans. It's incredible how easily he got you in this whiny state with only eating you out and fingering you a while on the way home in the taxi.
"What does it that means?" He grinds harder against you, opening slightly your entrance with the sloppy texture of his length, causing you to squirm and push your hips against him for more everytime you feel the hard veins passing through.
"God— Have I ever been this horny for a man?" You think, too charmed by his person.
"Y-Yes! I… I can handle more." The soft tone of your trembling voice reacts on his tense body, sending a thrust against your soaked pussy.
"That's my girl." Suguru smirks and leans down to kiss you with roughness in a messy way that has you already melting your tongue with his, holding his face with one hand while the other tangles around his hair.
His lips are fucking delicious from eating you out and you can't help but tremble when his aching dick is teasing so hard against your entrance. 
In a try to help your painful need for the orgasm, you wrap your legs around his waist to make his length rest above your stomach and let him see how deep he's going to be inside you.
Even you are a little nervous about how it will feel to have such a veiny length filling you up.
He smiles at your cute reaction, moving forward to place himself right above your folds, he lubricates his cock with your fluids rubbing his tip up and down, teasing you.
"G–God…! Just put it in already." You whine breathing heavily while one of your hands squeezes one of your breasts. Suguru chuckles in response to moving the tripod a little to get a good angle of your body while he's about to enter.
He's careful to not get your face on the shot, but it captures perfectly your arched back and sweaty torso. Suguru follows your body on the camera with his toned body positioning again go start pushing inside you.
You can't help but blush at the view of your naked body trembling on the shot receiving him. It's hard to say if his camera is of a really good quality or if you're shaking so much that even through the small distance it can get the soft movement.
While you're focusing on your naked bodies on the small screen, Suguru starts to thrust slowly. You moan sharply in surprise at the sudden feeling of his cock stretching you out with firm hits on your pelvis. 
His hands hold your thighs firmly on the sides of his waist to keep them spreaded while he starts to pound slowly inside you.
"S–Suguru! Fuck!" You whine, moving your hands around the mattress trying to grab something to suppress your pleasure. "Faster, please…!"
Suguru moans in a beautiful pleased way when your pussy squeezes his length pushing painfully inside you, letting go one of your thighs to push his hand on your stomach as he starts to thrust with more strength and more consistently.
You almost want to sweat at him by how well he knows where to touch to have you in this whiny state when his hand pushes your stomach. 
The wet sounds of your pussy dripping accompanied with skins slapping loudly turn it in the best fuck in every way you can imagine.
You look at the camera recording, getting a good view of how your tits bounce at every thrust and your thigh recoil every time he hits.
It doesn't even care if you don't get any views on this, on your fear of meeting with a stranger. You just want to ride this pleasure for more, but the tickles growing on your lower stomach reminds you that there's still a high to reach. 
When the orgasm starts to get near, you lift your hips as he keeps thrusting aggressively, feeling how you start to stretch him while your right hand lowers through all your torso until reaching your swollen clit to rub it in circles.
"F–Fuck! Don't stop, I'm close!" The warm feeling on your belly explodes with a scream and an uncontrollable shake on your legs with the very first squirt you ever had in your entire life. 
You widen your eyes, covering your mouth with your hand as you try to look up at him with your body still spamming with the still ongoing orgasm.
Suguru stops shocked and pulls back to take a better look of the soaked blankets and the drops of your squirt dripping on him.
"Oh God! I'm sorry, I-I– It's the first time that I do that!" You squirm in embarrassment, trying to get up weakly. "I'll clean it—"
You try to apologize but Suguru it's faster at lifting your body like you weigh the same as a leaf to throw you harshly on the bed to lie on your stomach, putting your face pointing directly to the camera.
"Suguru?"
His hand stops your head quickly from turning back to him by holding tightly your chin and forcing you to look directly at the shot.
On the screen, through the small tears on your face, you can see the mess he turned you into with the makeup running through your cheeks and the lipstick almost erased completely from your lips. Beside your face, there's Suguru kissing your cheek while he also looks directly at the recording.
"You look so fucking good right now, princess." His free hand goes down through your body to rub your swollen clit "Your first squirt with a complete stranger, so cute."
You whine in response, feeling his dick starting to push inside again while he starts to get up slowly as his hand on your chin travels to the back of your neck to push you against the mattress and cause your back to arch until your ass is lifted to the maximum that you can.
"W–Wait…" You moan against the sheets, still sensitive after the first orgasm and drooling against the sheets "My face… I'm on camera, Suguru."
He starts to thrust again, without going slow this time and going directly to slap your ass with his hips.
"It's okay, I'll cut later— Fuck!" Suguru's free hand sends a spank against your ass when he thrusts inside and you sink your moan against the sheets, muffling and making a mess of saliva on the bed "Put on a good show f'me, dear. I'm— God, I'm fucking close, I'm gonna cum in this tight sweet pussy."
At this point, you are just a moaning mess that is close to her second orgasm of the day. You just want him to keep spanking and hitting inside your core to leave his warm seed on you. 
Your eyes roll to almost see the back of your head due to the pleasure while the tears come out from your eyeballs as you push your hips back to him for more.
Your ass is probably so red right now by his spanking and, from the messy and lack of rhythm on his thrust, you can feel him getting closer to the orgasm. 
It's the end for you when his both hands start to dig his nails on your ass to spread it and get a good look of your folds creaming on his base, he thrust roughly it starts to shoot his load of cum inside you while the second orgasm hits you too.
After a few thrusts making sure that your cunt received almost all his cum, Suguru stops and throws his head back groaning. His toned chest is covered in sweat while it goes up and down heavily trying to calm himself.
You whine softly when he pulls back to bend slightly over you and grab his phone to get a closer look of his cum dripping out of your still clenching pussy.
"You did well, princess. Let me clean you up" Suguru smiles, kissing your back softly while you nod weakly while your mind is still dizzy from such a hard session.
Once he has cleaned you up and you chuckle looking at the wet mess on the bed, bringing a burning pink on your cheeks as you look up at him moving away the tripod and lights.
"Are you really going to delete that part?" You ask, playing shyly with your fingers on your lap.
"Yeah, I want to respect your boundaries, y'know" Suguru smiles sweetly at you, so sweet that you almost forget about how hard he was spanking you before "It was a thing of the moment, I wanted to see your face at that moment and, well, that idea came to my mind."
He laughs shyly as he looks away and you bite your lip doubting as you look down at your lap, rising softly your voice enough for him to hear it.
"We can record something again later, If you want to, of course. I actually…" Your voice trembles, feeling suddenly shy without a reason "We… We could keep that one for us."
With your gaze on your lap, you don't notice how Suguru grins widely and starts walking toward you, placing his hands at your sides and leaning over you, forcing your face to lift and finding his eyes holding your gaze firmly.
"If that's the case… We need to get a new recording now."
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If you want to be tagged in next prompts let me know! ♡
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lovewardeath · 6 months ago
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My Pagan Veiling Tips!
This is my personal tips, if you find that something else works with you, then stick with it, this is just what works for me, and if you find it works, great! Also anyone can veil, remember that.
1. Good quality veils usually are from Muslim shops, here are some I personally use: sunnahstyle.com, hautehijab.com, bazaralhaya.com.
2. Invest in a good undercap (hair net or underscarf) especially if you plan on not showing any hair, I recommend haute hijab or sunnah style for the best undercaps.
3. Scarf magnets are a Godsend! The websites I recommended have good magnetic strength & are inexpensive! Sunnah Style are the cheapest!
4. Rectangle veils are more versatile than square scarves. If you plan on doing many styles, rectangle are the way to go. If you want simple, stick with square.
5. Woven, Chiffon, Mehdina Silk, or other light fabrics are best during Hot weather seasons. Jersey fabric is best for cold weather seasons.
6. Reminder, soft and light fabrics are more likely to slip, so wearing an undercap or magnets will help make the veil stay in place. Heavier fabrics like jersey will usually stay in place, but use magnets if you are in cold season, if you want your scarf to stay snug.
7. Light fabrics are usually less opaque, so folding it will make it least see through. Or simply wear an undercap will help with the opaqueness.
8. Etsy is best for printed veils, otherwise Haute Hijab has a great selection of printed fabrics. But remember, they only have Woven, Pleated, & Chiffon printed fabrics on their website.
9. I recommend SunnahStyle for face veils, mainly since I only bought them from that website, they have many types and colors: half veil, one layer, two layer, three layer, no-pinch (for people who wear glasses or just don’t like the pinching regular veils give), buttoned veils, etc.
10. You will probably get mistaken as a Muslim when wearing these styles, even though there’s historical evidence of the veil belonging in many practices. If you are uncomfortable with the association, I would recommend buying religious symbols or pins to put on your scarves to help differentiate you.
11. Remember, do not overdo yourself. Even wearing the lightest of fabrics, if you are in hot weather, you will still heat up. Please don’t overheat yourself, it’s okay to take off your scarves. Or invest in a portable fan, and drink lots of water to prevent heat exhaustion. Especially if you take meds that make you susceptible to heat.
12. The Gods will not be angry with you if you have to take off your veil, they understand that you are human and that you need to take care of yourself first.
These are some of my tips, if you have any questions, don’t feel afraid to ask or reach out to me. I hope this helps you on your journey!
Here’s the @ I promised when I posted this: @mikeyanderson97
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je-lurk · 1 month ago
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I'd love it if you elaborated on how Agatha's hair reflects her state of mind! I'm obsessed with that kind of character analysis and I have a vague idea how I think they're connected but I'd love to hear your thoughts! If you want to of course. : )
Hi! It took me a hot second, but since I hadn’t finished yesterday I thought I could add ep 4. Here are my ideas, hairstyle by hairstyle.
The beginning of the reflection comes from the idea that loose hair in ancient Rome or Greece represented madness (can’t actually find sources on this so take the historical accuracy with a grain of salt) and, in a lesser extent, grief.
In episode 1, we see mostly Detective Agnes. Detective Agnes wears her hair in a low, untidy ponytail. This is the easiest way to gather one’s hair to free up the face. It’s not even done properly. Obviously this echoes how this Agnes is neglecting herself, mostly through self-destructive behaviors. Still, her hair is collected, as is her mind. The situation makes sense for her.
Until it doesn’t, and Agatha frees herself of the past iterations of Agnes. It might be worth to note that all of these have at least stylized hairstyles. This is, to me, Wanda’s influence: the Agneses (as well as every other character in Westview) were not allowed to lose their mind. Detective Agnes, bearing alone the full brunt of Wanda’s power, even less.
Once rid of all her layers, Agatha is naked (rebirth) and her hair is loose (madness).
"Madness" in this case as in disorientation. Agatha’s brain is barely catching up with what’s happened and needs answers. She’s constantly off balance, mostly emotionally.
She spends most of episode 2 with loose braids, done on the fly but still slightly researched. She’s scrambling for control: control of her appearance, control of others, control of her mind.
With Lilia she actively changes her appearance, gathering her braids in a somewhat tight bun, secured with a stick. She attempts to look both different and more pulled together than she really is. This, as we all know, did not work.
Then she ends the episode with a classic updo, with hair piled on her head and framed with two strands, obviously elaborate. The very little time she had she used to prepare herself, both physically and mentally. Every last hair is secured (except for the two strands, we’re aiming for class, mystique and confidence, not stuck-up-bitch-efficiency) and every thought is in place. The plan is made. And the strands can act as a curtain. She’s never really without those hair that can get in her face (except when under Wanda’s control because she doesn’t have the wherewithal to do anything, much less hide and scheme).
Episode 3 sees Agatha with the same updo, although it changes once they enter the first trial.
