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nobodyfamousposts · 4 years ago

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My-Crack-ulous: Aku-Maid

In which I am a horrible person...

No seriously. Don’t read this.

For @mermain123, for bringing up the cursed image that started this mess in the first place.

Mermain: i said i was suffering

Mermain: i didn't want you to make the internet suffer

Me: That sounds like the internet’s problem.

Also for @bloody-writes. You know why... ; )

_________________________

Hawk Moth was a supervillain who had been terrorizing Paris for the better part of two years.

But no one could really argue that not all of his ideas have been good. Or well thought out. Or in any way sensible even.

Like the time he akumatized a baby.

Or the time he akumatized a girl to transform people into exact replicas of herself.

Or the fact he keeps akumatizing Mr. Ramier for going on 29 times at this point…

Or the other time he akumatized a baby…

Times that he destroyed Paris. Times that he nearly destroyed the world. Times that he gave people powers that were completely contradictory to the goals of getting the Miraculous he was after by erasing the heroes from existence or transforming them in ways that made the Miraculous inaccessible.

But none of his akumatizations had ever gotten him as much hate, caused as much misery, were were ultimately as pointless as this most recent incident.

Aku-maid.

It was known the instant she was akumatized. As soon as she was transformed, a wave of power enveloped the city. And within that wave, half of the people of Paris were transformed as well.

…the male half.

Her power was to transform all the men of Paris. She didn’t even have a weapon or attack that did it, it just happened almost instantaneously. All men suddenly found themselves changed.

Or rather, their outfits…

“Ah!”

“What the hell—!?”

“I can’t get it off!”

One by one, every male in Paris suddenly found themselves in a much different state of attire. What had just been a normal day full of various styles and appearances had all suddenly become very…frilly.

“WHY AM I A MAID?!”

Much as implied her namesake, the akuma’s power involved transforming whatever any man was wearing into some variation of a maid outfit.

Every man.

All over Paris.

From Andre Bourgeois, who has refused to leave his office to make an official statement…

“ANDRE!” Audrey shouted, banging on the door. “Get out here this instant!”

“But, honey, I can’t be seen like this!”

To Roger Raincomprix, who has tried to continue his normal duties despite the…change of uniform…

“Stop in the name of the law!” Roger shouted, reaching into his pockets in an automatic reaction to try to get his handcuffs. While the dress he was wearing did still have pockets, the only item they procured was a cleaning rag, which was notably less threatening as the suspect in question stared for a moment before deciding to take off.

“HEY!”

And yes, even to…

“I’m a Macrophage!” Adrien gushed happily as he lifted his lengthy skirt to give a twirl.

…even to Adrien Agreste, who was apparently the only one to find anything pleasant about the current crisis.

Nino stared.

“Dude. Seriously?”

“I’ve always wanted to cosplay!”

Nino, having been long-since exposed to his friend’s deep love for anime in its many forms, at least knew what a Macrophage was. But even so, he couldn’t help but feel there was something odd about the way Adrien took to the long pale dress and cap.

Kim rested a hand on Nino’s shoulder. “Just let the guy enjoy this.”

“At least somebody is.” Nathaniel muttered bitterly as he tried to hide as behind his sketchbook. It was a futile attempt, of course, as he at most only covered his face, leaving the red dress, white apron with pockets, and knee-high boots on full display.

“I don’t understand how he can.” Max complained. He tugged at his own skirt in vain, looking at Adrien’s ankle-length ensemble enviously. The skirt was much shorter than he would have liked—reaching a couple inches above his thigh and almost seemed to be defying gravity to stay that way despite his attempts to get it to either flatten or otherwise lower. “I question the design choices.”

“But you look just like Misaki from Maid Sama! And Nathaniel looks like Lizbeth!” Adrien insisted. “It’s totally a cosplay!”

Max just stared incredulously. He was wearing a black dress with puffy sleeves that tapered off just shy of his elbow, white apron, a cap, and thigh-high black stockings and knee-high boots, it seemed Adrien did have a point.

Max, in all fairness, didn’t particularly care in favor of the problems that came with suddenly finding himself in a short dress, heels, and a corset.

“I just can’t peg where Kim or Nino’s outfits are from.” He continued, studying the outfits in question contemplatively. “But give me a little time! It’ll come to me!”

The boys had been having an afternoon hangout session in the park. No girls. No teachers. No Gabriel Agreste or bodyguards to whisk certain teen models away. It was supposed to be a normal non-drama-filled day.

…which was naturally when it became something less than normal and certainly more than drama-filled.

“I think I get why girls complain about this sort of thing now.” Kim said, looking at his shoes. “These heels are kind of uncomfortable…”

“Are you sure it’s the heels and not the flippers?” Nino asked, annoyed.

Sure enough, Kim was wearing flipper-heels. They were black and also had black ankle straps with a little bow on each. This strange footwear did seem to go with Kim’s talent in swimming, which was also emphasized by the ruffle maid swimsuit they matched with.

“Nah, it’s definitely the heels.” Kim insisted.

So this was what their all-boys’ afternoon had come to.

Kim was wobbling on unsteady heels.

Nathaniel groaned and kept his ever reddening face covered.

Max was questioning where they could procure jackets. Long jackets.

Adrien was giggling to himself and asking if they could do a full Cells at Work group cosplay.

And Nino paled, suddenly realizing something.

"Guys. Guys, we have to hide!"

"Why?" Kim asked. "It's annoying, but this akuma doesn't seem really dangerous."

"No, you don't get it!" Nino hissed. "If Alya catches us, we will NEVER live this down!"

Nathaniel looked over the edge of his sketchbook. “Alya wouldn’t actually post pictures of us to the Ladyblog, would she?”

A long pause followed.

The boys paled.

Except for Adrien, who turned to them with a gasp of excitement. “Do you think she would? We could do a group picture!”

All the other boys paled even more, looking downright ill.

And immediately took off running.

Or at least as well as they could with heels. None of them made it very far without tripping, stumbling, or simply struggling to stay upright as they still tried to move away from the area as quickly as the heels would allow.

“But what’s wrong with—?”

“JUST RUN, ADRIEN!”

“Who thought maid outfits with high heels was a good idea?! How can anyone be expected to clean in these things?

“I will never draw high heels on a super heroine again.”

“I can’t breathe! Who created corsets?! What objective does this achieve besides crushing one’s lungs?”

Nino groaned, still running. “I hope Hawk Moth is suffering as much as we are!”

_____________________

If Nino Lahiffe had the ability to break the fourth wall and peer into the events happening outside of his immediate vicinity, he would be happy to find this was actually the case.

And he would laugh.

Oh, how he would laugh.

“Sir…?”

“Don’t.” Came the dark growl from a very unhappy supervillain. “Don’t say anything, Nathalie..."

This was an akuma that impacted every male in Paris. Every male.

…even to Hawk Moth, himself.

“Why did this happen?”

It would appear that even Hawk Moth was not immune to Aku-Maid’s power as he had been similarly transformed. And unfortunately, due to the change, he could no longer access his Miraculous. The Butterfly broach had disappeared, having been transformed along with his outfit.

And his outfit had…actually left much to be desired.

Which was truthfully just a nice way of saying it was ugly.

Really, really ugly.

Normally the picture of stoicism, Nathalie had to pretend to cough to avoid reacting.

“Can’t you order the akuma to undo it?” She eventually was able to ask.

He lowered his head and closed his eyes in concentration. “No. It’s no good. I’ve lost the link!”

His eyes widened and he clutched his chest in a panic.

“Where is the Miraculous?!” Hawk Moth demanded, trying—and failing to pull at the tasteless dress. But as others across the city had already discovered, the clothes were magic and would not be removed or displaced. Not even the frock or the cap he now wore.

“Sir, you were transformed when you changed. It looks like the Butterfly Miraculous was transformed along with you.”

He froze, eyes widening in horror. “But that’s—”

He grasped at the empty place on his chest. Where once had been his lapel and pin now only had ruffles and a leathery texture. His mask remained in place, though it was now fully black except for the openings around his eyes and mouth, which were bordered with a lighter grey color. The material and outfit overall had a shine to it that could be found on any wetsuit.

To put it nicely: he looked atrocious.

To put it bluntly: he looked like some sort of BDSM role-player with a maid kink.

So it was fortunate, perhaps, that no one else in Paris would have to be subject to the sight.

Except Nathalie. Who was probably going to have nightmares.

Or a coronary from the laughter she was trying to hold back.

It was admittedly a bit hard to tell.

But it seemed she was handling the situation a bit better than Hawk Moth, despite the fact that the man was currently unable to see himself or the full extent of the monstrosity he now wore.

…this was probably for the best. Given the man’s fashion sense, there was really no telling whether he would be horrified or inspired, and nobody would want to find out.

“I can’t contact the akuma! And I can’t call it back!”

He moaned, covering his…already covered face with his hands. “I’ll never be taken seriously again!”

Nathalie resolutely held back from pointing out he was barely being taken seriously now.

“It’s…not that bad?” She tried. Not very well, but she tried.

Hawk Moth clutched his head in horror. “Unless Ladybug and Chat Noir can stop this akuma, we’re doomed!”

“Sir, it’s just an akuma that puts men in maid outfits. It’s really not that bad.”

“DOOOOOOMED!!!”

__________________________

The akuma, for her part, was unaware of her benefactor’s misery, too busy enjoying the abject misery of everyone else around her.

Nobody knew just what had set the girl off to get her akumatized in the first place. Her comments about men being “the eye-candy now” suggested an argument. The maid outfits involved suggested what the topic of the argument had been regarding.

To be honest, nobody had actually realized she was the akuma responsible. She did appear fairly normal by akuma terms, dressed in a seemingly authentic Victorian era dress more befitting as an authentic Lady’s Maid compared the frillier, lacier varieties that the men around her had suddenly found themselves in. What would normally have gotten her a few odds looks was mostly ignored in the face of the sudden change. Few even took notice of her dark purple skin or black hair. Or the fan in her hand.

“THAT’S RIGHT! SEE HOW YOU LIKE BEING OBJECTIFIED!”

The yelling…was a bit harder to miss.

It was the first thing that drew the attention of the three girls settled at the cafe.

The second thing was the various cries of horror as several of the men around them suddenly discovered their state of dress transformed into…well…dresses. Of a variety that made the little cafe appear more like a maid cafe than anything.

The third thing was the appearance of a familiar face running down the road, holding up his long white dress to make running easier as he looked for a place to hide.

Marinette stared.

“ADRIEN?!”

Adrien Agreste was running around in a long white and pale cream Victorian-era dress and cap, looking like Cinderella running from the ball. Except a maid.

A quick glance to her companions showed that both Alya and Kagami were similarly staring in befuddlement, so this was neither her imagination or a fever dream.

“Adrien? What’s going on?” Alya asked for everyone.

“It’s an akuma!” He replied, quickly. “She’s putting everybody into cosplay!”

“…cosplay?”

“Yeah!”

“…everybody?”

He paused, glancing around. “Well…all the guys, I think?”

Marinette stared.

“…Just that?” Alya asked, thankfully taking over while Marinette’s brain started to become aware that this WAS Adrien she was talking to. “She’s not doing anything else besides putting guys into…‘cosplays’?”

He blinked in confusion. “I…think so?”

“She isn’t…I don’t know…commanding you or anything?”

“Well, she hasn’t yet. Which, really, isn’t so bad for an akuma if you think about it.” He said with a frown before he noticed the strange look on Kagami’s face. “Kagami, are you okay?”

Kagami made a strangled sound.

“Marinette?”

Marinette pretended to choke on a drink from an empty glass to avoid speaking.

“Can I add to your order?” The waiter came by, seeming unconcerned by the ruckus or the act that he was now wearing a rather cutesy maid outfit the likes of which would be seen in a maid cafe in Japan.

“You don’t seem put off by this.” Alya pointed out, noting his relatively unfazed attitude compared to the panicking of the other men around them…or the gushing from Adrien.

The waiter took it in stride.

“It’s okay.” He replied blankly. “I’m already dead inside.”

“Oh.”

He turned to Kagami. “Do you need anything else, Miss?”

Kagami was still staring at Adrien, blushing furiously.

“I think I have a problem.”

“You mean a kink?”

“A. Problem.” She spoke through gritted teeth.

“Story of my life.” The waiter replied as he refilled her glass of water, either unaware or uncaring of the specific nature of her trouble.

Alya gasped in sudden realization. “Wait! If this is happening here then…” She turned to Adrien. “Where were Nino and the boys?” He blinked, curious. “Oh, they decided to head home. Why?”

An almost sinister smirk formed on Alya’s face. One that would have anyone it was directed at cowering in fear. And strong enough to be felt from several blocks away.

Unbeknownst to them, Nino felt that smirk like a trail of cold fingers down his back, and promptly threw himself into his room and slammed the door shut behind him.

As if she sensed this, Alya slammed several bills on the table and dashed out the door.

“GOTTA GO!”

Realizing an akuma was about, Marinette was right on her heels. She found a nearby alleyway and immediately prepared to transform and face this latest threat.

“Oh my god. OH MY GOD.” She broke down, letting out the laughter she’d been trying so hard to hold in. “He’s a dork! The boy I’m crushing on is a complete DORK who is in to cosplaying! He thinks maid outfits are COSPLAY!”

…or she would be.

“And here I’ve been driving myself nuts with anxiety over just asking him out and he doesn’t even—”

Any minute now…

“Marinette!” Tikki hissed. “You need to stop the akuma!”

“Can’t I just take a picture first?”

“MARINETTE!”

“Oh fine…”

_____________________

Luka didn’t realize anything had happened. He felt a bit off balanced for a moment, and a bit colder, but attributed that to being on the Liberty. So he simply shifted his stance to be a bit more steady and continued playing. It wasn’t until the drum stopped that he realized something was actually wrong.

The look of shock from Mylene and the following shriek from Ivan cemented it.

He spun around, not sure what could have elicited such a cry from his fellow bandmate. And at first, he couldn’t really tell what had happened. Ivan was crouched behind the drum set, covering his face with his hands and trembling in what appeared to be mortification.

Then he noticed the mobcap on Ivan’s head, which he was pretty sure hadn’t been there before. And Ivan’s shirt seemed distinctly…fluffier and frillier than he remembered seeing a few minutes ago. He tried to move closer to offer help, only for his own balance to be off. And when he looked down…

Oh.

The dress was new.

As were the stockings.

And the notably thinner and sleeker heels on his boots.

He hummed to himself, considering the change.

“Akuma?” Juleka asked him.

“Most likely.” He replied.

Mylene had rushed up to their practice stage and to Ivan’s side, even as he moaned for her to not look at him. The poor guy was completely red in embarrassment. Seeing how upset he was, the other three had backed away, leaving Mylene to try to help her boyfriend.

“Luka, are you okay?” Rose asked worriedly, trying to respect Ivan’s need for space while also checking in on their other effected bandmate.

“I’m fine. It was just a surprise at first.” He replied.

It wasn’t every day that you suddenly found yourself in a maid outfit, after all. It was a simple outfit. White off the shoulder puffy sleeves with black frills. A black tube skirt. White apron. And…he reached to his neck where a weight was, feeling a choker.

Huh…

“Yeah, I’m fine.”

Honestly, he could be in worse.

Rose seemed surprised at that. “Really? Even with those shoes?”