Her hair is — I struggle to find another word for it — schooled. It is still "loose", but the kind of loose that is held together by cans of hairspray, with studied waves. Girl is holding together with dreams and a prayer. She looks like she is holding together at least. There is still this idea of vulnerability. She’ll be more understanding, more in touch with the others. Less good at deception. More vulnerable, more protective, towards her son (whose loss is, if not still raw, rawer because of Wanda), towards Teen. The front bang, if we can call it like that, is always between the ear and the eye. Again, a curtain. Curtain that she completely pushes back during her hallucination.
It is interesting to me how the hallucination only happens as she is plucking a hair. With all the hairspray it’s staying mid-air. This, with the hair carelessly pushed back, is the more disheveled we’ve seen her in this episode (yet). This is also the most open, emotional and raw we see her in the episode. Even when Teen said he would drink the wine in her stead was she more reserved.
She ends the episode in the updo of the beginning, though 3/4 ruined by the water (lot of stress in the preceding sequence, plan barely holding on). And then Sharon dies. There is something to the ruination of the most elegant and researched updo she did by herself. It recalls again the themes of mental vulnerability, loss of footing, loss of confidence, etc.
There is a little time between the end of episode 3 and the beginning of episode 4. They all dried, and Agatha took her hair down (it’s less ridiculous like this. It’s a conscious choice of appearance, too, she could have easily put her hair up with literally anything). I think it’s because she has really registered Sharon’s death (I’m calling bluff, though. First, because I love her, and second, because she looks too dead for having been dead this short). Even if she doesn’t want to show it, she cares about her and about her death. If she didn’t, she would have no issue assuming the responsibility. It’s not the first time she’s killed. But she shifts the blame elsewhere.
Then there’s Rio, and Agatha is feeling too much at the same time.
Second trial, loose hair, secured with a headband. I love how, as soon as Rio is involved, Agatha always has a loose component to her hairstyle (not counting episode 1 because she was Agnes). In this trial, Agatha is (mostly, we don’t forget Exposition Boy in this house, but hey, that’s what the loose part is for) pulled together: she plots, takes swings, and leadership, and support Alice. They finish the trial so much quicker and with minimal loss.
They get out, where Agatha immediately gets back her loose hair "style" and her emotions. She doesn’t even care to look too attached to Teen. She cries. I believe we’ve only seen her cry once before, in the hallucination. She gets careless, opens herself too much, begins to believe again (in Teen, in Rio) and only gets back a punch in the jaw ("What really happened to your son?") and in the plexus ("That boy isn’t yours". Come on Rio, she knows she’s entertaining delusions, leave her alone).
Tl;dr: It all boils down to hairstyle = control
Loose hair could represent a loss of control over her mental and emotional states, over others, and over her environment.
Styled hair/hair done could show her confidence (and/or the confidence she wants people to think she has), mental acuity, and general capability to think, plan, and plot (whether for her own benefit or that of her coven). In other words, her ability to control the situation.
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thyfggfy · 11 months ago
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Originally I wasn't planning on making a chapter about Theo Raeken . I've considered it , but then I was like "What the hell am I going to talk about?"
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However , after some time , an interesting idea popped up in my head - "What if Theo uses clothes as tools for manipulation?"
So this would definitely be more of a theory than an actual analysis and I would surerely be pulling shit out of my ass so bear with me here.
What I mean by this qestion is that Theo seems to dress according to his current goal in mind . Basically dressing for success . Examples:
When he is confronting the Dread Doctors about Hayden or when he introduces himself to the McCall pack for the first time he wears a jacket that makes him look sharp , imposing , capable , worthy of acknowledgment
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2. On his first day of school he wears the most basic outfit possible - jeans with a black hoodie which essentially screams "I am just an average guy. There is nothing to see here .No suspicious activity to witness at ALLLLLL"
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3. When he convices Donovan to go after Stiles he wears a short sleeved button-up that makes him look smart , presentable , reasonable
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4. When he tries to win Corey over on his side he wears a pink sweater which makes him look approachable , friendly ,soft even
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5. During Lydia's rescue he is the only one from both packs to wear short sleevees which shows confidence , like he knows what he is doing even though he doesn't .
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In season 6 he only has two goals : To survive and gain support from McCall's pack . That is why his outfits seem a lot more interchangeable . He is also homeless,but that is not important.
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He wears a lot more layers and his outfits are meant serve one purpose only - provide protection
All of this might have been me just blabbering , but I think this can work as a concept.
Considering the fact that everything about Theo is just lies and deception to the point where you have to wonder if there is a genuine version of him or if that maybe in a weird twisted way that his most authentic version.
Parts : Jackson ; Derek ; Liam ; Mason ; Scott.1 ; Scott.2 ; Stiles.1 ; Stiles.2
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dreamtydraw · 1 year ago
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One More Free Character Ramble Ask here for you! Free for you to spend whenever you feel like it hehe
much love !
-💚
Well hello hello darling, i'll use my special card to make a new design analysis for one of my OL oc :
Darcie Second 🍁
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Starting off with basic needed infos : Darcie was build around Valentin as a sort of opposite yet similar character. Their duality is shown in their personality, color palette and evolution. Therefore if you haven't read my Valentin design explanation i advise you to read it first here before continuing with this one.
Darcie’s name was chosen for it’s meaning « dark haired » « from the dark ». Darcie is someone who lives in the shadow of other people, rarely looked upon you can almost forget she's here. Her name is also a reference to Mr. Darcy from pride and pejudice, who despise seeming rude is actually a shy character of heart who find it hard to converse with others.
Cerise is summer, Valentin is winter but Darcie is... The changing of seasons. Starting with winter palette, turning into fall and then spring ( their step 4 will surely be themed around summer but i can't confirm it surely until the game is out )
Another commom but slightly changed theme is fruits : Darcie is a vegetable, more precisely Onions ( sweet onions and red onions ), she has a lot of layers.
Darcie is Valentin's twin but is identifiable by some specific details: her tooth gap and multiple moles that she has way more than her sibling. Those are details that make her special but that she feels self-conscious about. Do you find it cute? She'll think you're making fun of her because in her eyes it's not.
Another subtle facial difference is her blue eyes. Where Valentin stands out with their heterochromia, Darcie's eyes look quite simple, another negative detail that goes on the list that differentiates the twins.
Step 1
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At some point in childhood, the twins decide to have a very distinct way to tell them apart and it’s by a haircut. Darcie chose to have her hair short because her sibling convinced her she would look really cool like that.
She’s from a snowy region, her palette is cold but tinted with some warm because of the color purple. Purple is Darcie’s favorite color, wearing it and having a trinket of that color makes her a bit happy. The color is also similar to the blue pastel of Valentin, making them different yet very close. Their outfit composition I also very similar with the big sweater and white bottom
Passionate about scientific books and animals, the young girl owns a cat-shaped hat to keep her head warm since her hair is short, and also a little bag, to put trinkets in it.
Step 2
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Darcie is not a confident person so she tries to look like people who are, for example, her sibling. Her step 2 design is close to Valentin’s step 1 design, mainly the pigtails and new piercings. Sadly you can catch her lack of confidence with that choice: Valentin wears high pigtails that stand out, and Darcie’s pigtails are downs.
Her color palette warms up drastically, and she has taken her marks in Golden Grove. She kept some touch of purple but overall she bland perfectly in the warm trees of the town, she’s practically invisible. The only trace of winter color is her blue shorts, but even those are almost unnoticeable when you look at them.
Her cat hat got swapped for a necklace because it was judged too childish, and her old blue bag got traded for a new brown one, surely broken with time.
Step 2 Darcie is content with being part of the decor, but deep down she wants to be her own person and be more like what her siblings used to be.
Step 3
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Step 3 is the more confident Darcie has ever been about herself. Angsty teen years pass and she grew to love herself with the support of her family and friend which resulted in a newfound physical appearance.
She dyed her hair lighter, putting a definitive separation between her and her sibling and marking her individuality. The warm color approaches the purple she likes so much and she wears more girly, pretty, and croquettes clothes borrowed from her sibling.
She got a new set of piercing and bought little cat shaped one because simply, she liked them.
Darcie has a more bright palette to contrast with her sibling and both of them form a sort of duo of little swans ( black and white ) or ugly ducklings who grew to love themselves before all.
I don't know yet how I will approach her story, this will depend on the main storyline of will approach, but I am really happy to develop her more! Thanks you for readings love!
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sadnessisavegetable · 2 years ago
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My Takes on Depicting Humanformers(art included!!) part 1:
You might not agree with me, this is just a collection of how I like doing things with characters, starting from where I'm most confident with the TFP lineup of Autobots.
The format goes 1) what is worn 2) what could be on their person at any given moment and 3) how they sleep, which would help determine how much they would be seen in the common areas at home base.
Optimus:
Trucker look (wears a lot of comfy layers, work boots, and trucker caps—this is a man who has been behind the wheel for days at a time to get places)
Has a collection of thermoses and coffee tumblers (my favorite of which to throw in being one that's shaped like a red crayon) and guns. It's anyone's guess which combo it is that day.
Can sleep on command, but needs to get comfortable first (it's something he learned with how often he started sleeping at truck stops or in Wal-Mart parking lots in his cab) but he doesn't overuse this ability of his. He also snores, avoid sleeping near him.
(two looks because of my AU where Orion is given his body back after basically being a ghost that wants to bitch-slap Optimus out of his body, and we will address Orion in a separate part.)
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Ratchet:
Wears scrubs with flannels and lab coats layered over them and like...crocs or slides of some sort over patterned or fun socks. (PNW doctor, I guess?)
Has A Mug. Must be this One Particular Mug.(he's stubborn about his favorite mug) Because it can fit half the pot of coffee in it with a Redbull and is not overflowed. (My version is a gift from Wheeljack as an apology for smashing something and says "Doctors Have Got It Going On" in Barbie font. Miko helped pick it out.) He also has a baseball bat that he takes with him out of base.
Does not sleep unless his body decides to shut down or he's cuffed to the bed somehow. He's pretty much Pavlov'd himself for the cuff thing though, which is funny in a different way. Sleeps probably the quietest.
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Bulkhead:
This big guy has basically a lot of t-shirts, battered jeans, work boots, and jean jackets(without the sleeves). Bandanas go with each outfit. He looks like a construction worker who finally retired and decided to go clubbing.
Is the most likely to have a random tool of destruction on him—but never outright weapons. Crowbars, hammers, etc. and it seems like he pulls them out of only Primus knows where. Other than that, he is often seen holding drumsticks(he can lay down a beat so well) or maybe art supplies.
Likes napping. A lot. But will also stay up randomly to do something or go somewhere. He snores, but nowhere near as loud as Optimus does.
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Arcee:
Function over fashion. Men's jeans, combat-issue boots with steel toes, thicker shirts, and jackets. (However, this does not mean that she hasn't bedazzled her clothes to some capacity. She has painted, ironed-on, stitched, and accessorized enough that she is still feminine.)
She has knives on her. You tell her to put all her weapons on a table and you'll be standing there for about fifteen minutes as she pulls them out of places that are increasingly less obvious and more disturbing to know about. She also carries a book checked out from the library or bought with her for when she waits for Jack to get off work.
The only one with a completely normal sleeping schedule. She sleeps the best and is always the first up to make coffee. Comes from still obeying the schedule she adhered to prior to the war in my AU when she was a gladiator.
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Bumblebee:
This one is a tossup with me. He'll wear anything comfortable that makes no noise when he walks. Anything. He's shown up to battle in a unicorn onesie and kicked mad Decepticon butt. However, he does gravitate to band shirts and shorts.
He has fidgets. Endless fidgets. Some are also weapons, but...this boy is a little hyperactive and would like it to not put him in jeopardy. He shares with Miko and Smokescreen sometimes.
He is an insomniac. He stays up late, enjoying the quiet working or gaming time staying up grants him. But he's an insomniac for a more depressing reason in my AU.
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Wheeljack:
Comfy combat wear. Often wears crop tops too, when casual. This man has not an ounce of shame in his body. He looks like a slut a lot, but a functional one who can deliver an ass-whooping quickly.
We've already seen him and his bombs and swords. But also, he keeps little things to tinker with on him too.
He sleeps when he's certain he's safe. He'll lounge and pretend all day to convince people, but he doesn't quite sleep.
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Cliffjumper:
It's giving rodeo, or at least someone who goes to watch. He wears jeans, he wears t-shirts, maybe flannel shirts, chaps are a maybe, and cowboy boots. He might also have a septum piercing shaped like bull horns.
He keeps a case of beers in his car, but doesn't usually drink. On his person, he keeps a long, sturdy rope for wrangling things(sticking with cowboy aesthetic) and a small sketchbook.
He sleeps whenever, honestly. He's carefree, and that leads to him sleeping easily. It's like playing roulette when you're trying to talk to him and he's randomly asleep.
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Smokescreen:
This boy prefers to wear things as close to Cybertronian traditional clothing as he can find. Poor guy was thrown for a loop when Ratchet took him to get clothes at the store. Ends up wearing a lot of loose sweatpants and tank tops with flipflops.
He keeps a notepad on him for comfort sake and you can usually ask him for a pen and he will offer you seven different types. He prefers tasers as weapons.
Can't sleep without ambience that feels like the archives during the night. Optimus ends up fixing the problem by setting up a dinged-up fan in Smokescreen's area(the dings in the blades are what make it sound like the archives).
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Ultra Magnus:
Insistent on using a uniform of some kind. The army ended up dyeing one so it wasn't one they could mistake for their own. Ultra Magnus had to make his own patches, they were hesitant on issuing any.
The one most likely to have anything needed on him. He is like your token mom friend, except more like he has a stick up his aft that makes him insistent on controlling things.
He sleeps like he is laying in a coffin. I hate him for it.
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Tailgate (he's only mentioned briefly, but I know how he looks):
Little man wears cargo shorts with a big hoodie and sneakers. He's like...maybe Miko's height, he is so small as a "humanformer". He tends to wear visors and masks too, with a beanie of some sort and fingerless gloves. He also wears knee pads and elbow pads(he has a skateboard sort of thing)
He has a gameboy in his pocket with a pocket knife and fidgets and just a bit of everything. Knickknacks are his favorite, little ones, and hot wheel cars.
He sleeps in the weirdest places and positions. It's like a magical ability to fall asleep anywhere.
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theladyoracle · 1 year ago
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ur a veteran emo? please teach me ur ways, I aspire for the 2000s emo culture but I can't find clothes anywhere😭
Yess! <3 Absolutely.
I'm truly no expert, but I can definitely share some insight with my personal experiences! Honestly by 'veteran emo' I always meant it as a 'I paid my nickel' type deal. I still dress alternative and dark, but my style has definitely changed to meet my needs as I've gotten older (no more skinny jeans for me LOL.) However, I do want to write all the tips I've picked up on my emo-inspired fashion journey - because I really do dress in homage to my 12 year old self. So without further ado, as per my 21 years of being an oddly dressed, dark inspired, self proclaimed emo veteran....here are my top tips to perfecting your own style:
1. Don't Be Afraid to Cut Your Clothes.
Seriously. Don't be afraid. I am so shit at sewing its not even funny (and I have TRIED) but if I've learned one thing: if you're not wearing the clothes anyway- cut em up.
I never wore any of the T-shirts I bought myself until I cut all of them into an "off the shoulder" style. Now that they're comfortable for me, I feel so much more confident in them! And they're way more flattering too. This tip goes for any clothes. Don't be afraid to fuck them up - dye, cut, tie, add patches if that's your thing, embroidery, etc. If they end up looking like garbage that's okay! You can just donate them/toss them/use them as rags lol. The main thing is that you'll start building confidence on how to DIY your clothes, at least minimally.
2. Iconic Emo Hair is a Journey
HAIR!!!! Growing up in the 2000s, I would go to a cheap seat salon, holding my little printed out photo of some emo girl from the internet. I was excited beyond belief! I would sit down and ask the jaded 50 year old stylist to cut my hair like the girlie in the photo, only to be met with judgmental eyes and horrible experiences.
One time, this lady deadass said to my impressionable 11 year old self; "Ah, yes, the iconic style of.....that."
I have had way Too Many Karen haircuts in my life. Some I totally slayed ! Others were.....mm.
Anyway, my recommendation on hair is this - either do it yourself (I could never) or do your research. Find some local non-chain salons in your area and look at the stylists. Stalk their instagrams! Look at their work. Find someone who loves doing shags and wolfcuts. I now go to a "higher end" salon. My girlie Caitlin has tranformed me into the punk emo princess of my dreams! I already had a side part, so I basically asked for a shaggy mullet with a bunch of layers, but I asked to keep a swoopy bang/fringe and some pieces of hair in front of my ears to frame my face.
3. It Grows with You Over Time.
It doesn't matter where you get your clothes. What matters is that the clothes you're getting bring out the most authentic, confident and amazing version of yourself! Style is an extension of yourself, so don't be afraid to adapt concepts from 2000s emo culture into the modern styles you might love today.
The first thing I recommend for literally ANYONE trying to discover themselves and their style is to make an aesthetic board. Not a board specifically for fashion, but rather one that encompasses you. Scenery, trinkets, textposts, aesthetic images that remind you of yourself, even just things that you like! Having a visual for who you are and who you want to be is so helpful. Literally anything and everything can be used as closet inspiration, and having an aesthetic board that completely revolves around you and how you perceive yourself can be so eye opening!
You might even recognize patterns in your interests that you didn't even notice before! Color palettes, textures, and shapes can all come to light. All of these things are very helpful in figuring out your personal style.
Once you have a genuine idea of your personal aesthetic board, you can then make one for fashion. Adding outfits or articles of clothing that you're interested in will help you when thrifting and shopping! I always pull up Pinterest when I'm at the mall or thrifting. It helps me get an idea of the clothes I already have and the types of outfits I want to wear.
For example, here are some of the patterns I recognize on my aesthetic boards:
Silver jewelry (layered necklaces, lots of rings)
Spider imagery
Long black skirts
Black, deep reds, dark blues
Platform boots
Celestial imagery
Leather jackets
Oversized button up shirts (flannels, dark colored corduroys)
Witchy plants
Shirts with long, interesting sleeves (bell, balloon, flared)
Big ol' sweaters
Bat imagery
Black tank tops with a 'v' neckline
Your style will evolve as you get older. And no matter who you are - style is versatile. Even if you love to wear corsets and gorgeous form fitting skirts most days....eventually you'll need a day in just sweatpants and your coziest sweater. As stated - what matters is that the clothes you have make you happy and bring forward your most authentic and confident self.
4. Don't Put Yourself in a Box!
Making your style your own will not only help you feel confident in your own skin, but also gives you flexibility in your closet. Style evolves with you! You shouldn't worry about you should or shouldn't be wearing just to fit into a special box like "emo" or "goth" or "cottagecore" or any of that! Instead, take the elements of those styles that you love and implement them into your wardrobe. This also helps you find clothes that are comfortable and that you'll actually wear.
5. Emo Style Starter Pack
For emo clothes in particular, I recommend accumulating clothes that are black, dark grey, grey, and white (yes white.) And then choose an accent color! For me, my favorite colors to wear are blue and purple. So when I started accumulating a concrete wardrobe my Junior year of high school, I mostly focused on black clothing and found accentuating accessories or articles of clothing that matched my fave accent color.
For someone starting to shop for traditional emo clothes, here's a shopping list I've curated:
Long sleeved shirts (black, striped, patterned) (to be worn under other shirts or stand alone)
Black tank tops (different straps)
Band t-shirts! Or just dark t-shirts with alternative designs
Heavy jacket/button up shirts (flannels, jean jackets, leather jackets)
Dark pants (can have as many pocket/rip/design elements as you'd like)
Dark boots (could be platforms)
Canvas sneakers
Oversized hoodies
Layered necklaces
Fingerless gloves
Multiple rings
Belts with dangling elements like chains
Beanie hats (you can get cute oversized ones)
Flat brimmed caps (LOL YES! IF YOURE INTO IT)
Black bandanas to wear over your hair (I think you can wear them in a lot of cool ways :3)
At the end of the day though, if you just wear a lot of black any normie will call you an emo. Find clothes that you feel comfortable and clothes that will make you feel badass!
Hope this helped! Or maybe it didn't lol. I'm just glad I managed to actually finish this post.
xoxo
-Oracle
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cinciri · 1 year ago
Text
Tagging: @weekofobitine
Day 3 prompts used: Beskar, fruit, decision
Bonus prompts used: TCW Season 2
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“General?”
The appeal, which sounded like a well-trained soldier's step, instantly brought him out of his reverie, into which, it seemed, he had been immersed for too long. At least, otherwise Cody’s gaze wouldn't have been so worried, but as soon as he smiled a little and opened his mouth slightly to assure him that everything was alright, the Force gently swayed in an all-too-familiar a wave – such a light, such a warm – and his peripheral vision caught the movement from which his pulse noticeably increased just like he was a snotty youngling.
She was wearing the same formal dress as at their last meeting, her headwear and calla lilies were missing – this time not forcedly like on the Coronet but on a voluntary basis. Her blonde curls loosely framing her face, time to time it developed in different directions from the pace of her step, or from the movement of air from the police speeders flying around.
On her left hand walked someone in a cloak with a hood pulled low over his face; due to the fact that the person’s head was slightly tilted, and also because of the shadow that had formed, his face couldn't be clearly seen, but, judging by the shape of his hands, he was firmly clutching the Duchess's headwear, the person was still a woman. Two guardsmen were moving immediately behind the woman, three more were walking to the right of the Duchess – one of them was slightly ahead, on the same level as her and the woman in the cloak, the other two were also slightly behind.
Satine Kryze was dressed an elegant, layered outfit that emphasized the straight line of her shoulders and smoothly curved her hips, but the clones made way for her so quickly, as if she, dressed in her family armor, was going to a battle whose winner was already predetermined.
“Master Kenobi,” her confident voice easily cut through the sounds of hundreds of soldiers and several dozen aircars with its humming engines. “When I said farewell to you today, I didn’t think that our new meeting would happen so soon.”
“Duchess,” removing his hand from his chin, Obi-Wan turned to her, immediately bending in a polite bow. “I dare to hope that such a surprise doesn't disappoint you too much.”
“It all depends on the situation. At this moment the situation is not in your favor.”
Continue read on ao3
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uncaught-coolfish · 1 year ago
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Ooh fic asks r open yess! First one uuhh,,, Are you gonna make any changes to the relationship between illia and Blake/got any cool writing plan for them?
Also would love some general white fangmily (<-new way to say white fang [found] family, open to thoughts on it xp) hcs?
I’m always open for asks tbh :) ok!
i actually have a lot I’m changing for ilia and blake’s relationship, some of which I… probably don’t want to give away just yet due to ~spoilers~, but case in point: how I’m (slightly altering) bits of Ilia’s backstory very heavily affects her interactions with Blake when they first meet. Will go more into that once we get there,
but now… ~found family~ Ilia will inevitably be included in this once we get to her (NEXT CHAPTER!!!!!!!!!!), but looking at the stars of the show, Sienna and Adam’s relationship is as close as it is insanely distant.
Sienna outwardly is a very confident and charismatic person, but like, 70% of that is just a persona she puts on. She’s hidden her genuine emotions very well under so many layers of fake stuff that some of those emotions are just outright not there any more, after so many years of fearing her true emotions would be taken advantage of and she’d be betrayed or hurt again. But once she meets Adam and has ~that moment~ in Chapter 3, there’s always this lingering feeling in the back of her head. This familiarity, back to Arun, who, in one of her last moments with him, was vulnerable. Crying about wishing his father was there too. In complete contrast to Adam who is so deathly afraid of showing vulnerability he’s inadvertently making himself more so. She sees it as a second chance, to try and be the person she was before joining the White Fang, to almost “redeem” herself, in her own mind. Having never forgiven herself from the belief that she let her own son die that night (we get into that more later).