He looked down at the shoes in question. The boots were his style—surprisingly, given it was an akuma. The higher heels were definitely different from his norm, and clearly what Rose was referring to. In any other circumstances, she would be right.

But...

Luka smiled, shifting his stance and resting a hand on his hip. “Well, someone had to teach Jules to walk in heels. And I couldn’t show her if I didn’t know how myself.

Juleka huffed. “Don’t say that like you didn’t enjoy playing dress up.”

Luka merely curtsied, not only showing off more of his slightly ripped and punk-looking fishnet stockings, but almost proudly displaying his ability to move fluently in heels.

Rose appropriately “oo-ed” and “aah-ed” at his display. Juleka merely shook her head and smiled. Ivan was still recovering from his panic attack and had resolutely refused to come out from behind the drums, despite Mylene’s reassurances.

“So it has to be an akuma, right?” Rose asked.

“If it is, I want a picture or two, at least.” Juleka muttered as she admired Luka’s outfit, mumbling about commissioning Marinette to recreate it in her size. She hadn’t known maids could come in this style.

Mylene nodded from her place at Ivan’s side. “Though it seems rather fortunate if this is all the akuma is doing.”

“We don’t know if that is it, though.” Luka warned. “For all we know, there could be some other ability she has if she catches us. It would probably be safer if we hid out inside until this is over.”

The others agreed. And Anarka, bless her soul, actually came up with a large blanket for Ivan to wrap himself in to preserve his dignity. Then she and Mylene helped the taller teen to safely relocate to inside. Much like Luka, Ivan’s shoes had changed, but he was substantially less able to maneuver in them. And no amount of effort or force on his part could seem to separate the heels from his feet.

Once he and the others were inside, Luka moved to follow. He hesitated, however, at the sound of something landing behind him.

“Viperion? We’ll need your help.”

He turned to see Ladybug standing tall. And was that perhaps a hint of blush on her face?

Oh.

A shame.

It looked like Juleka wouldn’t be getting her pictures, after all...

_____________________

KNOCK! KNOCK! KNOCK!

He shuddered, backing away from the door as far as possible.

“Ninoooooo…”

It was a fight for survival.

“C’mon, Nino. Just open the door.”

The survival of his dignity, but still!

He’d lost track of the others and immediately rushed home and to the safety of his room. His room, which he could lock and hide away in until this all blew over.

“I have a key!” Came Chris’s voice. “Somewhere…”

“Give it and I won’t take any pictures of you.”

“Deal!”

His room, which his traitorous little brother was willing to allow the enemy entry into.

Under any normal circumstances, he wouldn’t be this desperate. But if Alya caught him like this…

Black dress. Puffy at the shoulder, sleeves that extended to his wrists and were bound by white cuffs. A white smock tied back with a white ribbon. White bow at the neck and white frills along the bottom of the dress?

Oh yeah…Alya would never let this go…

He knew he shouldn’t have gotten into all those anime Adrien pushed him into! So what if the maids were cute? And sure, he’d admit he's had a thought or two of Alya in such attire...

But how was he supposed to know Alya had such thoughts as well? And in the complete opposite direction! Clearly this was the akuma’s magic punishing him!

Nino looked to his window.

It would be a long fall, but it was his only escape.

But would the broken legs be worth it when Alya would soon figure out what he did and be able to catch up to him easily?

Maybe he could try to climb up instead…but in these heels? It was suicide!

“Fufufu!”

…screw it.

He opened up his window, only to meet a new pair of eyes.

Ladybug stared in surprise from her place at his windowsill, a certain box in hand.

“…hi?”

“Oh thank god!” He exclaimed. He took her by her shoulders, half leaning out and half pulling her in. “Alya’s insisting on taking pictures! Please tell me you have my Miraculous with you!”

“Actually, about that—”

“I don’t care! I’ll do anything! Just please—SAVE ME!”

Ladybug looked back behind her to a distant rooftop and the other allies she’d left behind.

The sound of a key jingling could be heard and Nino stared up at her, pleadingly.

Well, she could never resist the eyes…

By the time they’d gotten the door open, the room was empty.

Nino was gone.

_____________________

Six heroes stood assembled.

Ladybug.

Chat Noir.

Carapace.

Viperion.

King Monkey.

Pegasus.

Six heroes.

Five of whom were male.

And…still wearing some semblance of feminine maid-like outfits.

Ladybug wasn’t sure if she should be impressed or worried.

“What the hell?! I thought the Miraculous were supposed to change us into our hero suits?” Nino groused.

Contrary to his hopes and expectations, using the Miraculous had not transformed him into his normal Carapace look, but had rather simply given him a different outfit. The dress itself was green and had a turtle shell pattern, while the apron and waist belts were a brown color. The bowknot around his neck was a dark green and a brown to match the apron. He wore stockings. And to his very limited relief, his shoes were flats instead of heels.

“Well, at least this skirt is longer.” Pegasus said, now wearing a dark brown blouse and bicycle skirt. The skirt went to just above his ankles, for which he was grateful. But this seemed to be countered by the increase of height to his heels.

Plus no corset. The outfit was still fit tightly and not very comfortable, but at least he could breathe now.

“Though I believe we’re getting away from maid-wear now.” Chat said, conversationally.

Pegasus gave him a flat look. “I’m not complaining.”

If Chat had witnessed his earlier ensemble, surely he would understand.

King Monkey, for his part, seemed somewhat appeased with his Miraculous suit. It was a notably more Eastern style of dress, appearing more like robes worn by palace servants. He wore a light brown waistcoat with wide sleeves over a blouse and a wrap-around skirt. It looked heavy, but Kim seemed to have no trouble with it. Maybe it was made of a lighter material…?

And Viperion’s dress was different in style as well. Whereas his maid outfit as Luka had been more punk, this was more sleek. Wearing a green sleeveless dress and white smock, as well as what appeared to be a green corset. The dress had a slit at the sides, giving more maneuverability for his legs…as well as more show, given the appearance of a garter belt and stockings. His shoes were high heeled but including a beautiful snake design that wrapped around his ankles. To finish it off, rather than remain bare, his arms were covered in what appeared to be loose green sleeves that started at his elbows and extended to his wrists.

…maybe a picture or two wouldn’t hurt? Or three? Because the amount of details on these outfits were amazing and she was just brimming with ideas now…

Ladybug broke out of her musings when someone tugged on her shoulder to get her attention.

It was Chat. Chat who, much like the other heroes, as dressed in a fantastical outfit. Though a maid outfit, it was definitely more cat-themed with a giant paw-like gloves covering his hands, a paw print on his apron, and bow and bell on his tail which rang as he shifted.

What material was that made of, anyway? She kind of wanted to give it a feel and see if she could find something to compare it to. Maybe a quick sketch?

Oh. Right.

Akuma.

Maybe if she was lucky, they could finish this quickly so she could rush back home and take notes while she still had the ideas bouncing in her brain.

…maybe someone would have gotten pictures by then…?

“Ladybug?” Chat whispered, snapping her back to reality.

“Yes?”

Chat frowned in concern. “Is the Guardian okay with this?”

Ladybug froze.

“PSST! Ladybug!” Came a voice from a nearby rooftop, drawing her attention.

“Master Fu?”

“Ladybug! Here’s the Miracle Box. Take as many allies as you can and resolve this as soon as possible!”

“Master? Are…you hiding in a box?”

“No questions! Just go!”

“…he’s fine.”

Chat seemed uncertain, but decided not to pry.

“Let’s just split up and find the akuma.” Ladybug said. “But don’t engage until we’re all together!”

With that, the six split into three groups, with Chat and Carapace going one way and King Monkey and Pegasus going another, leaving Ladybug and Viperion searching together with the former trying not to get caught stealing peeks at the latter.

“Is something wrong?” He asked with a smile.

…trying. The key word was trying not to get caught.

“No! Nothing!” She replied quickly. “I’m just…surprised that you can still move so quickly in those heels.”

“I’ve had practice.” He explained, still smiling. He even lifted one leg behind him, managing to stand perfectly balanced even on one leg in heels.

“I…see.”

Part of her wanted very much to laugh. It was the same part that had found this entire day ridiculous. The other part of her was her inner artist at work and really wanted to make a few sketches inspired from the presented outfits. Like Viperion’s sleeves…and those shoes with a snake coil wrapping around the ankle…

“Ladybug!”

Gaah! Focus!

She turned towards the shout to find King Monkey and Pegasus stumbling towards her.

Her fingers twitched. She ignored it.

“We found the akuma.” King Monkey reported. “She doesn’t seem to be doing anything. Just…kind or roaming around.”

“And laughing.” Pegasus added bitterly. “She appears to be doing a lot of that.”

“How’s THAT for ‘doll them up’?” Came a shout from street level. “HOW DO YOU LIKE THAT, HUH?!”

As if on cue…

Ladybug and the others peeked over the edge of the roof.

“Has she displayed any other powers?” She asked.

“No.” Pegasus replied. “From what we could see, her power has already been activated to…obvious effect.” He hesitated, resolutely avoiding mentioning his new outfit or the indignity he’d already suffered. “She has only been laughing. And tripping the occasional person while searching for someone in particular—possibly the one responsible for her ire.”

Ladybug nodded. “At least she’s distracted and doesn’t know we’re here. We just need a plan of attack before we try to fight her.”

“No problem!” King Monkey said with a grin as he reached for his weapon. “We can just do a head on attack with our weapons and—”

They stared.

In place of his staff was a broom. A normal cleaning broom.

They sent cautious glances to each other before they checked their own inventory.

Said inventory consisted of a broom, a bucket, and a feather duster.

“I believe that constitutes as a problem.” Pegasus stated worriedly.

“That’s no fair!” King Monkey exclaimed. “Adrien was able to summon a machete!”

Ladybug blanched at that. “A what?!”

Pegasus pushed up his glasses. “I believe it’s a component of his…‘cosplay’?”

“Pfft!” Ladybug covered her mouth with her hand.

“Ladybug?”

“I-it’s nothing!” She replied hurriedly.

Viperion raised his eyebrow at her but didn’t comment.

King Monkey at least seemed to take it in stride.

“Now we just need a plan for attack!”

“With what?!” Pegasus questioned, waving the feather duster in frustration. “Our weapons don’t work!”

“More like our weapons aren’t actually weapons.” Viperion said, considering his bucket.

“I could smack her.” King Monkey offered, holding up his broom. “Maybe your feather duster has dust on it and could make her sneeze?”

Pegasus gave him a flat look.

“I think the broom is the best weapon we have right now.”

“Don’t knock a bucket!” King Monkey commanded, resolutely. “I got one stick on my head one time and it took hours to get it off! Buckets are evil, man!”

Pegasus sighed and rubbed his head. “It concerns me that you’re the second person I know whom that has happened to.”

Ladybug coughed, discretely trying to draw attention off that particular subject lest identities be at risk. “Anyway, I think I have a plan...”

______________________

To be honest, it wasn’t that difficult of an akuma. Especially not with six of them teaming up against it.

Akumaid truly see to have no ability other than the initial one of transforming what any male in Paris was wearing into something embarrassing...unless you were Adrien, apparently. Aside from that, she showed no other power—neither over the clothes themselves or the people wearing them. Well, she wasn’t controlling any of the victims or shrinking the clothing to choke them at any rate...which if you think about it, was rather lame for an akuma in the power department.

The only real disadvantage in battle came in the difficulty the boys had moving freely in their current outfits. And the afore noted lack of proper weaponry.

Their advantage of surprising was ruined by Chat’s bell ringing before they could ambush her, and both Carapace and Pegasus losing balance with their heels and falling over. King Monkey’s outfit, while longer, also meant more fabric to flap about and resist his movements regardless of how light it may have been, so he wasn’t able to get a hit in fast enough before the akuma turned on him and knocked him away.

Chat was able to get a hit in though.

With his…Kitty Wand…

“THIS IS MAGICAL PUNISHMENT!” He shouted as he smacked the akuma over the head.

“Chat. Chat no. Chat why?”

And Ladybug had hopelessly lost her composure by this point and was laughing. Just laughing. Laughing so hard she was crying actual tears as she smacked her own thigh in her struggle to breathe. Viperion was trying to help her stay standing, keeping an arm around her to support her as she half leaned and half chuckled tears into his chest.

“What’s going on? Does the akuma have some power over Ladybug, too?” King Monkey asked.

…

Viperion sighed.

“Sure. Something to that effect.”

Ladybug wheezed.

“LADYBUG!”

“Lu-haha-lucky haha-charm!”

It said something when her own Lucky Charm magicked up a paper bag. With Ladybug still victim to her fit of giggles, Viperion simply put the bag over her face and had her try to breathe.

“A paper bag doesn’t help with out of control laughing.” Pegasus noted as he forced himself to his feet.

“Do you want to try to figure out the Lucky Charm?” Viperion bit out in annoyance, Ladybug still shaking in his arms.

Pegasus coughed and backed away. “No, thank you.”

Ladybug let out another giggle.

“All right, enough! I’ll stop her!” Carapace shouted, reaching for his back. “With my…serving plate.”

His shield.

His precious shield was gone.

“…Carapace?” Ladybug asked.

The newly rendered Turtle Maid sighed and simply threw the plate as he had his shield, not expecting much.

…the plate slice flew through the air at a surprising speed, but missed the akuma entirely. Instead, it sailed past her, hitting a light post.

Ladybug had expected it to bounce, but instead there was a sound of shredding metal as the serving plate actually tore through the lamp post and into the concrete itself.

The lamp post, now detached, tilted and fell over—conveniently on top of the akuma before she had the time to realize what was happening and move out of the way.

SLAM!

It fell on top of her and she hit the ground.

“Huzzah?” Kim asked.

“Well…that’s one way to defeat an akuma.” Pegasus marveled.

“Great. Now can we fix this already?” Carapace asked impatiently. If they took too much longer, someone was bound to catch them.

That someone would probably be Alya.

And that was the last thing he wanted at this point.

“But I kind of wanted to make a sketch at least…” Ladybug muttered to herself, holding the paper bag Charm to her chest.

“LADYBUG!”

She waved her hands insistently. “I’m on it!”

But she could dream…

“MIRACULOUS LADYBUG!”

It was with some disappointment that the Miraculous Cure wiped away the outfits of the other heroes, returning them to their original costumes.

“OH THANK GOD!”

“That was…horrible…”

“Corsets were invented as a torture method, I swear…”

“Shieldy!” Carapace exclaimed, hugging the shield in relief. “Never leave me again!”

“You okay now, Ladybug?” Chat asked her in worry.

“I’m fine.” She said, even though she wasn’t really. She felt like she’d missed a chance, even if it was for the greater good. But it would have been an abuse of her power to be taking pictures of the guys in that state and she already felt bad enough for breaking down laughing in the middle of the fight.

In that moment, however, the loveliness of ladybugs that made up the Cure returned from their task of restoring Paris to flow over Ladybug herself before vanishing, leaving her holding an envelope in their wake. Curious, she opened the envelope…

She gasped.

Inside were a multitude of photos of the other heroes. From different angles. In different positions. All of them in their new outfits.

Ladybug bit the inside of her cheek to keep from responding and drawing attention to herself.

…Thank you, Tikki.

Best. Kwami. Ever. “Ladybug…” Carapace said in growing wariness. “What is that?”