But Adam is on fifteen fucking higher levels than her, somehow. Dude reveals nothing. Jack shit about his past, about what he’s gone through, and alongside making shit up he too molds himself into a false persona to the point he doesn’t even know what is fake or real about himself. Fuck, Sienna, who is easily the person Adam is the closest with, who is the only person who he’ll voluntarily show his face to at this point, is unaware of a whole decade of shit that happened that served to be the worst period of his existence. (Cough cough, Chapter 8) And for a good while he’s fucking terrified of being around her. Worrying whether or not he’s displeasing her in any way and that she’ll leave him or even “send him back”. (Yeah. That one guy’s monologue from chapter 1 scarred this 5 year old boy so much it lasted. Seriously that monologue is still maddening to reread) Like? All I’ll say for the future, is that as Adam’s… mental and emotional state, I guess “changes”, so too does their bond. But I promise, after [a certain event] their bond becomes near unbreakable.
I made these tags a while back that I feel explain some bits of this a decent amount. Three little pigs analogy. I’m funny.
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The stick house is weaker and when it falls it stabs and lashes and hurts
But the brick house’s walls never really fall down, but that’s alright because there’s warmth still inside.
But~ I’m so fucking sidetracked. Headcanons. Okay.
Uhhhhhhhhhhhhhhh Sienna enjoys the sound of rain at night meanwhile Adam fucking hates them because they’re loud and cringe or something. They also shared a bedroom between chapters 3 and 4 (2 year timeskip baby! ANOTHER ONE) because Sienna was, in fact, consistently taking care of and rehabilitating him.
Speaking of… you know the red shirt Adam is given by Sienna at the end of chapter 3? My brain decided to go “What if that was originally meant for Arun and is also what he eventually wears under the one uniform “once he grows into it”” and I will cry about that for the next month
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skelly-words · 10 months ago
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i have more sukuna hcs <3
this is more of a word vomit than anything i almost didn’t wanna tag it T_T
some are nsfw, so 18+ only please and ty
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he hardly ever smiles unless he’s laughing, but getting a bright genuine smile out of him is really rare. he looks so sweet when his confident smirk is switched for a pretty smile. if you tease him about it, he’ll get a little shy.
on that topic, i think any overt happiness or joy would make sukuna really guarded. over time, he’d get more comfortable with how much joy you give him. when he feels that happy, it’s easy to remember that at any point you could just leave. (not that you would. plz)
not necessarily a jealous boyfriend, though. sukuna is more protective than jealous. he keeps you from bumping your head on the doorframe getting out of his car, gently guides you by the hand so you don't stumble into objects or other people, and adjusts your clothes when skin you don't want out starts to show.
he likes to see your different reactions to things, finding them more interesting than whatever the two of you are doing; how you softly smile when your favorite song comes on or startle at a loud noise.
sukuna is thoughtful and attentive but he hides it under a really thick layer of assholery. even later in your relationship, he will roll his eyes so far back if you ever call him sweet. the only time you're allowed to dote on him is his birthday, maybe. on any other day, you have to be just as flippant about your small favors and affection.
he’s so A$AP rocky. my evidence is just a song list, ima pyo; goldie, babushka boi, lord pretty flacko jodye 2, far away (by yebba). he be that pretty motherfucker, idk that else to say.
he’s an undercover nerd. heavily reads sci-fi to make it even worse (because now he’s a geek too). he’s not embarrassed about being smart, but it’s not expected of him. trust he wears reading glasses while reading Hitchhiker’s Guide to the Galaxy. but his grades are decent too, he’s just a thinker like that.
the glasses hc is kinda based off how i think he’s far-sighted from playing sports a lot growing up and not getting into reading until later. he also thinks glasses are really cute on you too, twins!
sukuna just doesn’t care for school. In fact, i'm gonna say he drops out during his senior year (your junior year). which tested the quality of your relationship because you had to do long distance for a while. and that’s why (if you read my other hcs) he wants to get married after you graduate, because you’re crazy to think you’re ever leaving his side again.
did i mention that he has the worst fucking avoidant attachment issues ever (i have). “you’re smothering me.” “i’ve just been busy, i’m not dodging your calls.” but then you get hurt and ignore him and then he has a whole episode where he realizes that he’s not an emotionless robot and he really misses you so much. what a complicated guy, thank god he’s not my man, right? 🧍‍♀️hell yeah
i’m very torn between what he does after dropping out though, naturally i wanna say one of the trades (mechanic because he’s a car guy, ew). but this is sukuna, so a life of scamming and stealing is entirely possible. does he own an unregistered firearm? idk. either way, he provides, and that’s what counts.
he has a horrible habit of undressing you with his eyes while in public. sometimes you catch him looking straight through your clothes, like he’s perfectly memorized how you look naked. nobody else can really tell, but you get so flustered over it anyway. he’s so embarrassing.
okay, maybe controversial, but i don’t think he likes receiving head that much. i mentioned before that he jokes about it in the car, but in reality blowjobs just aren’t that satisfying to him. not that he’d ever turn one down either, but he’d rather do something where he has more of you to hold and sink his teeth into. from the back?
he’s a spicy food kinda guy. all he knows is be bisexual, eat hot chip, and lie. oops, yeah, i think he’s bi too. it’s just a male athlete thing, getting all sweaty in those locker rooms makes them a little gay, or so i’ve been told.
he eats pussy like a comfort meal, so the best brain is on his worst days. he woke up late, got stuck in traffic because of the rain, forgot his gym bag for practice, stepped in a puddle, didn’t bring his laptop charger either, the card reader on the vending machine was broken, etc. etc. getting lost between your thighs is self care for him. because at the end of the day, no matter how hard it was, he can still have you cumming in minutes.
he’ll pull out just to shove his fingers in your pussy instead. not entirely for your enjoyment, but because he needs his fingers lubed up so he can put them in your butt.
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cyarskj1899 · 2 years ago
Text
Here's How to Give an Actually-Good-Not-Awkward Lap Dance
Taylor is one of the sex and relationship editors who can tell you exactly which vibrators are worth the splurge, why you’re still dreaming about your ex, and tips on how to have the best sex of your life (including what word you should spell with your hips during cowgirl sex)—oh, and you can follow her on Instagram here.
I don't know who needs to hear this, but you don’t have to be an amazing dancer to give someone a lap dance. Seriously. Even if you have zero coordination and can't hold a beat to save your life, lap dances have little to do with "skill" and more to do with confidence. (It's like the saying look good, feel good, do good.)
In other words, there's no right or wrong way to give someone a lap dance, so long as both parties are enjoying themselves. 
That said, there are a few things you should know before diving head first into it. And luckily for you, we've tapped experts Jaclinne Cheng, CEO and founder of Spicy Lingerie, and Rori Gordon, owner of gentleman’s club Billy Deans Showtime Café to drop all the tea.
Here's what to do when you literally don’t know what to do. Enjoy! 
1. The average lap dance should last at least two songs. 
This would equal a total of six or so minutes, but obviously adjust this to your own preferences and add time as you see fit, says Gordon. If two songs seems excruciatingly long to you, remember that it's not. You can watch 6-7ish TikTok vids in that same amount of time, don’t let your anxiety win this one. 
2. Plan your song playlist ahead of time.
Just like you check your PowerPoint before giving a big presentation, make sure you have your music cued up and ready to go. Depending on what kind of vibe you're going for, picking from this playlist of sex songsmay be ideal. 
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“A lap dance is supposed to be seductive, so choose songs that inspire your sexuality,” says Cheng. Her picks: “Climax” by Usher, “Girl With the One Eye” by Florence and The Machine, and “Naughty Girl” by Beyoncé. 
3. Wear the right clothing.
You should put on anything that makes you feel extremely sexy, says Gordon. “I love lingerie, garters and thigh-high stockings with a long sheer gown,” she says. You can also pair your outfit with some slip-on heelssince they accentuate the hell out of your body. Just make sure you walk around in the shoes beforehand to get used to them, suggests Gordon. No shoe is worth breaking an ankle over.
It's also important to layer your clothing, especially if you want the lap dance to lead to sex. This may involve stripping down as you give your partner a lap dance, which is like a super-sexy added bonus. 
4. Do a quick lil stretch before.
“It’s important to stretch before you perform to prepare yourself for any extraneous movements,” says Cheng. There's no greater buzzkill than bending over your partner and killing your back in the process. 
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5. That said, please don't do anything your body can't handle.
If you can't do a somersault, it's probably not worth trying a backbend. Same goes for the splits. But if you are flexible, definitely show it off. Going for a backbend while sitting on your partner’s lap is definitely a crowd pleaser too, says Cheng. 
6. Set the mood with dimmed lights and candles. 
But don't make it too dark to which your partner can't see you. You might also want to play into a role-play fantasy if it's something you and your partner have discussed beforehand. Dress up as a nurse, devil, teacher, whatever—just make sure your setting resembles the theme at least a little bit too. 
7. Make sure you have mastered some moves beforehand. 
No need to plan a full-on dress rehearsal, but you should have an idea of what you want to do, how you want to touch yourself, how you want your partner to touch you, etc. before just going into it blindly. Here are some v common moves you can add to your routine:
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Stand between your partner's legs and lean your upper body forward with your back arched and your butt up in the air. This gives your partner a super-hot view of your body. Trust me. 
Turn around and hover your butt just above their crotch, moving your butt in circles like you're painting their lap with your cheeks. (Feel free to place your hands on their thighs or the arms of the chair for balance.)
When in doubt, know your hottest seduction tool is your hips. So slowly start swaying your hips from side to side, and then move them in a figure eight to the beat of the music. 
8. Choose your setting wisely. 
This can be in a bed, on the couch, on a chair, or wherever you’re most comfortable. Just make sure that with whatever setting you choose, you can switch between standing above your partner, sitting, and squatting easily and whenever you want. 
9. Think less about dancing and more about connecting with your partner. 
If you’re not a dancer, taking the pressure off of a lap dance can help. I don’t know any receiver who isn’t going to enjoy the view (the view being you, someone they’re already super into, stripping and undressing right before their eyes). I can promise you, the last thing they’re thinking about is how on-beat you are with the music.
10. Have fun and be confident. 
“If you’re not having a good time, your partner will be able to tell, and it won't be an enjoyable experience for both of you,” says Cheng. Let loose and don't be afraid to move to the music in whatever way you want to. There's nothing you can do here that would be wrong or incorrect. Remember, so long as everything is consensual, it's literally impossible to fuck up a lap dance.https://www.cosmopolitan.com/sex-love/a3394/how-to-give-a-lap-dance/?&utm_source=facebook_membership&utm_medium=cpm&utm_campaign=cos_membership_content_lap_preview_inline_oct2022&source=cosmo_post_engagers_-_ap_-_lap_preview&utm_id=fb_cmp-23850071617090338_adg-23850071617840338_ad-23853615825650338&fbclid=IwAR2NvtYIljHPbYqhryWxFqx9kaIB2ymMVfnUJyTxG4OLtG_2WWWFNQDyQ3o_aem_AU6IdvJVfaBOU-wzpSPEDUt_67gws-YLwxc1HDEWExlBWOLYZi7IH24YCLnnzT_6dHJHIfJTc0e4ejt56jMN1jk1erhWceG9RsNUNebTeqeBm992AJZ5x5M3RGTs4uRzzcM
Here's How to Give an Actually-Good-Not-Awkward Lap Dance
Taylor is one of the sex and relationship editors who can tell you exactly which vibrators are worth the splurge, why you’re still dreaming about your ex, and tips on how to have the best sex of your life (including what word you should spell with your hips during cowgirl sex)—oh, and you can follow her on Instagramhere.