“Nothing!”

“Ladybug. That better not be what I think it is…”

She shoved the photos back in the envelope.

“It’s nothing at all!”

“Why don’t I believe you?”

Noticing the stand off, the others approached as well.

“It was just something I was missing, yeah.”

“Then let us see it.”

“Can’t.” She replied, clutching the envelope to her chest. “It’s…Ladybug stuff.”

“Hand it over. Right now!”

"NOOO! THESE ARE FOR THE FUTURE OF FASHIOOOON!”

“GIVE US THE PHOTOS!”

“Wait—did she get any of all of us in a group cosplay pic?”

“NOT NOW, CHAT!”

Unfortunately, that small distraction was all she needed to get away.

Viperion, the only one having been pretty nonchalant this whole time, simply watched her leave and the others shout after her.

“…isn’t she going to take our Miraculous back?”

_________________________

Angela sighed, already dreading what was to come.

It was a humiliating end to an already humiliating week as the former akuma victim had been forced to return to her job to go over the updates for the new Ladybug game with the rest of her team.

Said updates were apparently to include maid outfits for the female heroes thanks to one particular coworker who had decided to work on maid outfits for the female heroes instead of the level he was assigned. It had been part of the reason she had been angry enough to be akumatized.

The fact that he was insistent on shoving his maid fetish into the game for no good reason other than having them be eye candy was the other part.

The images in question that he insisted on bringing featured the three female super heroes of the city: Ladybug, Rena Rouge, and Queen Bee.

But not as anyone had ever seen them.

Instead of their usual hero suits, the three girls were portrayed in sultry, even provocative poses. And most notably, all three were wearing some mockery of a French Maid outfit…as what would be believed by Americans, no less.

They might as well have been the initial sketches of pinup posters.

“You can’t still be serious!”

“Hey, I’m not the one who got akumatized just because I was jealous that someone else had a good idea.” He said bitingly and giving her a pointed look, perhaps still a bit bitter of the aforementioned experience that her akumatization had caused.

“It’s not a good idea, John.” Angela countered. “There was no reason to have the girls be running in maid outfits.”

He shrugged. “We could just say an akuma did it. After all, we did just get an akuma who did exactly that.” He said, giving her another look.

She clenched her fists and was about to retort when their team lead entered the room.

The meeting commenced and she’d been forced to bite her tongue. Each of the team members went over their progress and updates for their contribution to the game. Level design. Enemies. Testing.

And then came his grand achievement. Instead of the level he was assigned, he gave scantily clad designs for three of the eight known heroes.

What effort.

“I was thinking we really need to include something to make our game stand out, so I made some extra skins for the heroes.” He bragged, sending her a smug look. “The appeal would sell plenty of copies.”

“Or the controversy.” Angela muttered back before turning to the team lead and hoping that the man leading their group had more empathy…or sense.

The team lead looked over the designs with an analyzing gaze. Tiffeny, despite the initial impression his name would give, was a rather buff man who took no shit. But was also a guy. Who liked guy things. But did those things include young women in maid costumes?

After a moment, Tiffeny dropped the pictures on the table and looked at John incredulously. “You know, if you were going to base skins off recent events, you could at least have been authentic.”

John stared. “What?”

“It was the guys who were affected by Akumaid. Not the girls. If we’re going to do maids, we need to keep it true to life, just like the rest of the designs we’ve included. We talked about this when we started this project.”

“But it’s what the audience wants!” John argued.

“Do you know who comprises the majority of our audience?” Tiffeny asked. “Girls. Girls, gay guys, and those who are exploring their interests. Guys in the outfits would sell leagues more than the girls.” He started ticking his fingers “It’s different. It’s original. And it’s based in actual events. People would love it.”

“But…they’ll love this!”

“Man, if people wanted to see sexy girls in skimpy clothing, they’d play literally any other game! Or watch porn.” Tiffeny explained. “But what game do you know of has had guys in maid outfits?”

“Well...”

“Exactly. We want to stand out. And we even have recent events as justification. So if you’re going to be wasting time you should be spending on level-making to put people in maid skins, then get those male heroes some maid costumes.”

“But that’s not fair!” John exclaimed.

Tiffeny paused at that. “Hmm…you’re right.”

With that, he turned to her. “You’re good at designing. Make some butler outfits for the girls. Something dashing to serve as a counter for the guys.”

Angela blinked in surprise for a moment before smiling.

“Sure thing!”

“You know…” one of the other workers noted. “While we’re on the subject, I WAS thinking of some medieval armor designs for the girls and princess dresses for the guys.”

“Hey yeah! Like a light green for Viperion!”

“Maybe teal might be better?”

“Ooo! How about…”

Soon enough, everyone seemed to be invested in the new plan.

Everyone that is, except John.

“Lovely!” Tiffeny said cheerfully. “Plan it out and bring the concepts to me later.”

With a new task in hand and John’s pouting to forever be a memory to hold onto, it seemed her day was looking up…

_________________________

“That was some akuma battle.” Marinette said as she slid into her seat next to Alya.

The reporter, however, only looked annoyed. “Ladybug had apparently called all the male heroes and I completely missed it!” She groaned and leaned back in her seat, bemoaning the lost opportunity.

If she’d hadn’t been so focused on tracking Nino for the purpose of collecting blackmail ensuring his safety, she would have been able to catch all of the male heroes in their maid outfits.

Marinette smiled. “You know…I may have a connection…”

Alya gasped.

“No.”

Marinette giggled and slid over her phone with a picture showing.

“NO WAY!” She cried out before staring up at Marinette in shock. “Girl, you have to send me these!”

“Wait—you have what now?” Nino had arrived, initially hopeful that he had avoided the worst of that day only to have those hopes immediately dashed upon arriving to see the two girls sharing what could only have been one thing…

“I have pictures of the heroes in their new outfits.” Marinette replied cheerfully as she swiped through her phone. “Oh look, Nino! You’re in here, too!”

“WHAT?! NO!” He shouted, rushing forward.

Marinette quickly grabbed back her phone and hid it in her pocket with an overly sweet and not at all innocent grin.

“Mari, come on, no! Don’t do this to me!” He begged.

“Don’t do this to ME!” Alya cut in. “You can’t just show me that and take it away! That’s just not fair!”

“Don’t worry.” Marinette assured them. “It’s going where all my blackmail material goes.”

“Wait what?”

“Since when do you have blackmail material?”

“Since somebody started a game of ‘let’s take pictures of Marinette while she’s asleep and post them online’.” Marinette replied dryly.

Nino groaned. “Come on! I said I was sorry!”

“And now I can be just as sorry.” She replied blithely.

Which was to say: not sorry at all.

“Come on! Alya made me do it!”

“It was just in fun! Marinette! Please!”

“Do you want me to beg? Cry? I’ll cry.”

“I’ll pay you! Pretty please! At least the heroes if nothing else!”

“Oh no you don’t!”

“My blog NEEDS this!”

Marinette smiled at the minor chaos she had caused as the normally happy couple bickered with each other.

Sweet sweet music.

“Hey, Marinette!”

And speaking of sweet…

She turned to look up at a certain blond-haired model as he arrived at his own desk. Though he seemed to be a bit distracted by the arguing couple.

“Hey, Adrien!” She greeted, for once with no stutter to speak of.

“Hey, um…are they okay?” He asked, gesturing to the two.

“Oh, they’re fine.” She said, waving them off. “Just…a bit excited over the recent akuma.”

At that, Adrien brightened. “Wasn’t it awesome?”

She nodded, trying to keep her laughter inside.

“You…ah…enjoyed yourself then?”

Adrien shrugged, looking a bit sheepish. “Well, it’s not often I get to dress up in a way that’s ‘silly’. Or in anything that isn’t promoting Father’s brand. And I’ve never gotten to cosplay. So it was…really fun.”

Oh. Ouch. Okay, that one kind of hurt. The poor Sunshine Child…

“You know…” Marinette said, leaning over her desk and smiling at him. “I’ve seen a bit of that one anime you mentioned.”

“Cells at Work?” He asked, brightening up.

She nodded. “Mmhmm. I could make you a jacket based off the lead Red Blood Cell. And if you like, I can keep it so you can wear it whenever we hang out.”

He gasped. “Really?”

“Sure! Maybe you can come over sometime so we can try a fitting. We could even play Mecha Strike.”

Adrien beamed. “That sounds great! Thanks, Marinette!”

She waved him off and went back to full sitting in her seat.

Alya and Nino both became distracted from their arguing by the miracle they had just witnessed.

Marinette Dupain-Cheng had just spoken to Adrien Agreste…and not a stutter to be heard!

“What the heck, girl?” Alya whispered, sliding into her seat beside her friend. “Since when could you do THAT and why haven’t you done it sooner? I could swear I saw hearts in his eyes!”

Marinette shrugged, grinning sheepishly. “After seeing Adrien Agreste in a maid dress, I kind of wondered why I was so scared of talking to him to begin with.”

Alya laughed. “Well, at least something good came out of this, then.”

“You know...more good WOULD come out of this if I had pics of those heroes..."

“Really, Alya?”

“You’re pretty much the only one who managed to get any shots of the male heroes!” Alya exclaimed. “Seriously, how?!”

Marinette giggled.

“Just lucky, I guess.”

________________________

OMAKE 1:

Knock! Knock!

“Felix?” His mother called on the other side of the locked and barricaded door. “Will you be coming out?”

“That depends. Do you have a camera?”

A pause. Which was all the answer he needed.

“Then no.”

OMAKE 2:

Fortunately, in the midst of their searching, the team had managed to find the akuma and her primary target, getting between the two.

“So what happened?” Ladybug asked him.

John gripped his skirt, nervously. “She’s my coworker in developing a new video game and she didn’t like my input.”

“What set her off?”

The guy rolled his eyes. “She’s one of those types who wants to take the fun out of video games.”

“What?” Ladybug blinked.

“Okay, so I wanted to put some maid costumes in the game! It was just for fun! Besides, it would have added a bit of pizazz! Something for the players to enjoy!”

“You could just try making a good game.” Pegasus pointed out. “If you have to rely on a cheap gimmick to get buyers, it may not be a good product.”

"I'm sorry, really! I mean, sure, I'm still going to put it in the game, because who wouldn't want hot maids, but still! That doesn't mean I deserve this!"

The akuma raised her fist and shouted at him. “THEY ARE HEROES, DAMMIT! THEY DESERVE BETTER THAN MAID SKINS JUST BECAUSE THEY’RE GIRLS!”

Ladybug blanched. “Wait…is the game about me?”

Pegasus coughed and looked away. “There have been…rumors, yes.”

Viperion tilted his head. “That seems like a double standard though…since we’re the ones in maid outfits...”

“Not the point, Viperion!”

Ladybug frowned.

“I don’t think I want to help now.”

“Ladybug!”

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joshneku · 3 years ago

Photo

remake of this (2020)! with updated information now! u wu

(height chart)

Though Josh is hard to understand as we really don’t get that much solid information about him. As much as we’d like to understand him, he obfuscates his actual personality in TWEWY and makes it difficult to know what’s actually genuine, so people will have highly varied takes on him. His “facade” may or may not incorporate his old personality when he was just human at that age, and may or may not actually be a part of him. So, this is just my interpretation.

As for what’s canon, we now have Neku’s OG height and NTWEWY height charts. Nomura has also confirmed in the NTWEWY guidebook that at the conclusion of OG TWEWY, Joshua’s Composer form was that of an adult:

Since he's a transcendent being, I didn't change much from his previous design and just made his face and body more mature. I had a hard time figuring out whether to go with his adult form from the conclusion to the original game, but I decided to have him match with Neku instead.

The guidebook’s ages for those in the UG, such as Angels and Reapers, are all apparent ages, meaning Josh only looks 18 now. Neku is also 18 as well now.

Notes:

Even though NTWEWY is a sequel to the anime/original game and according to interviews, these may not intended to be separate timelines as we originally interpreted, however I personally prefer them to be separate timelines. I prefer classic TWEWY timeline with my ideal succession of events to be Neku finishing high school and Josh not contacting him for years bc of the Higher Plane until Neku chooses to be in the UG of his own accord after maturing, as I find that Neku being fridged for 3 years just to feature new characters a huge disservice to his character and a huge tragedy as he misses out on important years of his life, and while I love soft Neku, it does not make sense for his character to develop so drastically when he was isolated. As such, I consider these two sheets different dynamics in different timelines.

post NTWEWY, Joshua big spoons more often uwu

Either Neku manages their purchases in-store when shopping for gear, or they both choose. Post-long games, Joshua really likes shopping with Neku likes to splurge on him and is no longer shy about dressing for his apparent age’s price range lol. So he’ll wear more Pegaso or Dragon Couture, and things that look austere and majestic but actually have high prices, because he’s a snob. :D JotM is not his style, but if Neku has plainer hoodies in his drawers when he stays at Neku’s, he’ll wear them and wander around in the kitchen. At Josh’s place, the bugger has a walk-in closet lmao. He’ll grab whatever to go catch coffee with Shiki and then show up in a new expensive Dragon Couture coat lol.

nobody really drives in Tokyo lol, but before, I did the gauge as a hypothetical, if they did drive.

Neku’s parents aren’t around much, as they both work, so he’s used to taking care of himself like many JP teens. OG timeline, Neku finishes high school and rather than going to uni, he is guided by CAT, and CAT promotes Neku’s work with his own influence. He lives with his family until he finally manages to convince the Angels to let him see Josh. He then becomes Shibuya’s Conductor, much like in Signal to Noise... He lives with his parents until he makes his name and earning as an artist like CAT. And Neku will usually cook when Josh visits. Whereas when visiting Josh, Josh will usually take him out to dinner. When Neku eventually moves in with Josh, Neku will usually cook.

NTWEWY timeline, Joshua cooks more often for Neku however, as he missed Neku and also wanted to make more things up to him.

PDA is frowned upon in Japan, but Neku would probably be more comfortable with it the more their relationship grows.

Josh is protective in his own way, but according to his whim at the time. He also likes to downplay it to himself so he can pretend he doesn’t genuinely care as much as he actually does. So that it hurts less if/when Neku moves on without him. :’) It is not certain whether "I don’t need him anymore” means that he is no longer willing to use Neku as just a pawn, or he is not willing to risk Kubo getting ahold of Neku, or both, or...

#JoshNeku #NTWEWY spoilers

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learnfromwebtoons · 3 years ago

Text

Lesson 8 - On Environments

Today’s Lesson: On Environments

Today’s Teacher: Not-so-Shoujo Love Story by Curryuku

I got two asks requesting posts on settings and backgrounds, so today’s post is about environments in comics!

Making a webtoon is hard. The company requires the equvialent of 8 full color print pages a week from most Originals creators, and to keep up with the deadlines, it’s inevitable that shortcuts are going to be used. A common shortcut when it comes to drawing the backdrops of a scene is using premade 3D assets to construct the background, or even buying fully rendered backgrounds from webtoon-building services. This is perfectly understandable, since in most comics, the focus is on the characters rather than where they are.

The issue is when these premade asset backgrounds don’t match the art that sits on top of them.

Not-so-Shoujo Love Story is a comedy comic about two girls experiencing their first love. It suffers from some pacing issues and some characterization inconsistencies, but is occasionally very funny and also one of three Originals about lesbians, so it gets some points for that. We’re talking about it now though because the backgrounds this comic uses are rendered with far more detail and in a completely different style of lineart and coloring than the characters.

When done deliberately, like with drawings of characters on top of photographs, this can work really well, but here it ends up taking the reader out of the story by being distractingly inconsistent.

Environments don’t have to be detailed. What they have to be is right for your comic.

I haven’t been reading the new romance webtoon LMLY because my patience for straight high school stories is severely limited, but I appreciate how the environments and characters are rendered in the same clean, simple, graphic style. It feels like the bench and the characters are existing in the same world.

Some of the other drawing shortcuts LMLY takes (like their approach to rendering dialogue) are a little weird, but they nail the exact level of detail needed to make their environments work.

When people think of comics with good environments, they tend to lean towards lush fantasy and science fiction because it’s easier to be impressed when you’re looking at something complicated that someone had to make up from scratch. (A Webtoon I’m not really keeping up with but which has gorgeous fantasy environments is Little Matcha Girl. This town looks so good.)

But I think effective contemporary environments are also really commendable, because it is so easy to just drop “cityscape asset pack 3″ into your comic and call it a day instead of putting in the effort to make the background look like part of your comic.

Environments are super hard to draw (speaking from experience here!) But spending a little extra time on making sure your locations match your characters and are specific to your story can go a long way.

Exercise: Artists, it’s time to draw! Writers, pretend you’re writing a script someone will draw for you. Draw your character’s bedroom. Think about the kind of bed they sleep in (sleeping bag? four-poster canopy bed? the same bed they’ve had since they were 5?) and how and why their room is decorated the way it is (did their mom do it for them? is this your character’s first-ever independent apartment? are they an interior designer by day?) Include at least 5 personal effects (clothes, bags, a rug, a poster, a stuffed animal, things like that.)

Webtoon Rec of the Day: I haven’t read most of Little Matcha Girl so I’m not sure if I can recommend it on a story level, but as visual inspiration for environment design you could do a lot worse. A comic I have been reading and enjoying, though, is Maya’s World, which takes place in the Indonesian city of Bandung. The environments are perfectly suited to the characters in them.

#drawing backgrounds #drawing environments #webtoons #learn from webtoons #webcomics #webtoon recommendations #just realized I scheduled this to post on american thanksgiving whoops

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thepriceofbeingaroseisloneliness · 4 years ago

Text

KAORU PERSONAL INTERVIEW SPECIAL HEADBANG VOL.27 TRANSLATION ½

The ideal figure that the guitarist who leads the band as a leader got while struggling, and the reason for his unstoppable pursuit. “When we released "CLEVER SLEAZOID", we were still chasing an ideal, and I think we didn’t reach it. We didn’t, but I feel that pursuing how we could do that, the power at that time, remains in it as something that could be only be produced at that moment. If you look at it now, I think it’s connected to reality”

Notes before reading: This is the first part of the personal interview of Kaoru from the magazine Headbang Vol.27 released on 18th August 2020. The interview is 11 pages long and this part covers the first 6 pages. As Toshiya and Die’s interviews, 2nd part is focused on his roots as a guitarist and overseas experience. You can read Toshiya’s personal interview here You can read Die’s personal interview here

You can get the magazine at Amazon Japan or CDJapan.

Feel free to correct me if you spot any mistake or any confusing parts.

Links or credits to this post when the content is reposted or captured in other SNS is appreciated :) -------- Text by: Yohsuke Hayakawa The first to appear in this magazine is Kaoru, the guitarist who is also the composer of the latest single "Ochita koto ga aru sora”. Starting with the process of making the single, leading up to the completion of this new song, the days of struggling to pursue the ideal sound, the originality that they got from that, and the current band that has not changed from the past intense days. What I saw on him was, the figure of a stoic leader who bet on Dir en grey possibilities and devoted himself to it. Also in the latter half of the interview with the theme of “Albums that inspired you”, he did not only talk about X Japan and national legendary bands that changed his life, but he also talked enthusiastically about the unknown world that he learnt from Hide and Tsuyoshi Nagabuchi, who he is a fan of. “I think there is something that can be challenged now” -First of all, I would like to ask you about the corona outbreak we are currently in, but it was impressive when you, with your own words, announced on SNS a live without audience ‘The World You Live In” that was held in March with the message of "it’s not the things that we can do now , it’s the things that only can be done now”. I thought the movements of DIR EN GREY with these rare activities and projects that entertained fans were summarized in those words. K: Well, that's right. There are things that can be done in the current limited situation, things that we wouldn't normally do, things that we didn't come to, and things that we can challenge now. There were quite a few things that were more like "Let's do it". Regarding lives without audience, we don’t know how long this situation will keep going on but, under these circumstances, it wasn't that much at that point in time for us to perform live. We thought it would be a plus for what we are expressing and what we are going to express in the future. Also, we tried to do it in a moment in which you could feel something. -Including the streaming that came after that, I think there are many people who felt closer to DIR EN GREY. In particular, the livestream of talk between members (DIR EN GREY LIVE ARCHIVE & SPECIAL TALK) is a project that you wouldn’t had think of before, isn’t it? K: (laughs) We don't usually talk much. -(Laughs) Moreover, I thought that it was only now that we could see an appearance of the combination of Kaoru and Shinya acting ‘as usual’. K: Well, that's right (laughs). -Is that something that you could do now, 23 years after your formation as band? K: No (laughs), the main reason is to do it is the situation right now. If this weren't the case, I think the idea wouldn’t even come up. Normally there are live performances, so I'd like people to feel it there, but we can't do that now. Well, it’s just to entertain the fans, but after all we thought it would be nice if they could feel something similar to that, feeling excited by our presence. -I see. So, regarding the status of the announced the Pia Arena MM performances for the tour final "The Insulated World -The Screams of Alienation-" in July, you probably were thinking about what do to about them until the very last minute. K: That's right. It was decided a few days before the announcement that the lives were canceled. Of course, we also made a set list, and the production side was also moving. The entirely staff were informed, and everything was working. I actually went to the venue and talked about how it would be possible to hold the lives in these conditions. However, there may be some people who couldn’t come no matter how much they tried to. There was also the risk of not knowing if you can do it until you start it. -I think it was canceled after assuming the kind of live performance that was possible to be held, but it was a really tough decision. K: Well, it couldn’t be helped. -Oh, in a nutshell. K: Yes, it couldn’t be helped, it couldn’t be helped. What we could do following the rules (the government guidelines) is the reason we couldn't do it. Tickets were sold in advance through the fanclub, but in fact, with the spreading of Corona on the way it already had a significant impact on sales. -Oh, that was what happened? K: Yes. So, in response to that, we even came up with the idea that all the arena would have seats not only the designed areas. We could do that by reducing the capacity in order to keep a social distance. That way, we also thought that we might be able to do it. However, there may still be some people who wouldn’t be able to come, and moreover, there were a lot of things that we couldn’t do in both days. Well, it was a half-way point situation. Therefore, there is no choice but when the situation calms down, to relocate the dates. -Under such circumstances, you said you were producing the single in parallel. K: Yes, we were planning to release it around the Pia Arena performances, so we have been working on it for some time. -And “Ochita koto ga aru sora” was completed. The original melody was composed by you but, the title was announced in May. I wondered if it was going to be a song that brings melancholic elements to the forefront. I was trying to imagine it. K: (Laughs) Ah, the atmosphere of the title. -Yes. The sound that we actually got is bursting with DIR EN GREY-ish aggression that explodes from the beginning including a grooved dragging guitar riff. So, to put it into words, I had the impression the style of DIR EN GREY was contained in a "super condensed" form. It's used in a kind of luxurious way, with the melody refrain being minimal by scraping off the excess. K: That’s right. This shape (final song) is like, we were really worried about it and it felt like it just got here. Along the way, there were elements that would make things more exciting, more piercing. There was more development. However, we made it in that way, but I felt like “Well, I’m tired of it” (laughs). -Hahaha. K: Rather, it doesn’t seem as interesting as usual. This is really…. words may not match…it’s somehow Japanese. I wasn’t satisfied with anything, so it felt more like I was speaking out my mind (laughs) I scraped it off though. -The reason why the song became very condensed is that all the members were looking in the same direction. K: Well, I don't know that. However, as my method, I don’t really decide (the direction) at the beginning. If you do that, the result will be in that shape and I prefer to explore the possibilities. Besides, because I don’t know if the rhythm really matches the melody or if the back-melody matches, there are many things to think about, so I don't want to decide at the beginning. Under such circumstances, I didn’t know what to do in the end. Well, I settled on something that someone said, or something that inspired me, but it was hard to get to the point where I could see it.- -As a result, I feel that the single became very DIR EN GREY-like. K: Yes, that’s right. I was working on it while thinking that there was that “likeness”

-Did you imagine the development of this single with an impressive melody popping out even though it’s aggressive? I wonder if something like this come out naturally.

K: No. I didn’t really imagine that. Even if I try to imagine, there are things that I can’t imagine at all.

-So, how does the completed form of this song look to you?

K: This time I was arranging it all the time based on the data of the tentative/provisional songs recorded at the beginning. So, with that, it was almost brought to this finished form. From that point on, Kyo sang again several times and changed it slightly but along with the melody from the beginning, it was made with that flow. However, there were setlists that each member made during this time, right? (”DIR EN GREY AUDIO LIVE STREAM 5 DAYS" that was broadcasted on YouTube in May). As you could see there, there are various DIR EN GREY, right? On the other hand, I feel that whatever we do, it will probably feel like DIRENGREY-ish.

-Something that can be hidden anymore. There is something that oozes out.

K: Well, very much, as far as you don’t do something different. I was too worried. When I told the members that I didn’t know what to do, I was told ‘You don’t have to think so much about, right?”, so I was like ‘is that so?’. In the end, the song turned out like this (laughs).

“At that time, I kept struggling to find out how to get closer to the sound I envisioned.”

-Oh, that’s what they told you. As for the form of songwriting, you work remotely regardless of the corona, right?

K: Yes, that’s always the way. So, nothing was different than usual for us.

-The change was that you couldn’t go outside between work time.

K: That’s right. I was concentrated on it all the time.

-Always? (laughs) Then, in that situation, that a member told you to not think about too much, did those words make it easier for you?

K: Well, you can open yourself to new options like “well let’s do it this way a little more”. However, it’s something that I do all the time. Year after after, it’s not finished.

-It will take some time to complete the song.

K: It takes some time. After all, if it doesn’t become something interesting, I feel like what should I do. It takes time to move from the first stage, the members listening to it and go to the “let’s do this”.

-What’s that next step?

K: Listen to the demo songs together and decide to try one from the songs that are there.I think it’s necessary to put a song and drop the world view and the atmosphere of the song clearly at some point, but it takes a long time to get there.

-I think it’s difficult to express this stage in words, but it’s the key to make songs.

K: Yes, it’s quite difficult.

-However, this is also one of the traits of DIR EN GREY but, the chorus that enters at the key points is burning with passion. It seems like it’s going to look good live.

K: As I said before, Kyo is the one who puts the chorus, so it’s normal than the rest don’t know where the chorus is until we record it.

-It doesn’t matter how the guitar riff is going…

K: Yes. It doesn’t matter. That’s why we have to practice all the time during the rehearsal before the live performance. I’m the type of person who can’t do different things at the same time, so I skip it quite a bit (laughs)

-Hahaha. You leave it to the other two (Die and Toshiya)

K: Yes (laughs).

-Then there is another retake of the song “Clever Sleazoid”. What made you pick this song again?

K: He said that he wanted to translate the lyrics into Japanese. Kyo said something like he wanted to try it because the lyrics from the original song changed. It was like, “Well, let’s try to do it”.

-Then, how about the completed form after re-recording?

K: Well, it was already released once, so I don’t really care about it(laughs) Some people liked the original, others will like the new version. Except for the lyrics, the tempo is a bit faster but overall, it hasn’t changed much.

-Originally, this song was released in 2005, but when you look back on DIR EN GREY at that time, what do you think is very different from the present of the band?

K: I would say that there is a solid feeling now. Rather than trying to catch up with anything, I think we are proceeding in a somehow calm manner. The same applies to the stage. It was 15 years ago, so we were young….it was like an apprenticeship, now we are old men, that’s what different from that time.

-What do you remember pursuing at that time?

K: At that time, I was struggling to get closer to the sound I was envisioning.

-Do you mean that you haven’t been able to achieve what you were looking for?

K: Yes. It’s the same with the songs. I was thinking about the sound aspect every, like “How can I make a powerful heavy sound” every day.

-Was that a personal thing?

K: It was for the band as well, I often talked to the members about the kind of sound I wanted to do at that time for the CDs but also for the lives as well, I wondered how could I do it. But at that time, I was struggling to understand it like, “I haven’t achieved it, but I can only show the power of pursuing it while looking for the way to reach it”.

“I haven't reached it, I can only show the pursuit and power of" how can I do it?"

-Did you see anything regarding that aspect when you started going overseas?

K: No, what I thought when we started going abroad was the importance of being ourselves. I wonder if that would be the most powerful thing. So, around 2005, I felt like I was still chasing my ideals. Like a way that I could I express them in this way. But since we went abroad… and I started to notice that being ourselves was the best more and more….. how could I say it?,..it seems that the destinations we were looking at have been pinpointed all the time. It’s not about how to do it, if we could express what was in ourselves more and more, we would change it to the consciousness that would create that kind of sound.

-That means, for example, that when you released “CLEVER SLEAZOID”, looking back, you hadn’t reached that point that you are talking about yet.

K: I think we didn’t reach it. We didn’t but I feel that pursuing how we could do that, the power at that time, remains in it as something that could be only be produced at that moment.

-True. It emits an unbelievable power and it was a proof of that struggle.

K: Yes. If I look at it now, I wonder if that it’s linked to its originality.

-Surely. After that it connected with THE MARROW OF A BONE (2007). Around that album, did you feel like you obtained that you were looking for?

K: Well, I think I did, but still at that time, I was wondering how I could do it. So I think it’s only recently that I’m thinking in this way.

-Ah, recently?

K: Yes, about “DUM” (DUM SPIRO SPERO, released in 2011). But “DUM” isn’t recent either (laughs)

-Hahaha you noticed that…that’s right (laughs). In an era when you were struggling to pursuit something, you became solid as a band. Then, the atmosphere in the band would naturally change for the better, because it means that from that moment, along with them and the music, you have reached your goal.

K: I think so. Also, what could I say about our band?..... All the members think that they have a different feeling about their knowledge and ability to imagine but, the reaction will definitely come when the song seems to settle down in a “this is it” form. Some of us will say, “I think it’s better do it this way”, while other will say “if we go in this direction, we should do this”. Therefore, that we can talk about such things has not changed from the past. While my senses are growing, after all there is still an atmosphere of pursuit in the end, in doing more and more interesting things, so I think that’s a good place for us.

-Even if you gained more knowledge and experience, it doesn’t feel strangely calm at all. K: It’s not. If that happens, it wouldn’t be interesting.

“Now I think, do we really want to do that?”

-I see. So, the mastering engineer and mixing-in engineer this time are also talented, but did you proposed the selection of these people to the members after listening to how overseas artists sound?