I don't know who needs to hear this, but you don’t have to be an amazing dancer to give someone a lap dance. Seriously. Even if you have zero coordination and can't hold a beat to save your life, lap dances have little to do with "skill" and more to do with confidence. (It's like the saying look good, feel good, do good.)
In other words, there's no right or wrong way to give someone a lap dance, so long as both parties are enjoying themselves. 
That said, there are a few things you should know before diving head first into it. And luckily for you, we've tapped experts Jaclinne Cheng, CEO and founder of Spicy Lingerie, and Rori Gordon, owner of gentleman’s club Billy Deans Showtime Café to drop all the tea.
Here's what to do when you literally don’t know what to do. Enjoy! 
1. The average lap dance should last at least two songs. 
This would equal a total of six or so minutes, but obviously adjust this to your own preferences and add time as you see fit, says Gordon. If two songs seems excruciatingly long to you, remember that it's not. You can watch 6-7ish TikTok vids in that same amount of time, don’t let your anxiety win this one. 
2. Plan your song playlist ahead of time.
Just like you check your PowerPoint before giving a big presentation, make sure you have your music cued up and ready to go. Depending on what kind of vibe you're going for, picking from this playlist of sex songs may be ideal. 
Advertisement - Continue Reading Below
“A lap dance is supposed to be seductive, so choose songs that inspire your sexuality,” says Cheng. Her picks: “Climax” by Usher, “Girl With the One Eye” by Florence and The Machine, and “Naughty Girl” by Beyoncé. 
3. Wear the right clothing.
You should put on anything that makes you feel extremely sexy, says Gordon. “I love lingerie, garters and thigh-high stockings with a long sheer gown,” she says. You can also pair your outfit with some slip-on heelssince they accentuate the hell out of your body. Just make sure you walk around in the shoes beforehand to get used to them, suggests Gordon. No shoe is worth breaking an ankle over.
It's also important to layer your clothing, especially if you want the lap dance to lead to sex. This may involve stripping down as you give your partner a lap dance, which is like a super-sexy added bonus. 
4. Do a quick lil stretch before.
“It’s important to stretch before you perform to prepare yourself for any extraneous movements,” says Cheng. There's no greater buzzkill than bending over your partner and killing your back in the process. 
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5. That said, please don't do anything your body can't handle.
If you can't do a somersault, it's probably not worth trying a backbend. Same goes for the splits. But if you are flexible, definitely show it off. Going for a backbend while sitting on your partner’s lap is definitely a crowd pleaser too, says Cheng. 
6. Set the mood with dimmed lights and candles. 
But don't make it too dark to which your partner can't see you. You might also want to play into a role-play fantasy if it's something you and your partner have discussed beforehand. Dress up as a nurse, devil, teacher, whatever—just make sure your setting resembles the theme at least a little bit too. 
7. Make sure you have mastered some moves beforehand. 
No need to plan a full-on dress rehearsal, but you should have an idea of what you want to do, how you want to touch yourself, how you want your partner to touch you, etc. before just going into it blindly. Here are some v common moves you can add to your routine:
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Stand between your partner's legs and lean your upper body forward with your back arched and your butt up in the air. This gives your partner a super-hot view of your body. Trust me. 
Turn around and hover your butt just above their crotch, moving your butt in circles like you're painting their lap with your cheeks. (Feel free to place your hands on their thighs or the arms of the chair for balance.)
When in doubt, know your hottest seduction tool is your hips. So slowly start swaying your hips from side to side, and then move them in a figure eight to the beat of the music. 
8. Choose your setting wisely. 
This can be in a bed, on the couch, on a chair, or wherever you’re most comfortable. Just make sure that with whatever setting you choose, you can switch between standing above your partner, sitting, and squatting easily and whenever you want. 
9. Think less about dancing and more about connecting with your partner. 
If you’re not a dancer, taking the pressure off of a lap dance can help. I don’t know any receiver who isn’t going to enjoy the view (the view being you, someone they’re already super into, stripping and undressing right before their eyes). I can promise you, the last thing they’re thinking about is how on-beat you are with the music.
10. Have fun and be confident. 
“If you’re not having a good time, your partner will be able to tell, and it won't be an enjoyable experience for both of you,” says Cheng. Let loose and don't be afraid to move to the music in whatever way you want to. There's nothing you can do here that would be wrong or incorrect. Remember, so long as everything is consensual, it's literally impossible to fuck up a lap dance. 
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girl4music · 1 year ago
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“You would be forgiven for thinking Willow is not as layered or interesting a character as Buffy until the midpoint of season 2 because she really doesn't get much focus in Season 1, with I Tarzan You Jane being the only real episode that centers around her. She doesn't seem to be anything other than the standard shy best friend / sidekick to the more self-confident main character girl. However that's yet another role Willow plays, because as someone who fears the spotlight, Willow has a tendency to hide in Buffy's shadow.
Willow is a shy introverted teen girl with low self-esteem who's basically only had one friend her entire life, until Buffy suddenly drops into her life in high school. Willow's life suddenly became "special" because Buffy was there and Buffy is special. She transforms from a geek with a few computer skills to a literal magic witch in later seasons. Buffy is the "chosen one" but Buffy chose Willow as her best friend in the first episode when she could have chosen Cordelia. Willow's compromise for wanting the spotlight for herself but being too afraid of it is to cling to Buffy instead, Willow isn't special but she becomes special by being Buffy's friend.
That's why this is the first episode where Willow starts to become her own character so to speak, because when Buffy is rendered useless by the spell into a typical damsel the role of leadership for the group falls onto Willow. When Willow is forced to take charge she's shown to be perfectly capable of doing so as long as Buffy's not around (she also stands up to Giles in Reptile Lizard Boy, and asserts herself more and more later on this season) so the problem isn't really that Willow's not capable of taking charge but she's not usually confident enough to. This is the first episode where Willow becomes the protagonist and Buffy the supporting character.
It's something that will happen again and again later on, Willow attempting to fill in Buffy's shoes. The season 3 opening she makes a pun and tries to stake a vampire the way Buffy does only to fail miserably. When Buffy is gone in season 6, Willow becomes the default head of the group. Willow is always in Buffy's shadow, but she's also shown to be perfectly capable of stepping out of that shadow on several occasions, it's just Willow herself who chooses to stay there.
Which really goes to show how deep Willow's fears and insecurities run. Willow is a hacker, she's smart enough to get into any college she wants, and yet Willow's opinion of herself is abysmally low, she's cripplingly afraid of what other people think of her.
Except on Halloween, the one special night you can choose to dress up like a slut and get away with it judgement free.”
Well written. That’s what I keep saying. Willow is an immensely layered and interesting character. I would say even more than Buffy in some ways actually.
You never see the “true” Willow because she’s always wearing a costume, playing a character and putting on a performance. And yet - through all of that…
You still get just Willow. You still get everything she is because it’s all part of what and who she is anyway.
Which is why what Giles says to her in ‘Lessons’ is so poignant for her character representation and arc.
“You are. In the end we all are who we are no matter how we may appear to have changed.”
“However, on top of that she somehow associates the experience of being a "Real" girl with powerlessness and depending on someone else. That being more traditionally feminine somehow goes hand in hand with weakness. Girls are after all traditionally the victims in horror movies, and when Buffy is playing the role of hero she can't be a victim.”
Yeah, this is the reason why I don’t like this episode. It’s clever in its use of themes and dichotomies and such but just this one thing about it really ruins it for me. I can’t enjoy watching it even if it’s Willow-centric. Because - in a show that praises Buffy for not being gender stereotypical - they still manage to undermine and even insult Buffy as a person for just being a girl. This is probably the only episode where Buffy’s femininity is called into question and it’s not good how they decide to execute her plotline and then resolve it. By basically telling her that being “like that” (aka a traditional girly girl) is something to be ashamed of.
“Ironically, the only man to show a clear preference for Buffy's normal self in the episode is Spike who films her and praises her at the beginning for her strength as a slayer. Then towards the end, when given the opportunity to kill her as the helpless damsel Spike spends way too long lingering on it instead of just snapping her neck, almost as if waiting for her to return to being her usual self.”
Yep. Made that point too. Literally every guy Buffy interacts with either romantically or platonically infantilizes or genderizes her…. Except Spike.
He is the only one that treats her as an equal. Sometimes even more than he is. Beneath her.
“Xander is almost as much of a victim of gendered expectations of the people around him as Buffy is. Xander is insecure about the fact that he's not performing the role of a man correctly, the same way that Buffy thinks she's not being a girl correctly.”
I have said that Xander is the only other main character where the theme of growing up is just as important for him as it is for Buffy. Willow is not so much concerned with growing up as she is with being her own person. Growing up is apart of it, yes, but not a significant amount like it is with Buffy and Xander. Growing up = growing out of immature impulsions. And that’s definitely very significant for Xander because he is constantly dealing with his immaturity.
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BUFFY THE VAMPIRE SLAYER: "HALLOWEEN"
The next episode in my episode by episode analysis of Buffy the Vampire Slayer, showing how individual episodes fit into the themes of the seasons they're a part of and the series as a whole. This is the first of several Halloween episodes that use the holiday to take a deeper look into the fears of the characters, and the costumes they wear not just on Halloween but every day in their normal lives.
1. Janus
The central theme of the episode revolves around the roman god Janus. Giles helpfully explains for us here.
Giles: Janus. Roman mythical god. Willow: What does this mean? Giles: Primarily the division of self. Male and female, light and dark. Ethan: (appears) Chunky and creamy. Oh, no, sorry, that's peanut butter.
Janus is the god of beginnings, transitions, dualities, and oorways. He's a two-faced god as shown in the idol that Ethan Rayne uses to cast his spell. More specifically he is the god of doors, the gates of an ancient building in Rome are named after him. As the god of Doors, he represents the middle ground between concrete and abstract dualities. Male/ Female, Light/Dark and Chunky and Creamy. These things are traditionally thought to be two abstract categories but the closer you look at them the more fuzzy the boundary line between them becomes.
A Binary Opposition is a pair of related terms or concepts that are opposite in meaning, where two opposites are strictly defined against one another. Up is defined as being the opposite of down. These are considered to be strict categories that are mutually exclusive from one another.
However, these sets can be seen as complementary forces, rather than contradictory to one another. You can't understand one without understanding the other. An example is one cannot conceive of 'good' if we do not understand 'evil'. These pairs which are seen as distinct opposites are actually complementary pairs which are needed to define each other.
Dualism, is the key word of this episode every single character in this episode has two faces. They are representing two sides of themselves, one is the face they wear on their everyday lives, the other is their hidden side that they only have the confidence to show on Halloween. Which one is the mask, and which is the real face that's first asked this episode and repeated again later on in the series.
The basic premise of this episode is that on Halloween you have the confidence to dress in a way you wouldn't normally dress for the rest of your life. This quote from a completely different show the Venture Bros does a good job of explaining it.
Orpheus: This is a night of true magic. Halloween is the night we discover who we are. Are wepeople who make zombie armies? Are we those who condemn others, or are we beautiful children in resplendent costumes collecting candy? Are our choices in costumes provocative? Do we dress up as our ideal self? Or are we not ready to decide who we want to be? We use this one enchanted night to perform the greatest feat of magic there is. We become ourselves. Halloween is the true magic it is the night we discover who we really are.
For Buffy this means dressing like a normal girl, for Xander it's dressing up like a more traditionally masculine tough guy soldier, and for Willow it's dressing a little slutty (until she loses confidence to do that).
Not only does each costume choice inform us about the characters, the characters are physically flipped. As a result of the spell making the halloween costumes flesh, the characters insides become their outsides and their outsides become their insides. I'll be breaking them down character by character down blow.
2. Willow: The Ghost Girl
Willow's costume for the night is based on that old joke that girls dress up sluttier on Halloween because it's the one night of the year they're allowed to get away from it without being judged.
Buffy: What'd you get? Willow: A time-honored classic! (holds up a ghost costume) Buffy: Okay, Will, can I give you a little friendly advice? Willow: It's not spooky enough? Buffy: It's just... you're never gonna get noticed if you keep hiding. You're missing the whole point of Halloween. Willow: (smiles) Free candy? Buffy: It's come as you aren't night. The perfect chance for a girl to get sexy and wild with no repercussions. Willow: Oh, I don't get wild. Wild on me equals spaz. Buffy: Don't underestimate yourself. You've got it in you.
Buffy mentions that Willow is hiding, which is an interesting word to use here because you could say that shy, introverted Willow spends most of her life hiding from the spotlight. Just a few episodes ago Willow's choice of outfit to wear for the school dance in Inca Mummy Girl is emblematic of this behavior, on a night she can wear anything she chooses to wear a giant snow parka that hides most of her body. To a dance which she was hoping Xander would ask her to, and got jealous when he noticed another girl (the mummy girl) and asked her to the dance instead.
Willow is made up of these two contradictory desires. She wants to stay out of the spotlight, but she wants to be noticed as well. Unlike most of the pairs we're going to discuss in this post these two things are mutually exclusive. As Buffy points out "You're never going to get noticed if you keep hiding."
Male and female don't contradict each other, you can be both male and female because male and female are just made up categories that are more ambiguous than most people believe them to be. However, you can't get noticed if you're hiding yourself, because well you're hidden. It's a having your cake and eating it too sort of deal.
Perhaps reflecting how contradictory and complicated Willow's core desires are, she's the only one dressed up as two different costumes. She at first dresses in the more revealing costume Buffy suggests, but then hides it with a traditional white bedsheet ghost costume. Willow is dressed up as two different things because she wants to have it both ways. Giles even comments on the confusing nature of her costume.
Giles: (confused) A-and, uh, your, your costume? Willow: I'm a ghost! Giles: Yes. Um... w, uh, uh, uh, the ghost of what, exactly?
Willow wants to be noticed for who she is, and in general be the kind of self-confident person that Buffy seems to be so naturally, but she's constantly sabotaged by her fear of judgement. When people notice you they will judge you whether you want them to or not. It's not a coincidence that Willow dresses up in costumes again and again, in story. Wearing costumes / theatre / performance is a recurring motife for her, you see Willow's got a bad case of stage fright.
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In the first episode where characters deal with their deepest fears, S1E10 Nightmares, Willow's nightmare is being forced to perform the opera Madame Butterfly on stage in front of everyone when she doesn't know the lines.
STAGE MANAGER: Man, I thought you weren't going to show. Aldo's beside himself. M. C.'S VOICE: Ladies and Gentlemen, we are proud to present two of the world's greatest singers… STAGE MANAGER: I hope you're warmed up. It's an ugly crowd. All the reviewers showed up. M.C.'S VOICE …all the way from Firenze, Italy, the one and only Aldo Gianfranco… The stage manager drags Willow to the curtain. She peers out to see: WILLOW'S POV - A RATHER LARGE AUDIENCE is waiting. Willow backs away from the curtain, starting to hyperventilate. M.C.'S VOICE… and all the way from Sunnydale, California, the world's finest soprano, Willow Rosenberg! WILLOW: But… I didn't learn the words…
As I said performance is a recurring motie for her character. The definition of a motif is a distinctive feature or dominant idea in an artistic or literary composition. Willow's character revolves around the idea of theatre and performnace it just keeps coming up with her, later on in the dream symbolism episode of Season 4 "Restless" Willow is once again forced to step up on stage when she doesn't know the lines. Her dream is once again showing up to the first day of drama class only to learn that everyone is putting on a production of Death of Salesman with a cowboy in it, and she doesn't know any of the lines. Giles also has this to say about acting and the word "hiding" is brought up again.
GILES: Acting is not about behaving, it's about hiding. The audience wants to find you, strip you naked, and eat you alive, so hide. GILES: Now, costumes, sets, um, the things that you, uh, you know, uh, you, um... you hold them, you touch them, uh, use them, um... HARMONY: Props? GILES: No. RILEY: Props? GILES: Yes! (Points at Riley) It's all about subterfuge. (To Harmony) That's very annoying. (To everyone) Now go on out there, lie like dogs, and have a wonderful time. Now, if we can stay in focus, keep our heads, and if Willow can stop stepping on everyone's cues, I know this'll be the best production of "Death of a Salesman".
Willow's dream also has this repeating line, said by many different characters.
BUFFY: (to Willow) Your costume is perfect. (Whispers) Nobody's gonna know the truth. You know, about you. WILLOW: (bemused) Costume? BUFFY: (pouting) You're already in character! Oh, I shoulda done that! [...] BUFFY: (straightens up) Play is long over. (Stares at Willow) Why are you still in costume? WILLOW: Okay, still having to explain wherein this is just my outfit. (Gesturing to her clothes) BUFFY: Willow, everybody already knows. Take it off.
People constantly refer to Willow as being "in costume" when she's just wearing her normal everyday clothes. Giles says that acting is just the art of lying and hiding who you are in front of everybody, and Willow's default behavior is to always hide in the shadows. Willow's everyday self is just as much of a costume as the costume she wears on Halloween.
You would be forgiven for thinking Willow is not as layered or interesting a character as Buffy until the midpoint of season 2 because she really doesn't get much focus in Season 1, with I Tarzan You Jane being the only real episode that centers around her. She doesn't seem to be anything other than the standard shy best friend / sidekick to the more self-confident main character girl. However that's yet another role Willow plays, because as someone who fears the spotlight, Willow has a tendency to hide in Buffy's shadow.
Willow is a shy introverted teen girl with low self-esteem who's basically only had one friend her entire life, until Buffy suddenly drops into her life in high school. Willow's life suddenly became "special" because Buffy was there and Buffy is special. She transforms from a geek with a few computer skills to a literal magic witch in later seasons. Buffy is the "chosen one" but Buffy chose Willow as her best friend in the first episode when she could have chosen Cordelia. Willow's compromise for wanting the spotlight for herself but being too afraid of it is to cling to Buffy instead, Willow isn't special but she becomes special by being Buffy's friends.
That's why this is the first episode where Willow starts to become her own character so to speak, because when Buffy is rendered useless by the spell into a typical damsel the role of leadership for the group falls onto Willow. When Willow is forced to take charge she's shown to be perfectly capable of doing so as long as Buffy's not around (she also stands up to Giles in Reptile Lizard Boy, and asserts herself more and more later on this season) so the problem isn't really that Willow's not capable of taking charge but she's not usually confident enough to. This is the first episode where Willow becomes the protagonist and Buffy the supporting character.
It's something that will happen again and again later on, Willow attempting to fill in Buffy's shoes. The season 3 opening she makes a pun and tries to stake a vampire the way Buffy does only to fail miserably. When Buffy is gone in season 6, Willow becomes the default head of the group. Willow is always in Buffy's shadow, but she's also shown to be perfectly capable of stepping out of that shadow on several occasions, it's just Willow herself who chooses to stay there.
Which really goes to show how deep Willow's fears and insecurities run. Willow is a hacker, she's smart enough to get into any college she wants, and yet Willow's opinion of herself is abysmally low, she's cripplingly afraid of what other people think of her.
Except on Halloween, the one special night you can choose to dress up like a slut and get away with it judgement free.
2. Buffy: The Normal Girl
While Willow gets to play the hero for the night, Buffy gets to be the damsel-in-distress being rescued by others instead of doing the rescuing. Buffy's desire to be a normal girl and how being the slayer keeps her from a normal life where all she has to worry about is which boy she's going to the dance with is a long running theme with her character, but there are some interesting themes with gender going on with Buffy and Xander's characters this episode.
The central "idea" of Buffy is that Buffy as a blonde high schooler would usually be the first victim in a horror movie, the girl running away from the slasher but instead she's the thing monsters run away from. Certain episodes play with this idea by changing her back to her more traditional role and show just how weird and out of character that is for Buffy. This episode she's practically helpless for the entire episode. There's an episode in season 3 where she loses her powers as the slayer, and spends the entire episode losing all confidence in herself because she lacks the strength to fight back against monsters and other men and is made to feel like a victim. In Season 5 there's "Superstar" where Jonathan makes himself the main character of Buffy by using magic to turn the world into his self-insert fanfic, and despite still being around Buffy acts more like a sidekick or "The chick" of the group despite the fact she's supposed to be the slayer.
Buffy is a girl in a main character role that's usually given to guys. It's a thing both the writers and audience are aware of. It shouldn't be weird that the chosen one is a girl, and yet because of the gender imbalance in fiction it sort of is. That's why characters sometimes ask questions like "How come there aren't any boy slayers?"
However, Buffy being a female character occupying a role usually reserved for main characters is also commented upon in universe by the males in her life. Xander's season 1 arc is him dealing with the fact that Buffy is not the love interest to his story and doesn't conform to his desires of her and accepting her as a friend. Xander gets a flash of that tendency of his rearing its ugly head again when Xander gets mad at Buffy for standing up to him when a jock was about to beat him up, because it'd apparently be better to be beaten up then saved by a girl.
Buffy always wants to be a normal girl, but I think it's important to see in this episode why she wants to dress like a princess from the 1800s this episode. It comes from two of the men in her life making her insecure about her femininity. Xander by complaining about a girl rescuing him, and Angel's lack of attention making her believe she needs to act more like the type of girl that he would be into. Buffy's not just trying to dress up as a normal girl this episode but the kind of girl that would be worthy of angel's attention. What she thinks he wants in a girl.
ANGEL: I don't get it Buffy. Why did you think I'd like you better dressed that way? BUFFY: I - I just wanted to be a real girl, for once. The kind of fancy girl you liked when you were my age.
While Angel says that he likes the kind of exciting girl Buffy is now far better, I think it says something about both Angel and Xander that the kind of girl Buffy thinks they want her to be is someone helpless.
XANDER: You're sure she came this way? ANGEL: No. CORDELIA: She'll be okay. ANGEL: BUFFY would be okay. Whoever she is now, she's helpless. Come on.
Which I think says a lot about Buffy that number one being who she is, disqualifies her from being a "real" girl. There's the fact that she naturally as the slayer sees herself as always existing outside of the crowds watching other people live their lives and protecting them while she can't live hers. However, on top of that she somehow associates the experience of being a "Real" girl with powerlessness and depending on someone else. That being more traditionally feminine somehow goes hand in hand with weakness. Girls are after all traditionally the victims in horror movies, and when Buffy is playing the role of hero she can't be a victim.
Which is you know a whole can of worms, but also effective foreshadowing for the second half of the season. Season 2 is so well-written because there are so many red flags for what is going to happen in the midway twist, and yet the characters drive straight past them. The foreshadowing in this episode being that "normal girl" or "princess Buffy" isn't just scared of vampires and everything that moves, she's also scared of Angel despite Cordelia's insistence he's one of the good guy vampires.
BUFFY: (Re: Angel) He's… he's a vampire! CORDELIA: (to Angel) She's got this thing where she thinks - ah, forget it. (humoring her) It's okay. Angel is… a good vampire. He'd never hurt you. BUFFY: He - really?
Cordelia saying Angel is a good vampire who'd never hurt her sounds awfully ominous knowing that Angel becomes the main antagonist of this season.
It's not a coincidence either that the traditional proper kind of girl that Buffy dresses up as looks almost exactly like Drusilla, even wearing a brown wig to match her hair color. Angel even says at the end of this episode that he hated the kind of girl that Buffy dressed up when he was a teenager, and then details to Buffy in the next episode his obsession with corrupting Drusilla's purity.