K: Sometimes I do. As for this engineer,Josh Wilbur, the director said he would like to try to work with him once and asked him to mix “Ochita koto ga aru sora”.He had been trying to get in touch with him for a long time, but he couldn’t, but he was able to communicate with him this time and asked, "Would you like to try it once?".

-Josh Wilbur is a person whose range of work goes from Avil Lavigne to Lamb of God. How was the result?

K: Well, I’m glad we asked for a simple one.

-After all, with that width….

K: It’s better that way. This kind of person will return what you ordered exactly as you ordered it. Sometimes no matter how much we explain it, there are people who don’t understand, so they don’t know what to do. At first, Josh used to put a lot of effects on songs and so on. Listening to that, Kyo said "nothing is good" (laughs). The exchange was interesting, though.

-If you leave the decision to someone else, something that shocks you can come out.

K: Yes. Wow, this person comes quite a bit (laughs)

-(Laughs) At that moment, you understood his way.

K: So, Josh’s first mix was more metal-ish. Also, the sound of the drums….it wasn’t like it was crazy but it felt like bumpy….it was like “mmm, it’s a bit different”, but after several exchanges with him, it went well.

-What about Jens Bogren (who has worked with many famous metal bands such as Arch Enemy and Opeth) who mixed “CLEVER SLEAZOID”?

K: It’s a different type (of mixing) from Josh. Jens has worked with us several times so far so he knows the directions.

-And the mastering engineer for the three songs of the single, including the live version of “Followers”, Brian Gardner (Linkin Park, Michael Jackson, Madonna, Eminen etc..) is the same one than “Ningen wo Kaburu” and “The World of Mercy”.

K: Yes. If you change the mastering too much, it’s hard to predict the finish result. It’s difficult to know how the mix will turn out, so if you want to change the engineer that does the mixing, you should do the mastering with the same person as before.

-I see. Because the song will be created from the scratch again.

K: Well, that’s also interesting but I’m worried about what to do if it fails…

-About the future of DIR EN GREY, of course, I think that you will only do what you can do under these circumstances but, what kind of expectations do you have?

K: We are thinking about moving towards making an album. As for concerts, it can’t be helped that we have to wait until we can do them, so I guess that I have to devote myself to making songs.

-Taking advantage of this situation, you will be able to concentrate in that.

K: Well, that’s right. I have time, so in that sense it’s easy to concentrate.

-In fact, is it time already to move into the album?

K: Yes. After Pia Arena, we were planning to go to production as we don’t have any concerts.

-For example, the single “The World of Mercy” included an acoustic version of “Dozing Green”, was there any talk about trying to do an acoustic live at these times?

K: Sometimes….that’s right. If we do that, I have to think about acoustic arrangements for that so let’s do a normal live performance (laughs). It’s not a bad idea to do a live like that because of this situation but, it’s like “do we really want to do it now?”.

-Ah, I see. Apart from your intentions it doesn’t make sense to you to simply say “We’ll do it because we can do it” in the current situation.

K: Yes, I think so.

“Without “BLUE BLOOD” I wouldn’t really be who I am now” (second part here)

#dir en grey #kaoru #headbang vol 27 #translation #interview

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lady-bugginette · 4 years ago

Text

Rose Painted Glasses (A Lila Exposed Fic)

First Next

Inspired by @chatonbean post.

The first part is by another lovely user by the name of @time-is-a-pain. This is their original post here.

The part after this one, that I will make sure is indicated, is by another amazing user @lenoreofraven. Their original post is also here. Their entry is after the cut.

I want to quickly thank both of the amazing people above for letting me use their additions for setting up this fic. It is very much a collaborative effort between many talented writers, I cannot take entire credit for this. 😏

time-is-a-pain’s entry:

Nathaniel had noticed lately that a bunch of the art Lila claimed as hers were in wildly different styles. At first he tried to rationalize it, maybe she’d been branching out style-wise? Maybe she hadn’t actually found her own style yet?

It got much harder to rationalize away the differences when he caught a glimpse of an oddly colored part of a background. Only a shade or two off, but it was there. And it looked like it might cover a signature? Now that he was thinking about it, only a few of the art Lila had shown the class had a signature.

It was harder, but it was Lila. They’d talked a lot about how horrible it felt to have your hard work stolen like that. She wouldn’t steal from anyone. Right?

Nathaniel shuddered, he hated the idea that someone would try claiming his work as their own. He made extra sure that his signature was on the picture, and would be hard to cover when he posted it to insta. H was proud of it, and no art thief would stop that.

And he was right to be proud. It quickly became one of his most popular posts. So when he got to school on Monday. and saw Lila showing off his work, he snapped at her.

Of course, most of the class took Lila’s side. But when Alix and Marinette got there, and saw what was happening, they took his side immediately.

“How can you prove it’s yours?” Kim asked.

A chorus of agreement swept through the room. Nathaniel took a deep breath, his hands were trembling, and pulled out his sketchbook. Flipping to the right page, he stalked over to Lila’s desk, and slammed the book down in front of her.

There it was. The original sketch. Clear in view of the whole class. Nathaniel’s work.

Lila peeked out from behind her fingers when the class went deathly silent, and Alya pulled away from her.

“How many others?” Nathaniel asked quietly, watching the panic appear, and get locked behind Lila’s mask. “Were any of them actually yours?”

lenoreofraven’s entry:

“How could you say that? How could you do this? After all the conversations we had about art theft.” Lila exclaimed back, trying to extinguish the doubt in the eyes of those that watched her. Not everyone was convinced. Alix stood by Nathaniel, trying her best to offer support. While Adrien gently touched Marinette’s wrist, as if signaling for her to stay back.

It was obvious Lila couldn’t win these artists over, artists who have had their work stolen. Instead her eyes settled to Ivan, Rose and Juleka. After the situation with XY, they were fuming the moment the accusation touched the air. It was their weak spot really. Took any logic they may have away.

“You said you wanted me to do a quick sketch, and lent me your notebook as I had left my tablet at home. Then you do this to me?”

“Lila just stop it.” Marinette growled, but she wasn’t the audience for this little stunt. Lila could claim they were in France, and Marinette would check google maps to make sure they hadn’t moved. This was about everyone.

Even Adrien, who glared at her from Marinette’s side, was part of the intended audience. As he could make, or break, her reputation if he so desired. Considering how Ivan responded to the demand. perhaps, just possibly, she could deal with two birds at once. Use this as Marinette was an expert on plagiarism, and if she picked the wrong side it could be ruin for her.

“Stop what? Trying to take credit for my own work? I know you don’t like me much, but do you honestly condone this? I thought you would be the first person to support the victim of art theft.” Marinette just looked back with a blank stare, not even humoring the accusation with a response.

All eyes were still on Lila and Nathaniel. Not ideal, but it could be managed. It was the wrong time for crocodile tears. Her eyes scanned the work again. When she had erased the signature from the upload she had been careful, after this she would start adding her own sign. For now she just needed proof. This was a draft, not the official upload. She just needed something.

“Maybe I have been experimenting with styles a bit, but this is mine. See, there’s an L, as in Lila. I made it subtle so it couldn’t be erased, like how you stitch your name into designs in clever ways, Marinette.” Lila explained, pointing at something that could be an L, but was just as likely to be miscellaneous lines. Alya, Sabrina, and a few others that were still on the fence squinted at it, tilting their heads to try and see it. The members of Kitty Section instantly took it as fact. Max, Alix and a few doubters all shook their heads, realizing the stretch.

Nathaniel glared back at her.

“That’s not an L. That’s just lines. I don’t erase signatures like some people because if you look on my insta it clearly had my signature, matches all my other work, and is clearly mine!”

“Then you must have added it. We all know how disrespectful you can be of other’s art.” Lila remarked, as she flinched away from Nathaniel. She made it as dramatic as possible, acting as if the artist would hit her.

“LILA!” Snapped Alix, not sparing any notice for Ivan, who now stood as a shield for Lila.

Lila simply sighed with a shake of her head, moving slightly to the side so she could be seen, but Ivan still acted like a bodyguard.

“I know Marc didn’t want to mention it, but that couldn’t have been easy to witness. I don’t know what happened, I wasn’t here for it, but I do know you tore apart someone’s journal. I can’t imagine anyone doing that. It’s cruel. Sure you’re friends and have made up, now working on the comic, but doing that to someone’s notebook? I’d rather eat glass than have my precious sketchpads or notebooks damaged in anyway. I’m just saying, someone who does that may be the type of person to disrespect other people’s art.”

My entry:

Nathaniel flinched back, looking at the others in class. Rose and Juleka glared at him while Ivan stood in front of Lila, unmoving.

“How dare you!” Alix started toward Lila only to be held back by Kim. Max frowned at Lila while adjusting his glasses, he looked at the drawing again, and looked between Lila and Nathaniel.

“Don’t you dare talk about something you have no idea about- You Snake!”

Lila smiled her condescending smile at her opposers.

“It’s not my fault he caused an akuma because of his jealousy. I know he was angry with-”

Alix made another lunge for her, Kim had to quickly catch her body from the air before she could attack the other girl.

Marinette was fuming, she was burning with rage. Her face was slowly turning red, before she suddenly took out her phone.

Adrien looked concerned. He could feel the heat coming off of her body. He looked to the windows, and the classroom door, fro any akumas. He knew it needed to be resolved, and fast. Rose and Juleka were yelling in defense of Lila, while Alix was screaming in defense of Nathaniel. Lila was still ‘cowering’ behind Ivan, and Nathaniel looked like he was on the verge of becoming another akuma. Adrien was about to speak up when someone else did.

“Actually-” A voice broke through the yells of the classroom. Alya looked uncomfortable, with Nino standing, just as uncomfortable, next to her.

Lila looked triumphant, she knew Alya would be on her side. She sent a smug look at the oposing group, one that earned a glare from Nathaniel, a growl from Marinette, and a lunge from Alix, again.

Nino stepped forward, his expression placating.

“All we have to do is see where Nathaniel says his signature is, and see if the spot was altered on the photo posted to both accounts.”

The request seemed reasonable, if the nodding heads of the other classmates were anything to go by, if it weren’t all a lie.

Lila started crying her crocodile tears, lip wobbling at the pair closest to the door.

“Y-You don’t believe me?” She sniffed as Rose comforted her, and Juleka glared at them.

“Not at all!” Alya walked up, her hands waving in front of her.

“We’re not accusing anyone.” Nino clarified.

“We’re just comparing the pictures, that’s all!” Alya hastened to add.

Lila didn’t look happy at all, but Rose was already pulling up the picture on Lila’s instagram. Marinette doing the same on her phone of Nathaniel’s instagram.

They both laid out their phones on a desk for everyone to compare. Max was looking at the two closely, as well as his own phone.

“Oh Marinette, that’s a screenshot.” Max pointed out.

Lila smiled through her tears, sure that she could convince the class that she edited the photo for Nathaniel, because he accused her that one time too.

“Oh, my bad” She said in a falsely sweet voice, something was up.

“Here. Oh!” She made it look like she was backing out of her photo gallery, when she just swiped over, and let the class see another piece of art work.

“Hey! That looks like one of Lila’s pictures!” Rose, oh so helpfully, pointed out. And it was, one of the ones she posted to her instagram anyway.

“Oh but that’s from this artist. See? I screenshoted it when they posted it, two weeks ago. See?”

They looked closer, and sure enough the artist posted it two weeks before, They looked at the same picture on Lila’s instagram that she claimed she finished two days prior. With a suspicious bloch where the other artists signature was was on their post.

Max pulled back, pushed his glasses back up, and nodded.

“Yup. That picture is the original, you can see the watermark. And the convenient spot that covered the watermark from the original picture, right there on Lila’s instagram.” Rose and Juleka looked at her, confused. Ivan turned around, looking for answers as well. Before Lila could get a word in Marinette took that moment to completely pounce.

“Oh, but what about these pictures? Do they also have erased watermarks, because they look an awful like the other artists I follow that have had their work stolen from them too.”

Alya and Max descended on the photos like vultures on a carcass, picking apart every screenshot in Marinette’s phone, and every post Lila had made on her instagram with Rose’s phone.

Rose didn’t protest as the hovered over her phone, she looked at Lila with tears in her eyes.

“Is it true? Did-Did you s-steal them?” Juleka wrapped her arm around her shoulder, but gave a hesitant glance to Lila. Ivan looked lost, Mylene currently being out sick, he didn’t know who to side with.

Kim didn’t have to hold Alix back, she stood back on her won. Her arms crossed, and a smug look on her face, she knew Lila had been caught. She gave a smile to Marinette, who gave a thumbs up in return. Nathaniel looked relieved, he also gave Marinette a grateful smile that she returned.

Lila knew she was losing her hold. She looked to Adrien, but he was busy looking (out for akumas) around the room.

She had to play her ace in the hole.

She burst into tears, sobbing.

“I-I’m so sick of this lying disease!”

The others looked at her confused.

Alix snorted.

“Yeah, you are lying, and you are a disease.” Kim elbowed her for that, but he didn’t say anything.

Lila had to move fast.

“I w-was going to take them down. B-But I really do like the pictures. I h-had no idea they had b-been stolen b-by those artists-”

“That doesn’t explain the watermarks!” Alix cut across.

“I didn’t steal them! Someone else did! I-I got permission f-from whoever stole the art f-first. A-and-” She hastened to add when she saw that Alix and Marinette were about to interrupt her.

“A-and I couldn’t help but put that I drew them, because of my lying disease! R-Remember?” Marinette looked enraged, Alix and Nathaniel looked at her in disbelief. Max also looked skeptical.

“L-lying disease?” Rose asked tentatively. Lila nodded.

“Yes! R-Remember? W-When I accidentally got Marinette expelled.” At the memory being brought up, Marinette’s face darkened further, Adrien looked uncomfortable, and Alix and Nathaniel shared a look of realization.

“I didn’t mean to get her expelled! It was my disease! It acts up during times of stress! And with all of the charities I help with, and my disabilities, I get too stressed out and start lying again!” She looked to Alya, who looked like she was almost convinced. Nino was looking to Alya. Rose, Juleka, and Ivam were firmly back on her side again.

She just needed to convince Alya, and the majority would follow, or join Marinette in exile.

“I-I’ve been getting so stressed out lately! And I can’t control the urge when it happens! I am so sorry you guys! I didn’t mean-”

“That still doesn’t explain why you accused Nathaniel of stealing your supposed artwork.” Marinette pointed out.

“Or the fact that you brought up something that you have no idea about and threw it in his face!” Alix added.

Lila schooled her face to guilt.

“I’m sorry that I offended you Nathaniel. I didn’t mean to.” She let a few tears come to the surface of her eyes, but never let them fall.

It was all Juleka and Rose needed to flock to her and comfort her. She looked to Alya, who looked on the verge of joining her. She just needed a little more.

“I can understand what made you want to draw that picture you posted, it looks a lot like mine. You drew inspirations from that, I get that!” Nathaniel looked livid, and Alix was ready to blow.

But Lila only worried about the two that were in front of her that weren’t at her side yet. She needed them to keep her hold of the class.

“I can understand drawing inspiration from what’s around you, Marinette does that all the time no?” Said girl glared at her. Adrien had finally stopped his tour of the room with his eyes, and looked at the group. He glared at Lila, but she could deal with that later. As long as he kept his arm out in front of Marinette, and out of her way, she could deal with him later.

She just needed Alya and Nino.

“I don’t blame you for being inspired! Not at all! I just want an apology for accusing me of stealing.” At the start of the protests from Marinette, Alix and Nathaniel, she looked to Nino and Alya.

“Right Alya? Nino?”

Alya hesitantly nodded. Nino didn’t react one way or the other, Hmm...

“See? It;s alright! We just needed to communicate!” Rose cheerfully added.

At that convenient time, Madam Bustier entered the room.

“Alright class! We have a busy day ahead of us! Finish up your chat and get to your seats!”

Lila looked to Nathaniel, an expectant look on her face that made his stomach turn.

Was this how Marinette felt?

Rose, Juleka, and Ivan looked at him expectantly too.

Madam Bustier looked back at the group, waiting. Kim slapped him on the back.

“Hey! It’s resolved now! Just apologize and it’s all good man!”

Alix glared at him, but Nathaniel just sighed.

“I’m... Sorry Lila.”

She smiled her condescending smile once again, that Nathaniel was beginning to realize was the one she always gave to Marinette.

“I accept your apology.”

And everyone started to go back to their seats.

Nathaniel didn’t missed the way Marinette opened her mouth again, but stopped when Adrien touched her arm with his hand. He whispered something to her and shook his head. Alix noticed this too.

She looked angry, and gave him a look of disgust before she subtly tore her arm away from his. He looked sad, but retreated back to his seat anyway. Marinette looked back at Nathaniel and Alix, to see them already looking at her.

She gave them a sad smile and looked to her desk, to see Lila already seated there. She let out a quiet sigh, and made her way to the back of the classroom.

“Hey Marinette?” Nathaniel asked quietly. She looked between him and Alix, who was toeing the floor.

“Do you want to sit in the back with us?” She was about to ask why Alix would sit at the back when she saw her bookbag in her hand.

She smiled at them and nodded. They made their way to the back, not noticing Adrien’s frown of sadness or Lila’s frown of annoyance.

She didn’t like reminding them of her ‘lying disease’. It might give them a reason to not totally believe her,though it was a great skeleton key to get her out of any situation because of her lies.

She turned back around in her seat, plotting her next move for the two new people that joined her exiled list.

Oh well, looks like she’d be adjusting her plans to fit two more.

What she didn’t know, was that there was another person that was beginning to catch on to all of her little lies. He just had to catalog them all on his phone first, before bringing the evidence to light.

Tag List:

@bean2342 @chris-pixie @pirats-pizzacanninibles @multifacetedfangirl @might-as-well-happen @legallyspawned @firesong323 @kuroko26 @runestarchild @mariae2900 @laadychat

#Rose Painted Glasses #lila salt #lila rossi #marinette dupain cheng #adrien agreste #alya cesaire #nino lahiffe #max kante #alix kubdel #nathaniel kurtzberg #rose lavillant #juleka couffaine #ivan bruel #le chien kim #lila reveal in progress

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twistedtummies2 · 3 years ago

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Moriarty’s English Dub

As of today, “Moriarty the Patriot” - my new favorite anime - has its own English Dub. As of the moment I am posting this, I have binged all eleven episodes of the first season with the Dub. I must admit, I was both extremely eager and somewhat worried about how the Dub would turn out: as anybody with even a modicum of interest in anime will tell you, the English Dubs for shows tend to be hit or miss. For every FullMetal Alchemist: Brotherhood, you’ll have a Beyblade. And given how much I love(d) this series and its original voice cast (even if I couldn’t understand a word without those lovely subtitles), I was both excited to hear how new actors would handle them in my own language, and yet had some trepidations, worried the end result could prove vastly inferior. SO...the obvious question you readers are asking is...what do I think of it?

My overall opinion of the Dub is that it is a good one...GOOD, mind you. Not perfect, nor brilliant. I wouldn’t say it’s as good as the original voice cast...but it’s not BAD, either. There are just one or two points where I feel the original cast is decidedly superior. The minor side characters and supporting roles of the show are mostly pretty good; the only places where I feel things don’t quite work are some of the characters who are meant to be kids, where they are...very, VERY obviously voiced by actors or actresses who, bless their talented hearts, just cannot sound like kids. XD Having established and settled that fact, let us consider the major characters. Of the Moriarty Gang, Howard Wang is absolutely spot-on as Louis: prim, proper, usually gentle, but with a coldness and viciousness to him in necessary moments. Chris Guerrero as Albert, meanwhile, is not quite what I anticipated: he has a lighter, somewhat more theatrical voice than I imagined. The more I hear of him, however, the more I warm up to him: he’s a case where the unconventional casting actually works in the Dub’s favor, bringing a new dimension and element of the character to life while still feeling like the one I’ve come to know and perceive from earlier interpretations. And just like the one from the original cast, I somehow never question him as a younger man, either. Clearly a good sign. Less spectacular are Caleb Yen and Christopher Wehkamp, as Fred Porlock and Sebastian Moran, respectively. Now, I should point out neither necessarily does a BAD job - there’s nothing wrong with their ACTING, they’re handling the characters well enough, and if I hadn’t seen the original, I might not have any issue (might not; hard to say for sure. In the case of Yen, the issue is simply that he sounds too old for Fred’s rather obvious youthful standing...and as for Wehkamp? To be perfectly honest, it’s hard for me to say just what my issue with his performance: while Albert’s voice has warmed up to me after seeing eleven episodes, Wehkamp’s just leaves me trying to figure that problem out every time I hear it. I don’t know what the matter is because, objectively, there shouldn’t BE any problems: the dialect makes sense, the quality of the voice is fitting, and yet, for some reason...I’m just sort of always aware of the fact he’s being dubbed, if that makes sense. On the Holmes side of the spectrum, let me just start off by saying that Suzie Yeung is PERFECT as Miss Hudson. She is at least equal to her original Japanese counterpart, if not better. Dr. Watson is played by Ryan Colt Levy, who evidently is a big Holmes fan and was ecstatic when he got the part. Well, his passion is evident in the power of his voice, because his Watson is pretty perfect: he’s got something of a laid-back quality to his voice, which surprisingly matches the grounded, rational normalcy of John in the show, and there’s a quality to his voice that reminds me of some of my favorite Watsons in the past, most notably Jude Law. He captures both the sweetness and the tenacity of Watson in this version brilliantly. Again, most assuredly on-par with the original so far. Once again, a weak point here is Inspector Lestrade. He is voiced by David Matranga. He has both the same and the opposite problem as Yen’s Fred Porlock. The same in that his voice really doesn’t seem to match the age of the character’s design and demeanor; opposite in that, instead of sounding too old, he sounds much too young. Honestly, he’s my least favorite casting choice of the bunch, possibly: it’s just so distracting hearing that voice from this big, gruff fellow who is very clearly older than the tone seems to indicate. All this brings us to our two leads: Sherlock Holmes and Professor Moriarty. I am happy to report that both impress me a great deal. Holmes is played by Theo Devaney; he’s perhaps SLIGHTLY older-sounding than I’d imagine, but unlike Fred, it’s never to a degree that’s distracting. What I love about Devaney’s voicework is it really does match THIS Holmes, if that makes sense. The brilliance of this series is that, for all the changes it makes, Holmes remains basically the same character we’ve always known, at his core. Devaney’s voice matches that idea brilliantly; some of his lines and deliveries call such actors to my mind as Basil Rathbone, Nicholas Briggs, Jason Gray-Stanford, Barrie Ingham, and other great classic Holmeses of the past to my head...yet he still brings a unique spin all his own, his dialect having a roughness others lack, and keeping the energy necessary for this version. I can easily imagine his voice when reading the manga or especially the Conan Doyle classics. I do still prefer the original voice actor more, mostly because he was just so intensely exuberant in his style and I think captured Holmes’ mood swings more incredibly, but Devaney still does a grand job. So, we come to the main man himself: William James Moriarty. He’s voiced by Aaron Dismuke, whom I primarily know as the voice of Lucifer from “The Devil is a Part-Timer!” I wasn’t quite sure what to expect here, but...honestly, the more I listen to Dismuke’s Moriarty, the more I adore him. I’m not gonna lie, I think, astonishingly, I might like him MORE than Soma Saito, the original voice actor. Now, I don’t like the changes to some of his dialogue (”Come and catch me if you can, Mr. Holmes”...seriously, that line was IN ENGLISH in the first place, why change it?! It sounds all clunky THAT way!), but in terms of the voice and his performance, I think he hits the nail on the head beautifully. It is more or less exactly the voice I would imagine this Moriarty to have. I have no idea if he and Devaney were ever in the same room at any point, but the way the two characters bounce off one another is as powerful as ever...and for every line change that feels odd, there are line changes throughout this series (not just for him, but in general) that either have no effect and therefor are not very noticeable, or actually come across as BETTER than what was originally said. Which still doesn’t excuse them changing...you know...arguably the most famous line/moment in the entire thing, but...whatever. Win some, lose some. So, in conclusion...while I overall prefer the original subtitlted version to this dub, the dub is not necessarily bad. There are better ones, but there are certainly worse, and I would say this is even better than being “just okay.” I’m not sure exacatly where to rank or rate it, but I think the bottom line I can give is this: if someone wanted to watch the Dub of this show instead of subtitles, for any reason, I wouldn’t discourage them in the least. To me, I think that’s ultimately what matters.

#moriarty the patriot #english dub #random post #thoughts #sherlock holmes

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onedoodleaday · 4 years ago

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Review of 6 creative prompt books

Can't get enough prompts? I sure can't! I have a horrible urge to buy any and all books I see that have any sort of theme related to creative prompts, and I've amassed quite the collection over the years.

Today, I'm going to review some of them!

All of the following books are meant to be drawn in directly, which (at least ideally) makes them very satisfying to leaf through once you've worked in them for a while.

I will be making a separate post showcasing how I've personally used each book and link to it here, in case any if them pique your interest and you'd like to know more (coming soon!)

Books I am reviewing:

365 days of art by Lorna Scobie (⭐️⭐️⭐️⭐️▪️ Four out of five stars)

642 things to draw by chronicle books (⭐️⭐️⭐️⭐️⭐️ five out of five stars)

642 fashion things to draw by Chronicle Books (⭐️⭐️⭐️▪️▪️ Three out of five stars)

Doodle a day by Chris Riddell (⭐️⭐️⭐️▪️▪️ three out of five stars)

Hirameki: Draw what you see by Peng and Hu (⭐️⭐️▪️▪️▪️ two out of five stars)

Illistration by Jaime Zollars (⭐️⭐️⭐️⭐️▪️ four out of five stars)

Warning: this is a very long post

365 days of art

By Lorna Scobie

⭐️⭐️⭐️⭐️▪️ Four out of five stars

What I like about it:

There's a great variety of prompts in this one. The prompts are mostly simple and straightforward, with space for doing your own thing. Most of the exercises also happen to appeal to me personally.

The prompts are designed for being able to be completed quite quickly, which makes them very accessible for me, and of course, you can get more elaborate with them if you have the time and energy (I've spent the last five days adding details to fish, just because I wanted to).

The author uses the foreword to encourage you to use the book in whatever way you personally find the most fun, which I appreciate.

Most of the prompts feel like they're focusing on practice rather than results, which means it's open for all skill levels to enjoy.

Criticism:

While I do hold that this book can work for artists of all skill levels, it does have prompts that are meant to teach you something, and while I like some of them, there are some that feel targeted towards either less experienced artists, or artists who has, or strives towards, a similar art style to that of the author. A couple of times, I have felt that my art style did not match the exercise set up, and while I still managed to have fun with them, I did wish there were more space for (in my case) a more realistic art style.

On a similar note, there are sections geared towards calligraphy, and they start at the very basics. While I personally am a beginner, I can imagine that someone with experience would find these bits both boring and redundant.

I will also mention that the book does encourage the use of different kinds of media, so you either have to be ready to break out some different tools or bend the prompts a bit if all you have is a pencil.

Recommended for beginner and intermediate artists, people who really like prompt books. Good for a little bit of daily practice with many different styles of art. Good for people who like patterns and colours in their art.

Recommended tools: brush pen, water-based paint, coloured pencils

642 things to draw

By chronicle books

⭐️⭐️⭐️⭐️⭐️ five out of five stars

Of all the prompt books I have, this is my favorite. Hands down.

What I like about it:

This book is just prompts. No hand-holding, no presets for what to do with it, they just give you something to draw and you go from there. All you need is a pencil and your imagination. There are both straightforward prompts (a bottle opener, a spool of thread) and more abstract ones (girlish laughter, head in the clouds) and the variety means I usually find at least one prompt I want to do on each spread.

The differing sizes dedicated to each prompt make for a really fun and pleasing result.

I also appreciate that this book is completely open to all skill levels, as long as you're willing to give a go at drawing a lot of different things.

Criticism:

While I personally adore the to-the-point, straightforward prompts, I do acknowledge that, unless you enjoy just drawing random objects, you're going to need to add some creativity on your own, in how you incorporate the prompts. I personally like adding either character interaction or to use the object as part of a scene, especially for the things I don't find super visually interesting on their own. I personally enjoy the level of thinking, but I'm sure there are people who don't.

I also don't know if I would have enjoyed it as much when I was just starting out. I’ve always been quite result-based with my art, and while I think using reference to draw all the different things in the book would be an amazing skill-building exercise, it also sounds like a lot of work.

There are also a handful of pop culture references and prompts for famous people, which I personally prefer to avoid, because those are often based on social knowledge and interest, of which I personally have neither.

Recommended for artists of all skill levels, people who either have a big visual library or would like to build one. Recommended for people who like to draw a lot of different things.

Recommended materials: anything! Can be used with just a pencil

642 fashion things to draw

By Chronicle Books

⭐️⭐️⭐️▪️▪️ Three out of five stars

This one was actually my first prompt book ever! The start of a hoard, one might say.

What I like about it:

This one is another one by Chronicle Books, in the same series. This one is really fun if you like drawing clothes, and/or your art is character oriented. Of all my prompt books, this one has the best potential for fanart, in my opinion. If you like drawing people and characters, this book is really fun

Criticism:

This one is, quite understandably, more specific. If you like drawing clothes, this one is ideal. If you don't ... don't pick this one.

I was close to giving this one four stars, but I will withdraw a star for being very specifically tailored to one subject -- this could be a five star book for some people and a one-star for others.

Another thing I want to mention is that this book gets specific. I have to look up what about a third of the prompts mean. I'm okay with that, but if you don't want to do research and don't already know what a jaquard blouse or peplum waist skirt or houndstooth is, this is not the book for you.

Lastly, it has a good handful of both pop culture references and references to different brands, which is kind of alienating to me personally. It also assumes that you yourself care about your own clothes to some extent. And that you have at least one father and one mother. Who got married at some point. And your mom wore a wedding dress. Things like that.

Also my copy is from 2013 and let's just say some of the references have aged very poorly. ("D*nald Tr*mp power suit" being a very notable example. I drew him impaled on a stick. Which was satisfying. But it was very much an act of rebellion so keep it in mind)

Recommended for anyone who likes drawing clothes and the people wearing them, who are also willing to put up with a certain amount of heteronormativity in their prompt books. Some skill level will probably make the book more enjoyable. Clothes are hard.