Buffy like Willow fails to reconcile these two opposing sides of her. She can't be a normal girl if she's the slayer. She can't be a real girl if she's strong enough to make the men in her life feel insecure. It's almost like being a girl is yet another costume, a performance you make in front of an audience and Buffy feels like she's doing that badly. Not only that but men are continually making her feel that way too, either by being completely emotionally unavailable like Angel, or by getting mad at her like Xander for refusing to conform to her expectations.
Ironically, the only man to show a clear preference for Buffy's normal self in the episode is Spike who films her and praises her at the beginning for her strength as a slayer. Then towards the end, when given the opportunity to kill her as the helpless damsel Spike spends way too long lingering on it instead of just snapping her neck, almost as if waiting for her to return to being her usual self.
ON SPIKE & BUFFY: As he looks around him to see that his MINIONS are all SCARED LITTLE TRICK-ORTREATERS (and two high school students). The realization sinks in - and he looks at his hand. It's still holding Buffy's wig, buther head isn't in it. He looks back at Buffy. She's smiling. BUFFY: Hi Honey. I'm home. And she LETS LOOSE on him. All the pent-up rage and frustration from her last defenseless hours comes pouring out. A series of BRUTAL KICKS and PUNCHES send him to the ground. She lifts him back to his feet BUFFY:You know what? It's good to be me.
As Spike is acting as both Buffy's mortal enemy and shadow self, his reluctance to kill her when she's not herself and respect for her real self goes hand in hand with Buffy's self-acceptance when she changes back. Buffy does like and accept her power, and feels confident in that fact, but often represses that side of herself because women aren't really supposed to be confident in themselves in that way. Buffy's desire to be strong and to accept her strength and make it hers is therefore repressed to please the other people in her life and so she can pass off as normal and that repressed aspect of herself manifests in Spike, her shadow self's admiration for that same power.
Spike is even the one who tears off her costume reverting her back to her real self.
The other men in the episode also learn to appreciate the real Buffy after spending the entire episode dealing with the annoying damsel version of her, but they have to learn that lesson where Spike is the only one praising her for her abilities from the start. Because Spike is the shadow self, he's Buffy's self reflection whereas Xander and Angel represent the judgement of other people on her.
One last thing I would like to say is that both sides of Buffy are real, both the normal girl and the slayer. I think there's something deeply sad about this episode that implies that there's a screaming girl inside of Buffy, who does feel scared and helpless in the face of the monsters in her life but she can never allow herself to feel that fear because she has to be strong. The scared little girl half of Buffy is just as real as the strong, self-confident pun-making slayer.
3. Xander: Soldier Guy
This is going to be the shortest section, because Xander, but I would like to note that as a character Xander works best when you realize he basically has no proper masculine role models in his life. His father is abusive, Giles makes it clear he doesn't like him, there's no one at home or school to demonstrate what a normal and healthy adult man acts like.
Teenage boys like Xander don't grow up in a vaccuum, and Xander acts the way he does towards Buffy not out of malice, but out of a deep seeded insecurity. Xander, like Willow is worried about what other people will think. It's better to be beaten up by a school jock then to be rescued by a girl not because he thinks Buffy should be weak, but because he thinks other people will think he is weak.
When Xander's not worrying about what other people think, he's shown to be perfectly fine with having mostly female friends and not dating any of them. Xander is almost as much of a victim of gendered expectations of the people around him as Buffy is. Xander is insecure about the fact that he's not performing the role of a man correctly, the same way that Buffy thinks she's not being a girl correctly.
If Willow is perfectly capable of being a leader and being self confident like Buffy is but usually hides in the shadow, Xander is perfectly capable of being brave. He doesn't need to be soldier guy or to carry a gun because he will jump right into danger alongside Buffy like it's no big deal. The only person who thinks it's a big deal is Xander, because he's suffering under the societal expectation that he needs to be physically strong.
It's like Xander thinks there is an imaginary checklist of things he needs to have to be a proper man and he feels insecure when he doesn't have them. He needs to date a girlfriend in high school. He needs to be the physically strongest. He has an incorrect expectation informed by the society around him. It's not weird that Buffy is the main character and hero, but people think it's weird because the main character usually would have been Xander. The normal high school boy in any other story would hvae turned out to be the chosen one and the girl he liked would have started like him back, but Buffy is not that story.
Xander doesn't need to be soldier boy because he's always someone who will fight by Bufy's die, but just like BUffy and Willow the only time he feels confident enough to dress up like Solider Boy is Halloween.
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pherryt · 2 years ago
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10 random lines
I was tagged by @echo-bleu - this is a neat one, thanks for the tag!
Rules: pick any ten of your fics, scroll to the midpoint, pick a line (or three) and share it. Then tag ten people.  
I’m also just going to do the last 10 posted fics
Since this is long I’m going to put all the snippets behind a cut. Fandoms mentioned are: Witcher, Supernatural, One Piece, Star Trek, MCU (2 of these fics are crossovers)
1 - Dear Diary, It's Been a Strange Fucking Year... (Witcher)
I have a moment while Jaskier gets ready for his ‘performance of a lifetime’, which means I should have plenty of time to write. When Jaskier primps and preens for something like this, he takes his fucking time.
But he does look good when he’s done, and I'm always the first to see it. That shouldn’t make me feel special, but it does for some reason.
2 - Unfamiliar (Supernatural)
Beside the woman was another redhead, similarly powerful but with a unique flavor to it that made the cat lift her head and sniff the air with even more interest, eyes following the two women as they moved slowly through the store. The two, while both short, redheaded women, were as different as night and day. The one, sleekly elegant in a traditional black dress, and meticulously coiffured, with diamonds adorning her neck, ears and hands, versus the slightly taller woman clothed in bright, contrasting colors and patterns in multiple layers of denim, cotton and flannel that shouldn’t work but did, with headphones around her neck and an old messenger bag adorned with pins and patches slung over her chest.
3 - The Earth of Me (Witcher)
“You’ll need a name,” Jaskier blurted suddenly.
I am The Greater Hound. The hound growled back. What other name do I need?
“I can’t call you that when we reach the others,” Jaskier said with a roll of his eyes. “Ogar.”
??? The hound lifted his muzzle from the water and stared.
“That’s what I’m calling you.” Jaskier could feel the weight of Ogar’s disapproval. “Don’t judge me.”
Ogar returned to drinking, snorting into the water. Whyever would I do that? If you deem I need a name, I would be honored to accept this one.
4 - Monster Heaven (Witcher/Supernatural)
Lambert was going to be pissed when he found out – if Aiden’s suspicions were correct, there would be no hiding this - and Aiden didn’t think pointing out that ‘Hey, at least I’m not dead!’ was going to make things better.
“Alright, Cas, hold him still,” Dean said, as Aiden readied both potions. He wanted to take them as soon as he could. He also wanted to tell Dean and Cas that he was a Witcher and didn’t need anyone to hold him down – or that they couldn’t – but he didn’t have the energy, so maybe they could at that.
Maybe Cas especially, because Cas may look human, but Aiden’s medallion protested that vehemently.
5 - Feeling Things Through (One Piece)
She could be a man one day, a woman the next, or neither and both at once. She could wear dresses on days that she felt a little more feminine, like today, but still fall back to being a man when she wanted. It didn’t have to be one or the other. She could be… both. Either. Whenever she wanted. Whatever felt right for the time.
Sanji didn’t need to envy the ladies for what they were wearing anymore, or for their softness. With her newfound confidence in herself, now *she* could be a lady for a day - or more - and wear what she wanted. And she'd learned how to fight in dresses too, her kicks no less powerful, no less deadly, for wearing a skirt instead of slacks. Maybe *more* powerful, actually; heels could be rather painful when you got kicked with them, as long as they were of sturdy enough construction.
Still, she stared out at the water in trepidation. They were almost at Sabaody, a dark smudge against the horizon proof of that already.
They were almost at the moment of truth with their Nakama.
6 - The Fluttering of All Your Wings (Witcher)
Triss, to her credit, did not hesitate to make her way to Geralt’s side and sink to her knees beside the cushion.
“Oh, the poor thing,” she murmured, nothing but sympathy in her voice or scent. Quickly, she took charge and Geralt followed every direction. Soon, he held the pixie cradled against a shoulder to hold him steady while she inspected the wing. The pixie had calmed, the fear going away, though the pain was still clear in the air. He clung to Geralt’s shirt with tiny hands and a surprisingly strong grip.
“Can you fix it?” Geralt asked, knowing the answer was likely bleak, but Triss had worked miracles before and so he held out hope.
7 - Words Are Hard, But For You I Try (Witcher)
Geralt felt like he already knew those answers. Hadn’t he spent the past two years regretting what he had done? Hadn’t he spent the past two years wishing he could apologize and tell Jaskier all the things he’d never told him? And as much as he had ignored the growing love he held for Jaskier year after year, he had never been blind to it. Ignorant, perhaps, especially in those early days, but after listening to Jaskier wax poetic about love so often, Geralt had made the connection.
He never stood a chance with Jaskier, but he could stand beside Jaskier again, be his friend and keep him safe. Still, how did he apologize? How could he make sure Jaskier knew he didn’t have to hide himself away, just because Geralt was there, regardless of whether he accepted Geralt’s apology?
He’d spent so long looking, so long wishing to fix things, he’d never thought about the how.
8 - The Beckoning Stars and the Secrets They Hold... (Star Trek/MCU)
Leonard stumbled to a stop and stared after him in more resignation than disbelief. He sighed and pinched the bridge of his nose.
He was going to wipe that self-satisfied smirk right of Jim’s face, so help him god.
After the mission.
****  
After the mission, Leonard griped to himself as the shuttlecraft shuddered around them, was meant to be after a successful mission, goddammit.
9 - Turned Around (Supernatural)
“You look like you’re about to fall asleep on your feet,” Dean said with both concern and disapproval. “C’mon, let’s get you back to bed.”
Cas shook his head, though he almost melted into the warmth of Dean’s arm around his shoulders. “Won’t help.”
“Nightmares?” Dean asked softly.
“Yeah,” Cas croaked.
“Yeah,” Dean agreed. “They’re a right son of a bitch.”
10- Do Not Meddle in the Affairs of Wizards (Witcher)
“It’s a conditional clause for breaking the curse. And who knows what the condition is,” he spat. “Fucking mages.”
At least that meant there was a way to reverse this. He just had to figure out how. Witchers specialized in curse breaking, but it was always easier if you had some sort of clue, some reason behind the curse to begin with, and Geralt doubted there’d been much reason behind the mage’s last desperate action.
Another mage, though, could read the curse like an open book and tell Geralt what he needed to know. The problem with that, though, was finding one he trusted. He could count on one hand the number of mages he trusted, and both were unlikely to be able to help him on short notice. Triss was in the employment of Temeria, last he’d checked, and they were nowhere near there. And Yenn was unpredictable in her movements.
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getlostsquidward · 3 years ago
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Nothing Beats Home
Lou Miller x Flight Attendant!reader
A/N: This is a one-shot set before or could be after The mile high club. Wrote this as a response to the anon who requested a part 2 of that fic<3
Summary: Lou spoils you after a long day at work.
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As soon as the last passenger has exited the plane, you switched your heels to simple black flats with a low moan of pleasure. As much as you felt powerful while strutting in heels in your uniform, the comfort of flats is the one you seek after a long day of work.
Technically speaking, it’s not the only thing you seek after a busy day.
Usually, you would always arrive home alone, your girlfriend either busy with the club or another job. It’s not a problem for either of you, each respecting the alone time both of you need. But this time, you stood still in the middle of the departure lounge, eyes locked on the tall, blonde, and gorgeous lady standing at the far end, holding a small bouquet of what you could make out as your favorite chocolates.
You didn’t know if you’ll cry over the overwhelming love you have for her, or laugh at the cliché romantic movie scene you are in now where everything else is blurred out but Lou. You have half a mind to check if there are hidden cameras capturing you now.