Recommended materials: Anything! You can use this one with just a pencil

Doodle a day

By Chris Riddell

⭐️⭐️⭐️▪️▪️ three out of five stars

(Note: I own a translated version of the book; this is the danish cover)

Before we start, I would like to note that this book's target demographic is children. I’m not a children, I just thought it looked fun. And I was right! But do keep it in mind.

What I like about it:

This one doesn't take itself too seriously. Which means that in places, it gets wacky. And I appreciate that. It expects a child's untamed creativity and wish to go along with whatever.

A lot of the prompts are really fun and inspiring for me as an adult. There are a lot of "complete this drawing" sort of things that get me to draw things I don't usually draw.

It's nice to see a book geared towards children that dares to have a very detailed and complex art style. Whether you personally like Chris Riddell's art style is very subjective, but he's good at what he does.

Criticism:

You have to enjoy drawing along with what the author enjoys. We're talking robots and fairy tales and dancing bears. This book has less room for letting you steer the prompts in a direction that you personally like, which is good if you like to be told exactly what to draw. It is less good if, like me, you prefer your prompt-based art to have space for a lot of your own creativity and preferences.

I've personally marked down the prompts I want to do with tape, and I'm planning to just plain skip the rest. This means about two thirds of the book that I'm just not planning on using. I'm okay with this! But I want to mention it.

The book also contains quite a lot of 'free days', which I always find disappointing. I came here specifically because I didn't want to make up my own stuff. Please. Tell me what to do, I beg of you.

I will also note that this book assumes that you have some sort of family that are present in your life to the point that you want to include them in your drawings, and that you have at least one friend who wants to partake in certain of the prompts.

It also assumes cultural Christianity, having prompts for easter and christmas and halloween and so forth, with no other holidays mentioned. It's a little uncomfortable.

Recommended for people who like silly prompts and are very adaptable in their art. Probably really good for younger kids? I was a weird child, so my point of view might be skewed. Decide for yourself if this book is worth getting for you or someone you know!

Recommended materials: something to draw with, and something to colour with.

Hirameki: Draw what you see

By Peng and Hu

⭐️⭐️▪️▪️▪️ two out of five stars

The classic exercise of using vague blobs and turning them into drawings

What's I like about it:

The concept is really good. The idea of having a whole book of printed blobs to turn into drawings is so fun and appealing to me, as someone who loves having things in books.

I really like that they have certain categories and themes, to make things a little different. I love the idea of having a theme for a whole page of blobs (turning everything on one page into birds, for example), and what made me get the book was specifically that they have pages with just the same blob ten times over, and the challenge is then to make them all into different things.

Criticism:

This book is the marketable brand flavor of prompt books, trying to be what mindful colouring books did, but with another concept, preferably in a way they can copyright.

They're clearly trying to make pattern-making into a marketable invention rather than something that has been around since, like, literal prehistoric times. This would be little more than annoying and could probably be ignored, if it wasn't for the fact that the blobs aren't even ... random.

The creativity is killed, because these blobs are clearly made to look like certain things. Which is the opposite of the point, of the shapes-in-randomness exercise. They don't do this with every page, but it is, like. More than half. The page dedicated to faces have defined noses and necks. There’s a beach themed spread and the crabs have defined pincers.

I had the most fun on the intro pages, where there were no prompts, because that was the place where the blobs were truly random. These were not meant to be drawn on! They were decorations! I just did it anyway!

This is branded to be something that will allow you to be creative, but in reality, it is actually just a different way of playing connect-the-dots. And there's nothing wrong with connect-the-dots, but I was advertised something else and I'm disappointed.

Also, this is personal pettiness, but if you're going to make a gimmick out of every prompt rhyming, you have to actually know how to rhyme. "Gadget" and "uplug it" do not rhyme! Not even by a stretch!

I cannot recommend this book. The idea is good, and some of the pages I did enjoy filling out, but I would have gotten more out of just grabbing a blank sketchbook and adding some ink blots to every page, then started from one end.

Recommended materials: They specifically say that you have to use a pen that’s either blue or black. I used a bright red one just to be a contrarian.

Illistration

By Jaime Zollars

⭐️⭐️⭐️⭐️▪️ four out of five stars

This one is a little different -- it is essentially a make-your-own-prompts book!

What I like about it:

This book appeals right to my need to be part of the process, even when drawing for prompts. Basically, this book is all about producing creative lists of things to draw, and then illustrating your favorites.

I love how the author talks you through their process of creating each individual list to suit their own preferences, and encourages you to do the same, to create prompts that appeal directly to you.

I also really appreciate that this book fully assumes that the reader is just as capable as the author. It wants to teach you something, sure, but it doesn't outright assume that you've got more or less experience than the author. They're teaching you one specific way of generating ideas and that's what matters. The author is confident, but humble. I like that.

Criticism:

Honestly, this is a wonderful book. I wouldn't change anything about it. The only reason I subtracted a star is because it falls a little bit outside the category of a prompt book. It's a five-star book for what it is, but if you're just here to be told what to draw without having to make stuff up on your own, this one is not for you.

I can't just pull this one out, open it up and start drawing -- using this book is a project. I have to do at least half of the work myself, if not more. And I personally have fun with that, but it has to be noted.

Recommended for artists of any skill level, who like to generate their own unique ideas. This is the one I would be most likely to recommend to a dedicated artist, or a professional.

Recommended materials: whatever you prefer to draw with, and something to write with.

-------------------------------------------------

Thank you for reading!

If you found this review helpful and want to fund me and my constant purchasing of prompt books, you can tip me on TheNearsightedMicroraptor on Ko-fi!

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sanstropfremir · 3 years ago

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hi! swf anon here

i agree w ur points. i don’t think the mission was very fitting? mnet had them essentially do an individual mission but mix matched the crews together and do a Group performance… in the episode, no one really cared to work together. instead they were more focused on wanting to stand out. i thought all the performances were v lackluster so i’m hoping for more? but my expectations are VERY low because the preview dance performances for the next ep looked v bad. each crew has more dancers to fill space and do fun formations but like, also? it seemed v poorly produced (stage design is literally them in a big ass empty stage). and that more doesn’t mean better because some stages looked v disorganized.

also, it seems like the show is more focused on ‘idol dancing’ if that makes sense? and that’s why it’s shot and edited that way. because chaeyeon is on it, there has been a lot of discussion of what counts as dancing vs idol dancing. also if idols can be considered as dancers. (the same argument that idol rappers are not rappers, etc.) taeyong was thrown in the mix because he’s one of the judges and people don’t think he’s Valid to be one.

also, what is unique to street battle dancing? i’m not familiar w it. and honestly i feel like boa is the only one making sense on the show. i like her comments and why she chose a crew as the better performance.

(this is a jumble of thoughts! sorry. i’m not on my laptop.)

no worries at all! your jumble makes perfect sense to me. i''m sorry this got very long and is mostly me rambling, i guess it's tit for tat at least!

honestly i would rather them doing big groups on an empty stage than whatever those massive quarry sets were, because at least we'll be able to see the choreo a little better. and you're absolutely correct more does not at all mean better. i am definitely a little confused on the priorities of the show, since they seem to be trying to incite the dance vs kpop dance conversation but don't actually seem to be doing it in a constructive way? i haven't watched the full episodes so i can't confirm, obviously, but from what i've seen they mostly just seem to be fueling the division between the two. i talked about this with the idol rapper thing during the collab kingdom stages but idol dance serves exactly the same function as idol rap; it's a part of the form of idol performance. it is a type of dance, and there are certainly idols who are very good at dance, but idol dancers and idol dance is not pushing or innovating the art of dance as a field. it's simply a different set of skills that serve a different function in a different form of art. it's kind of like trying to ask a fashion designer to be a performance costume designer. yea, ostensibly it's the same skills that came from the same place, and yes there are people that can do both, but they are specialized for their specific fields.

personally, of any current popular idol they could have picked, i think taeyong is a better choice than most. he's got a very well known face, he's a leader so he's used to being variety show material, and although he does dance like an action figure animated by suspicious mystical forces, he does actually care a lot about learning and acquiring new skills (see the fish surgeon incident), so he's not about to go onto the show wholly unprepared. not saying he's going to provide the most helpful feedback, but he's probably gonna be better than some other idols they could have picked, at least. and honestly? from what i've seen so far, i don't actually think there's a lot of dance happening that i would consider not idol dance, so i think it's probably fine that 2/3 judges are idols.

like i said in the tags of my previous post, battle dancing + street dance in general are much more focused on technique than idol dancing is. also most of it is freestyle. it's about arranging moves in combination to music in a fresh and interesting way that has a good structure and strong musicality. i linked the final from battle pro 2019 in my first post, but it's a little hard to explain what's going on, so instead i'm going to use mostly battle examples from street dance china here, because it's also a show about street dance that uses idols/celebrities as a way to bring in viewers, but they are also bringing in judges and dancers active in the global street dance scene.

this is one of my favourite battles from season 3, it's one round from a 4v4 where each dancer is trying to garner points for their team to avoid an elimination. the great thing about this battle is that it shows the strengths and weakness of different styles in battle dancing. this particular music works very well for two of these dancers, chunlin (second) and bouboo (fourth), but it doesn't work that well for klash (third), who is a bboy. you can also see how the editors of sdc actually put in post all the different moves that each dancer is doing, which i think is great and shows all the bits of technique that come together for each freestyle.

this is a 3v3 from the fourth season, where the first round is hiphop, second round is bboy, and third round is waacking (there are two other rounds after, but they cut rochka v bouboo from this edit and only showed c lil v qiao zhi, the bboys). the first round is VERY close to a draw, and rochka (long dreads) actually beats bouboo in the second round (bouboo is rochka's teacher, they're both french hiphop champions). qiao zhi beats c lil in the bboy rounds because he focuses more on technique and listening to the music, as opposed to doing just showy and experimental moves (you can see qiao zhi gesturing at his ears in the second round at the end, saying that c lil isn't listening). and in the waacking round, ac goes a little more for showmanship than technique, and that's why ibuki beats him in the end. tony gogo does a short explanation that says basically this, who is one of the judges and is a founder of the first locking group in the 70s, and also one of michael jackson's choreographers.

if you want to watch something that's a bit more showy and actually uses the idols, this is the first round of the captain's battle between wang yibo (uniq) and jackson wang (got7) from sdc3, where they have like 15min to come up with a short choreo to the same piece of music and then have to battle each other with it. and this is basically the same thing from sdc4, but the captains had to pick a dancer to dance with. the rules were slightly different for this one so the captain could chose to have another dancer sub, which is what han geng did for his second round. if you have 20 min and are curious, this is the full captain's cypher also from sdc4, which is han geng (ex-suju m) v zhang yixing (exo) v wang yibo v henry lau (ex-suju m). they're battling for extra towels (long story, it's the point system, basically) to save dancers that have already been eliminated. each of them pick a style they want to dance, and they have to do four rounds and all dance to each style's music.

basically what i'm using all these examples to explain is that battle dancing is about having a really strong understanding of basic dance skills and being able to do good freestyle. that's the biggest difference between idol dancers and street dancers. and this also extends beyond battles as well; here's another example because i can and because it's extremely funny. this is from the first elimination round in sdc4, where half the dancers were able to pre-choreograph performances and were only able to challenge them in a call out, but the caveat was that they HAD to dance to the other dancer's music without listening to it again. so basically if you wanted to call out someone, you had to listen and memorize while watching their routine, and then freestyle a routine on the spot. which meant that everyone who pre-choreographed routines did it to the most batshit music they could possibly think of, to prevent people from challenging them. xiao ji calls out welllai because he's a dumbass and wants to go to the bathroom, so you can actually see his thinking process in trying to freestyle to this weirdass fuckin beat she used. and he ultimately wins the call out because he shows good ingenuity and character as well as technique and ability. he even says at the end that it was only because of many years of practice that he was able to pull that off.

#street woman fighter #swf #honest to god my second favourite thing about sdc is watching yibo go absolutely fucking FERAL during the battles #he's usually pretty introverted and focused but just loses his fucking shit every time it's so funny #in the seven to smoke battle (1v7) in sdc3 he actually throws a chair at one point #(my first favourite thing is the dancing obvs) (third favourite is the idiom competitions)#xiao ji and also xiao jie (the first dancer from the first battle example) are both probably the best comedic dancers ive ever seen #both of them were part of steven chow themed routines in sdc3 and holy shit they are so funny #xiao ji gotta be funny his name is a synonym for 'little chicken'#sdc #text #answers #swf reviews #me making myself crosseyed trying to remember everyone's names because they all used their chinese names #i spent four months calling jackson wang jiaer and it erased my memory of ever calling him jackson. qiao zhi's stage name is george #he does look like a george but im not calling him that #its also why i stopped refering to yixing as lay #yibo took one look at bouboo in the third season and went 'thats MY man' and no one stopped him #they barely have a mutual language its so cute #and yixing and his attachment to huang xiao and qiao zhi.....also very cute #sdc is the only competition show i care about can you tell #ok im stopping now im going overboard

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canary3d-obsessed · 4 years ago

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Lost Tomb Lewks, Part 7

The Warehouse 11 Special

(Masterpost)

Warning: Spoilers for Season 1 of The Lost Tomb Reboot

Rather than intersperse an endless series of slightly-different Warehouse 11 outfits throughout the series, I’m going to cover them all in one long post. Wu Xie spends a LOT of time in various Warehouse 11 uniforms. but at least he doesn’t spend three episodes chained to a pillar; I’m looking at you, Shen Wei.

Out of curiosity, I made a swatch of all of the colors used in these looks. It’s actually a pretty good range. They’re not very exciting colors, but the baseline blue-green color of most of the uniforms is flattering.

Look 31 is the Transport Driver uniform. This starts off being worn by future friend Li Jiale, who becomes a temporary enemy when Wu Xie tasers him into unconsciousness and steals his clothes and truck. Some people can’t take a joke.

This uniform is a rich blue with maroon detailing on the chest pockets and a striped ribbon across the chest. It features a closely-fitted hat and a blue and white arm patch.

The arm patch features a swirly design similar to traditional cloud, bat, and butterfly embroideries; perhaps it’s meant to represent one of the various bugs that will try to kill Wu Xie during his time in the caverns of Warehouse 11.

Look 32 belongs to Bai Haotian, aka Xiao Bai, who is such a delightful character she almost makes up for the other two major female characters in this thing. Not only does she not suffer in order for a man to have feelings about her suffering, but when she is rescued from danger by the man she loves, it does not lead to making out or other intimate moments. So refreshing!

Her uniform is not particularly refreshing, but it is different from Wu Xie’s, and she looks cute in it. This look features fitted dark trousers (it’s hard to tell from the lighting if they are black, green, or blue), a jacket in Pantone 5473C with a collar and pocket flaps in 5477C. Sorry for busting out the Pantone refs but I can only type “green” so many times.

Xiao Bai’s jacket has pleated box pockets over the boobs, which look fine on a person with small boobs. As long as they don’t try to actually put anything in the pockets. The jacket is fitted through the shoulders with a reverse pleat in the center back. She wears it with a white shirt, suitable for writing on.

(More behind the cut!)

Xiao Bai accessorizes this look with pink underclothes that she hides as quickly as possible, while Wu Xie politely avoids looking quickly checks them out.