A teary-eyed wide smile made its way to your face. Your eyes are locked with hers as you close the distance between you, and you notice that she’s not wearing her staple suit this time. She’s donning all-white pants and a hoodie, with a brown leather jacket as an extra layer. Angelic.
Your smile was mirrored with hers, pearly white teeth shining under the bright lights of the airport. Are we sure that you’re not dead and this isn’t heaven with an extremely stunning angel waiting for you? Or the most pressing question, why does this feel like you’re walking down the aisle? And not on an airplane aisle, mind you.
Just as you were directly in front of her, you bury your face in the crook of her neck inhaling her signature scent. Lou, a bit surprised by the action, instinctively wrapped her toned arms around your figure, feeling the exhaustion on your whole body which was proved by your deep and heavy sigh.
“How did you know the exact time of my arrival today?” you murmured against her neck, getting at ease in Lou’s embrace.
“I have my ways, baby.”
You made a mental note to shoot Nine a text later. The blonde ran her hands on your back and uttered, “Let’s go home, I have a surprise for you.”
Curiosity piqued, you break free from her contact and looked at her. Head tilted to the side, your eyes narrowing. “What is it this time, Lou?”
“If I tell you then it’s not a surprise anymore, Y/N. Come on,” Lou chuckled, grabbing your suitcase for you. “Oh, I almost forgot,” she hands you the bouquet. “Brought you your favorites.”
You gave her a peck on the cheek as a thank you. Walking together hand-in-hand, you can’t help but feel a surge of confidence as you walk as a power couple making the airport your runway with other people’s eyes on the both of you.
Lou opened the car door for you, and as you settle down on the passenger seat, you saw your girlfriend’s favorite leopard coat draped on her seat. As she opened the door, the blonde saw you bury your head into the coat and hugged it. It’s a habit of yours, getting a whiff of Lou on her clothes. Your girlfriend watched you for a while, grinning at your antics.
“If my clothes smell so good why don’t you get them from the source?”
Immediately taking the coat away from your face, you didn’t hesitate to embrace her once again more intimately this time away from prying eyes. Like earlier, you buried your face in the crook of her neck; while Lou strokes your tresses, getting rid of the knots gently.
“Hmm, this is so much better.”
“I know. Highly recommended.”
You lift your head to look at her, to stare at her beauty. “Do you know who is jetlag’s manager?” you asked, playing with Lou’s fringe.
She furrowed her brows, a bit fazed by the question. “Uhh…”
“Because I need to speak with theeem!” you bit your lip, trying not to burst into laughter at Lou’s reaction or lack thereof.
“Honey, you’re lucky I love you.”
“That I am,” you giggled, brushing your lips against hers. Missing the feeling of Lou’s sweet lips, you tugged at her bottom lip, what started as a gentle and affectionate kiss quickly turning into a heated make-out session. The hand on your head pulled your hair making you gasp, your girlfriend conveniently slipping her tongue into your mouth, taking over the kiss.
Your hands travel under her hoodie, the warmth of her skin radiates to your palm. Your touch causes Lou to whimper, lowly, the sound sending shivers down your spine.
The hand tangling your hair remained in its place, meanwhile, Lou’s free hand found its way to your throat, squeezing softly. The woman could feel your pulse racing. Good to know she’s not the only one.
The inevitable need to breathe causes both of you to pull away, just so, your foreheads resting on each other. Heavy breathing is the only sound that can be heard in the closed space, apart from the rhythmic thumping ringing in your ear.
Lou gave you another peck on the lips, “I can never get enough of this. Of you.” She slowly pulls back and starts the engine with a stupid smile plastered on her face.
While on the road, you tell each other about your day went, you asked about the gang, until you reached that specific fantasy of yours that you once daydreamed while flying.
“It would be a total badass if that were to happen.”
“That’s one hell of a crazy idea, Y/N.”
“But it’s cool! Maybe some of you could learn how to fly a plane, the others will pose as my co-crew, the rest chilling and blending in the crowd… A heist in the sky!”
You were sure you look like an idiot with both your hands up like the Spongebob rainbow meme. Sighing, you break out of your daydream. “They should make a movie like that.”
Lou only shakes her head, amused by your antics. But you’re right, it would be cool, fun, and wild to do a heist when you’re 30,000 feet above sea level. Imagine the adrenaline.
She glanced at you when you stopped babbling, not surprised that you were out like a light, napping soundly against the headrest. Lou stopped at the side of the road, reclining your seat to help you get comfortable, and laid her coat over you.
The moment Lou woke you up from when you entered the loft was all a blur. She told you to go ahead, and so you did, the first thing in your mind is to soak in a warm bath.
The fact that Lou knew that it would be the foremost thing you would do when you got home brought a smile to your face. The room was lit with candles all around, the tub warm as you dipped your hand, the tulip petals scattered completed the romantic scenery.
Not wasting any time, you shed your uniform off your body and hopped in the bath. As you lay back, the aroma of scented oils used hits your nose in a savory way, not irritating at all. Relaxed and sitting tight, you closed your eyes and wondered who among the gang had helped your girlfriend prepare this bath. Are all of them in this?
That’s when Lou walks in, hair up in a bun, with a bottle of wine and two glasses in hand. “Surprise.”
Opening one eye, you peeked at her. “What a superpower you have, babe. Imagine preparing a warm bath for me as soon as we get home when you were with me the whole time. Wow.”
That earned a chuckle from the blonde, going along with your joke. “Yeah, I actually do have hands everywhere. I just finished cooking; you know.”
“Hmm. That’s absolutely impressive. But I don’t know about the ‘hands’ everywhere… I mean why aren’t they on me right now?” you smirked, knowing it would prompt her to approach you.
You were right, but to your slight dismay, she didn’t slip in the bath with you and sat on the small stool beside the tub instead. She then poured wine into the glasses, giving one to you.
“What­–“
“Mac and cheese,” she answered before even hearing the rest of your question.
“You spoil me, Miss Miller,” you retorted as you sipped on your drink.
“Nothing but the best for the best girl in the world.”
You almost felt shy by the way your cheeks burned. Almost. As a part of her surprise, she lathered your body with soap, massaged your scalp where you almost fell asleep. Bath time was surprisingly fast, considering, well, you did only take a bath this time.
After dressing up, you ate the Mac and cheese Lou cooked. Gourmet foods from hotels and different restaurants you have been to simply do not compare to your girlfriend’s homecooked meals. As cliché as it already was, you know it’s full of love.
Next up, movie time. You cuddled impossibly close to her, actively savoring the moment. But due to your long day, ten minutes into the movie and you were already passed out. She gets the remote on the bedside to turn the tv off.
Lou slides under the covers with you, ready to join you in slumber. You scooted closer, your leg coming to rest on hers. Lou presses a kiss on your forehead and whispered, “Sweet dreams, angel.”
tags: @madamevirgo @setsuna1415 @ilovehotactresses @thenastoaster @r4nd0mgir1 @just-another-ant1 @nocteangelus15 @bytheseangie
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darlingvita · 3 years ago
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gentleman jack 2x04 thoughts
I want to start off by saying simply that I adored this episode. I was particularly nervous about it going in, as I knew inevitably it would cause a lot of controversy and fandom discussion, what with it being the Cheating Episode and it being quite Mariana centric, but I thought it was beautifully written, incredibly acted, and I thought the editing and directing were absolutely on point this episode. I want to share some of my thoughts on my favourite parts, because there is so much to discuss. There is a lot to get into, so I will put the rest under the cut.
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1. That opening scene
I knew I was going to love this episode as soon as it began with the effortless transition from the recap into the first scene. The pure melodrama of Mariana’s first (new) line of the episode being “—and I’m even more ridiculous for still being in love with you” made me gasp. What I love about this season so far is how utterly unapologetic it is in its lesbian drama. Melodrama often comes with the period genre, everything elaborate and decadent and showy, and I love that we are finally allowed to have a lesbian version of that. We have the beautiful over-the-top romance (like the gorgeous hilltop scene in 1x08, as well as the stunning scene at Rievaulx Abbey in 2x01) and now we also have the absolutely delicious Ex Drama , which I am honestly eating right up. It might not be up everyone’s street – love triangles are always going to polarise people – but considering this is a true story, or at least, is based on a true story, I am loving every second of it. The effortless transition, along with Anne looking at the camera, and then the absolutely stunning shot of Mariana noticing Anne’s ring had me breathless before we even got to the heart of the episode.
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2. Lydia Leonard
I thought Lydia’s performance really shone in this episode. Mariana was manipulative, and at times it was uncomfortable to watch, but all the while I really did empathise with her, for her struggle and her complexity. Her delivery of the line above was beautiful (and every mention of “wife” just makes my heart soar), and so was, particularly, the moments leading up to the sex scene (which was incredibly hot, I will not be afraid to admit). Lydia and Suranne’s chemistry was absolutely on fire.
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3. “Not just what I wear, but my manner, the way I walk, everything.”
Perhaps the most special part of Gentleman Jack to me is the portrayal of a butch/femme relationship on screen. I know there is some hesitancy to use these words to describe them, as Anne and Ann were extremely wealthy and butch/femme are terms that originated in a working class lesbian community, but as a femme lesbian myself, it’s impossible not to recognise the way my desire and my experience is being portrayed on screen. I see myself in Ann Walker more than I’ve seen myself on screen before. In the scene in the garden with Mariana this episode, Anne beautifully describes how Ann accepts her wholly for who she is, and the line I quoted above particularly hit me as it managed to communicate what a lot of people don’t understand: being butch goes so far beyond just the way you dress. Another line which, to me, described this beautiful and revolutionary love came earlier in the episode: “She committed to me. She braved the world’s opinion just to be with me.” It all hit very close to home, and it reminded me yet again why this show is so important to me.
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4. Ann’s confidence in shutting down Mr Ingham
Ann has grown so much this season, and I keep saying that s2 is her time to shine, because it really feels like she is gaining confidence and self-assurance and it’s the most beautiful thing to witness. Not only does she immediately defend Anne when Mr Ingham calls her “eccentric”, but she firmly, and with suppressed rage (Sophie’s portrayal of Ann is so nuanced and layered, especially her microexpressions which manage to reveal so much more than the text), immediately shuts down his offer of marriage. She is happy with who she is, with her wife. I love seeing Ann’s courage and bravery so beautifully portrayed.
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5. The last scene
This was a difficult one to watch, the use of “Gentleman Jack” used as a slur (I believe for the first time in the show? Unless I am forgetting), and Anne’s face said it all. Suranne is so talented, and you could really see how it hit Anne in that moment, how she wasn’t expecting it. We see Anne as extremely brave, as rising above it all, but I always appreciate the moments where we see that she is human, and homophobia, even when we are unfortunately used to it, can wear us down. It was only upon rewatching that I also noticed that the crowd are whispering about Anne, turning to stare and talking about her. I felt it all so heavily in my stomach, that gut-wrenching feeling of being judged, how real that is, how accurate to the gay experience. There is so much of this show that is difficult to watch, and I know that some people use this as a criticism, that the homophobia is quite prevalent this season and that it is jarring, but I disagree. To me, it would be doing a huge disservice to the real Anne Lister and Ann Walker to pretend like their lives were easy, and instead, by showing this scene at the end of an episode where Anne clearly was not acting the most moral shall we say, the show is clearly reinforcing: these women were living revolutionary lives in a time of misogyny and homophobia, and they deserve to be treated and viewed (in our modern-day lens) with empathy.
Other highlights for me: Marian was hilarious as always, as was Captain Lister. The tenderness and eroticism of the scene where Anne takes her clothes off in front of Ann for the first time also took my breath away. I agree that it should’ve been longer, but I think it was beautifully done nonetheless. The use of music, the editing, the costumes, were all absolutely 10/10 this episode. Best episode of the season for me so far.
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