Look 33 is Wu Xie’s Level 1 Uniform. It’s Pantone 5473C with pointed pocket flaps in 5477C and a white-and-5473C striped band across the chest and back.

It features a close-fitted cap that matches the shirt, and dark cargo pants.

It’s got an inverted pleat in the back and military-style straps on the shoulders. Everything fastens with snaps with shiny black dome covers.

Like all Warehouse 11 indoor uniforms, this has a badge on the chest that’s somewhere between a yellow brass and a green bronze color, depending on how it catches the light. The drivers don’t seem to have these badges.

I actually kind of like Wu Xie in a hat.

Wu Xie wears this uniform with black lace-up work/hiking boots. I don’t know if these are part of everyone’s uniform or if it’s a BYOS kind of place. It’s mostly too dark to get a good look at anyone’s feet.

Look 34 is Wu Xie’s Level 1 uniform with a black tee shirt and socks.

This is a good look for kissing your own biceps and saying “welcome to the gun show, ladies!” lying down under the stars with a girl and talking about constellations, in a nice twist on a classic romance trope.

I normally don’t project ideas about friendship onto strangers who work on or star in TV shows, but I really feel like this camera operator understands me.

Wu Xie accessorizes this look with a water bottle with a picture of his boyfriend on it.

Wu Xie: If you have one Wu baby and one Zhang baby that will provide a new generation for all three of our families. I promise you’ll like Xiao Ge. He’s...very talented.

This look goes well with having a beautiful face and a loving camera operator & director of photography.

I could wish the lighting designer was less fond of green, but the plot demands it, alas.

Xiao Bai’s outfit also goes well with having a beautiful face. Her haircut does, too--it’s super cute and flattering.

Look 35 is Wu Xie’s testing outfit for the first test. It’s his level one uniform, untucked, with dark glasses and fingerless gloves.

And his tongue.

OP did not speed up that gif on purpose; she captures everything at that speed, honest.

Look 36 is Wu Xie’s Level 8 Uniform. When they gave him this, did he think “oh, different uniforms for different levels, I wonder which level Xiao Bai’s uniform signifies? He did not. Neither did OP.

This uniform features a jacket in the green/green color scheme, with two pleated boxy pockets at the waist and one on the right side of the chest. The collar is an open triangle lapel instead of the two-part suit collar featured on Xiao Bai’s jacket - his jacket is tailored more like a work shirt. It’s worn untucked and doesn’t have a waistband. The white-and-green striped ribbon that was over the chest on the level 1 uniform makes an appearance here as tiny tabs on the pocket flaps. He wears a brown button-up shirt underneath.

I gotta say, the costume department really did a great job designing a whole range of uniforms that have repeating motifs, coloring, and detailing, while changing up how everything is put together.

All the uniform variations take me back--WAY back--to when I was a girl scout in the 1970s. My troop mostly wore badge vests or sashes over normal clothes but we all liked to look at the glamorous uniforms in the catalogs.

Actually the girl on the floor looks really sharp. Which is probably why she’s keeping away from the nerds on the left.

Look 37 is Wu Xie’s second test outfit. Yeah, we’re going out of order, to break up the sea of green with some smooth, glowing skin.

Zhu Yilong has nice arms, and whoever designed this sequence thinks so to. Particularly when considering the clothing item Wu Xie puts on over his undershirt.

This lil’ vest would be right at home at International Mister Leather Twill. What on earth is the purpose of a vest with pockets that you wear under an outer shirt with pockets? Other than to give you more time to show off your arms while dressing?

It features black panels on the upper chest and back; one flap pocket closure and one strap pocket closure, a...zipper? down the front? With black fabric on either side.

He wears it under his untucked level one shirt. There is no way anybody wears these vests under their shirts for normal wear - the pockets would keep anything over it from laying flat.

Look 38 is the Supervisor outfit worn by Jia Kezi.

It’s all one color--Pantone 5473C--and has rounded puffy pockets on the chest with rounded flaps, rather than the square ones featured on Xiao Bai’s uniform of the flat chest pockets of the level 1 uniform.

It has a covered placket and a high band collar, with the same close-fitted cap featured in the other uniforms.

He looks really good in this cap, which shows off his beautiful eyes and eyebrows better than his floppy hair, I think. He accessorizes this look with warm-toned skin, a cleft chin and sculpted cheekbones.

Look 39 is Wu Xie’s level 14 uniform, which shows that he’s a director now.

It looks exactly like Director Ding’s uniform.

and, oh hey! It also looks exactly like Bai Haotian’s uniform.

Her entire disguise was to change badges and remove her tie.

Look 40 is the last Warehouse 11 uniform. It belongs to book author/screenwriter/producer Nan Pai San Shu, who gets to wear a brown vest and shirt instead of green & green, and whose badge says he’s Level 18. As befits the creator of this endlessly entertaining world and these delightful characters.

More Lewks coming soon! Including several that are not green!

#the lost tomb reboot #reunion: the sound of the providence #wu xie #warehouse 11 #dmbj #lost tomb lewks #canary3d-original #my gifs #the lost tomb reboot spoilers

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kishimoto-did-us-dirty · 4 years ago

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Naruto Arts School AU

Reposting bc I love this post and bc I can lol

Character

- major

description

Naruto

-Drums

okie nobody can deny that our main boy over here is a loud soul, however, he can also carry a damn good beat that compliments his band mates’ music really well. Tbh, he sucked at music to begin with and had trouble matching rhythms and listening to his band mates when they played, however he eventually became a really good rhythm maker.

Sasuke

-Guitar (lead)

He’d be assigned to the same band as Naruto, and that’s how they met. This boy is a damn good guitarist y’all, but has attitude problems™, and used to not be able to deal with Naruto’s haphazard beat making, thus perpetuating a rivalry between the two. He constantly feels overshadowed by his elder brother Itachi, a piano major.

Sakura

- Dance

Ya girl fucking demolishes every single dance routine. Initially starting out with a focus on ballet (pre-shippuden in canon), our pink headed queen soon realized that she wasn’t getting the full experience of what it meant to dance. Her point shoes were her loves, however they hurt and nipped in places not just physical. She realized that she didn’t want to be pigeonholed into a genre of which she would be inhibited by standard, and rather to dance so as to forget technical perfection. Thus, what would partner with post-shippuden Sakura in canon, Art School AU Sakura got into hip-hop. And bitch, she goes hard. A lot of the other girls who she used to dance ballet with admire her for her absolutely BODYING her dance routines, but also for never sacrificing her femininity to dance and not taking BS for being a girl who goes so hard in a male-dominated genre. (Some people believe that hip-hop is heavy hitting and a little metaphorically “dark” so to speak, which Sakura is not. So obviously I expect a little disagreement regarding this, however if you look at people like Delaney Glazer or Kaycee Rice, that is how Sakura would dance).

Hinata

- Creative Writing

Shy and bookworm-like, Hinata can write the best poetry, romance and adventure pieces out of all the creative-writing majors. She’s especially good at writing character relationships and development, and has such a subtle sense of intelligent wit in her writing, that if you blinked you would miss it. However should you catch it, you’re sure to chuckle. Her only struggle is that she tends to drag on in important scenes, stretching them against the regular flow of the rest of her writing. Needs validation for her writing through an IV drip.

Kiba

- Drums OR Photography

Drums for obvious reasons (loud and obnoxious), although ruff boi looks good with a camera, too. Great at landscapes and street photography.

Shino

- Creative Writing OR Photography

I could definitely see Shino having fucking beautiful handwriting, and being a beast at writing anything within the sci-fi realm. I could also see him doing some journalism, and writing for the school paper. He’s very good at the logic of his sci-fi books and coming up with logical but enrapturing stories, that intermingle knowledge and mystery. He’s a very specific type of read, however, and may not appeal to all, however if you enjoy anything similar to Star Wars or Hitchhikers guide to the galaxy, then Shino is your author. If this doesn’t float your boat, though, try photography-major Shino. He can get the best angles of bugs he sees, and has an extensive portfolio with entomology-related snapshots.

Ino

- Dance

Like Sakura, she, too, began with a focus on ballet, however began to branch out into contemporary ballet a little later than Sakura. This is another reason why Sakura switched her focuses, as she and Ino had always had a fierce rivalry for dieting (ballet dancers are pressured to be as thin as possible) as well as battling for technical perfection when they were ballet focused. As the two grew, Ino focused more so on contemporary, but can certainly do some hip-hop with Sakura every now and then, just as Sakura occasionally takes a contemporary class with her. The two still have a rivalry, however, just not to the previous extent as when they were actively competing against each other. They’re more like sisters.

Shikamaru

- Guitar (bass) OR Creative Writing OR Architecture

Smart boy’s a tricky one. He would either be a bassist, a mystery and historical fiction writer, or, of his school offers it, be great at architecture. Idrk.

Choji

- ermmmmm….. maybe graphic design? Tech theatre (props)? Vocal???

Choji is hARD dwnccnpc (that’s what she said). I could see him behind a computer screen, animating and designing games/covers/posters or whatever. He could also do something in theatre, but I don’t think he would do anything up on stage. Something like props would suit him. He might do something in music, tho???? Can he sing???? Help???

UPDATE: Choji is a band kid. He plays tuba or some shit. Big boy got big lungs.

Tenten

- Dance

Always has been, and always will be a hip-hop dancer. She wanted to be like Tsunade, a legendary dancer and followed in her footsteps, taking up hip-hop. (that’s why Sakura focused on hip-hop, too, because Tsunade mentored her and taught a few of her classes, too). Tenten is fast and can keep up with any beat. Not only is she a great dancer, but she’s also athletic, and does track and field (cross country), football, and softball at another school too, since the arts schools doesn’t offer it. Overall great dancer with styl. She’s really looked up to by some of her underclassmen for her cheery, but badass style and skill.

Lee

- DANCE (hip-hop, too)

It’s sweat. It’s burn. It’s energy. It’s Lee.

Neji

- Violin

First chair violinist in his freshman year for the school’s philharmonic orchestra. He be extra like that.

Gaara

- Guitar (bass)

He had a lonely childhood with neglectful/abusive parents, and rock music really helped him with that. Emo music is emo and often made fun of, but the songs have messages and Gaara related, so self-taught himself the bass guitar to help cope, and bring him closer to the music that salvaged him.

Kankuro

-Art

Specifically sculpting. For obvious reasons.

Temari

- Acting

Girl can make you cry with some of her monologues. Total lead. Has a seriousness in her acting that makes her believable, however can falter on the less-serious roles. She may also double-major in whatever Shikamaru does. And she’s better at it than him.

Itachi

-Piano

Boy could play any etude at age 7. Performed at Carnegie Hall when he was 10. And no, he didn’t pay to play there. The hall invited him. Began composing at 9. Has perfect pitch. Owns international awards. If he’s not at school it’s because he’s traveling to play for crowds. He excels at classical and baroque, however has an ear for romantic, and enjoys playing/composing pieces either written or inspired by romantic pieces. Enjoys Schumann, Debussy, and Tchaikovsky. Hates modern classical music, though. Can only take cinematic pieces composed by people like Williams, however can’t stand Prokofiev at all. He does like modern music, though, so long as it’s outside of the orchestral/classical music realm. He likes R&B. He would have liked to do film with Shisui, particularly producing, however his parents pressure him with piano, so he helps Shisui with student films and projects outside of school (will probably pursue film after graduating, tho).

Shisui

- FILM / VIDEO PRODUCTION

Fight me on this!!! THIS BOY IS SO GOOD AT CINEMATOGRAPHY MY FILMMAKING ASS CAN’T EVEN. AS SOMEONE WHO IS IN LOVE WITH FILMOGRAPHY, TRUST ME, SHISUI HAS IT™. THE IT™. HE’S GOOD AT EVERYTHING. CINEMATOGRAPHY. DIRECTING. SCREENWRITING. GRIP-WORK. EDITING. PRODUCING. HE’S SUCH A FILM NERD TOO, AND WATCHES OLD FILMS ALL THE TIME. HE’S JUST TOO GOOD AT IT. DOES STREET PHOTOGRAPHY TOO. HE’S OVERALL A GENIUS WITH CAMERAS. Does film with Itachi outside of school and teaches him, and the two are overall geniuses at filmography. They want to start their own studio together (they do, and it becomes huge). He becomes a leading director, while Itachi becomes a producer and directs sometimes too.

Sasori, Deidara, and Sai

Guess.

Kakashi

- Saxophone

It’s the only thing that suits him and it suits him so well. Has suave.

Obito (omfg his arms y'all)

- Not to say drums or anything, but…. drums.

Narutard 2.0. But he also dabbles in other areas of music. Like, he can also play guitar and sing. He’s also pretty good at music production. Makes R&B sometimes. He wasn’t always the best musician but proved to be a late bloomer, and really harnessed his potential. Tries to be as suave as Kakashi and his saxophone. He isn’t.

Hashirama

- Vocal

OkaYYYYYY. VOCAL GOD. CAN DO RIFFS AND RUNS AND HAS PERFECT PITCH. ALSO THE SWEETEST GUY??? WAS A CHAMBER SINGER AS A FRESHMAN. EVERYONE LOVES HIM, GOOD BOY ENERGY.

Likes to belt.

Madara

- Piano

Total prodigy, but hates classical music. Once was accompanist to Hashirama for a solo vocal performance and hasn’t been left alone since.

Tobirama

- Viola or Cello

Some sort of string instrument and takes it very seriously. Probably plays cello because violas are violas and that’s lame (if you know, you know). Has almost as many awards as Itachi and Madara, but hates his usual piano accompanist, Izuna.

Izuna

- Piano

Also a piano god. The uchihas breed them. Hates being accompanist for Tobirama. They’re secretly best friends though, don’t tell anyone.

Karin

- Tech Theatre.

Idk why. Probably started out with props and made her way up to TD (technical director) in senior year.

Suigetsu

- Tech Theatre

Fucking hates theatre kids. Assistant TD. Karin hates him.

Jugo

- Visual Art

Paints landscapes and nature. Really good with oils and gouache respectively.

Yamato

- lmao Trumpet.

Met Kakashi since they both play brass, but boy he ain’t got that suave. That’s why he plays trumpet. Lmao he plays the fucking trumpet anjdwcnojdnn.

Rin

- Vocal

Sweetest voice and could also play the acoustic guitar when she sang. Died in a car accident junior year. Kakashi was at the wheel when they got hit by a drunk driver. Obito saw the whole thing.

Kurenai

- Visual Art

Can create dream like paintings that almost seem like illusions.

Asuma

- Cello / guitar

Used to play cello because of his parents, but loves to play guitar. Can sing but his voice is raspy from smoking.

Gai

Who the fuck do you think teaches dance?

Jiraiya

- Guitar (lead)

Used to major in lead guitar. Sucked at first. Probably has a couple, casual Grammy Awards (they’re actually not that hard to be awarded with, The Recording Academy award many people outside of mainstream media. My school has a few). Now teachers as head of the Band department at this school.

Tsunade

-Dance

Legendary dancer. Probably toured with a few famous people. Now teaches. Mentored Sakura, and mentored Ino but for a shorter time.

Orochimaru

- Idk, didgeridoo, or some shit

Definitely a wood wind. Flute maybe??? Teaches now but no one knows what he does. Pedophile. Has a thing for Sasuke.

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